Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 327530 | 45.60.31 | 0 | 1 | 468105 | 6 | 75 | Plaque with God The Father Blessing The Virgin | 7 | 2 | Workshop of the Master of the High Foreheads | 8916 | 1600 | late 15th–early 16th century | 1450 | 1525 | 49064 | Overall (without frame): 5 3/8 x 5 1/8 x 1/16 in. (13.7 x 13 x 0.2 cm) | Fletcher Fund, 1945 | 1 | 146 | 9 | 328 | http://www.metmuseum.org/art/collection/search/468105 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 105896 | 17.190.1021 | 0 | 1 | 193732 | 3 | 75 | Plaque | 247 | 403 | Workshop of Charles Fromery|Christian Friedrich Herold | 1685–1738|1700–1779 | , probably | 9099 | 299 | 1685 |1700 | 1738 |1779 | ca. 1730 | 1725 | 1735 | 21399 | 2 × 2 7/8 in. (5.1 × 7.3 cm) | Gift of J. Pierpont Morgan, 1917 | 193 | http://www.metmuseum.org/art/collection/search/193732 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 107144 | 24.80.42 | 0 | 1 | 195079 | 3 | 75 | The Archers | 2456 | 420 | Possibly modeled by | William Hackwood|Josiah Wedgwood | British, ca. 1753–1836|British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent | 8635 | 9 | 1748 |1730 | 1836 |1795 | late 18th century | 1785 | 1799 | 21720 | 2 7/8 × 4 in. (7.3 × 10.2 cm) | Bequest of Mary Clark Thompson, 1923 | 314 | http://www.metmuseum.org/art/collection/search/195079 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 333717 | 1971.110 | 0 | 0 | 480899 | 4 | 75 | Hunt Scene, Three Wolves Attacking a Horse | 5 | Wilhelm Hunt Diederich | American (born Hungary), Szent-Grot 1884–1953 Tappan, New York | 32465 | 261 | 1884 | 1953 | ca. 1920 | 1920 | 1920 | 18 | 21 x 21 3/4 in. (53.3 x 55.2 cm) | Gift of George Biddle, 1971 | 322 | http://www.metmuseum.org/art/collection/search/480899 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 111213 | 44.39.36 | 0 | 1 | 199439 | 3 | 75 | Plaque | 2229 | 1 | Style of | Whieldon type | 8170 | ca. 1760 | 1755 | 1765 | 20492 | 5 3/8 × 5 in. (13.7 × 12.7 cm) | Gift of Mrs. Russell S. Carter, 1944 | 314 | http://www.metmuseum.org/art/collection/search/199439 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 119539 | 1997.134 | 0 | 1 | 208576 | 3 | 75 | A Pointer Bitch | 7 | 2 | Medalist: | Victor Peter | French, Paris 1840–1918 Paris | 11594 | 2 | 1840 | 1918 | ca. 1886 | 1881 | 1891 | 23 | 5 7/16 × 10 3/8 in. (13.8 × 26.4 cm) | Purchase, Stephen K. Scher Gift, 1997 | 306 | http://www.metmuseum.org/art/collection/search/208576 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 13479 | 06.293.2 | 0 | 1 | 14641 | 2 | 75 | James McNeill Whistler | 2 | Victor David Brenner | American (born Lithuania), Kaunas 1871–1924 New York | 574 | 15 | 1871 | 1924 | 1905 | 1905 | 1905 | 2368 | 2 1/2 x 3 1/2 in. (6.4 x 8.9 cm) | Gift of Mr. and Mrs. Frederick S. Wait, 1906 | 12 | http://www.metmuseum.org/art/collection/search/14641 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 46123 | 91.1.256 | 0 | 1 | 53617 | 7 | 75 | 46 | 2 | Toyosuke IV | Japanese, | 3955 | 74 | 19th century | 1800 | 1899 | 11586 | H. 13 1/2 (34.3 cm ); W. 13 1/2 in. (34.3 cm) | Edward C. Moore Collection, Bequest of Edward C. Moore, 1891 | 5 | http://www.metmuseum.org/art/collection/search/53617 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 107184 | 24.80.88 | 0 | 1 | 195119 | 3 | 75 | Assumption of the Virgin | 2770 | 13 | After a composition by | Titian (Tiziano Vecellio)|Adam Lenckhart | Italian, Pieve di Cadore ca. 1485/90?–1576 Venice|German, Würzburg 1610–1661 Vienna | 9484 | 1485 |1610 | 1576 |1661 | 1632 | 1632 | 1632 | 148 | Overall: 10 7/8 × 5 3/4 in. (27.6 × 14.6 cm) | Bequest of Mary Clark Thompson, 1923 | 311 | http://www.metmuseum.org/art/collection/search/195119 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 103641 | 09.165.1 | 0 | 0 | 191197 | 3 | 75 | To the Memory of Auguste Comte | 7 | 2 | Medalist: | Séraphin Vernier | French, 1852–1927 | 8680 | 1852 | 1927 | 1902 | 1902 | 1902 | 23 | 2 3/4 × 2 in. (70 × 51 mm) | Gift of Mr. and Mrs. Frederick S. Wait, 1909 | 306 | http://www.metmuseum.org/art/collection/search/191197 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 105899 | 17.190.1024 | 0 | 0 | 193735 | 3 | 75 | Plaque (one of a pair) | 2212 | 328 | Sèvres Manufactory | French, 1740–present | 1209 | 2 | 1740 | 9999 | 19th century | 1800 | 1899 | 21400 | Diameter: 2 5/8 in. (6.7 cm) | Gift of J. Pierpont Morgan, 1917 | 307 | http://www.metmuseum.org/art/collection/search/193735 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 105900 | 17.190.1025 | 0 | 0 | 193736 | 3 | 75 | Plaque (one of a pair) | 2212 | 328 | Sèvres Manufactory | French, 1740–present | 1209 | 2 | 1740 | 9999 | 19th century | 1800 | 1899 | 21400 | Diameter: 2 5/8 in. (6.7 cm) | Gift of J. Pierpont Morgan, 1917 | 307 | http://www.metmuseum.org/art/collection/search/193736 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 109078 | 32.100.266 | 0 | 1 | 197122 | 3 | 75 | Orpheus Attacked by the Maenads | 666 | 353 | Suzanne de Court | French, active 1575–1625 | 9808 | 2 | 1575 | 1625 | first quarter 17th century | 1600 | 1625 | 21288 | 1 5/8 x 1 1/2 in. (4.1 x 3.8 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197122 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 111370 | 45.60.7 | 0 | 1 | 199616 | 3 | 75 | Christ Delivered to the People | 666 | 353 | Suzanne de Court | French, active 1575–1625 | 9808 | 2 | 1575 | 1625 | late 16th–early 17th century | 1585 | 1615 | 22344 | 9 1/2 x 7 1/4 in. (24.1 x 18.4 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199616 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 115794 | 64.173.78 | 0 | 1 | 204405 | 3 | 75 | Peace and Plenty | 3240 | 328 | Sunderland | 11125 | early 19th century | 1800 | 1815 | 21679 | Gift of Sidney H. and Helen M. Witty, 1964 | 314 | http://www.metmuseum.org/art/collection/search/204405 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 103124 | 08.70.9 | 0 | 0 | 190668 | 3 | 75 | Haydn, Mozart, Beethoven | 184 | 2 | Medalist: | Stephan Schwartz | 8599 | 1850 | 1950 | 1907 | 1907 | 1907 | 23 | 3 1/2 × 2 3/4 in. (89 × 70 mm) | Rogers Fund, 1908 | 306 | http://www.metmuseum.org/art/collection/search/190668 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 103121 | 08.70.6 | 0 | 0 | 190665 | 3 | 75 | Approach of Spring | 184 | 2 | Medalist: | Stanislas Sucharda | 8598 | 1850 | 1950 | 1904 | 1904 | 1904 | 20996 | 3 5/8 × 2 5/8 in. (92 × 67 mm) | Rogers Fund, 1908 | 306 | http://www.metmuseum.org/art/collection/search/190665 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 115137 | 64.101.804 | 0 | 1 | 203622 | 3 | 75 | Venus Begging Arms From Vulcan | 3218 | 2 | After an engraving by | Simon-François Ravenet | 1748–1814 | 11069 | 1748 | 1814 | 1753–56 | 1753 | 1756 | 22824 | Overall: 3 3/4 × 5 1/4 in. (9.5 × 13.3 cm) | Gift of Irwin Untermyer, 1964 | 328 | http://www.metmuseum.org/art/collection/search/203622 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 324105 | 13.124 | 0 | 1 | 463607 | 6 | 75 | Plaque with the Head of Saint John the Baptist on a Charger | 6 | 2 | School of Nottingham | 44641 | 15th century | 1400 | 1499 | 48954 | Overall: 8 1/4 x 6 5/16 x 1 1/8 in. (21 x 16 x 2.9 cm) | Rogers Fund, 1913 | 1 | 1866 | 4 | 806 | http://www.metmuseum.org/art/collection/search/463607 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 327667 | 48.175.1 | 0 | 1 | 468263 | 6 | 75 | The Betrayal of Christ | 6 | 2 | School of Nottingham | 44641 | 15th century | 1400 | 1499 | 48954 | Overall: 14 3/4 x 11 1/4 x 1 3/4 in. (37.5 x 28.6 x 4.4 cm) | Gift of Myron and Anabel Taylor, 1948 | 806 | http://www.metmuseum.org/art/collection/search/468263 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||
| 327668 | 48.175.2 | 0 | 1 | 468264 | 6 | 75 | Taking of Christ | 6 | 2 | School of Nottingham | 44641 | ca. 1440–50 | 1440 | 1450 | 48954 | Overall: 14 3/4 x 11 1/8 x 2in. (37.5 x 28.3 x 5.1cm) | Gift of Myron and Anabel Taylor, 1948 | 806 | http://www.metmuseum.org/art/collection/search/468264 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||
| 103700 | 10.6.2 | 0 | 0 | 191261 | 3 | 75 | Portrait of Johann Ludwig Paul Heyse | 184 | 2 | Medalist: | Rudolph Ferdinand Marschall | Austrian, Vienna 1873–1967 | 8459 | 1873 | 1967 | 1900 | 1900 | 1900 | 2 | 3 × 2 in. (7.6 × 5.1 cm) | Gift of Howard Mansfield, 1910 | 306 | http://www.metmuseum.org/art/collection/search/191261 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 103741 | 10.40.3 | 0 | 0 | 191304 | 3 | 75 | Francis Joseph I of Austria (1830–1916), in Commemoration of the 60th Anniversary of his Succession to the Throne | 184 | 2 | Medalist: | Rudolph Ferdinand Marschall | Austrian, Vienna 1873–1967 | 8459 | 1873 | 1967 | 1908 | 1908 | 1908 | 21040 | 3 5/8 × 2 1/2 in. (9.2 × 6.4 cm) | Gift of Mrs. Edward D. Adams, 1910 | 306 | http://www.metmuseum.org/art/collection/search/191304 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 103744 | 10.40.6 | 0 | 0 | 191307 | 3 | 75 | Portrait of Hans Count Wilczek | 184 | 2 | Medalist: | Rudolph Ferdinand Marschall | Austrian, Vienna 1873–1967 | 8459 | 1873 | 1967 | 20th century | 1900 | 1999 | 23 | 3 1/8 × 1 3/4 in. (7.9 × 4.4 cm) | Gift of Mrs. Edward D. Adams, 1910 | 306 | http://www.metmuseum.org/art/collection/search/191307 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 12365 | 1991.25 | 0 | 0 | 13498 | 1 | 75 | M. B. Brown | 2 | 21 | Manufactured by | Rosina Emmet|Josiah Wedgwood and Sons | American, New York 1854–1948 New York|1759–present | 1958 | 1 | 1854 |1759 | 1948 |9999 | ca. 1878–85 | 1875 | 1885 | 21 | Diam. 15 1/8 in. (38.4 cm) | Sansbury-Mills Fund, 1991 | 1 | 1 | 1 | 4 | 5 | http://www.metmuseum.org/art/collection/search/13498 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||
| 13187 | 1991.335 | 0 | 0 | 14342 | 1 | 75 | Plaque | 1 | 61 | Manufactured by | Rookwood Pottery|Frederick D. H. Rothenbusch | American, Cincinnati, Ohio, 1880–1967|active 1896–1931 | 2170 | 1 | 1880 |1896 | 1967 |1931 | 1916 | 1916 | 1916 | 21 | 8 7/16 x 10 15/16 in. (21.4 x 27.8 cm) | Gift of Mr. and Mrs. Jason Carl Berger, 1991 | 1 | 41 | 3 | 5 | http://www.metmuseum.org/art/collection/search/14342 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||
| 5523 | 1980.453 | 0 | 0 | 5901 | 1 | 75 | Plaque | 1 | 20 | Manufactured by | Rookwood Pottery | American, Cincinnati, Ohio, 1880–1967 | 620 | 1 | 1880 | 1967 | 1919 | 1919 | 1919 | 21 | 9 x 12 in. (22.9 x 30.5 cm) | Purchase, Mr. and Mrs. David Lubart Gift, in memory of Katherine J. Lubart, 1944–1975, 1980 | 1 | 41 | 3 | 5 | http://www.metmuseum.org/art/collection/search/5901 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||
| 115115 | 64.101.777 | 0 | 1 | 203598 | 3 | 75 | Floral plaque | 2276 | 555 | Probably | Richard Champion|Thomas Briand|Bristol | British, active 1742–1780|British | 11064 | 7 | 1742 | 1780 | ca. 1774–77 | 1769 | 1782 | 572 | 5 1/2 × 4 1/2 in. (14 × 11.4 cm) | Gift of Irwin Untermyer, 1964 | 307 | http://www.metmuseum.org/art/collection/search/203598 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 4209 | 83.2.312 | 0 | 1 | 4542 | 1 | 75 | Plaqu | 1 | Rambert Dumarest | French, 1760–1806 | 607 | 2 | 1760 | 1806 | 1789 | 1789 | 1789 | 30 | Diam. 1 1/4 in. (3.2 cm) | Gift of William H. Huntington, 1883 | 1 | 9 | 1 | http://www.metmuseum.org/art/collection/search/4542 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 13653 | 08.70.28 | 0 | 0 | 14817 | 2 | 75 | Tennyson | 2 | Ralph Bartlett Goddard | 1861–1936 | 2221 | 1861 | 1936 | 1893 | 1893 | 1893 | 23 | 6 1/2 x 7 3/4 in. (16.5 x 19.7 cm) | Rogers Fund, 1908 | 12 | http://www.metmuseum.org/art/collection/search/14817 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 13654 | 08.70.29 | 0 | 0 | 14818 | 2 | 75 | Carlyle | 2 | Ralph Bartlett Goddard | 1861–1936 | 2221 | 1861 | 1936 | 1893 | 1893 | 1893 | 23 | 6 1/2 x 7 7/8 in. (16.5 x 20 cm) | Rogers Fund, 1908 | 12 | http://www.metmuseum.org/art/collection/search/14818 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 140548 | 2013.239.3 | 0 | 1 | 239505 | 3 | 75 | Plaque depicting a pottery workshop | 3984 | 1 | R. W. Martin and Brothers | British, 1873–1915 | 12896 | 7 | 1873 | 1915 | ca. 1882 | 1877 | 1887 | 160 | Overall (confirmed): 7 1/4 × 17 × 2 1/8 in. (18.4 × 43.2 × 5.4 cm); Framed (confirmed): 16 1/4 × 19 3/4 × 2 5/8 in. (41.3 × 50.2 × 6.7 cm) | Robert A. Ellison Jr. Collection, Gift of Robert A. Ellison Jr., 2013 | 314 | http://www.metmuseum.org/art/collection/search/239505 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 105800 | 17.190.839 | 0 | 1 | 193636 | 3 | 75 | The Risen Christ | 1136 | 401 | Cast by | Pietro Paolo Nardi | 9085 | 16th century | 1500 | 1599 | 30 | H. 15-1/2 in. (39.4 cm.); W. 7-3/4 in. (19.7 cm.) | Gift of J. Pierpont Morgan, 1917 | 304 | http://www.metmuseum.org/art/collection/search/193636 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 111376 | 45.60.14 | 0 | 1 | 199622 | 3 | 75 | Adoration of the Infant Christ (one of a pair) | 666 | 402 | Possibly made at the workshop of|Frame made by | Pierre Reymond|Alfred André | born 1513, working 1537, died after 1584|French, 1839–1919 | 10261 | 2 | 1513 |1839 | 1590 |1919 | probably third quarter 16th century | 1550 | 1575 | 20538 | 3 × 2 3/8 in. (7.6 × 6 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199622 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 111377 | 45.60.15 | 0 | 1 | 199623 | 3 | 75 | Pietà (one of a pair) | 666 | 402 | Possibly made at the workshop of|Frame made by | Pierre Reymond|Alfred André | born 1513, working 1537, died after 1584|French, 1839–1919 | 10261 | 2 | 1513 |1839 | 1590 |1919 | probably third quarter 16th century | 1550 | 1575 | 20538 | 3 × 2 3/8 in. (7.6 × 6 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199623 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 101017 | 98.7.71 | 0 | 1 | 188472 | 3 | 75 | Maximilien Marie Isidore Robespierre (1758–1794), French revolutionary and investigator of "the Terror" | 7 | 2 | Pierre Jean David d'Angers | French, Angers 1788–1856 Paris | 679 | 2 | 1788 | 1856 | 19th century | 1800 | 1899 | 20735 | Diameter: 7 3/4 in. (19.7 cm) | Gift of Samuel P. Avery, 1898 | 306 | http://www.metmuseum.org/art/collection/search/188472 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140184 | 2011.357 | 0 | 1 | 238641 | 3 | 75 | Hercules and the Twelve Labors | 7 | 32 | After a composition by | Paul Grandhomme|Alfred Garnier|Gustave Moreau | 1851–1944|French, 1848–1908|French, Paris 1826–1898 Paris | 12832 | 21 | 1851 |1848 |1826 | 1944 |1908 |1898 | ca. 1895 | 1890 | 1900 | 232 | Overall: 7 3/16 x 5 7/8 in. (18.3 x 14.9 cm) | Gift of The Isaacson-Draper Foundation, in honor of Ian Wardropper, 2011 | 193 | http://www.metmuseum.org/art/collection/search/238641 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 119143 | 1994.180 | 0 | 1 | 208179 | 3 | 75 | Plaque | 114 | 354 | Paul Grandhomme|Alfred Garnier | 1851–1944|French, 1848–1908 | 11893 | 2 | 1851 |1848 | 1944 |1908 | 1889 | 1889 | 1889 | 20538 | Diameter: 7 in. (17.8 cm) | Purchase, Friends of European Sculpture and Decorative Arts Gifts, 1994 | 193 | http://www.metmuseum.org/art/collection/search/208179 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 118312 | 1982.326.2 | 0 | 1 | 207313 | 3 | 75 | Plaque | 2273 | 2 | P. Ipsen | 11652 | 1825 | 1925 | ca. 1876 | 1871 | 1881 | 23565 | Diameter: 6 1/8 in. (15.6 cm) | Gift of Mildred R. Mottahedeh, 1982 | 314 | http://www.metmuseum.org/art/collection/search/207313 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 16951 | 2011.321.20 | 0 | 1 | 20755 | 1 | 75 | Plaque | 1 | 39 | Ott and Brewer|Isaac Broome | 1871–1893|1835–1922 | 2634 | 1871 |1835 | 1893 |1922 | ca. 1876–87 | 1871 | 1887 | 103 | 14 1/2 x 10 3/4 in. (36.8 x 27.3 cm) | Gift of Emma and Jay Lewis, 2011 | 1 | 49 | 3 | 5 | http://www.metmuseum.org/art/collection/search/20755 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 16952 | 2011.321.19 | 0 | 1 | 20756 | 1 | 75 | Plaque | 1 | 39 | Ott and Brewer|Isaac Broome | 1871–1893|1835–1922 | 2634 | 1871 |1835 | 1893 |1922 | 1876 | 1876 | 1876 | 103 | 14 3/8 x 11 1/4 in. (36.5 x 28.6 cm) | Gift of Emma and Jay Lewis, 2011 | 1 | 49 | 3 | 5 | http://www.metmuseum.org/art/collection/search/20756 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 15591 | 2011.316 | 0 | 1 | 16899 | 1 | 75 | Plaque | 1 | 2 | Ott and Brewer | 1871–1893 | 398 | 1871 | 1893 | ca. 1890 | 1890 | 1890 | 109 | 9 5/8 x 9 5/8 x 1 3/8 in. (24.4 x 24.4 x 3.5 cm) | Purchase, David S. and Elizabeth W. Quackenbush Gift and funds from various donors, 2011 | 5 | http://www.metmuseum.org/art/collection/search/16899 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 117702 | 1977.216.8 | 0 | 1 | 206627 | 3 | 75 | Plaque | 3330 | 1 | Possibly by | Olérys Factory | French, established Moustiers, 1738 | 9033 | 1738 | 1838 | ca. 1740 | 1735 | 1745 | 20668 | Overall: 24 1/2 × 14 1/2 in. (62.2 × 36.8 cm) | Bequest of R. Thornton Wilson, in memory of his wife, Florence Ellsworth Wilson, 1977 | 314 | http://www.metmuseum.org/art/collection/search/206627 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 139434 | 2007.221 | 0 | 1 | 232263 | 3 | 75 | Plaque depicting Bernard Palissy | 2212 | 694 | After a design by|After a painting by|Enamel decoration by|After designs by|Biscuit figures modeled by|Frame by | Nicolas-Marie Moriot|Charles Alexandre Debacq|Jacob Meyer-Heine|Alexandre Laemlein|Jean-Baptiste-Jules Klagmann|Sèvres Manufactory|Armand Feuchère | French, Versailles 1788–1852|French, Paris 1804–1853 Paris|active 1840–73|French, Hohenfeld 1813–1871 Pontlevoy|French, Paris 1810–1867 Paris|French, 1740–present|French, active Sèvres, 1842–51 | 12692 | 106 | 1788 |1804 |1840 |1813 |1810 |1740 |1800 | 1852 |1853 |1873 |1871 |1867 |9999 |1900 | 1846 | 1846 | 1846 | 25349 | Overall (confirmed): 19 1/2 x 17 3/4 x 2 5/8 in. (49.5 x 45.1 x 6.7 cm) | Purchase, The Isaacson-Draper Foundation Gift, 2007 | 307 | http://www.metmuseum.org/art/collection/search/232263 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 116930 | 1974.289.9 | 0 | 0 | 205716 | 3 | 75 | Adoration of the Magi | 666 | 1 | Workshop of | Nardon Pénicaud | French, 1470–1542/43 | 8917 | 2 | 1470 | 1543 | probably ca. 1520 | 1515 | 1525 | 20538 | 4 5/8 x 3 1/2 in. (11.7 x 8.9 cm) | Bequest of Theodore Rousseau, 1974 | 193 | http://www.metmuseum.org/art/collection/search/205716 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 327381 | 41.100.209 | 0 | 1 | 467781 | 6 | 75 | Plaque with the Crucifixion | 7 | 2 | Atelier of | Nardon Pénicaud | French, 1470–1542/43 | 8917 | 2 | 1470 | 1543 | 16th century | 1500 | 1599 | 49064 | Overall: 6 15/16 x 6 1/8 x 1/16 in. (17.6 x 15.5 x 0.2 cm) | Gift of George Blumenthal, 1941 | 1 | 146 | 9 | 328 | http://www.metmuseum.org/art/collection/search/467781 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||
| 327382 | 41.100.210 | 0 | 1 | 467782 | 6 | 75 | Plaque with Christ Carring Cross | 7 | 2 | Atelier of | Nardon Pénicaud | French, 1470–1542/43 | 8917 | 2 | 1470 | 1543 | 16th century | 1500 | 1599 | 49064 | Overall: 7 x 6 1/8 x 1/16 in. (17.8 x 15.5 x 0.2 cm) | Gift of George Blumenthal, 1941 | 1 | 146 | 9 | 328 | http://www.metmuseum.org/art/collection/search/467782 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||
| 332330 | 49.7.105 | 0 | 1 | 478980 | 6 | 75 | Plaque with the Crucifixion | 7 | 2 | Workshop of | Nardon Pénicaud | French, 1470–1542/43 | 8917 | 2 | 1470 | 1543 | late 15th–early 16th century | 1475 | 1525 | 232 | Overall: 8 5/16 x 7 5/16 x 1/16 in. (21.2 x 18.6 x 0.2 cm) Framed: 9 3/16 x 8 1/16 x 7/16 in. (23.4 x 20.5 x 1.1 cm) | The Jules Bache S. Bache Collection, 1949 | 1 | 146 | 9 | 328 | http://www.metmuseum.org/art/collection/search/478980 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||
| 317598 | 1972.89 | 0 | 1 | 452380 | 9 | 75 | Star-Shaped Plaque | 1 | Muhammad Talib Gilani | 44213 | first half 16th century | 1500 | 1550 | 46952 | H. 1/4 in. (0.6 cm) Diam. 3 3/8 in. (8.6 cm) | Purchase, Jack A. Josephson Gift, 1972 | 20 | 59 | 777 | http://www.metmuseum.org/art/collection/search/452380 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 324158 | 14.40.704 | 0 | 1 | 463681 | 6 | 75 | Plaque with The Betrayal of Christ | 7 | 2 | Monvaerni | 44652 | 15th century | 1400 | 1499 | 49064 | Overall (without frame): 9 13/16 x 9 1/8 x 1/16 in. (24.9 x 23.2 x 0.2 cm) | Bequest of Benjamin Altman, 1913 | 1 | 146 | 9 | 328 | http://www.metmuseum.org/art/collection/search/463681 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 324368 | 17.190.1642 | 0 | 1 | 464048 | 6 | 75 | Plaque with the Crucifixion | 7 | 2 | Monvaerni | 44652 | 15th century | 1400 | 1499 | 49064 | without frame: 9 7/16 × 8 7/8 × 1/16 in. (24 × 22.5 × 0.2 cm) | Gift of J. Pierpont Morgan, 1917 | 1 | 146 | 9 | 328 | http://www.metmuseum.org/art/collection/search/464048 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 327137 | 32.100.250 | 0 | 1 | 467486 | 6 | 75 | Plaque with the Last Judgement | 7 | 2 | Atelier of | Monvaerni | 44652 | ca. 1500 | 1500 | 1500 | 49064 | Overall: 8 1/16 x 6 3/16 x 1/16 in. (20.4 x 15.7 x 0.2 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 1 | 146 | 9 | 328 | http://www.metmuseum.org/art/collection/search/467486 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 327529 | 45.60.13 | 0 | 1 | 468104 | 6 | 75 | Plaque with Adoration of the Shephards | 7 | 2 | Atelier of | Monvaerni | 44652 | 15th century | 1400 | 1499 | 50021 | Overall: 4 5/16 x 3 1/4 x 1/16 in. (10.9 x 8.2 x 0.1 cm) | Fletcher Fund, 1945 | 1 | 146 | 9 | 328 | http://www.metmuseum.org/art/collection/search/468104 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 3716 | 83.2.140 | 0 | 1 | 3972 | 1 | 75 | George Washington in Japanese Costume | 35 | 1 | Attributed to | Miyagawa Kozan | 1842–1916 | 577 | 1842 | 1916 | 1800–83 | 1800 | 1883 | 109 | 7 3/4 x 8 1/2 in. (19.7 x 21.6 cm) | Gift of William H. Huntington, 1883 | 1 | 15 | 5 | http://www.metmuseum.org/art/collection/search/3972 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 107345 | 25.45.2 | 0 | 1 | 195303 | 3 | 75 | Plaque (one of two) | 7 | 1 | Micault | 9528 | 1725 | 1825 | second half 18th century | 1750 | 1799 | 232 | L. 5 3/16 in. (13.2 cm.); W. 4 3/8 in. (11.1 cm.) | Gift of Mrs. Morris Hawkes, 1925 | 328 | http://www.metmuseum.org/art/collection/search/195303 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 107346 | 25.45.3 | 0 | 1 | 195304 | 3 | 75 | Plaque (one of two) | 7 | 1 | Micault | 9528 | 1725 | 1825 | second half 18th century | 1750 | 1799 | 232 | L. 5 3/16 in. (13.2 cm.); W. 4 3/8 in. (11.1 cm.) | Gift of Mrs. Morris Hawkes, 1925 | 328 | http://www.metmuseum.org/art/collection/search/195304 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 112689 | 51.1.1 | 0 | 1 | 200972 | 3 | 75 | Plaque | 2269 | 507 | Decorated in the manner of|After a print by|After a painting by | Meissen Manufactory|Franz Ferdinand Mayer|Johann Sadeler I|Christoph Schwarz | German, 1710–present|Netherlandish, Brussels 1550–1600/1601 Venice|German, Munich ca. 1548–1592 Munich | 10699 | 330 | 1710 |1700 |1550 |1548 | 9999 |1800 |1601 |1592 | ca. 1750–60 | 1745 | 1765 | 572 | 3 11/16 × 2 11/16 in. (9.4 × 6.8 cm) | Gift of R. Thornton Wilson, 1951 | 307 | http://www.metmuseum.org/art/collection/search/200972 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 112690 | 51.1.2 | 0 | 1 | 200973 | 3 | 75 | Plaque | 2269 | 330 | Decorated in the manner of | Meissen Manufactory|Franz Ferdinand Mayer | German, 1710–present | 10700 | 10 | 1710 |1700 | 9999 |1800 | ca. 1750–60 | 1745 | 1765 | 572 | 3 11/16 × 2 11/16 in. (9.4 × 6.8 cm) | Gift of R. Thornton Wilson, 1951 | 307 | http://www.metmuseum.org/art/collection/search/200973 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 329877 | 69.238.1 | 0 | 1 | 471950 | 17 | 75 | Plaque from a Reliquary | 27 | 2 | Workshop of | Master of the Virgin Mary's Reliquary Casket | German, Aachen | 44758 | 10 | early 13th century | 1200 | 1240 | 50418 | Overall: 3 7/16 x 1 9/16 x 5/16 in. (8.7 x 4 x 0.8 cm) | The Cloisters Collection, 1969 | 1 | 556 | 16 | 193 | http://www.metmuseum.org/art/collection/search/471950 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 329878 | 69.238.2 | 0 | 1 | 471951 | 17 | 75 | Plaque from a Reliquary | 27 | 2 | Workshop of | Master of the Virgin Mary's Reliquary Casket | German, Aachen | 44758 | 10 | early 13th century | 1200 | 1240 | 50418 | Overall: 3 1/2 x 1 5/8 x 3/8 in. (8.9 x 4.1 x 0.9 cm) | The Cloisters Collection, 1969 | 1 | 556 | 16 | 193 | http://www.metmuseum.org/art/collection/search/471951 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 329879 | 69.238.3 | 0 | 1 | 471952 | 17 | 75 | Plaque from a Reliquary | 27 | 2 | Workshop of the | Master of the Virgin Mary's Reliquary Casket | German, Aachen | 44758 | 10 | early 13th century | 1200 | 1240 | 50418 | Overall: 3 5/16 x 1 9/16 x 5/16 in. (8.4 x 4 x 0.8 cm) | The Cloisters Collection, 1969 | 1 | 556 | 16 | 193 | http://www.metmuseum.org/art/collection/search/471952 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 327710 | 49.7.106 | 0 | 1 | 468316 | 6 | 75 | Plaque with the Virgin and Child | 7 | 2 | Attributed to Workshop of | Master of the Triptych of Louis XII | ca. 1490–ca. 1515 | 8915 | 1480 | 1525 | late 15th–early 16th century | 1450 | 1525 | 49064 | Overall: 8 1/8 x 9 1/8 in. (20.6 x 23.2 cm) | The Jules S. Bache Collection, 1949 | 1 | 146 | 9 | 328 | http://www.metmuseum.org/art/collection/search/468316 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||
| 327383 | 41.100.211a | 0 | 1 | 467783 | 6 | 75 | Plaque with the Crucifixion | 7 | 2 | Master of the Orléans Triptych | French, active late 15th–early 16th century | 11613 | 2 | 1485 | 1615 | 16th century | 1500 | 1599 | 49064 | Overall: 8 3/16 x 7 11/16 x 1/16 in. (20.8 x 19.5 x 0.2 cm) Inset: 4 13/16 x 4 1/8 in. (12.3 x 10.4 cm) | Gift of George Blumenthal, 1941 | 1 | 146 | 9 | 328 | http://www.metmuseum.org/art/collection/search/467783 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||
| 122486 | 2003.235 | 0 | 1 | 212210 | 3 | 75 | Hercules and Achelous (in the form of a bull) | 184 | 1 | Attributed to the | Master of the Martyrdom of St. Sebastian | Austrian | 11612 | 66 | ca. 1670 | 1665 | 1675 | 148 | Overall: 3 × 2 1/2 in. (7.6 × 6.4 cm) | Purchase, Mrs. Sid R. Bass, Mrs. Oscar de la Renta and Mrs. Walter Annenberg Gifts, in honor of Mrs. Charles Wrightsman, 2003 | 311 | http://www.metmuseum.org/art/collection/search/212210 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 99812 | 88.3.85 | 0 | 1 | 187154 | 3 | 75 | Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | probably ca. 1530–35 | 1525 | 1540 | 20538 | 7 3/4 x 8 1/2 in. (19.7 x 21.6 cm) | Gift of Coudert Brothers, 1888 | 193 | http://www.metmuseum.org/art/collection/search/187154 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107336 | 25.39.1 | 0 | 1 | 195294 | 3 | 75 | The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 7 1/4 x 7 3/4 in. (18.4 x 19.7 cm) | Rogers Fund, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195294 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107337 | 25.39.2 | 0 | 1 | 195295 | 3 | 75 | Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 x 8 in. (22.2 x 20.3 cm) | Rogers Fund, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195295 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107338 | 25.39.3 | 0 | 1 | 195296 | 3 | 75 | Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 x 7 3/4 in. (22.2 x 19.7 cm) | Rogers Fund, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195296 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107339 | 25.39.4 | 0 | 1 | 195297 | 3 | 75 | Aeneas Departs from Carthage (Aeneid, Book IV) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 x 7 7/8 in. (22.2 x 20.0 cm) | Rogers Fund, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195297 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107340 | 25.39.5 | 0 | 1 | 195298 | 3 | 75 | Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 x 7 3/4 in. (22.2 x 19.7 cm) | Rogers Fund, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195298 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107341 | 25.40.1 | 0 | 1 | 195299 | 3 | 75 | Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 x 7 3/4 in. (22.2 x 19.7 cm) | Gift of J. Pierpont Morgan, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195299 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107342 | 25.40.2 | 0 | 1 | 195300 | 3 | 75 | The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 x 7 3/4 in. (22.2 x 19.7 cm) | Gift of J. Pierpont Morgan, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195300 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107343 | 25.41 | 0 | 1 | 195301 | 3 | 75 | The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 7/8 x 7 3/4 in. (22.5 x 19.7 cm) | Gift of Henry Walters, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195301 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 109086 | 32.100.274 | 0 | 1 | 197130 | 3 | 75 | Madonna and Child | 666 | 1 | Possibly by | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | second quarter 16th century | 1525 | 1550 | 20538 | Height: 3 15/16 in. (10 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197130 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 111366 | 45.60.3 | 0 | 1 | 199612 | 3 | 75 | Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | probably ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 × 7 3/4 in. (22.2 × 19.7 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199612 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 111367 | 45.60.4 | 0 | 1 | 199613 | 3 | 75 | Pandarus and Bitias Fight the Rutuli Before the Trojan Camp (Aeneid, Book IX) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 21178 | 8 3/4 x 7 3/4 in. (22.2 x 19.7 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199613 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 111368 | 45.60.5 | 0 | 1 | 199614 | 3 | 75 | Turnus, Overwhelmed by the Trojans, Crosses the River to Return to His Companions (Aeneid, Book IX) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 x 7 3/4 in. (22.2 x 19.7 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199614 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 111369 | 45.60.6 | 0 | 1 | 199615 | 3 | 75 | Juno, Seated on a Golden Throne, Asks Alecto to Confuse the Trojans (Aeneid, Book VI) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 9 x 8 in. (22.9 x 20.3 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199615 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 111391 | 45.60.29 | 0 | 1 | 199637 | 3 | 75 | Aeneas and His Companions Sacrifice to the Gods before the Tomb of his Father, Anchises, in Sicily (Aeneid, Book V) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 21178 | 8 7/8 x 7 7/8 in. (22.5 x 20 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199637 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 111392 | 45.60.30 | 0 | 1 | 199638 | 3 | 75 | The Combat between Dares and Entellus (Aeneid, Book V) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 21178 | 8 7/8 x 7 7/8 in. (22.5 x 20 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199638 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 109081 | 32.100.269a, b | 0 | 1 | 197125 | 3 | 75 | The Sacrifice of Noah | 666 | 439 | After a fresco in the Vatican logia by the Workshop of|Based on engraving by | Master K.I.P.|Raphael (Raffaello Sanzio or Santi)|Marco Dente | French, active mid-16th century|Italian, Urbino 1483–1520 Rome|Italian, Ravenna, active by 1515–died 1527 Rome | 9811 | 211 | 1530 |1483 |1515 | 1565 |1520 |1527 | mid-16th century | 1530 | 1565 | 20538 | 4 5/16 x 4 11/16 in. (11 x 11.9 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197125 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 322365 | 1975.1.1231 | 0 | 1 | 460524 | 16 | 75 | Hope | 13 | Master IDC|Jean Cour (or Court) | French, active Limoges 1614–27|French, Limoges, active 1598–1631 | or | 44554 | 3392 | 1598 | 1631 | late 16th to early 17th century | 1571 | 1635 | 48366 | 11 5/8 x 8 15/16 in. (29.8 x 22.7cm) | Robert Lehman Collection, 1975 | 193 | http://www.metmuseum.org/art/collection/search/460524 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 322640 | 1975.1.1230 | 0 | 1 | 460804 | 16 | 75 | Faith | 13 | Master IDC|Jean Cour (or Court) | French, active Limoges 1614–27|French, Limoges, active 1598–1631 | or | 44554 | 3392 | 1598 | 1631 | late 16th century or early 17th century | 1571 | 1635 | 48536 | 11 5/8 x 9 1/8 in. (29.8 x 23.2 cm) | Robert Lehman Collection, 1975 | 193 | http://www.metmuseum.org/art/collection/search/460804 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 109075 | 32.100.263 | 0 | 1 | 197119 | 3 | 75 | Diana Hunting and Proserpina in the Underworld | 666 | 353 | Master I. D. C. | active second half of the 16th century | 9807 | 1550 | 1599 | probably early 17th century | 1600 | 1615 | 22013 | 6 3/16 x 4 9/16 in. (15.7 x 11.6cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197119 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 105670 | 17.190.488 | 0 | 1 | 193505 | 3 | 75 | Daniel, Archbishop of Mainz | 2626 | 2 | Master HKVB | 9049 | 1500 | 1600 | 1568 | 1568 | 1568 | 21259 | Overall (confirmed): 6 7/8 × 5 × 5/8 in. (17.5 × 12.7 × 1.6 cm) | Gift of J. Pierpont Morgan, 1917 | 311 | http://www.metmuseum.org/art/collection/search/193505 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 328516 | 1987.89 | 0 | 1 | 469906 | 17 | 75 | Plaque with Saint Aemilian | 13 | 2 | Master Engelram and his son Redolfo | Spanish, active Longroño, 1060–1090/5 | 44721 | 76 | 1060 | 1095 | 1060–80 | 1060 | 1080 | 50233 | Overall: 8 1/8 x 3 x 1/4 in. (20.6 x 7.6 x 0.7 cm) | The Cloisters Collection, 1987 | 1 | 767 | 5 | 181 | http://www.metmuseum.org/art/collection/search/469906 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||
| 109088 | 32.100.276 | 0 | 1 | 197132 | 3 | 75 | The Resurrection | 666 | 402 | Frame made by | Martial Reymond|Alfred André | recorded 1602–8|French, 1839–1919 | 9813 | 2 | 1602 |1839 | 1608 |1919 | early 17th century | 1600 | 1615 | 20538 | 8 × 6 3/4 in. (20.3 × 17.1 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197132 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 121706 | 09.36.2 | 0 | 0 | 211387 | 3 | 75 | Plaque | 1136 | 1 | Manifattura Cantagalli | Italian, established Florence, 1878 | 1878 | 1978 | 20th century | 1900 | 1999 | 20530 | 1 3/8 × 9 3/8 in. (3.5 × 23.8 cm) | Rogers Fund, 1909 | 314 | http://www.metmuseum.org/art/collection/search/211387 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 105072 | 14.40.701 | 0 | 1 | 192742 | 3 | 75 | Portrait of an unidentified gentleman | 666 | 2 | Léonard Limosin | ca. 1505–1575/1577 | 8919 | 1505 | 1577 | mid-16th century | 1530 | 1565 | 7836 | 4 5/8 × 3 5/16 in. (11.7 × 8.4 cm) | Bequest of Benjamin Altman, 1913 | 193 | http://www.metmuseum.org/art/collection/search/192742 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 105073 | 14.40.702 | 0 | 1 | 192743 | 3 | 75 | Portrait of an unidentified gentleman | 666 | 2 | Léonard Limosin | ca. 1505–1575/1577 | 8919 | 1505 | 1577 | mid-16th century | 1530 | 1565 | 20538 | 4 5/8 × 3 5/16 in. (11.7 × 8.4 cm) | Bequest of Benjamin Altman, 1913 | 193 | http://www.metmuseum.org/art/collection/search/192743 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 109064 | 32.100.252 | 0 | 1 | 197108 | 3 | 75 | The Sibyl Aprippa | 666 | 1 | Workshop of | Léonard Limosin | ca. 1505–1575/1577 | 8919 | 1505 | 1577 | probably ca. 1535–40 | 1530 | 1545 | 20538 | 5 1/16 x 5 1/16 in. (12.9 x 12.9 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197108 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 119140 | 1994.73 | 0 | 1 | 208176 | 3 | 75 | Henri II, King of France | 666 | 353 | Léonard Limosin | ca. 1505–1575/1577 | 8919 | 1505 | 1577 | probably ca. 1555–60 | 1550 | 1565 | 21102 | 3 1/2 x 2 11/16 in. (8.9 x 6.8 cm) | Purchase, Rogers Fund, and Ruth Blumka Gift, in honor of Kimberly Nasatir, 1994 | 193 | http://www.metmuseum.org/art/collection/search/208176 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 119918 | 49.7.108 | 1 | 1 | 209063 | 3 | 75 | Henri d'Albret (1503–55), King of Navarre | 666 | 2 | Léonard Limosin | ca. 1505–1575/1577 | 8919 | 1505 | 1577 | 1556 | 1556 | 1556 | 23840 | 7 1/2 x 5 5/8 in. (19.1 x 14.3 cm) | The Jules Bache Collection, 1949 | 193 | http://www.metmuseum.org/art/collection/search/209063 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 100155 | 93.10.18 | 0 | 1 | 187513 | 3 | 75 | Pierre Boulanger, Ironworker, and His Wife | 7 | 2 | Medalist: | Louis-Oscar Roty | French, Paris 1846–1911 Paris | 8156 | 2 | 1846 | 1911 | 19th century | 1800 | 1899 | 20617 | 5 1/2 × 4 in. (140 × 102 mm) | Gift of Samuel P. Avery, 1893 | 306 | http://www.metmuseum.org/art/collection/search/187513 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 100159 | 93.10.22 | 0 | 1 | 187517 | 3 | 75 | Marie Augustine Roty, Wife of the Medalist | 7 | 2 | Medalist: | Louis-Oscar Roty | French, Paris 1846–1911 Paris | 8156 | 2 | 1846 | 1911 | 1880 | 1880 | 1880 | 20623 | 5 3/4 × 4 3/16 in. (146 × 106 mm) | Gift of Samuel P. Avery, 1893 | 306 | http://www.metmuseum.org/art/collection/search/187517 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 100168 | 93.10.31 | 0 | 1 | 187526 | 3 | 75 | Jean Baptiste and Elisabeth Virginie Roty, Parents of the Medalist | 7 | 2 | Medalist: | Louis-Oscar Roty | French, Paris 1846–1911 Paris | 8156 | 2 | 1846 | 1911 | 1886 | 1886 | 1886 | 20625 | 5 5/16 × 6 7/16 in. (135 × 164 mm) | Gift of Samuel P. Avery, 1893 | 306 | http://www.metmuseum.org/art/collection/search/187526 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 100172 | 93.10.35a, b | 0 | 1 | 187530 | 3 | 75 | In Memory of Dr. Leon-Athanase Gosselin, French Surgeon (1815–1887) | 7 | 2 | Medalist: | Louis-Oscar Roty | French, Paris 1846–1911 Paris | 8156 | 2 | 1846 | 1911 | 1888 | 1888 | 1888 | 20625 | 5 1/2 × 4 in. (140 × 102 mm) | Gift of Samuel P. Avery, 1893 | 306 | http://www.metmuseum.org/art/collection/search/187530 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 100906 | 97.15.1a, b | 0 | 1 | 188324 | 3 | 75 | In Honor of George Duplessis, Curator of Prints, Bibliothéque National | 7 | 2 | Medalist: | Louis-Oscar Roty | French, Paris 1846–1911 Paris | 8156 | 2 | 1846 | 1911 | 1886 | 1886 | 1886 | 20617 | 5 × 3 1/2 in. (127 × 89 mm) | Gift of Samuel P. Avery, 1897 | 306 | http://www.metmuseum.org/art/collection/search/188324 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 100907 | 97.15.2 | 0 | 1 | 188325 | 3 | 75 | Wounded Love | 7 | 2 | Medalist: | Louis-Oscar Roty | French, Paris 1846–1911 Paris | 8156 | 2 | 1846 | 1911 | 19th century | 1800 | 1899 | 20617 | Diameter: 7 in. (178 mm) | Gift of Samuel P. Avery, 1893 | 306 | http://www.metmuseum.org/art/collection/search/188325 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 12392 | 1990.314.22 | 0 | 1 | 13525 | 1 | 75 | Plaque | 1 | 4 | Designed by | Louis Comfort Tiffany|Tiffany Studios | American, New York 1848–1933 New York|1902–32 | 134 | 1 | 1848 |1902 | 1933 |1932 | ca. 1905–20 | 1902 | 1923 | 23 | Diam. 9 1/2 in. (24.1 cm) | Gift of Estate of John F. Scharffenberger, 1990 | 1 | 3 | 32 | 32 | 3 | 1 | http://www.metmuseum.org/art/collection/search/13525 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||
| 12393 | 1990.314.23 | 0 | 1 | 13526 | 1 | 75 | Plaque | 1 | 4 | Designed by | Louis Comfort Tiffany|Tiffany Studios | American, New York 1848–1933 New York|1902–32 | 134 | 1 | 1848 |1902 | 1933 |1932 | ca. 1905–20 | 1902 | 1923 | 23 | 6 9/16 x 4 1/2 in. (16.7 x 11.4 cm) | Gift of Estate of John F. Scharffenberger, 1990 | 1 | 3 | 32 | 32 | 3 | 1 | http://www.metmuseum.org/art/collection/search/13526 | 4/23/2018 8:00:01 AM | 1 |