Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 115996 | 66.87 | 0 | 0 | 204669 | 3 | 75 | Adoration of the Magi | 546 | 1 | Egino Weinert | working ca. 1950–65 | 11174 | 1945 | 1970 | mid-20th century | 1930 | 1965 | 23062 | Gr. H. 3 3/4 in. (9.5 cm); Gr. W. 3 7/16 in. (8.7 cm.) | Gift of Kunsthaus Lempertz, 1966 | 193 | http://www.metmuseum.org/art/collection/search/204669 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 106578 | 17.190.1944 | 0 | 1 | 194417 | 3 | 75 | Plaque | 2452 | 328 | Factory of | Jean-Baptiste Guillibaud | working 1720–39 | 9364 | 1720 | 1739 | ca. 1735 | 1730 | 1740 | 20668 | Overall: 7 × 10 3/8 in. (17.8 × 26.4 cm) | Gift of J. Pierpont Morgan, 1917 | 314 | http://www.metmuseum.org/art/collection/search/194417 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 109090 | 32.100.278 | 0 | 1 | 197134 | 3 | 75 | The Devotion of St. Bathilda | 666 | 353 | Attributed to | Jean Limosin | recorded 1615–35 | 9815 | 1615 | 1635 | first quarter 17th century | 1600 | 1625 | 20538 | 5 1/16 × 4 1/8 in. (12.9 × 10.5 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197134 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 109088 | 32.100.276 | 0 | 1 | 197132 | 3 | 75 | The Resurrection | 666 | 402 | Frame made by | Martial Reymond|Alfred André | recorded 1602–8|French, 1839–1919 | 9813 | 2 | 1602 |1839 | 1608 |1919 | early 17th century | 1600 | 1615 | 20538 | 8 × 6 3/4 in. (20.3 × 17.1 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197132 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 111381 | 45.60.19 | 0 | 1 | 199627 | 3 | 75 | The Resurrection | 666 | 353 | Jean I Reymond | died 1602–3 | 10263 | 1560 | 1603 | ca. 1580–1600 | 1575 | 1605 | 20538 | Overall: 8 1/2 × 6 3/8 in. (21.6 × 16.2 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199627 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 5530 | 1987.230 | 0 | 1 | 5908 | 1 | 75 | Plaque | 1 | 1 | Karl L. H. Müller | ca. 1820–1887 | 272 | 1 | 1817 | 1890 | 1876 | 1876 | 1876 | 109 | W. 5 3/4 in. (14. cm) | Friends of the American Wing Fund, 1987 | 1 | 3 | 17 | 17 | 3 | 5 | http://www.metmuseum.org/art/collection/search/5908 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||
| 99801 | 88.3.44 | 0 | 1 | 187143 | 3 | 75 | Saint Nicolas | 666 | 353 | Jacques II Laudin | ca. 1663–1729 | 8112 | 1658 | 1734 | late 17th–early 18th century | 1685 | 1715 | 20538 | 6 3/8 × 5 7/8 in. (16.2 × 14.9 cm) | Gift of Coudert Brothers, 1888 | 193 | http://www.metmuseum.org/art/collection/search/187143 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 112476 | 50.211.39 | 0 | 1 | 200758 | 3 | 75 | Plaque (one of a pair) | 2266 | 2 | Frederick van Frijtom | ca. 1632–1702 | 10632 | 1632 | 1702 | ca. 1660–92 | 1655 | 1692 | 113 | Overall: 7 3/4 × 11 3/8 in. (19.7 × 28.9 cm) | Gift of R. Thornton Wilson, in memory of Florence Ellsworth Wilson, 1950 | 314 | http://www.metmuseum.org/art/collection/search/200758 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 112477 | 50.211.40 | 0 | 1 | 200759 | 3 | 75 | Plaque (one of a pair) | 2266 | 2 | Frederick van Frijtom | ca. 1632–1702 | 10632 | 1632 | 1702 | ca. 1660–92 | 1655 | 1692 | 113 | Overall: 7 5/8 × 11 3/8 in. (19.4 × 28.9 cm) | Gift of R. Thornton Wilson, in memory of Florence Ellsworth Wilson, 1950 | 314 | http://www.metmuseum.org/art/collection/search/200759 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 105072 | 14.40.701 | 0 | 1 | 192742 | 3 | 75 | Portrait of an unidentified gentleman | 666 | 2 | Léonard Limosin | ca. 1505–1575/1577 | 8919 | 1505 | 1577 | mid-16th century | 1530 | 1565 | 7836 | 4 5/8 × 3 5/16 in. (11.7 × 8.4 cm) | Bequest of Benjamin Altman, 1913 | 193 | http://www.metmuseum.org/art/collection/search/192742 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 105073 | 14.40.702 | 0 | 1 | 192743 | 3 | 75 | Portrait of an unidentified gentleman | 666 | 2 | Léonard Limosin | ca. 1505–1575/1577 | 8919 | 1505 | 1577 | mid-16th century | 1530 | 1565 | 20538 | 4 5/8 × 3 5/16 in. (11.7 × 8.4 cm) | Bequest of Benjamin Altman, 1913 | 193 | http://www.metmuseum.org/art/collection/search/192743 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 109064 | 32.100.252 | 0 | 1 | 197108 | 3 | 75 | The Sibyl Aprippa | 666 | 1 | Workshop of | Léonard Limosin | ca. 1505–1575/1577 | 8919 | 1505 | 1577 | probably ca. 1535–40 | 1530 | 1545 | 20538 | 5 1/16 x 5 1/16 in. (12.9 x 12.9 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197108 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 119140 | 1994.73 | 0 | 1 | 208176 | 3 | 75 | Henri II, King of France | 666 | 353 | Léonard Limosin | ca. 1505–1575/1577 | 8919 | 1505 | 1577 | probably ca. 1555–60 | 1550 | 1565 | 21102 | 3 1/2 x 2 11/16 in. (8.9 x 6.8 cm) | Purchase, Rogers Fund, and Ruth Blumka Gift, in honor of Kimberly Nasatir, 1994 | 193 | http://www.metmuseum.org/art/collection/search/208176 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 119918 | 49.7.108 | 1 | 1 | 209063 | 3 | 75 | Henri d'Albret (1503–55), King of Navarre | 666 | 2 | Léonard Limosin | ca. 1505–1575/1577 | 8919 | 1505 | 1577 | 1556 | 1556 | 1556 | 23840 | 7 1/2 x 5 5/8 in. (19.1 x 14.3 cm) | The Jules Bache Collection, 1949 | 193 | http://www.metmuseum.org/art/collection/search/209063 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 327710 | 49.7.106 | 0 | 1 | 468316 | 6 | 75 | Plaque with the Virgin and Child | 7 | 2 | Attributed to Workshop of | Master of the Triptych of Louis XII | ca. 1490–ca. 1515 | 8915 | 1480 | 1525 | late 15th–early 16th century | 1450 | 1525 | 49064 | Overall: 8 1/8 x 9 1/8 in. (20.6 x 23.2 cm) | The Jules S. Bache Collection, 1949 | 1 | 146 | 9 | 328 | http://www.metmuseum.org/art/collection/search/468316 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||
| 111376 | 45.60.14 | 0 | 1 | 199622 | 3 | 75 | Adoration of the Infant Christ (one of a pair) | 666 | 402 | Possibly made at the workshop of|Frame made by | Pierre Reymond|Alfred André | born 1513, working 1537, died after 1584|French, 1839–1919 | 10261 | 2 | 1513 |1839 | 1590 |1919 | probably third quarter 16th century | 1550 | 1575 | 20538 | 3 × 2 3/8 in. (7.6 × 6 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199622 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 111377 | 45.60.15 | 0 | 1 | 199623 | 3 | 75 | Pietà (one of a pair) | 666 | 402 | Possibly made at the workshop of|Frame made by | Pierre Reymond|Alfred André | born 1513, working 1537, died after 1584|French, 1839–1919 | 10261 | 2 | 1513 |1839 | 1590 |1919 | probably third quarter 16th century | 1550 | 1575 | 20538 | 3 × 2 3/8 in. (7.6 × 6 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199623 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 107142 | 24.80.40 | 0 | 1 | 195077 | 3 | 75 | Plaque | 2456 | 420 | Lady Templetown|Josiah Wedgwood | before 1759–1823, active 1777–83|British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent | 8582 | 7 | 1759 |1730 | 1823 |1795 | probably ca. 1790 | 1785 | 1795 | 21720 | 3 × 4 1/2 in. (7.6 × 11.4 cm) | Bequest of Mary Clark Thompson, 1923 | 314 | http://www.metmuseum.org/art/collection/search/195077 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 109075 | 32.100.263 | 0 | 1 | 197119 | 3 | 75 | Diana Hunting and Proserpina in the Underworld | 666 | 353 | Master I. D. C. | active second half of the 16th century | 9807 | 1550 | 1599 | probably early 17th century | 1600 | 1615 | 22013 | 6 3/16 x 4 9/16 in. (15.7 x 11.6cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197119 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 99812 | 88.3.85 | 0 | 1 | 187154 | 3 | 75 | Aeneas Erects a Tomb to his Nurse, Caieta, and Flees the Country of Circe (Aeneid, Book VII) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | probably ca. 1530–35 | 1525 | 1540 | 20538 | 7 3/4 x 8 1/2 in. (19.7 x 21.6 cm) | Gift of Coudert Brothers, 1888 | 193 | http://www.metmuseum.org/art/collection/search/187154 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107336 | 25.39.1 | 0 | 1 | 195294 | 3 | 75 | The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 7 1/4 x 7 3/4 in. (18.4 x 19.7 cm) | Rogers Fund, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195294 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107337 | 25.39.2 | 0 | 1 | 195295 | 3 | 75 | Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 x 8 in. (22.2 x 20.3 cm) | Rogers Fund, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195295 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107338 | 25.39.3 | 0 | 1 | 195296 | 3 | 75 | Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 x 7 3/4 in. (22.2 x 19.7 cm) | Rogers Fund, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195296 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107339 | 25.39.4 | 0 | 1 | 195297 | 3 | 75 | Aeneas Departs from Carthage (Aeneid, Book IV) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 x 7 7/8 in. (22.2 x 20.0 cm) | Rogers Fund, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195297 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107340 | 25.39.5 | 0 | 1 | 195298 | 3 | 75 | Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 x 7 3/4 in. (22.2 x 19.7 cm) | Rogers Fund, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195298 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107341 | 25.40.1 | 0 | 1 | 195299 | 3 | 75 | Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 x 7 3/4 in. (22.2 x 19.7 cm) | Gift of J. Pierpont Morgan, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195299 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107342 | 25.40.2 | 0 | 1 | 195300 | 3 | 75 | The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 x 7 3/4 in. (22.2 x 19.7 cm) | Gift of J. Pierpont Morgan, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195300 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107343 | 25.41 | 0 | 1 | 195301 | 3 | 75 | The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 7/8 x 7 3/4 in. (22.5 x 19.7 cm) | Gift of Henry Walters, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195301 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 109086 | 32.100.274 | 0 | 1 | 197130 | 3 | 75 | Madonna and Child | 666 | 1 | Possibly by | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | second quarter 16th century | 1525 | 1550 | 20538 | Height: 3 15/16 in. (10 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197130 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 111366 | 45.60.3 | 0 | 1 | 199612 | 3 | 75 | Aeneas Fleeing Troy with Anchises, Creusa, and Ascanias (Aeneid, Book II) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | probably ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 × 7 3/4 in. (22.2 × 19.7 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199612 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 111367 | 45.60.4 | 0 | 1 | 199613 | 3 | 75 | Pandarus and Bitias Fight the Rutuli Before the Trojan Camp (Aeneid, Book IX) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 21178 | 8 3/4 x 7 3/4 in. (22.2 x 19.7 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199613 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 111368 | 45.60.5 | 0 | 1 | 199614 | 3 | 75 | Turnus, Overwhelmed by the Trojans, Crosses the River to Return to His Companions (Aeneid, Book IX) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 x 7 3/4 in. (22.2 x 19.7 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199614 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 111369 | 45.60.6 | 0 | 1 | 199615 | 3 | 75 | Juno, Seated on a Golden Throne, Asks Alecto to Confuse the Trojans (Aeneid, Book VI) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 9 x 8 in. (22.9 x 20.3 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199615 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 111391 | 45.60.29 | 0 | 1 | 199637 | 3 | 75 | Aeneas and His Companions Sacrifice to the Gods before the Tomb of his Father, Anchises, in Sicily (Aeneid, Book V) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 21178 | 8 7/8 x 7 7/8 in. (22.5 x 20 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199637 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 111392 | 45.60.30 | 0 | 1 | 199638 | 3 | 75 | The Combat between Dares and Entellus (Aeneid, Book V) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 21178 | 8 7/8 x 7 7/8 in. (22.5 x 20 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199638 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 139945 | 2009.427.1 | 0 | 1 | 237080 | 3 | 75 | Maria Christine Teschen | 349 | 331 | Imperial Porcelain Manufactory | Vienna, 1744–1864 | 8184 | 1744 | 1864 | ca. 1775 | 1770 | 1780 | 572 | Overall: 5 5/8 x 4 3/4 x 1 1/8 in. (14.3 x 12.1 x 2.9 cm) | The Charles E. Sampson Memorial Fund, 2009 | 307 | http://www.metmuseum.org/art/collection/search/237080 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 140004 | 2009.427.2 | 0 | 1 | 237742 | 3 | 75 | Albert von Sachsen-Teschen | 349 | 331 | Imperial Porcelain Manufactory | Vienna, 1744–1864 | 8184 | 1744 | 1864 | ca. 1775 | 1770 | 1780 | 572 | Overall: 5 5/8 x 4 3/4 x 1 1/8 in. (14.3 x 12.1 x 2.9 cm) | The Charles E. Sampson Memorial Fund, 2009 | 307 | http://www.metmuseum.org/art/collection/search/237742 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 328516 | 1987.89 | 0 | 1 | 469906 | 17 | 75 | Plaque with Saint Aemilian | 13 | 2 | Master Engelram and his son Redolfo | Spanish, active Longroño, 1060–1090/5 | 44721 | 76 | 1060 | 1095 | 1060–80 | 1060 | 1080 | 50233 | Overall: 8 1/8 x 3 x 1/4 in. (20.6 x 7.6 x 0.7 cm) | The Cloisters Collection, 1987 | 1 | 767 | 5 | 181 | http://www.metmuseum.org/art/collection/search/469906 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||
| 101464 | 06.333a | 0 | 1 | 188978 | 3 | 75 | Plaque (one of a pair) | 2414 | 328 | Alcora factory | Spanish, 1727–1895 | 8408 | 1727 | 1895 | ca. 1755 | 1750 | 1760 | 20671 | Overall: 10 × 6 1/4 × 5/8 in. (25.4 × 15.9 × 1.6 cm) | Rogers Fund, 1906 | 314 | http://www.metmuseum.org/art/collection/search/188978 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 119478 | 1995.268.345 | 0 | 1 | 208514 | 3 | 75 | Plaque | 2414 | 328 | Alcora factory | Spanish, 1727–1895 | 8408 | 1727 | 1895 | late 18th century | 1785 | 1799 | 2061 | 14 9/16 × 17 in. (37 × 43.2 cm) | The Hans Syz Collection, Gift of Stephan B. Syz and John D. Syz, 1995 | 307 | http://www.metmuseum.org/art/collection/search/208514 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 140046 | 06.333b | 0 | 1 | 237862 | 3 | 75 | Plaque (one of a pair) | 2414 | 328 | Alcora factory | Spanish, 1727–1895 | 8408 | 1727 | 1895 | ca. 1755 | 1750 | 1760 | 20671 | Overall: 9 7/8 × 6 3/8 × 5/8 in. (25.1 × 16.2 × 1.6 cm) | Rogers Fund, 1906 | 314 | http://www.metmuseum.org/art/collection/search/237862 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 46123 | 91.1.256 | 0 | 1 | 53617 | 7 | 75 | 46 | 2 | Toyosuke IV | Japanese, | 3955 | 74 | 19th century | 1800 | 1899 | 11586 | H. 13 1/2 (34.3 cm ); W. 13 1/2 in. (34.3 cm) | Edward C. Moore Collection, Bequest of Edward C. Moore, 1891 | 5 | http://www.metmuseum.org/art/collection/search/53617 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 121706 | 09.36.2 | 0 | 0 | 211387 | 3 | 75 | Plaque | 1136 | 1 | Manifattura Cantagalli | Italian, established Florence, 1878 | 1878 | 1978 | 20th century | 1900 | 1999 | 20530 | 1 3/8 × 9 3/8 in. (3.5 × 23.8 cm) | Rogers Fund, 1909 | 314 | http://www.metmuseum.org/art/collection/search/211387 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 109002 | 32.100.168 | 0 | 1 | 197046 | 3 | 75 | Pax with the Risen Christ Appearing to the Apostles | 549 | 2 | Probably by | Guglielmo della Porta | Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome | 8889 | 6 | 1500 | 1577 | 1566–77 | 1566 | 1577 | 30 | Overall: 5 7/16 x 3 11/16 (at base) x 2 in. (13.8 x 9.4 x 5.1 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 304 | http://www.metmuseum.org/art/collection/search/197046 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 107184 | 24.80.88 | 0 | 1 | 195119 | 3 | 75 | Assumption of the Virgin | 2770 | 13 | After a composition by | Titian (Tiziano Vecellio)|Adam Lenckhart | Italian, Pieve di Cadore ca. 1485/90?–1576 Venice|German, Würzburg 1610–1661 Vienna | 9484 | 1485 |1610 | 1576 |1661 | 1632 | 1632 | 1632 | 148 | Overall: 10 7/8 × 5 3/4 in. (27.6 × 14.6 cm) | Bequest of Mary Clark Thompson, 1923 | 311 | http://www.metmuseum.org/art/collection/search/195119 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 117652 | 1976.422.5 | 0 | 1 | 206575 | 3 | 75 | Virgin adoring the Christ Child | 360 | 2 | After a composition by | Lelio Orsi (called Lelio da Novellara) | Italian, Novellara 1508/11–1587 Novellara | 11536 | 6 | 1508 | 1587 | probably 17th century | 1600 | 1699 | 148 | Height: 3 1/4 in. (8.3 cm) | Gift of Alfred and Victoria Harris, 1976 | 311 | http://www.metmuseum.org/art/collection/search/206575 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 106605 | 17.190.2094 | 0 | 1 | 194444 | 3 | 75 | The Flagellation of Christ | 453 | 1 | Influenced by | Donatello | Italian, Florence ca. 1386–1466 Florence | 7985 | 6 | 1386 | 1466 | 15th century | 1400 | 1499 | 23 | Overall (confirmed): 7 3/16 × 7 3/4 × 9/16 in. (18.3 × 19.7 × 1.4 cm) | Gift of J. Pierpont Morgan, 1917 | 304 | http://www.metmuseum.org/art/collection/search/194444 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 104328 | 12.135.5 | 0 | 1 | 191948 | 3 | 75 | Banquet of the Gods | 549 | 7 | Probably cast by | Antonio Gentili (Antonio da Faenza)|Guglielmo della Porta | Italian, Faenza ca. 1519–1610 Faenza (?)|Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome | 8776 | 93 | 1514 |1500 | 1610 |1577 | after 1585 | 1585 | 1699 | 21118 | Overall: 9 5/8 × 5 1/2 in. (24.4 × 14 cm) | Rogers Fund, 1912 | 326 | http://www.metmuseum.org/art/collection/search/191948 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 101404 | 04.10.1 | 0 | 1 | 188915 | 3 | 75 | Death of Cato | 2271 | 1 | Probably by | Berardino Gentile | Italian, Castelli 1727–1813 Castelli | 8392 | 1727 | 1813 | late 18th century | 1785 | 1799 | 20784 | Overall: 11 × 14 7/8 × 5/8 in. (27.9 × 37.8 × 1.6 cm) | Rogers Fund, 1904 | 314 | http://www.metmuseum.org/art/collection/search/188915 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 110194 | 38.152.11 | 0 | 1 | 198307 | 3 | 75 | The Rest on the Flight into Egypt | 549 | 2 | Alessandro Algardi | Italian, Bologna 1598–1654 Rome | 8588 | 6 | 1598 | 1654 | 17th century | 1600 | 1699 | 23 | 10 1/2 x 13 in. (26.7 x 33 cm) | Rogers Fund, 1938 | 304 | http://www.metmuseum.org/art/collection/search/198307 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 100117 | 91.22 | 0 | 1 | 187474 | 3 | 75 | Ceres Instructing in the Art of Husbandry | 2254 | 328 | Doccia Porcelain Manufactory | Italian, 1737–1896 | 8138 | 6 | 1737 | 1896 | 19th century | 1800 | 1899 | 109 | 16 1/2 × 22 1/2 in. (41.9 × 57.2 cm) | Bequest of Mrs. Nathaniel Pendleton Hosack, in memory of her husband, 1891 | 307 | http://www.metmuseum.org/art/collection/search/187474 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 109051 | 32.100.237 | 0 | 1 | 197095 | 3 | 75 | Hercules and Nessus | 120 | 2 | Annibale Fontana | Italian, 1540–1587 | 9745 | 1540 | 1587 | before 1584 | 1550 | 1584 | 22005 | H. 3-1/16 x W. 4-1/16 in. (7.8 x 10.3 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 312 | http://www.metmuseum.org/art/collection/search/197095 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 109052 | 32.100.238 | 0 | 1 | 197096 | 3 | 75 | Hercules and Acheloüs | 120 | 2 | Annibale Fontana | Italian, 1540–1587 | 9745 | 1540 | 1587 | before 1584 | 1550 | 1584 | 22005 | H. 3-1/16 x W. 4-1/16 in. (7.8 x 10.3 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 312 | http://www.metmuseum.org/art/collection/search/197096 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 110291 | 39.78 | 0 | 1 | 198408 | 3 | 75 | Marriage of Peleus and Thetis | 122 | 2 | Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) | Italian, 1525–1608 | 8752 | 6 | 1525 | 1608 | ca. 1575 | 1570 | 1580 | 23 | 15 × 9 3/8 in. (38.1 × 23.8 cm) | Samuel D. Lee Fund, 1939 | 304 | http://www.metmuseum.org/art/collection/search/198408 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 107183 | 24.80.87 | 0 | 1 | 195118 | 3 | 75 | Lamentation Beneath the Cross | 2770 | 2 | Adam Lenckhart | German, Würzburg 1610–1661 Vienna | 9483 | 1610 | 1661 | 1632 | 1632 | 1632 | 148 | Overall: 10 7/8 × 5 3/4 in. (27.6 × 14.6 cm) | Bequest of Mary Clark Thompson, 1923 | 311 | http://www.metmuseum.org/art/collection/search/195118 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 139709 | 2009.286 | 0 | 1 | 236638 | 3 | 75 | Head described as that of Saint James the Elder | 27 | 2 | Georg Wilhelm Vestner | German, Schweinfurth 1677–1740 Nuremberg | 9761 | 1677 | 1740 | 19th century | 1800 | 1899 | 13 | Overall: 4 1/4 × 3 1/4 in. (10.8 × 8.3 cm) | Gift of Martin and Roberta Lerner, 2009 | 306 | http://www.metmuseum.org/art/collection/search/236638 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 105663 | 17.190.480 | 0 | 1 | 193498 | 3 | 75 | Meeting of Maximilian and the Emperor Frederick | 27 | 2 | After a composition by | Hans Burgkmair | German, Augsburg 1473–1531 Augsburg | 9047 | 10 | 1473 | 1531 | 16th century | 1500 | 1599 | 21261 | Overall: 8 1/2 × 6 7/8 in. (21.6 × 17.5 cm) | Gift of J. Pierpont Morgan, 1917 | 311 | http://www.metmuseum.org/art/collection/search/193498 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 329877 | 69.238.1 | 0 | 1 | 471950 | 17 | 75 | Plaque from a Reliquary | 27 | 2 | Workshop of | Master of the Virgin Mary's Reliquary Casket | German, Aachen | 44758 | 10 | early 13th century | 1200 | 1240 | 50418 | Overall: 3 7/16 x 1 9/16 x 5/16 in. (8.7 x 4 x 0.8 cm) | The Cloisters Collection, 1969 | 1 | 556 | 16 | 193 | http://www.metmuseum.org/art/collection/search/471950 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 329878 | 69.238.2 | 0 | 1 | 471951 | 17 | 75 | Plaque from a Reliquary | 27 | 2 | Workshop of | Master of the Virgin Mary's Reliquary Casket | German, Aachen | 44758 | 10 | early 13th century | 1200 | 1240 | 50418 | Overall: 3 1/2 x 1 5/8 x 3/8 in. (8.9 x 4.1 x 0.9 cm) | The Cloisters Collection, 1969 | 1 | 556 | 16 | 193 | http://www.metmuseum.org/art/collection/search/471951 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 329879 | 69.238.3 | 0 | 1 | 471952 | 17 | 75 | Plaque from a Reliquary | 27 | 2 | Workshop of the | Master of the Virgin Mary's Reliquary Casket | German, Aachen | 44758 | 10 | early 13th century | 1200 | 1240 | 50418 | Overall: 3 5/16 x 1 9/16 x 5/16 in. (8.4 x 4 x 0.8 cm) | The Cloisters Collection, 1969 | 1 | 556 | 16 | 193 | http://www.metmuseum.org/art/collection/search/471952 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 111416 | 45.61.3 | 0 | 1 | 199664 | 3 | 75 | Adoration of the Shepherds | 2385 | 33 | Adam Friedrich von Löwenfinck | German, 1714–1754 | 10271 | 1714 | 1754 | 1741–44 | 1741 | 1744 | 113 | 7-1/4 x 5-5/8 in. (18.4 x 14.3 cm) | Gift of R. Thornton Wilson, in memory of Florence Ellsworth Wilson, 1945 | 314 | http://www.metmuseum.org/art/collection/search/199664 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 112689 | 51.1.1 | 0 | 1 | 200972 | 3 | 75 | Plaque | 2269 | 507 | Decorated in the manner of|After a print by|After a painting by | Meissen Manufactory|Franz Ferdinand Mayer|Johann Sadeler I|Christoph Schwarz | German, 1710–present|Netherlandish, Brussels 1550–1600/1601 Venice|German, Munich ca. 1548–1592 Munich | 10699 | 330 | 1710 |1700 |1550 |1548 | 9999 |1800 |1601 |1592 | ca. 1750–60 | 1745 | 1765 | 572 | 3 11/16 × 2 11/16 in. (9.4 × 6.8 cm) | Gift of R. Thornton Wilson, 1951 | 307 | http://www.metmuseum.org/art/collection/search/200972 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 112690 | 51.1.2 | 0 | 1 | 200973 | 3 | 75 | Plaque | 2269 | 330 | Decorated in the manner of | Meissen Manufactory|Franz Ferdinand Mayer | German, 1710–present | 10700 | 10 | 1710 |1700 | 9999 |1800 | ca. 1750–60 | 1745 | 1765 | 572 | 3 11/16 × 2 11/16 in. (9.4 × 6.8 cm) | Gift of R. Thornton Wilson, 1951 | 307 | http://www.metmuseum.org/art/collection/search/200973 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 121197 | 41.100.250b | 0 | 1 | 210776 | 3 | 75 | The Last Supper (one of seven) | 666 | 354 | Workshop of|possibly | Jean II Pénicaud|Jean III Pénicaud | French, working ca. 1531/32–1549|French, died 1570 | or | 12135 | 21 | 1524 |1470 | 1554 |1570 | mid-16th century | 1530 | 1565 | 20538 | 2 3/4 × 2 3/8 in. (7 × 6 cm) | Gift of George Blumenthal, 1941 | 193 | http://www.metmuseum.org/art/collection/search/210776 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 121198 | 41.100.250c | 0 | 1 | 210777 | 3 | 75 | Christ Saying Farewell to His Mother (one of seven) | 666 | 354 | Workshop of|possibly | Jean II Pénicaud|Jean III Pénicaud | French, working ca. 1531/32–1549|French, died 1570 | or | 12135 | 21 | 1524 |1470 | 1554 |1570 | mid-16th century | 1530 | 1565 | 20538 | 2 3/4 x 2 1/4 in. (7 x 5.7 cm) | Gift of George Blumenthal, 1941 | 193 | http://www.metmuseum.org/art/collection/search/210777 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 121199 | 41.100.250d | 0 | 1 | 210778 | 3 | 75 | The Betrayal (one of seven) | 666 | 354 | Workshop of|possibly | Jean II Pénicaud|Jean III Pénicaud | French, working ca. 1531/32–1549|French, died 1570 | or | 12135 | 21 | 1524 |1470 | 1554 |1570 | mid-16th century | 1530 | 1565 | 20538 | 2 3/4 x 2 1/4 in. (7 x 5.7 cm) | Gift of George Blumenthal, 1941 | 193 | http://www.metmuseum.org/art/collection/search/210778 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 121200 | 41.100.250e | 0 | 1 | 210779 | 3 | 75 | The Agony in the Garden (one of seven) | 666 | 354 | Workshop of|possibly | Jean II Pénicaud|Jean III Pénicaud | French, working ca. 1531/32–1549|French, died 1570 | or | 12135 | 21 | 1524 |1470 | 1554 |1570 | mid-16th century | 1530 | 1565 | 20538 | 2 3/4 x 2 1/4 in. (7 x 5.7 cm) | Gift of George Blumenthal, 1941 | 193 | http://www.metmuseum.org/art/collection/search/210779 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 121201 | 41.100.250f | 0 | 1 | 210780 | 3 | 75 | The Crucifixion (one of seven) | 666 | 354 | Workshop of|possibly | Jean II Pénicaud|Jean III Pénicaud | French, working ca. 1531/32–1549|French, died 1570 | or | 12135 | 21 | 1524 |1470 | 1554 |1570 | mid-16th century | 1530 | 1565 | 20538 | 2 3/4 x 2 1/4 in. (7 x 5.7 cm) | Gift of George Blumenthal, 1941 | 193 | http://www.metmuseum.org/art/collection/search/210780 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 121202 | 41.100.250g | 0 | 1 | 210781 | 3 | 75 | The Resurrection (one of seven) | 666 | 354 | Workshop of|possibly | Jean II Pénicaud|Jean III Pénicaud | French, working ca. 1531/32–1549|French, died 1570 | or | 12135 | 21 | 1524 |1470 | 1554 |1570 | mid-16th century | 1530 | 1565 | 20538 | 2 3/4 x 2 1/4 in. (7 x 5.7 cm) | Gift of George Blumenthal, 1941 | 193 | http://www.metmuseum.org/art/collection/search/210781 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 121203 | 41.100.250h | 0 | 1 | 210782 | 3 | 75 | The Ascension of Christ (one of seven) | 666 | 354 | Workshop of|possibly | Jean II Pénicaud|Jean III Pénicaud | French, working ca. 1531/32–1549|French, died 1570 | or | 12135 | 21 | 1524 |1470 | 1554 |1570 | mid-16th century | 1530 | 1565 | 20538 | 2 3/4 x 2 1/4 in. (7 x 5.7 cm) | Gift of George Blumenthal, 1941 | 193 | http://www.metmuseum.org/art/collection/search/210782 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 109070 | 32.100.258 | 0 | 1 | 197114 | 3 | 75 | The Labors of the Months: Cutting Faggots (March) | 666 | 1 | Probably made at the workshop of | Jean II Pénicaud | French, working ca. 1531/32–1549 | 9805 | 2 | 1524 | 1554 | mid-16th century | 1530 | 1565 | 20538 | Width: 3 1/4 in. (8.3 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197114 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 109071 | 32.100.259 | 0 | 1 | 197115 | 3 | 75 | The Labors of the Months: Ploughing (September) | 666 | 1 | Probably made at the workshop of | Jean II Pénicaud | French, working ca. 1531/32–1549 | 9805 | 2 | 1524 | 1554 | mid-16th century | 1530 | 1565 | 20538 | Width: 3 1/4 in. (8.3 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197115 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 109072 | 32.100.260 | 0 | 1 | 197116 | 3 | 75 | Labors of the Months: Haymaking (July) | 666 | 1 | Probably made at the workshop of | Jean II Pénicaud | French, working ca. 1531/32–1549 | 9805 | 2 | 1524 | 1554 | mid-16th century | 1530 | 1565 | 20538 | Width: 3 1/4 in. (8.3 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197116 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 110606 | 41.100.304 | 0 | 1 | 198798 | 3 | 75 | The Education of the Virgin | 666 | 353 | Jean II Pénicaud | French, working ca. 1531/32–1549 | 9805 | 2 | 1524 | 1554 | mid-16th century, with later additions | 1530 | 1565 | 20538 | 8 7/8 × 6 5/8 in. (22.5 × 16.8 cm) | Gift of George Blumenthal, 1941 | 193 | http://www.metmuseum.org/art/collection/search/198798 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 112314 | 49.7.107 | 0 | 1 | 200588 | 3 | 75 | Adoration of the Infant Christ | 666 | 1 | Probably made at workshop of | Jean II Pénicaud | French, working ca. 1531/32–1549 | 9805 | 2 | 1524 | 1554 | mid-16th century | 1530 | 1565 | 20538 | H. 7 1/4 in. (18.4 cm); W. 5 7/8 in. (14.9 cm.) | The Jules Bache Collection, 1949 | 193 | http://www.metmuseum.org/art/collection/search/200588 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 117702 | 1977.216.8 | 0 | 1 | 206627 | 3 | 75 | Plaque | 3330 | 1 | Possibly by | Olérys Factory | French, established Moustiers, 1738 | 9033 | 1738 | 1838 | ca. 1740 | 1735 | 1745 | 20668 | Overall: 24 1/2 × 14 1/2 in. (62.2 × 36.8 cm) | Bequest of R. Thornton Wilson, in memory of his wife, Florence Ellsworth Wilson, 1977 | 314 | http://www.metmuseum.org/art/collection/search/206627 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 111380 | 45.60.18 | 0 | 1 | 199626 | 3 | 75 | The Resurrection | 666 | 6 | or possibly|Possibly | Jean III Pénicaud|Jean II Pénicaud | French, died 1570|French, working ca. 1531/32–1549 | 10262 | 21 | 1470 |1524 | 1570 |1554 | possibly second half 16th century | 1550 | 1599 | 20538 | 7 3/4 × 6 3/4 in. (19.7 × 17.1 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199626 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 140500 | 2013.967.1 | 0 | 1 | 239397 | 3 | 75 | Saint Matthew | 666 | 353 | Attributed to | Jean III Pénicaud | French, died 1570 | 12887 | 2 | 1470 | 1570 | ca. 1550 | 1545 | 1555 | 232 | Overall (confirmed, irregular diameter): 5 15/16 in. (15.1 cm); Framed: 7 1/16 in. (18 cm) | Gift of Alain Moatti, in memory of Olga Raggio and in honor of Philippe de Montebello, 2013 | 193 | http://www.metmuseum.org/art/collection/search/239397 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 105599 | 17.120.8 | 0 | 1 | 193421 | 3 | 75 | Christ Bearing the Cross | 666 | 353 | Jean Pénicaud I | French, ca. 1490–after 1543 | 9028 | 2 | 1490 | 1543 | early 16th century | 1500 | 1515 | 21250 | 8 1/2 × 7 in. (21.6 × 17.8 cm) | Mr. and Mrs. Isaac D. Fletcher Collection, Bequest of Isaac D. Fletcher, 1917 | 193 | http://www.metmuseum.org/art/collection/search/193421 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 327376 | 41.100.204 | 0 | 1 | 467776 | 6 | 75 | Plaque with the Raising of Lazarus | 7 | 2 | Attributed to | Jean Pénicaud I | French, ca. 1490–after 1543 | 9028 | 2 | 1490 | 1543 | first half 16th century | 1500 | 1550 | 49064 | Overall: 10 9/16 x 9 5/16 x 1/16 in. (26.8 x 23.6 x 0.2 cm) | Gift of George Blumenthal, 1941 | 1 | 146 | 9 | 328 | http://www.metmuseum.org/art/collection/search/467776 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||
| 327715 | 49.7.111 | 0 | 1 | 468321 | 6 | 75 | Plaque with the Death of the Virgin | 7 | 2 | Workshop of | Jean Pénicaud I | French, ca. 1490–after 1543 | 9028 | 2 | 1490 | 1543 | early 16th century | 1500 | 1525 | 49064 | Overall: 5 5/8 x 6 5/8 in. (14.3 x 16.8 cm) | The Jules S. Bache Collection, 1949 | 1 | 146 | 9 | 328 | http://www.metmuseum.org/art/collection/search/468321 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||
| 322366 | 1975.1.1229 | 0 | 1 | 460525 | 16 | 75 | Minerva | 2 | probably | Jean Limosin | French, b. ca. 1580 Limoges–d. 1646 | 44555 | 3392 | 1580 | 1646 | ca. 1605 | 1602 | 1608 | 47827 | H. 24.4 cm, w. 19.1cm | Robert Lehman Collection, 1975 | 193 | http://www.metmuseum.org/art/collection/search/460525 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 323088 | 1975.1.1228 | 0 | 1 | 461261 | 16 | 75 | Mars | 2 | probably | Jean Limosin | French, b. ca. 1580 Limoges–d. 1646 | 44555 | 3392 | 1580 | 1646 | ca. 1605 | 1602 | 1608 | 47827 | H. 24.8 cm, w. 19.8 cm. | Robert Lehman Collection, 1975 | 193 | http://www.metmuseum.org/art/collection/search/461261 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 109081 | 32.100.269a, b | 0 | 1 | 197125 | 3 | 75 | The Sacrifice of Noah | 666 | 439 | After a fresco in the Vatican logia by the Workshop of|Based on engraving by | Master K.I.P.|Raphael (Raffaello Sanzio or Santi)|Marco Dente | French, active mid-16th century|Italian, Urbino 1483–1520 Rome|Italian, Ravenna, active by 1515–died 1527 Rome | 9811 | 211 | 1530 |1483 |1515 | 1565 |1520 |1527 | mid-16th century | 1530 | 1565 | 20538 | 4 5/16 x 4 11/16 in. (11 x 11.9 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197125 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 327383 | 41.100.211a | 0 | 1 | 467783 | 6 | 75 | Plaque with the Crucifixion | 7 | 2 | Master of the Orléans Triptych | French, active late 15th–early 16th century | 11613 | 2 | 1485 | 1615 | 16th century | 1500 | 1599 | 49064 | Overall: 8 3/16 x 7 11/16 x 1/16 in. (20.8 x 19.5 x 0.2 cm) Inset: 4 13/16 x 4 1/8 in. (12.3 x 10.4 cm) | Gift of George Blumenthal, 1941 | 1 | 146 | 9 | 328 | http://www.metmuseum.org/art/collection/search/467783 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||
| 109089 | 32.100.277 | 0 | 1 | 197133 | 3 | 75 | Astronomy | 666 | 353 | Possibly | Jean de Court | French, active ca. 1555–85 | 9814 | 1555 | 1585 | ca. 1575–1600 | 1570 | 1605 | 20538 | Overall: 3 11/16 × 2 3/16 in. (9.4 × 5.6 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197133 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 322365 | 1975.1.1231 | 0 | 1 | 460524 | 16 | 75 | Hope | 13 | Master IDC|Jean Cour (or Court) | French, active Limoges 1614–27|French, Limoges, active 1598–1631 | or | 44554 | 3392 | 1598 | 1631 | late 16th to early 17th century | 1571 | 1635 | 48366 | 11 5/8 x 8 15/16 in. (29.8 x 22.7cm) | Robert Lehman Collection, 1975 | 193 | http://www.metmuseum.org/art/collection/search/460524 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 322640 | 1975.1.1230 | 0 | 1 | 460804 | 16 | 75 | Faith | 13 | Master IDC|Jean Cour (or Court) | French, active Limoges 1614–27|French, Limoges, active 1598–1631 | or | 44554 | 3392 | 1598 | 1631 | late 16th century or early 17th century | 1571 | 1635 | 48536 | 11 5/8 x 9 1/8 in. (29.8 x 23.2 cm) | Robert Lehman Collection, 1975 | 193 | http://www.metmuseum.org/art/collection/search/460804 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 109078 | 32.100.266 | 0 | 1 | 197122 | 3 | 75 | Orpheus Attacked by the Maenads | 666 | 353 | Suzanne de Court | French, active 1575–1625 | 9808 | 2 | 1575 | 1625 | first quarter 17th century | 1600 | 1625 | 21288 | 1 5/8 x 1 1/2 in. (4.1 x 3.8 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197122 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 111370 | 45.60.7 | 0 | 1 | 199616 | 3 | 75 | Christ Delivered to the People | 666 | 353 | Suzanne de Court | French, active 1575–1625 | 9808 | 2 | 1575 | 1625 | late 16th–early 17th century | 1585 | 1615 | 22344 | 9 1/2 x 7 1/4 in. (24.1 x 18.4 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199616 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 109083 | 32.100.271 | 0 | 1 | 197127 | 3 | 75 | The Crucifixion | 666 | 6 | Attributed to|Frame probably by the workshop of | Colin Nouailher|Alfred André | French, active 1539, d. after 1571|French, 1839–1919 | 9812 | 21 | 1471 |1839 | 1571 |1919 | mid-16th century | 1530 | 1565 | 22015 | 8 3/4 × 6 7/8 in. (22.2 × 17.5 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197127 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 139434 | 2007.221 | 0 | 1 | 232263 | 3 | 75 | Plaque depicting Bernard Palissy | 2212 | 694 | After a design by|After a painting by|Enamel decoration by|After designs by|Biscuit figures modeled by|Frame by | Nicolas-Marie Moriot|Charles Alexandre Debacq|Jacob Meyer-Heine|Alexandre Laemlein|Jean-Baptiste-Jules Klagmann|Sèvres Manufactory|Armand Feuchère | French, Versailles 1788–1852|French, Paris 1804–1853 Paris|active 1840–73|French, Hohenfeld 1813–1871 Pontlevoy|French, Paris 1810–1867 Paris|French, 1740–present|French, active Sèvres, 1842–51 | 12692 | 106 | 1788 |1804 |1840 |1813 |1810 |1740 |1800 | 1852 |1853 |1873 |1871 |1867 |9999 |1900 | 1846 | 1846 | 1846 | 25349 | Overall (confirmed): 19 1/2 x 17 3/4 x 2 5/8 in. (49.5 x 45.1 x 6.7 cm) | Purchase, The Isaacson-Draper Foundation Gift, 2007 | 307 | http://www.metmuseum.org/art/collection/search/232263 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 118737 | 1988.179 | 0 | 1 | 207756 | 3 | 75 | Themire Crowned by Graces | 2212 | 605 | After a print by|After a painting by | Charles Nicolas Dodin|Sèvres Manufactory|Noël Le Mire|Charles Dominique Joseph Eisen | French, Versailles 1734–1803 Sèvres|French, 1740–present|French, Rouen 1724–1801 Paris|French, Valenciennes 1720–1778 Brussels | 11750 | 95 | 1734 |1740 |1724 |1720 | 1803 |9999 |1801 |1778 | 1777 | 1777 | 1777 | 23658 | 13 x 10 1/8 in. (33 x 25.7 cm.) | Gift of the Estate of Harry John Kratzer, 1988 | 307 | http://www.metmuseum.org/art/collection/search/207756 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 113428 | 54.147.19 | 0 | 1 | 201729 | 3 | 75 | Plaque (tableau) | 2212 | 376 | Charles Nicolas Dodin|Sèvres Manufactory | French, Versailles 1734–1803 Sèvres|French, 1740–present | 10759 | 21 | 1734 |1740 | 1803 |9999 | 1761 | 1761 | 1761 | 2061 | Overall (confirmed): 9 7/8 × 7 9/16 in. (25.1 × 19.2 cm) | Gift of R. Thornton Wilson, in memory of Florence Ellsworth Wilson, 1954 | 307 | http://www.metmuseum.org/art/collection/search/201729 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 4802 | 93.7.2 | 0 | 1 | 5159 | 1 | 75 | Plaque of Benjamin Franklin | 7 | 1 | Jean Martin Renaud | French, Sarreguemines 1746–1821 Paris | 123 | 2 | 1746 | 1821 | ca. 1797 | 1794 | 1797 | 160 | H. 4 1/16 in. (10.3 cm) | Gift of George A. Lucas, 1893 | 1 | 9 | 5 | http://www.metmuseum.org/art/collection/search/5159 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 6408 | 04.12 | 0 | 1 | 6854 | 1 | 75 | Plaque of Benjamin Franklin | 1 | Attributed to | Jean Martin Renaud | French, Sarreguemines 1746–1821 Paris | 123 | 2 | 1746 | 1821 | 1776–1821 | 1776 | 1821 | 23 | 2 3/4 x 1 7/8 in. (7 x 4.8 cm) | Gift of John L. Cadwalader, 1904 | 5 | 27 | 9 | 1 | http://www.metmuseum.org/art/collection/search/6854 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||
| 4117 | 83.2.292 | 0 | 1 | 4446 | 1 | 75 | Plaque | 13 | After|Possibly | Augustin Dupré|James Tassie | French, Saint-Étienne 1748–1833 Armentières-en-Brie|British, Glasgow, Scotland 1735–1799 London | 593 | 17 | 1748 |1735 | 1833 |1799 | 1776–1830 | 1776 | 1830 | 31 | Diam. 1 7/8 in. (4.8 cm) | Gift of William H. Huntington, 1883 | 5 | 14 | 4 | 3 | http://www.metmuseum.org/art/collection/search/4446 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||
| 101285 | 03.7.1 | 0 | 1 | 188794 | 3 | 75 | A Vision of Victory | 7 | 2 | Alexandre-Louis-Marie Charpentier | French, Paris 1856–1909 Neuilly | 8349 | 1856 | 1909 | late 19th century | 1885 | 1899 | 20617 | 12 9/16 x 8 3/16 in. (3.19 x 2.08 cm) | Gift of Victor D. Brenner, 1903 | 306 | http://www.metmuseum.org/art/collection/search/188794 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 101286 | 03.7.2 | 0 | 1 | 188795 | 3 | 75 | Motherhood (Maternité) | 7 | 2 | Alexandre-Louis-Marie Charpentier | French, Paris 1856–1909 Neuilly | 8349 | 1856 | 1909 | 1899 | 1899 | 1899 | 20756 | Overall: 10 × 6 5/8 in. (25.4 × 16.8 cm) | Gift of Victor D. Brenner, 1903 | 306 | http://www.metmuseum.org/art/collection/search/188795 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 101287 | 03.7.3 | 0 | 1 | 188796 | 3 | 75 | Doctor Pierre Carl Potain (1825–1901) | 7 | 2 | Alexandre-Louis-Marie Charpentier | French, Paris 1856–1909 Neuilly | 8349 | 1856 | 1909 | before 1901 | 1801 | 1901 | 20757 | 8 3/4 × 6 9/16 in. (22.2 cm) | Gift of Victor D. Brenner, 1903 | 306 | http://www.metmuseum.org/art/collection/search/188796 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 101288 | 03.7.4 | 0 | 1 | 188797 | 3 | 75 | Known as "The Book Cover", enlargement of a plaquette-medal for the Societé des Amis des Livres | 7 | 2 | Alexandre-Louis-Marie Charpentier | French, Paris 1856–1909 Neuilly | 8349 | 1856 | 1909 | before 1903 | 1802 | 1902 | 20617 | 8 11/16 × 8 1/16 in. (22.1 cm) | Gift of Victor D. Brenner, 1903 | 306 | http://www.metmuseum.org/art/collection/search/188797 | 4/23/2018 8:00:01 AM | 1 |