Data license: CC0 · Data source: metmuseum/openaccess
rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
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119868 | 27.114 | 0 | 1 | 208988 | 11 | 8611 | Box, Bibl | late 16th–early 17th century | 1585 | 1615 | 23825 | 9 × 28 7/8 × 21 1/8 in. (22.9 × 73.3 × 53.7 cm) | Gift of J. P. Morgan, 1927 | 321 | http://www.metmuseum.org/art/collection/search/208988 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||||||
139081 | 1977.595.135 | 0 | 1 | 231238 | 11 | 9056 | Wallpaper Panel depicting Spring with female herm | 40 | Charles Percier|Jacquemart et Bénard | French, Paris 1764–1838 Paris|French, active 1791–1809 | 12640 | 21 | 1764 |1791 | 1838 |1809 | ca. 1808 | 1803 | 1813 | 25304 | 63 1/4 × 39 1/2 in. (160.7 × 100.3 cm) | Gift of Harvey Smith, 1977 | 404 | http://www.metmuseum.org/art/collection/search/231238 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206424 | X.710 | 0 | 0 | 333768 | 11 | 13811 | Facsimile of Gribelin's Book of Ornaments | 710 | Simon Gribelin II|Timothy Press | Paris 1661–1733, active London|Meriden, Connecticut | 17293 | 153 | 1661 |1900 | 1733 |2000 | 1941 | 1941 | 1941 | 28930 | 8 1/8 x 10 3/8 x 3/8 in. (20.6 x 26.39 x 0.89cm) | Museum Accession | 665 | http://www.metmuseum.org/art/collection/search/333768 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206425 | 87.15.10 | 0 | 1 | 333769 | 11 | 23 | The Bouquet | 971 | Ernest-Ange Duez | French, Paris 1843–1896 Forest of Saint-Germain | 17294 | 2 | 1843 | 1896 | 1893 | 1945 | 2990 | Sheet: 12 3/4 x 8 3/8 in. (32.4 x 21.3cm) | Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887 | 9 | http://www.metmuseum.org/art/collection/search/333769 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
206426 | 87.15.12 | 0 | 0 | 333770 | 11 | 23 | Retreat from Moscow | 971 | Gustave Doré | French, Strasbourg 1832–1883 Paris | 17295 | 2 | 1832 | 1883 | 1865 | 1865 | 1865 | 28931 | Sheet: 28 1/4 x 37 3/4 in. (71.8 x 95.9cm) | Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887 | 9 | http://www.metmuseum.org/art/collection/search/333770 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206427 | 87.15.14 | 0 | 0 | 333771 | 11 | 23 | Soldier in the Trenches | 2 | Étienne-Prosper Berne-Bellecour | French, Boulogne-sur-Mer 1838–1910 Paris | 17296 | 2 | 1838 | 1910 | 1873 | 1873 | 1873 | 2990 | Sheet: 6 1/8 x 4 1/16 in. (15.6 x 10.3cm) | Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887 | 9 | http://www.metmuseum.org/art/collection/search/333771 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206428 | 87.15.89 | 0 | 1 | 333772 | 11 | 23 | French Cuirassier | 971 | Édouard Detaille | French, Paris 1848–1912 Paris | 17297 | 2 | 1848 | 1912 | 1872 | 1872 | 1872 | 2990 | Sheet: 13 3/4 x 9 3/4 in. (34.9 x 24.8cm) | Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887 | 9 | http://www.metmuseum.org/art/collection/search/333772 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206429 | 01.23.175 | 0 | 1 | 333773 | 11 | 23 | La Bocca | 2 | Henry Victor Burgy | French, died 1901 | 17298 | 2 | 1801 | 1901 | 1882 | 1882 | 1882 | 2990 | Sheet: 9 1/2 x 12 3/4 in. (24.1 x 32.4cm) | Bequest of H.V. Burgy, 1901 | 9 | http://www.metmuseum.org/art/collection/search/333773 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206430 | 01.23.176 | 0 | 1 | 333774 | 11 | 23 | Chateau de Vouzan | 2 | Henry Victor Burgy | French, died 1901 | 17298 | 2 | 1801 | 1901 | 1888 | 1888 | 1888 | 2990 | Sheet: 9 1/2 x 6 3/8 in. (24.1 x 16.2cm) | Bequest of H. V. Burgy, 1901 | 9 | http://www.metmuseum.org/art/collection/search/333774 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206431 | 01.23.177 | 0 | 1 | 333775 | 11 | 23 | Antibes | 2 | Henry Victor Burgy | French, died 1901 | 17298 | 2 | 1801 | 1901 | 1882 | 1882 | 1882 | 18116 | Sheet: 12 3/4 x 9 5/8 in. (32.4 x 24.5cm) | Bequest of H.V. Burgy, 1901 | 9 | http://www.metmuseum.org/art/collection/search/333775 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206432 | 10.45.26 | 0 | 1 | 333776 | 11 | 23 | Landscape | 2 | Alexandre-Gabriel Decamps | French, Paris 1803–1860 Fontainebleau | 17299 | 2 | 1803 | 1860 | ca. 1840 | 1835 | 1845 | 1863 | Sheet: 6 3/4 x 11 1/2 in. (17.1 x 29.2cm) | Rogers Fund, 1909 | 9 | http://www.metmuseum.org/art/collection/search/333776 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206433 | 11.66.18 | 0 | 1 | 333777 | 11 | 23 | Conversation Piece | 2 | Louis Léopold Boilly | French, La Bassée 1761–1845 Paris | 17300 | 2 | 1761 | 1845 | 1761–1845 | 1761 | 1845 | 28932 | Sheet: 7 3/8 x 5 7/8 in. (18.7 x 14.9cm) | Rogers Fund, 1911 | 9 | http://www.metmuseum.org/art/collection/search/333777 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206434 | 12.100 | 0 | 1 | 333778 | 11 | 23 | The Hamlet of Optevoz | 2 | Charles-François Daubigny | French, Paris 1817–1878 Paris | 17301 | 2 | 1817 | 1878 | ca. 1852 | 1847 | 1857 | 28933 | 14 7/8 x 24 3/4 in. (37.8 x 62.8cm) | Rogers Fund, 1912 | 9 | http://www.metmuseum.org/art/collection/search/333778 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206435 | 15.30.27 | 0 | 1 | 333779 | 11 | 23 | Cuirassier | 971 | Édouard Detaille | French, Paris 1848–1912 Paris | 17297 | 2 | 1848 | 1912 | 1872 | 1872 | 1872 | 177 | Sheet: 10 1/8 x 7 in. (25.7 x 17.8cm) | Bequest of Maria De Witt Jesup, 1915 | 9 | http://www.metmuseum.org/art/collection/search/333779 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206436 | 16.4.2 | 0 | 1 | 333780 | 11 | 731 | Plate 10 from 'La Tauromaquia': Charles V spearing a bull in the ring at Valladolid | 1 | 972 | Portrait of | Goya (Francisco de Goya y Lucientes)|Charles V, Holy Roman Emperor | Spanish, Fuendetodos 1746–1828 Bordeaux|Spanish, 1500–1558 | 17302 | 85 | 1746 |1500 | 1828 |1558 | 1816 | 1816 | 1816 | 28934 | Plate: 9 13/16 × 13 3/4 in. (25 × 35 cm) Sheet: 10 15/16 × 15 1/16 in. (27.8 × 38.2 cm) | Gift of Walter E. Sachs, 1916 | 13 | http://www.metmuseum.org/art/collection/search/333780 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
206437 | 16.4.3 | 0 | 1 | 333781 | 11 | 731 | Plate 20 from the 'Tauromaquia':The agility and audacity of Juanito Apiñani in [the ring] at Madrid. | 1 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1816 | 1816 | 1816 | 28935 | Plate: 9 5/8 × 13 7/8 in. (24.5 × 35.3 cm) 11 in. × 15 3/16 in. (28 × 38.5 cm) | Gift of Walter E. Sachs, 1916 | 13 | http://www.metmuseum.org/art/collection/search/333781 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206438 | 16.4.4 | 0 | 1 | 333782 | 11 | 731 | Plate 8 from the 'Tauromaquia':A Moor Caught by the Bull in the ring. | 1 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1816 | 1816 | 1816 | 28936 | Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm) Sheet: 11 in. × 15 1/16 in. (28 × 38.2 cm) | Gift of Walter E. Sachs, 1916 | 13 | http://www.metmuseum.org/art/collection/search/333782 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206439 | 16.4.6 | 0 | 1 | 333783 | 11 | 731 | Plate 36 from 'Los Caprichos: A bad night (Mala noche.) | 2 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1797–99 | 1792 | 1804 | 28937 | Plate: 8 7/16 x 5 7/8 in. (21.5 x 15 cm) Sheet: 12 1/16 x 7 13/16 in. (30.7 x 19.9 cm) | Gift of Walter E. Sachs, 1916 | 13 | http://www.metmuseum.org/art/collection/search/333783 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206440 | 16.4.7 | 0 | 1 | 333784 | 11 | 731 | Plate 12 from 'Los Caprichos': Out hunting for teeth (A caza des dientes.) | 2 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1799 | 1799 | 1799 | 28938 | Plate: 8 9/16 x 5 7/8 in. (21.8 x 14.9 cm) Sheet: 12 1/16 x 7 13/16 in. (30.7 x 19.9 cm) | Gift of Walter E. Sachs, 1916 | 13 | http://www.metmuseum.org/art/collection/search/333784 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206441 | 16.4.8 | 0 | 1 | 333785 | 11 | 731 | Plate 9 from 'Los Caprichos': Tantalus (Tantalo.) | 2 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1799 | 1799 | 1799 | 28937 | Plate: 8 3/16 × 5 7/8 in. (20.8 × 15 cm) Sheet: 12 in. × 7 13/16 in. (30.5 × 19.9 cm) | Gift of Walter E. Sachs, 1916 | 13 | http://www.metmuseum.org/art/collection/search/333785 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206442 | 16.4.9 | 0 | 1 | 333786 | 11 | 731 | Plate 17 from 'Los Caprichos': It is nicely stretched (Bien tirada está.) | 2 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1797–98 | 1797 | 1798 | 28939 | Sheet: 9 13/16 x 5 15/16 in. (24.99 x 15.01cm) | Gift of Walter E. Sachs, 1916 | 13 | http://www.metmuseum.org/art/collection/search/333786 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206443 | 16.4.10 | 0 | 1 | 333787 | 11 | 731 | Plate 15 from 'Los Caprichos': A pretty piece of advice (Bellos consejos) | 2 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1797–99 | 1792 | 1804 | 28938 | Plate: 8 1/2 × 5 15/16 in. (21.6 × 15.1 cm) Sheet: 12 1/16 x 7 13/16 in. (30.7 x 19.9 cm) | Gift of Walter E. Sachs, 1916 | 13 | http://www.metmuseum.org/art/collection/search/333787 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206444 | 16.4.11 | 0 | 1 | 333788 | 11 | 731 | Plate 7 from 'Los Caprichos': Even thus he cannot make her out (Ni asi la distingue.) | 2 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1799 | 1799 | 1799 | 28940 | Plate: 7 3/4 x 5 13/16 in. (19.7 x 14.8 cm) Sheet: 12 1/8 x 7 7/8 in. (30.8 x 20 cm) | Gift of Walter E. Sachs, 1916 | 13 | http://www.metmuseum.org/art/collection/search/333788 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206445 | 17.3.2977 | 0 | 1 | 333789 | 11 | 731 | Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.) | 2 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1799 | 1799 | 1799 | 28937 | Plate: 8 7/16 × 5 7/8 in. (21.4 × 15 cm) Sheet: 12 1/2 × 8 13/16 in. (31.8 × 22.4 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/333789 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206446 | 17.3.2983 | 0 | 0 | 333790 | 11 | 97 | Cecil Lawson: A Memoir | 973 | About|After | Cecil Gordon Lawson|Cecil Gordon Lawson|James McNeill Whistler|Sir Edmund William Gosse|Sir Hubert von Herkomer|The Fine Art Society, London|J. S. Virtue | British, Wellington, Shropshire 1849–1882 London|British, Wellington, Shropshire 1849–1882 London|American, Lowell, Massachusetts 1834–1903 London|British, Hackney, Middlesex 1849–1928 London|British, Waal, Bavaria 1849–1914 Budleigh Salterton, Devon|London | 17303 | 740 | 1849 |1849 |1834 |1849 |1849 |1850 |1855 | 1882 |1882 |1903 |1928 |1914 |2099 |1892 | 1883 | 1883 | 1883 | 28941 | 19 3/16 x 15 3/16 x 13/16 in. (48.7 x 38.5 x 2cm) | Harris Brisbane Dick Fund, 1917 | 442 | http://www.metmuseum.org/art/collection/search/333790 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206447 | 17.3.2984 | 0 | 0 | 333791 | 11 | 97 | The Heads of the Kings of England, Proper for Mr. Rapin's History | 974 | After|After|After|After|After | George Vertue|William I, King of England and Duke of Normandy|Oliver Cromwell|Philip II|Mary, Queen of Scots|James II, King of England, Scotland and Ireland|Henry VIII, King of England and Ireland|Charles II, King of England|Richard II|Charles I, King of England, Scotland, Wales and Ireland|Richard I|Titian (Tiziano Vecellio)|Sir Godfrey Kneller|Sir Peter Lely (Pieter van der Faes)|Anthony van Dyck|Hans Holbein the Younger|Nicholas Tindal|James, John and Paul Knapton|Egbert, King of Wessex|Alfred the Great|Canute, King of England, Denmark and Norway|William II, King of England|Henry I, King of England|Stephen, King of England|Henry II, King of England|John, King of England|Henry III, King of England|Edward I, King of England|Edward II, King of England|Edward III, King of England|Edward, Prince of Wales [the Black Prince]|Prince John (of Gaunt)|Henry IV, King of England|Henry V, King of England|Prince John (of Lancaster)|Henry VI, King of England|Edward IV, King of England|Edward V, King of England|Richard III|Henry VII, King of England and Lord of Ireland|Edward VI, King of England|Mary I, Queen of England|Henry Stuart, Lord Darnley|James I, King of England, Scotland and Ireland|Henry Frederick, Prince of Wales|Princess Elizabeth Stuart (later Queen of Bohemia)|Prince Henry, Duke of Gloucester|Frederick Louis, Prince of Wales|Elizabeth I, Queen of England|Paul de Rapin de Thoyras | British, London 1684–1756|Falaise 1027/28–1087 St. Gervais, Rouen|British, Huntingdon 1599–1658 London|Spanish, Valladolid 1527–1598 San Lorenzo de El Escorial|Linlithgow 1542–1587 Fotheringhay, England|British, London 1633–1701 France|British, London 1491–1547 London|London 1630–1685 London|British, Bordeaux 1367–1400 London|British, Dunfermline, Scotland 1600–1649 London|British, Oxford, 1157–1199|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice|German, Lübeck 1646–1723 London|British, Soest 1618–1680 London|Flemish, Antwerp 1599–1641 London|German, Augsburg 1497/98–1543 London|British, Plymouth 1687–1774 London|London|died 839|848/849–899|Anglo-Dane, died 1035|ca. 1060–1100|Selby (?) 1068/69–1135 Lyons-la-Forêt, Normandy|ca. 1092–1154|Le Mans 1133–1189 Chinon|Oxford 1167–1216 Newark-on-Trent|Winchester, 1207–1272|Westminster 1239–1307 Burgh by Sands|Caernarfon, Wales 1284–1327 Gloucestershire|Windsor 1312–1377 Sheen|Woodstock 1330–1376 Westminster|British, Ghent 1340–1399 Leicester|Bolingbroke 1366–1413 London|Monmouth, Wales 1386/87–1422 Vincennes, France|British, 1389–1435 Rouen, France|Windsor 1421–1471 London|Rouen, Normandy 1442–1483|London 1470–1483 London|British, Fotheringhay 1452–1485 Leicestershire|British, Pembrokeshire, Wales 1457–1509 Richmond|Hampton 1537–1553 Greenwich|Greenwich 1516–1558 London|British, Yorkshire 1545/46–1567 Edinburgh|Edinburgh 1566–1625 Theobalds|British, Stirling, Scotland 1594–1612 London|Falkland, Scotland 1596–1662 London|British, Surrey 1640–1660 London|British, Hanover 1707–1751 London|1533–1603|French, Castres, France 1661–1725 Wesel, Germany | 17304 | 741 | 1684 |1599 |1527 |1542 |1633 |1491 |1630 |1367 |1600 |1157 |1485 |1646 |1618 |1599 |1497 |1687 |1700 |0739 |0848 |0935 |1000 |1068 |1090 |1133 |1167 |1207 |1239 |1284 |1312 |1330 |1340 |1366 |1386 |1389 |1421 |1442 |1470 |1452 |1457 |1537 |1516 |1545 |1566 |1594 |1596 |1640 |1707 |1533 |1661 | 1756 |1027 |1658 |1598 |1587 |1701 |1547 |1685 |1400 |1649 |1199 |1576 |1723 |1680 |1641 |1543 |1774 |1799 |0839 |0899 |1035 |1100 |1135 |1154 |1189 |1216 |1272 |1307 |1327 |1377 |1376 |1399 |1413 |1422 |1435 |1471 |1483 |1483 |1485 |1509 |1553 |1558 |1567 |1625 |1612 |1662 |1660 |1751 |1603 |1725 | 1736 | 1736 | 1736 | 28942 | 20 15/16 x 14 3/16 x 1 in. (53.2 x 36 x 2.5cm) | Harris Brisbane Dick Fund, 1917 | 442 | http://www.metmuseum.org/art/collection/search/333791 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206448 | 17.3.2985 | 0 | 0 | 333792 | 11 | 1119 | Illustrations of the Pilgrims of the Rhine [Proofs] | 975 | Thomas Hood|David Roberts|Saunders and Otley|Edward Bulwer-Lytton, 1st Baron Lytton | British, London 1799–1845 London|British, Stockbridge, Scotland 1796–1864 London|London|British, London 1803–1873 Torquay | 17305 | 742 | 1799 |1796 |1800 |1803 | 1845 |1864 |1899 |1873 | 1834 | 1834 | 1834 | 28943 | 18 11/16 x 12 1/8 x 5/8 in. (47.4 x 30.8 x 1.6cm) | Harris Brisbane Dick Fund, 1917 | 462 | http://www.metmuseum.org/art/collection/search/333792 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206449 | 17.3.2641(57) | 0 | 0 | 333793 | 11 | 97 | A Selection of Etchings by the Etching Club | 976 | Sir John Everett Millais|Richard Ansdell|George Bernard O'Neill|Richard Redgrave|Charles West Cope|Thomas Creswick|James Clarke Hook|John Callcott Horsley|William Holman Hunt|Joseph Cundall|(John) Frederick Tayler|Thomas Bosworth | British, Southampton 1829–1896 London|British, Liverpool 1815–1885 Franborough, Hampshire|Irish, Dublin 1828–1917 London|British, London 1804–1888 London|British, Leeds 1811–1890 Bournemouth|British, Sheffield 1811–1869 London|British, Clerkenwell, London 1819–1907 Surrey|British, London 1817–1903 London|British, London 1827–1910 London|British, Norwich, Norfolk 1818–1895 Wallington, Surrey|British, Hertfordshire 1806–1889 London|London | 17306 | 743 | 1829 |1815 |1828 |1804 |1811 |1811 |1819 |1817 |1827 |1818 |1806 |1825 | 1896 |1885 |1917 |1888 |1890 |1869 |1907 |1903 |1910 |1895 |1889 |1899 | 1865 | 1865 | 1865 | 28944 | 18 3/16 x 13 1/16 x 13/16 in. (46.2 x 33.2 x 2cm) | Harris Brisbane Dick Fund, 1917 | 442 | http://www.metmuseum.org/art/collection/search/333793 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206450 | 17.50.15-355 | 0 | 1 | 333794 | 11 | 731 | Bacchanal | 3 | 2 | Pierre Brebiette | French, Mantes-sur-Seine ca. 1598–1642 Paris | 9358 | 2 | 1598 | 1642 | 1600–1642 | 1600 | 1642 | 26137 | 3 11/16 x 9 5/8 in. (9.4 x 24.5 cm) (clipped impression) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/333794 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206451 | 17.50.15-35 | 0 | 1 | 333795 | 11 | 731 | Jupiter, Pluto and Neptune Offering their Riches to Fortune | 13 | After | Pierre Brebiette|Claude Vignon | French, Mantes-sur-Seine ca. 1598–1642 Paris|French, Tours 1593–1670 Paris | 17307 | 21 | 1598 |1593 | 1642 |1670 | 1624 | 1624 | 1624 | 26137 | 9 15/16 x 6 1/8 in. (25.2 x 15.6 cm) (clipped impression) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/333795 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206452 | 17.66.1 | 0 | 0 | 333796 | 11 | 1119 | Eight Original Etchings by the late John Sell Cotman now first published; also Ten Etchings by Miles Edmund Cotman | 895 | Published by | John Sell Cotman|Miles Edmund Cotman|Charles Muskett | British, Norwich 1782–1842 London|British, Norwich 1810–1858 Norwich|London | and Norwich | 17308 | 178 | 1782 |1810 |1800 | 1842 |1858 |1899 | 1846 | 1846 | 1846 | 26137 | Book: 19 11/16 x 13 1/4 x 5/8 in. (50 x 33.7 x 1.6cm) | Rogers Fund, 1917 | 462 | http://www.metmuseum.org/art/collection/search/333796 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
206453 | 17.120.232 | 0 | 1 | 333797 | 11 | 23 | A Woman Reading, after Pieter Janssens Elinga | 13 | François Bonvin|Pieter Janssens Elinga | French, Paris 1817–1888 Saint-Germain-en-Laye | 17309 | 310 | 1817 | 1888 | 1846–47 | 1846 | 1847 | 28945 | Sheet: 5 7/8 x 4 1/2 in. (14.9 x 11.5cm) | Mr. and Mrs. Isaac D. Fletcher Collection, Bequest of Isaac D. Fletcher, 1917 | 9 | http://www.metmuseum.org/art/collection/search/333797 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206454 | 17.20(1) | 0 | 0 | 333798 | 11 | 97 | A Descriptive and Critical Catalogue of Works Illustrated by Thomas and John Bewick, vol. 1 | 977 | John Bewick|Thomas Bewick|John Gray Bell|Thomas Bewick|Thomas Bewick | British, Eltringham, Northumberland baptised 1760–1795 Ovingham, Northumberland|British, Eltringham, Northumberland 1753–1828 Gateshead|British, Newcastle upon Tyne 1823–1866 Manchester|British, Eltringham, Northumberland 1753–1828 Gateshead|British, Eltringham, Northumberland 1753–1828 Gateshead | 17310 | 394 | 1760 |1753 |1823 |1753 |1753 | 1795 |1828 |1866 |1828 |1828 | 1851 | 1851 | 1851 | 28946 | 15 1/4 x 11 15/16 x 2 15/16 in. (38.7 x 30.3 x 7.5cm) | Gift of Mortimer L. Schiff, 1917 | 442 | http://www.metmuseum.org/art/collection/search/333798 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206455 | 17.20(2) | 0 | 0 | 333799 | 11 | 97 | A Descriptive and Critical Catalogue of Works Illustrated by Thomas and John Bewick, vol. 2 | 978 | About | John Bewick|Thomas Bewick|Thomas Bewick | British, Eltringham, Northumberland baptised 1760–1795 Ovingham, Northumberland|British, Eltringham, Northumberland 1753–1828 Gateshead|British, Eltringham, Northumberland 1753–1828 Gateshead | 17311 | 178 | 1760 |1753 |1753 | 1795 |1828 |1828 | 1851 | 1851 | 1851 | 28946 | 15 1/4 x 11 15/16 x 2 15/16 in. (38.7 x 30.3 x 7.5cm) | Gift of Mortimer L. Schiff, 1917 | 442 | http://www.metmuseum.org/art/collection/search/333799 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206456 | 17.52.2 | 0 | 1 | 333800 | 11 | 731 | Frontispiece - Yvette Guilbert before the Prompter's Box | 4 | 2 | Henri de Toulouse-Lautrec | French, Albi 1864–1901 Saint-André-du-Bois | 17312 | 2 | 1864 | 1901 | 1898 | 1898 | 1898 | 28947 | 19-3/4 x 14-7/8 in. (50.2 x 37.8 cm) | Gift of Mrs. H. Wolf, 1917 | 13 | http://www.metmuseum.org/art/collection/search/333800 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206457 | 18.64(1-80) | 0 | 1 | 333801 | 11 | 731 | The Caprices (Los Caprichos), plates 1-80 | 5 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1799 | 1799 | 1799 | 28939 | Gift of M. Knoedler & Co., 1918 | 13 | http://www.metmuseum.org/art/collection/search/333801 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206458 | 18.31.1 | 0 | 1 | 333802 | 11 | 731 | Yvette Guilbert | 979 | Images printed by|Text printed by | Henri de Toulouse-Lautrec|André Marty|Gustave Geffroy|l'Estampe Originale|Edward Ancourt|Frémont | French, Albi 1864–1901 Saint-André-du-Bois|French, born 1857|French, Paris 1855–1926 Paris|French, 19th century|French, active 19th century | 17313 | 744 | 1864 |1857 |1855 |1800 |1850 | 1901 |1957 |1926 |1899 |1950 | 1894 | 1894 | 1894 | 28948 | 16 in. × 15 1/8 in. (40.6 × 38.4 cm) Sheet: 15 × 15 in. (38.1 × 38.1 cm) | Rogers Fund, 1918 | 13 | http://www.metmuseum.org/art/collection/search/333802 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206459 | 18.42.1 | 0 | 1 | 333803 | 11 | 731 | The custody is as barbarous as the crime (Tan bárbara la seguridad como el delito) | 6 | 710 | Goya (Francisco de Goya y Lucientes)|Gazette des Beaux-Arts | Spanish, Fuendetodos 1746–1828 Bordeaux | 17314 | 143 | 1746 | 1828 | ca. 1815 | 1810 | 1820 | 28949 | Plate: 4 5/16 × 3 7/16 in. (11 × 8.8 cm) Sheet: 5 15/16 × 4 13/16 in. (15.1 × 12.2 cm) | Rogers Fund, 1918 | 13 | http://www.metmuseum.org/art/collection/search/333803 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206460 | 18.42.2 | 0 | 1 | 333804 | 11 | 731 | Barbarous Entertainment (Barbara dibersion) | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1800–1804 | 1800 | 1804 | 28950 | Plate: 6 15/16 × 8 5/8 in. (17.7 × 21.9 cm) Sheet: 12 3/8 × 14 7/8 in. (31.4 × 37.8 cm) Sheet (Unfolded sheet): 12 3/8 × 17 13/16 in. (31.4 × 45.3 cm) | Rogers Fund, 1918 | 13 | http://www.metmuseum.org/art/collection/search/333804 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206461 | 18.45.2 | 0 | 1 | 333805 | 11 | 731 | If he is guilty, let him die quickly (Si es delinquente qe. muera presto) | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1815, published 1859 | 1810 | 1820 | 28951 | Plate: 4 9/16 × 3 3/8 in. (11.6 × 8.5 cm) Sheet: 9 15/16 × 7 1/4 in. (25.2 × 18.4 cm) | Rogers Fund, 1918 | 13 | http://www.metmuseum.org/art/collection/search/333805 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206462 | 19.27 | 0 | 1 | 333806 | 11 | 23 | 'Nightmare'; an old woman carrying figures on her back; folio 20 from the Witches and Old Women Album 'D' | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1819–23 | 1814 | 1828 | 28952 | sheet: 9 3/16 x 5 11/16 in. (23.4 x 14.4 cm) | Rogers Fund, 1919 | 9 | http://www.metmuseum.org/art/collection/search/333806 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206463 | 19.51.1 | 0 | 1 | 333807 | 11 | 23 | Violinist, Study for "The Dance Lesson" | 2 | Edgar Degas | French, Paris 1834–1917 Paris | 9725 | 2 | 1834 | 1917 | ca. 1878–79 | 1873 | 1884 | 28953 | 15 3/8 x 11 3/4 in. (39.1 x 29.8 cm) | Rogers Fund, 1918 | 9 | http://www.metmuseum.org/art/collection/search/333807 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206464 | 19.51.2 | 0 | 1 | 333808 | 11 | 23 | Bather Drying Herself | 2 | Edgar Degas | French, Paris 1834–1917 Paris | 9725 | 2 | 1834 | 1917 | ca. 1883–84 | 1878 | 1889 | 28954 | Sheet: 12 5/8 x 9 3/4 in. (32.1 x 24.8cm) | Rogers Fund, 1918 | 9 | http://www.metmuseum.org/art/collection/search/333808 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206465 | 19.51.3 | 0 | 1 | 333809 | 11 | 23 | Bather Sponging Her Knee | 2 | Edgar Degas | French, Paris 1834–1917 Paris | 9725 | 2 | 1834 | 1917 | ca. 1883–84 | 1878 | 1889 | 28955 | Sheet: 12 1/8 x 9 3/8 in. (30.8 x 24.8cm) | Rogers Fund, 1918 | 9 | http://www.metmuseum.org/art/collection/search/333809 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206466 | 19.51.4 | 0 | 1 | 333810 | 11 | 23 | Madame Loubens | 2 | Edgar Degas | French, Paris 1834–1917 Paris | 9725 | 2 | 1834 | 1917 | ca. 1869 | 1864 | 1874 | 28956 | Sheet: 9 3/8 x 8 1/16 in. (23.8 x 20.5cm) | Rogers Fund, 1918 | 9 | http://www.metmuseum.org/art/collection/search/333810 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206467 | 19.51.5 | 0 | 1 | 333811 | 11 | 23 | Madame Lisle | 2 | Edgar Degas | French, Paris 1834–1917 Paris | 9725 | 2 | 1834 | 1917 | ca. 1866–70 | 1861 | 1871 | 28957 | sheet: 8 9/16 x 10 1/4 in. (21.7 x 26 cm) | Rogers Fund, 1918 | 9 | http://www.metmuseum.org/art/collection/search/333811 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206468 | 19.51.6 | 0 | 1 | 333812 | 11 | 23 | Édouard Manet Seated, Right Profile | 392 | Édouard Manet|Edgar Degas | French, Paris 1832–1883 Paris|French, Paris 1834–1917 Paris | 17315 | 2 | 1832 |1834 | 1883 |1917 | ca. 1865 | 1860 | 1870 | 28958 | Sheet: 14 1/8 x 11 in. (35.9 x 27.9cm) | Rogers Fund, 1918 | 9 | http://www.metmuseum.org/art/collection/search/333812 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206469 | 19.51.7 | 1 | 1 | 333813 | 11 | 23 | Édouard Manet, Seated, Holding His Hat | 972 | Edgar Degas|Édouard Manet | French, Paris 1834–1917 Paris|French, Paris 1832–1883 Paris | 17316 | 21 | 1834 |1832 | 1917 |1883 | ca. 1865 | 1860 | 1870 | 28959 | Sheet: 13 1/16 x 9 1/16 in. (33.1 x 23 cm) | Rogers Fund, 1918 | 9 | http://www.metmuseum.org/art/collection/search/333813 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206470 | 19.51.8 | 0 | 1 | 333814 | 11 | 23 | Edouard Manet at the Races | 2 | Edgar Degas | French, Paris 1834–1917 Paris | 9725 | 2 | 1834 | 1917 | ca. 1865 | 1860 | 1870 | 28960 | Sheet: 12 5/8 x 9 11/16 in. (32.1 x 24.6cm) | Rogers Fund, 1918 | 9 | http://www.metmuseum.org/art/collection/search/333814 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206471 | 19.51.9a | 0 | 1 | 333815 | 11 | 23 | Edmond Duranty (1833–1880) | 392 | Edmond Duranty|Edgar Degas | French, Paris 1834–1917 Paris | 17317 | 21 | 1833 |1834 | 1880 |1917 | 1879 | 1879 | 1879 | 28961 | 12 1/8 x 18 9/16 in. (30.8 x 47.2cm) | Rogers Fund, 1918 | 9 | http://www.metmuseum.org/art/collection/search/333815 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206472 | 19.64 | 0 | 1 | 333816 | 11 | 731 | Plate B from the 'Disparates':Punctual Folly | 7 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1816–23 (published before 1877) | 1811 | 1821 | 28962 | Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm) Sheet: 10 15/16 × 15 3/16 in. (27.8 × 38.5 cm) | Rogers Fund, 1919 | 13 | http://www.metmuseum.org/art/collection/search/333816 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206473 | 19.86 | 0 | 1 | 333817 | 11 | 23 | Manet's Studio in the Batignolles | 980 | Portrait of|Portrait of|Portrait of|Portrait of|Portrait of|Portrait of|Portrait of | Henri Fantin-Latour|Jean-Frédéric Bazille|Auguste Renoir|Émile Zola|Edmond Maître|Otto Scholderer|Claude Monet|Zacharie Astruc | French, Grenoble 1836–1904 Buré|French, Montpellier 1841–1870 Beaune-la-Rolande|French, Limoges 1841–1919 Cagnes-sur-Mer|French, Paris 1840–1902 Paris|French, died 1898|German, Frankfurt am Main 1834–1902 Frankfurt am Main|French, Paris 1840–1926 Giverny|French, Angers 1835–1907 Paris | 17318 | 745 | 1836 |1841 |1841 |1840 |1798 |1834 |1840 |1833 | 1904 |1870 |1919 |1902 |1898 |1902 |1926 |1907 | 1870 | 1865 | 1875 | 28963 | 11 1/2 x 15 1/2 in. (29.2 x 39.4cm) | Gift of Mrs. Helena M. Loewel, in memory of her brother, Charles W. Kraushaar, 1919 | 9 | http://www.metmuseum.org/art/collection/search/333817 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206474 | 20.22 | 0 | 1 | 333818 | 11 | 731 | The Garroted Man (El agarrotado) | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1778–80 | 1774 | 1785 | 28964 | plate: 12 7/8 x 8 7/16 in. (32.7 x 21.4 cm) sheet: 17 1/16 x 12 5/16 in. (43.3 x 31.2 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/333818 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206475 | 20.60.2 | 0 | 1 | 333819 | 11 | 731 | A picador caught by a bull, from the 'Bulls of Bordeaux' | 710 | Goya (Francisco de Goya y Lucientes)|Cyprien Charles Marie Nicolas Gaulon | Spanish, Fuendetodos 1746–1828 Bordeaux|French, 1777–1858 Bordeaux | 17319 | 76 | 1746 |1777 | 1828 |1858 | 1825 | 1825 | 1825 | 28965 | Image: 12 1/4 x 16 3/8 in. (31.1 x 41.6 cm) Sheet: 16 1/8 × 20 7/8 in. (41 × 53 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/333819 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206476 | 20.60.3 | 0 | 1 | 333820 | 11 | 731 | Spanish Entertainment from the 'Bulls of Bordeaux' | 710 | Goya (Francisco de Goya y Lucientes)|Cyprien Charles Marie Nicolas Gaulon | Spanish, Fuendetodos 1746–1828 Bordeaux|French, 1777–1858 Bordeaux | 17319 | 76 | 1746 |1777 | 1828 |1858 | 1825 | 1825 | 1825 | 28965 | Image: 11 15/16 × 16 5/16 in. (30.3 × 41.5 cm) Sheet: 16 5/8 x 20 7/8 in. (42.2 x 53 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/333820 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206477 | 20.60.4 | 0 | 1 | 333821 | 11 | 731 | Bullfight in a divided ring, from the 'Bulls of Bordeaux' | 710 | Goya (Francisco de Goya y Lucientes)|Cyprien Charles Marie Nicolas Gaulon | Spanish, Fuendetodos 1746–1828 Bordeaux|French, 1777–1858 Bordeaux | 17319 | 76 | 1746 |1777 | 1828 |1858 | 1825 | 1825 | 1825 | 28965 | Sheet: 16 1/2 × 20 9/16 in. (41.9 × 52.2 cm) Plate: 11 5/8 × 16 1/4 in. (29.5 × 41.3 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/333821 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206478 | 20.70 | 0 | 1 | 333822 | 11 | 731 | Virgin kneeling before Christ | 13 | Designed by | Pierre Brebiette|Andrea del Sarto (Andrea d'Agnolo) | French, Mantes-sur-Seine ca. 1598–1642 Paris|Italian, Florence 1486–1530 Florence | 17320 | 247 | 1598 |1486 | 1642 |1530 | 1610–42 | 1610 | 1642 | 26137 | Sheet: 8 15/16 x 7 1/8 in. (22.7 x 18.1cm) | Gift of Colonel James Barnes, 1920 | 13 | http://www.metmuseum.org/art/collection/search/333822 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206479 | 20.81.1.1-.78 | 0 | 0 | 333823 | 11 | 13812 | Album of Prints by Hollar | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1650 | 1650 | 1650 | 26137 | 22 15/16 x 16 3/8 x 2 9/16 in. (58.2 x 41.6 x 6.5cm) | Rogers Fund, 1920 | 462 | http://www.metmuseum.org/art/collection/search/333823 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206480 | 20.81.2.1-.183 | 0 | 0 | 333824 | 11 | 13812 | Album of Prints by Hollar | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1650 | 1650 | 1650 | 26137 | 22 1/2 x 16 3/8 x 2 9/16 in. (57.2 x 41.6 x 6.5cm) | Rogers Fund, 1920 | 462 | http://www.metmuseum.org/art/collection/search/333824 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206481 | 20.81.3 | 0 | 1 | 333825 | 11 | 97 | Album of Prints by Hollar | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1650 | 1650 | 1650 | 26137 | Book: 22 13/16 x 16 9/16 x 2 3/4 in. (58 x 42 x 7cm) | Rogers Fund, 1921 | 442 | http://www.metmuseum.org/art/collection/search/333825 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206482 | 20.166.2 | 0 | 1 | 333826 | 11 | 23 | Study for "The Almeh" | 2 | Charles Bargue | French, Paris 1825/26–1883 Paris | 17321 | 2 | 1825 | 1883 | 1879 | 1879 | 1879 | 28966 | Sheet: 8 11/16 x 4 1/16 in. (22.1 x 10.3cm) | Gift of Albert Gallatin, 1920 | 9 | http://www.metmuseum.org/art/collection/search/333826 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206483 | 20.166.3 | 0 | 1 | 333827 | 11 | 23 | Houses | 2 | Charles Bargue | French, Paris 1825/26–1883 Paris | 17321 | 2 | 1825 | 1883 | 1825–83 | 1825 | 1883 | 28967 | Sheet: 8 x 5 3/16 in. (20.3 x 13.1cm) | Gift of Albert Gallatin, 1920 | 9 | http://www.metmuseum.org/art/collection/search/333827 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206484 | 21.19.1-.34 | 0 | 1 | 333828 | 11 | 731 | The Bullfight, plates 1-33 (La Tauromaquia); First edition, 1816 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1816 | 1816 | 1816 | 28968 | Rogers Fund, 1921 | 13 | http://www.metmuseum.org/art/collection/search/333828 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
206486 | 21.36.124 | 0 | 0 | 333830 | 11 | 97 | Bewick's Woodcuts: Impressions of Upwards of Two Thousand Wood-Blocks | 982 | Thomas Bewick|L. Reeve & Co.|Thomas Hugo|John Bewick|Vincent Brooks, Day & Son | British, Eltringham, Northumberland 1753–1828 Gateshead|London|British, Taunton, Somerset 1820–1876 London|British, Eltringham, Northumberland baptised 1760–1795 Ovingham, Northumberland|London | 17323 | 394 | 1753 |1800 |1820 |1760 |1850 | 1828 |1900 |1876 |1795 |1920 | 1870 | 1870 | 1870 | 28946 | 15 3/8 x 11 13/16 x 2 9/16 in. (39 x 30 x 6.5cm) | Museum Accession, transferred from the Library, 1921 | 442 | http://www.metmuseum.org/art/collection/search/333830 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206487 | 21.36.137 | 0 | 0 | 333831 | 11 | 97 | The History of England, From the Invasion of Julius Cæsar to the Revolution in 1688 | 983 | David Hume|Robert Bowyer|Thomas Bensley|George III, King of Great Britain and Ireland | British, Edinburgh, Scotland 1711–1776 Edinburgh|British, Portsmouth 1758–1834 Byfleet, Surrey|London|British, London 1738–1820 Windsor | 17324 | 746 | 1711 |1758 |1759 |1738 | 1776 |1834 |1835 |1820 | 1806 | 1806 | 1806 | 28942 | 18 1/4 x 14 3/8 x 2 3/4 in. (46.3 x 36.5 x 7cm) | Jacob S. Rogers Bequest, 1921, transferred from the Library | 442 | http://www.metmuseum.org/art/collection/search/333831 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206488 | 21.36.162 | 0 | 0 | 333832 | 11 | 97 | The First of May, A Fairy Masque | 984 | Photo-engraved and printed by | Walter Crane|John Richard de Capel Wise|Henry Sotheran & Company|Charles Robert Darwin|Goupil & Co. | British, Liverpool 1845–1915 Horsham|British, 1831–1890 Lyndhurst, Hampshire|London|British, Shrewsbury 1809–1882 Downe, Bromley | Paris | 17325 | 699 | 1845 |1831 |1850 |1809 |1850 | 1915 |1890 |1950 |1882 |1950 | 1881 | 1881 | 1881 | 28969 | 15 1/4 x 18 5/8 x 1 5/8 in. (38.8 x 47.3 x 4.1cm) | Rogers Fund, transferred from the Library, 1921 | 442 | http://www.metmuseum.org/art/collection/search/333832 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
206489 | 21.54.1 | 0 | 1 | 333833 | 11 | 731 | Plate 4 from the 'Disparates': Simpleton | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1816–23 (published between 1854–63) | 1811 | 1863 | 28970 | Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm) Sheet: 14 5/8 × 19 15/16 in. (37.2 × 50.6 cm) | Rogers Fund, 1921 | 13 | http://www.metmuseum.org/art/collection/search/333833 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206490 | 21.54.2 | 0 | 1 | 333834 | 11 | 731 | Plate 2 from the 'Disparates': Folly of Fear | 8 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1816–23 (published ca. 1848) | 1811 | 1821 | 28971 | Plate: 9 5/8 × 13 11/16 in. (24.5 × 34.7 cm) Sheet: 13 7/16 × 18 11/16 in. (34.2 × 47.5 cm) | Rogers Fund, 1921 | 13 | http://www.metmuseum.org/art/collection/search/333834 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206491 | 22.4 | 0 | 1 | 333835 | 11 | 731 | Plate 17 from the 'Disparates': Loyalty | 8 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1816–23 (private printing ca.1854) | 1811 | 1868 | 28937 | Plate: 9 9/16 × 13 7/8 in. (24.3 × 35.2 cm) Sheet: 10 13/16 × 15 3/16 in. (27.4 × 38.5 cm) | Gift of Miss Anna Pellew, 1922 | 13 | http://www.metmuseum.org/art/collection/search/333835 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206492 | 22.25 | 0 | 0 | 333836 | 11 | 97 | Illustrations to the Vicar of Wakefield | 985 | William Mulready|Oliver Goldsmith | Irish, Ennis 1786–1863 London|Irish, Pallas, Longford ca. 1728–1774 London | 17326 | 747 | 1786 |1725 | 1863 |1774 | 1843 | 1843 | 1843 | 28946 | 13 9/16 x 19 15/16 x 9/16 in. (34.5 x 50.6 x 1.5cm) | Rogers Fund, 1922 | 442 | http://www.metmuseum.org/art/collection/search/333836 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206493 | 22.38 | 0 | 0 | 333837 | 11 | 97 | Authentic Memoirs of the Late George Morland, With Remarks on His Abilities and Progress as an Artist | 986 | George Morland|Francis William Blagdon|Edward Orme|Barnard and Sultzer | British, London 1763–1804 London|British, baptised London 1777–1819|British, Manchester 1775–1848 London|London | 17327 | 177 | 1763 |1775 |1775 |1800 | 1804 |1819 |1848 |1850 | 1806 | 1806 | 1806 | 28943 | 17 13/16 x 22 5/16 x 7/8 in. (45.2 x 56.6 x 2.2cm) | Rogers Fund, 1922 | 442 | http://www.metmuseum.org/art/collection/search/333837 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206494 | 22.60.25 (1-80) | 0 | 1 | 333838 | 11 | 731 | The Disasters of War (Los Desastres de la Guerra), title page | 9 | 710 | Goya (Francisco de Goya y Lucientes)|J. Aragon | Spanish, Fuendetodos 1746–1828 Bordeaux | 17328 | 76 | 1746 | 1828 | 1810–20, published 1863 | 1863 | 1863 | 28972 | Sheet: 9 15/16 × 13 7/16 in. (25.2 × 34.2 cm) | Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 | 13 | http://www.metmuseum.org/art/collection/search/333838 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206495 | 22.60.23 | 0 | 1 | 333839 | 11 | 731 | Margaret of Austria on horseback, after Velázquez | 987 | After | Velázquez (Diego Rodríguez de Silva y Velázquez)|Margaret of Austria, Queen of Spain|Goya (Francisco de Goya y Lucientes) | Spanish, Seville 1599–1660 Madrid|Spanish (born Austria), Graz 1584–1611 San Lorenzo de El Escorial|Spanish, Fuendetodos 1746–1828 Bordeaux | 17329 | 748 | 1599 |1584 |1746 | 1660 |1611 |1828 | 1778 | 1778 | 1778 | 28973 | Plate: 14 5/8 × 12 1/4 in. (37.2 × 31.1 cm) Sheet: 23 9/16 × 15 13/16 in. (59.8 × 40.1 cm) | Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 | 13 | http://www.metmuseum.org/art/collection/search/333839 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206496 | 22.63.29 | 0 | 1 | 333840 | 11 | 731 | The blind guitarist (El ciego de la guitarra) | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1778 | 1773 | 1783 | 28974 | Sheet: 14 in. × 21 5/8 in. (35.5 × 55 cm) | Purchase, Jacob H. Schiff Bequest, 1922 | 13 | http://www.metmuseum.org/art/collection/search/333840 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206497 | 22.63.39 | 0 | 1 | 333841 | 11 | 731 | Portrait of Edmond de Goncourt | 972 | Portrait of | Félix Bracquemond|Edmond de Goncourt | French, Paris 1833–1914 Sèvres|French, Paris 1822–1896 Paris | 17330 | 21 | 1833 |1822 | 1914 |1896 | 1882 | 1882 | 1882 | 28975 | sheet: 21 1/2 x 14 1/8 in. (54.6 x 35.9 cm) plate: 20 x 13 in. (50.8 x 33 cm) | Purchase, Jacob H. Schiff Bequest, 1922 | 13 | http://www.metmuseum.org/art/collection/search/333841 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206498 | 22.63.145 | 0 | 1 | 333842 | 11 | 731 | Plate D from the 'Disparates': Fools-'or Little Bulls' - folly | 7 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1816–23 (published before 1877) | 1811 | 1821 | 28976 | Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm) Sheet: 10 13/16 × 14 15/16 in. (27.5 × 38 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/333842 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206499 | 22.63.146 | 0 | 1 | 333843 | 11 | 731 | Plate A from the 'Disparates':Well-Known Folly | 7 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1816–23 (published before 1877) | 1811 | 1821 | 28937 | Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm) Sheet: 10 13/16 × 14 15/16 in. (27.5 × 38 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/333843 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206500 | 22.63.147 | 0 | 1 | 333844 | 11 | 731 | Plate C from the 'Disparates': Animal Folly | 7 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1816–23 (published before 1877) | 1811 | 1821 | 28936 | Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm) Sheet: 10 13/16 x 15 1/8 in. (27.5 x 38.4 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/333844 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206501 | 22.77.4 | 0 | 0 | 333845 | 11 | 1119 | XII Views in Aquatinta...From drawings taken on the spot in South Wales | 988 | Paul Sandby|Charles Francis Greville|Sir Joseph Banks | British, baptized Nottingham 1731–1809 London|British, Warwick (?) 1749–1809 London|British, London 1743–1820 London | 17331 | 178 | 1731 |1749 |1743 | 1809 |1809 |1820 | 1775 | 1775 | 1775 | 28977 | 14 3/16 x 20 1/2 x 11/16 in. (36 x 52 x 1.7cm) | Rogers Fund, 1922 | 462 | http://www.metmuseum.org/art/collection/search/333845 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206502 | 22.77.5 | 0 | 0 | 333846 | 11 | 97 | A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring | 989 | David Cox|Richard Reeve|S. & J. Fuller|J. Tyler|Elizabeth Leveson-Gower | British, Birmingham 1783–1859 Harborne, West Midlands|British, 1780–1835|London|London|British, Edinburgh, Scotland 1765–1839 London | 17332 | 749 | 1783 |1780 |1800 |1800 |1765 | 1859 |1835 |1900 |1899 |1839 | 1814 | 1814 | 1814 | 28978 | 11 3/16 x 19 1/4 x 7/8 in. (28.4 x 48.9 x 2.2 cm) | Rogers Fund, 1922 | 442 | http://www.metmuseum.org/art/collection/search/333846 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206503 | 22.82.1-59 | 0 | 1 | 333847 | 11 | 731 | At Les Ambassadeurs (Au Café-Concert / At the Café Concert) | 10 | 990 | Edward Ancourt|Henri de Toulouse-Lautrec|André Marty | French, 19th century|French, Albi 1864–1901 Saint-André-du-Bois|French, born 1857 | 17333 | 103 | 1800 |1864 |1857 | 1899 |1901 |1957 | 1894 | 1894 | 1894 | 28979 | Image: 4 7/16 × 3 13/16 in. (11.3 × 9.8 cm) Sheet: 23 1/4 in. × 17 in. (59.1 × 43.2 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/333847 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206504 | 22.82.1-81 | 0 | 1 | 333848 | 11 | 731 | At the Curtain (Au rideau) | 11 | 849 | Henri de Toulouse-Lautrec|Edward Ancourt|André Marty | French, Albi 1864–1901 Saint-André-du-Bois|French, 19th century|French, born 1857 | 17334 | 103 | 1864 |1800 |1857 | 1901 |1899 |1957 | 1895 | 1895 | 1895 | 28980 | Image: 23 1/8 × 43 13/16 in. (58.7 × 111.3 cm) Sheet: 23 3/4 × 33 9/16 in. (60.3 × 85.2 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/333848 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206505 | 22.106.4 | 0 | 0 | 333849 | 11 | 97 | Sketches in Belgium and Germany, vol. 1 | 991 | Louis Haghe|Prince Albert of Saxe-Coburg and Gotha | Belgian, Tournai 1806–1885 Surrey|Coburg, Germany 1819–1861 Windsor | 17335 | 750 | 1806 |1819 | 1885 |1861 | 1840 [1850] | 1840 | 1850 | 28981 | 21 3/4 x 15 1/16 x 1 5/16 in. (55.2 x 38.3 x 3.3cm) | Rogers Fund, 1921, transferred from the Library | 442 | http://www.metmuseum.org/art/collection/search/333849 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206506 | 22.106.71 | 0 | 0 | 333850 | 11 | 1119 | Facsimiles of Sketches Made in Flanders and Germany | 992 | Drawn on stone by|Published and printed by | Samuel Prout|Charles Joseph Hullmandel|Adelaide, Queen of England | British, Plymouth 1783–1852 London|British, London 1789–1850 London|Meiningen 1792–1849 Middlesex | 17336 | 178 | 1783 |1789 |1792 | 1852 |1850 |1849 | [1833] (?) | 1833 | 1833 | 28982 | Book: 22 5/16 x 15 1/4 x 1 1/4 in. (56.6 x 38.7 x 3.1cm) | Transferred from the Library, 1922 | 462 | http://www.metmuseum.org/art/collection/search/333850 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206507 | 22.151 | 0 | 1 | 333851 | 11 | 23 | Portrait of the Artist (?) | 2 | Charles Bargue | French, Paris 1825/26–1883 Paris | 17321 | 2 | 1825 | 1883 | 1850–83 | 1850 | 1883 | 28983 | Sheet: 10 7/8 x 8 11/16 in. (27.6 x 22.1cm) | Bequest of Frederick T. Howard, 1922 | 9 | http://www.metmuseum.org/art/collection/search/333851 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206508 | 23.7 | 0 | 0 | 333852 | 11 | 97 | Collection of Etchings | 17 | Edward Orme|Daniel Orme | British, Manchester 1775–1848 London|British, Manchester 1766–1837 Buxton, Derbyshire | 17337 | 9 | 1775 |1766 | 1848 |1837 | [1791–1807] | 1791 | 1807 | 28943 | 14 1/8 x 10 3/16 x 13/16 in. (35.8 x 25.8 x 2cm) | Gift of Walter L. Hildberg, 1923 | 442 | http://www.metmuseum.org/art/collection/search/333852 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206509 | 23.30.1 | 0 | 1 | 333853 | 11 | 731 | A Scene from Offenbach's La Belle Hélène | 2 | Henri de Toulouse-Lautrec | French, Albi 1864–1901 Saint-André-du-Bois | 17312 | 2 | 1864 | 1901 | 1900 | 1900 | 1900 | 14948 | 27-15/16 x 20-7/16 in. (71.0 x 51.9 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333853 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206510 | 23.30.2 | 0 | 1 | 333854 | 11 | 731 | Marcelle Lender and Eva Lavalliére in a Revue at the Variétés | 710 | Henri de Toulouse-Lautrec|Edouard Kleinmann | French, Albi 1864–1901 Saint-André-du-Bois|French, active 19th century | 17338 | 21 | 1864 |1800 | 1901 |1900 | 1895 | 1895 | 1895 | 28984 | Image: 12 in. × 9 13/16 in. (30.5 × 25 cm) Sheet: 19 5/16 × 13 3/8 in. (49.1 × 34 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333854 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206511 | 23.30.3.2 | 0 | 1 | 333855 | 11 | 731 | Yvette Guilbert (from Le Café Concert) | 12 | 849 | Henri de Toulouse-Lautrec|Edward Ancourt|l'Estampe Originale | French, Albi 1864–1901 Saint-André-du-Bois|French, 19th century | 17339 | 103 | 1864 |1800 | 1901 |1899 | 1893 | 1893 | 1893 | 28985 | Sheet: 17 5/16 × 12 5/8 in. (44 × 32 cm) Image: 9 15/16 × 8 3/4 in. (25.3 × 22.3 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333855 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206512 | 23.30.3.3 | 0 | 1 | 333856 | 11 | 731 | Paula Brébion (from Le Café Concert) | 13 | 849 | Henri de Toulouse-Lautrec|Edward Ancourt|André Marty | French, Albi 1864–1901 Saint-André-du-Bois|French, 19th century|French, born 1857 | 17334 | 103 | 1864 |1800 |1857 | 1901 |1899 |1957 | 1893 | 1893 | 1893 | 28986 | Image: 10 5/16 × 7 3/4 in. (26.2 × 19.7 cm) Sheet: 18 in. × 11 7/16 in. (45.7 × 29 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333856 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206513 | 23.30.3.4 | 0 | 1 | 333857 | 11 | 731 | Mary Hamilton (from Le Café Concert) | 13 | 849 | Henri de Toulouse-Lautrec|Edward Ancourt|l'Estampe Originale | French, Albi 1864–1901 Saint-André-du-Bois|French, 19th century | 17339 | 103 | 1864 |1800 | 1901 |1899 | 1893 | 1893 | 1893 | 28987 | Image: 10 9/16 × 6 7/16 in. (26.8 × 16.3 cm) Sheet: 17 5/16 × 12 5/8 in. (44 × 32 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333857 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206514 | 23.30.3.5 | 0 | 1 | 333858 | 11 | 731 | Edmée Lescot (from Le Café Concert) | 14 | 849 | Henri de Toulouse-Lautrec|Edward Ancourt|l'Estampe Originale | French, Albi 1864–1901 Saint-André-du-Bois|French, 19th century | 17339 | 103 | 1864 |1800 | 1901 |1899 | 1893 | 1893 | 1893 | 28988 | Image: 10 5/8 × 7 1/2 in. (27 × 19 cm) Sheet: 17 5/16 × 12 5/8 in. (44 × 32 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333858 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206515 | 23.30.3.6 | 0 | 0 | 333859 | 11 | 731 | Madame Abdala | 15 | 2 | Henri de Toulouse-Lautrec | French, Albi 1864–1901 Saint-André-du-Bois | 17312 | 2 | 1864 | 1901 | 1893 | 1893 | 1893 | 14948 | Sheet: 17 5/16 x 12 5/8 in. (43.99 x 32cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333859 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206516 | 23.30.3.7 | 0 | 1 | 333860 | 11 | 731 | Aristide Bruant (from Le Café Concert) | 15 | 849 | Henri de Toulouse-Lautrec|Edward Ancourt|l'Estampe Originale | French, Albi 1864–1901 Saint-André-du-Bois|French, 19th century | 17339 | 103 | 1864 |1800 | 1901 |1899 | 1893 | 1893 | 1893 | 28988 | Image: 10 9/16 × 8 7/16 in. (26.8 × 21.5 cm) Sheet: 17 5/16 × 12 5/8 in. (44 × 32 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333860 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206517 | 23.30.3.8 | 0 | 1 | 333861 | 11 | 731 | Caudieux at the Petit Casino (from Le Café Concert) | 15 | 849 | Henri de Toulouse-Lautrec|Edward Ancourt|l'Estampe Originale | French, Albi 1864–1901 Saint-André-du-Bois|French, 19th century | 17339 | 103 | 1864 |1800 | 1901 |1899 | 1893 | 1893 | 1893 | 28989 | Image: 10 13/16 × 8 9/16 in. (27.5 × 21.8 cm) Sheet: 17 5/16 × 12 5/8 in. (44 × 32 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333861 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206518 | 23.30.3.9 | 0 | 1 | 333862 | 11 | 731 | Ducarre at Les Ambassadeurs (from Le Café Concert) | 15 | 849 | Henri de Toulouse-Lautrec|Edward Ancourt|l'Estampe Originale | French, Albi 1864–1901 Saint-André-du-Bois|French, 19th century | 17339 | 103 | 1864 |1800 | 1901 |1899 | 1893 | 1893 | 1893 | 28989 | Image: 10 13/16 × 8 9/16 in. (27.5 × 21.8 cm) Sheet: 17 5/16 × 12 5/8 in. (44 × 32 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333862 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206519 | 23.30.3.10 | 0 | 1 | 333863 | 11 | 731 | A Spectator (from Le Café Concert) | 16 | 849 | Henri de Toulouse-Lautrec|Edward Ancourt|l'Estampe Originale | French, Albi 1864–1901 Saint-André-du-Bois|French, 19th century | 17339 | 103 | 1864 |1800 | 1901 |1899 | 1893 | 1893 | 1893 | 28990 | Image: 10 9/16 × 7 5/16 in. (26.9 × 18.5 cm) Sheet: 17 5/16 × 12 5/8 in. (44 × 32 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333863 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206520 | 23.30.3.11 | 0 | 1 | 333864 | 11 | 731 | American Singer (from Le Café Concert) | 13 | 849 | Henri de Toulouse-Lautrec|Edward Ancourt|l'Estampe Originale | French, Albi 1864–1901 Saint-André-du-Bois|French, 19th century | 17339 | 103 | 1864 |1800 | 1901 |1899 | 1893 | 1893 | 1893 | 28991 | Image: 10 15/16 × 8 1/16 in. (27.8 × 20.5 cm) Sheet: 17 5/16 × 12 5/8 in. (44 × 32 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333864 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206521 | 23.37.5 | 0 | 1 | 333865 | 11 | 731 | The cloaked man (El Embozado) | 2 | After | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1818 | 1859 | 28973 | Plate: 7 1/2 × 4 3/4 in. (19 × 12 cm) Sheet: 9 3/16 × 6 1/4 in. (23.4 × 15.9 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333865 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206522 | 23.37.6 | 0 | 1 | 333866 | 11 | 731 | A 'Maja' standing against a dark background (Maja) | 17 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1827 | 1859 | 28992 | Plate: 7 3/8 × 4 7/8 in. (18.8 × 12.4 cm) Sheet: 9 1/4 × 6 1/2 in. (23.5 × 16.5 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333866 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206523 | 23.106.32 | 0 | 0 | 333867 | 11 | 1119 | Illustrations to the Vicar of Wakefield | 993 | Written by|Portrait engraved by|Portrait after | Oliver Goldsmith|William Mulready|James Thomson|John Linnell | Irish, Pallas, Longford ca. 1728–1774 London|Irish, Ennis 1786–1863 London|British, baptised Mitford, Northumberland 1788–1850 London|British, London 1792–1882 Redhill, Surrey | 17340 | 751 | 1725 |1786 |1788 |1792 | 1774 |1863 |1850 |1882 | 1853 | 1853 | 1853 | 28993 | Book: 15 3/4 x 12 3/8 x 1 in. (40 x 31.5 x 2.5cm) | Gift of Junius S. Morgan, 1923 | 462 | http://www.metmuseum.org/art/collection/search/333867 | 4/23/2018 8:00:01 AM | 1 |