Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 119868 | 27.114 | 0 | 1 | 208988 | 11 | 8611 | Box, Bibl | late 16th–early 17th century | 1585 | 1615 | 23825 | 9 × 28 7/8 × 21 1/8 in. (22.9 × 73.3 × 53.7 cm) | Gift of J. P. Morgan, 1927 | 321 | http://www.metmuseum.org/art/collection/search/208988 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||||||
| 139081 | 1977.595.135 | 0 | 1 | 231238 | 11 | 9056 | Wallpaper Panel depicting Spring with female herm | 40 | Charles Percier|Jacquemart et Bénard | French, Paris 1764–1838 Paris|French, active 1791–1809 | 12640 | 21 | 1764 |1791 | 1838 |1809 | ca. 1808 | 1803 | 1813 | 25304 | 63 1/4 × 39 1/2 in. (160.7 × 100.3 cm) | Gift of Harvey Smith, 1977 | 404 | http://www.metmuseum.org/art/collection/search/231238 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206425 | 87.15.10 | 0 | 1 | 333769 | 11 | 23 | The Bouquet | 971 | Ernest-Ange Duez | French, Paris 1843–1896 Forest of Saint-Germain | 17294 | 2 | 1843 | 1896 | 1893 | 1945 | 2990 | Sheet: 12 3/4 x 8 3/8 in. (32.4 x 21.3cm) | Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887 | 9 | http://www.metmuseum.org/art/collection/search/333769 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 206428 | 87.15.89 | 0 | 1 | 333772 | 11 | 23 | French Cuirassier | 971 | Édouard Detaille | French, Paris 1848–1912 Paris | 17297 | 2 | 1848 | 1912 | 1872 | 1872 | 1872 | 2990 | Sheet: 13 3/4 x 9 3/4 in. (34.9 x 24.8cm) | Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887 | 9 | http://www.metmuseum.org/art/collection/search/333772 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206429 | 01.23.175 | 0 | 1 | 333773 | 11 | 23 | La Bocca | 2 | Henry Victor Burgy | French, died 1901 | 17298 | 2 | 1801 | 1901 | 1882 | 1882 | 1882 | 2990 | Sheet: 9 1/2 x 12 3/4 in. (24.1 x 32.4cm) | Bequest of H.V. Burgy, 1901 | 9 | http://www.metmuseum.org/art/collection/search/333773 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206430 | 01.23.176 | 0 | 1 | 333774 | 11 | 23 | Chateau de Vouzan | 2 | Henry Victor Burgy | French, died 1901 | 17298 | 2 | 1801 | 1901 | 1888 | 1888 | 1888 | 2990 | Sheet: 9 1/2 x 6 3/8 in. (24.1 x 16.2cm) | Bequest of H. V. Burgy, 1901 | 9 | http://www.metmuseum.org/art/collection/search/333774 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206431 | 01.23.177 | 0 | 1 | 333775 | 11 | 23 | Antibes | 2 | Henry Victor Burgy | French, died 1901 | 17298 | 2 | 1801 | 1901 | 1882 | 1882 | 1882 | 18116 | Sheet: 12 3/4 x 9 5/8 in. (32.4 x 24.5cm) | Bequest of H.V. Burgy, 1901 | 9 | http://www.metmuseum.org/art/collection/search/333775 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206432 | 10.45.26 | 0 | 1 | 333776 | 11 | 23 | Landscape | 2 | Alexandre-Gabriel Decamps | French, Paris 1803–1860 Fontainebleau | 17299 | 2 | 1803 | 1860 | ca. 1840 | 1835 | 1845 | 1863 | Sheet: 6 3/4 x 11 1/2 in. (17.1 x 29.2cm) | Rogers Fund, 1909 | 9 | http://www.metmuseum.org/art/collection/search/333776 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206433 | 11.66.18 | 0 | 1 | 333777 | 11 | 23 | Conversation Piece | 2 | Louis Léopold Boilly | French, La Bassée 1761–1845 Paris | 17300 | 2 | 1761 | 1845 | 1761–1845 | 1761 | 1845 | 28932 | Sheet: 7 3/8 x 5 7/8 in. (18.7 x 14.9cm) | Rogers Fund, 1911 | 9 | http://www.metmuseum.org/art/collection/search/333777 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206434 | 12.100 | 0 | 1 | 333778 | 11 | 23 | The Hamlet of Optevoz | 2 | Charles-François Daubigny | French, Paris 1817–1878 Paris | 17301 | 2 | 1817 | 1878 | ca. 1852 | 1847 | 1857 | 28933 | 14 7/8 x 24 3/4 in. (37.8 x 62.8cm) | Rogers Fund, 1912 | 9 | http://www.metmuseum.org/art/collection/search/333778 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206435 | 15.30.27 | 0 | 1 | 333779 | 11 | 23 | Cuirassier | 971 | Édouard Detaille | French, Paris 1848–1912 Paris | 17297 | 2 | 1848 | 1912 | 1872 | 1872 | 1872 | 177 | Sheet: 10 1/8 x 7 in. (25.7 x 17.8cm) | Bequest of Maria De Witt Jesup, 1915 | 9 | http://www.metmuseum.org/art/collection/search/333779 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206436 | 16.4.2 | 0 | 1 | 333780 | 11 | 731 | Plate 10 from 'La Tauromaquia': Charles V spearing a bull in the ring at Valladolid | 1 | 972 | Portrait of | Goya (Francisco de Goya y Lucientes)|Charles V, Holy Roman Emperor | Spanish, Fuendetodos 1746–1828 Bordeaux|Spanish, 1500–1558 | 17302 | 85 | 1746 |1500 | 1828 |1558 | 1816 | 1816 | 1816 | 28934 | Plate: 9 13/16 × 13 3/4 in. (25 × 35 cm) Sheet: 10 15/16 × 15 1/16 in. (27.8 × 38.2 cm) | Gift of Walter E. Sachs, 1916 | 13 | http://www.metmuseum.org/art/collection/search/333780 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 206437 | 16.4.3 | 0 | 1 | 333781 | 11 | 731 | Plate 20 from the 'Tauromaquia':The agility and audacity of Juanito Apiñani in [the ring] at Madrid. | 1 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1816 | 1816 | 1816 | 28935 | Plate: 9 5/8 × 13 7/8 in. (24.5 × 35.3 cm) 11 in. × 15 3/16 in. (28 × 38.5 cm) | Gift of Walter E. Sachs, 1916 | 13 | http://www.metmuseum.org/art/collection/search/333781 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206438 | 16.4.4 | 0 | 1 | 333782 | 11 | 731 | Plate 8 from the 'Tauromaquia':A Moor Caught by the Bull in the ring. | 1 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1816 | 1816 | 1816 | 28936 | Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm) Sheet: 11 in. × 15 1/16 in. (28 × 38.2 cm) | Gift of Walter E. Sachs, 1916 | 13 | http://www.metmuseum.org/art/collection/search/333782 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206439 | 16.4.6 | 0 | 1 | 333783 | 11 | 731 | Plate 36 from 'Los Caprichos: A bad night (Mala noche.) | 2 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1797–99 | 1792 | 1804 | 28937 | Plate: 8 7/16 x 5 7/8 in. (21.5 x 15 cm) Sheet: 12 1/16 x 7 13/16 in. (30.7 x 19.9 cm) | Gift of Walter E. Sachs, 1916 | 13 | http://www.metmuseum.org/art/collection/search/333783 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206440 | 16.4.7 | 0 | 1 | 333784 | 11 | 731 | Plate 12 from 'Los Caprichos': Out hunting for teeth (A caza des dientes.) | 2 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1799 | 1799 | 1799 | 28938 | Plate: 8 9/16 x 5 7/8 in. (21.8 x 14.9 cm) Sheet: 12 1/16 x 7 13/16 in. (30.7 x 19.9 cm) | Gift of Walter E. Sachs, 1916 | 13 | http://www.metmuseum.org/art/collection/search/333784 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206441 | 16.4.8 | 0 | 1 | 333785 | 11 | 731 | Plate 9 from 'Los Caprichos': Tantalus (Tantalo.) | 2 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1799 | 1799 | 1799 | 28937 | Plate: 8 3/16 × 5 7/8 in. (20.8 × 15 cm) Sheet: 12 in. × 7 13/16 in. (30.5 × 19.9 cm) | Gift of Walter E. Sachs, 1916 | 13 | http://www.metmuseum.org/art/collection/search/333785 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206442 | 16.4.9 | 0 | 1 | 333786 | 11 | 731 | Plate 17 from 'Los Caprichos': It is nicely stretched (Bien tirada está.) | 2 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1797–98 | 1797 | 1798 | 28939 | Sheet: 9 13/16 x 5 15/16 in. (24.99 x 15.01cm) | Gift of Walter E. Sachs, 1916 | 13 | http://www.metmuseum.org/art/collection/search/333786 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206443 | 16.4.10 | 0 | 1 | 333787 | 11 | 731 | Plate 15 from 'Los Caprichos': A pretty piece of advice (Bellos consejos) | 2 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1797–99 | 1792 | 1804 | 28938 | Plate: 8 1/2 × 5 15/16 in. (21.6 × 15.1 cm) Sheet: 12 1/16 x 7 13/16 in. (30.7 x 19.9 cm) | Gift of Walter E. Sachs, 1916 | 13 | http://www.metmuseum.org/art/collection/search/333787 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206444 | 16.4.11 | 0 | 1 | 333788 | 11 | 731 | Plate 7 from 'Los Caprichos': Even thus he cannot make her out (Ni asi la distingue.) | 2 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1799 | 1799 | 1799 | 28940 | Plate: 7 3/4 x 5 13/16 in. (19.7 x 14.8 cm) Sheet: 12 1/8 x 7 7/8 in. (30.8 x 20 cm) | Gift of Walter E. Sachs, 1916 | 13 | http://www.metmuseum.org/art/collection/search/333788 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206445 | 17.3.2977 | 0 | 1 | 333789 | 11 | 731 | Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.) | 2 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1799 | 1799 | 1799 | 28937 | Plate: 8 7/16 × 5 7/8 in. (21.4 × 15 cm) Sheet: 12 1/2 × 8 13/16 in. (31.8 × 22.4 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/333789 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206450 | 17.50.15-355 | 0 | 1 | 333794 | 11 | 731 | Bacchanal | 3 | 2 | Pierre Brebiette | French, Mantes-sur-Seine ca. 1598–1642 Paris | 9358 | 2 | 1598 | 1642 | 1600–1642 | 1600 | 1642 | 26137 | 3 11/16 x 9 5/8 in. (9.4 x 24.5 cm) (clipped impression) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/333794 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206451 | 17.50.15-35 | 0 | 1 | 333795 | 11 | 731 | Jupiter, Pluto and Neptune Offering their Riches to Fortune | 13 | After | Pierre Brebiette|Claude Vignon | French, Mantes-sur-Seine ca. 1598–1642 Paris|French, Tours 1593–1670 Paris | 17307 | 21 | 1598 |1593 | 1642 |1670 | 1624 | 1624 | 1624 | 26137 | 9 15/16 x 6 1/8 in. (25.2 x 15.6 cm) (clipped impression) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/333795 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206453 | 17.120.232 | 0 | 1 | 333797 | 11 | 23 | A Woman Reading, after Pieter Janssens Elinga | 13 | François Bonvin|Pieter Janssens Elinga | French, Paris 1817–1888 Saint-Germain-en-Laye | 17309 | 310 | 1817 | 1888 | 1846–47 | 1846 | 1847 | 28945 | Sheet: 5 7/8 x 4 1/2 in. (14.9 x 11.5cm) | Mr. and Mrs. Isaac D. Fletcher Collection, Bequest of Isaac D. Fletcher, 1917 | 9 | http://www.metmuseum.org/art/collection/search/333797 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206456 | 17.52.2 | 0 | 1 | 333800 | 11 | 731 | Frontispiece - Yvette Guilbert before the Prompter's Box | 4 | 2 | Henri de Toulouse-Lautrec | French, Albi 1864–1901 Saint-André-du-Bois | 17312 | 2 | 1864 | 1901 | 1898 | 1898 | 1898 | 28947 | 19-3/4 x 14-7/8 in. (50.2 x 37.8 cm) | Gift of Mrs. H. Wolf, 1917 | 13 | http://www.metmuseum.org/art/collection/search/333800 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206457 | 18.64(1-80) | 0 | 1 | 333801 | 11 | 731 | The Caprices (Los Caprichos), plates 1-80 | 5 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1799 | 1799 | 1799 | 28939 | Gift of M. Knoedler & Co., 1918 | 13 | http://www.metmuseum.org/art/collection/search/333801 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206458 | 18.31.1 | 0 | 1 | 333802 | 11 | 731 | Yvette Guilbert | 979 | Images printed by|Text printed by | Henri de Toulouse-Lautrec|André Marty|Gustave Geffroy|l'Estampe Originale|Edward Ancourt|Frémont | French, Albi 1864–1901 Saint-André-du-Bois|French, born 1857|French, Paris 1855–1926 Paris|French, 19th century|French, active 19th century | 17313 | 744 | 1864 |1857 |1855 |1800 |1850 | 1901 |1957 |1926 |1899 |1950 | 1894 | 1894 | 1894 | 28948 | 16 in. × 15 1/8 in. (40.6 × 38.4 cm) Sheet: 15 × 15 in. (38.1 × 38.1 cm) | Rogers Fund, 1918 | 13 | http://www.metmuseum.org/art/collection/search/333802 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206459 | 18.42.1 | 0 | 1 | 333803 | 11 | 731 | The custody is as barbarous as the crime (Tan bárbara la seguridad como el delito) | 6 | 710 | Goya (Francisco de Goya y Lucientes)|Gazette des Beaux-Arts | Spanish, Fuendetodos 1746–1828 Bordeaux | 17314 | 143 | 1746 | 1828 | ca. 1815 | 1810 | 1820 | 28949 | Plate: 4 5/16 × 3 7/16 in. (11 × 8.8 cm) Sheet: 5 15/16 × 4 13/16 in. (15.1 × 12.2 cm) | Rogers Fund, 1918 | 13 | http://www.metmuseum.org/art/collection/search/333803 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206460 | 18.42.2 | 0 | 1 | 333804 | 11 | 731 | Barbarous Entertainment (Barbara dibersion) | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1800–1804 | 1800 | 1804 | 28950 | Plate: 6 15/16 × 8 5/8 in. (17.7 × 21.9 cm) Sheet: 12 3/8 × 14 7/8 in. (31.4 × 37.8 cm) Sheet (Unfolded sheet): 12 3/8 × 17 13/16 in. (31.4 × 45.3 cm) | Rogers Fund, 1918 | 13 | http://www.metmuseum.org/art/collection/search/333804 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206461 | 18.45.2 | 0 | 1 | 333805 | 11 | 731 | If he is guilty, let him die quickly (Si es delinquente qe. muera presto) | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1815, published 1859 | 1810 | 1820 | 28951 | Plate: 4 9/16 × 3 3/8 in. (11.6 × 8.5 cm) Sheet: 9 15/16 × 7 1/4 in. (25.2 × 18.4 cm) | Rogers Fund, 1918 | 13 | http://www.metmuseum.org/art/collection/search/333805 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206462 | 19.27 | 0 | 1 | 333806 | 11 | 23 | 'Nightmare'; an old woman carrying figures on her back; folio 20 from the Witches and Old Women Album 'D' | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1819–23 | 1814 | 1828 | 28952 | sheet: 9 3/16 x 5 11/16 in. (23.4 x 14.4 cm) | Rogers Fund, 1919 | 9 | http://www.metmuseum.org/art/collection/search/333806 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206463 | 19.51.1 | 0 | 1 | 333807 | 11 | 23 | Violinist, Study for "The Dance Lesson" | 2 | Edgar Degas | French, Paris 1834–1917 Paris | 9725 | 2 | 1834 | 1917 | ca. 1878–79 | 1873 | 1884 | 28953 | 15 3/8 x 11 3/4 in. (39.1 x 29.8 cm) | Rogers Fund, 1918 | 9 | http://www.metmuseum.org/art/collection/search/333807 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206464 | 19.51.2 | 0 | 1 | 333808 | 11 | 23 | Bather Drying Herself | 2 | Edgar Degas | French, Paris 1834–1917 Paris | 9725 | 2 | 1834 | 1917 | ca. 1883–84 | 1878 | 1889 | 28954 | Sheet: 12 5/8 x 9 3/4 in. (32.1 x 24.8cm) | Rogers Fund, 1918 | 9 | http://www.metmuseum.org/art/collection/search/333808 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206465 | 19.51.3 | 0 | 1 | 333809 | 11 | 23 | Bather Sponging Her Knee | 2 | Edgar Degas | French, Paris 1834–1917 Paris | 9725 | 2 | 1834 | 1917 | ca. 1883–84 | 1878 | 1889 | 28955 | Sheet: 12 1/8 x 9 3/8 in. (30.8 x 24.8cm) | Rogers Fund, 1918 | 9 | http://www.metmuseum.org/art/collection/search/333809 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206466 | 19.51.4 | 0 | 1 | 333810 | 11 | 23 | Madame Loubens | 2 | Edgar Degas | French, Paris 1834–1917 Paris | 9725 | 2 | 1834 | 1917 | ca. 1869 | 1864 | 1874 | 28956 | Sheet: 9 3/8 x 8 1/16 in. (23.8 x 20.5cm) | Rogers Fund, 1918 | 9 | http://www.metmuseum.org/art/collection/search/333810 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206467 | 19.51.5 | 0 | 1 | 333811 | 11 | 23 | Madame Lisle | 2 | Edgar Degas | French, Paris 1834–1917 Paris | 9725 | 2 | 1834 | 1917 | ca. 1866–70 | 1861 | 1871 | 28957 | sheet: 8 9/16 x 10 1/4 in. (21.7 x 26 cm) | Rogers Fund, 1918 | 9 | http://www.metmuseum.org/art/collection/search/333811 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206468 | 19.51.6 | 0 | 1 | 333812 | 11 | 23 | Édouard Manet Seated, Right Profile | 392 | Édouard Manet|Edgar Degas | French, Paris 1832–1883 Paris|French, Paris 1834–1917 Paris | 17315 | 2 | 1832 |1834 | 1883 |1917 | ca. 1865 | 1860 | 1870 | 28958 | Sheet: 14 1/8 x 11 in. (35.9 x 27.9cm) | Rogers Fund, 1918 | 9 | http://www.metmuseum.org/art/collection/search/333812 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206469 | 19.51.7 | 1 | 1 | 333813 | 11 | 23 | Édouard Manet, Seated, Holding His Hat | 972 | Edgar Degas|Édouard Manet | French, Paris 1834–1917 Paris|French, Paris 1832–1883 Paris | 17316 | 21 | 1834 |1832 | 1917 |1883 | ca. 1865 | 1860 | 1870 | 28959 | Sheet: 13 1/16 x 9 1/16 in. (33.1 x 23 cm) | Rogers Fund, 1918 | 9 | http://www.metmuseum.org/art/collection/search/333813 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206470 | 19.51.8 | 0 | 1 | 333814 | 11 | 23 | Edouard Manet at the Races | 2 | Edgar Degas | French, Paris 1834–1917 Paris | 9725 | 2 | 1834 | 1917 | ca. 1865 | 1860 | 1870 | 28960 | Sheet: 12 5/8 x 9 11/16 in. (32.1 x 24.6cm) | Rogers Fund, 1918 | 9 | http://www.metmuseum.org/art/collection/search/333814 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206471 | 19.51.9a | 0 | 1 | 333815 | 11 | 23 | Edmond Duranty (1833–1880) | 392 | Edmond Duranty|Edgar Degas | French, Paris 1834–1917 Paris | 17317 | 21 | 1833 |1834 | 1880 |1917 | 1879 | 1879 | 1879 | 28961 | 12 1/8 x 18 9/16 in. (30.8 x 47.2cm) | Rogers Fund, 1918 | 9 | http://www.metmuseum.org/art/collection/search/333815 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206472 | 19.64 | 0 | 1 | 333816 | 11 | 731 | Plate B from the 'Disparates':Punctual Folly | 7 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1816–23 (published before 1877) | 1811 | 1821 | 28962 | Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm) Sheet: 10 15/16 × 15 3/16 in. (27.8 × 38.5 cm) | Rogers Fund, 1919 | 13 | http://www.metmuseum.org/art/collection/search/333816 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206473 | 19.86 | 0 | 1 | 333817 | 11 | 23 | Manet's Studio in the Batignolles | 980 | Portrait of|Portrait of|Portrait of|Portrait of|Portrait of|Portrait of|Portrait of | Henri Fantin-Latour|Jean-Frédéric Bazille|Auguste Renoir|Émile Zola|Edmond Maître|Otto Scholderer|Claude Monet|Zacharie Astruc | French, Grenoble 1836–1904 Buré|French, Montpellier 1841–1870 Beaune-la-Rolande|French, Limoges 1841–1919 Cagnes-sur-Mer|French, Paris 1840–1902 Paris|French, died 1898|German, Frankfurt am Main 1834–1902 Frankfurt am Main|French, Paris 1840–1926 Giverny|French, Angers 1835–1907 Paris | 17318 | 745 | 1836 |1841 |1841 |1840 |1798 |1834 |1840 |1833 | 1904 |1870 |1919 |1902 |1898 |1902 |1926 |1907 | 1870 | 1865 | 1875 | 28963 | 11 1/2 x 15 1/2 in. (29.2 x 39.4cm) | Gift of Mrs. Helena M. Loewel, in memory of her brother, Charles W. Kraushaar, 1919 | 9 | http://www.metmuseum.org/art/collection/search/333817 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206474 | 20.22 | 0 | 1 | 333818 | 11 | 731 | The Garroted Man (El agarrotado) | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1778–80 | 1774 | 1785 | 28964 | plate: 12 7/8 x 8 7/16 in. (32.7 x 21.4 cm) sheet: 17 1/16 x 12 5/16 in. (43.3 x 31.2 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/333818 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206475 | 20.60.2 | 0 | 1 | 333819 | 11 | 731 | A picador caught by a bull, from the 'Bulls of Bordeaux' | 710 | Goya (Francisco de Goya y Lucientes)|Cyprien Charles Marie Nicolas Gaulon | Spanish, Fuendetodos 1746–1828 Bordeaux|French, 1777–1858 Bordeaux | 17319 | 76 | 1746 |1777 | 1828 |1858 | 1825 | 1825 | 1825 | 28965 | Image: 12 1/4 x 16 3/8 in. (31.1 x 41.6 cm) Sheet: 16 1/8 × 20 7/8 in. (41 × 53 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/333819 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206476 | 20.60.3 | 0 | 1 | 333820 | 11 | 731 | Spanish Entertainment from the 'Bulls of Bordeaux' | 710 | Goya (Francisco de Goya y Lucientes)|Cyprien Charles Marie Nicolas Gaulon | Spanish, Fuendetodos 1746–1828 Bordeaux|French, 1777–1858 Bordeaux | 17319 | 76 | 1746 |1777 | 1828 |1858 | 1825 | 1825 | 1825 | 28965 | Image: 11 15/16 × 16 5/16 in. (30.3 × 41.5 cm) Sheet: 16 5/8 x 20 7/8 in. (42.2 x 53 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/333820 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206477 | 20.60.4 | 0 | 1 | 333821 | 11 | 731 | Bullfight in a divided ring, from the 'Bulls of Bordeaux' | 710 | Goya (Francisco de Goya y Lucientes)|Cyprien Charles Marie Nicolas Gaulon | Spanish, Fuendetodos 1746–1828 Bordeaux|French, 1777–1858 Bordeaux | 17319 | 76 | 1746 |1777 | 1828 |1858 | 1825 | 1825 | 1825 | 28965 | Sheet: 16 1/2 × 20 9/16 in. (41.9 × 52.2 cm) Plate: 11 5/8 × 16 1/4 in. (29.5 × 41.3 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/333821 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206478 | 20.70 | 0 | 1 | 333822 | 11 | 731 | Virgin kneeling before Christ | 13 | Designed by | Pierre Brebiette|Andrea del Sarto (Andrea d'Agnolo) | French, Mantes-sur-Seine ca. 1598–1642 Paris|Italian, Florence 1486–1530 Florence | 17320 | 247 | 1598 |1486 | 1642 |1530 | 1610–42 | 1610 | 1642 | 26137 | Sheet: 8 15/16 x 7 1/8 in. (22.7 x 18.1cm) | Gift of Colonel James Barnes, 1920 | 13 | http://www.metmuseum.org/art/collection/search/333822 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206481 | 20.81.3 | 0 | 1 | 333825 | 11 | 97 | Album of Prints by Hollar | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1650 | 1650 | 1650 | 26137 | Book: 22 13/16 x 16 9/16 x 2 3/4 in. (58 x 42 x 7cm) | Rogers Fund, 1921 | 442 | http://www.metmuseum.org/art/collection/search/333825 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206482 | 20.166.2 | 0 | 1 | 333826 | 11 | 23 | Study for "The Almeh" | 2 | Charles Bargue | French, Paris 1825/26–1883 Paris | 17321 | 2 | 1825 | 1883 | 1879 | 1879 | 1879 | 28966 | Sheet: 8 11/16 x 4 1/16 in. (22.1 x 10.3cm) | Gift of Albert Gallatin, 1920 | 9 | http://www.metmuseum.org/art/collection/search/333826 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206483 | 20.166.3 | 0 | 1 | 333827 | 11 | 23 | Houses | 2 | Charles Bargue | French, Paris 1825/26–1883 Paris | 17321 | 2 | 1825 | 1883 | 1825–83 | 1825 | 1883 | 28967 | Sheet: 8 x 5 3/16 in. (20.3 x 13.1cm) | Gift of Albert Gallatin, 1920 | 9 | http://www.metmuseum.org/art/collection/search/333827 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206484 | 21.19.1-.34 | 0 | 1 | 333828 | 11 | 731 | The Bullfight, plates 1-33 (La Tauromaquia); First edition, 1816 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1816 | 1816 | 1816 | 28968 | Rogers Fund, 1921 | 13 | http://www.metmuseum.org/art/collection/search/333828 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 206489 | 21.54.1 | 0 | 1 | 333833 | 11 | 731 | Plate 4 from the 'Disparates': Simpleton | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1816–23 (published between 1854–63) | 1811 | 1863 | 28970 | Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm) Sheet: 14 5/8 × 19 15/16 in. (37.2 × 50.6 cm) | Rogers Fund, 1921 | 13 | http://www.metmuseum.org/art/collection/search/333833 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206490 | 21.54.2 | 0 | 1 | 333834 | 11 | 731 | Plate 2 from the 'Disparates': Folly of Fear | 8 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1816–23 (published ca. 1848) | 1811 | 1821 | 28971 | Plate: 9 5/8 × 13 11/16 in. (24.5 × 34.7 cm) Sheet: 13 7/16 × 18 11/16 in. (34.2 × 47.5 cm) | Rogers Fund, 1921 | 13 | http://www.metmuseum.org/art/collection/search/333834 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206491 | 22.4 | 0 | 1 | 333835 | 11 | 731 | Plate 17 from the 'Disparates': Loyalty | 8 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1816–23 (private printing ca.1854) | 1811 | 1868 | 28937 | Plate: 9 9/16 × 13 7/8 in. (24.3 × 35.2 cm) Sheet: 10 13/16 × 15 3/16 in. (27.4 × 38.5 cm) | Gift of Miss Anna Pellew, 1922 | 13 | http://www.metmuseum.org/art/collection/search/333835 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206494 | 22.60.25 (1-80) | 0 | 1 | 333838 | 11 | 731 | The Disasters of War (Los Desastres de la Guerra), title page | 9 | 710 | Goya (Francisco de Goya y Lucientes)|J. Aragon | Spanish, Fuendetodos 1746–1828 Bordeaux | 17328 | 76 | 1746 | 1828 | 1810–20, published 1863 | 1863 | 1863 | 28972 | Sheet: 9 15/16 × 13 7/16 in. (25.2 × 34.2 cm) | Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 | 13 | http://www.metmuseum.org/art/collection/search/333838 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206495 | 22.60.23 | 0 | 1 | 333839 | 11 | 731 | Margaret of Austria on horseback, after Velázquez | 987 | After | Velázquez (Diego Rodríguez de Silva y Velázquez)|Margaret of Austria, Queen of Spain|Goya (Francisco de Goya y Lucientes) | Spanish, Seville 1599–1660 Madrid|Spanish (born Austria), Graz 1584–1611 San Lorenzo de El Escorial|Spanish, Fuendetodos 1746–1828 Bordeaux | 17329 | 748 | 1599 |1584 |1746 | 1660 |1611 |1828 | 1778 | 1778 | 1778 | 28973 | Plate: 14 5/8 × 12 1/4 in. (37.2 × 31.1 cm) Sheet: 23 9/16 × 15 13/16 in. (59.8 × 40.1 cm) | Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 | 13 | http://www.metmuseum.org/art/collection/search/333839 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206496 | 22.63.29 | 0 | 1 | 333840 | 11 | 731 | The blind guitarist (El ciego de la guitarra) | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1778 | 1773 | 1783 | 28974 | Sheet: 14 in. × 21 5/8 in. (35.5 × 55 cm) | Purchase, Jacob H. Schiff Bequest, 1922 | 13 | http://www.metmuseum.org/art/collection/search/333840 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206497 | 22.63.39 | 0 | 1 | 333841 | 11 | 731 | Portrait of Edmond de Goncourt | 972 | Portrait of | Félix Bracquemond|Edmond de Goncourt | French, Paris 1833–1914 Sèvres|French, Paris 1822–1896 Paris | 17330 | 21 | 1833 |1822 | 1914 |1896 | 1882 | 1882 | 1882 | 28975 | sheet: 21 1/2 x 14 1/8 in. (54.6 x 35.9 cm) plate: 20 x 13 in. (50.8 x 33 cm) | Purchase, Jacob H. Schiff Bequest, 1922 | 13 | http://www.metmuseum.org/art/collection/search/333841 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206498 | 22.63.145 | 0 | 1 | 333842 | 11 | 731 | Plate D from the 'Disparates': Fools-'or Little Bulls' - folly | 7 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1816–23 (published before 1877) | 1811 | 1821 | 28976 | Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm) Sheet: 10 13/16 × 14 15/16 in. (27.5 × 38 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/333842 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206499 | 22.63.146 | 0 | 1 | 333843 | 11 | 731 | Plate A from the 'Disparates':Well-Known Folly | 7 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1816–23 (published before 1877) | 1811 | 1821 | 28937 | Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm) Sheet: 10 13/16 × 14 15/16 in. (27.5 × 38 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/333843 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206500 | 22.63.147 | 0 | 1 | 333844 | 11 | 731 | Plate C from the 'Disparates': Animal Folly | 7 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | ca. 1816–23 (published before 1877) | 1811 | 1821 | 28936 | Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm) Sheet: 10 13/16 x 15 1/8 in. (27.5 x 38.4 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/333844 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206503 | 22.82.1-59 | 0 | 1 | 333847 | 11 | 731 | At Les Ambassadeurs (Au Café-Concert / At the Café Concert) | 10 | 990 | Edward Ancourt|Henri de Toulouse-Lautrec|André Marty | French, 19th century|French, Albi 1864–1901 Saint-André-du-Bois|French, born 1857 | 17333 | 103 | 1800 |1864 |1857 | 1899 |1901 |1957 | 1894 | 1894 | 1894 | 28979 | Image: 4 7/16 × 3 13/16 in. (11.3 × 9.8 cm) Sheet: 23 1/4 in. × 17 in. (59.1 × 43.2 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/333847 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206504 | 22.82.1-81 | 0 | 1 | 333848 | 11 | 731 | At the Curtain (Au rideau) | 11 | 849 | Henri de Toulouse-Lautrec|Edward Ancourt|André Marty | French, Albi 1864–1901 Saint-André-du-Bois|French, 19th century|French, born 1857 | 17334 | 103 | 1864 |1800 |1857 | 1901 |1899 |1957 | 1895 | 1895 | 1895 | 28980 | Image: 23 1/8 × 43 13/16 in. (58.7 × 111.3 cm) Sheet: 23 3/4 × 33 9/16 in. (60.3 × 85.2 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/333848 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206507 | 22.151 | 0 | 1 | 333851 | 11 | 23 | Portrait of the Artist (?) | 2 | Charles Bargue | French, Paris 1825/26–1883 Paris | 17321 | 2 | 1825 | 1883 | 1850–83 | 1850 | 1883 | 28983 | Sheet: 10 7/8 x 8 11/16 in. (27.6 x 22.1cm) | Bequest of Frederick T. Howard, 1922 | 9 | http://www.metmuseum.org/art/collection/search/333851 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206509 | 23.30.1 | 0 | 1 | 333853 | 11 | 731 | A Scene from Offenbach's La Belle Hélène | 2 | Henri de Toulouse-Lautrec | French, Albi 1864–1901 Saint-André-du-Bois | 17312 | 2 | 1864 | 1901 | 1900 | 1900 | 1900 | 14948 | 27-15/16 x 20-7/16 in. (71.0 x 51.9 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333853 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206510 | 23.30.2 | 0 | 1 | 333854 | 11 | 731 | Marcelle Lender and Eva Lavalliére in a Revue at the Variétés | 710 | Henri de Toulouse-Lautrec|Edouard Kleinmann | French, Albi 1864–1901 Saint-André-du-Bois|French, active 19th century | 17338 | 21 | 1864 |1800 | 1901 |1900 | 1895 | 1895 | 1895 | 28984 | Image: 12 in. × 9 13/16 in. (30.5 × 25 cm) Sheet: 19 5/16 × 13 3/8 in. (49.1 × 34 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333854 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206511 | 23.30.3.2 | 0 | 1 | 333855 | 11 | 731 | Yvette Guilbert (from Le Café Concert) | 12 | 849 | Henri de Toulouse-Lautrec|Edward Ancourt|l'Estampe Originale | French, Albi 1864–1901 Saint-André-du-Bois|French, 19th century | 17339 | 103 | 1864 |1800 | 1901 |1899 | 1893 | 1893 | 1893 | 28985 | Sheet: 17 5/16 × 12 5/8 in. (44 × 32 cm) Image: 9 15/16 × 8 3/4 in. (25.3 × 22.3 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333855 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206512 | 23.30.3.3 | 0 | 1 | 333856 | 11 | 731 | Paula Brébion (from Le Café Concert) | 13 | 849 | Henri de Toulouse-Lautrec|Edward Ancourt|André Marty | French, Albi 1864–1901 Saint-André-du-Bois|French, 19th century|French, born 1857 | 17334 | 103 | 1864 |1800 |1857 | 1901 |1899 |1957 | 1893 | 1893 | 1893 | 28986 | Image: 10 5/16 × 7 3/4 in. (26.2 × 19.7 cm) Sheet: 18 in. × 11 7/16 in. (45.7 × 29 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333856 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206513 | 23.30.3.4 | 0 | 1 | 333857 | 11 | 731 | Mary Hamilton (from Le Café Concert) | 13 | 849 | Henri de Toulouse-Lautrec|Edward Ancourt|l'Estampe Originale | French, Albi 1864–1901 Saint-André-du-Bois|French, 19th century | 17339 | 103 | 1864 |1800 | 1901 |1899 | 1893 | 1893 | 1893 | 28987 | Image: 10 9/16 × 6 7/16 in. (26.8 × 16.3 cm) Sheet: 17 5/16 × 12 5/8 in. (44 × 32 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333857 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206514 | 23.30.3.5 | 0 | 1 | 333858 | 11 | 731 | Edmée Lescot (from Le Café Concert) | 14 | 849 | Henri de Toulouse-Lautrec|Edward Ancourt|l'Estampe Originale | French, Albi 1864–1901 Saint-André-du-Bois|French, 19th century | 17339 | 103 | 1864 |1800 | 1901 |1899 | 1893 | 1893 | 1893 | 28988 | Image: 10 5/8 × 7 1/2 in. (27 × 19 cm) Sheet: 17 5/16 × 12 5/8 in. (44 × 32 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333858 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206516 | 23.30.3.7 | 0 | 1 | 333860 | 11 | 731 | Aristide Bruant (from Le Café Concert) | 15 | 849 | Henri de Toulouse-Lautrec|Edward Ancourt|l'Estampe Originale | French, Albi 1864–1901 Saint-André-du-Bois|French, 19th century | 17339 | 103 | 1864 |1800 | 1901 |1899 | 1893 | 1893 | 1893 | 28988 | Image: 10 9/16 × 8 7/16 in. (26.8 × 21.5 cm) Sheet: 17 5/16 × 12 5/8 in. (44 × 32 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333860 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206517 | 23.30.3.8 | 0 | 1 | 333861 | 11 | 731 | Caudieux at the Petit Casino (from Le Café Concert) | 15 | 849 | Henri de Toulouse-Lautrec|Edward Ancourt|l'Estampe Originale | French, Albi 1864–1901 Saint-André-du-Bois|French, 19th century | 17339 | 103 | 1864 |1800 | 1901 |1899 | 1893 | 1893 | 1893 | 28989 | Image: 10 13/16 × 8 9/16 in. (27.5 × 21.8 cm) Sheet: 17 5/16 × 12 5/8 in. (44 × 32 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333861 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206518 | 23.30.3.9 | 0 | 1 | 333862 | 11 | 731 | Ducarre at Les Ambassadeurs (from Le Café Concert) | 15 | 849 | Henri de Toulouse-Lautrec|Edward Ancourt|l'Estampe Originale | French, Albi 1864–1901 Saint-André-du-Bois|French, 19th century | 17339 | 103 | 1864 |1800 | 1901 |1899 | 1893 | 1893 | 1893 | 28989 | Image: 10 13/16 × 8 9/16 in. (27.5 × 21.8 cm) Sheet: 17 5/16 × 12 5/8 in. (44 × 32 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333862 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206519 | 23.30.3.10 | 0 | 1 | 333863 | 11 | 731 | A Spectator (from Le Café Concert) | 16 | 849 | Henri de Toulouse-Lautrec|Edward Ancourt|l'Estampe Originale | French, Albi 1864–1901 Saint-André-du-Bois|French, 19th century | 17339 | 103 | 1864 |1800 | 1901 |1899 | 1893 | 1893 | 1893 | 28990 | Image: 10 9/16 × 7 5/16 in. (26.9 × 18.5 cm) Sheet: 17 5/16 × 12 5/8 in. (44 × 32 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333863 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206520 | 23.30.3.11 | 0 | 1 | 333864 | 11 | 731 | American Singer (from Le Café Concert) | 13 | 849 | Henri de Toulouse-Lautrec|Edward Ancourt|l'Estampe Originale | French, Albi 1864–1901 Saint-André-du-Bois|French, 19th century | 17339 | 103 | 1864 |1800 | 1901 |1899 | 1893 | 1893 | 1893 | 28991 | Image: 10 15/16 × 8 1/16 in. (27.8 × 20.5 cm) Sheet: 17 5/16 × 12 5/8 in. (44 × 32 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333864 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206521 | 23.37.5 | 0 | 1 | 333865 | 11 | 731 | The cloaked man (El Embozado) | 2 | After | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1818 | 1859 | 28973 | Plate: 7 1/2 × 4 3/4 in. (19 × 12 cm) Sheet: 9 3/16 × 6 1/4 in. (23.4 × 15.9 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333865 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206522 | 23.37.6 | 0 | 1 | 333866 | 11 | 731 | A 'Maja' standing against a dark background (Maja) | 17 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1827 | 1859 | 28992 | Plate: 7 3/8 × 4 7/8 in. (18.8 × 12.4 cm) Sheet: 9 1/4 × 6 1/2 in. (23.5 × 16.5 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333866 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206524 | 23.230.13 | 0 | 1 | 333868 | 11 | 23 | Head of a Horse | 2 | Edgar Degas | French, Paris 1834–1917 Paris | 9725 | 2 | 1834 | 1917 | ca. 1878 | 1873 | 1883 | 1722 | Sheet: 6 9/16 x 4 3/4 in. (16.7 x 12.1cm) | Gift of Albert Gallatin, 1923 | 9 | http://www.metmuseum.org/art/collection/search/333868 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206525 | 24.63.1116(54) | 0 | 1 | 333869 | 11 | 731 | Bagpipe Player | 2 | Pierre Brebiette | French, Mantes-sur-Seine ca. 1598–1642 Paris | 9358 | 2 | 1598 | 1642 | 1610–50 | 1610 | 1650 | 26137 | 7 1/16 x 8 1/2 in. (17.9 x 21.6 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/333869 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206527 | 24.63.1116(53) | 0 | 1 | 333871 | 11 | 731 | Birth of the Satyrs | 2 | Pierre Brebiette | French, Mantes-sur-Seine ca. 1598–1642 Paris | 9358 | 2 | 1598 | 1642 | 1610–42 | 1610 | 1642 | 26137 | 5 7/16 x 6 9/16 in. (13.8 x 16.6 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/333871 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206529 | 24.63.1116(58) | 0 | 1 | 333873 | 11 | 731 | Bacchanal | 2 | Pierre Brebiette | French, Mantes-sur-Seine ca. 1598–1642 Paris | 9358 | 2 | 1598 | 1642 | 17th century | 1610 | 1642 | 26137 | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/333873 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 206530 | 24.63.1116(59) | 0 | 1 | 333874 | 11 | 731 | Bacchanal | 2 | Pierre Brebiette | French, Mantes-sur-Seine ca. 1598–1642 Paris | 9358 | 2 | 1598 | 1642 | 17th century | 1610 | 1642 | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/333874 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 206531 | 24.63.1116(60) | 0 | 1 | 333875 | 11 | 731 | Orpheus | 2 | Pierre Brebiette | French, Mantes-sur-Seine ca. 1598–1642 Paris | 9358 | 2 | 1598 | 1642 | 1610–42 | 1610 | 1642 | 26137 | 5 1/2 x 8 1/4 in. (13.9 x 21 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/333875 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206532 | 24.63.1116(61) | 0 | 1 | 333876 | 11 | 731 | Bon Temps | 2 | Pierre Brebiette | French, Mantes-sur-Seine ca. 1598–1642 Paris | 9358 | 2 | 1598 | 1642 | 1610–42 | 1610 | 1642 | 26137 | 7 1/16 x 4 13/16 in. (17.9 x 12.2 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/333876 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206533 | 24.66.2 | 0 | 1 | 333877 | 11 | 23 | Moonlight | 2 | Charles-François Daubigny | French, Paris 1817–1878 Paris | 17301 | 2 | 1817 | 1878 | ca. 1860 | 1855 | 1865 | 28994 | Sheet: 6 5/16 x 11 9/16 in. (16 x 29.4cm) | Rogers Fund, 1924 | 9 | http://www.metmuseum.org/art/collection/search/333877 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206535 | 24.97.1 | 0 | 1 | 333879 | 11 | 731 | The Drunkards, after Velázquez | 13 | After | Velázquez (Diego Rodríguez de Silva y Velázquez)|Goya (Francisco de Goya y Lucientes) | Spanish, Seville 1599–1660 Madrid|Spanish, Fuendetodos 1746–1828 Bordeaux | 17343 | 85 | 1599 |1746 | 1660 |1828 | 1778 | 1778 | 1778 | 26137 | Plate: 12 1/2 × 16 15/16 in. (31.7 × 43.1 cm) Sheet: 14 1/8 × 16 1/4 in. (35.8 × 41.3 cm) | Harris Brisbane Dick Fund, 1924 | 13 | http://www.metmuseum.org/art/collection/search/333879 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206536 | 24.97.2 | 0 | 1 | 333880 | 11 | 731 | A Maja standing against a light background (Maja) | 18 | 2 | After | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1823 | 1859 | 28995 | Plate: 7 1/2 × 4 3/4 in. (19 × 12 cm) Sheet: 8 3/4 × 6 1/8 in. (22.2 × 15.6 cm) | Harris Brisbane Dick Fund, 1924 | 13 | http://www.metmuseum.org/art/collection/search/333880 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206540 | 26.169.2 | 0 | 1 | 333884 | 11 | 23 | Le Martinet near Montpellier | 2 | Camille Corot | French, Paris 1796–1875 Paris | 17347 | 2 | 1796 | 1875 | 1836 | 1836 | 1836 | 28997 | 13 1/4 x 19 3/4 in. (33.7 x 50.2cm) | Rogers Fund, 1926 | 9 | http://www.metmuseum.org/art/collection/search/333884 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206541 | 26.243.2 | 0 | 1 | 333885 | 11 | 23 | Tiger Stalking Prey | 2 | Antoine-Louis Barye | French, Paris 1796–1875 Paris | 8104 | 2 | 1796 | 1875 | 1795 | 1875 | 2990 | Sheet: 5 3/8 x 10 3/16 in. (13.7 x 25.8cm) | Rogers Fund, 1926 | 9 | http://www.metmuseum.org/art/collection/search/333885 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 206542 | 27.32.2 | 0 | 1 | 333886 | 11 | 731 | The blind singer (El cantor ciego) | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1824–28 | 1824 | 1828 | 28998 | Plate: 7 1/2 x 4 13/16 in. (19 x 12.2 cm) Sheet: 10 3/8 x 7 5/16 in. (26.4 x 18.5 cm) | Harris Brisbane Dick Fund, 1927 | 13 | http://www.metmuseum.org/art/collection/search/333886 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206544 | 27.152.1 | 0 | 1 | 333888 | 11 | 23 | Don Quixote and Sancho Panza | 2 | Honoré Daumier | French, Marseilles 1808–1879 Valmondois | 12265 | 2 | 1808 | 1879 | 19th century | 1820 | 1879 | 28999 | Sheet: 7 7/8 x 11 3/4 in. (20 x 29.8cm) | Rogers Fund, 1927 | 9 | http://www.metmuseum.org/art/collection/search/333888 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206545 | 27.152.2 | 0 | 1 | 333889 | 11 | 23 | Street Show (Paillasse) (recto); a clown playing a drum (verso) | 2 | Honoré Daumier | French, Marseilles 1808–1879 Valmondois | 12265 | 2 | 1808 | 1879 | 1825–79 | 1825 | 1879 | 29000 | 14 3/8 x 10 1/16 in. (36.5 x 25.5cm) | Rogers Fund, 1927 | 9 | http://www.metmuseum.org/art/collection/search/333889 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206547 | 28.28.1 | 0 | 1 | 333891 | 11 | 731 | Triumph of Galatea | 2 | Pierre Brebiette | French, Mantes-sur-Seine ca. 1598–1642 Paris | 9358 | 2 | 1598 | 1642 | 1610–42 | 1610 | 1642 | 26137 | Sheet: 4 13/16 x 6 15/16 in. (12.3 x 17.7cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/333891 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206548 | 28.28.2 | 0 | 1 | 333892 | 11 | 731 | Judgment of Paris | 2 | Pierre Brebiette | French, Mantes-sur-Seine ca. 1598–1642 Paris | 9358 | 2 | 1598 | 1642 | 1610–42 | 1610 | 1642 | 26137 | Sheet: 6 9/16 x 8 11/16 in. (16.7 x 22.1cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/333892 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206549 | 28.28.3 | 0 | 1 | 333893 | 11 | 731 | Toilet of Thetis | 2 | Pierre Brebiette | French, Mantes-sur-Seine ca. 1598–1642 Paris | 9358 | 2 | 1598 | 1642 | 1610–42 | 1610 | 1642 | 26137 | Sheet: 6 9/16 x 8 11/16 in. (16.6 x 22.1cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/333893 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206550 | 28.28.4 | 0 | 1 | 333894 | 11 | 731 | Bacchanale | 3 | 2 | Pierre Brebiette | French, Mantes-sur-Seine ca. 1598–1642 Paris | 9358 | 2 | 1598 | 1642 | 1610–42 | 1610 | 1642 | 26137 | Sheet: 2 1/2 x 6 9/16 in. (6.4 x 16.6cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/333894 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206551 | 28.28.5 | 0 | 1 | 333895 | 11 | 731 | The Alliance of Bacchus and Ceres | 2 | Pierre Brebiette | French, Mantes-sur-Seine ca. 1598–1642 Paris | 9358 | 2 | 1598 | 1642 | 1610–42 | 1610 | 1642 | 26137 | Sheet: 6 7/8 x 5 7/8 in. (17.5 x 14.9cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/333895 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206552 | 28.28.6 | 0 | 1 | 333896 | 11 | 731 | St. Catherine | 2 | Pierre Brebiette | French, Mantes-sur-Seine ca. 1598–1642 Paris | 9358 | 2 | 1598 | 1642 | 1610–42 | 1610 | 1642 | 26137 | Sheet: 10 1/4 x 8 1/16 in. (26.1 x 20.4cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/333896 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206553 | 28.81.1 | 0 | 1 | 333897 | 11 | 731 | Adolphe (The Sad Young Man) | 710 | Henri de Toulouse-Lautrec|Gustave Pellet | French, Albi 1864–1901 Saint-André-du-Bois|French, Paris 1859–1919 Paris | 17350 | 21 | 1864 |1859 | 1901 |1919 | 1894 | 1894 | 1894 | 29002 | Sheet: 17 3/4 × 11 13/16 in. (45.1 × 30 cm) Image: 10 1/4 × 7 3/16 in. (26 × 18.3 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/333897 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206554 | 28.81.2 | 0 | 1 | 333898 | 11 | 731 | The Jockey | 2 | Henri de Toulouse-Lautrec | French, Albi 1864–1901 Saint-André-du-Bois | 17312 | 2 | 1864 | 1901 | 1899 | 1899 | 1899 | 29003 | 20-1/16 x 14-3/16 in. (51.0 x 36.0 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/333898 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206555 | 28.81.3 | 0 | 1 | 333899 | 11 | 731 | Portrait Bust of Mademoiselle Marcelle Lender | 744 | Henri de Toulouse-Lautrec|Edward Ancourt|H. Stern | French, Albi 1864–1901 Saint-André-du-Bois|French, 19th century | 17351 | 21 | 1864 |1800 | 1901 |1899 | 1895 | 1895 | 1895 | 29004 | Image: 17 3/16 × 13 1/8 in. (43.7 × 33.3 cm) Sheet: 22 7/16 × 15 3/8 in. (57 × 39 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/333899 | 4/23/2018 8:00:01 AM | 1 |