Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 69290 | 2001.341.1 | 0 | 1 | 82615 | 8 | 2616 | The Vanity of Women: Masks and Bustles | 4 | 2 | Attributed to | Maerten de Vos | Netherlandish, Antwerp 1532–1603 Antwerp | 5780 | 179 | 1532 | 1603 | ca. 1600 | 1595 | 1605 | 15826 | Purchase, Irene Lewisohn Trust Gift, 2001 | http://www.metmuseum.org/art/collection/search/82615 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 69291 | 2001.341.2 | 0 | 1 | 82616 | 8 | 2616 | The Pride of Women: Ruffs | 4 | 2 | Maerten de Vos | Netherlandish, Antwerp 1532–1603 Antwerp | 5780 | 179 | 1532 | 1603 | ca. 1600 | 1595 | 1605 | 15826 | Purchase, Irene Lewisohn Trust Gift, 2001 | http://www.metmuseum.org/art/collection/search/82616 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 98559 | 73.8.60 | 0 | 1 | 185888 | 3 | 14 | St. John the Baptist | 2087 | 2 | After an original by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | 19th century, after 16th century original | 1800 | 1894 | 23 | Height: 41 in. (104.1 cm) | Purchase, 1873 | 136 | http://www.metmuseum.org/art/collection/search/185888 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 98560 | 73.8.61 | 0 | 1 | 185889 | 3 | 14 | The Savior | 2087 | 2 | After an original by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | 19th century, after 16th century original | 1800 | 1899 | 23 | Height: 40 in. (101.6 cm) | Purchase, 1873 | 136 | http://www.metmuseum.org/art/collection/search/185889 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 103044 | 07.315a, b | 0 | 1 | 190579 | 3 | 7371 | Model of a fountain | 1136 | 1 | Attributed to | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | 16th century | 1500 | 1599 | 160 | Height: 18 in. (45.7 cm) | Gift of J. Pierpont Morgan, 1907 | 12 | http://www.metmuseum.org/art/collection/search/190579 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 103694 | 09.216.2 | 0 | 1 | 191255 | 3 | 14 | Old Sabine Crouching | 1136 | 2 | After a model by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | possibly 17th–18th century | 1600 | 1799 | 23 | Height: 9 in. (22.9 cm) | Rogers Fund, 1909 | 304 | http://www.metmuseum.org/art/collection/search/191255 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 104127 | 11.93.3 | 0 | 1 | 191731 | 3 | 227 | Ewer (Schnabelkanne) | 2499 | 33 | Decoration after a design by | Theodor de Bry | Netherlandish, Liège 1528–1598 Frankfurt | 8730 | 179 | 1528 | 1598 | ca. 1595 | 1590 | 1600 | 21088 | Height: 9 1/2 in. (24.1 cm) | Rogers Fund, 1911 | 314 | http://www.metmuseum.org/art/collection/search/191731 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 104330 | 12.137.7 | 0 | 1 | 191950 | 3 | 760 | Allegory of Rout and Pillage | 52 | 1 | Style of | Dirck Vellert | Netherlandish, Amsterdam (?) ca. 1480/85–ca. 1547 | 8777 | 179 | 1475 | 1552 | ca. 1520 | 1515 | 1525 | 21119 | Diameter: 9 3/4 in. (24.8 cm) | Rogers Fund, 1912 | 147 | http://www.metmuseum.org/art/collection/search/191950 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 104333 | 12.137.10 | 0 | 1 | 191953 | 3 | 760 | Joseph Making Himself Known to His Brethren | 2324 | 1 | Style of | Jan Swart van Groningen | Netherlandish, Groningen ca. 1490/1500–1553 or later Antwerp | 8778 | 179 | 1490 | 1553 | ca. 1535–40 | 1530 | 1545 | 1008 | Diameter: 10 3/8 in. (26.4 cm) | Rogers Fund, 1912 | 147 | http://www.metmuseum.org/art/collection/search/191953 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 104703 | 13.149.7 | 0 | 1 | 192354 | 3 | 3389 | Hercules and Antaeus | 1136 | 2 | Style of | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | 16th century | 1500 | 1599 | 160 | Height: 35 1/2 in. (90.2 cm) | Rogers Fund, 1913 | 12 | http://www.metmuseum.org/art/collection/search/192354 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 105044 | 14.40.672 | 0 | 1 | 192713 | 3 | 7530 | Virtue Overcoming Vice | 2566 | 2 | Imitator of | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | 17th–18th century | 1600 | 1799 | 21173 | Height: 24 1/2 in. (62.2 cm) | Bequest of Benjamin Altman, 1913 | 12 | http://www.metmuseum.org/art/collection/search/192713 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 105060 | 14.40.689 | 1 | 1 | 192729 | 3 | 14 | Triton | 1136 | 2 | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | 1560–70 | 1560 | 1570 | 23 | Height: 36 in., 53.9 lb. (91.4 cm, 24.4 kg) | Bequest of Benjamin Altman, 1913 | 304 | http://www.metmuseum.org/art/collection/search/192729 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 105602 | 17.120.12 | 0 | 1 | 193425 | 3 | 399 | Martyrdom of the Seven Maccabee Brothers and Their Mother | 2324 | 2 | Designed and executed by | Dirck Vellert | Netherlandish, Amsterdam (?) ca. 1480/85–ca. 1547 | 8777 | 179 | 1475 | 1552 | ca. 1530–35 | 1525 | 1540 | 1008 | Overall: 27 3/4 × 18 1/2 in. (70.5 × 47 cm); Framed (confirmed): 28 1/2 × 19 5/16 × 5/8 in. (72.4 × 49.1 × 1.6 cm) | Mr. and Mrs. Isaac D. Fletcher Collection, Bequest of Isaac D. Fletcher, 1917 | 147 | http://www.metmuseum.org/art/collection/search/193425 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 106603 | 17.190.2090 | 0 | 1 | 194442 | 3 | 7244 | River God (one of a pair) | 1136 | 2 | After a model by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | second half 16th century | 1550 | 1599 | 21108 | 12 1/2 × 15 1/2 in. (31.8 × 39.4 cm) | Gift of J. Pierpont Morgan, 1917 | 12 | http://www.metmuseum.org/art/collection/search/194442 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 106604 | 17.190.2091 | 0 | 1 | 194443 | 3 | 7244 | River God (one of a pair) | 1136 | 2 | After a model by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | second half 16th century | 1550 | 1599 | 21108 | 13 1/4 × 13 in. (33.7 × 33 cm) | Gift of J. Pierpont Morgan, 1917 | 12 | http://www.metmuseum.org/art/collection/search/194443 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 106714 | 19.172.2 | 0 | 1 | 194566 | 3 | 1084 | October from a set of the Twelve Months | 2489 | 5 | Possibly after a design by | Bernard van Orley | Netherlandish, Brussels ca. 1492–1541/42 Brussels | 9402 | 179 | 1492 | 1542 | ca. 1525–28 | 1520 | 1533 | 21669 | H. 183 x W. 151 inches (464.8 x 383.5 cm) | Bequest of Helen C. Juilliard, 1916 | 186 | http://www.metmuseum.org/art/collection/search/194566 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 107235 | 24.212.5 | 0 | 1 | 195180 | 3 | 14 | Fortuna | 1136 | 2 | After a model by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | early 17th century | 1600 | 1615 | 23 | Overall (confirmed): 18 1/2 × 5 3/4 × 4 in. (47 × 14.6 × 10.2 cm) | Gift of Ogden Mills, 1924 | 304 | http://www.metmuseum.org/art/collection/search/195180 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 107244 | 24.212.15 | 0 | 1 | 195189 | 3 | 14 | Crouching Venus | 1136 | 2 | After a composition by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | late 16th–early 17th century | 1585 | 1615 | 23 | Overall (confirmed): 9 7/8 × 4 1/4 × 5 3/8 in. (25.1 × 10.8 × 13.7 cm) | Gift of Ogden Mills, 1924 | 304 | http://www.metmuseum.org/art/collection/search/195189 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 107245 | 24.212.16 | 0 | 1 | 195190 | 3 | 14 | Bathing Venus | 1136 | 2 | After a model by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | late 16th–early 17th century | 1585 | 1615 | 23 | Height: 13 1/4 in. (33.7 cm) | Gift of Ogden Mills, 1924 | 304 | http://www.metmuseum.org/art/collection/search/195190 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 107246 | 24.212.17 | 0 | 1 | 195191 | 3 | 14 | Woman Bathing | 1136 | 2 | Imitator of | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | 17th–18th century | 1600 | 1799 | 23 | Overall (confirmed): 13 × 3 5/8 × 4 in. (33 × 9.2 × 10.2 cm) | Gift of Ogden Mills, 1924 | 304 | http://www.metmuseum.org/art/collection/search/195191 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 107247 | 24.212.18 | 0 | 0 | 195192 | 3 | 14 | Nessus and Dejanira | 144 | 2 | Imitator of | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | 19th–20th century | 1800 | 1910 | 23 | Height: 9 1/2 in. (24.1 cm) | Gift of Ogden Mills, 1924 | 304 | http://www.metmuseum.org/art/collection/search/195192 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 107250 | 24.212.22 | 0 | 1 | 195195 | 3 | 14 | Horse | 1136 | 2 | After a model by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | early 17th century | 1600 | 1615 | 23 | Overall (confirmed): 8 3/4 × 10 1/8 × 2 5/8 in. (22.2 × 25.7 × 6.7 cm) | Gift of Ogden Mills, 1924 | 304 | http://www.metmuseum.org/art/collection/search/195195 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 107251 | 24.212.23 | 0 | 1 | 195196 | 3 | 14 | Horse | 1136 | 2 | After a model by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | probably 1587–91 | 1587 | 1591 | 23 | Overall (confirmed): 9 3/4 × 10 7/8 × 3 3/4 in. (24.8 × 27.6 × 9.5 cm) | Gift of Ogden Mills, 1924 | 304 | http://www.metmuseum.org/art/collection/search/195196 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 107408 | 25.142.14 | 0 | 1 | 195368 | 3 | 3389 | The Rape of a Sabine Woman | 438 | 2 | Follower of | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | probably early 17th century | 1600 | 1615 | 21759 | Height: 9 7/8 in. (25.1 cm) | Gift of Ogden Mills, 1925 | 304 | http://www.metmuseum.org/art/collection/search/195368 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 107447 | 25.142.58 | 0 | 1 | 195407 | 3 | 148 | Margaret of Austria (1522–1586) | 1170 | 2 | Medalist: | Jacques Jonghelinck | Netherlandish, Antwerp 1530–1606 Antwerp | 9544 | 179 | 1530 | 1606 | 1567 | 1567 | 1567 | 23 | Diameter: 2 3/8 in. (60 mm) | Gift of Ogden Mills, 1925 | 306 | http://www.metmuseum.org/art/collection/search/195407 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 108342 | 28.46.4 | 0 | 1 | 196356 | 3 | 760 | The Prodigal Son Feasting | 2324 | 5 | After | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | ca. 1540 | 1535 | 1545 | 1008 | Diam. 10 in. | Gift of George D. Pratt, 1928 | 147 | http://www.metmuseum.org/art/collection/search/196356 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 108772 | 31.33.241 | 0 | 0 | 196811 | 3 | 148 | Philip of Spain | 1170 | 2 | Medalist: | Jacques Jonghelinck | Netherlandish, Antwerp 1530–1606 Antwerp | 9544 | 179 | 1530 | 1606 | 16th century | 1500 | 1599 | 2 | Diameter: 1 3/8 in. (35 mm) | Bequest of Gwynne M. Andrews, 1931 | 306 | http://www.metmuseum.org/art/collection/search/196811 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 109015 | 32.100.181 | 0 | 1 | 197059 | 3 | 14 | Astronomy | 1136 | 2 | After a composition by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | probably 17th century | 1600 | 1699 | 30 | Overall (confirmed): 5 × 2 5/8 × 2 in. (12.7 × 6.7 × 5.1 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 304 | http://www.metmuseum.org/art/collection/search/197059 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 109017 | 32.100.183 | 0 | 1 | 197061 | 3 | 3389 | Venus and Cupid | 1136 | 13 | Cast attributed to | Antonio Susini|Giambologna | Italian, 1558–1624 Florence|Netherlandish, Douai 1529–1608 Florence | 9796 | 179 | 1558 |1529 | 1624 |1608 | late 16th–early 17th century | 1585 | 1615 | 21995 | 5 × 2 3/4 in. (12.7 × 7 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 304 | http://www.metmuseum.org/art/collection/search/197061 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 109030 | 32.100.196a–c | 0 | 1 | 197074 | 3 | 7816 | The Flagellation of Christ | 36 | 2 | Follower of | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | probably early 17th century | 1600 | 1615 | 30 | Height (.196- center): 5 7/8 in. (14.9 cm); Height (.196b- left): 9 in. (22.9 cm); Height (.196c- right): 7 1/4 in. (18.4 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 304 | http://www.metmuseum.org/art/collection/search/197074 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 109296 | 33.20 | 0 | 1 | 197341 | 3 | 3389 | Hercules and the Cretan Bull | 1254 | 2 | Manner of | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | early 17th century | 1600 | 1615 | 23 | Overall: 21 3/4 × 16 in. (55.2 × 40.6 cm) | Gift of Jean A. Seligmann and Arnold Seligmann, in memory of Arnold Seligmann, 1933 | 304 | http://www.metmuseum.org/art/collection/search/197341 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 109302 | 33.60 | 0 | 1 | 197352 | 3 | 3389 | Hercules and a Centaur | 1254 | 2 | Manner of | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | early 17th century | 1600 | 1615 | 23 | Overall (wt. confirmed): 25 3/4 x 22 in., 96lb. (65.4 x 55.9 cm, 43.5453kg); Other: 22 1/4in. (56.5cm) | Rogers Fund, 1933 | 304 | http://www.metmuseum.org/art/collection/search/197352 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 110390 | 40.14.1 | 0 | 1 | 198568 | 3 | 14 | Bull | 36 | 2 | After a composition by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | 17th–18th century | 1600 | 1799 | 23 | Overall (confirmed): 7 1/8 × 10 × 3 1/8 in. (18.1 × 25.4 × 7.9 cm) | Rogers Fund, 1940 | 304 | http://www.metmuseum.org/art/collection/search/198568 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 110624 | 41.100.385 | 0 | 1 | 198821 | 3 | 1084 | Panel with grotesques, from a set of bed hangings | 2489 | 2 | related to the prints of | Cornelis Floris II | Netherlandish, Antwerp before 1514–1575 Antwerp | 10155 | 179 | 1514 | 1575 | ca. 1550–60 | 1545 | 1565 | 22260 | H. 65 1/2 x W. 80 inches (166.4 x 203.2 cm) | Gift of George Blumenthal, 1941 | 186 | http://www.metmuseum.org/art/collection/search/198821 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 110806 | 41.190.534 | 0 | 1 | 199016 | 3 | 14 | Apollo | 164 | 2 | Adriaen de Vries | Netherlandish, The Hague ca. 1545–1626 Prague | 10185 | 179 | 1545 | 1626 | ca. 1594–98 | 1589 | 1598 | 23 | Overall (confirmed): 18 3/4 × 10 5/8 × 7 1/2 in. (47.6 × 27 × 19.1 cm) | Bequest of George Blumenthal, 1941 | 304 | http://www.metmuseum.org/art/collection/search/199016 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 113117 | 52.75 | 0 | 1 | 201407 | 3 | 34 | The Disciples in the Upper Room (?) | 2324 | 5 | Probably after a design by | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | ca. 1535–50 | 1530 | 1555 | 1008 | Overall: 81 1/2 × 66 in. (207 × 167.6 cm) | Gift of Irwin Untermyer, 1952 | 147 | http://www.metmuseum.org/art/collection/search/201407 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 113551 | 55.72 | 0 | 1 | 201859 | 3 | 4054 | Anointment of the Dead Christ | 1136 | 39 | Probably cast by|After a model by | Fra Domenico Portigiani|Giambologna | Netherlandish, Douai 1529–1608 Florence | 10787 | 179 | 1550 |1529 | 1650 |1608 | ca. 1588–96 | 1583 | 1601 | 23 | Overall: 10 7/16 × 11 1/4 in. (26.5 × 28.6 cm) | Edith Perry Chapman Fund, 1955 | 304 | http://www.metmuseum.org/art/collection/search/201859 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 113556 | 55.113 | 0 | 1 | 201865 | 3 | 3389 | Nessus and Dejanira | 1136 | 2 | After a model by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | early 17th century | 1600 | 1615 | 23 | Overall: 16 1/4 × 14 5/8 × 7 3/8 in. (41.3 × 37.1 × 18.7 cm) | Gift of Robert F. Hogue, 1955 | 304 | http://www.metmuseum.org/art/collection/search/201865 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 113671 | 57.136.1 | 0 | 1 | 201990 | 3 | 14 | Saint John | 1136 | 63 | Model and bronze cast by|Possbily after a design by | Antonio Susini|Giambologna | Italian, 1558–1624 Florence|Netherlandish, Douai 1529–1608 Florence | 9796 | 179 | 1558 |1529 | 1624 |1608 | 1596 | 1596 | 1596 | 23 | Overall (confirmed): 10 15/16 × 4 7/8 × 3 5/8 in. (27.8 × 12.4 × 9.2 cm) Base (confirmed): 2 1/4 in. (5.7 cm) | Purchase, Joseph Pulitzer Bequest, 1957 | 304 | http://www.metmuseum.org/art/collection/search/201990 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 113672 | 57.136.2 | 0 | 1 | 201991 | 3 | 14 | Saint Matthew | 1136 | 63 | Model and cast by|Possibly after a design by | Antonio Susini|Giambologna | Italian, 1558–1624 Florence|Netherlandish, Douai 1529–1608 Florence | 9796 | 179 | 1558 |1529 | 1624 |1608 | 1596 | 1596 | 1596 | 23 | H. 10-9/16 in. (26.8 cm.) | Purchase, Joseph Pulitzer Bequest, 1957 | 304 | http://www.metmuseum.org/art/collection/search/201991 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 113924 | 58.156 | 0 | 1 | 202249 | 3 | 14 | Cock | 1136 | 2 | Style of | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | probably 19th–20th century | 1800 | 1940 | 23 | Overall (confirmed): 8 13/16 × 7 1/8 × 3 1/4 in. (22.4 × 18.1 × 8.3 cm) | Edith Perry Chapman Fund, 1958 | 304 | http://www.metmuseum.org/art/collection/search/202249 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 114067 | 60.55.56 | 0 | 1 | 202442 | 3 | 148 | Henry VIII, King of England (1491–1547, r. 1509–47) | 190 | 2 | Model attributed to | Steven Cornelisz van Herwijck | Dutch, Utrecht ca. 1530–possibly ca. 1565 London | 10931 | 179 | 1525 | 1575 | 16th–17th century | 1500 | 1699 | 23 | Diameter: 3 7/8 in. (9.8 cm) | Bequest of Rupert L. Joseph, 1959 | 306 | http://www.metmuseum.org/art/collection/search/202442 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 114295 | 63.39 | 0 | 1 | 202717 | 3 | 14 | The Risen Christ | 1136 | 63 | Model and cast by|Probably after a design by | Antonio Susini|Giambologna | Italian, 1558–1624 Florence|Netherlandish, Douai 1529–1608 Florence | 9796 | 179 | 1558 |1529 | 1624 |1608 | 1596 | 1596 | 1596 | 23 | Overall (confirmed): 11 3/4 × 5 1/2 × 3 1/8 in. (29.8 × 14 × 7.9 cm) | Edith Perry Chapman Fund, 1963 | 304 | http://www.metmuseum.org/art/collection/search/202717 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 114547 | 63.197 | 0 | 1 | 202972 | 3 | 3389 | Rape of the Sabine Woman | 1136 | 2 | After a model by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | cast probably 17th century | 1600 | 1699 | 22792 | Height: 38 3/4 in. (98.4 cm); Base: 14 in. × 9 1/8 in. (35.6 × 23.2 cm) | Gift of Mr. and Mrs. William B. Jaffe, 1963 | 304 | http://www.metmuseum.org/art/collection/search/202972 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 115360 | 64.101.1449 | 0 | 1 | 203937 | 3 | 14 | Nude female | 1136 | 2 | After a model by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | 17th century | 1600 | 1699 | 23 | H. 14-1/4 in. (36.2 cm.) | Gift of Irwin Untermyer, 1964 | 304 | http://www.metmuseum.org/art/collection/search/203937 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 115361 | 64.101.1450 | 0 | 1 | 203938 | 3 | 14 | Astronomy | 1136 | 2 | After a model by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | ca. 1590–1610 | 1585 | 1615 | 23 | H. without base (confirmed): 15 3/4 in. (40 cm); W. 4 3/4 in. (12.1 cm); D. 6 in. (15.2 cm) Height with base (confirmed): 21 1/4 in. (54 cm) | Gift of Irwin Untermyer, 1964 | 304 | http://www.metmuseum.org/art/collection/search/203938 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 115363 | 64.101.1452 | 0 | 1 | 203940 | 3 | 14 | The Dwarf Morgante | 1136 | 2 | After a model by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | probably 17th–18th century | 1600 | 1799 | 23 | Overall with base (confirmed): 7 3/4 × 3 1/4 × 2 1/8 in. (19.7 × 8.3 × 5.4 cm); overall without base (confirmed): 5 5/16 × 3 1/4 × 2 in. (13.5 × 8.3 × 5.1 cm) | Gift of Irwin Untermyer, 1964 | 304 | http://www.metmuseum.org/art/collection/search/203940 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 116164 | 68.141.3 | 0 | 1 | 204846 | 3 | 14 | Antinous Belvedere | 4 | 2 | Willem Danielsz van Tetrode | Netherlandish, Delft ca. 1525–1580 Westphalia | 11212 | 179 | 1525 | 1580 | 19th–20th century copy after third quarter 16th century (possibly 1560) | 1560 | 1970 | 23 | Height: 26 1/2 in. (67.3 cm) | Gift of Irwin Untermyer, 1968 | 304 | http://www.metmuseum.org/art/collection/search/204846 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 116176 | 68.141.25 | 0 | 1 | 204858 | 3 | 14 | Venus after the Bath | 1136 | 2 | After a model by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | ca. 1590–1610 | 1585 | 1615 | 23 | Height: 10 1/4 in. (26 cm) | Gift of Irwin Untermyer, 1968 | 304 | http://www.metmuseum.org/art/collection/search/204858 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 116441 | 69.254 | 0 | 1 | 205150 | 3 | 3917 | The Triumph of Silenus | 692 | 2 | After a composition by | Cornelis Bos | Netherlandish, Hertogenbosch ca. 1510?–before 1566 Groningen | 11318 | 179 | 1510 | 1566 | late 16th–early 17th century | 1585 | 1615 | 929 | 11 1/2 × 33 in. (29.2 × 83.8 cm) | Gift of Allen H. and Elizabeth S.C. Merrill, 1969 | 12 | http://www.metmuseum.org/art/collection/search/205150 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 116472 | 1970.57 | 0 | 1 | 205182 | 3 | 14 | Fortuna | 1136 | 2 | After a model by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | 1560–70 | 1560 | 1570 | 23 | Overall without bolt (confirmed): 21 1/4 × 6 1/4 × 4 5/8 in. (54 × 15.9 × 11.7 cm) Height with bolt (confirmed): 23 5/8 in. (60 cm) | Edith Perry Chapman Fund, 1970 | 304 | http://www.metmuseum.org/art/collection/search/205182 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 116475 | 1970.95.3 | 0 | 1 | 205188 | 3 | 356 | Plate | 104 | 2 | After a design by | Abraham Bloemaert | Netherlandish, Gorinchem 1566–1651 Utrecht | 11165 | 179 | 1566 | 1651 | ca. 1750–60 | 1745 | 1765 | 572 | Diameter: 8 15/16 in. (22.7 cm) | The Lucile and Robert H. Gries Charity Fund, 1970 | 308 | http://www.metmuseum.org/art/collection/search/205188 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 116580 | 1970.315 | 0 | 1 | 205298 | 3 | 3389 | Rape of a Sabine | 1136 | 2 | After a model by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | last quarter 17th century | 1675 | 1699 | 21740 | Overall (confirmed): 23 1/4 × 9 1/8 × 10 3/8 in. (59.1 × 23.2 × 26.4 cm) | Gift of Irwin Untermyer, 1970 | 304 | http://www.metmuseum.org/art/collection/search/205298 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 116867 | 1974.28.145 | 0 | 1 | 205648 | 3 | 14 | Mercury | 36 | 2 | After a model by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | 18th century | 1700 | 1799 | 23 | Overall (confirmed, width and depth subjective depending on rotation): 13 1/4 × 4 3/8 × 6 3/4 in. (33.7 × 11.1 × 17.1 cm) | Bequest of Irwin Untermyer, 1973 | 304 | http://www.metmuseum.org/art/collection/search/205648 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 118013 | 1982.60.100 | 0 | 1 | 207005 | 3 | 3389 | Hercules and the Erymanthian Boar | 1136 | 2 | After a model by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | mid-17th century | 1630 | 1665 | 23501 | Height: 17 1/2 in. (44.5 cm) | The Jack and Belle Linsky Collection, 1982 | 304 | http://www.metmuseum.org/art/collection/search/207005 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 118014 | 1982.60.101 | 0 | 1 | 207006 | 3 | 8021 | The Crucified Christ: Corpus from a Cross | 1136 | 594 | After a model by|Workshop of | Giambologna|Antonio Susini | Netherlandish, Douai 1529–1608 Florence|Italian, 1558–1624 Florence | 11608 | 179 | 1529 |1558 | 1608 |1624 | early 17th century | 1600 | 1615 | 23502 | Height: 14 in. (35.6 cm) | The Jack and Belle Linsky Collection, 1982 | 304 | http://www.metmuseum.org/art/collection/search/207006 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 118015 | 1982.60.102 | 0 | 1 | 207007 | 3 | 14 | Pacing Horse | 1136 | 2 | After a model by | Giambologna | Netherlandish, Douai 1529–1608 Florence | 7987 | 179 | 1529 | 1608 | mid-17th century | 1630 | 1665 | 23503 | Overall (confirmed): 9 1/2 × 10 1/2 × 3 1/4 in. (24.1 × 26.7 × 8.3 cm) | The Jack and Belle Linsky Collection, 1982 | 304 | http://www.metmuseum.org/art/collection/search/207007 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 119758 | 60.55.69 | 0 | 1 | 208827 | 3 | 996 | Ss. Sebastian, Catherine and Roch | 4 | 13 | Probably after a model by | Paulus Willemsz. van Vianen|Pordenone | Netherlandish, Utrecht ca. 1570–ca. 1613/14 Prague | 11967 | 179 | 1565 |1550 | 1619 |1650 | late 16th–early 17th century | 1585 | 1615 | 23 | 6 1/16 x 4 in. (15.4 x 10.2 cm) | Bequest of Rupert L. Joseph, 1959 | 306 | http://www.metmuseum.org/art/collection/search/208827 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 122833 | 92.1.12 | 0 | 1 | 212623 | 3 | 1084 | The Colosseum from a set of The Wonders of the World | 2489 | 635 | Designed from prints after|Possibly woven in workshop directed by|Possibly woven in workshop directed by|Possibly woven in workshop directed by|Possibly woven in workshop directed by|Possibly woven in workshop directed by| | Maarten van Heemskerck|Willem Segers|Francis Sweerts|Niclaes de Canter|Nikolaus Le Coustre|Isaac van Asperen|Unidentified Weaver's Mark | Netherlandish, Heemskerck 1498–1574 Haarlem|Antwerp|Antwerp|Antwerp | (WS)|(SWF)|(NSC)|(NSC)|(ISAC) | 12305 | 179 | 1498 |1550 |1525 | 1574 |1650 |1625 | ca. 1575–1600 | 1570 | 1605 | 24352 | 136 x 203 in. (345.4 x 515.6cm) | Bequest of Elizabeth U. Coles in memory of her son, William F. Coles, 1892 | 186 | http://www.metmuseum.org/art/collection/search/212623 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 129311 | 19.172.1 | 0 | 1 | 220126 | 3 | 1084 | August from a set of the Twelve Months | 2489 | 5 | Possibly after a design by the workshop of | Bernard van Orley | Netherlandish, Brussels ca. 1492–1541/42 Brussels | 9402 | 179 | 1492 | 1542 | ca. 1525–28 | 1520 | 1533 | 21669 | H. 188 x W. 167 inches (477.5 x 424.2 cm) | Bequest of Helen C. Juilliard, 1916 | 186 | http://www.metmuseum.org/art/collection/search/220126 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 135106 | 41.100.384 | 0 | 1 | 226637 | 3 | 1084 | Panel with grotesques, from a set of bed hangings | 2489 | 2 | related to the prints of | Cornelis Floris II | Netherlandish, Antwerp before 1514–1575 Antwerp | 10155 | 179 | 1514 | 1575 | ca. 1550–60 | 1545 | 1565 | 22260 | H. 65 1/2 x W. 83 3/4 inches (166.4 x 212.7 cm) | Gift of George Blumenthal, 1941 | 186 | http://www.metmuseum.org/art/collection/search/226637 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 135130 | 41.190.80 | 0 | 1 | 226694 | 3 | 1084 | Saint Veronica | 3718 | 5 | Possibly after a design by | Bernard van Orley | Netherlandish, Brussels ca. 1492–1541/42 Brussels | (Foundation of Rome, Madrid), though unlikely | 9402 | 179 | 1492 | 1542 | ca. 1525 | 1520 | 1530 | 24879 | Overall: 68 × 51 in. (172.7 × 129.5 cm) | Bequest of George Blumenthal, 1941 | 186 | http://www.metmuseum.org/art/collection/search/226694 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 135911 | 53.221.1 | 0 | 1 | 227720 | 3 | 1084 | The Twelve Ages of Man: The First Three Ages of Man (Birth-18), or Spring | 2489 | 668 | Author of inscriptions possibly|Probably after a design by the Workshop of | Jerome van Busleyden (Hieronymus Buslidius)|Bernard van Orley | ca. 1470–1517|Netherlandish, Brussels ca. 1492–1541/42 Brussels | 12506 | 179 | 1465 |1492 | 1517 |1542 | ca. 1515 | 1510 | 1520 | 24969 | H. 163 x W. 284 inches (414 x 721.4 cm) | Gift of The Hearst Foundation in memory of William Randolph Hearst, 1953 | 186 | http://www.metmuseum.org/art/collection/search/227720 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 135912 | 53.221.2 | 0 | 1 | 227721 | 3 | 1084 | The Twelve Ages of Man: The Second Three Ages of Man (18-36), or Summer | 2489 | 668 | Author of inscriptions possibly|Probably after a design by the Workshop of | Jerome van Busleyden (Hieronymus Buslidius)|Bernard van Orley | ca. 1470–1517|Netherlandish, Brussels ca. 1492–1541/42 Brussels | 12506 | 179 | 1465 |1492 | 1517 |1542 | ca. 1515 | 1510 | 1520 | 24969 | H. 174 1/2 x W. 289 inches (443.2 x 734.1 cm) | Gift of The Hearst Foundation in memory of William Randolph Hearst, 1953 | 186 | http://www.metmuseum.org/art/collection/search/227721 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 135913 | 53.221.3 | 0 | 1 | 227722 | 3 | 1084 | The Twelve Ages of Man: The Third Three Ages of Man (36-54), or Autumn | 2489 | 668 | Author of inscriptions possibly|Probably after a design by the Workshop of | Jerome van Busleyden (Hieronymus Buslidius)|Bernard van Orley | ca. 1470–1517|Netherlandish, Brussels ca. 1492–1541/42 Brussels | 12506 | 179 | 1465 |1492 | 1517 |1542 | ca. 1515 | 1510 | 1520 | 24969 | H. 175 x W. 286 inches (444.5 x 726.4 cm) | Gift of The Hearst Foundation in memory of William Randolph Hearst, 1953 | 186 | http://www.metmuseum.org/art/collection/search/227722 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 135914 | 53.221.4 | 0 | 1 | 227723 | 3 | 1084 | The Twelve Ages of Man: The Last Three Ages of Man (54-72), or Winter | 2489 | 668 | Author of inscriptions possibly|Probably after a design by the Workshop of | Jerome van Busleyden (Hieronymus Buslidius)|Bernard van Orley | ca. 1470–1517|Netherlandish, Brussels ca. 1492–1541/42 Brussels | 12506 | 179 | 1465 |1492 | 1517 |1542 | ca. 1515 | 1510 | 1520 | 24969 | H. 175 x W. 282 inches (444.5 x 716.3 cm) | Gift of The Hearst Foundation in memory of William Randolph Hearst, 1953 | 186 | http://www.metmuseum.org/art/collection/search/227723 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 135956 | 54.176.2 | 0 | 1 | 227765 | 3 | 6436 | Chasuble with the Gathering of the Manna | 3840 | 2 | After a print by | Hieronymus (Jerome) Wierix | Netherlandish, ca. 1553–1619 Antwerp | 12516 | 179 | 1553 | 1619 | 1570 | 1570 | 1570 | 24978 | H. 44 x W. 27 1/2 inches (111.8 x 69.9 cm) | Rogers Fund, 1954 | 186 | http://www.metmuseum.org/art/collection/search/227765 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 136122 | 57.62 | 0 | 1 | 227931 | 3 | 1084 | Gluttony | 2489 | 5 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | Between ca. 1550 and 1560 | 1550 | 1575 | 24986 | H. 153 x W. 267 inches 388.6 x 678.2 cm | Gift of Mrs. Frederic R. Coudert Jr., in memory of Mr. and Mrs. Hugh A. Murray, 1957 | 186 | http://www.metmuseum.org/art/collection/search/227931 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 137111 | 64.101.1301 | 0 | 1 | 229002 | 3 | 1059 | Life of Abraham | 6 | 2 | After a design by | Gerard de Jode | Netherlandish, 1509/17–1591 | 12549 | 179 | 1509 | 1591 | third quarter 17th century | 1650 | 1675 | 14037 | H. 12 1/2 x W. 16 inches (31.8 x 40.6 cm); Framed: H. 18 x W. 20 1/4 x D. 1 1/2 inches (45.7 x 51.4 x 3.8 cm) | Gift of Irwin Untermyer, 1964 | 187 | http://www.metmuseum.org/art/collection/search/229002 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 139806 | 59.208.30 | 0 | 1 | 236809 | 3 | 356 | Europe (part of a set of four) | 1138 | 63 | After a composition by|After a design by | Cornelis van Daten the Younger|Dirck Barendsz. | 1638–1664|Netherlandish, Amsterdam 1534–1592 Amsterdam | 12768 | 179 | 1638 |1534 | 1664 |1592 | late 17th–early 18th century | 1685 | 1715 | 113 | 1 1/16 × 8 3/4 in. (2.7 × 22.2 cm) | Gift of Estate of James Hazen Hyde, 1959 | 314 | http://www.metmuseum.org/art/collection/search/236809 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 139807 | 59.208.31 | 0 | 1 | 236810 | 3 | 356 | Asia (part of a set of four) | 1138 | 63 | After a composition by|After a design by | Cornelis van Daten the Younger|Dirck Barendsz. | 1638–1664|Netherlandish, Amsterdam 1534–1592 Amsterdam | 12768 | 179 | 1638 |1534 | 1664 |1592 | late 17th–early 18th century | 1685 | 1715 | 113 | 1 1/16 × 8 3/4 in. (2.7 × 22.2 cm) | Gift of Estate of James Hazen Hyde, 1959 | 314 | http://www.metmuseum.org/art/collection/search/236810 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 139808 | 59.208.32 | 0 | 1 | 236811 | 3 | 356 | Africa (part of a set of four) | 1138 | 63 | After a composition by|After a design by | Cornelis van Daten the Younger|Dirck Barendsz. | 1638–1664|Netherlandish, Amsterdam 1534–1592 Amsterdam | 12768 | 179 | 1638 |1534 | 1664 |1592 | late 17th–early 18th century | 1685 | 1715 | 113 | 1 1/16 × 8 3/4 in. (2.7 × 22.2 cm) | Gift of Estate of James Hazen Hyde, 1959 | 314 | http://www.metmuseum.org/art/collection/search/236811 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 139809 | 59.208.33 | 0 | 1 | 236812 | 3 | 356 | America (part of a set of four) | 1138 | 63 | After a composition by|After a design by | Cornelis van Daten the Younger|Dirck Barendsz. | 1638–1664|Netherlandish, Amsterdam 1534–1592 Amsterdam | 12768 | 179 | 1638 |1534 | 1664 |1592 | late 17th–early 18th century | 1685 | 1715 | 113 | 1 1/16 × 8 3/4 in. (2.7 × 22.2 cm) | Gift of Estate of James Hazen Hyde, 1959 | 314 | http://www.metmuseum.org/art/collection/search/236812 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 140406 | SL.5.2014.21.1 | 0 | 0 | 239278 | 3 | 1084 | Seven Deadly Sins: Lust tapestry | 3977 | 4 | Designed by | Pieter Coecke van Aelst|Anonymous Flemish weavers | Netherlandish, Aelst 1502–1550 Brussels | 12876 | 179 | 1502 | 1550 | designed ca. 1532 - 1534, woven before 1568, probably around 1545 | 1568 | 1568 | 25545 | Overall: 180 × 324 in. (457.2 × 823 cm) | Patrimonio Nacional. ©Metropolitan Museum of Art, photo by Bruce White. | 186 | http://www.metmuseum.org/art/collection/search/239278 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 140412 | SL.5.2014.13.1 | 0 | 0 | 239286 | 3 | 1084 | The Story of Vertumnus and Pomona: Vertumnus in the Guise of a Fruitpicker tapestry | 3977 | 63 | Woven under the direction of|Designed by | Anonymous Flemish weavers|Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 12879 | 179 | 1502 | 1550 | designed ca. 1544, woven ca. 1548 - 1575 | 1544 | 1575 | 25546 | Overall: 167 5/16 × 196 7/8 in. (425 × 500 cm) | Calouste Gulbenkian Museum. ©Calouste Gulbenkian Foundation, Lisbon, M.C.G., photo by Manufactures De Wit. | 186 | http://www.metmuseum.org/art/collection/search/239286 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 140419 | SL.5.2014.22.1 | 0 | 0 | 239296 | 3 | 69 | Last Supper | 3977 | 1 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | 1527 | 1527 | 1527 | 1499 | Overall: 53 9/16 × 64 15/16 in. (136 × 165 cm) | The Duke of Rutland, Belvoir Castle, NR Grantham, United Kingdom. © Metropolitan Museum of Art, photo by Emile Gezels. | 11 | http://www.metmuseum.org/art/collection/search/239296 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140420 | SL.5.2014.14.1 | 0 | 0 | 239297 | 3 | 69 | Triptych Of The Deposition | 3977 | 1 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | ca. 1540 - 1550 | 1535 | 1545 | 1499 | Overall (Central Panel): 103 1/8 × 67 11/16 in. (262 × 172 cm) Overall (Side Panels (Wings)): 107 7/8 × 33 1/16 in. (274 × 84 cm) | Museu Nacional de Arte Antiga. ©Museu Nacional de Arte Antiga and Institute of Museums and Conservation, I. P. / Ministry of Culture, photo by Luis Pavão. | 11 | http://www.metmuseum.org/art/collection/search/239297 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140421 | SL.5.2014.12.1 | 0 | 0 | 239300 | 3 | 69 | Holy Family | 3977 | 1 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | ca. 1530 - 1535 | 1525 | 1535 | 1499 | Framed: 46 7/16 × 35 1/4 in. (118 × 89.5 cm) Overall (Unframed): 38 9/16 × 27 9/16 in. (98 × 70 cm) | M - Museum Leuven. © KIK-IRPA, Brussels. | 11 | http://www.metmuseum.org/art/collection/search/239300 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140422 | SL.5.2014.9.1 | 0 | 0 | 239301 | 3 | 23 | The Story of Saint Paul: Burning Of The Books At Ephesus drawing | 3977 | 2 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | 1529 or 1535 | 1529 | 1529 | 25550 | 10 3/16 × 17 11/16 in. (25.9 × 45 cm) | Ghent University Library | 9 | http://www.metmuseum.org/art/collection/search/239301 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140423 | SL.5.2014.1.1 | 0 | 0 | 239302 | 3 | 23 | Fall Of The Giants drawing | 3977 | 5 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | ca. 1540 | 1535 | 1545 | 25551 | Overall: 12 1/2 × 16 1/16 in. (31.8 × 40.8 cm) | Rijksmuseum. ©Collection Rijksprentenkabinet, Rijksmuseum, Amsterdam. | 9 | http://www.metmuseum.org/art/collection/search/239302 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140424 | SL.5.2014.29.1 | 0 | 0 | 239303 | 3 | 23 | A peasant at a game of backgammon in a brothel drawing | 3977 | 2 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | ca. 1529 | 1524 | 1534 | 25550 | 7 15/16 × 6 5/16 in. (20.2 × 16.1 cm) | Museum Boijmans Van Beuningen, Rotterdam. ©Museum Boijmans Van Beuningen, Rotterdam, photo by Studio Tromp, Rotterdam. | 9 | http://www.metmuseum.org/art/collection/search/239303 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140425 | SL.5.2014.7.1 | 0 | 0 | 239304 | 3 | 23 | The Story of Saint Paul: The Stoning Of Stephen drawing | 3977 | 2 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | ca. 1527 - 1530 | 1522 | 1532 | 25552 | Overall: 5 13/16 × 10 3/8 in. (14.7 × 26.3 cm) | Hessisches Landesmuseum Darmstadt. | 9 | http://www.metmuseum.org/art/collection/search/239304 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140426 | SL.5.2014.10.1 | 0 | 0 | 239305 | 3 | 23 | The Story of Saint Paul: Martyrdom of Paul drawing | 3977 | 2 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | ca. 1529 | 1524 | 1534 | 25553 | 10 3/16 × 17 7/16 in. (25.8 × 44.3 cm) | Hamburger Kunsthalle, Kupferstichkabinett . ©bpk, Hamburger Kunsthalle, photo by Christoph Irrgang | 9 | http://www.metmuseum.org/art/collection/search/239305 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140427 | SL.5.2014.19.1 | 0 | 0 | 239306 | 3 | 23 | The Story of Saint Paul: Paul before Agrippa | 3977 | 1 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | ca. 1529 | 1524 | 1534 | 25554 | Overall: 10 5/8 × 20 1/16 in. (27 × 50.9 cm) | Die Lübecker Museen. St. Annen-Museum. ©St. Annen-Museum, Kulturstiftung Hansestadt Lübeck, Photo by Michael Haydn | 9 | http://www.metmuseum.org/art/collection/search/239306 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140428 | SL.5.2014.25.1 | 0 | 0 | 239307 | 3 | 23 | Romulus giving the law to the Roman People drawing | 3977 | 2 | Bernard van Orley | Netherlandish, Brussels ca. 1492–1541/42 Brussels | 9402 | 179 | 1492 | 1542 | 1524 | 1524 | 1524 | 25555 | 13 9/16 × 21 7/16 in. (34.5 × 54.5 cm) | Staatliche Graphische Sammlung München. | 9 | http://www.metmuseum.org/art/collection/search/239307 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140429 | SL.5.2014.25.2 | 0 | 0 | 239308 | 3 | 23 | Scene from the Story of Julius Caesar drawing | 3977 | 2 | Circle of | Pieter Coecke van Aelst | 9707 | 179 | 1502 | 1550 | ca. 1540 | 1535 | 1545 | 25556 | 4 1/2 × 12 1/16 in. (11.5 × 30.6 cm) | Staatliche Graphische Sammlung München | 9 | http://www.metmuseum.org/art/collection/search/239308 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140430 | SL.5.2014.25.3 | 0 | 0 | 239309 | 3 | 23 | The Story of Saint Paul: Paul Preaching At Philippi drawing | 3977 | 2 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | 1534 | 1534 | 1534 | 25557 | Overall: 10 × 19 1/8 in. (25.4 × 48.5 cm) | Staatliche Graphische Sammlung München | 9 | http://www.metmuseum.org/art/collection/search/239309 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140431 | SL.5.2014.34.1 | 0 | 0 | 239310 | 3 | 23 | Design for a nautilus cup with Neptune riding a Hippocampus | 3977 | 2 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | ca. 1535 - 1540 | 1530 | 1540 | 25558 | Other: 25 3/16 × 18 7/8 in. (64 × 48 cm) Framed: 26 3/4 × 20 1/2 in. (68 × 52 cm) | Kunstsammlungen Der Fuersten von Waldburg-Wolfegg, Schloss Wolfegg. | 9 | http://www.metmuseum.org/art/collection/search/239310 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140433 | SL.5.2014.31.2 | 0 | 0 | 239312 | 3 | 23 | Paul Before Agrippa drawing | 3977 | 2 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | 1525 | 1525 | 1525 | 25560 | Overall: 10 1/16 × 19 5/16 in. (25.5 × 49 cm) | Albertina, Vienna | 9 | http://www.metmuseum.org/art/collection/search/239312 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140434 | SL.5.2014.31.3 | 0 | 0 | 239313 | 3 | 23 | Crossing Of The Red Sea | 3977 | 2 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | 1535 | 1535 | 1535 | 25561 | Overall: 9 7/8 × 7 7/8 in. (25.1 × 20 cm) | Albertina, Vienna | 9 | http://www.metmuseum.org/art/collection/search/239313 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140435 | SL.5.2014.31.4 | 0 | 0 | 239314 | 3 | 23 | Design For A Window With The Consecration Of Saint Nicholas drawing | 3977 | 2 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | 1537 | 1537 | 1537 | 25562 | 16 1/4 × 21 1/4 in. (41.3 × 54 cm) | Albertina, Vienna | 9 | http://www.metmuseum.org/art/collection/search/239314 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140436 | SL.5.2014.28.1 | 0 | 0 | 239315 | 3 | 23 | Triumph Of Mordecai | 3977 | 2 | Circle of | Pieter Coecke van Aelst | 9707 | 179 | 1502 | 1550 | ca. 1545 - 1550 | 1540 | 1550 | 25563 | 6 11/16 × 11 in. (17 × 28 cm) | Paris, Musée du Louvre, Département des Arts graphiques. © RMN-Grand Palais / Art Resource, NY. | 9 | http://www.metmuseum.org/art/collection/search/239315 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140437 | SL.5.2014.28.2 | 0 | 0 | 239316 | 3 | 23 | Story of Joshua: Joshua Praying Before The Ark Of The Covenant For God's Help Against Ai drawing | 3977 | 2 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | ca. 1535 - 1537 | 1530 | 1540 | 25564 | Overall: 10 13/16 × 15 11/16 in. (27.4 × 39.8 cm) | Paris, Musée du Louvre, Département des Arts graphiques. © 2005 Musée du Louvre / Martine Beck-Coppola. | 9 | http://www.metmuseum.org/art/collection/search/239316 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140438 | SL.5.2014.27.1 | 0 | 0 | 239317 | 3 | 23 | The Story of Joshua: The Capture Of The City Of Ai drawing | 3977 | 2 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | 1535 - 1537 | 1535 | 1537 | 25565 | Overall: 10 5/8 × 13 1/4 in. (27 × 33.7 cm) | Fondation Custodia, Collection Frits Lugt, Paris. ©Fondation Custodia, Collection Frits Lugt, Paris, photo by Pascal Faligot. | 9 | http://www.metmuseum.org/art/collection/search/239317 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140439 | SL.5.2014.27.2 | 0 | 0 | 239319 | 3 | 23 | Gaius Fabricius Luscinus Refusing Gifts From Pyrrhus drawing | 3977 | 2 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | ca. 1535 - 1540 | 1530 | 1540 | 25566 | Overall: 5 3/4 × 8 3/4 in. (14.6 × 22.3 cm) | Fondation Custodia, Collection Frits Lugt, Paris. ©Fondation Custodia, Collection Frits Lugt, Paris, photo by Pascal Faligot. | 9 | http://www.metmuseum.org/art/collection/search/239319 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140440 | SL.5.2014.26.1 | 0 | 0 | 239320 | 3 | 23 | The Seven Deadly Sins: Triumph Of Sloth | 3977 | 2 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | ca. 1532 | 1527 | 1537 | 25567 | 8 3/4 × 15 3/16 in. (22.2 × 38.5 cm) Framed: 20 1/2 × 24 7/16 in. (52 × 62 cm) | Paris, Ecole Nationale Supérieure des Beaux-Arts. © Beaux-Arts de Paris, Dist. RMN-Grand Palais / Art Resource, NY. | 9 | http://www.metmuseum.org/art/collection/search/239320 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140441 | SL.5.2014.8.2 | 0 | 0 | 239321 | 3 | 23 | Christ As The Fountain Of Life drawing | 3978 | 2 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | ca. 1533 - 1535 | 1528 | 1538 | 25568 | Overall: 12 1/2 × 11 1/16 in. (31.7 × 28.1 cm) | Istituti museale della Soprintendenza Speciale Per il Polo Museale Fiorentino | 9 | http://www.metmuseum.org/art/collection/search/239321 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140442 | SL.5.2014.17.1 | 0 | 0 | 239322 | 3 | 23 | The Conversion Of Saul drawing | 3977 | 2 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | ca. 1529 - 1530 | 1524 | 1534 | 25569 | Overall: 10 3/16 × 16 5/16 in. (25.8 × 41.5 cm) | Victoria and Albert Museum, London. Bequeathed by Rev. Alexander Dyce. © Victoria and Albert Museum, London. | 9 | http://www.metmuseum.org/art/collection/search/239322 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140443 | SL.5.2014.15.1 | 0 | 0 | 239323 | 3 | 23 | The Conversion Of Saul, Horse Cartoon Fragment | 3977 | 2 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | ca. 1530 | 1525 | 1535 | 25570 | 15 3/8 × 12 11/16 in. (39.1 × 32.3 cm) | The British Museum. © The Trustees of the British Museum. | 9 | http://www.metmuseum.org/art/collection/search/239323 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140444 | SL.5.2014.15.2 | 0 | 0 | 239324 | 3 | 23 | Design For A Triptych Of Saint John The Baptist | 3977 | 2 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | ca. 1535 | 1530 | 1540 | 25571 | Center Panel: 8 5/16 × 12 9/16 in. (21.1 × 31.9 cm) Wings: 8 5/8 × 2 11/16 in. (21.8 × 6.9 cm) | The British Museum. © The Trustees of the British Museum. | 9 | http://www.metmuseum.org/art/collection/search/239324 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 140445 | SL.5.2014.15.3 | 0 | 0 | 239325 | 3 | 23 | The Sacrifice At Lystra cartoon fragment | 3977 | 2 | Pieter Coecke van Aelst | Netherlandish, Aelst 1502–1550 Brussels | 9707 | 179 | 1502 | 1550 | ca. 1530 | 1525 | 1535 | 25572 | Overall: 18 7/16 × 14 9/16 in. (46.8 × 37 cm) | The British Museum. © The Trustees of the British Museum. | 9 | http://www.metmuseum.org/art/collection/search/239325 | 4/23/2018 8:00:01 AM | 1 |