Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 464360 | 1970.541.119 | 0 | 0 | 786821 | 11 | 731 | The Arch Duchess Maria Louisa Going to Take Her Nap | 3044 | 6090 | Thomas Tegg|Napoléon Bonaparte|Thomas Rowlandson|Empress Marie Louise of France | British, 1776–1846|French, Ajaccio 1769–1821 St. Helena|British, London 1757–1827 London|1791–1847 | ? | 59247 | 1776 |1769 |1757 |1791 | 1846 |1821 |1827 |1847 | April 12, 1810 | 1810 | 1810 | 34862 | Plate: 13 11/16 × 9 5/8 in. (34.8 × 24.5 cm) Sheet: 16 1/8 × 10 3/8 in. (41 × 26.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | 13 | http://www.metmuseum.org/art/collection/search/786821 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 464358 | 59.533.1346 | 0 | 0 | 786814 | 11 | 731 | Three Weeks After Marriage, or the Great Little Emperor Playing at Bo-Peep | 3043 | 4524 | Thomas Rowlandson|Thomas Tegg|Empress Marie Louise of France|Napoléon Bonaparte | British, London 1757–1827 London|British, 1776–1846|1791–1847|French, Ajaccio 1769–1821 St. Helena | 59245 | 1757 |1776 |1791 |1769 | 1827 |1846 |1847 |1821 | May 15, 1810 | 1810 | 1810 | 34862 | Sheet: 9 5/8 × 13 9/16 in. (24.5 × 34.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 14 | 13 | http://www.metmuseum.org/art/collection/search/786814 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 464357 | 59.533.1366 | 0 | 0 | 786813 | 11 | 731 | The Dunghill Cock and Game Pullet or Boney Beat Out of the Pitt | 3043 | 5755 | Empress Marie Louise of France|Thomas Rowlandson|Napoléon Bonaparte|Thomas Tegg | 1791–1847|British, London 1757–1827 London|French, Ajaccio 1769–1821 St. Helena|British, 1776–1846 | 59244 | 1791 |1757 |1769 |1776 | 1847 |1827 |1821 |1846 | April 27, 1810 | 1810 | 1810 | 34862 | Sheet: 9 3/4 × 14 3/16 in. (24.8 × 36.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 14 | 13 | http://www.metmuseum.org/art/collection/search/786813 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 464233 | 59.533.1720 | 0 | 0 | 786280 | 11 | 731 | Tail Piece to Volume Three: The Genii of Caricature Bringing in Fresh Supplies | 3042 | 878 | After | Thomas Tegg|Thomas Rowlandson|George Moutard Woodward | British, 1776–1846|British, London 1757–1827 London|British, ca. 1760–1809 London | 56646 | 1776 |1757 |1760 | 1846 |1827 |1809 | 1809–21 | 1809 | 1821 | 34862 | Sheet: 10 1/8 × 13 7/8 in. (25.7 × 35.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 14 | 13 | http://www.metmuseum.org/art/collection/search/786280 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 464198 | 59.533.1394(10) | 0 | 0 | 786228 | 11 | 731 | Title page, "Surprising Adventures of the Renowned Baron Munchausen," Containing Singular Travels, Campaigns, Voyages, and Adventures. Also, an Account of a Voyage to the Moon and Dog Star, Embellished with Numerous Engravings. | 3041 | 740 | Thomas Tegg|Thomas Rowlandson | British, 1776–1846|British, London 1757–1827 London | 56284 | 1776 |1757 | 1846 |1827 | 1811 | 1811 | 1811 | 7208 | Sheet: 6 3/8 × 3 7/8 in. (16.2 × 9.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 14 | 13 | http://www.metmuseum.org/art/collection/search/786228 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 464197 | 59.533.1394(1) | 0 | 0 | 786227 | 11 | 731 | Frontispiece | 3041 | 740 | Thomas Tegg|Thomas Rowlandson | British, 1776–1846|British, London 1757–1827 London | 56284 | 1776 |1757 | 1846 |1827 | 1809–11 | 1809 | 1811 | 34862 | Sheet: 6 7/16 × 8 9/16 in. (16.4 × 21.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 14 | 13 | http://www.metmuseum.org/art/collection/search/786227 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 464192 | 59.533.1394(9) | 0 | 0 | 786218 | 11 | 731 | The Baron crosses the Thames without the assistance of a bridge, ship, boat, or balloon, or even his own will | 3041 | 710 | Thomas Rowlandson|Thomas Tegg | British, London 1757–1827 London|British, 1776–1846 | 36463 | 1757 |1776 | 1827 |1846 | 1809–11 | 1809 | 1811 | 34862 | Sheet: 3 7/8 × 6 1/4 in. (9.8 × 15.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 14 | 13 | http://www.metmuseum.org/art/collection/search/786218 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 464191 | 59.533.1394(8) | 0 | 0 | 786217 | 11 | 731 | Lose their Compass, their ships slips between the teeth of a fish unknown in this part of the world | 3041 | 740 | Thomas Tegg|Thomas Rowlandson | British, 1776–1846|British, London 1757–1827 London | 56284 | 1776 |1757 | 1846 |1827 | 1809–11 | 1809 | 1811 | 34862 | Sheet: 3 3/4 × 6 1/4 in. (9.5 × 15.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 14 | 13 | http://www.metmuseum.org/art/collection/search/786217 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 464190 | 59.533.1394(7) | 0 | 0 | 786216 | 11 | 731 | The Ship, driven by a Whirlwind, a thousand leagues above the surface of the water | 3041 | 740 | Thomas Tegg|Thomas Rowlandson | British, 1776–1846|British, London 1757–1827 London | 56284 | 1776 |1757 | 1846 |1827 | 1809–11 | 1809 | 1811 | 34862 | Sheet: 3 13/16 × 6 1/4 in. (9.7 × 15.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 14 | 13 | http://www.metmuseum.org/art/collection/search/786216 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 464189 | 59.533.1394(6) | 0 | 0 | 786215 | 11 | 731 | The Baron Jumps into the Sea with a Turkish piece of Ordnance | 3041 | 710 | Thomas Rowlandson|Thomas Tegg | British, London 1757–1827 London|British, 1776–1846 | 36463 | 1757 |1776 | 1827 |1846 | 1809–11 | 1809 | 1811 | 34862 | Sheet: 3 15/16 × 6 3/16 in. (10 × 15.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 14 | 13 | http://www.metmuseum.org/art/collection/search/786215 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 464188 | 59.533.1394(5) | 0 | 0 | 786214 | 11 | 731 | Bathes in the Mediterranean, is swallowed by a fish, from which he is extricated by dancing a hornpipe | 3041 | 740 | Thomas Tegg|Thomas Rowlandson | British, 1776–1846|British, London 1757–1827 London | 56284 | 1776 |1757 | 1846 |1827 | 1809–11 | 1809 | 1811 | 34862 | Sheet: 3 15/16 × 6 5/16 in. (10 × 16.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 14 | 13 | http://www.metmuseum.org/art/collection/search/786214 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 464187 | 59.533.1394(4) | 0 | 0 | 786213 | 11 | 731 | Presented with a famous horse by Count Przolossky, with which he performs many extraordinary feats | 3041 | 740 | Thomas Tegg|Thomas Rowlandson | British, 1776–1846|British, London 1757–1827 London | 56284 | 1776 |1757 | 1846 |1827 | 1809–11 | 1809 | 1811 | 34862 | Sheet: 3 5/8 × 6 7/16 in. (9.2 × 16.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 14 | 13 | http://www.metmuseum.org/art/collection/search/786213 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 464186 | 59.533.1394(3) | 0 | 0 | 786212 | 11 | 731 | The Baron proves himself a good shot | 3041 | 710 | Thomas Rowlandson|Thomas Tegg | British, London 1757–1827 London|British, 1776–1846 | 36463 | 1757 |1776 | 1827 |1846 | 1809–11 | 1809 | 1811 | 34862 | Sheet: 3 11/16 × 6 3/8 in. (9.4 × 16.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 14 | 13 | http://www.metmuseum.org/art/collection/search/786212 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 464178 | 59.533.1394(2) | 0 | 0 | 786204 | 11 | 731 | The Baron arrives at Ceylon, combats and conquers two extraordinary opponents | 3041 | 710 | Thomas Rowlandson|Thomas Tegg | British, London 1757–1827 London|British, 1776–1846 | 36463 | 1757 |1776 | 1827 |1846 | 1809–11 | 1809 | 1811 | 34862 | Sheet: 3 15/16 × 6 7/16 in. (10 × 16.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 14 | 13 | http://www.metmuseum.org/art/collection/search/786204 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 463473 | 2017.691.9 | 0 | 0 | 781762 | 11 | 731 | Colophon | 3040 | 717 | Kelpra Studio Limited|John Randolph Carter | British, second half 20th century|American, born Grand Rapids, Michigan, 1941 | 59189 | 1950 |1941 | 1999 |2041 | 1971 | 1971 | 1971 | 29346 | Sheet: 38 1/8 × 25 7/16 in. (96.9 × 64.6 cm) | Gift of John Randolph Carter, 2017 | 13 | http://www.metmuseum.org/art/collection/search/781762 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 463471 | 2017.691.8 | 0 | 0 | 781760 | 11 | 731 | Why is My Turtle Losing His Appetite? | 3040 | 717 | Kelpra Studio Limited|John Randolph Carter | British, second half 20th century|American, born Grand Rapids, Michigan, 1941 | 59189 | 1950 |1941 | 1999 |2041 | 1971 | 1971 | 1971 | 29346 | Sheet: 25 7/16 × 38 1/8 in. (64.6 × 96.9 cm) | Gift of John Randolph Carter, 2017 | 13 | http://www.metmuseum.org/art/collection/search/781760 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 463468 | 2017.691.7 | 0 | 0 | 781754 | 11 | 731 | Greetings to the Future President | 3040 | 717 | Kelpra Studio Limited|John Randolph Carter | British, second half 20th century|American, born Grand Rapids, Michigan, 1941 | 59189 | 1950 |1941 | 1999 |2041 | 1971 | 1971 | 1971 | 29346 | Sheet: 25 7/16 × 38 1/8 in. (64.6 × 96.9 cm) | Gift of John Randolph Carter, 2017 | 13 | http://www.metmuseum.org/art/collection/search/781754 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 463467 | 2017.691.6 | 0 | 0 | 781753 | 11 | 731 | If You Can Count You Can Play | 3040 | 717 | Kelpra Studio Limited|John Randolph Carter | British, second half 20th century|American, born Grand Rapids, Michigan, 1941 | 59189 | 1950 |1941 | 1999 |2041 | 1971 | 1971 | 1971 | 29346 | Sheet: 25 7/16 × 38 1/8 in. (64.6 × 96.9 cm) | Gift of John Randolph Carter, 2017 | 13 | http://www.metmuseum.org/art/collection/search/781753 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 463439 | 2017.691.5 | 0 | 0 | 781725 | 11 | 731 | How to Make Black Wax or the Prevention of Accidents | 3040 | 715 | John Randolph Carter|Kelpra Studio Limited | American, born Grand Rapids, Michigan, 1941|British, second half 20th century | 57780 | 1941 |1950 | 2041 |1999 | 1971 | 1971 | 1971 | 29346 | Sheet: 25 7/16 × 38 1/8 in. (64.6 × 96.9 cm) | Gift of John Randolph Carter, 2017 | 13 | http://www.metmuseum.org/art/collection/search/781725 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 463437 | 2017.691.4 | 0 | 0 | 781723 | 11 | 731 | Problems Involving Equilibrium | 3040 | 715 | John Randolph Carter|Kelpra Studio Limited | American, born Grand Rapids, Michigan, 1941|British, second half 20th century | 57780 | 1941 |1950 | 2041 |1999 | 1971 | 1971 | 1971 | 29346 | Sheet: 38 1/8 × 25 7/16 in. (96.9 × 64.6 cm) | Gift of John Randolph Carter, 2017 | 13 | http://www.metmuseum.org/art/collection/search/781723 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 463435 | 2017.691.3 | 0 | 0 | 781721 | 11 | 731 | Evidence of Swimming in Assyria | 3040 | 717 | Kelpra Studio Limited|John Randolph Carter | British, second half 20th century|American, born Grand Rapids, Michigan, 1941 | 59189 | 1950 |1941 | 1999 |2041 | 1971 | 1971 | 1971 | 29346 | Sheet: 38 1/8 × 25 7/16 in. (96.9 × 64.6 cm) | Gift of John Randolph Carter, 2017 | 13 | http://www.metmuseum.org/art/collection/search/781721 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 463434 | 2017.691.2 | 0 | 0 | 781720 | 11 | 731 | Kiko and Kocko Protect the Valley from Intruders | 3040 | 715 | John Randolph Carter|Kelpra Studio Limited | American, born Grand Rapids, Michigan, 1941|British, second half 20th century | 57780 | 1941 |1950 | 2041 |1999 | 1971 | 1971 | 1971 | 29346 | Sheet: 38 1/8 × 25 7/16 in. (96.9 × 64.6 cm) | Gift of John Randolph Carter, 2017 | 13 | http://www.metmuseum.org/art/collection/search/781720 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 463430 | 2017.691.1 | 0 | 0 | 781716 | 11 | 731 | ZebrarbeZ | 3040 | 715 | John Randolph Carter|Kelpra Studio Limited | American, born Grand Rapids, Michigan, 1941|British, second half 20th century | 57780 | 1941 |1950 | 2041 |1999 | 1971 | 1971 | 1971 | 29346 | Sheet: 38 1/8 × 25 7/16 in. (96.9 × 64.6 cm) | Gift of John Randolph Carter, 2017 | 13 | http://www.metmuseum.org/art/collection/search/781716 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 460789 | 42.119.304(35) | 0 | 0 | 778159 | 11 | 731 | Jupiter and Leda | 3039 | 53 | After|Intermediary draftsman | Jacopo Tintoretto (Jacopo Robusti)|Antoine Borel|E.J. Glairon-Mondet | Italian, Venice 1518/19–1594 Venice|French, Paris 1743–after 1810|French, active ca. 1780–98 | 59014 | 1518 |1743 |1750 | 1594 |1843 |1850 | 1786–98 | 1786 | 1798 | 6712 | Sheet (Trimmed): 7 5/16 × 8 11/16 in. (18.5 × 22 cm) | Gertrude and Thomas Jefferson Mumford Collection, Gift of Dorothy Quick Mayer, 1942 | 13 | http://www.metmuseum.org/art/collection/search/778159 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 459933 | 1975.632.1–16 | 0 | 0 | 777092 | 11 | 27377 | 21 Etchings and Poems | 3038 | 1250 | Introduction by | Morris Gallery Press|Anderson-Lamb|James Johnson Sweeney | 20th century|American|American, 1900–1986 | 58960 | 1900 |1950 |1900 | 1999 |1999 |1986 | 1960 | 1960 | 1960 | 26137 | Each sheet approx.: 19 7/8 × 16 15/16 in. (50.5 × 43 cm) Portfolio: 20 3/4 × 17 7/16 in. (52.7 × 44.3 cm) | Gift of Dr. and Mrs. Joseph I. Singer and Dr. and Mrs. Louis Milstein, 1975 | 1068 | http://www.metmuseum.org/art/collection/search/777092 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458974 | 24.21.12 | 0 | 0 | 775658 | 11 | 731 | Little May | 3037 | 864 | Charles Haslewood Shannon|Lucien Pissarro|Charles de Sousy Ricketts | British, Lincolnshire 1863–1937 Richmond|British (naturalized), Paris 1863–1944 Hewood, Dorset|British, Geneva 1866–1931 London | 58941 | 1863 |1863 |1866 | 1937 |1944 |1931 | 1890 | 1890 | 1890 | 36720 | Block: 3 11/16 × 3 7/8 in. (9.4 × 9.8 cm) Sheet: 6 in. × 4 1/2 in. (15.2 × 11.4 cm) | Harris Brisbane Dick Fund, 1924 | 13 | http://www.metmuseum.org/art/collection/search/775658 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458973 | 24.21.9 | 0 | 0 | 775657 | 11 | 731 | Enfants Cueillant des Fleurs (Children Picking Flowers) | 3036 | 876 | Lucien Pissarro|Charles de Sousy Ricketts|Charles Haslewood Shannon | British (naturalized), Paris 1863–1944 Hewood, Dorset|British, Geneva 1866–1931 London|British, Lincolnshire 1863–1937 Richmond | 31177 | 1863 |1866 |1863 | 1944 |1931 |1937 | 1890 | 1890 | 1890 | 36720 | Block: 6 5/8 × 5 5/16 in. (16.8 × 13.5 cm) Sheet: 8 1/8 in. × 8 in. (20.6 × 20.3 cm) | Harris Brisbane Dick Fund, 1924 | 13 | http://www.metmuseum.org/art/collection/search/775657 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458972 | 24.21.8 | 0 | 0 | 775656 | 11 | 731 | Floréal | 3035 | 876 | Lucien Pissarro|Charles Haslewood Shannon|Charles de Sousy Ricketts | British (naturalized), Paris 1863–1944 Hewood, Dorset|British, Lincolnshire 1863–1937 Richmond|British, Geneva 1866–1931 London | 58940 | 1863 |1863 |1866 | 1944 |1937 |1931 | 1890 | 1890 | 1890 | 36720 | Block: 7 in. × 2 1/2 in. (17.8 × 6.4 cm) Sheet: 16 13/16 × 3 7/8 in. (42.7 × 9.8 cm) | Harris Brisbane Dick Fund, 1924 | 13 | http://www.metmuseum.org/art/collection/search/775656 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458971 | 24.21.7 | 0 | 0 | 775655 | 11 | 731 | Le Tennis (Tennis) | 3034 | 876 | Lucien Pissarro|Charles de Sousy Ricketts|Charles Haslewood Shannon | British (naturalized), Paris 1863–1944 Hewood, Dorset|British, Geneva 1866–1931 London|British, Lincolnshire 1863–1937 Richmond | 31177 | 1863 |1866 |1863 | 1944 |1931 |1937 | 1890 | 1890 | 1890 | 36720 | Block: 3 13/16 × 5 3/8 in. (9.7 × 13.7 cm) Sheet: 5 1/2 × 7 11/16 in. (14 × 19.5 cm) | Harris Brisbane Dick Fund, 1924 | 13 | http://www.metmuseum.org/art/collection/search/775655 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458970 | 24.21.6 | 0 | 0 | 775654 | 11 | 731 | Enfants Jouant (Children Playing) | 3033 | 876 | Lucien Pissarro|Charles de Sousy Ricketts|Charles Haslewood Shannon | British (naturalized), Paris 1863–1944 Hewood, Dorset|British, Geneva 1866–1931 London|British, Lincolnshire 1863–1937 Richmond | 31177 | 1863 |1866 |1863 | 1944 |1931 |1937 | ca. 1891 | 1886 | 1896 | 36720 | Block: 3 1/8 × 5 1/8 in. (7.9 × 13 cm) Sheet: 5 3/16 × 7 15/16 in. (13.2 × 20.2 cm) | Harris Brisbane Dick Fund, 1924 | 13 | http://www.metmuseum.org/art/collection/search/775654 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458969 | 24.21.5 | 0 | 0 | 775653 | 11 | 731 | First Steps | 3032 | 876 | Lucien Pissarro|Charles Haslewood Shannon|Charles de Sousy Ricketts | British (naturalized), Paris 1863–1944 Hewood, Dorset|British, Lincolnshire 1863–1937 Richmond|British, Geneva 1866–1931 London | 58940 | 1863 |1863 |1866 | 1944 |1937 |1931 | 1890 | 1890 | 1890 | 36720 | Block: 6 7/16 × 4 13/16 in. (16.4 × 12.2 cm) Sheet: 7 1/4 × 6 1/16 in. (18.4 × 15.4 cm) | Harris Brisbane Dick Fund, 1924 | 13 | http://www.metmuseum.org/art/collection/search/775653 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458968 | 24.21.4 | 0 | 0 | 775652 | 11 | 731 | Contentment | 3031 | 874 | Charles Haslewood Shannon|Charles de Sousy Ricketts|Lucien Pissarro | British, Lincolnshire 1863–1937 Richmond|British, Geneva 1866–1931 London|British (naturalized), Paris 1863–1944 Hewood, Dorset | 58939 | 1863 |1866 |1863 | 1937 |1931 |1944 | 1890 | 1890 | 1890 | 36720 | Block: 3 13/16 in. × 2 in. (9.7 × 5.1 cm) Sheet: 7 1/2 in. × 36 in. (19.1 × 91.4 cm) | Harris Brisbane Dick Fund, 1924 | 13 | http://www.metmuseum.org/art/collection/search/775652 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458967 | 24.21.3 | 0 | 0 | 775651 | 11 | 731 | April | 3030 | 876 | Lucien Pissarro|Charles de Sousy Ricketts|Charles Haslewood Shannon | British (naturalized), Paris 1863–1944 Hewood, Dorset|British, Geneva 1866–1931 London|British, Lincolnshire 1863–1937 Richmond | 31177 | 1863 |1866 |1863 | 1944 |1931 |1937 | 1890 | 1890 | 1890 | 63756 | Block: 3 7/8 in. (9.8 cm) Sheet: 5 3/8 × 5 1/8 in. (13.7 × 13 cm) | Harris Brisbane Dick Fund, 1924 | 13 | http://www.metmuseum.org/art/collection/search/775651 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458966 | 24.21.1 | 0 | 0 | 775650 | 11 | 731 | Sun and Poppies | 3029 | 864 | Charles de Sousy Ricketts|Lucien Pissarro|Charles Haslewood Shannon | British, Geneva 1866–1931 London|British (naturalized), Paris 1863–1944 Hewood, Dorset|British, Lincolnshire 1863–1937 Richmond | 58938 | 1866 |1863 |1863 | 1931 |1944 |1937 | 1890 | 1890 | 1890 | 36720 | Block: 8 3/8 × 6 3/16 in. (21.3 × 15.7 cm) Sheet: 8 7/8 × 6 5/16 in. (22.5 × 16 cm) | Harris Brisbane Dick Fund, 1924 | 13 | http://www.metmuseum.org/art/collection/search/775650 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458965 | 24.21.2 | 0 | 0 | 775649 | 11 | 731 | Baigneuse (Bather) | 3028 | 876 | Lucien Pissarro|Charles de Sousy Ricketts|Charles Haslewood Shannon | British (naturalized), Paris 1863–1944 Hewood, Dorset|British, Geneva 1866–1931 London|British, Lincolnshire 1863–1937 Richmond | 31177 | 1863 |1866 |1863 | 1944 |1931 |1937 | 1890 | 1890 | 1890 | 36720 | Block: 2 1/8 × 4 1/2 in. (5.3 × 11.4 cm) Sheet: 3 1/2 × 5 1/2 in. (8.9 × 14 cm) | Harris Brisbane Dick Fund, 1924 | 13 | http://www.metmuseum.org/art/collection/search/775649 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458963 | 17.62(13-7) | 0 | 0 | 775646 | 11 | 731 | Les Roses d'Antan (The Roses of Yesteryear) | 3027 | 2 | Lucien Pissarro | British (naturalized), Paris 1863–1944 Hewood, Dorset | 37109 | 1863 | 1944 | 1896 | 1896 | 1897 | 63755 | Block: 5 1/8 × 5 1/2 in. (13 × 14 cm) Sheet: 12 1/16 × 9 3/4 in. (30.7 × 24.7 cm) | Rogers Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/775646 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458916 | 59.570.78(12) | 0 | 0 | 775589 | 11 | 731 | Plate 12: portrait of Domitian, from 'The Emperors and Empresses of Rome' | 3026 | 4954 | After | Emperor Domitian|Marcus Sadeler|Titian (Tiziano Vecellio)|Aegidius Sadeler II | Roman, Rome 51–96 Rome|German, Munich before 1614–in or after 1650|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice|Netherlandish, Antwerp 1568–1629 Prague | 58933 | 0051 |1590 |1485 |1568 | 0096 |1660 |1576 |1629 | 1597–1627 | 1597 | 1627 | 63753 | Sheet (Trimmed): 13 9/16 × 9 5/16 in. (34.5 × 23.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 201 | 13 | http://www.metmuseum.org/art/collection/search/775589 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 458914 | 59.570.78(11) | 0 | 0 | 775587 | 11 | 731 | Plate 11: portrait of Titus, from 'The Emperors and Empresses of Rome' | 3026 | 1353 | After | Aegidius Sadeler II|Titian (Tiziano Vecellio)|Marcus Sadeler|Emperor Titus | Netherlandish, Antwerp 1568–1629 Prague|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice|German, Munich before 1614–in or after 1650|Roman, Rome 39–81 Rome | 58932 | 1568 |1485 |1590 |0039 | 1629 |1576 |1660 |0081 | 1597–1627 | 1597 | 1627 | 63753 | Sheet (Trimmed): 13 5/8 × 9 1/4 in. (34.6 × 23.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 201 | 13 | http://www.metmuseum.org/art/collection/search/775587 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 458913 | 59.570.78(10) | 0 | 0 | 775586 | 11 | 731 | Plate 10: portrait of Vespasian, from 'The Emperors and Empresses of Rome' | 3026 | 4226 | After | Titian (Tiziano Vecellio)|Marcus Sadeler|Emperor Vespasian|Aegidius Sadeler II | Italian, Pieve di Cadore ca. 1485/90?–1576 Venice|German, Munich before 1614–in or after 1650|Roman, Falacrina 9–79 Rome|Netherlandish, Antwerp 1568–1629 Prague | 58931 | 1485 |1590 |0009 |1568 | 1576 |1660 |0079 |1629 | 1597–1627 | 1597 | 1627 | 63753 | Sheet (Trimmed): 13 3/4 × 9 7/16 in. (35 × 23.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 201 | 13 | http://www.metmuseum.org/art/collection/search/775586 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 458912 | 59.570.78(9) | 0 | 0 | 775585 | 11 | 731 | Plate 9: portrait of Vitellius, from 'The Emperors and Empresses of Rome' | 3026 | 1090 | After | Aegidius Sadeler II|Emperor Vitellius|Titian (Tiziano Vecellio)|Marcus Sadeler | Netherlandish, Antwerp 1568–1629 Prague|Roman, Rome 15–69 Rome|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice|German, Munich before 1614–in or after 1650 | 58930 | 1568 |0015 |1485 |1590 | 1629 |0069 |1576 |1660 | 1597–1627 | 1597 | 1627 | 63753 | Sheet (Trimmed): 13 9/16 × 9 5/16 in. (34.5 × 23.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 201 | 13 | http://www.metmuseum.org/art/collection/search/775585 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 458911 | 59.570.78(8) | 0 | 0 | 775584 | 11 | 731 | Plate 8: portrait of Otho, from 'The Emperors and Empresses of Rome' | 3026 | 1090 | After | Titian (Tiziano Vecellio)|Emperor Otho|Aegidius Sadeler II|Marcus Sadeler | Italian, Pieve di Cadore ca. 1485/90?–1576 Venice|Roman, Ferentium 32–69 Rome|Netherlandish, Antwerp 1568–1629 Prague|German, Munich before 1614–in or after 1650 | 58929 | 1485 |0032 |1568 |1590 | 1576 |0069 |1629 |1660 | 1597–1627 | 1597 | 1627 | 63753 | Sheet (Trimmed): 13 3/4 × 9 5/16 in. (34.9 × 23.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 201 | 13 | http://www.metmuseum.org/art/collection/search/775584 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 458910 | 59.570.78(7) | 0 | 0 | 775583 | 11 | 731 | Plate 7: portrait of Galba, from 'The Emperors and Empresses of Rome' | 3026 | 4960 | After | Emperor Galba|Titian (Tiziano Vecellio)|Marcus Sadeler|Aegidius Sadeler II | Roman, Terracina 3–69 Rome|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice|German, Munich before 1614–in or after 1650|Netherlandish, Antwerp 1568–1629 Prague | 58928 | 0003 |1485 |1590 |1568 | 0069 |1576 |1660 |1629 | 1597–1627 | 1597 | 1627 | 63753 | Sheet (Trimmed): 13 5/8 × 9 5/16 in. (34.6 × 23.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 201 | 13 | http://www.metmuseum.org/art/collection/search/775583 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 458909 | 59.570.78(6) | 0 | 0 | 775582 | 11 | 731 | Plate 6: portrait of Nero, from 'The Emperors and Empresses of Rome' | 3026 | 1353 | After | Titian (Tiziano Vecellio)|Aegidius Sadeler II|Marcus Sadeler|Emperor Nero | Italian, Pieve di Cadore ca. 1485/90?–1576 Venice|Netherlandish, Antwerp 1568–1629 Prague|German, Munich before 1614–in or after 1650|Roman, Antium 37–68 Rome | 58927 | 1485 |1568 |1590 |0037 | 1576 |1629 |1660 |0068 | 1597–1627 | 1597 | 1627 | 63753 | Sheet (Trimmed): 13 3/8 × 9 7/16 in. (34 × 23.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 201 | 13 | http://www.metmuseum.org/art/collection/search/775582 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 458908 | 59.570.78(5) | 0 | 0 | 775581 | 11 | 731 | Plate 5: portrait of Claudius, from 'The Emperors and Empresses of Rome' | 3026 | 4954 | After | Emperor Claudius|Marcus Sadeler|Aegidius Sadeler II|Titian (Tiziano Vecellio) | Roman, Lugdunum 10–54 Rome|German, Munich before 1614–in or after 1650|Netherlandish, Antwerp 1568–1629 Prague|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice | 58926 | 0010 |1590 |1568 |1485 | 0054 |1660 |1629 |1576 | 1597–1627 | 1597 | 1627 | 63753 | Sheet (Trimmed): 13 5/8 × 9 1/4 in. (34.6 × 23.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 201 | 13 | http://www.metmuseum.org/art/collection/search/775581 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 458906 | 59.570.78(4) | 0 | 0 | 775578 | 11 | 731 | Plate 4: portrait of Caligula, from 'The Emperors and Empresses of Rome' | 3026 | 4959 | After | Emperor Caligula|Titian (Tiziano Vecellio)|Aegidius Sadeler II|Marcus Sadeler | Roman, Antium 12–41 Rome|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice|Netherlandish, Antwerp 1568–1629 Prague|German, Munich before 1614–in or after 1650 | 58925 | 0012 |1485 |1568 |1590 | 0041 |1576 |1629 |1660 | 1597–1627 | 1597 | 1627 | 63753 | Sheet (Trimmed): 13 11/16 × 9 1/4 in. (34.8 × 23.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 201 | 13 | http://www.metmuseum.org/art/collection/search/775578 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 458904 | 59.570.78(3) | 0 | 0 | 775575 | 11 | 731 | Plate 3: portrait of Tiberius, from 'The Emperors and Empresses of Rome' | 3026 | 4099 | After | Marcus Sadeler|Titian (Tiziano Vecellio)|Aegidius Sadeler II|Emperor Tiberius | German, Munich before 1614–in or after 1650|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice|Netherlandish, Antwerp 1568–1629 Prague|Roman, Rome 42 B.C.–A.D. 37 Misenum | 58924 | 1590 |1485 |1568 |-0042 | 1660 |1576 |1629 |0037 | 1597–1627 | 1597 | 1627 | 63753 | Sheet (Trimmed): 14 3/16 × 9 3/8 in. (36 × 23.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 201 | 13 | http://www.metmuseum.org/art/collection/search/775575 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 458903 | 59.570.78(2) | 0 | 0 | 775573 | 11 | 731 | Plate 2: portrait of Augustus, from 'The Emperors and Empresses of Rome' | 3026 | 4960 | After | Emperor Augustus|Aegidius Sadeler II|Marcus Sadeler|Titian (Tiziano Vecellio) | Roman, Rome 63 B.C.–A.D. 14 Nola|Netherlandish, Antwerp 1568–1629 Prague|German, Munich before 1614–in or after 1650|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice | 58923 | -0063 |1568 |1590 |1485 | 0014 |1629 |1660 |1576 | 1597–1627 | 1597 | 1627 | 63753 | Sheet (Trimmed): 13 7/8 × 9 5/16 in. (35.2 × 23.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 201 | 13 | http://www.metmuseum.org/art/collection/search/775573 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 458901 | 59.570.78(1) | 0 | 0 | 775557 | 11 | 731 | Plate 1: portrait of Julius Caesar, from 'The Emperors and Empresses of Rome' | 3026 | 1353 | After | Aegidius Sadeler II|Titian (Tiziano Vecellio)|Marcus Sadeler|Gaius Julius Caesar | Netherlandish, Antwerp 1568–1629 Prague|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice|German, Munich before 1614–in or after 1650|Roman, 100 B.C.–44 B.C. | 58922 | 1568 |1485 |1590 |-0100 | 1629 |1576 |1660 |-0044 | 1597–1627 | 1597 | 1627 | 63752 | Sheet (Trimmed): 13 11/16 × 9 5/16 in. (34.7 × 23.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 201 | 13 | http://www.metmuseum.org/art/collection/search/775557 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 458741 | 2018.54.8 | 0 | 1 | 775377 | 11 | Lunging Soldier Seen from Behind | 3025 | 13 | after | Anonymous, French, 18th century|Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | 58895 | 1700 |1740 | 1800 |1812 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 18 1/16 × 11 11/16 in. (45.8 × 29.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775377 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458740 | 2018.54.7 | 0 | 1 | 775376 | 11 | Soldier Wielding a Weapon, Seen from Behind | 3025 | 13 | after | Philippe Jacques de Loutherbourg|Anonymous, French, 18th century | French, Strasbourg 1740–1812 London | 58896 | 1740 |1700 | 1812 |1800 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 18 1/16 × 11 11/16 in. (45.8 × 29.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775376 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458739 | 2018.54.6 | 0 | 1 | 775375 | 11 | Two Soldiers, One Standing with Sword, Bow and Arrows, One Seated Seen from Behind | 3025 | 13 | after | Philippe Jacques de Loutherbourg|Anonymous, French, 18th century | French, Strasbourg 1740–1812 London | 58896 | 1740 |1700 | 1812 |1800 | 1755-1771 | 1755 | 1771 | 26137 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775375 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458738 | 2018.54.5 | 0 | 1 | 775374 | 11 | Savage Soldier Holding a Sword | 3025 | 13 | after | Philippe Jacques de Loutherbourg|Anonymous, French, 18th century | French, Strasbourg 1740–1812 London | 58896 | 1740 |1700 | 1812 |1800 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 18 1/16 × 11 11/16 in. (45.8 × 29.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775374 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458737 | 2018.54.4 | 0 | 1 | 775373 | 11 | Standing Soldier Drawing his Sword | 3025 | 13 | after | Philippe Jacques de Loutherbourg|Anonymous, French, 18th century | French, Strasbourg 1740–1812 London | 58896 | 1740 |1700 | 1812 |1800 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 18 1/16 × 11 11/16 in. (45.8 × 29.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775373 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458736 | 2018.54.3 | 0 | 1 | 775372 | 11 | Two Soldiers, One Standing Holding a Flag, One Seated Seen from Behind | 3025 | 13 | after | Philippe Jacques de Loutherbourg|Anonymous, French, 18th century | French, Strasbourg 1740–1812 London | 58896 | 1740 |1700 | 1812 |1800 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 18 1/16 × 11 11/16 in. (45.8 × 29.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775372 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458735 | 2018.54.2 | 0 | 1 | 775371 | 11 | Two Soldiers, One Standing Holding a Lance, One Seated | 3025 | 13 | after | Philippe Jacques de Loutherbourg|Anonymous, French, 18th century | French, Strasbourg 1740–1812 London | 58896 | 1740 |1700 | 1812 |1800 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 18 1/16 × 11 11/16 in. (45.8 × 29.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775371 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458734 | 2018.54.1 | 0 | 1 | 775370 | 11 | Soldier Seated on a Rock | 3025 | 13 | after | Anonymous, French, 18th century|Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | 58895 | 1700 |1740 | 1800 |1812 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 18 1/16 × 11 11/16 in. (45.8 × 29.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775370 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458733 | 2018.53.6 | 0 | 1 | 775369 | 11 | Standing Man Holding a Lance | 3024 | 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 5 3/16 × 3 3/4 in. (13.2 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775369 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458732 | 2018.53.5 | 0 | 1 | 775368 | 11 | Young Woman Carrying Vegetables | 3024 | 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 5 3/16 × 3 3/4 in. (13.2 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775368 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458731 | 2018.53.4 | 0 | 1 | 775367 | 11 | A Performer on a Stage with a Monkey | 3024 | 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 5 3/16 × 3 3/4 in. (13.2 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775367 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458730 | 2018.53.3 | 0 | 1 | 775366 | 11 | Dancing Man, Holding a Violin, Seen from Behind | 3024 | 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 5 3/16 × 3 3/4 in. (13.2 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775366 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458729 | 2018.53.2 | 0 | 1 | 775365 | 11 | Drunkard Lifting a Beer | 3024 | 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 5 3/16 × 3 3/4 in. (13.2 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775365 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458728 | 2018.53.1 | 0 | 1 | 775364 | 11 | 731 | Seated Man Smoking a Pipe | 3024 | 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 5 3/16 × 3 3/4 in. (13.2 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775364 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458727 | 2018.52.6 | 0 | 1 | 775363 | 11 | Soldier with Sword and Shield, Stepping over a Body | 3023 | 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 5 3/16 × 3 3/4 in. (13.1 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775363 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458726 | 2018.52.5 | 0 | 1 | 775362 | 11 | Standing Officer Holding a Lance | 3023 | 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 5 3/8 × 3 3/4 in. (13.7 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775362 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458725 | 2018.52.4 | 0 | 1 | 775361 | 11 | Standing Solider Holding a Rolled Flag | 3023 | 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 5 3/16 × 3 3/4 in. (13.1 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775361 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458724 | 2018.52.3 | 0 | 1 | 775360 | 11 | Savage Solider Swinging a Club | 3023 | 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 3 3/4 in. (9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775360 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458715 | 2018.52.1 | 0 | 1 | 775351 | 11 | Seated Soldier Holding a Shield | 3023 | 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 5 3/16 × 3 3/4 in. (13.1 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775351 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458663 | 59.570.61 | 0 | 0 | 775296 | 11 | 731 | A baby boy sitting on a ledge with a tambourine, from 'Theatrum Pictorium' | 3022 | 13 | After | Peeter van Lisebetten|Titian (Tiziano Vecellio) | Flemish, Antwerp 1610–1678 Antwerp|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice | 58886 | 1610 |1485 | 1678 |1576 | ca. 1656–60 | 1651 | 1665 | 6712 | Sheet (Trimmed): 8 7/16 × 6 1/2 in. (21.5 × 16.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775296 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458660 | 59.570.74 | 0 | 0 | 775293 | 11 | 731 | Landscape with a reclining female figure at center, glancing back at a young man seated at right and holding a recorder, from 'Theatrum Pictorium' | 3022 | 13 | After | Peeter van Lisebetten|Titian (Tiziano Vecellio) | Flemish, Antwerp 1610–1678 Antwerp|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice | 58886 | 1610 |1485 | 1678 |1576 | ca. 1656–60 | 1651 | 1665 | 6712 | Sheet (Trimmed): 6 7/16 × 8 3/4 in. (16.4 × 22.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775293 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458654 | 59.570.73 | 0 | 0 | 775287 | 11 | 731 | The Death of Actaeon, from 'Theatrum Pictorium' | 3022 | 13 | After | Titian (Tiziano Vecellio)|Peeter van Lisebetten | Italian, Pieve di Cadore ca. 1485/90?–1576 Venice|Flemish, Antwerp 1610–1678 Antwerp | 58882 | 1485 |1610 | 1576 |1678 | ca. 1656–60 | 1651 | 1665 | 6712 | Sheet (Trimmed): 8 3/16 × 12 1/16 in. (20.8 × 30.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775287 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458364 | 1970.541.203 | 0 | 1 | 774523 | 11 | 731 | Four Scenes: How to Ride Genteel & Agreeable Down Hill; How to be Run Away With; The Mistaken Notion; How to Loose Your Way | 3021 | 2 | After | Henry William Bunbury | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 19825 | 1750 | 1811 | 1787 or later | 1787 | 1787 | 34862 | Each image: 5 5/16 × 4 3/16 in. (13.5 × 10.7 cm) Sheet: 15 3/8 × 10 9/16 in. (39 × 26.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | 13 | http://www.metmuseum.org/art/collection/search/774523 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458363 | 1970.541.202 | 0 | 1 | 774522 | 11 | 731 | Four Scenes: How to Stop your Horse at Pleasure; Geoffrey Gombado Esq-r.; How to Ride up Hyde Park; A Bit of Blood | 3021 | 2 | After | Henry William Bunbury | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 19825 | 1750 | 1811 | 1787 or later | 1787 | 1787 | 34862 | Each image: 5 5/16 × 4 3/16 in. (13.5 × 10.7 cm) Sheet: 15 3/8 × 10 1/2 in. (39 × 26.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | 13 | http://www.metmuseum.org/art/collection/search/774522 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458293 | 66.580.26 | 0 | 0 | 774425 | 11 | 731 | Mazury (Masuren), from 'Kriegsbilderbogen Münchner Künstler' | 3020 | 740 | Goltzverlag, Munich|René Beeh | German, Strasbourg, Germany 1886–1922 Strasbourg, France | 58802 | 1900 |1886 | 1930 |1922 | 1914 | 1914 | 1914 | 3394 | Sheet: 13 3/4 × 16 3/16 in. (34.9 × 41.1 cm) | Gift of Peter Neumann, 1966 | 426 | 13 | http://www.metmuseum.org/art/collection/search/774425 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458291 | 66.580.24 | 0 | 0 | 774423 | 11 | 731 | The French in Morocco (Die Franzosen im Maroc), from 'Kriegsbilderbogen Münchner Künstler' | 3020 | 740 | Goltzverlag, Munich|René Beeh | German, Strasbourg, Germany 1886–1922 Strasbourg, France | 58802 | 1900 |1886 | 1930 |1922 | 1915 | 1915 | 1915 | 3394 | Sheet: 13 3/4 × 16 1/8 in. (34.9 × 40.9 cm) | Gift of Peter Neumann, 1966 | 426 | 13 | http://www.metmuseum.org/art/collection/search/774423 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458284 | 66.580.25 | 0 | 0 | 774416 | 11 | 731 | Prisoner (Gefangener), from 'Kriegsbilderbogen Münchner Künstler' | 3020 | 740 | Goltzverlag, Munich|René Beeh | German, Strasbourg, Germany 1886–1922 Strasbourg, France | 58802 | 1900 |1886 | 1930 |1922 | 1914 | 1914 | 1914 | 3394 | Sheet: 16 1/8 × 13 11/16 in. (40.9 × 34.8 cm) | Gift of Peter Neumann, 1966 | 426 | 13 | http://www.metmuseum.org/art/collection/search/774416 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458251 | 34.36.536 | 0 | 0 | 774382 | 11 | 731 | Human life, after frescoes by Eduard Bendemann in the throne room of the Dresden Royal Palace, page 189 of 'Magasin Pittoresque' | 3019 | 53 | After|Intermediary draftsman | Eduard Julius Friedrich Bendemann|Jacques Gagné|Anonymous | German, Berlin 1811–1889 Düsseldorf|French, St-Priest-la-Feuille 1820–1864 Paris | (Bertrand) | 58798 | 1811 |1820 | 1889 |1864 | 1851 | 1851 | 1851 | 63733 | Image: 8 9/16 × 5 7/8 in. (21.8 × 15 cm) Sheet: 11 11/16 × 7 3/8 in. (29.7 × 18.8 cm) | Gift of Philip Hofer, 1934 | 13 | http://www.metmuseum.org/art/collection/search/774382 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 458247 | 34.36.535 | 0 | 0 | 774377 | 11 | 731 | Human life, after frescoes by Eduard Bendemann in the throne room of the Dresden Royal Palace, page 188 of 'Magasin Pittoresque' | 3019 | 53 | After|Intermediary draftsman | Anonymous|Eduard Julius Friedrich Bendemann|Jacques Gagné | German, Berlin 1811–1889 Düsseldorf|French, St-Priest-la-Feuille 1820–1864 Paris | (Bertrand) | 58797 | 1811 |1820 | 1889 |1864 | 1851 | 1851 | 1851 | 63733 | Image: 8 9/16 × 5 15/16 in. (21.8 × 15.1 cm) Sheet: 11 11/16 × 7 3/8 in. (29.7 × 18.8 cm) | Gift of Philip Hofer, 1934 | 13 | http://www.metmuseum.org/art/collection/search/774377 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 458244 | 49.21.87 | 0 | 0 | 774373 | 11 | 731 | Plate 5: women collecting plants and carrying them over their heads, a male onlooker at right and a castle at riht in the background, from 'Lieder eines Malers mit Randzeichnungen seiner Freunde' | 3018 | 2 | Eduard Julius Friedrich Bendemann | German, Berlin 1811–1889 Düsseldorf | 33943 | 1811 | 1889 | 1836 | 1836 | 1836 | 26137 | Image: 9 1/8 × 7 7/16 in. (23.2 × 18.9 cm) Sheet: 10 11/16 × 8 3/4 in. (27.2 × 22.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/774373 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458234 | 59.533.669 | 0 | 0 | 774355 | 11 | 731 | No. 10: Captain of Marines | 3017 | 1357 | After | John Heaviside Clark|Thomas Rowlandson|Rudolph Ackermann, London | British (born Scotland), 1771–1863 Edinburgh|British, London 1757–1827 London|active 1794–1829 | 58792 | 1771 |1757 |1764 | 1863 |1827 |1834 | 1799 | 1799 | 1799 | 28935 | Sheet (trimmed within plate): 10 3/4 × 8 9/16 in. (27.3 × 21.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/774355 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458233 | 59.533.668 | 0 | 0 | 774354 | 11 | 731 | No. 9: Admiral | 3017 | 3566 | After | John Heaviside Clark|Rudolph Ackermann, London|Thomas Rowlandson | British (born Scotland), 1771–1863 Edinburgh|active 1794–1829|British, London 1757–1827 London | 58796 | 1771 |1764 |1757 | 1863 |1834 |1827 | 1799 | 1799 | 1799 | 28935 | Sheet (trimmed within plate): 11 in. × 8 9/16 in. (28 × 21.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/774354 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458232 | 59.533.667 | 0 | 0 | 774353 | 11 | 731 | No. 8: Captain | 3017 | 3772 | After | Rudolph Ackermann, London|Thomas Rowlandson|John Heaviside Clark | active 1794–1829|British, London 1757–1827 London|British (born Scotland), 1771–1863 Edinburgh | 58794 | 1764 |1757 |1771 | 1834 |1827 |1863 | 1799 | 1799 | 1799 | 28935 | Sheet (trimmed within plate): 10 15/16 × 8 9/16 in. (27.8 × 21.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/774353 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458231 | 59.533.666 | 0 | 0 | 774352 | 11 | 731 | No. 7: Lieutenant | 3017 | 1962 | After | Rudolph Ackermann, London|John Heaviside Clark|Thomas Rowlandson | active 1794–1829|British (born Scotland), 1771–1863 Edinburgh|British, London 1757–1827 London | 58795 | 1764 |1771 |1757 | 1834 |1863 |1827 | 1799 | 1799 | 1799 | 28935 | Sheet (trimmed within plate): 11 in. × 8 9/16 in. (28 × 21.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/774352 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458230 | 59.533.665 | 0 | 0 | 774351 | 11 | 731 | No. 6: Purser | 3017 | 3772 | After | Rudolph Ackermann, London|Thomas Rowlandson|John Heaviside Clark | active 1794–1829|British, London 1757–1827 London|British (born Scotland), 1771–1863 Edinburgh | 58794 | 1764 |1757 |1771 | 1834 |1827 |1863 | 1799 | 1799 | 1799 | 28935 | Sheet (trimmed within plate): 10 15/16 × 8 9/16 in. (27.8 × 21.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/774351 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458229 | 59.533.664 | 0 | 0 | 774350 | 11 | 731 | No. 5: Midshipman | 3017 | 2090 | After | Thomas Rowlandson|Rudolph Ackermann, London|John Heaviside Clark | British, London 1757–1827 London|active 1794–1829|British (born Scotland), 1771–1863 Edinburgh | 58793 | 1757 |1764 |1771 | 1827 |1834 |1863 | 1799 | 1799 | 1799 | 28935 | Sheet (trimmed within plate): 11 in. × 8 11/16 in. (28 × 22 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/774350 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458228 | 59.533.663 | 0 | 0 | 774349 | 11 | 731 | No. 4: Cook | 3017 | 1699 | After | Thomas Rowlandson|John Heaviside Clark|Rudolph Ackermann, London | British, London 1757–1827 London|British (born Scotland), 1771–1863 Edinburgh|active 1794–1829 | 35113 | 1757 |1771 |1764 | 1827 |1863 |1834 | 1799 | 1799 | 1799 | 28935 | Sheet (trimmed within plate): 11 in. × 8 9/16 in. (27.9 × 21.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/774349 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458227 | 59.533.662 | 0 | 0 | 774348 | 11 | 731 | No. 3: Carpenter | 3017 | 2090 | After | Thomas Rowlandson|Rudolph Ackermann, London|John Heaviside Clark | British, London 1757–1827 London|active 1794–1829|British (born Scotland), 1771–1863 Edinburgh | 58793 | 1757 |1764 |1771 | 1827 |1834 |1863 | 1799 | 1799 | 1799 | 32179 | Sheet: 11 9/16 × 9 5/16 in. (29.3 × 23.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/774348 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458226 | 59.533.661 | 0 | 0 | 774347 | 11 | 731 | No. 2: Sailor | 3017 | 2090 | After | Thomas Rowlandson|Rudolph Ackermann, London|John Heaviside Clark | British, London 1757–1827 London|active 1794–1829|British (born Scotland), 1771–1863 Edinburgh | 58793 | 1757 |1764 |1771 | 1827 |1834 |1863 | 1799 | 1799 | 1799 | 28935 | Sheet (trimmed within plate): 11 in. × 8 5/8 in. (28 × 21.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/774347 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458225 | 59.533.660 | 0 | 0 | 774346 | 11 | 731 | No. 1: Cabin Boy | 3017 | 1357 | After | John Heaviside Clark|Thomas Rowlandson|Rudolph Ackermann, London | British (born Scotland), 1771–1863 Edinburgh|British, London 1757–1827 London|active 1794–1829 | 58792 | 1771 |1757 |1764 | 1863 |1827 |1834 | 1799 | 1799 | 1799 | 28935 | Sheet (trimmed within plate): 11 in. × 8 5/8 in. (28 × 21.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/774346 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458198 | 2018.132 | 0 | 0 | 774316 | 11 | 731 | Rosalind, Celia & Touchstone (Shakespeare, As You Like It, Act 2, Scene 2) | 3016 | 6039 | After | John Chapman|Thomas Macklin|Princess Frederica Charlotte|William Shakespeare|Henry William Bunbury | British, active 1792–1823|British, 1752/53–1800 London|1767–1820|British, Stratford-upon-Avon 1564–1616 Stratford-upon-Avon|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 58786 | 1792 |1752 |1767 |1564 |1750 | 1823 |1800 |1820 |1616 |1811 | June 1, 1792 | 1792 | 1792 | 37906 | Plate: 16 5/16 × 19 in. (41.5 × 48.2 cm) Sheet: 17 1/8 × 21 1/4 in. (43.5 × 54 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/774316 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458196 | 2018.131 | 0 | 0 | 774314 | 11 | 731 | Falstaff at Herne's Oak (Shakespeare, Merry Wives of Windsor, Act 5, Scene 5) | 3016 | 6038 | After | Thomas Macklin|Henry William Bunbury|Princess Frederica Charlotte|William Shakespeare|Michele Beneditti | British, 1752/53–1800 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|1767–1820|British, Stratford-upon-Avon 1564–1616 Stratford-upon-Avon|British, 1745–1810 Vienna | 58785 | 1752 |1750 |1767 |1564 |1745 | 1800 |1811 |1820 |1616 |1810 | May 30, 1793 | 1793 | 1793 | 37906 | Plate: 16 5/16 × 19 1/8 in. (41.4 × 48.5 cm) Sheet: 17 1/8 × 21 7/16 in. (43.5 × 54.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/774314 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458193 | 2018.130 | 0 | 0 | 774311 | 11 | 731 | Fluellen Making Pistol Eat the Leek (Shakespeare, Henry V, Act 5, Scene 1) | 3016 | 5417 | After | Robert Mitchell Meadows|Thomas Macklin|William Shakespeare|Henry William Bunbury | British, Cardigan, Wales 1780–1812|British, 1752/53–1800 London|British, Stratford-upon-Avon 1564–1616 Stratford-upon-Avon|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 58784 | 1780 |1752 |1564 |1750 | 1812 |1800 |1616 |1811 | August 1, 1795 | 1795 | 1795 | 37906 | Plate: 16 7/16 × 19 1/8 in. (41.8 × 48.5 cm) Sheet: 17 1/8 × 21 3/16 in. (43.5 × 53.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/774311 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458188 | 2018.129 | 0 | 0 | 774305 | 11 | 731 | Falstaff at Justice Shallow's Mustering His Recruits (Shakespeare, Henry IV, Part II, Act 3, Scene 2) | 3016 | 6037 | After | Thomas Macklin|Princess Frederica Charlotte|Henry William Bunbury|William Nelson Gardiner|William Shakespeare | British, 1752/53–1800 London|1767–1820|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, Dublin 1766–1814 London|British, Stratford-upon-Avon 1564–1616 Stratford-upon-Avon | 58783 | 1752 |1767 |1750 |1766 |1564 | 1800 |1820 |1811 |1814 |1616 | June 1, 1792 | 1792 | 1792 | 37906 | Plate: 16 1/4 × 18 7/8 in. (41.2 × 48 cm) Sheet: 17 1/16 in. (43.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/774305 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458203 | 47.100.230 | 0 | 0 | 774322 | 11 | 731 | Plate 4: a peasant with a donkey on a riverbank, a woman walking towards him with a vase on her head, and a reclining figure at right in the foreground, from 'Landscapes in the manner of Gaspar Dughet' | 3015 | 2 | Franz Joachim Beich | German, Ravensburg 1665–1745 Munich | 33320 | 1665 | 1745 | ca. 1700–25 | 1695 | 1730 | 29783 | Plate: 6 13/16 × 5 7/8 in. (17.3 × 15 cm) Sheet: 7 5/8 × 6 11/16 in. (19.4 × 17 cm) | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/774322 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458202 | 47.100.229 | 0 | 0 | 774320 | 11 | 731 | Plate 3: a shepherd seated on a hill, a cow and two sheep at left, and a town in right background, from 'Landscapes in the manner of Gaspar Dughet' | 3015 | 2 | Franz Joachim Beich | German, Ravensburg 1665–1745 Munich | 33320 | 1665 | 1745 | ca. 1700–25 | 1695 | 1730 | 29783 | Plate: 6 7/8 × 5 15/16 in. (17.5 × 15.1 cm) Sheet: 7 9/16 × 6 5/8 in. (19.2 × 16.8 cm) | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/774320 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458194 | 47.100.232 | 0 | 0 | 774312 | 11 | 731 | Plate 7: two figures at right about to cross a stone bridge, a fisherman in the foreground, from 'Landscapes in the manner of Gaspar Dughet' | 3015 | 2 | Franz Joachim Beich | German, Ravensburg 1665–1745 Munich | 33320 | 1665 | 1745 | ca. 1700–25 | 1695 | 1730 | 29783 | Plate: 6 7/8 × 5 7/8 in. (17.5 × 15 cm) Sheet: 7 5/8 × 6 5/8 in. (19.3 × 16.8 cm) | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/774312 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458190 | 47.100.231 | 0 | 0 | 774308 | 11 | 731 | Plate 6: the stone bridge: a shepherd with two cows crossing the bridge, three male figures resting on the riverbank in the foreground, from 'Landscapes in the manner of Gaspar Dughet' | 3015 | 2 | Franz Joachim Beich | German, Ravensburg 1665–1745 Munich | 33320 | 1665 | 1745 | ca. 1700–25 | 1695 | 1730 | 29783 | Plate: 6 7/8 × 6 in. (17.5 × 15.3 cm) Sheet: 7 5/8 × 6 11/16 in. (19.4 × 17 cm) | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/774308 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458055 | 47.100.228 | 0 | 0 | 773641 | 11 | 731 | Plate 2: two figures sitting on a tree trunk on the bank of a stream in foreground, an aqueduct and tower in the background, from 'Landscapes in the manner of Gaspar Dughet' | 3015 | 2 | Franz Joachim Beich | German, Ravensburg 1665–1745 Munich | 33320 | 1665 | 1745 | ca. 1700–25 | 1695 | 1730 | 29783 | Plate: 6 15/16 × 5 7/8 in. (17.7 × 15 cm) Sheet: 7 13/16 × 6 9/16 in. (19.8 × 16.7 cm) | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/773641 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458039 | 47.100.227 | 0 | 0 | 773624 | 11 | 731 | Two shepherds resting next to a pedestal, an aqueduct at right in the background, and a city on a hill at left in the background, from 'Landscapes in the manner of Gaspar Dughet' | 3015 | 710 | Franz Joachim Beich|Johann Michael Probst I | German, Ravensburg 1665–1745 Munich|German, 1727–1776 | 58754 | 1665 |1727 | 1745 |1776 | ca. 1700–25 | 1695 | 1730 | 30695 | Plate: 6 15/16 × 6 in. (17.7 × 15.2 cm) Sheet: 7 13/16 × 6 5/8 in. (19.8 × 16.9 cm) | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/773624 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458103 | 1991.1073.64(26) | 0 | 0 | 773690 | 11 | 731 | Interior of St. George's Chapel | 3014 | 6035 | After | Prince Albert of Saxe-Coburg and Gotha|Joseph Nash|Queen Victoria|Thomas McLean | Coburg, Germany 1819–1861 Windsor|British, Buckinghamshire 1809–1878 Kensington|British, London 1819–1901 Isle of Wight|British, active London 1788-1885 | 58774 | 1819 |1809 |1819 |1800 | 1861 |1878 |1901 |1899 | 1852 | 1852 | 1852 | 29322 | Image: 18 15/16 × 13 3/16 in. (48.1 × 33.5 cm) Sheet: 21 5/8 × 14 3/16 in. (55 × 36 cm) | Rogers Fund, 1911, transferred from the Library (1991.1073.64) | 13 | http://www.metmuseum.org/art/collection/search/773690 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458101 | 1991.1073.64(25) | 0 | 0 | 773688 | 11 | 731 | The Library | 3014 | 6035 | Probably represents|After|Probably represents | Queen Victoria|Joseph Nash|Prince Albert of Saxe-Coburg and Gotha|Thomas McLean | British, London 1819–1901 Isle of Wight|British, Buckinghamshire 1809–1878 Kensington|Coburg, Germany 1819–1861 Windsor|British, active London 1788-1885 | 58773 | 1819 |1809 |1819 |1800 | 1901 |1878 |1861 |1899 | 1852 | 1852 | 1852 | 29322 | Image: 12 15/16 × 17 5/8 in. (32.8 × 44.7 cm) Sheet: 14 3/16 × 21 5/8 in. (36 × 55 cm) | Rogers Fund, 1911, transferred from the Library (1991.1073.64) | 13 | http://www.metmuseum.org/art/collection/search/773688 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458098 | 1991.1073.64(24) | 0 | 0 | 773685 | 11 | 731 | The Queen's Private Sitting Room | 3014 | 1009 | After | Joseph Nash|Thomas McLean | British, Buckinghamshire 1809–1878 Kensington|British, active London 1788-1885 | 58755 | 1809 |1800 | 1878 |1899 | 1852 | 1852 | 1852 | 29322 | Image: 12 5/8 × 18 3/16 in. (32 × 46.2 cm) Sheet: 14 3/16 × 21 5/8 in. (36 × 55 cm) | Rogers Fund, 1911, transferred from the Library (1991.1073.64) | 13 | http://www.metmuseum.org/art/collection/search/773685 | 4/23/2018 8:00:01 AM | 1 |