Data license: CC0 · Data source: metmuseum/openaccess
rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
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223412 | 65.581.2 | 0 | 0 | 350988 | 11 | 13880 | Good Things: A Picturesque Magazine For the Young of All Ages, Numbers 1-52 | 1183 | Strahan & Co.|M'Corquodale and Co., London | 25441 | 9 | 1840 |1874 | 1940 |1885 | 1874–75 | 1874 | 1875 | 35014 | 11 1/4 × 8 7/16 × 1 3/4 in. (28.5 × 21.5 × 4.5 cm) | Gift of Lydia Bond Powel, 1965 | 698 | http://www.metmuseum.org/art/collection/search/350988 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
235338 | 62.696.33 | 0 | 1 | 363104 | 11 | 23 | Mr. Green in the Albion Balloon, Having Ascended from Vauxhall Gardens, August 12,1842 | 821 | Anonymous, British, 19th century|Charles Green | 32005 | 9 | 1800 |1785 | 1900 |1870 | ca. 1842 | 1837 | 1847 | 2990 | Sheet: 8 1/2 x 11 1/2 in. (21.6 x 29.2 cm) | Gift of Paul Bird Jr., 1962 | 9 | http://www.metmuseum.org/art/collection/search/363104 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
257025 | 1971.564.26 | 0 | 0 | 385703 | 11 | 731 | The Progress | 710 | Anonymous, British, 19th century|W. H. J. Carter | 37085 | 9 | 1800 |1800 | 1900 |1900 | ca. 1830 | 1825 | 1835 | 3394 | 8 1/4 x 10 5/8 in. (21 x 27 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1971 | 13 | http://www.metmuseum.org/art/collection/search/385703 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
413938 | 58.549.441 | 0 | 0 | 683056 | 11 | 731 | Queen Elizabeth | 5130 | Elizabeth I, Queen of England|Anonymous, British, 19th century | 1533–1603 | 52195 | 9 | 1533 |1800 | 1603 |1900 | 1780–1850 | 1780 | 1850 | 7208 | Plate: 4 1/8 × 3 3/8 in. (10.4 × 8.5 cm) Sheet: 7 11/16 × 10 1/2 in. (19.5 × 26.7 cm) | Gift of Susan Dwight Bliss, 1958 | 13 | http://www.metmuseum.org/art/collection/search/683056 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
413939 | 58.549.442 | 0 | 0 | 683057 | 11 | 731 | Princess Elizabeth, from one said to be done about 1554 | 5130 | Elizabeth I, Queen of England|Anonymous, British, 19th century | 1533–1603 | 52195 | 9 | 1533 |1800 | 1603 |1900 | 1780–1850 | 1780 | 1850 | 7208 | Plate: 4 1/8 × 3 3/8 in. (10.4 × 8.5 cm) Sheet: 8 9/16 × 10 7/16 in. (21.8 × 26.5 cm) | Gift of Susan Dwight Bliss, 1958 | 13 | http://www.metmuseum.org/art/collection/search/683057 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
413911 | 41.44.1377 | 0 | 0 | 683019 | 11 | 731 | Queen Elizabeth in Parliament | 4609 | After | Elizabeth I, Queen of England|Renold Elstrack|Anonymous, 17th century | 1533–1603|British, 1570–1625 | 52185 | 9 | 1533 |1570 |1600 | 1603 |1625 |1700 | 1682 | 1682 | 1682 | 7208 | Sheet: 13 11/16 × 8 3/8 in. (34.8 × 21.3 cm) | Gift of Henry W. Kent, transferred from the Printing Office, 1941 | 13 | http://www.metmuseum.org/art/collection/search/683019 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
413941 | 58.549.148 | 0 | 0 | 683060 | 11 | 731 | Elizabeth, From the Picture in Her Majesty's Collection at St. James's Palace | 5130 | Elizabeth I, Queen of England|William Holl, the Younger | 1533–1603|British, Plaistow 1807–1871 London | 52197 | 9 | 1533 |1807 | 1603 |1871 | 1845–46 | 1845 | 1846 | 29900 | Sheet: 8 13/16 × 5 1/2 in. (22.4 × 14 cm) | Gift of Susan Dwight Bliss, 1958 | 13 | http://www.metmuseum.org/art/collection/search/683060 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
249535 | 1994.610(19) | 0 | 0 | 377978 | 11 | 731 | Mary, Princess of Orange | 4290 | Mary II, Queen of England, Ireland and Scotland|Robert Peake the Elder | 1662–1694|British, ca. 1551–1619 London | 35511 | 9 | 1662 |1546 | 1694 |1619 | 1570–1619 | 1570 | 1619 | 7208 | Sheet: 15 3/8 x 10 9/16 in. (39.1 x 26.9 cm) Plate: 11 7/16 x 8 3/16 in. (29.1 x 20.8 cm) | Purchase, Lila Acheson Wallace Gift, Gifts in Memory of Jacob Bean, and various donors, 1994 | 684 | http://www.metmuseum.org/art/collection/search/377978 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
104220 | 11.202.3a, b | 0 | 0 | 191833 | 3 | 558 | Lamp | 2456 | 393 | Period of|Decoration after a design by | Josiah Wedgwood and Sons|Josiah Wedgwood|John Flaxman | 1759–present|British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent|British, York 1755–1826 London | 8755 | 9 | 1759 |1730 |1755 | 9999 |1795 |1826 | ca. 1780–1800 | 1775 | 1805 | 21106 | Overall: 1 7/8 × 5 × 3 1/4 in. (4.8 × 12.7 × 8.3 cm) | Rogers Fund, 1911 | 314 | http://www.metmuseum.org/art/collection/search/191833 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
108512 | 30.34.3 | 0 | 0 | 196537 | 3 | 107 | Cup | 2456 | 431 | After a design by|Period of | Josiah Wedgwood and Sons|John Flaxman|Josiah Wedgwood | 1759–present|British, York 1755–1826 London|British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent | 9738 | 9 | 1759 |1755 |1730 | 9999 |1826 |1795 | ca. 1782–1800 | 1777 | 1805 | 304 | Overall: 1 3/4 × 2 15/16 in. (4.4 × 7.5 cm) | Gift of Charles B. Hoyt, 1930 | 314 | http://www.metmuseum.org/art/collection/search/196537 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
223186 | 53.515.10 | 0 | 0 | 350760 | 11 | 13811 | A Catalogue of Cameos, Intaglios, Medals, Busts, Small Statues, and Bas-Reliefs...(1779, Fifth edition); and Catalogue de Camées, Intaglios, Médailles, Bas-Reliefs, Bustes, et Petites Statues...(1788) | 1051 | Wedgwood and Bentley|Josiah Wedgwood|Cadel | 1760–80|British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent|London | 25260 | 9 | 1760 |1730 |1700 | 1780 |1795 |1800 | 1779 and 1788 | 1779 | 1788 | 34011 | 8 3/16 x 5 3/16 x 9/16 in. (20.8 x 13.2 x 1.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 | 665 | http://www.metmuseum.org/art/collection/search/350760 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
223187 | 1991.1073.123 | 0 | 0 | 350761 | 11 | 13811 | A Catalogue of Cameos, Intaglios, Medals, Busts, Small Statues, and Bas-reliefs; with a general Account of Vases and other Ornaments After the Antique . . . Made by Wedgwood and Bentley . . . The Fourth Edition with Additions. | 1302 | Wedgwood and Bentley|William Darling|Cadel | 1760–80|British, active 18th century|London | 25261 | 9 | 1760 |1700 |1700 | 1780 |1800 |1800 | 1777 | 1777 | 1777 | 35203 | 7 5/8 x 4 15/16 x 3/8 in. (19.3 x 12.5 x 0.9 cm) | Rogers Fund, 1947, transferred from the Library (1991.1073.123) | 14 | 665 | http://www.metmuseum.org/art/collection/search/350761 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
11550 | 35.17 | 0 | 1 | 12560 | 2 | 23 | Dorothea Hart | 13 | Possibly|Attributed to | Ellen Wallace Sharples|James Sharples | 1769–1849|ca. 1751–1811 | 1776 | 9 | 1769 |1751 | 1849 |1811 | 1809 | 1809 | 1809 | 1880 | 9 x 7 7/8 in. (22.9 x 20 cm) | Fletcher Fund, 1935 | 9 | http://www.metmuseum.org/art/collection/search/12560 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
222913 | 67.807.1 | 0 | 0 | 350482 | 11 | 97 | The 7th Man: A True Cannibal Tale of the South Sea Islands | 1092 | Robert John Gibbings|Golden Cockerel Press | Anglo-Irish, Cork 1889–1958 Oxford|London | 25053 | 9 | 1889 |1900 | 1958 |1925 | 1930 | 1930 | 1930 | 33877 | 7 3/4 x 5 in. (19.7 x 12.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | 442 | http://www.metmuseum.org/art/collection/search/350482 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
228995 | 67.804.6 | 0 | 0 | 356640 | 11 | 97 | Samson and Delilah: From the Book of Judges... | 1092 | Published and printed by | Robert John Gibbings|Golden Cockerel Press | Anglo-Irish, Cork 1889–1958 Oxford|London | , and Berkshire | 25053 | 9 | 1889 |1900 | 1958 |1925 | 1925 | 1925 | 1925 | 28946 | 10 3/8 x 7 13/16 x 3/8 in. (26.4 x 19.8 x 1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | 442 | http://www.metmuseum.org/art/collection/search/356640 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
118760 | 1989.7 | 0 | 1 | 207779 | 3 | 8541 | Moon flask | 2356 | 607 | Designed by | Doulton Manufactory|Pinder, Bourne & Co.|Henry Slater | British | 11762 | 9 | ca. 1878–82 | 1873 | 1887 | 23663 | Height: 13 5/8 in. (34.6 cm) | Purchase, Robert L. Isaacson Gift, 1988 | 314 | http://www.metmuseum.org/art/collection/search/207779 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
226184 | 63.666 | 0 | 0 | 353791 | 11 | 97 | Patterns of Maw and Co.'s Majolica and Enamelled Tiles... | 1012 | Issued by | Maw & Co.|Leighton Brothers | British | 27496 | 9 | 1850 |1858 | 1950 |1895 | 1880 or later | 1880 | 1890 | 34434 | 14 1/2 x 10 3/4 x 3/8 in. (36.8 x 27.3 x 1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963 | 442 | http://www.metmuseum.org/art/collection/search/353791 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
122515 | 156.41 Sm6 | 0 | 0 | 212242 | 3 | 1079 | Textile Sample Book | 6 | 9 | Goodshawl Chapel|John Smith | British (Rossendale, Lancashire)|British, active ca. 1861 | 12296 | 9 | 1861 | 1861 | 1861 | 1861 | 1861 | 216 | http://www.metmuseum.org/art/collection/search/212242 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
414832 | 66.618.10(2) | 0 | 1 | 685293 | 11 | 731 | The Best of Friends Must Part (Punch, September 28, 1878) | 3463 | After | Sir Frederick Temple Hamilton-Temple-Blackwood, 1st Earl of Dufferin|Sir John Tenniel | British (born Italy), Florence 1826–1902 Belfast|British, London 1820–1914 London | 52278 | 9 | 1826 |1820 | 1902 |1914 | 1878 | 1878 | 1878 | 29001 | Sheet: 10 1/2 x 7 3/4 in. (26.7 x 19.7 cm) | Rogers Fund, 1966 | 13 | http://www.metmuseum.org/art/collection/search/685293 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
220073 | 51.572.3 | 0 | 0 | 347602 | 11 | 97 | Hints on the Formation of Gardens and Pleasure Grounds | 2119 | John Claudius Loudon|John Harding | British (born Scotland), 1783–1843|London | 23033 | 9 | 1783 |1800 | 1843 |1900 | 1812 | 1812 | 1812 | 28942 | 12 3/8 x 9 13/16 x 13/16 in. (31.5 x 25 x 2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 14 | 442 | http://www.metmuseum.org/art/collection/search/347602 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
224043 | 54.619 | 0 | 0 | 351633 | 11 | 97 | Hints on the Formation of Gardens and Pleasure Grounds | 1012 | John Claudius Loudon|John Harding | British (born Scotland), 1783–1843|London | 23033 | 9 | 1783 |1800 | 1843 |1900 | 1812 | 1812 | 1812 | 28942 | 11 7/16 x 9 1/16 x 13/16 in. (29 x 23 x 2 cm) | Gift of A. Hyatt Mayor, 1954 | 442 | http://www.metmuseum.org/art/collection/search/351633 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
225814 | 45.67.2 | 0 | 0 | 353416 | 11 | 97 | Hints on the Formation of Gardens and Pleasure Grounds | 44 | John Claudius Loudon|John Harding | British (born Scotland), 1783–1843|London | 23033 | 9 | 1783 |1800 | 1843 |1900 | 1812 | 1812 | 1812 | Harris Brisbane Dick Fund, 1945 | 442 | http://www.metmuseum.org/art/collection/search/353416 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
231819 | 45.672 | 0 | 0 | 359560 | 11 | 97 | Hints on the Formation of Gardens and Pleasure Grounds | 44 | Written and illustrated by | John Claudius Loudon|John Harding | British (born Scotland), 1783–1843|London | 23033 | 9 | 1783 |1800 | 1843 |1900 | 1812 | 1812 | 1812 | 12 1/2 x 9 5/8 x 15/16 in. (31.8 x 24.4 x 2.4 cm) | Harris Brisbane Dick Fund, 1945 | 442 | http://www.metmuseum.org/art/collection/search/359560 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
223470 | 1986.1145.25 | 0 | 0 | 351048 | 11 | 97 | The Wind in the Willows | 1154 | Kenneth Grahame|Arthur Rackham|The Limited Editions Club | British (born Scotland), Edinburgh 1859–1932 Pangbourne, Berkshire|British, London 1867–1939 Limpsfield, Surrey | 25488 | 9 | 1859 |1867 | 1932 |1939 | 1940 | 1940 | 1940 | 33879 | 11 5/16 × 7 7/8 × 1 3/16 in. (28.8 × 20 × 3 cm) | Gift of Estate of Jane Erdmann Whitney, 1986 | 442 | http://www.metmuseum.org/art/collection/search/351048 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
229106 | 1974.673.96 | 0 | 0 | 356751 | 11 | 731 | A View of the Highlands of Neversunk, etc. | 715 | Printed by | Joseph Frederick Wallet Des Barres|Joseph Frederick Wallet Des Barres | British (probably born Switzerland). 1722–1824|British (probably born Switzerland). 1722–1824 | 29501 | 9 | 1722 |1722 | 1824 |1824 | 1777 | 1777 | 1777 | 36080 | sheet: 31 3/4 x 23 3/8 in. (80.7 x 59.4 cm) image: 29 3/8 x 21 1/4 in. (74.6 x 54 cm) | Gift of Mary Knight Arnold, 1974 | 13 | http://www.metmuseum.org/art/collection/search/356751 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
377886 | 920.84 M292 | 1 | 1 | 591865 | 20 | Morte d'Arthur | 6814 | 1235 | Sir Thomas Malory|Aubrey Vincent Beardsley | British, 1415/18–1471|British, Brighton, Sussex 1872–1898 Menton | 48556 | 9 | 1415 |1872 | 1471 |1898 | 1893 | 1893 | 1893 | 11174 | 12 pts.; H: 10 1/4 in. (26 cm) | http://www.metmuseum.org/art/collection/search/591865 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
227557 | 19.65.22 | 0 | 0 | 355177 | 11 | 13811 | Designs for friezes | 1009 | Sold by | Edward Pierce (Pearce) I|John Overton | British, 1598–1658 Leicestershire|British, London 1640–1713 London | 28446 | 9 | 1598 |1640 | 1658 |1713 | ca. 1640 | 1635 | 1645 | 29021 | 14 13/16 x 9 15/16 x 3/8 in. (37.7 x 25.2 x 1 cm) | Rogers Fund, 1919 | 665 | http://www.metmuseum.org/art/collection/search/355177 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
220143 | 28.106.20 | 0 | 0 | 347674 | 11 | 97 | Arts Glory, or the Pen-Man's Treasury | 44 | Edward Cocker|John Overton | British, 1631–1675|British, London 1640–1713 London | 23092 | 9 | 1631 |1640 | 1675 |1713 | 1674 | 1674 | 1674 | 28942 | 5 7/8 x 7 7/8 x 3/8 in. (15 x 20 x 1 cm) | Gift of Felix M. Warburg, 1928 | 14 | 442 | http://www.metmuseum.org/art/collection/search/347674 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
217767 | 62.609.2 | 0 | 0 | 345263 | 11 | 97 | Mythologia ethica: or three centuries of aesopian fables | 44 | Philip Ayres|Anchor and Bibles | British, 1638–1712|London | 21454 | 9 | 1638 |1680 | 1712 |1750 | 1702 | 1702 | 1702 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963 | 14 | 442 | http://www.metmuseum.org/art/collection/search/345263 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
267751 | 91.1.2 | 0 | 1 | 396794 | 11 | 731 | Simon Lord Lovat | 392 | Simon Fraser, 11th Lord Lovat|William Hogarth | British, 1667/8–1747|British, London 1697–1764 London | 39526 | 9 | 1667 |1697 | 1747 |1764 | 1746 | 1746 | 1746 | 30931 | plate: 14 1/4 x 9 3/16 in. (36.2 x 23.3 cm) sheet: 14 11/16 x 9 11/16 in. (37.3 x 24.6 cm) | Gift of Sarah Lazarus, 1891 | 13 | http://www.metmuseum.org/art/collection/search/396794 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
68332 | C.I.66.14.2 | 1 | 1 | 81136 | 8 | 1202 | Waistcoat | 6 | 3 | Textile by|Textile by | Anna Maria Garthwaite|Peter Lekeux | British, 1690–1763|British, 1716–1768 | 5664 | 9 | 1690 |1716 | 1763 |1768 | 1747 | 1747 | 1747 | 15561 | Purchase, Irene Lewisohn Bequest, 1966 | http://www.metmuseum.org/art/collection/search/81136 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
267516 | 32.35(259) | 0 | 1 | 396559 | 11 | 731 | Frontispiece to Nicholas Amhurst's "Terrae-Filius" | 162 | Illustrates | Nicholas Amhurst|William Hogarth | British, 1697–1742|British, London 1697–1764 London | 39491 | 9 | 1697 |1697 | 1742 |1764 | June 1726 | 1726 | 1726 | 6712 | sheet: 5 1/2 x 3 1/8 in. (13.9 x 8 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/396559 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
219126 | 52.519.90 | 0 | 0 | 346639 | 11 | 13814 | The Plans, Elevation, and Sections of Holkham in Norfolk, the Seat of the late Earl of Leicester | 1012 | Written and designed by | Matthew Brettingham|John Haberkorn | British, 1699–1769|German, active London ca. 1740-1767 | 22317 | 9 | 1699 |1700 | 1769 |1800 | 1761 | 1761 | 1761 | 34424 | 19 9/16 × 14 1/8 × 11/16 in. (49.7 × 35.8 × 1.8 cm) | Rogers Fund, 1952 | 14 | 665 | http://www.metmuseum.org/art/collection/search/346639 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
266153 | 24.90.435 | 0 | 0 | 395121 | 11 | 731 | The Right Honorable William Pitt, Earl of Chatham | 392 | William Pitt, 1st Earl of Chatham|Anonymous, British, 18th century | British, 1708–1778 | 39153 | 9 | 1708 |1700 | 1778 |1800 | after 1778 | 1778 | 1790 | 7208 | plate: 6 7/8 x 4 1/2 in. (17.4 x 11.4 cm) sheet: 10 3/16 x 7 15/16 in. (25.8 x 20.2 cm) | Bequest of Charles Allen Munn, 1924 | 13 | http://www.metmuseum.org/art/collection/search/395121 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
229924 | 51.616.3 | 0 | 0 | 357593 | 11 | 97 | A Lecture on Heads | 1235 | George Alexander Stevens|John Thurston | British, 1710–1780|British, Scarborough, North Yorkshire 1774–1822 Holloway, London | 30050 | 9 | 1710 |1774 | 1780 |1822 | 1821 | 1821 | 1821 | 33876 | 6 1/2 x 4 1/8 in. (16.5 x 10.5 cm) | Gift of Lincoln Kirstein, 1951 | 442 | http://www.metmuseum.org/art/collection/search/357593 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
224649 | 29.58.32(1-6) | 0 | 0 | 352243 | 11 | 13811 | Twelve Gerandoles | 2814 | Designed and published by | Thomas Johnson|William Austin | British, 1714–1778|British, active mid-18th century | 26413 | 9 | 1714 |1733 | 1778 |1820 | 1755 | 1755 | 1755 | 34157 | sheet: 7 3/8 x 4 3/16 in. (18.7 x 10.6 cm) (title) | Harris Brisbane Dick Fund, 1929 | 665 | http://www.metmuseum.org/art/collection/search/352243 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
227399 | 51.599.1 | 0 | 0 | 355018 | 11 | 13814 | Plans, elevations, sections, and other ornaments of the Mansion-House : belonging to the corporation of Doncaster | 1014 | Written and published by | James Paine, the elder|Edward Rooker | British, 1717–1789|British, London 1711–1774 London | 28323 | 9 | 1717 |1711 | 1789 |1774 | 1751 | 1751 | 1751 | 29021 | 17 5/16 × 10 15/16 × 1/2 in. (44 × 27.8 × 1.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 665 | http://www.metmuseum.org/art/collection/search/355018 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
408489 | 24.63.1195 | 0 | 0 | 668413 | 11 | 731 | The Wreck of the Nuestra Senora de los Remedios (alias La Ninsa) a Prize to the Royal Family of Privateers taken 5 February, 1746, and Lost in November following near Beachey head on the Coast of Sussex | 1352 | After|Engraved and published by | Charles Brooking|John Boydell | British, 1723–1759|British, Shropshire 1720–1804 London | 51534 | 9 | 1723 |1720 | 1759 |1804 | 1753 | 1753 | 1753 | 6712 | Sheet: 13 3/8 × 18 3/4 in. (34 × 47.7 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/668413 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
216320 | 69.584.18 | 0 | 0 | 343751 | 11 | 731 | The Spell Hopnelia | 740 | Carington Bowles I|Anonymous, British, 18th century | British, 1724–1793 | 20547 | 9 | 1724 |1700 | 1793 |1800 | 1784 | 1784 | 1784 | 29072 | 12 13/16 x 9 15/16 in. (32.6 x 25.2 cm) (image) 15 3/4 x 10 13/16 in. (40 x 27.5 cm) (sheet) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1969 | 13 | http://www.metmuseum.org/art/collection/search/343751 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
260251 | 23.42 | 0 | 1 | 388969 | 11 | 731 | The Repeal, or the Funeral of Miss Ame-Stamp | 740 | Carington Bowles I|Anonymous, British, 18th century | British, 1724–1793 | 20547 | 9 | 1724 |1700 | 1793 |1800 | 1766 | 1766 | 1766 | 34862 | plate: 8 7/8 x 13 5/8 in. (22.5 x 34.6 cm) sheet: 11 1/8 x 14 7/8 in. (28.3 x 37.8 cm) | Gift of Walter L. Hildberg, 1923 | 14 | 13 | http://www.metmuseum.org/art/collection/search/388969 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
263534 | 69.584.5 | 0 | 1 | 392480 | 11 | 731 | Miss Prattle Consulting Doctor Double Fee about her Pantheon Head Dress | 740 | Carington Bowles I|Anonymous, British, 18th century | British, 1724–1793 | 20547 | 9 | 1724 |1700 | 1793 |1800 | 1772 | 1772 | 1772 | 29072 | plate: 13 15/16 x 10 in. (35.4 x 25.4 cm) sheet: 16 5/16 x 11 in. (41.4 x 28 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1969 | 14 | 13 | http://www.metmuseum.org/art/collection/search/392480 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
263634 | 60.576.33 | 0 | 1 | 392580 | 11 | 731 | Docking the Macaroni–or the Butcher's Revenge | 740 | Carington Bowles I|Anonymous, British, 18th century | British, 1724–1793 | 20547 | 9 | 1724 |1700 | 1793 |1800 | ca. 1773 | 1768 | 1778 | 6712 | sheet: 20 1/4 x 14 3/16 in. (51.4 x 36 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 14 | 13 | http://www.metmuseum.org/art/collection/search/392580 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
263650 | 17.3.888-57 | 0 | 1 | 392596 | 11 | 731 | The Laughing Audience | 740 | After | Carington Bowles I|William Hogarth | British, 1724–1793|British, London 1697–1764 London | 38419 | 9 | 1724 |1697 | 1793 |1764 | second half 18th century | 1750 | 1800 | 29072 | Sheet: 6 1/4 x 4 11/16 in. (15.8 x 11.9 cm) | Harris Brisbane Dick Fund, 1917 | 14 | 13 | http://www.metmuseum.org/art/collection/search/392596 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
263580 | 69.584.10 | 0 | 1 | 392526 | 11 | 731 | The Pit Door/ La Porte du Parterre | 740 | After | Carington Bowles I|Robert Dighton the Elder | British, 1724–1793|British, London ca. 1752–1814 London | 38388 | 9 | 1724 |1752 | 1793 |1814 | November 9, 1784 | 1784 | 1784 | 29072 | plate: 13 15/16 x 9 15/16 in. (35.4 x 25.3 cm) sheet: 16 7/16 x 10 3/4 in. (41.7 x 27.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1969 | 13 | http://www.metmuseum.org/art/collection/search/392526 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
255475 | 26.85(89) | 0 | 1 | 384123 | 11 | 13851 | Ground Floor Plan, Charlton House, Wiltshire | 2130 | Matthew Brettingham, the younger|Charles James Richardson | British, 1725–1803|British, London 1806–1871 London | 36691 | 9 | 1725 |1806 | 1803 |1871 | before 1772 | 1750 | 1772 | 34306 | sheet: 17 1/8 x 11 in. (43.5 x 28 cm) | Harris Brisbane Dick Fund, 1926 | 671 | http://www.metmuseum.org/art/collection/search/384123 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
260247 | 83.2.1010 | 0 | 0 | 388965 | 11 | 731 | Frontispiece: Rapin's History of England | 710 | John Goldar|John Harrison | British, 1729–1795|London | 37732 | 9 | 1729 |1750 | 1795 |1800 | February 21, 1784 | 1784 | 1784 | 7208 | sheet: 12 13/16 x 8 11/16 in. (32.5 x 22 cm) | Gift of William H. Huntington, 1883 | 13 | http://www.metmuseum.org/art/collection/search/388965 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
104218 | 11.202.2h | 0 | 1 | 191831 | 3 | 157 | Cupid playing a lyre | 2456 | 3 | Design attributed to | Lady Diana Beauclerk|Josiah Wedgwood | British, 1734–1808|British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent | 8754 | 9 | 1734 |1730 | 1808 |1795 | 18th century | 1700 | 1799 | 304 | Diameter: 2 11/16 in. (6.8 cm); Framed: 3 1/2 × 3 1/8 in. (8.9 × 7.9 cm) | Rogers Fund, 1911 | 314 | http://www.metmuseum.org/art/collection/search/191831 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
239192 | 46.38.16 | 0 | 1 | 367259 | 11 | 13851 | Design for a Fireplace and Mirror | 13 | Engravings from the pencil of | Lady Diana Beauclerk|Charles Hindley and Sons | British, 1734–1808|British, London 1841–1917 London | 33046 | 9 | 1734 |1841 | 1808 |1917 | 1841–84 | 1841 | 1884 | 2564 | sheet: 14 3/8 x 10 1/2 in. (36.5 x 26.7 cm) | Harris Brisbane Dick Fund, 1946 | 671 | http://www.metmuseum.org/art/collection/search/367259 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
230459 | 68.526.3 | 0 | 0 | 358148 | 11 | 97 | Proverbs Exemplified and illustrated by Pictures from Real Life | 1415 | John Trusler|John Bewick | British, 1735–1820|British, Eltringham, Northumberland baptised 1760–1795 Ovingham, Northumberland | 30412 | 9 | 1735 |1760 | 1820 |1795 | 1790 | 1790 | 1790 | 28942 | 6 1/2 x 3 15/16 in. (16.5 x 10 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1968 | 442 | http://www.metmuseum.org/art/collection/search/358148 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
113930 | 59.8 | 0 | 1 | 202256 | 3 | 150 | Commode | 6 | 6 | Attributed to|and | John Mayhew|William Ince | British, 1736–1811|British, active ca. 1758/59–1794, died 1804 | 10893 | 9 | 1736 |1704 | 1811 |1804 | ca. 1760–70 | 1755 | 1775 | 22716 | Overall: 36 7/8 × 49 3/4 × 21 1/4 in. (93.7 × 126.4 × 54 cm) | Fletcher Fund, 1959 | 321 | http://www.metmuseum.org/art/collection/search/202256 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
115293 | 64.101.1145 | 0 | 1 | 203852 | 3 | 150 | Commode | 6 | 6 | Attributed to|Attributed to | John Mayhew|William Ince | British, 1736–1811|British, active ca. 1758/59–1794, died 1804 | 10893 | 9 | 1736 |1704 | 1811 |1804 | ca. 1770–80 | 1765 | 1785 | 22899 | Overall: 38 × 54 × 28 in. (96.5 × 137.2 × 71.1 cm) | Gift of Irwin Untermyer, 1964 | 321 | http://www.metmuseum.org/art/collection/search/203852 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
227549 | 46.91 | 0 | 0 | 355169 | 11 | 13814 | Oikidia, or Nutshells; being..Distributions for Small Villas | 44 | James Peacock|Charles Dilly | British, 1738?–1814|London | 28440 | 9 | 1738 |1750 | 1814 |1800 | 1785 | 1785 | 1785 | 29021 | 9 × 5 7/16 × 11/16 in. (22.8 × 13.8 × 1.7 cm) | Harris Brisbane Dick Fund, 1946 | 665 | http://www.metmuseum.org/art/collection/search/355169 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
216309 | 52.585.72 | 0 | 1 | 343740 | 11 | 731 | Charity Begins at Home | 740 | William Humphrey|Anonymous, British, 18th century | British, 1742?–before 1814 | 20540 | 9 | 1740 |1700 | 1814 |1800 | March 20, 1773 | 1773 | 1773 | 33714 | sheet: 13 3/8 x 9 13/16 in. (34 x 24.9 cm) image: 12 11/16 x 9 5/8 in. (32.3 x 24.5 cm) | Gift of Emily C. Chadbourne, 1952 | 14 | 13 | http://www.metmuseum.org/art/collection/search/343740 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
260286 | 83.2.2094 | 0 | 1 | 389004 | 11 | 731 | The Tea-Tax-Tempest, or Old Time with his Magick Lanthern | 740 | William Humphrey|Anonymous, British, 18th century | British, 1742?–before 1814 | 20540 | 9 | 1740 |1700 | 1814 |1800 | March 12, 1783 | 1783 | 1783 | 26137 | plate: 8 13/16 x 12 13/16 in. (22.4 x 32.5 cm) sheet: 9 5/8 x 13 3/16 in. (24.5 x 33.5 cm) | Gift of William H. Huntington, 1883 | 14 | 13 | http://www.metmuseum.org/art/collection/search/389004 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
228503 | 40.48.1 | 0 | 0 | 356138 | 11 | 97 | A New Book of Cyphers..useful for all sorts of Artists, as Painters, Carvers, Engravers, Chacers, Watch-makers, Imbroiderers, etc. | 1111 | Benjamin Rhodes|Theo. Sanders|T. Bickerton, London | British, 1743–1816?|London | 29064 | 9 | 1743 |1700 |1700 | 1816 |1800 |1750 | 1723 | 1723 | 1723 | 28942 | 7 7/8 x 5 1/8 x 9/16 in. (20 x 13 x 1.5 cm) | Harris Brisbane Dick Fund, 1940 | 442 | http://www.metmuseum.org/art/collection/search/356138 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
263901 | 59.533.1083 | 0 | 1 | 392847 | 11 | 731 | Box Lobby Loungers | 1699 | After | Henry Wigstead|Thomas Rowlandson|John Raphael Smith | British, 1745?–1800 Margate|British, London 1757–1827 London|British, baptized Derby 1751–1812 Doncaster | 38473 | 9 | 1740 |1757 |1751 | 1800 |1827 |1812 | January 5, 1811 | 1811 | 1811 | 34862 | Sheet: 16 x 22 13/16 in. (40.7 x 57.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/392847 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
263902 | 59.533.575 | 0 | 0 | 392848 | 11 | 731 | Box Lobby Loungers | 1699 | After | Henry Wigstead|Thomas Rowlandson|John Raphael Smith | British, 1745?–1800 Margate|British, London 1757–1827 London|British, baptized Derby 1751–1812 Doncaster | 38473 | 9 | 1740 |1757 |1751 | 1800 |1827 |1812 | January 5, 1786 | 1786 | 1786 | 28935 | sheet: 16 3/4 x 23 1/16 in. (42.5 x 58.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/392848 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
260236 | 83.2.181 | 0 | 1 | 388954 | 11 | 731 | The Patriotick Barber of New York, or the Captain in the Suds | 710 | Attributed to | Philip Dawe|R. Sayer and J. Bennett | British, 1745?–?1809|London | 37728 | 9 | 1745 |1770 | 1809 |1800 | February 14, 1775 | 1775 | 1775 | 29072 | plate: 13 7/8 x 10 in. (35.3 x 25.4 cm) sheet: 16 1/2 x 11 9/16 in. (41.9 x 29.3 cm) | Gift of William H. Huntington, 1883 | 13 | http://www.metmuseum.org/art/collection/search/388954 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
260241 | 24.90.35 | 0 | 1 | 388959 | 11 | 731 | A Society of Patriotic Ladies at Edenton in North Carolina | 710 | Attributed to | Philip Dawe|R. Sayer and J. Bennett | British, 1745?–?1809|London | 37728 | 9 | 1745 |1770 | 1809 |1800 | March 25, 1775 | 1775 | 1775 | 29072 | plate: 13 7/8 x 9 15/16 in. (35.3 x 25.3 cm) sheet: 17 3/16 x 11 3/8 in. (43.7 x 28.9 cm) | Bequest of Charles Allen Munn, 1924 | 13 | http://www.metmuseum.org/art/collection/search/388959 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
260242 | 24.90.33 | 0 | 1 | 388960 | 11 | 731 | The Bostonians in Distress | 710 | Attributed to | Philip Dawe|R. Sayer and J. Bennett | British, 1745?–?1809|London | 37728 | 9 | 1745 |1770 | 1809 |1800 | November 19, 1774 | 1774 | 1774 | 29072 | plate: 14 1/16 x 10 in. (35.7 x 25.4 cm) sheet: 15 5/16 x 10 15/16 in. (38.9 x 27.8 cm) | Bequest of Charles Allen Munn, 1924 | 13 | http://www.metmuseum.org/art/collection/search/388960 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
260243 | 24.90.31 | 0 | 1 | 388961 | 11 | 731 | The Alternative of WIlliams-Burg | 710 | Attributed to | Philip Dawe|R. Sayer and J. Bennett | British, 1745?–?1809|London | 37728 | 9 | 1745 |1770 | 1809 |1800 | February 16, 1775 | 1775 | 1775 | 29072 | plate: 14 x 10 in. (35.5 x 25.4 cm) sheet: 17 1/2 x 11 5/16 in. (44.5 x 28.7 cm) | Bequest of Charles Allen Munn, 1924 | 13 | http://www.metmuseum.org/art/collection/search/388961 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
260244 | 83.2.182 | 0 | 1 | 388962 | 11 | 731 | The Alternative of WIlliams-Burg | 710 | Attributed to | Philip Dawe|R. Sayer and J. Bennett | British, 1745?–?1809|London | 37728 | 9 | 1745 |1770 | 1809 |1800 | February 16, 1775 | 1775 | 1775 | 29072 | plate: 13 7/8 x 10 in. (35.2 x 25.4 cm) sheet: 15 15/16 x 11 1/2 in. (40.5 x 29.2 cm) | Gift of William H. Huntington, 1883 | 13 | http://www.metmuseum.org/art/collection/search/388962 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
263630 | 17.3.888-34 | 0 | 1 | 392576 | 11 | 731 | The Atlas of the Landed Interest | 710 | James Sayers|James Bretherton | British, 1748–1823|British, active 1750–99 | 38408 | 9 | 1748 |1750 | 1823 |1799 | February 18, 1784 | 1784 | 1784 | 26137 | sheet: 9 5/16 x 6 1/2 in. (23.6 x 16.5 cm) | Harris Brisbane Dick Fund, 1917 | 14 | 13 | http://www.metmuseum.org/art/collection/search/392576 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
263539 | 17.3.888-337 | 0 | 1 | 392485 | 11 | 731 | A Puff Off | 710 | Published London by | James Sayers|Charles Bretherton | British, 1748–1823|British, ca. 1760–1783 | 38365 | 9 | 1748 |1760 | 1823 |1783 | ca. 1782 | 1777 | 1787 | 38310 | plate: 11 1/4 x 14 5/16 in. (28.5 x 36.4 cm) sheet: 14 3/8 x 16 1/2 in. (36.5 x 41.9 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/392485 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
263548 | 17.3.3368-7 | 0 | 1 | 392494 | 11 | 731 | The Charmers of the Age | 710 | Published London by | James Sayers|Charles Bretherton | British, 1748–1823|British, ca. 1760–1783 | 38365 | 9 | 1748 |1760 | 1823 |1783 | May 30, 1786 | 1786 | 1786 | 28935 | sheet: 9 3/4 x 8 3/8 in. (24.7 x 21.3 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/392494 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
263538 | 17.3.888-29 | 0 | 1 | 392484 | 11 | 731 | Cicero in Catilinam | 710 | Published by | James Sayers|Thomas Cornell | British, 1748–1823|London | 38364 | 9 | 1748 |1750 | 1823 |1850 | March 17, 1785 | 1785 | 1785 | 26137 | plate: 13 7/16 x 11 1/4 in. (34.2 x 28.6 cm) sheet: 14 1/8 x 11 15/16 in. (35.8 x 30.3 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/392484 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
263550 | 49.102.16 | 0 | 1 | 392496 | 11 | 731 | Razor's Levée, or Ye Heads of a New Wig Ad[ministration] on a Broad Bottom | 710 | James Sayers|Thomas Cornell | British, 1748–1823|London | 38364 | 9 | 1748 |1750 | 1823 |1850 | April 21, 1783 | 1783 | 1783 | 26137 | sheet: 10 7/8 x 15 7/8 in. (27.6 x 40.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/392496 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
269419 | 67.503.71 | 0 | 1 | 398528 | 11 | 731 | Concerto Coalitionale | 710 | James Sayers|Thomas Cornell | British, 1748–1823|London | 38364 | 9 | 1748 |1750 | 1823 |1850 | June 17, 1785 | 1785 | 1785 | 26137 | plate: 11 13/16 x 16 in. (30 x 40.7 cm) sheet: 13 1/4 x 18 3/8 in. (33.7 x 46.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | 13 | http://www.metmuseum.org/art/collection/search/398528 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
268757 | 32.35(153) | 0 | 1 | 397827 | 11 | 731 | Mask and Palette | 1288 | Etched and published by|After | Richard Livesay|William Hogarth | British, 1753–1823 Southsea|British, London 1697–1764 London | 39754 | 9 | 1753 |1697 | 1823 |1764 | 1781 | 1781 | 1781 | 6712 | sheet: 4 3/4 x 4 11/16 in. (12 x 11.9 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/397827 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
270031 | 32.35(72) | 0 | 1 | 399156 | 11 | 731 | Frontispiece to "The Jacobite's Journal" | 1288 | Engraved and published by|After | Richard Livesay|William Hogarth | British, 1753–1823 Southsea|British, London 1697–1764 London | 39754 | 9 | 1753 |1697 | 1823 |1764 | November 27, 1781 | 1781 | 1781 | 7208 | sheet: 6 7/8 x 9 7/16 in. (17.4 x 23.9 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/399156 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
227107 | 62.600.672 | 0 | 0 | 354722 | 11 | 97 | Lithographic Impressions of Sketches from Nature, No. 1 | 1061 | Francis Nicholson|Rodwell and Martin|Rowney and Forster | British, 1753–1844|London|British, 19th century | 28077 | 9 | 1753 |1800 |1800 | 1844 |1899 |1850 | 1821 | 1821 | 1821 | 28996 | 13 11/16 × 17 1/4 in. (34.7 × 43.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 | 442 | http://www.metmuseum.org/art/collection/search/354722 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
231170 | 1979.503 | 0 | 0 | 358885 | 11 | 97 | A Series of Portraits of the Emperors of Turkey, from the Foundation of the Monarchy to the Year 1815 | 710 | John Young|William Bulmer & Co. | British, 1755–1825 London|London | 30750 | 9 | 1755 |1750 | 1825 |1899 | 1815 | 1815 | 1815 | 36485 | Overall: 22 9/16 x 16 11/16 x 1 7/16 in. (57.3 x 42.4 x 3.7 cm) Sheet: 21 7/8 x 16 in. (55.5 x 40.7 cm) Plate: 15 1/16 × 10 3/8 in. (38.2 × 26.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1979 | 442 | http://www.metmuseum.org/art/collection/search/358885 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
226388 | 35.45.8 | 0 | 0 | 354000 | 11 | 13814 | Picturesque and Architectural Views For Cottages, Farm Houses and Country Villas... | 1009 | Designed and engraved by | Charles Middleton|Edward Jeffery | British, 1756–1818|London | 27635 | 9 | 1756 |1750 | 1818 |1850 | 1793 | 1793 | 1793 | 29021 | 18 1/2 × 12 1/8 × 1/2 in. (47 × 30.8 × 1.2 cm) | Harris Brisbane Dick Fund, 1935 | 665 | http://www.metmuseum.org/art/collection/search/354000 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
226391 | 24.66.113 | 0 | 0 | 354003 | 11 | 13813 | Designs for Gates and Rails Suitable to Parks, Pleasure Grounds, Balconys etc. | 1009 | Charles Middleton|J. Taylor | British, 1756–1818|London | 27638 | 9 | 1756 |1700 | 1818 |1850 | late 18th–early 19th century | 1776 | 1818 | Harris Brisbane Dick Fund, 1924 | 665 | http://www.metmuseum.org/art/collection/search/354003 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
226392 | 52.519.22 | 0 | 0 | 354004 | 11 | 13811 | Designs for Gates and Rails suitable to Parks, Pleasure Grounds Balconys etc. also some Designs for Trellis Work | 1009 | Charles Middleton|J. Taylor | British, 1756–1818|London | , at the Architectural Library | 27638 | 9 | 1756 |1700 | 1818 |1850 | late 18th–early 19th century | 1770 | 1818 | 28942 | 9 3/4 x 6 1/4 x 9/16 in. (24.8 x 15.8 x 1.5 cm) | Rogers Fund, 1952 | 14 | 665 | http://www.metmuseum.org/art/collection/search/354004 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
262961 | 59.533.353 | 0 | 0 | 391901 | 11 | 731 | Beatrice Fishing for a Coronet | 740 | Published London by | William Holland|Anonymous, British, 18th century | British, 1757–1815 | 38267 | 9 | 1757 |1700 | 1815 |1800 | January 8, 1790 | 1790 | 1790 | 26137 | sheet: 10 x 14 5/8 in. (25.4 x 37.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/391901 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
263916 | 59.533.305 | 0 | 1 | 392862 | 11 | 731 | A Penny Barber | 740 | William Holland|Thomas Rowlandson | British, 1757–1815|British, London 1757–1827 London | 38475 | 9 | 1757 |1757 | 1815 |1827 | 1789 | 1789 | 1789 | 32179 | Sheet: 13 7/16 × 9 1/8 in. (34.1 × 23.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/392862 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
263544 | 59.533.1552 | 0 | 1 | 392490 | 11 | 731 | Napoleon Dance in Holland | 740 | Published London by | William Holland|Charles Williams | British, 1757–1815|British, active 1797–1830 | 38367 | 9 | 1757 |1750 | 1815 |1850 | January 1, 1814 | 1814 | 1814 | 34862 | sheet: 11 15/16 x 9 in. (30.3 x 22.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/392490 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
263547 | 59.533.512 | 0 | 1 | 392493 | 11 | 731 | A Travelling Tutor and Monkey Child | 740 | Published London by | William Holland|George Moutard Woodward | British, 1757–1815|British, ca. 1760–1809 London | 38370 | 9 | 1757 |1760 | 1815 |1809 | 1797 | 1797 | 1797 | 28935 | sheet: 11 3/16 x 8 1/16 in. (28.4 x 20.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/392493 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
263637 | 59.533.382 | 0 | 1 | 392583 | 11 | 731 | A Smart | 740 | Published London by | William Holland|George Moutard Woodward | British, 1757–1815|British, ca. 1760–1809 London | 38370 | 9 | 1757 |1760 | 1815 |1809 | December 1, 1790 | 1790 | 1790 | 28935 | sheet: 13 1/4 x 8 9/16 in. (33.7 x 21.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/392583 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
263638 | 59.533.383 | 0 | 1 | 392584 | 11 | 731 | An Honest Fellow | 740 | Published London by | William Holland|George Moutard Woodward | British, 1757–1815|British, ca. 1760–1809 London | 38370 | 9 | 1757 |1760 | 1815 |1809 | December 1, 1790 | 1790 | 1790 | 28935 | sheet: 13 1/4 x 8 9/16 in. (33.7 x 21.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/392584 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
269415 | 59.533.384 | 0 | 1 | 398524 | 11 | 731 | A Choice Spirit | 740 | Published London by | William Holland|George Moutard Woodward | British, 1757–1815|British, ca. 1760–1809 London | 38370 | 9 | 1757 |1760 | 1815 |1809 | December 1, 1790 | 1790 | 1790 | 28935 | sheet: 13 3/8 x 8 5/8 in. (34 x 21.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/398524 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
269416 | 59.533.385 | 0 | 1 | 398525 | 11 | 731 | A Buck | 740 | Published London by | William Holland|George Moutard Woodward | British, 1757–1815|British, ca. 1760–1809 London | 38370 | 9 | 1757 |1760 | 1815 |1809 | December 1, 1790 | 1790 | 1790 | 28935 | sheet: 13 5/16 x 8 7/16 in. (33.8 x 21.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/398525 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
269417 | 59.533.386 | 0 | 1 | 398526 | 11 | 731 | A Blood | 740 | Published London by | William Holland|George Moutard Woodward | British, 1757–1815|British, ca. 1760–1809 London | 38370 | 9 | 1757 |1760 | 1815 |1809 | December 1, 1790 | 1790 | 1790 | 28935 | sheet: 13 3/16 x 8 11/16 in. (33.5 x 22.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/398526 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
269418 | 59.533.387 | 0 | 1 | 398527 | 11 | 731 | A Greenhorn | 740 | Published London by | William Holland|George Moutard Woodward | British, 1757–1815|British, ca. 1760–1809 London | 38370 | 9 | 1757 |1760 | 1815 |1809 | December 1, 1790 | 1790 | 1790 | 28935 | sheet: 12 13/16 x 8 11/16 in. (32.5 x 22 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/398527 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
264208 | 42.121(66) | 0 | 0 | 393164 | 11 | 731 | A Charm for Democracy, Reviews, Analysed, & Destroyed Jany 1st 1799 to the Confusion of Its Affliliated Friends | 740 | Published by | James Whittle|Thomas Rowlandson | British, 1757–1818|British, London 1757–1827 London | , London | 38550 | 9 | 1757 |1757 | 1818 |1827 | February 1, 1799 | 1799 | 1799 | 34862 | sheet: 11 x 16 5/8 in. (28 x 42.3 cm) | Gift of Philip van Ingen, 1942 | 13 | http://www.metmuseum.org/art/collection/search/393164 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
384733 | 62.602.703 | 0 | 1 | 634335 | 11 | 731 | The Banquet (Shakespeare, Macbeth, Act 3, Scene 3) | 4983 | After | John Baldrey|William Dickinson|Sylvester Harding|William Shakespeare | British, 1758–after 1792|British, 1746–1823|British, Newcastle 1745–1809 London|British, Stratford-upon-Avon 1564–1616 Stratford-upon-Avon | 49477 | 9 | 1758 |1746 |1745 |1564 | 1792 |1823 |1809 |1616 | October 10, 1786 | 1786 | 1786 | 37370 | Sheet: 15 × 13 in. (38 × 33 cm) | Rogers Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/634335 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
220321 | 43.91.1-.4 | 0 | 0 | 347855 | 11 | 97 | A Series of Proof Portraits and Embellishments | 1183 | Published and edited by | Charles Cooke|J. Brettell | British, 1759/60–1816|London | 23236 | 9 | 1759 |1800 | 1816 |1900 | 1805 | 1805 | 1805 | 28942 | 8 11/16 x 5 11/16 in. (22 x 14.5 cm) | Harris Brisbane Dick Fund, 1943 | 442 | http://www.metmuseum.org/art/collection/search/347855 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
225996 | 34.75 | 0 | 0 | 353600 | 11 | 97 | A Compleat Treatise on Perspective | 45 | Published London by | James Malton|Thomas Malton, the Elder | British, 1761–1803|British, 1726–1801 | 27353 | 9 | 1761 |1726 | 1803 |1801 | 1778 | 1778 | 1778 | 33775 | 13 11/16 × 8 7/8 × 1 3/4 in. (34.7 × 22.5 × 4.5 cm) | Harris Brisbane Dick Fund, 1934 | 442 | http://www.metmuseum.org/art/collection/search/353600 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
230100 | 53.542.9 | 0 | 0 | 357772 | 11 | 13814 | A Catalogue of modern books on architecture.. | 44 | Josiah Taylor|The Architectural Library | British, 1761–1832|London | 30193 | 9 | 1761 |1790 | 1832 |1850 | [1818–19] | 1818 | 1819 | 36071 | Sheet: 10 3/8 x 8 3/8 in. (26.4 x 21.3 cm) Binding: 17 1/4 x 11 in. | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 | 665 | http://www.metmuseum.org/art/collection/search/357772 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
230102 | 53.542.8 | 0 | 0 | 357774 | 11 | 13814 | A Catalogue of Modern Books on Architecture... | 44 | Josiah Taylor|The Architectural Library | British, 1761–1832|London | 30193 | 9 | 1761 |1790 | 1832 |1850 | [1820] (?) | 1820 | 1820 | 36071 | Sheet: 7 7/8 x 5 1/2 in. (20 x 14 cm) Binding: 17 1/4 x 11 in. | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 | 665 | http://www.metmuseum.org/art/collection/search/357774 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
231298 | 24.66.112(1) | 0 | 0 | 359030 | 11 | 13813 | Catalogue of Modern Books on Architecture, Theoretical, Practical and Ornamental... | 1012 | Josiah Taylor|William Stratford | British, 1761–1832|London | 30809 | 9 | 1761 |1750 | 1832 |1850 | January 2, 1802 | 1802 | 1802 | 36516 | pamphlet: 14 9/16 × 10 1/16 in. (37 × 25.5 cm) binding: 17 3/16 × 10 13/16 × 3/16 in. (43.7 × 27.5 × 0.5 cm) | Harris Brisbane Dick Fund, 1924 | 665 | http://www.metmuseum.org/art/collection/search/359030 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
223896 | 52.519.115 | 0 | 0 | 351484 | 11 | 97 | An Introduction to Perspective, Practical Geometry, Drawing and Painting...Properly Adapted for the Instruction of Females, And equally for all Professional students; fifth edition | 44 | Charles Hayter|Samuel Bagster | British, 1761–1835 London|London | 25813 | 9 | 1761 |1800 | 1835 |1850 | 1832 | 1832 | 1832 | 29021 | 8 3/4 x 5 3/4 in. (22.2 x 14.6 cm) | Rogers Fund, 1952 | 442 | http://www.metmuseum.org/art/collection/search/351484 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
223897 | 1979.571.17 | 0 | 0 | 351485 | 11 | 97 | An introduction to perspective drawing and painting, second edition | 44 | Charles Hayter|Black, Parry and Co. | British, 1761–1835 London|London | 25814 | 9 | 1761 |1800 | 1835 |1850 | 1815 | 1815 | 1815 | 34432 | 8 1/2 x 5 1/2 in. (21.6 x 14 cm) | Gift of Lincoln Kirstein, 1979 | 442 | http://www.metmuseum.org/art/collection/search/351485 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
262959 | 59.533.176 | 0 | 0 | 391899 | 11 | 731 | The Critic or Tragedy Rehears'd | 740 | Samuel William Fores|Anonymous, British, 18th century | British, 1761–1838 | at the Caricature Warehouse | 38265 | 9 | 1761 |1700 | 1838 |1800 | February 24, 1786 | 1786 | 1786 | 26137 | sheet: 9 1/2 x 13 7/8 in. (24.1 x 35.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/391899 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
262962 | 59.533.178 | 0 | 0 | 391902 | 11 | 731 | Full and Half-Pay Officers | 740 | Samuel William Fores|Anonymous, British, 18th century | British, 1761–1838 | 38265 | 9 | 1761 |1700 | 1838 |1800 | March 1, 1786 | 1786 | 1786 | 34862 | sheet: 11 1/2 x 16 3/8 in. (29.2 x 41.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/391902 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
262964 | 17.3.888-239 | 0 | 1 | 391904 | 11 | 731 | Waggoners Frocks or No Bodys of 1795 | 740 | Samuel William Fores|Anonymous, British, 18th century | British, 1761–1838 | 38265 | 9 | 1761 |1700 | 1838 |1800 | August 4, 1795 | 1795 | 1795 | 34862 | sheet: 14 9/16 x 11 3/16 in. (37 x 28.4 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/391904 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
263016 | 1976.602.34 | 0 | 1 | 391957 | 11 | 731 | Bergami Pears, or Choice Fruit | 710 | Anonymous, British, 19th century|Samuel William Fores | British, 1761–1838 | 38280 | 9 | 1800 |1761 | 1900 |1838 | October 1820 | 1820 | 1820 | 34862 | plate: 13 11/16 x 9 3/4 in. (34.7 x 24.7 cm) sheet: 14 5/8 x 10 7/16 in. (37.2 x 26.5 cm) | Gift of Adele S. Gollin, 1976 | 13 | http://www.metmuseum.org/art/collection/search/391957 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
263337 | 58.535.9(4) | 0 | 1 | 392280 | 11 | 731 | My Lady | 710 | Anonymous, British, 19th century|Samuel William Fores | British, 1761–1838 | 38280 | 9 | 1800 |1761 | 1900 |1838 | September 1, 1821 | 1821 | 1821 | 31652 | sheet: 10 13/16 x 7 3/16 in. (27.5 x 18.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1958 | 13 | http://www.metmuseum.org/art/collection/search/392280 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
263338 | 17.3.888-237 | 0 | 0 | 392281 | 11 | 731 | Waggoners Frocks or No Bodys of 1795 | 740 | Samuel William Fores|Anonymous, British, 18th century | British, 1761–1838 | 38265 | 9 | 1761 |1700 | 1838 |1800 | 1795 | 1795 | 1795 | 42391 | sheet: 14 9/16 x 11 5/16 in. (37 x 28.7 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/392281 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
263530 | 17.3.888-252 | 0 | 1 | 392476 | 11 | 731 | Pizzaro a New Play or the Drury-Lane Masquerade | 740 | Samuel William Fores|Anonymous, British, 18th century | British, 1761–1838 | 38265 | 9 | 1761 |1700 | 1838 |1800 | June 11, 1799 | 1799 | 1799 | 34862 | sheet: 10 3/16 x 16 1/4 in. (25.9 x 41.2 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/392476 | 4/23/2018 8:00:01 AM | 1 |