Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 184183 | 1982.1182.824–.826 | 0 | 0 | 288239 | 13 | 13055 | [Group of 3 Early Stereograph Views of British Public Buildings] | 895 | Unknown|F. G. O. Stuart|John Browning | British|British|British | 16292 | 9 | 1850s–1910s | 1850 | 1919 | 26067 | Mounts approximately: 8.4 x 16.9 cm (3 5/16 x 6 5/8 in.) to 8.6 x 17.5 cm (3 3/8 x 6 7/8 in.) | Gift of Weston J. Naef, in memory of Kathleen W. Naef and Weston J. Naef Sr., 1982 | 21 | http://www.metmuseum.org/art/collection/search/288239 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 206452 | 17.66.1 | 0 | 0 | 333796 | 11 | 1119 | Eight Original Etchings by the late John Sell Cotman now first published; also Ten Etchings by Miles Edmund Cotman | 895 | Published by | John Sell Cotman|Miles Edmund Cotman|Charles Muskett | British, Norwich 1782–1842 London|British, Norwich 1810–1858 Norwich|London | and Norwich | 17308 | 178 | 1782 |1810 |1800 | 1842 |1858 |1899 | 1846 | 1846 | 1846 | 26137 | Book: 19 11/16 x 13 1/4 x 5/8 in. (50 x 33.7 x 1.6cm) | Rogers Fund, 1917 | 462 | http://www.metmuseum.org/art/collection/search/333796 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 206601 | 30.48.4 | 0 | 0 | 333945 | 11 | 13811 | A Booke of Sundry Draughtes, principaly serving for Glasiers: and not impertinent for plasterers, and gardiners: be sides sundry other professions; Whereunto is annexed the manner how to anniel in glass | 895 | Jost Amman|Walter Gedde|Walter Dight | Swiss, Zurich before 1539–1591 Nuremberg|British, active early 17th century|London | 17355 | 754 | 1539 |1580 |1600 | 1591 |1650 |1650 | 1615–16 | 1615 | 1616 | 29016 | 8 1/8 x 6 x 11/16 in. (20.7 x 15.3 x 1.7 cm) | Harris Brisbane Dick Fund, 1930 | 14 | 665 | http://www.metmuseum.org/art/collection/search/333945 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206898 | 62.602.229 | 0 | 0 | 334242 | 11 | 731 | A Young Woman Reading a Letter | 895 | After|Published by | Jean Étienne Liotard|James McArdell|James McArdell | Swiss, Geneva 1702–1789 Geneva|Irish, Dublin 1729–1765 London|Irish, Dublin 1729–1765 London | 17470 | 778 | 1702 |1729 |1729 | 1789 |1765 |1765 | 1754 | 1754 | 1754 | 29173 | Sheet: 13 7/8 x 9 3/4 in. (35.2 x 24.8 cm) | Rogers Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/334242 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 207110 | 1986.1180.1344 | 0 | 0 | 334458 | 11 | 731 | Hercules Feeds Diomedes to His Own Mares and Hercules Slays Cacus from The Labours of Hercules | 895 | After | Cornelis Cort|Frans Floris I|Hieronymus Cock | Netherlandish, Hoorn ca. 1533–1578 Rome|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 17559 | 787 | 1533 |1519 |1510 | 1578 |1570 |1570 | 1550–78 | 1550 | 1578 | 7208 | plate: 8 3/4 x 11 1/4in. (22.3 x 28.5cm) sheet: 9 3/8 x 11 5/8 in. (23.8 x 29.5 cm) | Bequest of Grace M. Pugh, 1985 | 13 | http://www.metmuseum.org/art/collection/search/334458 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 207113 | 1986.1250.2.1–2 | 0 | 0 | 334461 | 11 | 97 | Conterfet Kupfferstich (soviel man deren zu handen bringen konnen) deren jenigen regierenden grossen herren, so von Kaysers Ferdinand dess andern geburt... | 895 | Published by | Johann Christoph Sysang|Johann Friedrich Rosbach|Moritz Georg Weidmann | German, 1703–1757|German, active 1720–28|German, active ca. 1720 | 17562 | 80 | 1703 |1720 |1715 | 1757 |1728 |1725 | 1721–22 | 1721 | 1722 | 29297 | Book: 13 9/16 x 8 13/16 x 2 5/8 in. (34.5 x 22.4 x 6.7 cm) | Gift of Ica Waldes Busek, In Memory of Jindrich Waldes, 1986 | 442 | http://www.metmuseum.org/art/collection/search/334461 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 207114 | 1986.1250.7a | 0 | 0 | 334462 | 11 | 97 | Afbeelding van de Zaal en 't Praalbed waar op het Lyk van zyne Doorluchtige Hoogheid den Heere Willem Karel Hendrik Friso... | 895 | Published by | Jan Punt|de Swart|Francois Changuion | Dutch, Amsterdam 1711–1779 Amsterdam|Dutch|Dutch | 17563 | 789 | 1711 | 1779 | 1752 | 1752 | 1752 | 26137 | 19 3/8 x 15 1/16 x 1 13/16 in (49.2 x 38.2 x 4.6 cm) | Gift of Ica Waldes Busek, in Memory of Jindrich Waldes, 1986 | 442 | http://www.metmuseum.org/art/collection/search/334462 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 207251 | 1993.1101 | 0 | 0 | 334600 | 11 | 731 | Three Dominican Saints | 895 | After|Published by | Francesco Bartolozzi|Giovanni Battista Piazzetta|Joseph Wagner | Italian, Florence 1728–1815 Lisbon|Italian, Venice 1682–1754 Venice|Italian, Thalendorf 1706–1780 Venice | , Venice | 17640 | 93 | 1728 |1682 |1706 | 1815 |1754 |1780 | 1760 | 1760 | 1760 | 29367 | plate: 21 5/16 x 12 11/16 in. (54.1 x 32.3 cm) | Museum Accession, 1993 | 13 | http://www.metmuseum.org/art/collection/search/334600 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 207269 | 1994.30.3.1–2 | 0 | 0 | 334618 | 11 | 97 | Folder, vol.2, no.1, 1954-1955. | 895 | Gandy Brodie|Grace Hartigan|Tiber Press | American, New York 1924–1975 New York|American, Newark, New Jersey 1922–2008 Baltimore, Maryland|New York, NY | 17652 | 101 | 1924 |1922 |1950 | 1975 |2008 |2000 | 1954 | 1954 | 1954 | 29378 | Book: 10 5/8 x 7 13/16 x 1/4 in. (27 x 19.8 x .7 cm) | John B. Turner Fund, 1994 | 442 | http://www.metmuseum.org/art/collection/search/334618 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 207272 | 1994.30.4.1–2 | 0 | 0 | 334621 | 11 | 97 | Folder, 1954 | 895 | Published by | Felix Pasilis|Grace Hartigan|Tiber Press | American, born 1922|American, Newark, New Jersey 1922–2008 Baltimore, Maryland|New York, NY | 17654 | 101 | 1922 |1922 |1950 | 2022 |2008 |2000 | 1954 | 1954 | 1954 | 29381 | Book: 10 5/8 x 7 11/16 x 3/8 in. (27 x 19.5 x 1 cm) | John B. Turner Fund, 1994 | 442 | http://www.metmuseum.org/art/collection/search/334621 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 207283 | 1994.170.8 | 0 | 0 | 334632 | 11 | 731 | Silenus and a Family of Satyrs (Bacchanal) | 895 | After | Richard Earlom|Peter Paul Rubens|John Boydell | British, London 1743–1822 London|Flemish, Siegen 1577–1640 Antwerp|British, Shropshire 1720–1804 London | 17662 | 804 | 1743 |1577 |1720 | 1822 |1640 |1804 | 1785 | 1785 | 1785 | 29072 | Sheet: 20 13/16 x 27 9/16 in. (52.81 x 70cm) Plate: 17 3/8 x 18 7/8 in. (44.2 x 48.01cm) | Gift of Herbert Mitchell, 1994 | 14 | 13 | http://www.metmuseum.org/art/collection/search/334632 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 207841 | 1996.326 | 0 | 0 | 335198 | 11 | 731 | Novembre (November) | 86 | 895 | After|Published Venice by | Francesco Bartolozzi|Giuseppe Zocchi|Joseph Wagner | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1711–1767 Florence|Italian, Thalendorf 1706–1780 Venice | 17973 | 93 | 1728 |1711 |1706 | 1815 |1767 |1780 | 1761 | 1761 | 1761 | 29734 | plate: 14 5/16 x 17 15/16 in. (36.3 x 45.5 cm) sheet: 14 7/8 x 18 3/4 in. (37.8 x 47.6 cm) | Charles Z. Offin Fund, 1996 | 13 | http://www.metmuseum.org/art/collection/search/335198 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 207851 | 67.539.404 | 0 | 0 | 335208 | 11 | 731 | Decembre (December) | 87 | 895 | After|Published Venice by | Francesco Bartolozzi|Giuseppe Zocchi|Joseph Wagner | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1711–1767 Florence|Italian, Thalendorf 1706–1780 Venice | 17973 | 93 | 1728 |1711 |1706 | 1815 |1767 |1780 | 1761 | 1761 | 1761 | 29744 | sheet: 14 1/16 x 17 1/16 in. (35.7 x 43.4 cm) | Purchase, Harry G. Friedman Bequest, 1967 | 13 | http://www.metmuseum.org/art/collection/search/335208 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 207873 | 61.532.10 | 0 | 0 | 335230 | 11 | 731 | Plate 10: Visit of the Doge to San Zaccaria on Easter Day, from 'Ducal Ceremonies and Festivals' (Le Feste Ducali) | 88 | 895 | After | Giovanni Battista Brustolon|Canaletto (Giovanni Antonio Canal)|Lodovico Furlanetto | Italian, Venice 1712–1796 Venice|Italian, Venice 1697–1768 Venice|Italian, active Venice, 1766–1777 | 17988 | 93 | 1712 |1697 |1766 | 1796 |1768 |1777 | ca. 1766 | 1746 | 1786 | 6712 | Plate: 17 5/16 × 22 3/8 in. (44 × 56.9 cm) Sheet: 21 1/4 × 27 3/16 in. (54 × 69 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1961 | 13 | http://www.metmuseum.org/art/collection/search/335230 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 208203 | 1979.525.4 | 0 | 1 | 335562 | 11 | 731 | The Rhinoceros, Clara, in the foreground, her keeper holding her horn and a whip behind her at center with various other spectators in Carnival masks | 895 | After | Alessandro Longhi|Pietro Longhi (Pietro Falca)|Joseph Wagner | Italian, Venice 1733–1813 Venice|Italian, Venice 1701–1785 Venice|Italian, Thalendorf 1706–1780 Venice | 18118 | 93 | 1733 |1701 |1706 | 1813 |1785 |1780 | after ca. 1751 | 1746 | 1799 | 26137 | Sheet: 16 5/16 × 20 1/4 in. (41.4 × 51.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1979 | 13 | http://www.metmuseum.org/art/collection/search/335562 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 208260 | 61.532.13 | 0 | 0 | 335619 | 11 | 731 | Plate I: the Piazzetta seen from the Molo | 107 | 895 | After | Antonio Maria Visentini|Canaletto (Giovanni Antonio Canal)|Lodovico Furlanetto | Italian, Venice 1688–1782 Venice|Italian, Venice 1697–1768 Venice|Italian, active Venice, 1766–1777 | 18148 | 145 | 1688 |1697 |1766 | 1782 |1768 |1777 | ca. 1766 | 1761 | 1771 | 26137 | Sheet: 20 7/8 × 27 3/8 in. (53 × 69.5 cm) Plate: 16 5/8 × 22 13/16 in. (42.2 × 58 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1961 | 13 | http://www.metmuseum.org/art/collection/search/335619 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 208261 | 61.532.14 | 0 | 0 | 335620 | 11 | 731 | PlateII: the Ducal Palace from the Bacino | 108 | 895 | After | Antonio Maria Visentini|Canaletto (Giovanni Antonio Canal)|Lodovico Furlanetto | Italian, Venice 1688–1782 Venice|Italian, Venice 1697–1768 Venice|Italian, active Venice, 1766–1777 | 18148 | 145 | 1688 |1697 |1766 | 1782 |1768 |1777 | ca. 1766 | 1761 | 1771 | 26137 | Sheet: 21 1/16 × 27 3/8 in. (53.5 × 69.5 cm) Plate: 16 3/4 × 22 13/16 in. (42.5 × 58 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1961 | 13 | http://www.metmuseum.org/art/collection/search/335620 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 208263 | 61.532.15 | 0 | 0 | 335622 | 11 | 731 | Plate III: Piazza San Marco from the Clock Tower | 109 | 895 | After | Antonio Maria Visentini|Canaletto (Giovanni Antonio Canal)|Lodovico Furlanetto | Italian, Venice 1688–1782 Venice|Italian, Venice 1697–1768 Venice|Italian, active Venice, 1766–1777 | 18148 | 145 | 1688 |1697 |1766 | 1782 |1768 |1777 | ca. 1766 | 1761 | 1771 | 26137 | Sheet: 21 1/16 × 27 9/16 in. (53.5 × 70 cm) Plate: 16 5/8 × 22 13/16 in. (42.3 × 58 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1961 | 13 | http://www.metmuseum.org/art/collection/search/335622 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 209034 | 2001.648 | 0 | 1 | 336411 | 11 | 731 | Witches Preparing for Sabbath | 895 | Designed by|Published by | Jacques de Gheyn II|Andries Stock|Nicolaes de Clerck | Netherlandish, Antwerp 1565–1629 The Hague|Netherlandish, 1572/82–after 1648 | 18428 | 787 | 1565 |1572 | 1629 |1648 | ca. 1610 | 1605 | 1615 | 7208 | Sheet: 17 1/4 × 25 3/4 in. (43.8 × 65.4 cm) | Gift of Charles Hack and Angella Hearn, 2001 | 13 | http://www.metmuseum.org/art/collection/search/336411 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 209269 | 51.501.4980 | 0 | 0 | 336650 | 11 | 731 | Sergeant, from Officers and Soldiers | 132 | 895 | after | Jacques de Gheyn II|Hendrick Goltzius|Hendrick Goltzius | Netherlandish, Antwerp 1565–1629 The Hague|Netherlandish, Mühlbracht 1558–1617 Haarlem|Netherlandish, Mühlbracht 1558–1617 Haarlem | 18494 | 787 | 1565 |1558 |1558 | 1629 |1617 |1617 | 1587 | 1587 | 1587 | 30618 | Sheet: 8 5/8 × 6 3/16 in. (21.9 × 15.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 1057 | 13 | http://www.metmuseum.org/art/collection/search/336650 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 211255 | 1999.523.4 | 0 | 0 | 338645 | 11 | 731 | An Archery Contest | 895 | After | Philip Browne|William Garet|Graf and Soret | British, active 1824–65|British, active London, mid-19th century|London | 19180 | 178 | 1824 |1800 |1800 | 1865 |1900 |1900 | 1850–59 | 1850 | 1859 | 14948 | 10 x 12-7/8 in. (25.4 x 32.7 cm) | Gift of Lev Tsitrin, 1999 | 13 | http://www.metmuseum.org/art/collection/search/338645 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211268 | 1999.509.5 | 0 | 1 | 338658 | 11 | 731 | Girl and Pigs | 895 | After | Richard Earlom|Thomas Gainsborough|John Boydell | British, London 1743–1822 London|British, Sudbury 1727–1788 London|British, Shropshire 1720–1804 London | 19188 | 178 | 1743 |1727 |1720 | 1822 |1788 |1804 | 1783 | 1783 | 1783 | 29072 | 15-13/16 x 18-1/2 in. (40.2 x 47.0 cm) | Gift of Leo Steinberg, 1999 | 13 | http://www.metmuseum.org/art/collection/search/338658 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211304 | 17.3.859 | 0 | 1 | 338694 | 11 | 731 | Big Fish Eat Little Fish | 895 | Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19206 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1557 | 1557 | 1557 | 31672 | 9 x 11 5/8 in. (22.9 x 29.6 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/338694 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 211306 | 26.72.23 | 0 | 1 | 338696 | 11 | 731 | Summer (Aestas) from the series The Seasons | 895 | After | Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19206 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1570 | 1570 | 1570 | 30370 | Sheet: 8 7/8 x 11 5/16 in. (22.5 x 28.7 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/338696 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211307 | 26.72.24 | 0 | 1 | 338697 | 11 | 731 | Skating before the St. George's Gate, Antwerp | 895 | After | Frans Huys|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, 1522–1562|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19207 | 787 | 1522 |1525 |1510 | 1562 |1569 |1570 | ca. 1558 | 1553 | 1563 | 30370 | 9 1/8 x 11 3/4 in. (23.2 x 29.9 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/338697 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211308 | 26.72.31 | 0 | 1 | 338698 | 11 | 731 | Avarice (Avaritia) from the series The Seven Deadly Sins | 895 | After | Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19206 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 30370 | Sheet: 8 7/8 x 11 5/8 in. (22.6 x 29.5 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/338698 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211309 | 26.72.33 | 0 | 1 | 338699 | 11 | 731 | Pride (Superbia), from the series The Seven Deadly Sins | 895 | After | Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19206 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 7208 | sheet: 8 7/8 x 11 5/8 in. (22.5 x 29.5 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/338699 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211310 | 26.72.34 | 0 | 1 | 338700 | 11 | 731 | Sloth (Desidia), from the series The Seven Deadly Sins | 895 | After | Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19206 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 7208 | Sheet: 8 15/16 x 11 5/8 in. (22.7 x 29.6 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/338700 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211311 | 26.72.39 | 0 | 1 | 338701 | 11 | 731 | The Dirty Bride or the Marriage of Mopsus and Nisa | 895 | Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19206 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1570 | 1570 | 1570 | 31672 | Sheet: 8 3/4 x 11 3/8 in. (22.2 x 28.9 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/338701 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 211312 | 26.72.40 | 0 | 1 | 338702 | 11 | 731 | The Battle about Money | 895 | After | Pieter van der Heyden|Pieter Bruegel the Elder|Aux Quatre Vents | Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels | 19208 | 787 | 1525 |1525 | 1569 |1569 | after 1570 | 1570 | 1580 | 30932 | Sheet: 9 5/16 x 11 15/16 in. (23.6 x 30.4 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/338702 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211315 | 26.72.46 | 0 | 1 | 338705 | 11 | 731 | Envy (Invidia) from The Seven Deadly Sins | 895 | After | Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19206 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 30370 | 8 15/16 x 11 5/8 in. (22.7 x 29.5 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/338705 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211316 | 26.72.57 | 0 | 1 | 338706 | 11 | 731 | Spring (Ver) from The Seasons | 895 | After | Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19206 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1570 | 1570 | 1570 | 31674 | sheet: 9 x 11 7/16 in. (22.8 x 29 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/338706 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211317 | 28.4(2) | 0 | 1 | 338707 | 11 | 731 | Armed Three-master with Daedalus and Icarus in the Sky from The Sailing Vessels | 895 | After | Frans Huys|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, 1522–1562|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19207 | 787 | 1522 |1525 |1510 | 1562 |1569 |1570 | 1561–65 | 1561 | 1565 | 31674 | Sheet: 8 3/4 x 11 5/16 in. (22.2 x 28.7 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/338707 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211318 | 28.4(10) | 0 | 1 | 338708 | 11 | 731 | Fleet of Galleys Escorted by a Caravel from The Sailing Vessels | 895 | After | Frans Huys|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, 1522–1562|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19207 | 787 | 1522 |1525 |1510 | 1562 |1569 |1570 | 1561–65 | 1561 | 1565 | 29129 | Sheet: 8 3/4 x 11 7/16 in. (22.3 x 29 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/338708 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211319 | 28.4(18) | 0 | 1 | 338709 | 11 | 731 | The Fall of the Magician | 895 | After | Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19210 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1565 | 1565 | 1565 | 31675 | plate: 8 3/4 x 11 9/16 in. (22.3 x 29.3 cm) sheet: 10 1/4 x 13 1/8 in. (26.1 x 33.4 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/338709 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211321 | 33.52.29 | 0 | 1 | 338711 | 11 | 731 | The Peasant Wedding Dance | 895 | After|Published by | Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19206 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | after 1570 | 1570 | 1580 | 31674 | sheet: 14 15/16 x 17 1/16 in. (38 x 43.3 cm) | Harris Brisbane Dick Fund, 1933 | 13 | http://www.metmuseum.org/art/collection/search/338711 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211322 | 59.534.23 | 0 | 1 | 338712 | 11 | 731 | Four-master and Two Three-masters Anchored near a Fortified Island from The Sailing Vessels | 895 | Frans Huys|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, 1522–1562|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19207 | 787 | 1522 |1525 |1510 | 1562 |1569 |1570 | 1561–65 | 1561 | 1565 | 31677 | Plate: 8 7/8 × 11 9/16 in. (22.5 × 29.4 cm) Sheet: 10 15/16 × 13 in. (27.8 × 33 cm) | Bequest of Alexandrine Sinsheimer, 1959 | 13 | http://www.metmuseum.org/art/collection/search/338712 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 211323 | 59.534.24 | 0 | 1 | 338713 | 11 | 731 | Three Caravels in a Rising Squall with Arion on a Dolphin from The Sailing Vessels | 895 | Frans Huys|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, 1522–1562|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19207 | 787 | 1522 |1525 |1510 | 1562 |1569 |1570 | 1561–65 | 1561 | 1565 | 31678 | 8 11/16 x 11 1/4 in. (22 x 28.6 cm) | Bequest of Alexandrine Sinsheimer, 1959 | 13 | http://www.metmuseum.org/art/collection/search/338713 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 211581 | 1984.1108.3 | 0 | 1 | 338971 | 11 | 731 | The Prophet Jeremiah, from the series of Prophets and Sibyls in the Sistine Chapel | 895 | After | Giorgio Ghisi|Michelangelo Buonarroti|Nicolaus van Aelst | Italian, Mantua ca. 1520–1582 Mantua|Italian, Caprese 1475–1564 Rome|Flemish, Brussels 1526–1613 Rome | 19293 | 145 | 1515 |1475 |1526 | 1582 |1564 |1613 | 1570–75 | 1570 | 1575 | 31825 | Sheet (Trimmed): 22 1/4 in. × 17 in. (56.5 × 43.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1984 | 13 | http://www.metmuseum.org/art/collection/search/338971 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 212479 | 54.90.587 | 0 | 1 | 339873 | 11 | 731 | New York from the Steeple of St. Paul's Church, Looking East, South, and West | 895 | After | Henry A. Papprill|John William Hill|Henry J. Megarey | British, 1817–1896|American (born England), London 1812–1879 West Nyack, New York|American, 1818–1845 New York | 19586 | 954 | 1817 |1812 |1818 | 1896 |1879 |1845 | 1849 | 1849 | 1849 | 32178 | image: 21 1/4 x 36 3/16 in. (53.9 x 91.9 cm) sheet: 25 3/16 x 38 7/16 in. (64 x 97.7 cm) | The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954 | 13 | http://www.metmuseum.org/art/collection/search/339873 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 212879 | 53.600.516 | 0 | 0 | 340275 | 11 | 731 | Child with a Top | 895 | after | Jean Siméon Chardin|Bernard Lepicié|Louis Surugue | French, Paris 1699–1779 Paris|French, Paris 1698–1755 Paris|French, Paris ca. 1686–1762 Grand Vaux | 19654 | 2 | 1699 |1698 |1686 | 1779 |1755 |1762 | 1742 | 1742 | 1742 | 30370 | Sheet (trimmed): 8 7/16 × 8 1/16 in. (21.5 × 20.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/340275 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 213746 | 53.600.2096 | 0 | 0 | 341165 | 11 | 731 | The Temptation of Saint Anthony; with two temptresses and two demons surrounding him, as God flies down to his rescue | 895 | After | Agostino Carracci|Jacopo Tintoretto (Jacopo Robusti)|Luca Bertelli | Italian, Bologna 1557–1602 Parma|Italian, Venice 1518/19–1594 Venice|Italian, active 1564–89 | 19876 | 93 | 1557 |1518 |1564 | 1602 |1594 |1589 | 1582 | 1582 | 1582 | 7208 | Sheet: 22 5/8 × 15 9/16 in. (57.5 × 39.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/341165 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 213987 | 47.100.1023 | 0 | 1 | 341406 | 11 | 731 | Aeneas and his family fleeing Troy | 895 | After | Agostino Carracci|Federico Barocci|Donato Rasicotti | Italian, Bologna 1557–1602 Parma|Italian, Urbino ca. 1535–1612 Urbino|Italian, active Venice, 1572–98 | 19945 | 93 | 1557 |1535 |1572 | 1602 |1612 |1598 | 1595 | 1595 | 1595 | 7208 | Sheet (Trimmed): 15 1/4 × 20 7/8 in. (38.7 × 53 cm) | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/341406 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 214045 | 26.50.1(140) | 0 | 1 | 341464 | 11 | 731 | Eros Escaping by Sea; Cupid using his bow to propel a boat made from his quiver with an arrow as the mast and his blindfold as the sail, a banderole above | 895 | After | Marco Dente|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | 19966 | 93 | 1515 |1483 |1478 | 1527 |1520 |1562 | ca. 1515–27 | 1510 | 1532 | 7208 | Sheet: 5 1/16 × 6 13/16 in. (12.9 × 17.3 cm) Plate: 4 15/16 × 6 5/8 in. (12.5 × 16.9 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/341464 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 214078 | 1986.1180.521 | 0 | 0 | 341497 | 11 | 731 | David Playing the Harp and Dancing in front of the Ark of the Convenant | 895 | After | Domenichino (Domenico Zampieri)|Pierre LeMaire|Arnold van Westerhout | Italian, Bologna 1581–1641 Naples|French, 1612–1688 Rome|Flemish, Antwerp 1651–1725 Rome | 19968 | 966 | 1581 |1612 |1651 | 1641 |1688 |1725 | 1650 | 1725 | 26137 | sheet: 9 15/16 x 7 13/16 in. (25.2 x 19.8 cm) plate: 9 7/8 x 7 11/16 in. (25.1 x 19.6 cm) | Bequest of Grace M. Pugh, 1985 | 13 | http://www.metmuseum.org/art/collection/search/341497 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 214503 | 47.100.913 | 0 | 0 | 341925 | 11 | 731 | The Virgin in Glory, after Murillo | 895 | After | Jean Marie Leroux|Bartolomé Estebán Murillo|Hauser Editeur | French, Paris 1788–1870 Paris|Spanish, Seville 1617–1682 Seville|French, Paris | 20090 | 140 | 1788 |1617 | 1870 |1682 | ca. 1830–1870 | 1825 | 1835 | 7208 | 29 3/4 x 21 5/8 in. (75.5 x 55 cm) | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/341925 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 215890 | 2000.635.2 | 0 | 0 | 343319 | 11 | 731 | Pitratto nel quale si rappresenta il vero sito dell'horti et fontane che con ingeniosissimi adornamenti et maraviglie si vedono nella villa in Tivoli fatta dalla Fe. Me. D. Hippolito da Este Card. di Ferrara (Villa d'Este, Tivoli) | 895 | After|Published by | Francesco Corduba|Etienne DuPérac|Giovanni Giacomo De Rossi | Italian, 17th century|French, ca. 1535–1604|Italian, Rome 1627–1691 Rome | 20379 | 267 | 1600 |1535 |1627 | 1700 |1604 |1691 | ca. 1620 | 1615 | 1625 | 29129 | Plate: 9 3/8 x 13 3/4 in. (23.8 x 34.9 cm) Sheet: 10 5/8 x 15 3/4 in. (27 x 40 cm) | Gift of Gray Foy in memory of Leo Lerman, 2000 | 13 | http://www.metmuseum.org/art/collection/search/343319 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 216163 | 66.747.47 | 0 | 1 | 343594 | 11 | 731 | A group of emaciated men and women gathered around a skeleton laid on the ground and a figure of Death as a winged skeleton standing above it holding an open book | 895 | After | Marco Dente|Baccio Bandinelli|Antonio Salamanca | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Gaiole in Chianti 1493–1560 Florence|Salamanca 1478–1562 Rome | 20465 | 93 | 1515 |1493 |1478 | 1527 |1560 |1562 | ca. 1515–27 | 1510 | 1532 | 7208 | Sheet (Trimmed): 11 1/4 × 17 1/8 in. (28.5 × 43.5 cm) | Gift of Mrs. John H. Sichel, 1966 | 13 | http://www.metmuseum.org/art/collection/search/343594 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 216172 | 41.72(2.145) | 0 | 1 | 343603 | 11 | 731 | Speculum Romanae Magnificentiae: Bas-Relief with Three Cupids | 159 | 895 | After | Marco Dente|Raphael (Raffaello Sanzio or Santi)|Claudio Duchetti | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Italian, active Venice and Rome, ca. 1565–died ca. 1585 | 20467 | 145 | 1515 |1483 |1565 | 1527 |1520 |1585 | 1519 | 1519 | 1519 | 7208 | sheet: 7 3/16 x 14 in. (18.3 x 35.5 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/343603 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 216459 | 49.69.11(7-9) | 0 | 0 | 343890 | 11 | 97 | [Altars] | 895 | Published by | Joseph Anton Feuchtmayer|Gottfried Bernhard Goetz|Gottfried Bernhard Goetz | German, Linz 1696–1770 Mimmenhausen|German, Velehrad 1708–1774 Augsburg|German, Velehrad 1708–1774 Augsburg | 20637 | 80 | 1696 |1708 |1708 | 1770 |1774 |1774 | ca. 1740 | 1735 | 1745 | 7208 | 16 3/4 x 10 1/4 x 1/16 in. (42.5 x 26 x 0.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 424 | 442 | http://www.metmuseum.org/art/collection/search/343890 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 216641 | 21.36.49 | 0 | 0 | 344102 | 11 | 97 | Beschouwing der Wereld | 895 | Published by | Jan Luyken|Caspar Luyken|Pieter Arentsz. II. widow and Cornelis van der Sys | Dutch, Amsterdam 1649–1712 Amsterdam|Dutch, Amsterdam 1672–1708 Amsterdam | 20728 | 789 | 1649 |1672 |1698 | 1712 |1708 | 1708 | 1708 | 1708 | 7208 | 7 5/16 x 4 13/16 x 1 3/4 in. (18.5 x 12.3 x 4.5 cm) | Gift of Samuel P. Avery, transferred from Library, 1921 | 201 | 442 | http://www.metmuseum.org/art/collection/search/344102 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 216649 | 27.23.31-62 | 0 | 0 | 344110 | 11 | 13872 | Modelli Artificiosi di Vasi diversi d'argento et altre Opere capriciozi (...) Parte prima; Parte seconda | 895 | After|Published by | Theodor van Kessel|Adam van Vianen I|Christiaen van Vianen | Dutch, 1620–1660|Dutch, Utrecht ca. 1568/69–1627 Utrecht|Dutch, Utrecht ca. 1600–1667 Utrecht | 20734 | 1031 | 1620 |1563 |1600 | 1660 |1627 |1667 | [1646–52] | 1646 | 1652 | 26137 | 14 11/16 x 10 5/8 x 1/8 in. (37.3 x 27 x 0.3 cm) | Harris Brisbane Dick Fund, 1927 | 694 | http://www.metmuseum.org/art/collection/search/344110 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 217286 | 51.540.4 | 0 | 0 | 344777 | 11 | 97 | Cinquieme Suite de Vases | 895 | Published by | Adélaide Allou|P. Nicolet|Chez Basan | French|French, 18th century | 21072 | 103 | 0018 | 0018 | [about 1771] | 1771 | 1771 | 26137 | Overall: 14 1/8 x 10 9/16 x 5/16 in. (35.8 x 26.8 x 0.8 cm) | Harris Brisbane Dick Fund, 1951 | 27 | 442 | http://www.metmuseum.org/art/collection/search/344777 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 217707 | 68.526.13 | 0 | 0 | 345202 | 11 | 97 | Handbook of Christian Symbolism | 895 | George Ashdown Audsley|William James Audsley|Day & Son, Ltd. | British, Elgin, Scotland 1838–1925 New York|British, born 1833|London | 21404 | 1188 | 1838 |1833 |1800 | 1925 |1933 |1899 | 1865 | 1865 | 1865 | 34115 | 8 7/16 x 6 11/16 in. (21.5 x 17 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1968 | 14 | 442 | http://www.metmuseum.org/art/collection/search/345202 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 217967 | 41.72(1.26) | 0 | 1 | 345467 | 11 | 731 | Speculum Romanae Magnificentiae: The Altar of Eros | 159 | 895 | Attributed to|After (?) | Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Venice ca. 1490–after 1536 Rome|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | 21580 | 93 | 1490 |1483 |1478 | 1536 |1520 |1562 | ca. 1514–36 | 1514 | 1536 | 7208 | mount: 17 15/16 x 11 13/16 in. (45.5 x 30 cm) sheet: 11 5/8 x 8 11/16 in. (29.5 x 22 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/345467 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 217969 | 41.72(1.27) | 0 | 1 | 345469 | 11 | 731 | Speculum Romanae Magnificentiae: The Altar of Jupiter in the Oldest Temple on the Capitol | 159 | 895 | Attributed to|After (?) | Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Venice ca. 1490–after 1536 Rome|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | 21580 | 93 | 1490 |1483 |1478 | 1536 |1520 |1562 | ca. 1514–36 | 1514 | 1536 | 7208 | mount: 18 1/8 x 10 5/8 in. (46 x 27 cm) sheet: 11 5/8 x 8 3/8 in. (29.5 x 21.2 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/345469 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 218089 | 1991.1073.86 | 0 | 1 | 345590 | 11 | 97 | Admiranda romananum antiquitatum ac veteris sculpturae vestigia | 895 | After | Pietro Santi Bartoli|Giovanni Pietro Bellori|Giovanni Giacomo De Rossi | Italian, Perugia 1615–1700 Rome|Italian, Rome 1613–1696 Rome|Italian, Rome 1627–1691 Rome | 21631 | 145 | 1615 |1613 |1627 | 1700 |1696 |1691 | 1693 | 1693 | 1693 | Rogers Fund, 1905, transferred from the Library (1991.1073.86) | 571 | 442 | http://www.metmuseum.org/art/collection/search/345590 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 218191 | 41.72(2.119) | 0 | 1 | 345693 | 11 | 731 | Speculum Romanae Magnificentiae: Trajan Between City of Victory and Rome | 159 | 895 | After | Marcantonio Raimondi|Anonymous, Italian, 16th century|Antonio Salamanca | Italian, Argini (?) ca. 1480–before 1534 Bologna (?)|Italian, active Central Italy, ca. 1550–1580|Salamanca 1478–1562 Rome | 21675 | 93 | 1475 |1550 |1478 | 1534 |1600 |1562 | ca. 1500–34 | 1500 | 1540 | 7208 | sheet: 11 1/4 x 16 3/4 in. (28.6 x 42.6 cm) mount: 13 7/8 x 16 15/16 in. (35.3 x 43 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/345693 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 218949 | 48.11 | 0 | 0 | 346459 | 11 | 97 | Album de la Société des Aqua-fortistes | 895 | Amédée de Boret|Émile Ulm|Cadart & Luquet | French, Jussey 1837–1916 Raincourt|French, 19th century | 22176 | 103 | 1837 |1800 |1800 | 1916 |1900 |1900 | 1865–66 | 1865 | 1866 | 28944 | Harris Brisbane Dick Fund, 1948 | 442 | http://www.metmuseum.org/art/collection/search/346459 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 218970 | 53.554.2 | 0 | 0 | 346480 | 11 | 97 | Diversi Trofei etc. | 895 | Published by [ | Pierre Philippe Choffard|Benigno Bossi|Chereau | French, Paris 1730–1809 Paris|Italian, 1727–1792|French | ] | 22190 | 273 | 1730 |1727 | 1809 |1792 | 1745–1800 | 1745 | 1800 | 7208 | Overall: 6 x 5 7/8 x 3/8 in. (15.2 x 14.9 x 0.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 | 27 | 442 | http://www.metmuseum.org/art/collection/search/346480 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 219000 | 53.600.1015 | 0 | 0 | 346511 | 11 | 13829 | Three Putti sitting on Dolphins and two Tritons, from Second Livre de Fontaines (Second Book of Fountains) | 287 | 895 | After | François Boucher|Pierre Alexandre Aveline|Gabriel Huquier | French, Paris 1703–1770 Paris|French, Paris 1702–1760 Paris|French, Orléans 1695–1772 Paris | 22216 | 103 | 1703 |1702 |1695 | 1770 |1760 |1772 | ca. 1720–36 | 1720 | 1736 | 6712 | Sheet: 9 15/16 x 5 13/16 in. (25.2 x 14.8 cm) trimmed | Harris Brisbane Dick Fund, 1953 | 673 | http://www.metmuseum.org/art/collection/search/346511 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 219001 | 17.3.3232 | 0 | 0 | 346512 | 11 | 13829 | Two Tritons and a Swan, from Second Livre de Fontaines, plate 5 | 287 | 895 | After | François Boucher|Pierre Alexandre Aveline|Gabriel Huquier | French, Paris 1703–1770 Paris|French, Paris 1702–1760 Paris|French, Orléans 1695–1772 Paris | 22216 | 103 | 1703 |1702 |1695 | 1770 |1760 |1772 | ca. 1720–36 | 1720 | 1736 | 6712 | Sheet: 13 3/16 x 9 7/16 in. (33.5 x 24 cm) Plate: 10 7/16 x 6 1/2 in. (26.5 x 16.5 cm) | Harris Brisbane Dick Fund, 1917 | 673 | http://www.metmuseum.org/art/collection/search/346512 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 219002 | 17.3.3234 | 0 | 0 | 346513 | 11 | 13829 | Neptune, from Second Livre de Fontaines (Second Book of Fountains), plate 2 | 287 | 895 | After | François Boucher|Pierre Alexandre Aveline|Gabriel Huquier | French, Paris 1703–1770 Paris|French, Paris 1702–1760 Paris|French, Orléans 1695–1772 Paris | 22216 | 103 | 1703 |1702 |1695 | 1770 |1760 |1772 | ca. 1720–36 | 1715 | 1736 | 6712 | Sheet: 13 1/16 x 9 1/2 in. (33.2 x 24.2 cm) Plate: 10 5/16 x 6 7/16 in. (26.2 x 16.4 cm) | Harris Brisbane Dick Fund, 1917 | 673 | http://www.metmuseum.org/art/collection/search/346513 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 219003 | 17.3.3255 | 0 | 0 | 346514 | 11 | 13829 | Satyr, Naiad, and River God, from Second Livre de Fontaines (Second Book of Fountains), plate 6 | 287 | 895 | After | François Boucher|Pierre Alexandre Aveline|Gabriel Huquier | French, Paris 1703–1770 Paris|French, Paris 1702–1760 Paris|French, Orléans 1695–1772 Paris | 22216 | 103 | 1703 |1702 |1695 | 1770 |1760 |1772 | ca. 1720–36 | 1720 | 1736 | 6712 | Sheet: 13 3/16 x 9 7/16 in. (33.5 x 24 cm) Plate: 10 7/16 x 6 9/16 in. (26.5 x 16.6 cm) | Harris Brisbane Dick Fund, 1917 | 673 | http://www.metmuseum.org/art/collection/search/346514 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 219004 | 59.570.550(2) | 0 | 0 | 346515 | 11 | 13829 | Naiads, Tritons, and Priapus, from Second Livre de Fontaines (Second Book of Fountains), plate 4 | 287 | 895 | After | François Boucher|Pierre Alexandre Aveline|Gabriel Huquier | French, Paris 1703–1770 Paris|French, Paris 1702–1760 Paris|French, Orléans 1695–1772 Paris | 22216 | 103 | 1703 |1702 |1695 | 1770 |1760 |1772 | ca. 1720–36 | 1720 | 1736 | 6712 | Sheet: 11 15/16 x 8 3/8 in. (30.4 x 21.2 cm) Plate: 10 1/4 x 6 1/2 in. (26 x 16.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 673 | http://www.metmuseum.org/art/collection/search/346515 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 219005 | 49.108.2(41-46) | 0 | 0 | 346516 | 11 | 13829 | Suite de Figures Chinoises. . .Tiré du Cabinet de Mr. d'Azaincourt | 288 | 895 | After|Published by | François Boucher|Jean Pierre Louis Laurent Hoüel|Gilles Demarteau | French, Paris 1703–1770 Paris|French, Rouen 1735–1813 Paris|French, Liège 1722–1776 Paris | 22217 | 103 | 1703 |1735 |1722 | 1770 |1813 |1776 | mid-18th century | 1750 | 1776 | 6712 | Overall: 14 9/16 x 10 11/16 x 3/16 in. (37 x 27.2 x 0.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 695 | http://www.metmuseum.org/art/collection/search/346516 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 219006 | 53.600.1017(1-6) | 0 | 1 | 346517 | 11 | 1119 | Suite de Figures Chinoises. . . Tiré du Cabinet de Mr. d'Azaincourt | 895 | After|Published by | François Boucher|Jean Pierre Louis Laurent Hoüel|Gilles Demarteau | French, Paris 1703–1770 Paris|French, Rouen 1735–1813 Paris|French, Liège 1722–1776 Paris | 22217 | 103 | 1703 |1735 |1722 | 1770 |1813 |1776 | mid-18th century | 1750 | 1776 | 6712 | Overall: 14 9/16 x 10 11/16 x 3/16 in. (37 x 27.2 x 0.5 cm) | Harris Brisbane Dick Fund, 1953 | 462 | http://www.metmuseum.org/art/collection/search/346517 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 219345 | 1991.1073.38 | 0 | 0 | 346865 | 11 | 13868 | Collection "Décors et Couleurs" Album No. 2: Soixante-Dix Motifs Décoratifs en Dix-Huit Planches | 895 | Rep. artist|Published by | Jean Burkhalter|Jean Saudé|Éditions Albert Lévy | French | , Paris | 22501 | 21 | [ca. 1930] | 1925 | 1935 | 30782 | Overall: 16 x 13 1/4 x 9/16 in. (40.7 x 33.6 x 1.4 cm) | Rogers Fund, 1931, transferred from the Library (1991.1073.38) | 27 | 679 | http://www.metmuseum.org/art/collection/search/346865 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 219556 | 49.45 | 0 | 0 | 347076 | 11 | 97 | Urbis Venetiarum | 895 | After|Published by | Antonio Maria Visentini|Canaletto (Giovanni Antonio Canal)|Giambattista Pasquali | Italian, Venice 1688–1782 Venice|Italian, Venice 1697–1768 Venice|active 1730–90 | , Venice | 22640 | 145 | 1688 |1697 |1730 | 1782 |1768 |1790 | 1735–42 | 1735 | 1742 | 29786 | Overall: 13 3/16 x 19 5/16 x 13/16 in. (33.5 x 49 x 2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 442 | http://www.metmuseum.org/art/collection/search/347076 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 219876 | 57.567 | 0 | 1 | 347403 | 11 | 97 | Beschryving der nieuwlijks uitgevonden en geoctrojeerde slang-brand-spuiten | 895 | Published by | Jan van der Heyden|Jan van der Heyden de jonge|Jan Rieuwertsz | Dutch, Gorinchem 1637–1712 Amsterdam | , Amsterdam | 22895 | 828 | 1637 | 1712 | 1690 | 1690 | 1690 | 34573 | Overall: 18 x 10 3/4 x 2 1/2in. (45.7 x 27.3 x 6.4cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1957 | 442 | http://www.metmuseum.org/art/collection/search/347403 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 220118 | 1980.1015.1 | 0 | 1 | 347649 | 11 | 97 | Observations sur les antiquités de la ville d'Herculanum avec quelques reflexions sur la Peinture & la Sculpture des Anciens & une courte description de quelques Antiquités des environs de Naples | 895 | Published by | Charles Nicolas Cochin II|Jérôme Charles Bellicard|Charles Antoine Jombert | French, Paris 1715–1790 Paris|French, Paris 1726–1786 Paris|French, 1712–1784 | , Paris | 23074 | 103 | 1715 |1726 |1712 | 1790 |1786 |1784 | 1754 | 1754 | 1754 | Overall: 6 5/8 x 4 1/8 x 13/16 in. (16.8 x 10.5 x 2 cm) | A. Hyatt Mayor Purchase Fund, Marjorie Phelps Starr Bequest, 1980 | 27 | 442 | http://www.metmuseum.org/art/collection/search/347649 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 220669 | 49.26.5 | 0 | 0 | 348205 | 11 | 97 | David Custos, Icones Operum Misericordiac | 895 | Published by | David Custos|Crispijn de Passe the Elder|Marcus Sadeler | German, active Augsburg ca. 1600|Netherlandish, Arnemuiden 1564–1637 Utrecht|German, Munich before 1614–in or after 1650 | 23435 | 1465 | 1600 |1564 |1590 | 1600 |1637 |1660 | 1591 | 1591 | 1591 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 442 | http://www.metmuseum.org/art/collection/search/348205 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 220765 | 17.3.2887 | 0 | 1 | 348302 | 11 | 731 | The Skeleton Re-Animated, Title Page to the Grave, a Poem by Robert Blair | 895 | After | Luigi Schiavonetti|William Blake|Rudolph Ackermann, London | Italian, Bassano del Grappa 1765–1810 London|British, London 1757–1827 London|active 1794–1829 | 23487 | 1105 | 1765 |1757 |1764 | 1810 |1827 |1834 | March 1, 1813 | 1813 | 1813 | 7208 | plate: 14 x 10 1/2 in. (35.6 x 26.7 cm) sheet: 14 5/16 x 10 7/8 in. (36.4 x 27.6 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/348302 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 220767 | 17.3.2394 | 0 | 1 | 348304 | 11 | 731 | Death of the Strong Wicked Man, from The Grave, a Poem by Robert Blair | 895 | After | Luigi Schiavonetti|William Blake|Rudolph Ackermann, London | Italian, Bassano del Grappa 1765–1810 London|British, London 1757–1827 London|active 1794–1829 | 23487 | 1105 | 1765 |1757 |1764 | 1810 |1827 |1834 | March 1, 1813 | 1813 | 1813 | 7208 | plate: 8 3/16 x 10 3/16 in. (20.8 x 25.9 cm) sheet: 9 7/16 x 11 in. (24 x 27.9 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/348304 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 220890 | 49.97.466 | 0 | 0 | 348429 | 11 | 731 | The Dispute on the Holy Sacrament; the Holy Trinity in the upper centre surrounded by the Virgin Mary and Saint John, saints, patriarchs and angels; below them an altar with the Holy Sacrament, ecclesiastics and doctors of the Church debating its nature; after Raphael's fresco in the Stanza della Segnatura in the Vatican Palace | 895 | After | Giorgio Ghisi|Raphael (Raffaello Sanzio or Santi)|Hieronymus Cock | Italian, Mantua ca. 1520–1582 Mantua|Italian, Urbino 1483–1520 Rome|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 23577 | 974 | 1515 |1483 |1510 | 1582 |1520 |1570 | 1552 | 1552 | 1552 | 34801 | sheet: 20 1/4 x 32 5/8 in. (51.5 x 82.8 cm) platemark | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/348429 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 221076 | 29.88.9(16) | 0 | 1 | 348617 | 11 | 731 | Around the Council Fire, The Young Brave's Speech (Harper's Weekly, May 10, 1873) | 895 | After | Edwin Austin Abbey|Theodore Russell Davis|Harper's Weekly | American, Philadelphia, Pennsylvania 1852–1911 London|American, 1840–1894|American, 1857–1916 | 23700 | 101 | 1852 |1840 |1857 | 1911 |1894 |1916 | May 10, 1873 | 1873 | 1873 | 29001 | Image: 9 1/8 × 13 9/16 in. (23.1 × 34.5 cm) Sheet: 10 1/16 × 14 3/8 in. (25.6 × 36.5 cm) | Harris Brisbane Dick Fund, 1929 | 13 | http://www.metmuseum.org/art/collection/search/348617 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 221240 | 29.88.9(17) | 0 | 0 | 348784 | 11 | 731 | Tracking Rabbits (Harper's Weekly, December 20,1873) | 895 | After | W. H. Lagarde|Edwin Austin Abbey|Harper's Weekly | American, active 1873–74|American, Philadelphia, Pennsylvania 1852–1911 London|American, 1857–1916 | 23828 | 101 | 1850 |1852 |1857 | 1900 |1911 |1916 | December 20, 1873 | 1873 | 1873 | 29001 | Harris Brisbane Dick Fund, 1929 | 13 | http://www.metmuseum.org/art/collection/search/348784 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 222294 | 28.40.1 | 0 | 1 | 349854 | 11 | 97 | Recueil de Decorations Intérieures | 895 | Pierre François Léonard Fontaine|Charles Percier|Pierre Didot l'ainé | French, Pontoise 1762–1853 Paris|French, Paris 1764–1838 Paris|French, 1761–1853 | 24552 | 103 | 1762 |1764 |1761 | 1853 |1838 |1853 | 1812 | 1812 | 1812 | 29296 | 19 5/16 × 13 × 1 3/16 in. (49 × 33 × 3 cm) | Harris Brisbane Dick Fund, 1928 | 27 | 442 | http://www.metmuseum.org/art/collection/search/349854 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 222894 | 49.95.1110-1227 | 0 | 0 | 350463 | 11 | 731 | Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms) | 328 | 895 | after|Workshop of|possibly by | Jacques de Gheyn II|Jacques de Gheyn II|Robert Willemsz de Baudous | Netherlandish, Antwerp 1565–1629 The Hague|Netherlandish, Antwerp 1565–1629 The Hague|Netherlandish, 1574/5–1659 | 25037 | 787 | 1565 |1565 |1574 | 1629 |1629 |1659 | published 1608 | 1608 | 1608 | 7208 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/350463 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 223690 | 41.57.31 | 0 | 1 | 351273 | 11 | 731 | Frontispiece to the Bible | 895 | After|Published by | Claude Mellan|Nicolas Poussin|L'Imprimerie Royale | French, Abbeville 1598–1688 Paris|French, Les Andelys 1594–1665 Rome | 25655 | 103 | 1598 |1594 | 1688 |1665 | 1642 | 1642 | 1642 | 35273 | sheet: 16 7/16 x 10 9/16 in. (41.7 x 26.9 cm) plate: 16 1/4 x 10 5/16 in. (41.3 x 26.2 cm) | Purchase, Harris Brisbane Dick Fund, 1941 | 13 | http://www.metmuseum.org/art/collection/search/351273 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 224602 | 41.72(2.151) | 0 | 1 | 352196 | 11 | 731 | Speculum Romanae Magnificentiae: A Triton Carrying off a Nymph | 159 | 895 | After | Marco Dente|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | 19966 | 93 | 1515 |1483 |1478 | 1527 |1520 |1562 | 16th century | 1515 | 1527 | 7208 | sheet: 4 1/2 x 6 7/8 in. (11.4 x 17.4 cm) trimmed to platemark mount: 17 5/16 x 10 5/8 in. (44 x 27 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/352196 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 227612 | 1970.565.207 | 0 | 0 | 355232 | 11 | 97 | Fragments Antiques de Sculptures | 895 | Published by | Charles Percier|Pierre François Léonard Fontaine|A. Morel | French, Paris 1764–1838 Paris|French, Pontoise 1762–1853 Paris | , Paris | 28496 | 103 | 1764 |1762 | 1838 |1853 | 1862 | 1862 | 1862 | Gift of Lincoln Kirstein, 1970 | 442 | http://www.metmuseum.org/art/collection/search/355232 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 227777 | 32.130.60-65 | 0 | 0 | 355399 | 11 | 97 | Fueilliages Moderne faicts au Chateau Royal de Fontainebleau | 895 | After|Published by | D. Antoine Pierretz|Francesco Primaticcio|Pierre Mariette le fils | French, active 1647|Italian, Bologna 1504/5–1570 Paris|French, Paris 1634–1716 Paris | , Paris | 28620 | 273 | 1600 |1504 |1634 | 1700 |1570 |1716 | n.d. [ca. 1647] | 1642 | 1652 | 26137 | Overall: 15 9/16 x 8 1/4 x 3/16 in. (39.5 x 21 x 0.5 cm) | Harris Brisbane Dick Fund, 1932 | 27 | 442 | http://www.metmuseum.org/art/collection/search/355399 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 228231 | 53.544 | 0 | 1 | 355864 | 11 | 97 | Les Songes Drolatiques de Pantagruel ou sont contenues plusieurs figures de l'invention de maitre François Rabelais | 895 | Attributed to|Published by | François Rabelais|François Desprez|Richard Breton | French, 1494?–1553|French, active 16th century|French, 1525–1571 Paris | , Paris | 28907 | 103 | 1494 |1500 |1525 | 1553 |1600 |1571 | [1565] | 1565 | 1565 | 35931 | Overall: 6 1/16 x 4 3/16 x 9/16 in. (15.4 x 10.6 x 1.5 cm) Double-page spread: 5 7/8 x 7 1/2 in. (15 x 19 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 | 442 | http://www.metmuseum.org/art/collection/search/355864 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 228401 | 1991.1335.2 | 0 | 0 | 356035 | 11 | 731 | A Tea Garden | 895 | Designed by | George Morland|François David Soiron|P. & D. Colnaghi & Co. | British, London 1763–1804 London|Geneva 1764–after 1793, active Britain | 28997 | 295 | 1763 |1764 |1760 | 1804 |1793 |9999 | June 1793 | 1793 | 1793 | 35948 | image and text: 17 3/8 x 23 3/4 in. (44.2 x 60.3 cm) image: 16 3/8 x 23 3/4 in. (41.6 x 60.3 cm) | Gift of Bruce B. Grynbaum in memory of his parents Gertrude and Maurycy Grynbaum, 1991 | 13 | http://www.metmuseum.org/art/collection/search/356035 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 228606 | 49.95.992 | 0 | 1 | 356242 | 11 | 731 | Wild Boar Hunt with Spears, from Hunting Scenes in Ornamental Frames | 895 | Formerly attributed to|After|Published by | Harmen Jansz. Muller|Jan van der Straet, called Stradanus|Hieronymus Cock | Netherlandish, Amsterdam ca. 1540–1617 Amsterdam|Netherlandish, Bruges 1523–1605 Florence|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 29142 | 787 | 1540 |1523 |1510 | 1617 |1605 |1570 | 1570 | 1570 | 1570 | 7208 | Sheet: 17 5/8 x 12 7/8 in. (44.8 x 32.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/356242 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 229374 | 41.72(1.93) | 0 | 1 | 357028 | 11 | 731 | Speculum Romanae Magnificentiae: Ornithon Sive Aviarum | 159 | 895 | After | Pirro Ligorio|Giovanni Ambrogio Brambilla|Claudio Duchetti | Italian, Naples ca. 1512/13–1583 Ferrara|Italian, active Rome, 1575–99|Italian, active Venice and Rome, ca. 1565–died ca. 1585 | 29708 | 145 | 1512 |1575 |1565 | 1583 |1599 |1585 | 1581 | 1581 | 1581 | 26137 | sheet: 18 1/4 x 14 1/8 in. (46.4 x 35.9 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/357028 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 229464 | 54.90.601 | 0 | 1 | 357126 | 11 | 731 | Palisades (No. 19, Hudson River Portfolio) | 205 | 895 | After | John Hill|William Guy Wall|Henry J. Megarey | American (born England), London 1770–1850 Clarksville, New York|Irish, Dublin 1792–after 1864 Ireland (active America)|American, 1818–1845 New York | 29743 | 2242 | 1770 |1792 |1818 | 1850 |1864 |1845 | 1823–24 | 1823 | 1824 | 36142 | image: 14 1/2 x 21 7/16 in. (36.9 x 54.5 cm) plate: 17 15/16 x 24 1/4 in. (45.6 x 61.6 cm) sheet: 20 5/16 x 27 3/4 in. (51.7 x 70.5 cm) | The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954 | 13 | http://www.metmuseum.org/art/collection/search/357126 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 229962 | 34.30(10) | 0 | 1 | 357631 | 11 | 731 | New Inventions of Modern Times [Nova Reperta], The Invention of Stirrups, plate 9 | 895 | After | Jan van der Straet, called Stradanus|Jan Collaert I|Philips Galle | Netherlandish, Bruges 1523–1605 Florence|Netherlandish, Antwerp ca. 1530–1581 Antwerp|Netherlandish, Haarlem 1537–1612 Antwerp | 30082 | 787 | 1523 |1530 |1537 | 1605 |1581 |1612 | ca. 1600 | 1595 | 1605 | 7208 | sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm) | Harris Brisbane Dick Fund, 1934 | 13 | http://www.metmuseum.org/art/collection/search/357631 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 230424 | 17.50.16-135 | 0 | 1 | 358113 | 11 | 731 | The Academy of Baccio Bandinelli | 895 | After|Published by | Enea Vico|Baccio Bandinelli|Pietro Paolo Palumbo | Italian, Parma 1523–1567 Ferrara|Italian, Gaiole in Chianti 1493–1560 Florence|Italian, active Rome, 1563–?1586 | 30381 | 145 | 1523 |1493 |1563 | 1567 |1560 |1586 | ca. 1544 | 1543 | 1546 | 30370 | sheet: 12 1/16 x 17 1/4 in. (30.6 x 43.8 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/358113 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 230906 | 31.67.9 | 0 | 1 | 358601 | 11 | 13811 | Architectur oder Bawmeisterschaft... | 895 | After | Hans Vredeman de Vries|Hendrick Hondius I|Johannes Janssonius | Netherlandish, Leeuwarden 1527–1606 (?) Antwerp (?)|Netherlandish, Duffel 1573–1650 Amsterdam | , Amsterdam | 30660 | 1138 | 1527 |1573 | 1606 |1650 | 1628 | 1628 | 1628 | 29021 | 12 3/16 × 8 5/16 × 1 7/8 in. (30.9 × 21.1 × 4.7 cm) | Harris Brisbane Dick Fund, 1931 | 201 | 665 | http://www.metmuseum.org/art/collection/search/358601 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 231292 | 35.93.2bis | 0 | 0 | 359024 | 11 | 13811 | Pugin's Gothic Furniture | 895 | Attributed to|Attributed to | Augustus Welby Northmore Pugin|Auguste Charles Pugin|Ackermann & Co., London | British, London 1812–1852 Ramsgate|British (born France), Paris 1768/69–1832 London|British, active 1829–55 | 30804 | 2348 | 1812 |1768 |1829 | 1852 |1832 |1855 | ca. 1850 | 1845 | 1855 | 28996 | 10 11/16 x 8 9/16 x 11/16 in. (27.2 x 21.7 x 1.7 cm) | Harris Brisbane Dick Fund, 1935 | 665 | http://www.metmuseum.org/art/collection/search/359024 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 231384 | 57.650.622(1) | 0 | 0 | 359120 | 11 | 731 | Analysis of Thought | 419 | 895 | Published by | J. J. Grandville|Auguste Raffet|Charles Philipon | French, Nancy 1803–1847 Vanves|French, Paris 1804–1860 Gênes|French, Lyons 1800–1862 Paris | 30830 | 103 | 1803 |1804 |1800 | 1847 |1860 |1862 | August 1832 | 1832 | 1832 | 29142 | sheet: 13 3/8 x 19 in. (34 x 48.2 cm) image: 8 3/8 x 12 3/8 in. (21.2 x 31.5 cm) | Bequest of Edwin De T. Bechtel, 1957 | 13 | http://www.metmuseum.org/art/collection/search/359120 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 231387 | 57.650.622(4) | 0 | 0 | 359123 | 11 | 731 | The Great Vintage of the Budget | 422 | 895 | Published by | J. J. Grandville|Auguste Raffet|Charles Philipon | French, Nancy 1803–1847 Vanves|French, Paris 1804–1860 Gênes|French, Lyons 1800–1862 Paris | 30830 | 103 | 1803 |1804 |1800 | 1847 |1860 |1862 | December 1832 | 1832 | 1832 | 29142 | sheet: 14 3/16 x 21 1/8 in. (36 x 53.6 cm) image: 9 3/8 x 15 5/16 in. (23.8 x 38.9 cm) | Bequest of Edwin De T. Bechtel, 1957 | 13 | http://www.metmuseum.org/art/collection/search/359123 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 231388 | 57.650.623(5) | 0 | 0 | 359124 | 11 | 731 | Hay Making | 423 | 895 | Published by | J. J. Grandville|Auguste Raffet|Charles Philipon | French, Nancy 1803–1847 Vanves|French, Paris 1804–1860 Gênes|French, Lyons 1800–1862 Paris | 30830 | 103 | 1803 |1804 |1800 | 1847 |1860 |1862 | December 1832 | 1832 | 1832 | 14948 | sheet: 14 7/16 x 21 9/16 in. (36.6 x 54.8 cm) image: 10 13/16 x 14 13/16 in. (27.4 x 37.6 cm) | Bequest of Edwin De T. Bechtel, 1957 | 13 | http://www.metmuseum.org/art/collection/search/359124 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 231390 | 57.650.623(7) | 0 | 0 | 359126 | 11 | 731 | The Granary of Abundance | 425 | 895 | Published by | J. J. Grandville|Auguste Raffet|Charles Philipon | French, Nancy 1803–1847 Vanves|French, Paris 1804–1860 Gênes|French, Lyons 1800–1862 Paris | 30830 | 103 | 1803 |1804 |1800 | 1847 |1860 |1862 | February 1833 | 1833 | 1833 | 31088 | sheet: 14 5/8 x 20 1/16 in. (37.1 x 51 cm) image: 10 13/16 x 15 11/16 in. (27.4 x 39.8 cm) | Bequest of Edwin De T. Bechtel, 1957 | 13 | http://www.metmuseum.org/art/collection/search/359126 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 231391 | 57.650.623(8) | 0 | 0 | 359127 | 11 | 731 | Republican Soirée Given in the Salons of the Liberty of the Press | 426 | 895 | Published by | J. J. Grandville|Auguste Raffet|Charles Philipon | French, Nancy 1803–1847 Vanves|French, Paris 1804–1860 Gênes|French, Lyons 1800–1862 Paris | 30830 | 103 | 1803 |1804 |1800 | 1847 |1860 |1862 | April 1833 | 1833 | 1833 | 29142 | sheet: 12 5/8 x 19 3/4 in. (32 x 50.2 cm) image: 7 1/16 x 12 1/4 in. (18 x 31.1 cm) | Bequest of Edwin De T. Bechtel, 1957 | 13 | http://www.metmuseum.org/art/collection/search/359127 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 231392 | 57.650.623(9) | 0 | 0 | 359128 | 11 | 731 | Louis-Philippe's Ball | 427 | 895 | Published by | J. J. Grandville|Auguste Raffet|Charles Philipon | French, Nancy 1803–1847 Vanves|French, Paris 1804–1860 Gênes|French, Lyons 1800–1862 Paris | 30830 | 103 | 1803 |1804 |1800 | 1847 |1860 |1862 | April 1833 | 1833 | 1833 | 31088 | sheet: 14 1/2 x 21 3/4 in. (36.8 x 55.2 cm) image: 7 3/16 x 12 3/8 in. (18.3 x 31.5 cm) | Bequest of Edwin De T. Bechtel, 1957 | 13 | http://www.metmuseum.org/art/collection/search/359128 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 231406 | 57.650.623(11) | 0 | 0 | 359142 | 11 | 731 | The People Delivered to the Vampire Taxes | 428 | 895 | Published by | J. J. Grandville|Auguste Raffet|Charles Philipon | French, Nancy 1803–1847 Vanves|French, Paris 1804–1860 Gênes|French, Lyons 1800–1862 Paris | 30830 | 103 | 1803 |1804 |1800 | 1847 |1860 |1862 | May 1833 | 1833 | 1833 | 29142 | sheet: 13 9/16 x 19 3/16 in. (34.4 x 48.7 cm) image: 9 1/8 x 13 5/16 in. (23.2 x 33.8 cm) | Bequest of Edwin De T. Bechtel, 1957 | 13 | http://www.metmuseum.org/art/collection/search/359142 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 231407 | 57.650.623(12) | 0 | 0 | 359143 | 11 | 731 | Elevation of the Pear (Élévation de la Poire) | 429 | 895 | Published by | J. J. Grandville|Auguste Desperret|Charles Philipon | French, Nancy 1803–1847 Vanves|French, died 1865|French, Lyons 1800–1862 Paris | 30845 | 103 | 1803 |1865 |1800 | 1847 |1865 |1862 | June 1833 | 1833 | 1833 | 31088 | sheet: 14 7/16 x 21 9/16 in. (36.7 x 54.7 cm) image: 11 1/16 x 17 5/16 in. (28.1 x 44 cm) | Bequest of Edwin De T. Bechtel, 1957 | 13 | http://www.metmuseum.org/art/collection/search/359143 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 231408 | 57.650.623(13) | 0 | 0 | 359144 | 11 | 731 | How the Chevalier of the Free Press Defeated, in Single Combat, the Chevalier of the Sad Countenance Who Wished to Rob Him of His Liberty | 430 | 895 | Published by | J. J. Grandville|Auguste Desperret|Charles Philipon | French, Nancy 1803–1847 Vanves|French, died 1865|French, Lyons 1800–1862 Paris | 30845 | 103 | 1803 |1865 |1800 | 1847 |1865 |1862 | July 1833 | 1833 | 1833 | 29142 | sheet: 14 5/16 x 21 9/16 in. (36.3 x 54.7 cm) image: 11 1/16 x 17 5/16 in. (28.1 x 44 cm) | Bequest of Edwin De T. Bechtel, 1957 | 13 | http://www.metmuseum.org/art/collection/search/359144 | 4/23/2018 8:00:01 AM | 1 |