Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 234191 | 22.73.3-100 | 0 | 0 | 361944 | 11 | 731 | Nymphs Bathing | 895 | After|? | Parmigianino (Girolamo Francesco Maria Mazzola)|Ugo da Carpi|Andrea Andreani | Italian, Parma 1503–1540 Casalmaggiore|Italian, Carpi ca. 1480–1532 Bologna|Mantua, 1558/1559–1629 | 31687 | 145 | 1503 |1480 |1558 | 1540 |1532 |1629 | ca. 1500–1532 | 1495 | 1505 | 37008 | Sheet: 11 9/16 × 7 13/16 in. (29.3 × 19.9 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/361944 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 382568 | 22.73.3-101 | 0 | 0 | 631610 | 11 | 731 | Nymphs Bathing | 895 | After|? | Parmigianino (Girolamo Francesco Maria Mazzola)|Ugo da Carpi|Andrea Andreani | Italian, Parma 1503–1540 Casalmaggiore|Italian, Carpi ca. 1480–1532 Bologna|Mantua, 1558/1559–1629 | 31687 | 145 | 1503 |1480 |1558 | 1540 |1532 |1629 | ca. 1500–1532 | 1495 | 1505 | 58005 | Sheet: 12 5/8 × 8 15/16 in. (32.1 × 22.7 cm) Image: 11 5/8 × 7 15/16 in. (29.5 × 20.2 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/631610 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 274466 | 41.72(3.22) | 0 | 1 | 403638 | 11 | 731 | Speculum Romanae Magnificentiae: Design for the Basilica of St. Peter's in the Vatican | 159 | 895 | After|After | Antonio da Sangallo, the Younger|Antonio da Labacco|Antonio Salamanca | Italian, Florence 1484–1546 Terni|Italian, near Vigevano ca. 1495–after 1567|Salamanca 1478–1562 Rome | 40540 | 93 | 1484 |1495 |1478 | 1546 |1567 |1562 | 1514 | 1514 | 1514 | 7208 | sheet: 17 5/8 x 22 1/16 in. (44.8 x 56 cm) plate: 13 x 19 13/16 in. (33 x 50.4 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/403638 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 268627 | 2012.136.275 | 0 | 1 | 397690 | 11 | 731 | Venus removing a thorn from her left foot while seated on a cloth beside trees and foliage, a hare eating grass before her | 895 | After | Marco Dente|Raphael (Raffaello Sanzio or Santi)|Giovanni Marco Paluzzi | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Italian, active 1600–1610 | 39725 | 145 | 1515 |1483 |1600 | 1527 |1520 |1610 | ca. 1516 | 1516 | 1516 | 7208 | Sheet (Trimmed): 10 1/2 × 6 7/8 in. (26.7 × 17.5 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/397690 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 216172 | 41.72(2.145) | 0 | 1 | 343603 | 11 | 731 | Speculum Romanae Magnificentiae: Bas-Relief with Three Cupids | 159 | 895 | After | Marco Dente|Raphael (Raffaello Sanzio or Santi)|Claudio Duchetti | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Italian, active Venice and Rome, ca. 1565–died ca. 1585 | 20467 | 145 | 1515 |1483 |1565 | 1527 |1520 |1585 | 1519 | 1519 | 1519 | 7208 | sheet: 7 3/16 x 14 in. (18.3 x 35.5 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/343603 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 286712 | 2012.136.861 | 0 | 1 | 416022 | 11 | 731 | Judgment of Paris: Paris extends his hand toward Venus, who stands between Juno and Minerva, surrounded by reclining and seated figures; above are a winged figure carrying a laurel wreath, a charioteer driving four horses, Castor and Pollux, and Jupiter accompanied by Ganymede, an eagle, Diana, and two other female figures | 895 | After|After | Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Argini (?) ca. 1480–before 1534 Bologna (?)|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | 41426 | 93 | 1475 |1483 |1478 | 1534 |1520 |1562 | ca. 1520–50 | 1515 | 1525 | 7208 | Sheet: 11 1/2 x 17 3/16 in. (29.2 x 43.7 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/416022 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 382606 | 22.67.38 | 0 | 0 | 631709 | 11 | 731 | Saint Cecilia, a circular composition | 895 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Antonio da Trento|Andrea Andreani | Italian, Parma 1503–1540 Casalmaggiore|Italian, 1520–1550|Mantua, 1558/1559–1629 | 49195 | 145 | 1503 |1520 |1558 | 1540 |1550 |1629 | ca. 1520–50 | 1515 | 1525 | 58009 | Sheet: 9 1/4 × 8 11/16 in. (23.5 × 22 cm) Image: 9 1/16 × 8 9/16 in. (23 × 21.7 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/631709 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 382670 | 22.73.3-43 | 0 | 0 | 631781 | 11 | 731 | Circe drinking from a cup, the companions of Ulysses in a boat at right | 895 | Attributed to|After|Impression on verso published by | Antonio da Trento|Parmigianino (Girolamo Francesco Maria Mazzola)|Andrea Andreani | Italian, 1520–1550|Italian, Parma 1503–1540 Casalmaggiore|Mantua, 1558/1559–1629 | 49200 | 145 | 1520 |1503 |1558 | 1550 |1540 |1629 | ca. 1520–50 | 1515 | 1525 | 58022 | Sheet: 8 3/8 × 7 1/4 in. (21.3 × 18.4 cm) trimmed | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/631781 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 384548 | 17.50.14 | 0 | 0 | 634103 | 11 | 731 | The Presentation in the Temple | 895 | Attributed to|After | Niccolò Vicentino|Parmigianino (Girolamo Francesco Maria Mazzola)|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, Parma 1503–1540 Casalmaggiore|Mantua, 1558/1559–1629 | 49281 | 145 | 1510 |1503 |1558 | 1550 |1540 |1629 | ca. 1520–60 (published 1608) | 1515 | 1525 | 58125 | Sheet: 16 1/8 × 11 3/4 in. (41 × 29.8 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/634103 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 240033 | 49.97.222 | 0 | 1 | 368120 | 11 | 731 | Plate 1: Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses | 816 | 895 | After | Giovanni Jacopo Caraglio|Rosso Fiorentino|Antonio Salamanca | Italian, Parma or Verona ca. 1500/1505–1565 Krakow (?)|Italian, Florence 1494–1540 Fontainebleau|Salamanca 1478–1562 Rome | 33254 | 93 | 1500 |1494 |1478 | 1565 |1540 |1562 | 1526 | 1526 | 1526 | 7208 | Sheet: 8 5/16 × 4 7/16 in. (21.1 × 11.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/368120 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 268461 | 2012.136.318.5 | 0 | 1 | 397524 | 11 | 731 | Plate 1: Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses | 1600 | 895 | After | Giovanni Jacopo Caraglio|Rosso Fiorentino|Carlo Losi | Italian, Parma or Verona ca. 1500/1505–1565 Krakow (?)|Italian, Florence 1494–1540 Fontainebleau|Italian, 1757– after 1805 | 39690 | 145 | 1500 |1494 |1757 | 1565 |1540 |1805 | 1526 | 1526 | 1526 | 7208 | sheet: 8 11/16 x 4 5/8 in. (22.1 x 11.7 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/397524 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 224602 | 41.72(2.151) | 0 | 1 | 352196 | 11 | 731 | Speculum Romanae Magnificentiae: A Triton Carrying off a Nymph | 159 | 895 | After | Marco Dente|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | 19966 | 93 | 1515 |1483 |1478 | 1527 |1520 |1562 | 16th century | 1515 | 1527 | 7208 | sheet: 4 1/2 x 6 7/8 in. (11.4 x 17.4 cm) trimmed to platemark mount: 17 5/16 x 10 5/8 in. (44 x 27 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/352196 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 383423 | 22.73.3-33 | 0 | 0 | 632810 | 11 | 731 | The Surprise | 895 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Niccolò Vicentino|Andrea Andreani | Italian, Parma 1503–1540 Casalmaggiore|Italian, active ca. 1510–ca. 1550|Mantua, 1558/1559–1629 | 49296 | 145 | 1503 |1510 |1558 | 1540 |1550 |1629 | 1515–30 | 1515 | 1530 | 58121 | Sheet: 10 1/2 × 7 5/16 in. (26.7 × 18.6 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/632810 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 383430 | 22.67.40 | 0 | 0 | 632817 | 11 | 731 | The Surprise | 895 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Niccolò Vicentino|Andrea Andreani | Italian, Parma 1503–1540 Casalmaggiore|Italian, active ca. 1510–ca. 1550|Mantua, 1558/1559–1629 | 49296 | 145 | 1503 |1510 |1558 | 1540 |1550 |1629 | 1515–30 | 1515 | 1530 | 58122 | Sheet: 10 13/16 × 7 9/16 in. (27.5 × 19.2 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/632817 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 214045 | 26.50.1(140) | 0 | 1 | 341464 | 11 | 731 | Eros Escaping by Sea; Cupid using his bow to propel a boat made from his quiver with an arrow as the mast and his blindfold as the sail, a banderole above | 895 | After | Marco Dente|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | 19966 | 93 | 1515 |1483 |1478 | 1527 |1520 |1562 | ca. 1515–27 | 1510 | 1532 | 7208 | Sheet: 5 1/16 × 6 13/16 in. (12.9 × 17.3 cm) Plate: 4 15/16 × 6 5/8 in. (12.5 × 16.9 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/341464 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 216163 | 66.747.47 | 0 | 1 | 343594 | 11 | 731 | A group of emaciated men and women gathered around a skeleton laid on the ground and a figure of Death as a winged skeleton standing above it holding an open book | 895 | After | Marco Dente|Baccio Bandinelli|Antonio Salamanca | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Gaiole in Chianti 1493–1560 Florence|Salamanca 1478–1562 Rome | 20465 | 93 | 1515 |1493 |1478 | 1527 |1560 |1562 | ca. 1515–27 | 1510 | 1532 | 7208 | Sheet (Trimmed): 11 1/4 × 17 1/8 in. (28.5 × 43.5 cm) | Gift of Mrs. John H. Sichel, 1966 | 13 | http://www.metmuseum.org/art/collection/search/343594 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 268629 | 2012.136.277 | 0 | 1 | 397692 | 11 | 731 | Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above | 895 | After | Marco Dente|Raphael (Raffaello Sanzio or Santi)|Giovanni Marco Paluzzi | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Italian, active 1600–1610 | 39725 | 145 | 1515 |1483 |1600 | 1527 |1520 |1610 | ca. 1515–27 | 1510 | 1532 | 7208 | Sheet (Trimmed): 10 5/8 × 6 15/16 in. (27 × 17.7 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/397692 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 413552 | 51.501.794 | 0 | 1 | 682104 | 11 | 731 | Five men fighting beasts, at lower left is a fallen boar | 895 | After | Master of the Die|Giulio Romano|Antonio Salamanca | Italian, active Rome, ca. 1530–60|Italian, Rome 1499?–1546 Mantua|Salamanca 1478–1562 Rome | 52106 | 93 | 1525 |1499 |1478 | 1560 |1546 |1562 | 1532 | 1532 | 1532 | 7208 | Sheet: 11 1/4 × 16 9/16 in. (28.5 × 42 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/682104 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 217967 | 41.72(1.26) | 0 | 1 | 345467 | 11 | 731 | Speculum Romanae Magnificentiae: The Altar of Eros | 159 | 895 | Attributed to|After (?) | Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Venice ca. 1490–after 1536 Rome|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | 21580 | 93 | 1490 |1483 |1478 | 1536 |1520 |1562 | ca. 1514–36 | 1514 | 1536 | 7208 | mount: 17 15/16 x 11 13/16 in. (45.5 x 30 cm) sheet: 11 5/8 x 8 11/16 in. (29.5 x 22 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/345467 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 217969 | 41.72(1.27) | 0 | 1 | 345469 | 11 | 731 | Speculum Romanae Magnificentiae: The Altar of Jupiter in the Oldest Temple on the Capitol | 159 | 895 | Attributed to|After (?) | Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Venice ca. 1490–after 1536 Rome|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | 21580 | 93 | 1490 |1483 |1478 | 1536 |1520 |1562 | ca. 1514–36 | 1514 | 1536 | 7208 | mount: 18 1/8 x 10 5/8 in. (46 x 27 cm) sheet: 11 5/8 x 8 3/8 in. (29.5 x 21.2 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/345469 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 247556 | 2007.49.373 | 0 | 0 | 375845 | 11 | 731 | The Capture of Carthagena by Scipio and His Troops | 895 | After | Georg Pencz|Giulio Romano|Antonio Salamanca | German, Wroclaw ca. 1500–1550 Leipzig|Italian, Rome 1499?–1546 Mantua|Salamanca 1478–1562 Rome | 34961 | 348 | 1500 |1499 |1478 | 1550 |1546 |1562 | 1539 | 1539 | 1539 | 39565 | sheet: 16 7/16 x 22 1/16 in. (41.8 x 56 cm) | Bequest of William S. Lieberman, 2005 | 13 | http://www.metmuseum.org/art/collection/search/375845 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 218191 | 41.72(2.119) | 0 | 1 | 345693 | 11 | 731 | Speculum Romanae Magnificentiae: Trajan Between City of Victory and Rome | 159 | 895 | After | Marcantonio Raimondi|Anonymous, Italian, 16th century|Antonio Salamanca | Italian, Argini (?) ca. 1480–before 1534 Bologna (?)|Italian, active Central Italy, ca. 1550–1580|Salamanca 1478–1562 Rome | 21675 | 93 | 1475 |1550 |1478 | 1534 |1600 |1562 | ca. 1500–34 | 1500 | 1540 | 7208 | sheet: 11 1/4 x 16 3/4 in. (28.6 x 42.6 cm) mount: 13 7/8 x 16 15/16 in. (35.3 x 43 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/345693 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 242795 | 30.58.5(27a) | 0 | 0 | 370963 | 11 | 731 | Grotesque design with Smoking Lantern and Double Satyr Herms | 895 | Reverse copy after|Published by | Enea Vico|Anonymous, Italian, 16th century|Tommaso Barlacchi | Italian, Parma 1523–1567 Ferrara|active Rome, 1541–50 | 33980 | 145 | 1523 |1500 |1541 | 1567 |1600 |1550 | 1541 | 1541 | 1541 | 7208 | Plate: 6 9/16 x 4 3/16 in. (16.7 x 10.7 cm) Sheet: 10 13/16 x 16 1/8 in. (27.5 x 41 cm) | Harris Brisbane Dick Fund, 1930 | 571 | 13 | http://www.metmuseum.org/art/collection/search/370963 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 242796 | 30.58.5(27b) | 0 | 0 | 370964 | 11 | 731 | Grotesque with a Man Reaching toward a Festoon | 895 | Reverse copy after|Published by | Enea Vico|Anonymous, Italian, 16th century|Tommaso Barlacchi | Italian, Parma 1523–1567 Ferrara|active Rome, 1541–50 | 33980 | 145 | 1523 |1500 |1541 | 1567 |1600 |1550 | 1541 | 1541 | 1541 | 7208 | plate: 7 3/16 x 5 1/8 in. (18.2 x 13 cm) sheet: 10 13/16 x 16 1/8 in. (27.5 x 41 cm) | Harris Brisbane Dick Fund, 1930 | 571 | 13 | http://www.metmuseum.org/art/collection/search/370964 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 268257 | 2012.136.145.2 | 0 | 1 | 397319 | 11 | 731 | Christ in Limbo, after Raphael | 895 | After | Nicolas Beatrizet|Raphael (Raffaello Sanzio or Santi)|Tommaso Barlacchi | French, Lunéville 1515–ca. 1566 Rome (?)|Italian, Urbino 1483–1520 Rome|active Rome, 1541–50 | 39649 | 211 | 1515 |1483 |1541 | 1566 |1520 |1550 | 1541 | 1541 | 1541 | 7208 | Sheet (trimmed): 11 3/16 × 6 11/16 in. (28.4 × 17 cm) | Bequest of Phyllis Massar, 2012 | 13 | http://www.metmuseum.org/art/collection/search/397319 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 240325 | 49.97.348 | 0 | 1 | 368441 | 11 | 731 | St George Killing the Dragon | 895 | Engraved by|After|Published by | Enea Vico|Giulio Clovio|Antonio Salamanca | Italian, Parma 1523–1567 Ferrara|Italian, Brizane 1498–1578 Rome|Salamanca 1478–1562 Rome | 33322 | 93 | 1523 |1498 |1478 | 1567 |1578 |1562 | 1542 | 1542 | 1542 | 7208 | sheet: 10 1/16 x 13 9/16 in. (25.6 x 34.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/368441 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 240497 | 49.97.356 | 0 | 1 | 368613 | 11 | 731 | Rhinoceros | 895 | Engraved by|Copy in reverse after|Published by | Enea Vico|Albrecht Dürer|Antonio Salamanca | Italian, Parma 1523–1567 Ferrara|German, Nuremberg 1471–1528 Nuremberg|Salamanca 1478–1562 Rome | 33373 | 309 | 1523 |1471 |1478 | 1567 |1528 |1562 | 1542 (date changed to 1548) | 1542 | 1542 | 7208 | sheet: 10 1/4 x 14 5/16 in. (26 x 36.3 cm) trimmed just outside platemark | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/368613 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 240315 | 17.50.16-141 | 0 | 0 | 368431 | 11 | 731 | The Entombment of Christ | 895 | Possibly after | Enea Vico|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Parma 1523–1567 Ferrara|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | 33316 | 93 | 1523 |1483 |1478 | 1567 |1520 |1562 | 1543 | 1543 | 1543 | 29124 | Sheet (trimmed): 11 3/8 × 7 15/16 in. (28.9 × 20.2 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 571 | 13 | http://www.metmuseum.org/art/collection/search/368431 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 268556 | 2012.136.403 | 0 | 1 | 397619 | 11 | 731 | Entombment of Christ, whose chest is grasped by Joseph of Arimathea, with two kneeling and two standing female mourners at left and crown of thorns at bottom right | 895 | After | Enea Vico|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Parma 1523–1567 Ferrara|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | 33316 | 93 | 1523 |1483 |1478 | 1567 |1520 |1562 | 1543 | 1543 | 1543 | 7208 | image: 11 3/4 x 8 1/16 in. (29.8 x 20.5 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/397619 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 243321 | 2006.167 | 0 | 0 | 371501 | 11 | 731 | Combat between Cupid and Apollo | 895 | After | Nicolas Beatrizet|Baccio Bandinelli|Antonio Salamanca | French, Lunéville 1515–ca. 1566 Rome (?)|Italian, Gaiole in Chianti 1493–1560 Florence|Salamanca 1478–1562 Rome | 34134 | 247 | 1515 |1493 |1478 | 1566 |1560 |1562 | 1545 | 1545 | 1545 | 7208 | sheet: 17 1/16 x 22 1/2 in. (43.3 x 57.2 cm) | A. Hyatt Mayor Purchase Fund, Marjorie Phelps Starr Bequest, 2006 | 13 | http://www.metmuseum.org/art/collection/search/371501 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 411790 | 49.95.289 | 0 | 1 | 679283 | 11 | 731 | The Trojans hauling the wooden horse into Troy | 895 | After | Giulio Bonasone|Francesco Primaticcio|Carlo Losi | Italian, active Rome and Bologna, 1531–after 1576|Italian, Bologna 1504/5–1570 Paris|Italian, 1757– after 1805 | 51963 | 145 | 1510 |1504 |1757 | 1576 |1570 |1805 | 1545 (published 1773) | 1545 | 1545 | 33354 | Sheet: 15 15/16 × 24 7/8 in. (40.5 × 63.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/679283 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 230424 | 17.50.16-135 | 0 | 1 | 358113 | 11 | 731 | The Academy of Baccio Bandinelli | 895 | After|Published by | Enea Vico|Baccio Bandinelli|Pietro Paolo Palumbo | Italian, Parma 1523–1567 Ferrara|Italian, Gaiole in Chianti 1493–1560 Florence|Italian, active Rome, 1563–?1586 | 30381 | 145 | 1523 |1493 |1563 | 1567 |1560 |1586 | ca. 1544 | 1543 | 1546 | 30370 | sheet: 12 1/16 x 17 1/4 in. (30.6 x 43.8 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/358113 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 407119 | 26.71.8(18) | 0 | 1 | 665037 | 11 | 13815 | Livre de Moresques, page 9 (verso) | 895 | Previously published by|Published by | Cornelis Bos|Francesco di Pellegrino|Hiérosme de Gormont | Netherlandish, Hertogenbosch ca. 1510?–before 1566 Groningen|Italian, born Florence, died 1552 | 51346 | 3214 | 1510 |1525 | 1566 |1552 | 1546 | 1546 | 1546 | 26552 | Overall: 12 x 8 5/16 x 1/4 in. (30.5 x 21.1 x 0.7 cm) | Harris Brisbane Dick Fund, 1926 | 27 | 665 | http://www.metmuseum.org/art/collection/search/665037 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 240485 | 59.570.298 | 0 | 1 | 368601 | 11 | 731 | Lucretia Preparing to Kill Herself | 895 | Engraved by|After|Published by | Enea Vico|Parmigianino (Girolamo Francesco Maria Mazzola)|Antonio Salamanca | Italian, Parma 1523–1567 Ferrara|Italian, Parma 1503–1540 Casalmaggiore|Salamanca 1478–1562 Rome | 33367 | 93 | 1523 |1503 |1478 | 1567 |1540 |1562 | ca. 1542 | 1537 | 1547 | 33030 | sheet: 11 15/16 x 8 1/16 in. (30.3 x 20.4 cm) mounted on sheet trimmed to size of print | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/368601 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239330 | 53.600.994 | 0 | 1 | 367400 | 11 | 731 | The Fall of Troy and the Escape of Aeneas | 895 | After | Giorgio Ghisi|Giovanni Battista Scultori|Antonio Lafreri | Italian, Mantua ca. 1520–1582 Mantua|Italian, 1503–1575|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 33085 | 114 | 1515 |1503 |1507 | 1582 |1575 |1577 | mid-1540's | 1540 | 1549 | 38186 | Sheet (Trimmed): 15 3/16 × 19 7/16 in. (38.6 × 49.3 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/367400 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239338 | 41.97.283 | 0 | 1 | 367408 | 11 | 731 | The Visitation | 895 | After | Giorgio Ghisi|Francesco Salviati (Francesco de' Rossi)|Giovanni Battista de Rossi | Italian, Mantua ca. 1520–1582 Mantua|Italian, Florence 1510–1563 Rome|Italian, 17th century | 33088 | 145 | 1515 |1510 |1600 | 1582 |1563 |1699 | 1540s | 1540 | 1549 | 7208 | sheet: 12 1/2 x 19 3/16 in. (31.8 x 48.7 cm) within borderline | Gift of Harry Shaw Newman, 1941 | 13 | http://www.metmuseum.org/art/collection/search/367408 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 274510 | 41.72(3.28) | 0 | 1 | 403682 | 11 | 731 | Speculum Romanae Magnificentiae: Plan of St. Peter's | 159 | 895 | After|After | Antonio da Sangallo, the Younger|Antonio da Labacco|Antonio Salamanca | Italian, Florence 1484–1546 Terni|Italian, near Vigevano ca. 1495–after 1567|Salamanca 1478–1562 Rome | 40540 | 93 | 1484 |1495 |1478 | 1546 |1567 |1562 | 1549 | 1549 | 1549 | 7208 | sheet: 22 5/8 x 16 13/16 in. (57.5 x 42.7 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/403682 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 236206 | 59.570.275 | 0 | 1 | 364082 | 11 | 731 | Conversion of Saul, from Michelangelo's fresco in the Pauline Chapel at the Vatican | 895 | After | Michelangelo Buonarroti|Nicolas Beatrizet|Antonio Salamanca | Italian, Caprese 1475–1564 Rome|French, Lunéville 1515–ca. 1566 Rome (?)|Salamanca 1478–1562 Rome | 32227 | 148 | 1475 |1515 |1478 | 1564 |1566 |1562 | ca. 1545–60 | 1540 | 1550 | 7208 | Sheet: 16 7/8 x 21 1/8 in. (42.9 x 53.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/364082 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239348 | 25.62.30 | 0 | 0 | 367418 | 11 | 731 | The School of Athens; Plato and Aristotle in a classical architectural setting surrounded by a number of philosophers from antiquity; after the fresco in the Stanza della Segnatura in the Vatican Palace | 895 | After | Giorgio Ghisi|Raphael (Raffaello Sanzio or Santi)|Hieronymus Cock | Italian, Mantua ca. 1520–1582 Mantua|Italian, Urbino 1483–1520 Rome|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 23577 | 974 | 1515 |1483 |1510 | 1582 |1520 |1570 | 1550 | 1550 | 1550 | 38189 | Plate: 20 3/8 × 32 5/16 in. (51.8 × 82 cm) | Harris Brisbane Dick Fund, 1925 | 13 | http://www.metmuseum.org/art/collection/search/367418 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 383268 | 22.73.3-64 | 0 | 0 | 632583 | 11 | 731 | Hercules strangling the Nemean Lion | 895 | After | Niccolò Vicentino|Raphael (Raffaello Sanzio or Santi)|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, Urbino 1483–1520 Rome|Mantua, 1558/1559–1629 | 49282 | 145 | 1510 |1483 |1558 | 1550 |1520 |1629 | 1540–50 | 1540 | 1550 | 31130 | Sheet: 9 13/16 × 7 5/8 in. (25 × 19.4 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/632583 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 383269 | 17.50.28 | 0 | 0 | 632584 | 11 | 731 | Hercules strangling the Nemean Lion | 895 | After | Niccolò Vicentino|Raphael (Raffaello Sanzio or Santi)|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, Urbino 1483–1520 Rome|Mantua, 1558/1559–1629 | 49282 | 145 | 1510 |1483 |1558 | 1550 |1520 |1629 | 1540–50 | 1540 | 1550 | 31130 | Sheet: 9 13/16 × 7 1/2 in. (25 × 19 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/632584 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 383393 | 1986.1180.241 | 0 | 0 | 632773 | 11 | 731 | The Miraculous Draught of the Fishes | 895 | After | Niccolò Vicentino|Raphael (Raffaello Sanzio or Santi)|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, Urbino 1483–1520 Rome|Mantua, 1558/1559–1629 | 49282 | 145 | 1510 |1483 |1558 | 1550 |1520 |1629 | 1510–1550 (republished 1609) | 1510 | 1550 | 58114 | Sheet: 9 5/16 × 13 3/16 in. (23.7 × 33.5 cm) | Bequest of Grace M. Pugh, 1985 | 13 | http://www.metmuseum.org/art/collection/search/632773 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 383394 | 23.108.11 | 0 | 0 | 632774 | 11 | 731 | The Miraculous Draught of the Fishes | 895 | After | Niccolò Vicentino|Raphael (Raffaello Sanzio or Santi)|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, Urbino 1483–1520 Rome|Mantua, 1558/1559–1629 | 49282 | 145 | 1510 |1483 |1558 | 1550 |1520 |1629 | 1520–1550 (republished 1609) | 1520 | 1550 | 58114 | Sheet: 9 7/16 × 13 11/16 in. (24 × 34.7 cm) | Gift of W. G. Russell Allen, 1923 | 13 | http://www.metmuseum.org/art/collection/search/632774 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 384160 | 22.73.3-58 | 0 | 0 | 633693 | 11 | 731 | Christ healing the Lepers | 895 | After | Niccolò Vicentino|Parmigianino (Girolamo Francesco Maria Mazzola)|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, Parma 1503–1540 Casalmaggiore|Mantua, 1558/1559–1629 | 49281 | 145 | 1510 |1503 |1558 | 1550 |1540 |1629 | 1540–1550 (published by Andreani 1608) | 1540 | 1550 | 43197 | Sheet: 11 9/16 × 16 5/16 in. (29.3 × 41.4 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/633693 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 384165 | 17.50.23 | 0 | 0 | 633698 | 11 | 731 | The escape of Cloelia | 895 | After | Niccolò Vicentino|Maturino da Firenze|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, active ca. 1528|Mantua, 1558/1559–1629 | 49429 | 145 | 1510 |1523 |1558 | 1550 |1533 |1629 | 1540–1550 (republished by Andreani in 1608) | 1540 | 1550 | 43408 | Sheet: 11 in. × 15 3/16 in. (28 × 38.6 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/633698 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 411789 | 17.50.19-151 | 0 | 1 | 679279 | 11 | 731 | The Last Judgment from the Sistine Chapel | 895 | After | Giulio Bonasone|Michelangelo Buonarroti|Antonio Salamanca | Italian, active Rome and Bologna, 1531–after 1576|Italian, Caprese 1475–1564 Rome|Salamanca 1478–1562 Rome | 51962 | 93 | 1510 |1475 |1478 | 1576 |1564 |1562 | 1546–50 | 1546 | 1550 | 38125 | Sheet: 22 13/16 × 17 3/8 in. (58 × 44.2 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/679279 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 235292 | 58.642.10 | 0 | 1 | 363058 | 11 | 731 | The Last Supper | 895 | After | Giorgio Ghisi|Lambert Lombard|Hieronymus Cock | Italian, Mantua ca. 1520–1582 Mantua|Netherlandish, Liège 1506–1566 Liège|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 31992 | 2496 | 1515 |1506 |1510 | 1582 |1566 |1570 | 1551 | 1551 | 1551 | 37290 | Sheet (Trimmed): 13 3/4 in. × 21 in. (34.9 × 53.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1958 | 13 | http://www.metmuseum.org/art/collection/search/363058 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254444 | 28.4(35) | 0 | 1 | 383050 | 11 | 731 | The Descent of Christ Into Limbo | 895 | After | Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19210 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1551 | 1551 | 1551 | 30370 | sheet: 10 5/16 x 13 9/16 in. (26.2 x 34.5 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/383050 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 220890 | 49.97.466 | 0 | 0 | 348429 | 11 | 731 | The Dispute on the Holy Sacrament; the Holy Trinity in the upper centre surrounded by the Virgin Mary and Saint John, saints, patriarchs and angels; below them an altar with the Holy Sacrament, ecclesiastics and doctors of the Church debating its nature; after Raphael's fresco in the Stanza della Segnatura in the Vatican Palace | 895 | After | Giorgio Ghisi|Raphael (Raffaello Sanzio or Santi)|Hieronymus Cock | Italian, Mantua ca. 1520–1582 Mantua|Italian, Urbino 1483–1520 Rome|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 23577 | 974 | 1515 |1483 |1510 | 1582 |1520 |1570 | 1552 | 1552 | 1552 | 34801 | sheet: 20 1/4 x 32 5/8 in. (51.5 x 82.8 cm) platemark | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/348429 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 268529 | 2012.136.399 | 0 | 1 | 397592 | 11 | 13858 | Candlestick with Two Ignudi on Top of a Vase with Lion Heads | 895 | Possibly after | Anonymous, Italian, 16th century|Enea Vico|Antonio Salamanca | Italian, Parma 1523–1567 Ferrara|Salamanca 1478–1562 Rome | or vice versa | 33953 | 1500 |1523 |1478 | 1600 |1567 |1562 | 1552 | 1552 | 1552 | 43016 | Sheet: 9 1/2 × 6 15/16 in. (24.2 × 17.7 cm) [cropped within plate marks on all sides] | Bequest of Phyllis Massar, 2011 | 673 | http://www.metmuseum.org/art/collection/search/397592 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239345 | 64.682.123 | 0 | 1 | 367415 | 11 | 731 | The Nativity | 895 | Engraved by|After|Published by | Giorgio Ghisi|Bronzino (Agnolo di Cosimo di Mariano)|Hieronymus Cock | Italian, Mantua ca. 1520–1582 Mantua|Italian, Monticelli 1503–1572 Florence|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 33090 | 974 | 1515 |1503 |1510 | 1582 |1572 |1570 | 1553 | 1553 | 1553 | 7208 | sheet: 13 1/8 x 17 15/16 in. (33.3 x 45.6 cm) borderline | Gift of Harry G. Friedman, 1964 | 13 | http://www.metmuseum.org/art/collection/search/367415 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 242604 | 41.72(2.68) | 0 | 1 | 370768 | 11 | 731 | Speculum Romanae Magnificentiae: Aristotle | 159 | 895 | After|Published by | Enea Vico|Anonymous, Italian, mid-16th century|Antonio Lafreri | Italian, Parma 1523–1567 Ferrara|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 33902 | 114 | 1523 |1520 |1507 | 1567 |1580 |1577 | 1553 | 1553 | 1553 | 7208 | sheet: 19 5/16 x 13 9/16 in. (49 x 34.5 cm) plate: 16 1/8 x 11 5/16 in. (41 x 28.7 cm) | Rogers Fund, Transferred from the Library, 1941 | 571 | 13 | http://www.metmuseum.org/art/collection/search/370768 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 274201 | 41.72(1.65) | 0 | 1 | 403373 | 11 | 731 | Speculum Romanae Magnificentiae: Circus Flaminius | 159 | 895 | After | Nicolas Beatrizet|Pirro Ligorio|Michele Tramezzino | French, Lunéville 1515–ca. 1566 Rome (?)|Italian, Naples ca. 1512/13–1583 Ferrara|Italian, active Venice and Rome, 1526–died 1561 | 40518 | 211 | 1515 |1512 |1526 | 1566 |1583 |1561 | 1553 | 1553 | 1553 | 7208 | sheet: 14 9/16 x 21 7/8 in. (37 x 55.5 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/403373 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 274273 | 41.72(1.70) | 0 | 1 | 403445 | 11 | 731 | Speculum Romanae Magnificentiae: Circus Maximus | 159 | 895 | After | Pirro Ligorio|Anonymous|Bolognino Zaltieri | Italian, Naples ca. 1512/13–1583 Ferrara|Italian, active Venice, 1555–76 | 40524 | 93 | 1512 |1555 | 1583 |1576 | 1553 | 1553 | 1553 | 7208 | sheet: 14 x 21 7/8 in. (35.5 x 55.5 cm) mount: 20 1/16 x 27 3/8 in. (51 x 69.5 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/403445 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 239347 | 49.40.49 | 0 | 1 | 367417 | 11 | 731 | The Vision of Ezekiel | 895 | After | Giorgio Ghisi|Giovanni Battista Bertano|Giovanni Giacomo De Rossi | Italian, Mantua ca. 1520–1582 Mantua|Mantua 1516–1576 Mantua|Italian, Rome 1627–1691 Rome | 33092 | 145 | 1515 |1516 |1627 | 1582 |1576 |1691 | 1554 | 1554 | 1554 | 38188 | Plate: 16 5/16 × 26 15/16 in. (41.5 × 68.5 cm) Sheet: 18 7/8 × 31 1/2 in. (48 × 80 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/367417 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 274776 | 41.72(2.1) | 0 | 0 | 403949 | 11 | 731 | Speculum Romanae Magnificentiae: Birdseye View of the Port of Rome | 159 | 895 | After | Giulio de Musi|Pirro Ligorio|Michele Tramezzino | Italian, active 1550–1555|Italian, Naples ca. 1512/13–1583 Ferrara|Italian, active Venice and Rome, 1526–died 1561 | 40576 | 145 | 1550 |1512 |1526 | 1555 |1583 |1561 | 1554 | 1554 | 1554 | 7208 | sheet: 16 1/8 x 26 15/16 in. (41 x 68.5 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/403949 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 239395 | 63.517.27 | 0 | 1 | 367465 | 11 | 731 | The Judgment of Paris | 895 | After | Giorgio Ghisi|Giovanni Battista Bertano|Hieronymus Cock | Italian, Mantua ca. 1520–1582 Mantua|Mantua 1516–1576 Mantua|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 33110 | 974 | 1515 |1516 |1510 | 1582 |1576 |1570 | 1555 | 1555 | 1555 | 38200 | Sheet (Trimmed): 16 in. × 21 1/4 in. (40.7 × 54 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963 | 13 | http://www.metmuseum.org/art/collection/search/367465 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239741 | 59.570.219 | 0 | 1 | 367823 | 11 | 731 | The Judgment of Paris; Paris seated on a rock choosing between the goddesses Venus, Juno, and Minerva, the god Mercury with a caduceus in between them | 895 | Engraved by|After | Giorgio Ghisi|Giovanni Battista Bertano|Hieronymus Cock | Italian, Mantua ca. 1520–1582 Mantua|Mantua 1516–1576 Mantua|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 33110 | 974 | 1515 |1516 |1510 | 1582 |1576 |1570 | 1555 | 1555 | 1555 | 38200 | Sheet (Trimmed): 16 in. × 21 1/4 in. (40.7 × 54 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/367823 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 382659 | 49.95.2387(1) | 0 | 0 | 631770 | 11 | 731 | Emperor Charles V Amidst His Vanquished Adversaries, from The Victories of Emperor Charles, plate 1 | 2424 | 895 | After | Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock | Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 49049 | 787 | 1519 |1498 |1510 | 1590 |1574 |1570 | 1555 | 1555 | 1555 | 58018 | Sheet: 6 7/8 × 8 13/16 in. (17.5 × 22.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/631770 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 382660 | 49.95.2387(2) | 0 | 0 | 631771 | 11 | 731 | King Francis I Taken Prisoner at the Battle of Pavia, from The Victories of Emperor Charles, plate 2 | 2424 | 895 | After | Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock | Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 49049 | 787 | 1519 |1498 |1510 | 1590 |1574 |1570 | 1555 | 1555 | 1555 | 58019 | Sheet: 6 3/16 × 8 15/16 in. (15.7 × 22.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/631771 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 382661 | 49.95.2387(3) | 0 | 0 | 631772 | 11 | 731 | The Death of Charles, Duke of Bourbon, and the Capture of Rome, from The Victories of Emperor Charles, plate 3 | 2424 | 895 | After | Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock | Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 49049 | 787 | 1519 |1498 |1510 | 1590 |1574 |1570 | 1555 | 1555 | 1555 | 58019 | Sheet: 6 3/4 × 8 7/8 in. (17.2 × 22.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/631772 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 382662 | 49.95.2387(5) | 0 | 0 | 631773 | 11 | 731 | Suleiman the Magnificent Forced to Raise the Siege of Vienna, and the Capture of Rome, from The Victories of Emperor Charles, plate 5 | 2424 | 895 | After | Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock | Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 49049 | 787 | 1519 |1498 |1510 | 1590 |1574 |1570 | 1555 | 1555 | 1555 | 58019 | Sheet: 6 7/8 × 9 3/16 in. (17.5 × 23.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/631773 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 382663 | 49.95.2387(6) | 0 | 1 | 631774 | 11 | 731 | The Imperial Troops Bringing Civilization to the Indians, from The Victories of Emperor Charles, plate 6 | 2424 | 895 | After | Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock | Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 49049 | 787 | 1519 |1498 |1510 | 1590 |1574 |1570 | 1555 | 1555 | 1555 | 58020 | Sheet: 6 15/16 × 9 1/16 in. (17.6 × 23 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/631774 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 382666 | 49.95.2387(7) | 0 | 0 | 631777 | 11 | 731 | The Conquest of Tunis, from The Victories of Emperor Charles, plate 7 | 2424 | 895 | After | Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock | Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 49049 | 787 | 1519 |1498 |1510 | 1590 |1574 |1570 | 1555 | 1555 | 1555 | 58021 | Sheet: 7 in. × 9 1/16 in. (17.8 × 23 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/631777 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 382667 | 49.95.2387(8) | 0 | 0 | 631778 | 11 | 731 | The Submission of William II, Duke of Cleves, from The Victories of Emperor Charles, plate 8 | 2424 | 895 | After | Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock | Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 49049 | 787 | 1519 |1498 |1510 | 1590 |1574 |1570 | 1555 | 1555 | 1555 | 58019 | Sheet: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/631778 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 382669 | 49.95.2387(9) | 0 | 0 | 631780 | 11 | 731 | Emperor Charles V Inspecting His Troops Near Ingolstadt, from The Victories of Emperor Charles, plate 9 | 2424 | 895 | After | Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock | Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 49049 | 787 | 1519 |1498 |1510 | 1590 |1574 |1570 | 1555 | 1555 | 1555 | 58019 | Sheet: 6 7/8 × 9 3/16 in. (17.5 × 23.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/631780 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 382671 | 49.95.2387(10) | 0 | 0 | 631782 | 11 | 731 | The Surrender of John Frederick, Elector of Saxony, After the Battle of Muhlberg, from The Victories of Emperor Charles, plate 10 | 2424 | 895 | After | Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock | Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 49049 | 787 | 1519 |1498 |1510 | 1590 |1574 |1570 | 1555 | 1555 | 1555 | 58020 | Sheet: 6 15/16 × 8 13/16 in. (17.7 × 22.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/631782 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 382672 | 49.95.2387(11) | 0 | 0 | 631783 | 11 | 731 | The Submission of the German Cities, from The Victories of Emperor Charles, plate 11 | 2424 | 895 | After | Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock | Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 49049 | 787 | 1519 |1498 |1510 | 1590 |1574 |1570 | 1555 | 1555 | 1555 | 58019 | Sheet: 6 7/8 × 9 1/16 in. (17.4 × 23 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/631783 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 382673 | 49.95.2387(12) | 0 | 0 | 631784 | 11 | 731 | The Submission of Philip, Landgrave of Hessen, from The Victories of Emperor Charles, plate 12 | 2424 | 895 | After | Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock | Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 49049 | 787 | 1519 |1498 |1510 | 1590 |1574 |1570 | 1555 | 1555 | 1555 | 58019 | Sheet: 6 13/16 in. × 9 in. (17.3 × 22.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/631784 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 382675 | 50.576.168 | 0 | 0 | 631786 | 11 | 731 | The Submission of the German Cities, from The Victories of Emperor Charles, plate 11 | 2424 | 895 | After | Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock | Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 49049 | 787 | 1519 |1498 |1510 | 1590 |1574 |1570 | 1555 | 1555 | 1555 | 58023 | Sheet: 6 3/8 × 9 3/16 in. (16.2 × 23.4 cm) | Gift of Joseph Verner Reed, 1950 | 13 | http://www.metmuseum.org/art/collection/search/631786 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 254451 | 28.4(13) | 0 | 1 | 383057 | 11 | 731 | The Temptation of St. Anthony | 895 | After | Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19210 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1556 | 1556 | 1556 | 7208 | sheet: 10 5/16 x 13 3/8 in. (26.2 x 33.9 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/383057 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 381317 | 49.95.111 | 0 | 0 | 629170 | 11 | 731 | Habakuk Bringing Food to Daniel in the Lion's Den | 895 | After | Anonymous, Netherlandish, 16th century|Maarten van Heemskerck|Hieronymus Cock | Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 49000 | 787 | 1500 |1498 |1510 | 1600 |1574 |1570 | 1556 | 1556 | 1556 | 30618 | Sheet: 11 13/16 × 16 5/8 in. (30 × 42.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/629170 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 448376 | 54.501.1(38) | 0 | 0 | 750943 | 11 | 13858 | Hunting Scenes, No. 6: Hare Hunting | 895 | Closely related to|Published by | Étienne Delaune|Virgil Solis|François Langlois | French, Orléans 1518/19–1583 Strasbourg|German, (?) 1514–1562 Nuremberg|French, baptized Chartres, 1588–1647 Paris | 57312 | 1518 |1514 |1580 | 1583 |1562 |1647 | before 1556 | 1518 | 1556 | 62720 | Sheet: 3 7/8 × 9 11/16 in. (9.8 × 24.6 cm) Plate: 2 5/8 × 8 3/4 in. (6.7 × 22.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1954 | 673 | http://www.metmuseum.org/art/collection/search/750943 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 211304 | 17.3.859 | 0 | 1 | 338694 | 11 | 731 | Big Fish Eat Little Fish | 895 | Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19206 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1557 | 1557 | 1557 | 31672 | 9 x 11 5/8 in. (22.9 x 29.6 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/338694 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 232253 | 30.60.1 | 0 | 1 | 360001 | 11 | 731 | Patience (Patientia) | 895 | After | Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19206 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1557 | 1557 | 1557 | 7208 | Sheet: 13 3/8 × 17 3/16 in. (33.9 × 43.7 cm) | Harris Brisbane Dick Fund, 1930 | 13 | http://www.metmuseum.org/art/collection/search/360001 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 245058 | 53.601.14(58) | 0 | 1 | 373271 | 11 | 731 | Big Fish Eat Little Fish | 895 | After | Pieter Bruegel the Elder|Pieter van der Heyden|Joannes Galle I | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Flemish, Antwerp 1600–1676 Antwerp | 34452 | 1049 | 1525 |1525 |1600 | 1569 |1569 |1676 | 1557 | 1557 | 1557 | 33352 | Plate: 9 1/16 × 11 13/16 in. (23 × 30 cm) Sheet: 9 1/2 × 11 7/8 in. (24.2 × 30.1 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/373271 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 263481 | 28.4(21) | 0 | 1 | 392427 | 11 | 731 | The Ass at School | 895 | After|Published by | Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19210 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1557 | 1557 | 1557 | 7208 | plate: 9 5/16 x 11 15/16 in. (23.7 x 30.3 cm) sheet: 10 1/4 x 13 3/16 in. (26.1 x 33.5 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/392427 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 281624 | 28.4(22) | 0 | 1 | 410921 | 11 | 731 | Big Fish Eat Little Fish | 895 | Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19206 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1557 | 1557 | 1557 | 31672 | Sheet: 10 1/4 x 13 1/4 in. (26.1 x 33.7 cm) Plate: 9 x 11 11/16 in. (22.9 x 29.7 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/410921 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 382250 | 49.95.2381 | 0 | 0 | 631204 | 11 | 731 | Heraclitus and Democritus, or Admonition to Endurance and Forbearance | 895 | After | Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock | Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 49049 | 787 | 1519 |1498 |1510 | 1590 |1574 |1570 | 1557 | 1557 | 1557 | 57982 | Sheet: 7 1/2 × 10 3/16 in. (19.1 × 25.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/631204 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211308 | 26.72.31 | 0 | 1 | 338698 | 11 | 731 | Avarice (Avaritia) from the series The Seven Deadly Sins | 895 | After | Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19206 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 30370 | Sheet: 8 7/8 x 11 5/8 in. (22.6 x 29.5 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/338698 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211309 | 26.72.33 | 0 | 1 | 338699 | 11 | 731 | Pride (Superbia), from the series The Seven Deadly Sins | 895 | After | Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19206 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 7208 | sheet: 8 7/8 x 11 5/8 in. (22.5 x 29.5 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/338699 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211310 | 26.72.34 | 0 | 1 | 338700 | 11 | 731 | Sloth (Desidia), from the series The Seven Deadly Sins | 895 | After | Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19206 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 7208 | Sheet: 8 15/16 x 11 5/8 in. (22.7 x 29.6 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/338700 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211315 | 26.72.46 | 0 | 1 | 338705 | 11 | 731 | Envy (Invidia) from The Seven Deadly Sins | 895 | After | Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19206 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 30370 | 8 15/16 x 11 5/8 in. (22.7 x 29.5 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/338705 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 234192 | 28.4(34) | 0 | 1 | 361946 | 11 | 731 | Gluttony (Gula) from The Seven Deadly Sins | 895 | After | Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19206 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 7208 | Sheet: 8 3/4 x 11 9/16 in. (22.3 x 29.3 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/361946 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 238762 | 26.72.29 | 0 | 1 | 366817 | 11 | 731 | The Alchemist | 895 | Pieter Bruegel the Elder|Philips Galle|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 32974 | 787 | 1525 |1537 |1510 | 1569 |1612 |1570 | after 1558 | 1558 | 1558 | 31674 | sheet (irreg cut to plate line and within it): 13 3/16 x 17 11/16 in. (33.5 x 44.9 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/366817 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 254446 | 26.72.32 | 0 | 1 | 383052 | 11 | 731 | The Last Judgment | 895 | After | Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19210 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 30370 | sheet: 8 15/16 x 11 11/16 in. (22.7 x 29.7 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/383052 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254447 | 28.4(36) | 0 | 1 | 383053 | 11 | 731 | The Last Judgment | 895 | After | Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19210 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 30370 | sheet: 10 1/4 x 13 9/16 in. (26 x 34.4 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/383053 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254463 | 28.4(39) | 0 | 1 | 383069 | 11 | 731 | Pride (Superbia) from The Seven Deadly Sins | 895 | After | Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19210 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 7208 | sheet: 10 1/4 x 13 9/16 in. (26 x 34.4 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/383069 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254464 | 28.4(33) | 0 | 1 | 383070 | 11 | 731 | Avarice (Avaritia) from The Seven Deadly Sins | 895 | After | Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19210 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 30370 | sheet: 10 3/16 x 13 in. (25.9 x 33 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/383070 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254465 | 18.55.24 | 0 | 1 | 383071 | 11 | 731 | Anger (Ira), from the series The Seven Deadly Sins | 895 | After | Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19210 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 7208 | sheet: 8 7/8 x 11 11/16 in. (22.5 x 29.7 cm) | Rogers Fund, 1918 | 13 | http://www.metmuseum.org/art/collection/search/383071 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254466 | 28.4(32) | 0 | 1 | 383072 | 11 | 731 | Lust (Luxuria) from The Seven Deadly Sins | 895 | After | Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19210 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 7208 | plate: 8 7/8 x 11 11/16 in. (22.6 x 29.7 cm) sheet: 10 1/4 x 13 1/4 in. (26 x 33.7 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/383072 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254467 | 28.4(31) | 0 | 1 | 383073 | 11 | 731 | Anger (Ira) from The Seven Deadly Sins | 895 | After | Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19210 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 7208 | plate: 8 13/16 x 11 9/16 in. (22.4 x 29.4 cm) sheet: 10 1/4 x 13 1/4 in. (26.1 x 33.6 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/383073 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254468 | 18.55.21 | 0 | 1 | 383074 | 11 | 731 | Avarice (Avaritia), from the series The Seven Deadly Sins | 895 | Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19210 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 30370 | sheet: 8 7/8 x 11 11/16 in. (22.5 x 29.7 cm) | Rogers Fund, 1918 | 13 | http://www.metmuseum.org/art/collection/search/383074 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 274321 | 41.72(1.92) | 0 | 1 | 403493 | 11 | 731 | Speculum Romanae Magnificentiae: Ornithon Sive Aviarum | 159 | 895 | After | Pirro Ligorio|Anonymous|Michele Tramezzino | Italian, Naples ca. 1512/13–1583 Ferrara|Italian, active Venice and Rome, 1526–died 1561 | 40529 | 93 | 1512 |1526 | 1583 |1561 | 1558 | 1558 | 1558 | 26137 | sheet: 19 1/2 x 14 9/16 in. (49.6 x 37 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/403493 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 381760 | 49.95.2368(1) | 0 | 0 | 629744 | 11 | 731 | St Peter Healing the Lame at the Beautiful Gate, from The Story of St Peter and St John, plate 1 | 2404 | 895 | After | Philips Galle|Maarten van Heemskerck|Hieronymus Cock | Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 48978 | 787 | 1537 |1498 |1510 | 1612 |1574 |1570 | 1558 | 1558 | 1558 | 57947 | Sheet: 7 15/16 × 9 11/16 in. (20.1 × 24.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/629744 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 381763 | 49.95.2368(3) | 0 | 0 | 629748 | 11 | 731 | The Priest and the Sadducees Laying Hands on St Peter and St John, from The Story of St Peter and St John, plate 3 | 2404 | 895 | After | Philips Galle|Maarten van Heemskerck|Hieronymus Cock | Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 48978 | 787 | 1537 |1498 |1510 | 1612 |1574 |1570 | 1558 | 1558 | 1558 | 36872 | Sheet: 8 1/8 × 9 11/16 in. (20.6 × 24.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/629748 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 381765 | 49.95.2368(2) | 0 | 0 | 629750 | 11 | 731 | The Lame Accompanying St Peter and St John in the Temple, from The Story of St Peter and St John, plate 2 | 2404 | 895 | After | Philips Galle|Maarten van Heemskerck|Hieronymus Cock | Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 48978 | 787 | 1537 |1498 |1510 | 1612 |1574 |1570 | 1558 | 1558 | 1558 | 57948 | Sheet: 7 15/16 × 9 9/16 in. (20.2 × 24.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/629750 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 381772 | 49.95.2368(4) | 0 | 0 | 629757 | 11 | 731 | St Peter and St John Before the High Priest and the Council, from The Story of St Peter and St John, plate 4 | 2404 | 895 | After | Philips Galle|Maarten van Heemskerck|Hieronymus Cock | Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 48978 | 787 | 1537 |1498 |1510 | 1612 |1574 |1570 | 1558 | 1558 | 1558 | 36872 | Sheet: 8 in. × 9 13/16 in. (20.3 × 25 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/629757 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 381777 | 49.95.2368(5) | 0 | 0 | 629762 | 11 | 731 | St Peter and St John Dismissed with Threats, from The Story of St Peter and St John, plate 5 | 2404 | 895 | After | Philips Galle|Maarten van Heemskerck|Hieronymus Cock | Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 48978 | 787 | 1537 |1498 |1510 | 1612 |1574 |1570 | 1558 | 1558 | 1558 | 57948 | Sheet: 8 in. × 9 5/8 in. (20.3 × 24.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/629762 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 381779 | 49.95.2368(6) | 0 | 0 | 629764 | 11 | 731 | St Peter and St John Reporting to Their Company What Had Befallen to Them, from The Story of St Peter and St John, plate 6 | 2404 | 895 | After | Philips Galle|Maarten van Heemskerck|Hieronymus Cock | Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 48978 | 787 | 1537 |1498 |1510 | 1612 |1574 |1570 | 1558 | 1558 | 1558 | 57948 | Sheet: 7 13/16 × 9 5/8 in. (19.9 × 24.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/629764 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 381781 | 66.628.23 | 0 | 0 | 629766 | 11 | 731 | The Lame Accompanying St Peter and St John in the Temple, from The Story of St Peter and St John, plate 2 | 2404 | 895 | After | Philips Galle|Maarten van Heemskerck|Hieronymus Cock | Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 48978 | 787 | 1537 |1498 |1510 | 1612 |1574 |1570 | 1558 | 1558 | 1558 | 57948 | Sheet: 10 9/16 × 9 5/8 in. (26.9 × 24.4 cm) Plate: 7 15/16 × 9 5/8 in. (20.2 × 24.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1966 | 13 | http://www.metmuseum.org/art/collection/search/629766 | 4/23/2018 8:00:01 AM | 1 |