MetObjects

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rowidObject NumberIs HighlightIs Public DomainObject IDDepartmentObject NameTitleCulturePeriodDynastyReignPortfolioArtist RoleArtist PrefixArtist Display NameArtist Display BioArtist SuffixArtist Alpha SortArtist NationalityArtist Begin DateArtist End DateObject DateObject Begin DateObject End DateMediumDimensionsCredit LineGeography TypeCityStateCountyCountryRegionSubregionLocaleLocusExcavationRiverClassificationRights and ReproductionLink ResourceRepository
234191 22.73.3-100 0 0 361944 11 731 Nymphs Bathing           895 After|? Parmigianino (Girolamo Francesco Maria Mazzola)|Ugo da Carpi|Andrea Andreani Italian, Parma 1503–1540 Casalmaggiore|Italian, Carpi ca. 1480–1532 Bologna|Mantua, 1558/1559–1629   31687 145 1503 |1480 |1558 1540 |1532 |1629 ca. 1500–1532 1495 1505 37008 Sheet: 11 9/16 × 7 13/16 in. (29.3 × 19.9 cm) Rogers Fund, 1922                       13   1
382568 22.73.3-101 0 0 631610 11 731 Nymphs Bathing           895 After|? Parmigianino (Girolamo Francesco Maria Mazzola)|Ugo da Carpi|Andrea Andreani Italian, Parma 1503–1540 Casalmaggiore|Italian, Carpi ca. 1480–1532 Bologna|Mantua, 1558/1559–1629   31687 145 1503 |1480 |1558 1540 |1532 |1629 ca. 1500–1532 1495 1505 58005 Sheet: 12 5/8 × 8 15/16 in. (32.1 × 22.7 cm) Image: 11 5/8 × 7 15/16 in. (29.5 × 20.2 cm) Rogers Fund, 1922                       13   1
274466 41.72(3.22) 0 1 403638 11 731 Speculum Romanae Magnificentiae: Design for the Basilica of St. Peter's in the Vatican         159 895 After|After Antonio da Sangallo, the Younger|Antonio da Labacco|Antonio Salamanca Italian, Florence 1484–1546 Terni|Italian, near Vigevano ca. 1495–after 1567|Salamanca 1478–1562 Rome   40540 93 1484 |1495 |1478 1546 |1567 |1562 1514 1514 1514 7208 sheet: 17 5/8 x 22 1/16 in. (44.8 x 56 cm) plate: 13 x 19 13/16 in. (33 x 50.4 cm) Rogers Fund, Transferred from the Library, 1941                       13   1
268627 2012.136.275 0 1 397690 11 731 Venus removing a thorn from her left foot while seated on a cloth beside trees and foliage, a hare eating grass before her           895 After Marco Dente|Raphael (Raffaello Sanzio or Santi)|Giovanni Marco Paluzzi Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Italian, active 1600–1610   39725 145 1515 |1483 |1600 1527 |1520 |1610 ca. 1516 1516 1516 7208 Sheet (Trimmed): 10 1/2 × 6 7/8 in. (26.7 × 17.5 cm) Bequest of Phyllis Massar, 2011                       13   1
216172 41.72(2.145) 0 1 343603 11 731 Speculum Romanae Magnificentiae: Bas-Relief with Three Cupids         159 895 After Marco Dente|Raphael (Raffaello Sanzio or Santi)|Claudio Duchetti Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Italian, active Venice and Rome, ca. 1565–died ca. 1585   20467 145 1515 |1483 |1565 1527 |1520 |1585 1519 1519 1519 7208 sheet: 7 3/16 x 14 in. (18.3 x 35.5 cm) Rogers Fund, Transferred from the Library, 1941                       13   1
286712 2012.136.861 0 1 416022 11 731 Judgment of Paris: Paris extends his hand toward Venus, who stands between Juno and Minerva, surrounded by reclining and seated figures; above are a winged figure carrying a laurel wreath, a charioteer driving four horses, Castor and Pollux, and Jupiter accompanied by Ganymede, an eagle, Diana, and two other female figures           895 After|After Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca Italian, Argini (?) ca. 1480–before 1534 Bologna (?)|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome   41426 93 1475 |1483 |1478 1534 |1520 |1562 ca. 1520–50 1515 1525 7208 Sheet: 11 1/2 x 17 3/16 in. (29.2 x 43.7 cm) Bequest of Phyllis Massar, 2011                       13   1
382606 22.67.38 0 0 631709 11 731 Saint Cecilia, a circular composition           895 After Parmigianino (Girolamo Francesco Maria Mazzola)|Antonio da Trento|Andrea Andreani Italian, Parma 1503–1540 Casalmaggiore|Italian, 1520–1550|Mantua, 1558/1559–1629   49195 145 1503 |1520 |1558 1540 |1550 |1629 ca. 1520–50 1515 1525 58009 Sheet: 9 1/4 × 8 11/16 in. (23.5 × 22 cm) Image: 9 1/16 × 8 9/16 in. (23 × 21.7 cm) Rogers Fund, 1922                       13   1
382670 22.73.3-43 0 0 631781 11 731 Circe drinking from a cup, the companions of Ulysses in a boat at right           895 Attributed to|After|Impression on verso published by Antonio da Trento|Parmigianino (Girolamo Francesco Maria Mazzola)|Andrea Andreani Italian, 1520–1550|Italian, Parma 1503–1540 Casalmaggiore|Mantua, 1558/1559–1629   49200 145 1520 |1503 |1558 1550 |1540 |1629 ca. 1520–50 1515 1525 58022 Sheet: 8 3/8 × 7 1/4 in. (21.3 × 18.4 cm) trimmed Rogers Fund, 1922                       13   1
384548 17.50.14 0 0 634103 11 731 The Presentation in the Temple           895 Attributed to|After Niccolò Vicentino|Parmigianino (Girolamo Francesco Maria Mazzola)|Andrea Andreani Italian, active ca. 1510–ca. 1550|Italian, Parma 1503–1540 Casalmaggiore|Mantua, 1558/1559–1629   49281 145 1510 |1503 |1558 1550 |1540 |1629 ca. 1520–60 (published 1608) 1515 1525 58125 Sheet: 16 1/8 × 11 3/4 in. (41 × 29.8 cm) Purchase, Joseph Pulitzer Bequest, 1917                       13   1
240033 49.97.222 0 1 368120 11 731 Plate 1: Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses         816 895 After Giovanni Jacopo Caraglio|Rosso Fiorentino|Antonio Salamanca Italian, Parma or Verona ca. 1500/1505–1565 Krakow (?)|Italian, Florence 1494–1540 Fontainebleau|Salamanca 1478–1562 Rome   33254 93 1500 |1494 |1478 1565 |1540 |1562 1526 1526 1526 7208 Sheet: 8 5/16 × 4 7/16 in. (21.1 × 11.2 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
268461 2012.136.318.5 0 1 397524 11 731 Plate 1: Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses         1600 895 After Giovanni Jacopo Caraglio|Rosso Fiorentino|Carlo Losi Italian, Parma or Verona ca. 1500/1505–1565 Krakow (?)|Italian, Florence 1494–1540 Fontainebleau|Italian, 1757– after 1805   39690 145 1500 |1494 |1757 1565 |1540 |1805 1526 1526 1526 7208 sheet: 8 11/16 x 4 5/8 in. (22.1 x 11.7 cm) Bequest of Phyllis Massar, 2011                       13   1
224602 41.72(2.151) 0 1 352196 11 731 Speculum Romanae Magnificentiae: A Triton Carrying off a Nymph         159 895 After Marco Dente|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome   19966 93 1515 |1483 |1478 1527 |1520 |1562 16th century 1515 1527 7208 sheet: 4 1/2 x 6 7/8 in. (11.4 x 17.4 cm) trimmed to platemark mount: 17 5/16 x 10 5/8 in. (44 x 27 cm) Rogers Fund, Transferred from the Library, 1941                       13   1
383423 22.73.3-33 0 0 632810 11 731 The Surprise           895 After Parmigianino (Girolamo Francesco Maria Mazzola)|Niccolò Vicentino|Andrea Andreani Italian, Parma 1503–1540 Casalmaggiore|Italian, active ca. 1510–ca. 1550|Mantua, 1558/1559–1629   49296 145 1503 |1510 |1558 1540 |1550 |1629 1515–30 1515 1530 58121 Sheet: 10 1/2 × 7 5/16 in. (26.7 × 18.6 cm) Rogers Fund, 1922                       13   1
383430 22.67.40 0 0 632817 11 731 The Surprise           895 After Parmigianino (Girolamo Francesco Maria Mazzola)|Niccolò Vicentino|Andrea Andreani Italian, Parma 1503–1540 Casalmaggiore|Italian, active ca. 1510–ca. 1550|Mantua, 1558/1559–1629   49296 145 1503 |1510 |1558 1540 |1550 |1629 1515–30 1515 1530 58122 Sheet: 10 13/16 × 7 9/16 in. (27.5 × 19.2 cm) Rogers Fund, 1922                       13   1
214045 26.50.1(140) 0 1 341464 11 731 Eros Escaping by Sea; Cupid using his bow to propel a boat made from his quiver with an arrow as the mast and his blindfold as the sail, a banderole above           895 After Marco Dente|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome   19966 93 1515 |1483 |1478 1527 |1520 |1562 ca. 1515–27 1510 1532 7208 Sheet: 5 1/16 × 6 13/16 in. (12.9 × 17.3 cm) Plate: 4 15/16 × 6 5/8 in. (12.5 × 16.9 cm) Harris Brisbane Dick Fund, 1926                       13   1
216163 66.747.47 0 1 343594 11 731 A group of emaciated men and women gathered around a skeleton laid on the ground and a figure of Death as a winged skeleton standing above it holding an open book           895 After Marco Dente|Baccio Bandinelli|Antonio Salamanca Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Gaiole in Chianti 1493–1560 Florence|Salamanca 1478–1562 Rome   20465 93 1515 |1493 |1478 1527 |1560 |1562 ca. 1515–27 1510 1532 7208 Sheet (Trimmed): 11 1/4 × 17 1/8 in. (28.5 × 43.5 cm) Gift of Mrs. John H. Sichel, 1966                       13   1
268629 2012.136.277 0 1 397692 11 731 Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above           895 After Marco Dente|Raphael (Raffaello Sanzio or Santi)|Giovanni Marco Paluzzi Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Italian, active 1600–1610   39725 145 1515 |1483 |1600 1527 |1520 |1610 ca. 1515–27 1510 1532 7208 Sheet (Trimmed): 10 5/8 × 6 15/16 in. (27 × 17.7 cm) Bequest of Phyllis Massar, 2011                       13   1
413552 51.501.794 0 1 682104 11 731 Five men fighting beasts, at lower left is a fallen boar           895 After Master of the Die|Giulio Romano|Antonio Salamanca Italian, active Rome, ca. 1530–60|Italian, Rome 1499?–1546 Mantua|Salamanca 1478–1562 Rome   52106 93 1525 |1499 |1478 1560 |1546 |1562 1532 1532 1532 7208 Sheet: 11 1/4 × 16 9/16 in. (28.5 × 42 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951                       13   1
217967 41.72(1.26) 0 1 345467 11 731 Speculum Romanae Magnificentiae: The Altar of Eros         159 895 Attributed to|After (?) Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca Italian, Venice ca. 1490–after 1536 Rome|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome   21580 93 1490 |1483 |1478 1536 |1520 |1562 ca. 1514–36 1514 1536 7208 mount: 17 15/16 x 11 13/16 in. (45.5 x 30 cm) sheet: 11 5/8 x 8 11/16 in. (29.5 x 22 cm) Rogers Fund, Transferred from the Library, 1941                       13   1
217969 41.72(1.27) 0 1 345469 11 731 Speculum Romanae Magnificentiae: The Altar of Jupiter in the Oldest Temple on the Capitol         159 895 Attributed to|After (?) Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca Italian, Venice ca. 1490–after 1536 Rome|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome   21580 93 1490 |1483 |1478 1536 |1520 |1562 ca. 1514–36 1514 1536 7208 mount: 18 1/8 x 10 5/8 in. (46 x 27 cm) sheet: 11 5/8 x 8 3/8 in. (29.5 x 21.2 cm) Rogers Fund, Transferred from the Library, 1941                       13   1
247556 2007.49.373 0 0 375845 11 731 The Capture of Carthagena by Scipio and His Troops           895 After Georg Pencz|Giulio Romano|Antonio Salamanca German, Wroclaw ca. 1500–1550 Leipzig|Italian, Rome 1499?–1546 Mantua|Salamanca 1478–1562 Rome   34961 348 1500 |1499 |1478 1550 |1546 |1562 1539 1539 1539 39565 sheet: 16 7/16 x 22 1/16 in. (41.8 x 56 cm) Bequest of William S. Lieberman, 2005                       13   1
218191 41.72(2.119) 0 1 345693 11 731 Speculum Romanae Magnificentiae: Trajan Between City of Victory and Rome         159 895 After Marcantonio Raimondi|Anonymous, Italian, 16th century|Antonio Salamanca Italian, Argini (?) ca. 1480–before 1534 Bologna (?)|Italian, active Central Italy, ca. 1550–1580|Salamanca 1478–1562 Rome   21675 93 1475 |1550 |1478 1534 |1600 |1562 ca. 1500–34 1500 1540 7208 sheet: 11 1/4 x 16 3/4 in. (28.6 x 42.6 cm) mount: 13 7/8 x 16 15/16 in. (35.3 x 43 cm) Rogers Fund, Transferred from the Library, 1941                       13   1
242795 30.58.5(27a) 0 0 370963 11 731 Grotesque design with Smoking Lantern and Double Satyr Herms           895 Reverse copy after|Published by Enea Vico|Anonymous, Italian, 16th century|Tommaso Barlacchi Italian, Parma 1523–1567 Ferrara|active Rome, 1541–50   33980 145 1523 |1500 |1541 1567 |1600 |1550 1541 1541 1541 7208 Plate: 6 9/16 x 4 3/16 in. (16.7 x 10.7 cm) Sheet: 10 13/16 x 16 1/8 in. (27.5 x 41 cm) Harris Brisbane Dick Fund, 1930   571                   13   1
242796 30.58.5(27b) 0 0 370964 11 731 Grotesque with a Man Reaching toward a Festoon           895 Reverse copy after|Published by Enea Vico|Anonymous, Italian, 16th century|Tommaso Barlacchi Italian, Parma 1523–1567 Ferrara|active Rome, 1541–50   33980 145 1523 |1500 |1541 1567 |1600 |1550 1541 1541 1541 7208 plate: 7 3/16 x 5 1/8 in. (18.2 x 13 cm) sheet: 10 13/16 x 16 1/8 in. (27.5 x 41 cm) Harris Brisbane Dick Fund, 1930   571                   13   1
268257 2012.136.145.2 0 1 397319 11 731 Christ in Limbo, after Raphael           895 After Nicolas Beatrizet|Raphael (Raffaello Sanzio or Santi)|Tommaso Barlacchi French, Lunéville 1515–ca. 1566 Rome (?)|Italian, Urbino 1483–1520 Rome|active Rome, 1541–50   39649 211 1515 |1483 |1541 1566 |1520 |1550 1541 1541 1541 7208 Sheet (trimmed): 11 3/16 × 6 11/16 in. (28.4 × 17 cm) Bequest of Phyllis Massar, 2012                       13   1
240325 49.97.348 0 1 368441 11 731 St George Killing the Dragon           895 Engraved by|After|Published by Enea Vico|Giulio Clovio|Antonio Salamanca Italian, Parma 1523–1567 Ferrara|Italian, Brizane 1498–1578 Rome|Salamanca 1478–1562 Rome   33322 93 1523 |1498 |1478 1567 |1578 |1562 1542 1542 1542 7208 sheet: 10 1/16 x 13 9/16 in. (25.6 x 34.4 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949   571                   13   1
240497 49.97.356 0 1 368613 11 731 Rhinoceros           895 Engraved by|Copy in reverse after|Published by Enea Vico|Albrecht Dürer|Antonio Salamanca Italian, Parma 1523–1567 Ferrara|German, Nuremberg 1471–1528 Nuremberg|Salamanca 1478–1562 Rome   33373 309 1523 |1471 |1478 1567 |1528 |1562 1542 (date changed to 1548) 1542 1542 7208 sheet: 10 1/4 x 14 5/16 in. (26 x 36.3 cm) trimmed just outside platemark The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
240315 17.50.16-141 0 0 368431 11 731 The Entombment of Christ           895 Possibly after Enea Vico|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca Italian, Parma 1523–1567 Ferrara|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome   33316 93 1523 |1483 |1478 1567 |1520 |1562 1543 1543 1543 29124 Sheet (trimmed): 11 3/8 × 7 15/16 in. (28.9 × 20.2 cm) Purchase, Joseph Pulitzer Bequest, 1917   571                   13   1
268556 2012.136.403 0 1 397619 11 731 Entombment of Christ, whose chest is grasped by Joseph of Arimathea, with two kneeling and two standing female mourners at left and crown of thorns at bottom right           895 After Enea Vico|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca Italian, Parma 1523–1567 Ferrara|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome   33316 93 1523 |1483 |1478 1567 |1520 |1562 1543 1543 1543 7208 image: 11 3/4 x 8 1/16 in. (29.8 x 20.5 cm) Bequest of Phyllis Massar, 2011                       13   1
243321 2006.167 0 0 371501 11 731 Combat between Cupid and Apollo           895 After Nicolas Beatrizet|Baccio Bandinelli|Antonio Salamanca French, Lunéville 1515–ca. 1566 Rome (?)|Italian, Gaiole in Chianti 1493–1560 Florence|Salamanca 1478–1562 Rome   34134 247 1515 |1493 |1478 1566 |1560 |1562 1545 1545 1545 7208 sheet: 17 1/16 x 22 1/2 in. (43.3 x 57.2 cm) A. Hyatt Mayor Purchase Fund, Marjorie Phelps Starr Bequest, 2006                       13   1
411790 49.95.289 0 1 679283 11 731 The Trojans hauling the wooden horse into Troy           895 After Giulio Bonasone|Francesco Primaticcio|Carlo Losi Italian, active Rome and Bologna, 1531–after 1576|Italian, Bologna 1504/5–1570 Paris|Italian, 1757– after 1805   51963 145 1510 |1504 |1757 1576 |1570 |1805 1545 (published 1773) 1545 1545 33354 Sheet: 15 15/16 × 24 7/8 in. (40.5 × 63.2 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
230424 17.50.16-135 0 1 358113 11 731 The Academy of Baccio Bandinelli           895 After|Published by Enea Vico|Baccio Bandinelli|Pietro Paolo Palumbo Italian, Parma 1523–1567 Ferrara|Italian, Gaiole in Chianti 1493–1560 Florence|Italian, active Rome, 1563–?1586   30381 145 1523 |1493 |1563 1567 |1560 |1586 ca. 1544 1543 1546 30370 sheet: 12 1/16 x 17 1/4 in. (30.6 x 43.8 cm) Purchase, Joseph Pulitzer Bequest, 1917                       13   1
407119 26.71.8(18) 0 1 665037 11 13815 Livre de Moresques, page 9 (verso)           895 Previously published by|Published by Cornelis Bos|Francesco di Pellegrino|Hiérosme de Gormont Netherlandish, Hertogenbosch ca. 1510?–before 1566 Groningen|Italian, born Florence, died 1552   51346 3214 1510 |1525 1566 |1552 1546 1546 1546 26552 Overall: 12 x 8 5/16 x 1/4 in. (30.5 x 21.1 x 0.7 cm) Harris Brisbane Dick Fund, 1926   27                   665   1
240485 59.570.298 0 1 368601 11 731 Lucretia Preparing to Kill Herself           895 Engraved by|After|Published by Enea Vico|Parmigianino (Girolamo Francesco Maria Mazzola)|Antonio Salamanca Italian, Parma 1523–1567 Ferrara|Italian, Parma 1503–1540 Casalmaggiore|Salamanca 1478–1562 Rome   33367 93 1523 |1503 |1478 1567 |1540 |1562 ca. 1542 1537 1547 33030 sheet: 11 15/16 x 8 1/16 in. (30.3 x 20.4 cm) mounted on sheet trimmed to size of print The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959                       13   1
239330 53.600.994 0 1 367400 11 731 The Fall of Troy and the Escape of Aeneas           895 After Giorgio Ghisi|Giovanni Battista Scultori|Antonio Lafreri Italian, Mantua ca. 1520–1582 Mantua|Italian, 1503–1575|French, Orgelet, Franche-Comte ca. 1512–1577 Rome   33085 114 1515 |1503 |1507 1582 |1575 |1577 mid-1540's 1540 1549 38186 Sheet (Trimmed): 15 3/16 × 19 7/16 in. (38.6 × 49.3 cm) Harris Brisbane Dick Fund, 1953                       13   1
239338 41.97.283 0 1 367408 11 731 The Visitation           895 After Giorgio Ghisi|Francesco Salviati (Francesco de' Rossi)|Giovanni Battista de Rossi Italian, Mantua ca. 1520–1582 Mantua|Italian, Florence 1510–1563 Rome|Italian, 17th century   33088 145 1515 |1510 |1600 1582 |1563 |1699 1540s 1540 1549 7208 sheet: 12 1/2 x 19 3/16 in. (31.8 x 48.7 cm) within borderline Gift of Harry Shaw Newman, 1941                       13   1
274510 41.72(3.28) 0 1 403682 11 731 Speculum Romanae Magnificentiae: Plan of St. Peter's         159 895 After|After Antonio da Sangallo, the Younger|Antonio da Labacco|Antonio Salamanca Italian, Florence 1484–1546 Terni|Italian, near Vigevano ca. 1495–after 1567|Salamanca 1478–1562 Rome   40540 93 1484 |1495 |1478 1546 |1567 |1562 1549 1549 1549 7208 sheet: 22 5/8 x 16 13/16 in. (57.5 x 42.7 cm) Rogers Fund, Transferred from the Library, 1941                       13   1
236206 59.570.275 0 1 364082 11 731 Conversion of Saul, from Michelangelo's fresco in the Pauline Chapel at the Vatican           895 After Michelangelo Buonarroti|Nicolas Beatrizet|Antonio Salamanca Italian, Caprese 1475–1564 Rome|French, Lunéville 1515–ca. 1566 Rome (?)|Salamanca 1478–1562 Rome   32227 148 1475 |1515 |1478 1564 |1566 |1562 ca. 1545–60 1540 1550 7208 Sheet: 16 7/8 x 21 1/8 in. (42.9 x 53.7 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959                       13   1
239348 25.62.30 0 0 367418 11 731 The School of Athens; Plato and Aristotle in a classical architectural setting surrounded by a number of philosophers from antiquity; after the fresco in the Stanza della Segnatura in the Vatican Palace           895 After Giorgio Ghisi|Raphael (Raffaello Sanzio or Santi)|Hieronymus Cock Italian, Mantua ca. 1520–1582 Mantua|Italian, Urbino 1483–1520 Rome|Netherlandish, Antwerp ca. 1510–1570 Antwerp   23577 974 1515 |1483 |1510 1582 |1520 |1570 1550 1550 1550 38189 Plate: 20 3/8 × 32 5/16 in. (51.8 × 82 cm) Harris Brisbane Dick Fund, 1925                       13   1
383268 22.73.3-64 0 0 632583 11 731 Hercules strangling the Nemean Lion           895 After Niccolò Vicentino|Raphael (Raffaello Sanzio or Santi)|Andrea Andreani Italian, active ca. 1510–ca. 1550|Italian, Urbino 1483–1520 Rome|Mantua, 1558/1559–1629   49282 145 1510 |1483 |1558 1550 |1520 |1629 1540–50 1540 1550 31130 Sheet: 9 13/16 × 7 5/8 in. (25 × 19.4 cm) Rogers Fund, 1922                       13   1
383269 17.50.28 0 0 632584 11 731 Hercules strangling the Nemean Lion           895 After Niccolò Vicentino|Raphael (Raffaello Sanzio or Santi)|Andrea Andreani Italian, active ca. 1510–ca. 1550|Italian, Urbino 1483–1520 Rome|Mantua, 1558/1559–1629   49282 145 1510 |1483 |1558 1550 |1520 |1629 1540–50 1540 1550 31130 Sheet: 9 13/16 × 7 1/2 in. (25 × 19 cm) Purchase, Joseph Pulitzer Bequest, 1917                       13   1
383393 1986.1180.241 0 0 632773 11 731 The Miraculous Draught of the Fishes           895 After Niccolò Vicentino|Raphael (Raffaello Sanzio or Santi)|Andrea Andreani Italian, active ca. 1510–ca. 1550|Italian, Urbino 1483–1520 Rome|Mantua, 1558/1559–1629   49282 145 1510 |1483 |1558 1550 |1520 |1629 1510–1550 (republished 1609) 1510 1550 58114 Sheet: 9 5/16 × 13 3/16 in. (23.7 × 33.5 cm) Bequest of Grace M. Pugh, 1985                       13   1
383394 23.108.11 0 0 632774 11 731 The Miraculous Draught of the Fishes           895 After Niccolò Vicentino|Raphael (Raffaello Sanzio or Santi)|Andrea Andreani Italian, active ca. 1510–ca. 1550|Italian, Urbino 1483–1520 Rome|Mantua, 1558/1559–1629   49282 145 1510 |1483 |1558 1550 |1520 |1629 1520–1550 (republished 1609) 1520 1550 58114 Sheet: 9 7/16 × 13 11/16 in. (24 × 34.7 cm) Gift of W. G. Russell Allen, 1923                       13   1
384160 22.73.3-58 0 0 633693 11 731 Christ healing the Lepers           895 After Niccolò Vicentino|Parmigianino (Girolamo Francesco Maria Mazzola)|Andrea Andreani Italian, active ca. 1510–ca. 1550|Italian, Parma 1503–1540 Casalmaggiore|Mantua, 1558/1559–1629   49281 145 1510 |1503 |1558 1550 |1540 |1629 1540–1550 (published by Andreani 1608) 1540 1550 43197 Sheet: 11 9/16 × 16 5/16 in. (29.3 × 41.4 cm) Rogers Fund, 1922                       13   1
384165 17.50.23 0 0 633698 11 731 The escape of Cloelia           895 After Niccolò Vicentino|Maturino da Firenze|Andrea Andreani Italian, active ca. 1510–ca. 1550|Italian, active ca. 1528|Mantua, 1558/1559–1629   49429 145 1510 |1523 |1558 1550 |1533 |1629 1540–1550 (republished by Andreani in 1608) 1540 1550 43408 Sheet: 11 in. × 15 3/16 in. (28 × 38.6 cm) Purchase, Joseph Pulitzer Bequest, 1917                       13   1
411789 17.50.19-151 0 1 679279 11 731 The Last Judgment from the Sistine Chapel           895 After Giulio Bonasone|Michelangelo Buonarroti|Antonio Salamanca Italian, active Rome and Bologna, 1531–after 1576|Italian, Caprese 1475–1564 Rome|Salamanca 1478–1562 Rome   51962 93 1510 |1475 |1478 1576 |1564 |1562 1546–50 1546 1550 38125 Sheet: 22 13/16 × 17 3/8 in. (58 × 44.2 cm) Purchase, Joseph Pulitzer Bequest, 1917                       13   1
235292 58.642.10 0 1 363058 11 731 The Last Supper           895 After Giorgio Ghisi|Lambert Lombard|Hieronymus Cock Italian, Mantua ca. 1520–1582 Mantua|Netherlandish, Liège 1506–1566 Liège|Netherlandish, Antwerp ca. 1510–1570 Antwerp   31992 2496 1515 |1506 |1510 1582 |1566 |1570 1551 1551 1551 37290 Sheet (Trimmed): 13 3/4 in. × 21 in. (34.9 × 53.3 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1958                       13   1
254444 28.4(35) 0 1 383050 11 731 The Descent of Christ Into Limbo           895 After Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp   19210 787 1525 |1525 |1510 1569 |1569 |1570 1551 1551 1551 30370 sheet: 10 5/16 x 13 9/16 in. (26.2 x 34.5 cm) Harris Brisbane Dick Fund, 1928                       13   1
220890 49.97.466 0 0 348429 11 731 The Dispute on the Holy Sacrament; the Holy Trinity in the upper centre surrounded by the Virgin Mary and Saint John, saints, patriarchs and angels; below them an altar with the Holy Sacrament, ecclesiastics and doctors of the Church debating its nature; after Raphael's fresco in the Stanza della Segnatura in the Vatican Palace           895 After Giorgio Ghisi|Raphael (Raffaello Sanzio or Santi)|Hieronymus Cock Italian, Mantua ca. 1520–1582 Mantua|Italian, Urbino 1483–1520 Rome|Netherlandish, Antwerp ca. 1510–1570 Antwerp   23577 974 1515 |1483 |1510 1582 |1520 |1570 1552 1552 1552 34801 sheet: 20 1/4 x 32 5/8 in. (51.5 x 82.8 cm) platemark The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
268529 2012.136.399 0 1 397592 11 13858 Candlestick with Two Ignudi on Top of a Vase with Lion Heads           895 Possibly after Anonymous, Italian, 16th century|Enea Vico|Antonio Salamanca Italian, Parma 1523–1567 Ferrara|Salamanca 1478–1562 Rome or vice versa 33953   1500 |1523 |1478 1600 |1567 |1562 1552 1552 1552 43016 Sheet: 9 1/2 × 6 15/16 in. (24.2 × 17.7 cm) [cropped within plate marks on all sides] Bequest of Phyllis Massar, 2011                       673   1
239345 64.682.123 0 1 367415 11 731 The Nativity           895 Engraved by|After|Published by Giorgio Ghisi|Bronzino (Agnolo di Cosimo di Mariano)|Hieronymus Cock Italian, Mantua ca. 1520–1582 Mantua|Italian, Monticelli 1503–1572 Florence|Netherlandish, Antwerp ca. 1510–1570 Antwerp   33090 974 1515 |1503 |1510 1582 |1572 |1570 1553 1553 1553 7208 sheet: 13 1/8 x 17 15/16 in. (33.3 x 45.6 cm) borderline Gift of Harry G. Friedman, 1964                       13   1
242604 41.72(2.68) 0 1 370768 11 731 Speculum Romanae Magnificentiae: Aristotle         159 895 After|Published by Enea Vico|Anonymous, Italian, mid-16th century|Antonio Lafreri Italian, Parma 1523–1567 Ferrara|French, Orgelet, Franche-Comte ca. 1512–1577 Rome   33902 114 1523 |1520 |1507 1567 |1580 |1577 1553 1553 1553 7208 sheet: 19 5/16 x 13 9/16 in. (49 x 34.5 cm) plate: 16 1/8 x 11 5/16 in. (41 x 28.7 cm) Rogers Fund, Transferred from the Library, 1941   571                   13   1
274201 41.72(1.65) 0 1 403373 11 731 Speculum Romanae Magnificentiae: Circus Flaminius         159 895 After Nicolas Beatrizet|Pirro Ligorio|Michele Tramezzino French, Lunéville 1515–ca. 1566 Rome (?)|Italian, Naples ca. 1512/13–1583 Ferrara|Italian, active Venice and Rome, 1526–died 1561   40518 211 1515 |1512 |1526 1566 |1583 |1561 1553 1553 1553 7208 sheet: 14 9/16 x 21 7/8 in. (37 x 55.5 cm) Rogers Fund, Transferred from the Library, 1941                       13   1
274273 41.72(1.70) 0 1 403445 11 731 Speculum Romanae Magnificentiae: Circus Maximus         159 895 After Pirro Ligorio|Anonymous|Bolognino Zaltieri Italian, Naples ca. 1512/13–1583 Ferrara|Italian, active Venice, 1555–76   40524 93 1512 |1555 1583 |1576 1553 1553 1553 7208 sheet: 14 x 21 7/8 in. (35.5 x 55.5 cm) mount: 20 1/16 x 27 3/8 in. (51 x 69.5 cm) Rogers Fund, Transferred from the Library, 1941                       13   1
239347 49.40.49 0 1 367417 11 731 The Vision of Ezekiel           895 After Giorgio Ghisi|Giovanni Battista Bertano|Giovanni Giacomo De Rossi Italian, Mantua ca. 1520–1582 Mantua|Mantua 1516–1576 Mantua|Italian, Rome 1627–1691 Rome   33092 145 1515 |1516 |1627 1582 |1576 |1691 1554 1554 1554 38188 Plate: 16 5/16 × 26 15/16 in. (41.5 × 68.5 cm) Sheet: 18 7/8 × 31 1/2 in. (48 × 80 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
274776 41.72(2.1) 0 0 403949 11 731 Speculum Romanae Magnificentiae: Birdseye View of the Port of Rome         159 895 After Giulio de Musi|Pirro Ligorio|Michele Tramezzino Italian, active 1550–1555|Italian, Naples ca. 1512/13–1583 Ferrara|Italian, active Venice and Rome, 1526–died 1561   40576 145 1550 |1512 |1526 1555 |1583 |1561 1554 1554 1554 7208 sheet: 16 1/8 x 26 15/16 in. (41 x 68.5 cm) Rogers Fund, Transferred from the Library, 1941                       13   1
239395 63.517.27 0 1 367465 11 731 The Judgment of Paris           895 After Giorgio Ghisi|Giovanni Battista Bertano|Hieronymus Cock Italian, Mantua ca. 1520–1582 Mantua|Mantua 1516–1576 Mantua|Netherlandish, Antwerp ca. 1510–1570 Antwerp   33110 974 1515 |1516 |1510 1582 |1576 |1570 1555 1555 1555 38200 Sheet (Trimmed): 16 in. × 21 1/4 in. (40.7 × 54 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963                       13   1
239741 59.570.219 0 1 367823 11 731 The Judgment of Paris; Paris seated on a rock choosing between the goddesses Venus, Juno, and Minerva, the god Mercury with a caduceus in between them           895 Engraved by|After Giorgio Ghisi|Giovanni Battista Bertano|Hieronymus Cock Italian, Mantua ca. 1520–1582 Mantua|Mantua 1516–1576 Mantua|Netherlandish, Antwerp ca. 1510–1570 Antwerp   33110 974 1515 |1516 |1510 1582 |1576 |1570 1555 1555 1555 38200 Sheet (Trimmed): 16 in. × 21 1/4 in. (40.7 × 54 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959                       13   1
382659 49.95.2387(1) 0 0 631770 11 731 Emperor Charles V Amidst His Vanquished Adversaries, from The Victories of Emperor Charles, plate 1         2424 895 After Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp   49049 787 1519 |1498 |1510 1590 |1574 |1570 1555 1555 1555 58018 Sheet: 6 7/8 × 8 13/16 in. (17.5 × 22.4 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
382660 49.95.2387(2) 0 0 631771 11 731 King Francis I Taken Prisoner at the Battle of Pavia, from The Victories of Emperor Charles, plate 2         2424 895 After Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp   49049 787 1519 |1498 |1510 1590 |1574 |1570 1555 1555 1555 58019 Sheet: 6 3/16 × 8 15/16 in. (15.7 × 22.7 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
382661 49.95.2387(3) 0 0 631772 11 731 The Death of Charles, Duke of Bourbon, and the Capture of Rome, from The Victories of Emperor Charles, plate 3         2424 895 After Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp   49049 787 1519 |1498 |1510 1590 |1574 |1570 1555 1555 1555 58019 Sheet: 6 3/4 × 8 7/8 in. (17.2 × 22.6 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
382662 49.95.2387(5) 0 0 631773 11 731 Suleiman the Magnificent Forced to Raise the Siege of Vienna, and the Capture of Rome, from The Victories of Emperor Charles, plate 5         2424 895 After Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp   49049 787 1519 |1498 |1510 1590 |1574 |1570 1555 1555 1555 58019 Sheet: 6 7/8 × 9 3/16 in. (17.5 × 23.4 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
382663 49.95.2387(6) 0 1 631774 11 731 The Imperial Troops Bringing Civilization to the Indians, from The Victories of Emperor Charles, plate 6         2424 895 After Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp   49049 787 1519 |1498 |1510 1590 |1574 |1570 1555 1555 1555 58020 Sheet: 6 15/16 × 9 1/16 in. (17.6 × 23 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
382666 49.95.2387(7) 0 0 631777 11 731 The Conquest of Tunis, from The Victories of Emperor Charles, plate 7         2424 895 After Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp   49049 787 1519 |1498 |1510 1590 |1574 |1570 1555 1555 1555 58021 Sheet: 7 in. × 9 1/16 in. (17.8 × 23 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
382667 49.95.2387(8) 0 0 631778 11 731 The Submission of William II, Duke of Cleves, from The Victories of Emperor Charles, plate 8         2424 895 After Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp   49049 787 1519 |1498 |1510 1590 |1574 |1570 1555 1555 1555 58019 Sheet: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
382669 49.95.2387(9) 0 0 631780 11 731 Emperor Charles V Inspecting His Troops Near Ingolstadt, from The Victories of Emperor Charles, plate 9         2424 895 After Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp   49049 787 1519 |1498 |1510 1590 |1574 |1570 1555 1555 1555 58019 Sheet: 6 7/8 × 9 3/16 in. (17.5 × 23.4 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
382671 49.95.2387(10) 0 0 631782 11 731 The Surrender of John Frederick, Elector of Saxony, After the Battle of Muhlberg, from The Victories of Emperor Charles, plate 10         2424 895 After Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp   49049 787 1519 |1498 |1510 1590 |1574 |1570 1555 1555 1555 58020 Sheet: 6 15/16 × 8 13/16 in. (17.7 × 22.4 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
382672 49.95.2387(11) 0 0 631783 11 731 The Submission of the German Cities, from The Victories of Emperor Charles, plate 11         2424 895 After Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp   49049 787 1519 |1498 |1510 1590 |1574 |1570 1555 1555 1555 58019 Sheet: 6 7/8 × 9 1/16 in. (17.4 × 23 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
382673 49.95.2387(12) 0 0 631784 11 731 The Submission of Philip, Landgrave of Hessen, from The Victories of Emperor Charles, plate 12         2424 895 After Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp   49049 787 1519 |1498 |1510 1590 |1574 |1570 1555 1555 1555 58019 Sheet: 6 13/16 in. × 9 in. (17.3 × 22.8 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
382675 50.576.168 0 0 631786 11 731 The Submission of the German Cities, from The Victories of Emperor Charles, plate 11         2424 895 After Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp   49049 787 1519 |1498 |1510 1590 |1574 |1570 1555 1555 1555 58023 Sheet: 6 3/8 × 9 3/16 in. (16.2 × 23.4 cm) Gift of Joseph Verner Reed, 1950                       13   1
254451 28.4(13) 0 1 383057 11 731 The Temptation of St. Anthony           895 After Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp   19210 787 1525 |1525 |1510 1569 |1569 |1570 1556 1556 1556 7208 sheet: 10 5/16 x 13 3/8 in. (26.2 x 33.9 cm) Harris Brisbane Dick Fund, 1928                       13   1
381317 49.95.111 0 0 629170 11 731 Habakuk Bringing Food to Daniel in the Lion's Den           895 After Anonymous, Netherlandish, 16th century|Maarten van Heemskerck|Hieronymus Cock Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp   49000 787 1500 |1498 |1510 1600 |1574 |1570 1556 1556 1556 30618 Sheet: 11 13/16 × 16 5/8 in. (30 × 42.3 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
448376 54.501.1(38) 0 0 750943 11 13858 Hunting Scenes, No. 6: Hare Hunting           895 Closely related to|Published by Étienne Delaune|Virgil Solis|François Langlois French, Orléans 1518/19–1583 Strasbourg|German, (?) 1514–1562 Nuremberg|French, baptized Chartres, 1588–1647 Paris   57312   1518 |1514 |1580 1583 |1562 |1647 before 1556 1518 1556 62720 Sheet: 3 7/8 × 9 11/16 in. (9.8 × 24.6 cm) Plate: 2 5/8 × 8 3/4 in. (6.7 × 22.2 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1954                       673   1
211304 17.3.859 0 1 338694 11 731 Big Fish Eat Little Fish           895   Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp   19206 787 1525 |1525 |1510 1569 |1569 |1570 1557 1557 1557 31672 9 x 11 5/8 in. (22.9 x 29.6 cm) Harris Brisbane Dick Fund, 1917                       13   1
232253 30.60.1 0 1 360001 11 731 Patience (Patientia)           895 After Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp   19206 787 1525 |1525 |1510 1569 |1569 |1570 1557 1557 1557 7208 Sheet: 13 3/8 × 17 3/16 in. (33.9 × 43.7 cm) Harris Brisbane Dick Fund, 1930                       13   1
245058 53.601.14(58) 0 1 373271 11 731 Big Fish Eat Little Fish           895 After Pieter Bruegel the Elder|Pieter van der Heyden|Joannes Galle I Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Flemish, Antwerp 1600–1676 Antwerp   34452 1049 1525 |1525 |1600 1569 |1569 |1676 1557 1557 1557 33352 Plate: 9 1/16 × 11 13/16 in. (23 × 30 cm) Sheet: 9 1/2 × 11 7/8 in. (24.2 × 30.1 cm) Harris Brisbane Dick Fund, 1953                       13   1
263481 28.4(21) 0 1 392427 11 731 The Ass at School           895 After|Published by Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp   19210 787 1525 |1525 |1510 1569 |1569 |1570 1557 1557 1557 7208 plate: 9 5/16 x 11 15/16 in. (23.7 x 30.3 cm) sheet: 10 1/4 x 13 3/16 in. (26.1 x 33.5 cm) Harris Brisbane Dick Fund, 1928                       13   1
281624 28.4(22) 0 1 410921 11 731 Big Fish Eat Little Fish           895   Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp   19206 787 1525 |1525 |1510 1569 |1569 |1570 1557 1557 1557 31672 Sheet: 10 1/4 x 13 1/4 in. (26.1 x 33.7 cm) Plate: 9 x 11 11/16 in. (22.9 x 29.7 cm) Harris Brisbane Dick Fund, 1928                       13   1
382250 49.95.2381 0 0 631204 11 731 Heraclitus and Democritus, or Admonition to Endurance and Forbearance           895 After Dirk Volckertsz Coornhert|Maarten van Heemskerck|Hieronymus Cock Netherlandish, Amsterdam 1519/22–1590 Gouda|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp   49049 787 1519 |1498 |1510 1590 |1574 |1570 1557 1557 1557 57982 Sheet: 7 1/2 × 10 3/16 in. (19.1 × 25.8 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
211308 26.72.31 0 1 338698 11 731 Avarice (Avaritia) from the series The Seven Deadly Sins           895 After Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp   19206 787 1525 |1525 |1510 1569 |1569 |1570 1558 1558 1558 30370 Sheet: 8 7/8 x 11 5/8 in. (22.6 x 29.5 cm) Harris Brisbane Dick Fund, 1926                       13   1
211309 26.72.33 0 1 338699 11 731 Pride (Superbia), from the series The Seven Deadly Sins           895 After Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp   19206 787 1525 |1525 |1510 1569 |1569 |1570 1558 1558 1558 7208 sheet: 8 7/8 x 11 5/8 in. (22.5 x 29.5 cm) Harris Brisbane Dick Fund, 1926                       13   1
211310 26.72.34 0 1 338700 11 731 Sloth (Desidia), from the series The Seven Deadly Sins           895 After Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp   19206 787 1525 |1525 |1510 1569 |1569 |1570 1558 1558 1558 7208 Sheet: 8 15/16 x 11 5/8 in. (22.7 x 29.6 cm) Harris Brisbane Dick Fund, 1926                       13   1
211315 26.72.46 0 1 338705 11 731 Envy (Invidia) from The Seven Deadly Sins           895 After Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp   19206 787 1525 |1525 |1510 1569 |1569 |1570 1558 1558 1558 30370 8 15/16 x 11 5/8 in. (22.7 x 29.5 cm) Harris Brisbane Dick Fund, 1926                       13   1
234192 28.4(34) 0 1 361946 11 731 Gluttony (Gula) from The Seven Deadly Sins           895 After Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp   19206 787 1525 |1525 |1510 1569 |1569 |1570 1558 1558 1558 7208 Sheet: 8 3/4 x 11 9/16 in. (22.3 x 29.3 cm) Harris Brisbane Dick Fund, 1928                       13   1
238762 26.72.29 0 1 366817 11 731 The Alchemist           895   Pieter Bruegel the Elder|Philips Galle|Hieronymus Cock Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Antwerp ca. 1510–1570 Antwerp   32974 787 1525 |1537 |1510 1569 |1612 |1570 after 1558 1558 1558 31674 sheet (irreg cut to plate line and within it): 13 3/16 x 17 11/16 in. (33.5 x 44.9 cm) Harris Brisbane Dick Fund, 1926                       13   1
254446 26.72.32 0 1 383052 11 731 The Last Judgment           895 After Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp   19210 787 1525 |1525 |1510 1569 |1569 |1570 1558 1558 1558 30370 sheet: 8 15/16 x 11 11/16 in. (22.7 x 29.7 cm) Harris Brisbane Dick Fund, 1926                       13   1
254447 28.4(36) 0 1 383053 11 731 The Last Judgment           895 After Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp   19210 787 1525 |1525 |1510 1569 |1569 |1570 1558 1558 1558 30370 sheet: 10 1/4 x 13 9/16 in. (26 x 34.4 cm) Harris Brisbane Dick Fund, 1928                       13   1
254463 28.4(39) 0 1 383069 11 731 Pride (Superbia) from The Seven Deadly Sins           895 After Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp   19210 787 1525 |1525 |1510 1569 |1569 |1570 1558 1558 1558 7208 sheet: 10 1/4 x 13 9/16 in. (26 x 34.4 cm) Harris Brisbane Dick Fund, 1928                       13   1
254464 28.4(33) 0 1 383070 11 731 Avarice (Avaritia) from The Seven Deadly Sins           895 After Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp   19210 787 1525 |1525 |1510 1569 |1569 |1570 1558 1558 1558 30370 sheet: 10 3/16 x 13 in. (25.9 x 33 cm) Harris Brisbane Dick Fund, 1928                       13   1
254465 18.55.24 0 1 383071 11 731 Anger (Ira), from the series The Seven Deadly Sins           895 After Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp   19210 787 1525 |1525 |1510 1569 |1569 |1570 1558 1558 1558 7208 sheet: 8 7/8 x 11 11/16 in. (22.5 x 29.7 cm) Rogers Fund, 1918                       13   1
254466 28.4(32) 0 1 383072 11 731 Lust (Luxuria) from The Seven Deadly Sins           895 After Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp   19210 787 1525 |1525 |1510 1569 |1569 |1570 1558 1558 1558 7208 plate: 8 7/8 x 11 11/16 in. (22.6 x 29.7 cm) sheet: 10 1/4 x 13 1/4 in. (26 x 33.7 cm) Harris Brisbane Dick Fund, 1928                       13   1
254467 28.4(31) 0 1 383073 11 731 Anger (Ira) from The Seven Deadly Sins           895 After Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp   19210 787 1525 |1525 |1510 1569 |1569 |1570 1558 1558 1558 7208 plate: 8 13/16 x 11 9/16 in. (22.4 x 29.4 cm) sheet: 10 1/4 x 13 1/4 in. (26.1 x 33.6 cm) Harris Brisbane Dick Fund, 1928                       13   1
254468 18.55.21 0 1 383074 11 731 Avarice (Avaritia), from the series The Seven Deadly Sins           895   Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp   19210 787 1525 |1525 |1510 1569 |1569 |1570 1558 1558 1558 30370 sheet: 8 7/8 x 11 11/16 in. (22.5 x 29.7 cm) Rogers Fund, 1918                       13   1
274321 41.72(1.92) 0 1 403493 11 731 Speculum Romanae Magnificentiae: Ornithon Sive Aviarum         159 895 After Pirro Ligorio|Anonymous|Michele Tramezzino Italian, Naples ca. 1512/13–1583 Ferrara|Italian, active Venice and Rome, 1526–died 1561   40529 93 1512 |1526 1583 |1561 1558 1558 1558 26137 sheet: 19 1/2 x 14 9/16 in. (49.6 x 37 cm) Rogers Fund, Transferred from the Library, 1941                       13   1
381760 49.95.2368(1) 0 0 629744 11 731 St Peter Healing the Lame at the Beautiful Gate, from The Story of St Peter and St John, plate 1         2404 895 After Philips Galle|Maarten van Heemskerck|Hieronymus Cock Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp   48978 787 1537 |1498 |1510 1612 |1574 |1570 1558 1558 1558 57947 Sheet: 7 15/16 × 9 11/16 in. (20.1 × 24.6 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
381763 49.95.2368(3) 0 0 629748 11 731 The Priest and the Sadducees Laying Hands on St Peter and St John, from The Story of St Peter and St John, plate 3         2404 895 After Philips Galle|Maarten van Heemskerck|Hieronymus Cock Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp   48978 787 1537 |1498 |1510 1612 |1574 |1570 1558 1558 1558 36872 Sheet: 8 1/8 × 9 11/16 in. (20.6 × 24.6 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
381765 49.95.2368(2) 0 0 629750 11 731 The Lame Accompanying St Peter and St John in the Temple, from The Story of St Peter and St John, plate 2         2404 895 After Philips Galle|Maarten van Heemskerck|Hieronymus Cock Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp   48978 787 1537 |1498 |1510 1612 |1574 |1570 1558 1558 1558 57948 Sheet: 7 15/16 × 9 9/16 in. (20.2 × 24.3 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
381772 49.95.2368(4) 0 0 629757 11 731 St Peter and St John Before the High Priest and the Council, from The Story of St Peter and St John, plate 4         2404 895 After Philips Galle|Maarten van Heemskerck|Hieronymus Cock Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp   48978 787 1537 |1498 |1510 1612 |1574 |1570 1558 1558 1558 36872 Sheet: 8 in. × 9 13/16 in. (20.3 × 25 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
381777 49.95.2368(5) 0 0 629762 11 731 St Peter and St John Dismissed with Threats, from The Story of St Peter and St John, plate 5         2404 895 After Philips Galle|Maarten van Heemskerck|Hieronymus Cock Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp   48978 787 1537 |1498 |1510 1612 |1574 |1570 1558 1558 1558 57948 Sheet: 8 in. × 9 5/8 in. (20.3 × 24.5 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
381779 49.95.2368(6) 0 0 629764 11 731 St Peter and St John Reporting to Their Company What Had Befallen to Them, from The Story of St Peter and St John, plate 6         2404 895 After Philips Galle|Maarten van Heemskerck|Hieronymus Cock Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp   48978 787 1537 |1498 |1510 1612 |1574 |1570 1558 1558 1558 57948 Sheet: 7 13/16 × 9 5/8 in. (19.9 × 24.4 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       13   1
381781 66.628.23 0 0 629766 11 731 The Lame Accompanying St Peter and St John in the Temple, from The Story of St Peter and St John, plate 2         2404 895 After Philips Galle|Maarten van Heemskerck|Hieronymus Cock Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Heemskerck 1498–1574 Haarlem|Netherlandish, Antwerp ca. 1510–1570 Antwerp   48978 787 1537 |1498 |1510 1612 |1574 |1570 1558 1558 1558 57948 Sheet: 10 9/16 × 9 5/8 in. (26.9 × 24.4 cm) Plate: 7 15/16 × 9 5/8 in. (20.2 × 24.5 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1966                       13   1
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