Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 234191 | 22.73.3-100 | 0 | 0 | 361944 | 11 | 731 | Nymphs Bathing | 895 | After|? | Parmigianino (Girolamo Francesco Maria Mazzola)|Ugo da Carpi|Andrea Andreani | Italian, Parma 1503–1540 Casalmaggiore|Italian, Carpi ca. 1480–1532 Bologna|Mantua, 1558/1559–1629 | 31687 | 145 | 1503 |1480 |1558 | 1540 |1532 |1629 | ca. 1500–1532 | 1495 | 1505 | 37008 | Sheet: 11 9/16 × 7 13/16 in. (29.3 × 19.9 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/361944 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 382568 | 22.73.3-101 | 0 | 0 | 631610 | 11 | 731 | Nymphs Bathing | 895 | After|? | Parmigianino (Girolamo Francesco Maria Mazzola)|Ugo da Carpi|Andrea Andreani | Italian, Parma 1503–1540 Casalmaggiore|Italian, Carpi ca. 1480–1532 Bologna|Mantua, 1558/1559–1629 | 31687 | 145 | 1503 |1480 |1558 | 1540 |1532 |1629 | ca. 1500–1532 | 1495 | 1505 | 58005 | Sheet: 12 5/8 × 8 15/16 in. (32.1 × 22.7 cm) Image: 11 5/8 × 7 15/16 in. (29.5 × 20.2 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/631610 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 218191 | 41.72(2.119) | 0 | 1 | 345693 | 11 | 731 | Speculum Romanae Magnificentiae: Trajan Between City of Victory and Rome | 159 | 895 | After | Marcantonio Raimondi|Anonymous, Italian, 16th century|Antonio Salamanca | Italian, Argini (?) ca. 1480–before 1534 Bologna (?)|Italian, active Central Italy, ca. 1550–1580|Salamanca 1478–1562 Rome | 21675 | 93 | 1475 |1550 |1478 | 1534 |1600 |1562 | ca. 1500–34 | 1500 | 1540 | 7208 | sheet: 11 1/4 x 16 3/4 in. (28.6 x 42.6 cm) mount: 13 7/8 x 16 15/16 in. (35.3 x 43 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/345693 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 237838 | 53.601.18(38) | 0 | 0 | 365820 | 11 | 731 | Christ as the Good Shepherd | 895 | Engraved by|After|Published by | Hieronymus (Jerome) Wierix|Maerten de Vos|Jan Collaert I | Netherlandish, ca. 1553–1619 Antwerp|Netherlandish, Antwerp 1532–1603 Antwerp|Netherlandish, Antwerp ca. 1530–1581 Antwerp | 32625 | 787 | 1553 |1532 |1530 | 1619 |1603 |1581 | 16th century | 1500 | 1599 | 29124 | image: 11 1/8 x 7 11/16 in. (28.2 x 19.5 cm) sheet: 11 7/16 x 8 1/16 in. (29.1 x 20.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/365820 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254453 | 53.685.262 | 0 | 0 | 383059 | 11 | 731 | Dissolute Household | 895 | Engraved by|Possibly after|Published by | Anonymous, Netherlandish, 16th century|Pieter Balten|Aux Quatre Vents | Netherlandish, Antwerp 1526/27–1584 Antwerp | 36426 | 787 | 1500 |1526 | 1600 |1584 | 16th century | 1500 | 1599 | 7208 | Gift of Eugene L. Garbaty, 1958 | 13 | http://www.metmuseum.org/art/collection/search/383059 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 214045 | 26.50.1(140) | 0 | 1 | 341464 | 11 | 731 | Eros Escaping by Sea; Cupid using his bow to propel a boat made from his quiver with an arrow as the mast and his blindfold as the sail, a banderole above | 895 | After | Marco Dente|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | 19966 | 93 | 1515 |1483 |1478 | 1527 |1520 |1562 | ca. 1515–27 | 1510 | 1532 | 7208 | Sheet: 5 1/16 × 6 13/16 in. (12.9 × 17.3 cm) Plate: 4 15/16 × 6 5/8 in. (12.5 × 16.9 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/341464 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 216163 | 66.747.47 | 0 | 1 | 343594 | 11 | 731 | A group of emaciated men and women gathered around a skeleton laid on the ground and a figure of Death as a winged skeleton standing above it holding an open book | 895 | After | Marco Dente|Baccio Bandinelli|Antonio Salamanca | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Gaiole in Chianti 1493–1560 Florence|Salamanca 1478–1562 Rome | 20465 | 93 | 1515 |1493 |1478 | 1527 |1560 |1562 | ca. 1515–27 | 1510 | 1532 | 7208 | Sheet (Trimmed): 11 1/4 × 17 1/8 in. (28.5 × 43.5 cm) | Gift of Mrs. John H. Sichel, 1966 | 13 | http://www.metmuseum.org/art/collection/search/343594 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 268629 | 2012.136.277 | 0 | 1 | 397692 | 11 | 731 | Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above | 895 | After | Marco Dente|Raphael (Raffaello Sanzio or Santi)|Giovanni Marco Paluzzi | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Italian, active 1600–1610 | 39725 | 145 | 1515 |1483 |1600 | 1527 |1520 |1610 | ca. 1515–27 | 1510 | 1532 | 7208 | Sheet (Trimmed): 10 5/8 × 6 15/16 in. (27 × 17.7 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/397692 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 383393 | 1986.1180.241 | 0 | 0 | 632773 | 11 | 731 | The Miraculous Draught of the Fishes | 895 | After | Niccolò Vicentino|Raphael (Raffaello Sanzio or Santi)|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, Urbino 1483–1520 Rome|Mantua, 1558/1559–1629 | 49282 | 145 | 1510 |1483 |1558 | 1550 |1520 |1629 | 1510–1550 (republished 1609) | 1510 | 1550 | 58114 | Sheet: 9 5/16 × 13 3/16 in. (23.7 × 33.5 cm) | Bequest of Grace M. Pugh, 1985 | 13 | http://www.metmuseum.org/art/collection/search/632773 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 217967 | 41.72(1.26) | 0 | 1 | 345467 | 11 | 731 | Speculum Romanae Magnificentiae: The Altar of Eros | 159 | 895 | Attributed to|After (?) | Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Venice ca. 1490–after 1536 Rome|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | 21580 | 93 | 1490 |1483 |1478 | 1536 |1520 |1562 | ca. 1514–36 | 1514 | 1536 | 7208 | mount: 17 15/16 x 11 13/16 in. (45.5 x 30 cm) sheet: 11 5/8 x 8 11/16 in. (29.5 x 22 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/345467 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 217969 | 41.72(1.27) | 0 | 1 | 345469 | 11 | 731 | Speculum Romanae Magnificentiae: The Altar of Jupiter in the Oldest Temple on the Capitol | 159 | 895 | Attributed to|After (?) | Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Venice ca. 1490–after 1536 Rome|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | 21580 | 93 | 1490 |1483 |1478 | 1536 |1520 |1562 | ca. 1514–36 | 1514 | 1536 | 7208 | mount: 18 1/8 x 10 5/8 in. (46 x 27 cm) sheet: 11 5/8 x 8 3/8 in. (29.5 x 21.2 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/345469 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 274466 | 41.72(3.22) | 0 | 1 | 403638 | 11 | 731 | Speculum Romanae Magnificentiae: Design for the Basilica of St. Peter's in the Vatican | 159 | 895 | After|After | Antonio da Sangallo, the Younger|Antonio da Labacco|Antonio Salamanca | Italian, Florence 1484–1546 Terni|Italian, near Vigevano ca. 1495–after 1567|Salamanca 1478–1562 Rome | 40540 | 93 | 1484 |1495 |1478 | 1546 |1567 |1562 | 1514 | 1514 | 1514 | 7208 | sheet: 17 5/8 x 22 1/16 in. (44.8 x 56 cm) plate: 13 x 19 13/16 in. (33 x 50.4 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/403638 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 224602 | 41.72(2.151) | 0 | 1 | 352196 | 11 | 731 | Speculum Romanae Magnificentiae: A Triton Carrying off a Nymph | 159 | 895 | After | Marco Dente|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | 19966 | 93 | 1515 |1483 |1478 | 1527 |1520 |1562 | 16th century | 1515 | 1527 | 7208 | sheet: 4 1/2 x 6 7/8 in. (11.4 x 17.4 cm) trimmed to platemark mount: 17 5/16 x 10 5/8 in. (44 x 27 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/352196 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 286712 | 2012.136.861 | 0 | 1 | 416022 | 11 | 731 | Judgment of Paris: Paris extends his hand toward Venus, who stands between Juno and Minerva, surrounded by reclining and seated figures; above are a winged figure carrying a laurel wreath, a charioteer driving four horses, Castor and Pollux, and Jupiter accompanied by Ganymede, an eagle, Diana, and two other female figures | 895 | After|After | Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Argini (?) ca. 1480–before 1534 Bologna (?)|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | 41426 | 93 | 1475 |1483 |1478 | 1534 |1520 |1562 | ca. 1520–50 | 1515 | 1525 | 7208 | Sheet: 11 1/2 x 17 3/16 in. (29.2 x 43.7 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/416022 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 379362 | 53.601.200 | 0 | 0 | 625540 | 11 | 731 | Landscape with Venus | 895 | After | Battista Angolo del Moro|Titian (Tiziano Vecellio)|Nicolo Valegio | Italian, Verona ca. 1515–ca. 1573 Murano|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice|Italian, active Venice, 1561–76 | 48755 | 145 | 1515 |1485 |1561 | 1573 |1576 |1576 | 1515–73 | 1515 | 1573 | 26137 | Mount: 14 1/4 × 19 5/16 in. (36.2 × 49 cm) Sheet: 10 13/16 × 16 7/16 in. (27.5 × 41.8 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/625540 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 382606 | 22.67.38 | 0 | 0 | 631709 | 11 | 731 | Saint Cecilia, a circular composition | 895 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Antonio da Trento|Andrea Andreani | Italian, Parma 1503–1540 Casalmaggiore|Italian, 1520–1550|Mantua, 1558/1559–1629 | 49195 | 145 | 1503 |1520 |1558 | 1540 |1550 |1629 | ca. 1520–50 | 1515 | 1525 | 58009 | Sheet: 9 1/4 × 8 11/16 in. (23.5 × 22 cm) Image: 9 1/16 × 8 9/16 in. (23 × 21.7 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/631709 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 382670 | 22.73.3-43 | 0 | 0 | 631781 | 11 | 731 | Circe drinking from a cup, the companions of Ulysses in a boat at right | 895 | Attributed to|After|Impression on verso published by | Antonio da Trento|Parmigianino (Girolamo Francesco Maria Mazzola)|Andrea Andreani | Italian, 1520–1550|Italian, Parma 1503–1540 Casalmaggiore|Mantua, 1558/1559–1629 | 49200 | 145 | 1520 |1503 |1558 | 1550 |1540 |1629 | ca. 1520–50 | 1515 | 1525 | 58022 | Sheet: 8 3/8 × 7 1/4 in. (21.3 × 18.4 cm) trimmed | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/631781 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 383423 | 22.73.3-33 | 0 | 0 | 632810 | 11 | 731 | The Surprise | 895 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Niccolò Vicentino|Andrea Andreani | Italian, Parma 1503–1540 Casalmaggiore|Italian, active ca. 1510–ca. 1550|Mantua, 1558/1559–1629 | 49296 | 145 | 1503 |1510 |1558 | 1540 |1550 |1629 | 1515–30 | 1515 | 1530 | 58121 | Sheet: 10 1/2 × 7 5/16 in. (26.7 × 18.6 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/632810 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 383430 | 22.67.40 | 0 | 0 | 632817 | 11 | 731 | The Surprise | 895 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Niccolò Vicentino|Andrea Andreani | Italian, Parma 1503–1540 Casalmaggiore|Italian, active ca. 1510–ca. 1550|Mantua, 1558/1559–1629 | 49296 | 145 | 1503 |1510 |1558 | 1540 |1550 |1629 | 1515–30 | 1515 | 1530 | 58122 | Sheet: 10 13/16 × 7 9/16 in. (27.5 × 19.2 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/632817 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 384548 | 17.50.14 | 0 | 0 | 634103 | 11 | 731 | The Presentation in the Temple | 895 | Attributed to|After | Niccolò Vicentino|Parmigianino (Girolamo Francesco Maria Mazzola)|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, Parma 1503–1540 Casalmaggiore|Mantua, 1558/1559–1629 | 49281 | 145 | 1510 |1503 |1558 | 1550 |1540 |1629 | ca. 1520–60 (published 1608) | 1515 | 1525 | 58125 | Sheet: 16 1/8 × 11 3/4 in. (41 × 29.8 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/634103 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 268627 | 2012.136.275 | 0 | 1 | 397690 | 11 | 731 | Venus removing a thorn from her left foot while seated on a cloth beside trees and foliage, a hare eating grass before her | 895 | After | Marco Dente|Raphael (Raffaello Sanzio or Santi)|Giovanni Marco Paluzzi | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Italian, active 1600–1610 | 39725 | 145 | 1515 |1483 |1600 | 1527 |1520 |1610 | ca. 1516 | 1516 | 1516 | 7208 | Sheet (Trimmed): 10 1/2 × 6 7/8 in. (26.7 × 17.5 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/397690 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 448376 | 54.501.1(38) | 0 | 0 | 750943 | 11 | 13858 | Hunting Scenes, No. 6: Hare Hunting | 895 | Closely related to|Published by | Étienne Delaune|Virgil Solis|François Langlois | French, Orléans 1518/19–1583 Strasbourg|German, (?) 1514–1562 Nuremberg|French, baptized Chartres, 1588–1647 Paris | 57312 | 1518 |1514 |1580 | 1583 |1562 |1647 | before 1556 | 1518 | 1556 | 62720 | Sheet: 3 7/8 × 9 11/16 in. (9.8 × 24.6 cm) Plate: 2 5/8 × 8 3/4 in. (6.7 × 22.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1954 | 673 | http://www.metmuseum.org/art/collection/search/750943 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 216172 | 41.72(2.145) | 0 | 1 | 343603 | 11 | 731 | Speculum Romanae Magnificentiae: Bas-Relief with Three Cupids | 159 | 895 | After | Marco Dente|Raphael (Raffaello Sanzio or Santi)|Claudio Duchetti | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Italian, active Venice and Rome, ca. 1565–died ca. 1585 | 20467 | 145 | 1515 |1483 |1565 | 1527 |1520 |1585 | 1519 | 1519 | 1519 | 7208 | sheet: 7 3/16 x 14 in. (18.3 x 35.5 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/343603 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 239284 | 51.501.7109 | 0 | 1 | 367351 | 11 | 731 | The Death of Procris; Cephalus mournig the death of Procris on the right surrounded by Cupid and mourning satyrs and nymphs, the goddess of dawn in her chariot in the background | 895 | After | Giorgio Ghisi|Giulio Romano|Antonio Lafreri | Italian, Mantua ca. 1520–1582 Mantua|Italian, Rome 1499?–1546 Mantua|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 33058 | 114 | 1515 |1499 |1507 | 1582 |1546 |1577 | ca. 1540 | 1520 | 1582 | 38172 | Sheet (Trimmed): 15 1/2 × 22 1/4 in. (39.4 × 56.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/367351 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 243253 | 41.72(2.133) | 0 | 1 | 371432 | 11 | 731 | Speculum Romanae Magnificentiae: The Triumph of Scipio | 159 | 895 | Aftter (?) | Master of the Die|Raphael (Raffaello Sanzio or Santi)|Antonio Lafreri | Italian, active Rome, ca. 1530–60|Italian, Urbino 1483–1520 Rome|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | in the first state | 34122 | 114 | 1525 |1483 |1507 | 1560 |1520 |1577 | 16th century | 1520 | 1577 | 29124 | plate: 8 9/16 x 10 1/16 in. (21.8 x 25.5 cm) sheet: 19 x 13 3/16 in. (48.3 x 33.5 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/371432 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243254 | 41.72(2.134) | 0 | 1 | 371433 | 11 | 731 | Speculum Romanae Magnificentiae: The Victory of Scipio | 267 | 895 | After (?)|Published by | Master of the Die|Raphael (Raffaello Sanzio or Santi)|Antonio Lafreri | Italian, active Rome, ca. 1530–60|Italian, Urbino 1483–1520 Rome|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | in the first state | 34122 | 114 | 1525 |1483 |1507 | 1560 |1520 |1577 | 16th century | 1520 | 1577 | 29124 | plate: 8 9/16 x 10 in. (21.8 x 25.4 cm) sheet: 19 x 13 3/16 in. (48.3 x 33.5 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/371433 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 267130 | 49.97.313 | 0 | 1 | 396169 | 11 | 731 | The Descent from the Cross | 895 | After | Master of the Die|Antonio Circignano or Circignani|Antonio Lafreri | Italian, active Rome, ca. 1530–60|Italian, 1560–1620|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 39415 | 114 | 1525 |1560 |1507 | 1560 |1620 |1577 | 1520 | 1570 | 7208 | sheet: 15 3/8 x 9 13/16 in. (39 x 25 cm) plate: 14 3/16 x 9 5/8 in. (36 x 24.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/396169 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 383394 | 23.108.11 | 0 | 0 | 632774 | 11 | 731 | The Miraculous Draught of the Fishes | 895 | After | Niccolò Vicentino|Raphael (Raffaello Sanzio or Santi)|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, Urbino 1483–1520 Rome|Mantua, 1558/1559–1629 | 49282 | 145 | 1510 |1483 |1558 | 1550 |1520 |1629 | 1520–1550 (republished 1609) | 1520 | 1550 | 58114 | Sheet: 9 7/16 × 13 11/16 in. (24 × 34.7 cm) | Gift of W. G. Russell Allen, 1923 | 13 | http://www.metmuseum.org/art/collection/search/632774 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 273665 | 41.72(2.123) | 0 | 1 | 402831 | 11 | 731 | Speculum Romanae Magnificentiae: Naval Battle | 159 | 895 | After(?) | Master of the Die|Giulio Romano|Claudio Duchetti | Italian, active Rome, ca. 1530–60|Italian, Rome 1499?–1546 Mantua|Italian, active Venice and Rome, ca. 1565–died ca. 1585 | 40454 | 145 | 1525 |1499 |1565 | 1560 |1546 |1585 | 16th century | 1525 | 1560 | 7208 | sheet: 9 7/16 x 15 3/8 in. (24 x 39 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/402831 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 240033 | 49.97.222 | 0 | 1 | 368120 | 11 | 731 | Plate 1: Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses | 816 | 895 | After | Giovanni Jacopo Caraglio|Rosso Fiorentino|Antonio Salamanca | Italian, Parma or Verona ca. 1500/1505–1565 Krakow (?)|Italian, Florence 1494–1540 Fontainebleau|Salamanca 1478–1562 Rome | 33254 | 93 | 1500 |1494 |1478 | 1565 |1540 |1562 | 1526 | 1526 | 1526 | 7208 | Sheet: 8 5/16 × 4 7/16 in. (21.1 × 11.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/368120 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 268461 | 2012.136.318.5 | 0 | 1 | 397524 | 11 | 731 | Plate 1: Saturn in a niche devouring his son, standing before a scythe, from a series of mythological gods and goddesses | 1600 | 895 | After | Giovanni Jacopo Caraglio|Rosso Fiorentino|Carlo Losi | Italian, Parma or Verona ca. 1500/1505–1565 Krakow (?)|Italian, Florence 1494–1540 Fontainebleau|Italian, 1757– after 1805 | 39690 | 145 | 1500 |1494 |1757 | 1565 |1540 |1805 | 1526 | 1526 | 1526 | 7208 | sheet: 8 11/16 x 4 5/8 in. (22.1 x 11.7 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/397524 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 256905 | 51.501.1717(1–6) | 0 | 0 | 385583 | 11 | 731 | The Story of Abraham | 895 | After | Adriaen Collaert|Maerten de Vos|Gerard de Jode | Netherlandish, Antwerp ca. 1560–1618 Antwerp|Netherlandish, Antwerp 1532–1603 Antwerp|Netherlandish, 1509/17–1591 | 37074 | 787 | 1560 |1532 |1509 | 1618 |1603 |1591 | n.d. | 1530 | 1591 | 7208 | 7 7/8 x 10 1/4 in. (20 x 26 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/385583 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 267000 | 49.97.327 | 0 | 1 | 396037 | 11 | 731 | Apollo in his horse-drawn chariot at the left, above him above Jupiter hurls a thunderbolt, Venus at right in her chariot drawn by animals | 895 | After | Master of the Die|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, active Rome, ca. 1530–60|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | 39402 | 93 | 1525 |1483 |1478 | 1560 |1520 |1562 | 1530–60 | 1530 | 1560 | 7208 | sheet: 7 7/8 x 9 1/16 in. (20 x 23 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/396037 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 267132 | 60.712.1 | 0 | 1 | 396171 | 11 | 731 | Cybele in her chariot drawn by two lions | 895 | After | Master of the Die|Baldassare Tommaso Peruzzi|Antonio Salamanca | Italian, active Rome, ca. 1530–60|Italian, Ancaiano 1481–1536 Rome|Salamanca 1478–1562 Rome | 39417 | 93 | 1525 |1481 |1478 | 1560 |1536 |1562 | 1530–60 | 1530 | 1560 | 7208 | sheet: 8 7/16 x 7 1/16 in. (21.5 x 18 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, | 13 | http://www.metmuseum.org/art/collection/search/396171 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 267141 | 49.97.316 | 0 | 1 | 396180 | 11 | 731 | The coronation of the Virgin, God the Father above, St Jerome lower right and St John the Baptist lower left | 895 | After | Master of the Die|Raphael (Raffaello Sanzio or Santi)|Antonio Lafreri | Italian, active Rome, ca. 1530–60|Italian, Urbino 1483–1520 Rome|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 34122 | 114 | 1525 |1483 |1507 | 1560 |1520 |1577 | 1530–60 | 1530 | 1560 | 7208 | sheet: 14 9/16 x 10 7/16 in. (37 x 26.5 cm) plate: 14 x 10 1/16 in. (35.5 x 25.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/396180 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 267146 | 29.49.32 | 0 | 1 | 396185 | 11 | 731 | Venus in her dove-drawn chariot complaining to Jupiter who is accompanied by Mercury, from 'The Fable of Psyche' | 895 | After | Master of the Die|Michiel Coxie (I)|Antonio Salamanca | Italian, active Rome, ca. 1530–60|Netherlandish, Mechelen ca. 1499–1592 Mechelen|Salamanca 1478–1562 Rome | 39422 | 6 | 1525 |1494 |1478 | 1560 |1592 |1562 | 1530–60 | 1530 | 1560 | 7208 | sheet: 6 11/16 x 8 7/8 in. (17 x 22.5 cm) | Gift of Burton Emmet, 1929 | 13 | http://www.metmuseum.org/art/collection/search/396185 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 267148 | 62.635.908 | 0 | 1 | 396187 | 11 | 731 | Plate 5: Psyche carried on a litter to a mountain, from 'The Fable of Psyche' | 895 | After | Master of the Die|Michiel Coxie (I)|Antonio Salamanca | Italian, active Rome, ca. 1530–60|Netherlandish, Mechelen ca. 1499–1592 Mechelen|Salamanca 1478–1562 Rome | 39422 | 6 | 1525 |1494 |1478 | 1560 |1592 |1562 | 1530–60 | 1530 | 1560 | 7208 | sheet: 7 1/2 x 8 7/8 in. (19 x 22.5 cm) | Gift of Harry G. Friedman, 1962 | 13 | http://www.metmuseum.org/art/collection/search/396187 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 267384 | 49.97.340 | 0 | 1 | 396426 | 11 | 731 | A panel of ornament with putti and other figures | 895 | After | Master of the Die|Perino del Vaga (Pietro Buonaccorsi)|Antonio Salamanca | Italian, active Rome, ca. 1530–60|Italian, Florence 1501–1547 Rome|Salamanca 1478–1562 Rome | 39478 | 93 | 1525 |1501 |1478 | 1560 |1547 |1562 | 1530–60 | 1530 | 1560 | 7208 | sheet: 8 7/16 x 5 11/16 in. (21.5 x 14.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/396426 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 267385 | 49.97.342 | 0 | 1 | 396427 | 11 | 731 | A panel of ornamnet with putti, goat and other figures | 895 | After | Master of the Die|Perino del Vaga (Pietro Buonaccorsi)|Antonio Salamanca | Italian, active Rome, ca. 1530–60|Italian, Florence 1501–1547 Rome|Salamanca 1478–1562 Rome | 39478 | 93 | 1525 |1501 |1478 | 1560 |1547 |1562 | 1530–60 | 1530 | 1560 | 7208 | sheet: 8 11/16 x 5 11/16 in. (22 x 14.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/396427 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 267388 | 53.600.60 | 0 | 1 | 396430 | 11 | 731 | A panel of ornament with a large jar in centre, putti and other figures | 895 | After | Master of the Die|Perino del Vaga (Pietro Buonaccorsi)|Antonio Salamanca | Italian, active Rome, ca. 1530–60|Italian, Florence 1501–1547 Rome|Salamanca 1478–1562 Rome | 39478 | 93 | 1525 |1501 |1478 | 1560 |1547 |1562 | 1530–60 | 1530 | 1560 | 7208 | sheet: 8 1/4 x 5 1/2 in. (21 x 14 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/396430 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 267391 | 53.600.4219 | 0 | 1 | 396433 | 11 | 731 | Aeneas carrying Anchises on his shoulders while Troy burns in the background | 895 | After | Master of the Die|Raphael (Raffaello Sanzio or Santi)|Philippe Thomassin | Italian, active Rome, ca. 1530–60|Italian, Urbino 1483–1520 Rome|French, Troyes 1562–1622 Rome | 39481 | 114 | 1525 |1483 |1562 | 1560 |1520 |1622 | 1530–60 | 1530 | 1560 | 7208 | sheet: 9 13/16 x 7 1/16 in. (25 x 18 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/396433 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 267392 | 49.97.341 | 0 | 1 | 396434 | 11 | 731 | A panel of ornament, putti standing on cornucopia in lower section | 895 | After | Master of the Die|Perino del Vaga (Pietro Buonaccorsi)|Antonio Salamanca | Italian, active Rome, ca. 1530–60|Italian, Florence 1501–1547 Rome|Salamanca 1478–1562 Rome | 39478 | 93 | 1525 |1501 |1478 | 1560 |1547 |1562 | 1530–60 | 1530 | 1560 | 7208 | sheet: 8 1/4 x 5 7/8 in. (21 x 15 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/396434 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 268630 | 2012.136.278 | 0 | 1 | 397693 | 11 | 731 | Plate 30: Cupid and Psyche plead their cases before the Gods, from the 'Fable of Cupd and Psyche' | 895 | After | Raphael (Raffaello Sanzio or Santi)|Master of the Die|Antonio Salamanca | Italian, Urbino 1483–1520 Rome|Italian, active Rome, ca. 1530–60|Salamanca 1478–1562 Rome | 39726 | 93 | 1483 |1525 |1478 | 1520 |1560 |1562 | 1530–60 | 1530 | 1560 | 7208 | plate: 7 11/16 x 8 7/8 in. (19.6 x 22.6 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/397693 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 273828 | 41.72(2.158) | 0 | 1 | 403000 | 11 | 731 | Speculum Romanae Magnificentiae: Marsias (Marsias apud nobile quende) | 159 | 895 | After | Anonymous|Philippe Thomassin|Antonio Lafreri | French, Troyes 1562–1622 Rome|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 40490 | 21 | 1562 |1507 | 1622 |1577 | 16th century | 1530 | 1580 | 7208 | sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm) plate: 4 15/16 x 3 1/8 in. (12.5 x 8 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/403000 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 273829 | 41.72(2.159) | 0 | 1 | 403001 | 11 | 731 | Speculum Romanae Magnificentiae: Diana (Diana Triuia in aedibus) | 159 | 895 | After | Anonymous|Philippe Thomassin|Antonio Lafreri | French, Troyes 1562–1622 Rome|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 40490 | 21 | 1562 |1507 | 1622 |1577 | 16th century | 1530 | 1580 | 7208 | sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm) plate: 4 15/16 x 3 1/8 in. (12.5 x 8 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/403001 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 273830 | 41.72(2.160) | 0 | 1 | 403002 | 11 | 731 | Speculum Romanae Magnificentiae: Comodus (Comodus in aedibus Card. Farnesij) | 159 | 895 | After | Anonymous|Philippe Thomassin|Antonio Lafreri | French, Troyes 1562–1622 Rome|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 40490 | 21 | 1562 |1507 | 1622 |1577 | 16th century | 1530 | 1580 | 7208 | sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm) plate: 4 15/16 x 3 1/8 in. (12.5 x 8 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/403002 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 273831 | 41.72(2.161) | 0 | 1 | 403003 | 11 | 731 | Speculum Romanae Magnificentiae: Mars (Mars in Capitolio) | 159 | 895 | After | Anonymous|Philippe Thomassin|Antonio Lafreri | French, Troyes 1562–1622 Rome|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 40490 | 21 | 1562 |1507 | 1622 |1577 | 16th century | 1530 | 1580 | 7208 | sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm) plate: 4 15/16 x 3 1/8 in. (12.5 x 8 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/403003 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 273832 | 41.72(2.162) | 0 | 1 | 403004 | 11 | 731 | Speculum Romanae Magnificentiae: Hercules (Hercules in aedibus Card. Burghesij) | 159 | 895 | After | Anonymous|Philippe Thomassin|Antonio Lafreri | French, Troyes 1562–1622 Rome|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 40490 | 21 | 1562 |1507 | 1622 |1577 | 16th century | 1530 | 1580 | 7208 | sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm) plate: 4 15/16 x 3 1/8 in. (12.5 x 8 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/403004 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 273833 | 41.72(2.163) | 0 | 1 | 403005 | 11 | 731 | Speculum Romanae Magnificentiae: Jupiter (Jupiter in aedibus Card. Burghesij) | 159 | 895 | After | Anonymous|Philippe Thomassin|Antonio Lafreri | French, Troyes 1562–1622 Rome|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 40490 | 21 | 1562 |1507 | 1622 |1577 | 16th century | 1530 | 1580 | 7208 | sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm) plate: 4 15/16 x 3 1/8 in. (12.5 x 8 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/403005 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 273834 | 41.72(2.164) | 0 | 1 | 403006 | 11 | 731 | Speculum Romanae Magnificentiae: Orpheus (Orpheus in aedibus Card. Burghesij) | 159 | 895 | After | Anonymous|Philippe Thomassin|Antonio Lafreri | French, Troyes 1562–1622 Rome|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 40490 | 21 | 1562 |1507 | 1622 |1577 | 16th century | 1530 | 1580 | 7208 | sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm) plate: 4 15/16 x 3 1/8 in. (12.5 x 8 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/403006 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 273835 | 41.72(2.165) | 0 | 1 | 403007 | 11 | 731 | Speculum Romanae Magnificentiae: Esculapius (Esculapius in aedibus Card. Burghesij) | 159 | 895 | After | Anonymous|Philippe Thomassin|Antonio Lafreri | French, Troyes 1562–1622 Rome|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 40490 | 21 | 1562 |1507 | 1622 |1577 | 16th century | 1530 | 1580 | 7208 | sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm) plate: 4 15/16 x 3 1/8 in. (12.5 x 8 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/403007 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 273836 | 41.72(2.166) | 0 | 1 | 403008 | 11 | 731 | Speculum Romanae Magnificentiae: Apolinis (Apolinis in uiridario Magni Ducis Etruriae) | 159 | 895 | After | Anonymous|Philippe Thomassin|Antonio Lafreri | French, Troyes 1562–1622 Rome|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 40490 | 21 | 1562 |1507 | 1622 |1577 | 16th century | 1530 | 1580 | 7208 | sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm) plate: 4 15/16 x 3 1/8 in. (12.5 x 8 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/403008 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 273837 | 41.72(2.167) | 0 | 1 | 403009 | 11 | 731 | Speculum Romanae Magnificentiae: Apollo (Apollo in aedibus Card. Burghesij) | 159 | 895 | After | Anonymous|Philippe Thomassin|Antonio Lafreri | French, Troyes 1562–1622 Rome|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 40490 | 21 | 1562 |1507 | 1622 |1577 | 16th century | 1530 | 1580 | 7208 | sheet: 16 5/8 x 13 1/8 in. (42.3 x 33.3 cm) plate: 4 15/16 x 3 1/8 in. (12.5 x 8 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/403009 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 274110 | 41.72(1.19) | 0 | 1 | 403282 | 11 | 731 | Speculum Romanae Magnificentiae: The Pantheon | 1506 | 895 | After | Anonymous|Nicolas Beatrizet|Nicolaus van Aelst | French, Lunéville 1515–ca. 1566 Rome (?)|Flemish, Brussels 1526–1613 Rome | 40511 | 247 | 1515 |1526 | 1566 |1613 | 16th century | 1530 | 1613 | 43280 | sheet: 13 11/16 x 17 3/16 in. (34.7 x 43.6 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/403282 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 274523 | 41.72(3.21) | 0 | 1 | 403695 | 11 | 731 | Speculum Romanae Magnificentiae: Design for the Basilica of St. Peter's in the Vatican | 159 | 895 | After|After | Antonio da Sangallo, the Younger|Antonio da Labacco|Antonio Salamanca | Italian, Florence 1484–1546 Terni|Italian, near Vigevano ca. 1495–after 1567|Salamanca 1478–1562 Rome | 40540 | 93 | 1484 |1495 |1478 | 1546 |1567 |1562 | 16th century | 1530 | 1580 | 7208 | sheet: 17 1/2 x 22 1/16 in. (44.5 x 56 cm) plate: 13 x 20 1/16 in. (33 x 51 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/403695 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 286010 | 2012.136.837 | 0 | 1 | 415320 | 11 | 731 | Cybele in her chariot drawn by two lions | 895 | After | Master of the Die|Baldassare Tommaso Peruzzi|Antonio Salamanca | Italian, active Rome, ca. 1530–60|Italian, Ancaiano 1481–1536 Rome|Salamanca 1478–1562 Rome | 39417 | 93 | 1525 |1481 |1478 | 1560 |1536 |1562 | 1530–60 | 1530 | 1560 | 7208 | Sheet: 9 7/8 x 7 1/4 in. (25.1 x 18.4 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/415320 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 413552 | 51.501.794 | 0 | 1 | 682104 | 11 | 731 | Five men fighting beasts, at lower left is a fallen boar | 895 | After | Master of the Die|Giulio Romano|Antonio Salamanca | Italian, active Rome, ca. 1530–60|Italian, Rome 1499?–1546 Mantua|Salamanca 1478–1562 Rome | 52106 | 93 | 1525 |1499 |1478 | 1560 |1546 |1562 | 1532 | 1532 | 1532 | 7208 | Sheet: 11 1/4 × 16 9/16 in. (28.5 × 42 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/682104 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 287430 | 53.601.18(93) | 0 | 0 | 416741 | 11 | 731 | The Holy Family with St Elisabeth and St John the Baptist | 895 | After | Cornelis Cort|Frans Floris I|Frans Snyders | Netherlandish, Hoorn ca. 1533–1578 Rome|Flemish, Antwerp 1579–1657 Antwerp | 41469 | 1049 | 1533 |1519 |1579 | 1578 |1570 |1657 | 1533 | 1578 | 7208 | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/416741 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 289116 | 53.600.2533 | 0 | 1 | 418442 | 11 | 731 | St John the Baptist in the Wilderness | 895 | After | Cornelis Cort|Girolamo Muziano|Bonifazio Breggio | Netherlandish, Hoorn ca. 1533–1578 Rome|Italian, Acquafredda, Brescia 1528–1592 Rome|Italian, active Rome, 1566–died before 1582 | 41654 | 978 | 1533 |1528 |1566 | 1578 |1592 |1582 | 1533–78 | 1533 | 1578 | 7208 | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/418442 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 291613 | 53.601.13(213) | 0 | 0 | 420945 | 11 | 731 | St Jerome Penitent in a Grotto | 895 | After | Gillis Mostaert the Elder|Cornelis Cort|Johann Sadeler I | Netherlandish, Hulst 1528–1598 Antwerp|Netherlandish, Hoorn ca. 1533–1578 Rome|Netherlandish, Brussels 1550–1600/1601 Venice | 41790 | 787 | 1528 |1533 |1550 | 1598 |1578 |1601 | 1533–78 | 1533 | 1578 | 7208 | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/420945 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 239977 | 2005.97.1 | 0 | 0 | 368064 | 11 | 731 | The Prodigal Son Leaving His Father's House and The Prodigal Son Feasting with Harlots, from the series The Story of the Prodigal Son | 895 | Engraved by|Designed by|Published by | Julius Goltzius|Hans Bol|Hans van Luyck | Netherlandish, died ca. 1595|Netherlandish, Mechelen 1534–1593 Amsterdam|Netherlandish, Antwerp ca. 1518–after 1575 Antwerp | 33235 | 787 | 1500 |1534 |1513 | 1595 |1593 |1600 | n.d. | 1534 | 1699 | 38290 | sheet: 10 3/4 x 13 1/4 in. (27.3 x 33.6 cm) sheet: 6 3/4 x 8 11/16 in. (17.2 x 22.1 cm) | Gift of Dr. David T. and Anne Wikler Mininberg, in honor of Julius S. Wikler, 2005 | 13 | http://www.metmuseum.org/art/collection/search/368064 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239978 | 2005.97.2 | 0 | 0 | 368065 | 11 | 731 | The Prodigal Son as Swineherd and The Return of the Prodigal Son, from the series The Story of the Prodigal Son | 895 | Engraved by|Designed by|Published by | Julius Goltzius|Hans Bol|Hans van Luyck | Netherlandish, died ca. 1595|Netherlandish, Mechelen 1534–1593 Amsterdam|Netherlandish, Antwerp ca. 1518–after 1575 Antwerp | 33235 | 787 | 1500 |1534 |1513 | 1595 |1593 |1600 | n.d. | 1534 | 1699 | 38291 | sheet: 14 7/16 x 10 15/16 in. (36.6 x 27.8 cm) sheet: 8 11/16 x 6 3/4 in. (22.1 x 17.2 cm) | Gift of Dr. David T. and Anne Wikler Mininberg in honor of Julius S. Wikler, 2005 | 13 | http://www.metmuseum.org/art/collection/search/368065 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239280 | 51.501.759 | 0 | 1 | 367347 | 11 | 731 | The Mocking of the Prisoners | 895 | After | Giorgio Ghisi|Giulio Romano|Nicolaus van Aelst | Italian, Mantua ca. 1520–1582 Mantua|Italian, Rome 1499?–1546 Mantua|Flemish, Brussels 1526–1613 Rome | 33054 | 145 | 1515 |1499 |1526 | 1582 |1546 |1613 | ca. 1540 (republished 1605) | 1535 | 1605 | 38171 | Sheet (Trimmed): 16 1/8 × 22 1/16 in. (41 × 56 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/367347 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 240485 | 59.570.298 | 0 | 1 | 368601 | 11 | 731 | Lucretia Preparing to Kill Herself | 895 | Engraved by|After|Published by | Enea Vico|Parmigianino (Girolamo Francesco Maria Mazzola)|Antonio Salamanca | Italian, Parma 1523–1567 Ferrara|Italian, Parma 1503–1540 Casalmaggiore|Salamanca 1478–1562 Rome | 33367 | 93 | 1523 |1503 |1478 | 1567 |1540 |1562 | ca. 1542 | 1537 | 1547 | 33030 | sheet: 11 15/16 x 8 1/16 in. (30.3 x 20.4 cm) mounted on sheet trimmed to size of print | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/368601 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 242603 | 41.72(1.102) | 0 | 1 | 370767 | 11 | 731 | Speculum Romanae Magnificentiae: Column of Antoninus and a Roman Obelisk | 159 | 895 | After | Enea Vico|Anonymous, Italian, 16th century|Antonio Lafreri | Italian, Parma 1523–1567 Ferrara|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 33901 | 114 | 1523 |1500 |1507 | 1567 |1600 |1577 | ca. 1543–70 | 1538 | 1575 | 7208 | mount: 22 1/8 x 16 13/16 in. (56.2 x 42.7 cm) sheet: 18 3/16 x 12 5/8 in. (46.2 x 32.1 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/370767 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 247556 | 2007.49.373 | 0 | 0 | 375845 | 11 | 731 | The Capture of Carthagena by Scipio and His Troops | 895 | After | Georg Pencz|Giulio Romano|Antonio Salamanca | German, Wroclaw ca. 1500–1550 Leipzig|Italian, Rome 1499?–1546 Mantua|Salamanca 1478–1562 Rome | 34961 | 348 | 1500 |1499 |1478 | 1550 |1546 |1562 | 1539 | 1539 | 1539 | 39565 | sheet: 16 7/16 x 22 1/16 in. (41.8 x 56 cm) | Bequest of William S. Lieberman, 2005 | 13 | http://www.metmuseum.org/art/collection/search/375845 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 236206 | 59.570.275 | 0 | 1 | 364082 | 11 | 731 | Conversion of Saul, from Michelangelo's fresco in the Pauline Chapel at the Vatican | 895 | After | Michelangelo Buonarroti|Nicolas Beatrizet|Antonio Salamanca | Italian, Caprese 1475–1564 Rome|French, Lunéville 1515–ca. 1566 Rome (?)|Salamanca 1478–1562 Rome | 32227 | 148 | 1475 |1515 |1478 | 1564 |1566 |1562 | ca. 1545–60 | 1540 | 1550 | 7208 | Sheet: 16 7/8 x 21 1/8 in. (42.9 x 53.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/364082 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 238396 | 55.590.2 | 0 | 1 | 366439 | 11 | 731 | The Fall of Phaeton | 895 | After | Michelangelo Buonarroti|Nicolas Beatrizet|Antonio Lafreri | Italian, Caprese 1475–1564 Rome|French, Lunéville 1515–ca. 1566 Rome (?)|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 32862 | 180 | 1475 |1515 |1507 | 1564 |1566 |1577 | 1540–66 | 1540 | 1566 | 7208 | sheet: 16 1/8 x 11 1/16 in. (41 x 28.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1955 | 13 | http://www.metmuseum.org/art/collection/search/366439 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239330 | 53.600.994 | 0 | 1 | 367400 | 11 | 731 | The Fall of Troy and the Escape of Aeneas | 895 | After | Giorgio Ghisi|Giovanni Battista Scultori|Antonio Lafreri | Italian, Mantua ca. 1520–1582 Mantua|Italian, 1503–1575|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 33085 | 114 | 1515 |1503 |1507 | 1582 |1575 |1577 | mid-1540's | 1540 | 1549 | 38186 | Sheet (Trimmed): 15 3/16 × 19 7/16 in. (38.6 × 49.3 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/367400 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239338 | 41.97.283 | 0 | 1 | 367408 | 11 | 731 | The Visitation | 895 | After | Giorgio Ghisi|Francesco Salviati (Francesco de' Rossi)|Giovanni Battista de Rossi | Italian, Mantua ca. 1520–1582 Mantua|Italian, Florence 1510–1563 Rome|Italian, 17th century | 33088 | 145 | 1515 |1510 |1600 | 1582 |1563 |1699 | 1540s | 1540 | 1549 | 7208 | sheet: 12 1/2 x 19 3/16 in. (31.8 x 48.7 cm) within borderline | Gift of Harry Shaw Newman, 1941 | 13 | http://www.metmuseum.org/art/collection/search/367408 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 242664 | 53.600.47 | 0 | 0 | 370829 | 11 | 13884 | Copy in Reverse of an Antique Urn Decorated with a Motif of Diamond Rings and Lions, Plate 1 from a Series of Vases after the Antique | 895 | Anonymous copy in reverse after|Formerly attributed to | Agostino Veneziano (Agostino dei Musi)|Enea Vico|Antonio Lafreri | Italian, Venice ca. 1490–after 1536 Rome|Italian, Parma 1523–1567 Ferrara|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 33934 | 93 | 1490 |1523 |1507 | 1536 |1567 |1577 | mid-16th century | 1540 | 1560 | 38605 | Sheet: 10 3/4 × 7 7/8 in. (27.3 × 20 cm) [cropped within plate margins on all sides] | Harris Brisbane Dick Fund, 1953 | 678 | http://www.metmuseum.org/art/collection/search/370829 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 260572 | 51.501.625 | 0 | 0 | 389290 | 11 | 731 | Naval battle between naked men on several ships which are decorated with mythological creatures, after Polidoro da Caravaggio | 895 | After|Published by | Michele Lucchese|Polidoro da Caravaggio|Pietro de' Nobili | Italian, active Rome, 1534–64|Italian, Caravaggio ca. 1499–ca. 1543 Messina|Italian, active Rome, 1584–85 | 37840 | 145 | 1534 |1494 |1584 | 1564 |1548 |1585 | 1540–60 | 1540 | 1560 | 7208 | Sheet: 9 7/16 × 17 1/2 in. (23.9 × 44.5 cm) Plate: 8 9/16 × 17 1/2 in. (21.7 × 44.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/389290 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 383268 | 22.73.3-64 | 0 | 0 | 632583 | 11 | 731 | Hercules strangling the Nemean Lion | 895 | After | Niccolò Vicentino|Raphael (Raffaello Sanzio or Santi)|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, Urbino 1483–1520 Rome|Mantua, 1558/1559–1629 | 49282 | 145 | 1510 |1483 |1558 | 1550 |1520 |1629 | 1540–50 | 1540 | 1550 | 31130 | Sheet: 9 13/16 × 7 5/8 in. (25 × 19.4 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/632583 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 383269 | 17.50.28 | 0 | 0 | 632584 | 11 | 731 | Hercules strangling the Nemean Lion | 895 | After | Niccolò Vicentino|Raphael (Raffaello Sanzio or Santi)|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, Urbino 1483–1520 Rome|Mantua, 1558/1559–1629 | 49282 | 145 | 1510 |1483 |1558 | 1550 |1520 |1629 | 1540–50 | 1540 | 1550 | 31130 | Sheet: 9 13/16 × 7 1/2 in. (25 × 19 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/632584 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 384160 | 22.73.3-58 | 0 | 0 | 633693 | 11 | 731 | Christ healing the Lepers | 895 | After | Niccolò Vicentino|Parmigianino (Girolamo Francesco Maria Mazzola)|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, Parma 1503–1540 Casalmaggiore|Mantua, 1558/1559–1629 | 49281 | 145 | 1510 |1503 |1558 | 1550 |1540 |1629 | 1540–1550 (published by Andreani 1608) | 1540 | 1550 | 43197 | Sheet: 11 9/16 × 16 5/16 in. (29.3 × 41.4 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/633693 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 384165 | 17.50.23 | 0 | 0 | 633698 | 11 | 731 | The escape of Cloelia | 895 | After | Niccolò Vicentino|Maturino da Firenze|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, active ca. 1528|Mantua, 1558/1559–1629 | 49429 | 145 | 1510 |1523 |1558 | 1550 |1533 |1629 | 1540–1550 (republished by Andreani in 1608) | 1540 | 1550 | 43408 | Sheet: 11 in. × 15 3/16 in. (28 × 38.6 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/633698 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 242795 | 30.58.5(27a) | 0 | 0 | 370963 | 11 | 731 | Grotesque design with Smoking Lantern and Double Satyr Herms | 895 | Reverse copy after|Published by | Enea Vico|Anonymous, Italian, 16th century|Tommaso Barlacchi | Italian, Parma 1523–1567 Ferrara|active Rome, 1541–50 | 33980 | 145 | 1523 |1500 |1541 | 1567 |1600 |1550 | 1541 | 1541 | 1541 | 7208 | Plate: 6 9/16 x 4 3/16 in. (16.7 x 10.7 cm) Sheet: 10 13/16 x 16 1/8 in. (27.5 x 41 cm) | Harris Brisbane Dick Fund, 1930 | 571 | 13 | http://www.metmuseum.org/art/collection/search/370963 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 242796 | 30.58.5(27b) | 0 | 0 | 370964 | 11 | 731 | Grotesque with a Man Reaching toward a Festoon | 895 | Reverse copy after|Published by | Enea Vico|Anonymous, Italian, 16th century|Tommaso Barlacchi | Italian, Parma 1523–1567 Ferrara|active Rome, 1541–50 | 33980 | 145 | 1523 |1500 |1541 | 1567 |1600 |1550 | 1541 | 1541 | 1541 | 7208 | plate: 7 3/16 x 5 1/8 in. (18.2 x 13 cm) sheet: 10 13/16 x 16 1/8 in. (27.5 x 41 cm) | Harris Brisbane Dick Fund, 1930 | 571 | 13 | http://www.metmuseum.org/art/collection/search/370964 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 268257 | 2012.136.145.2 | 0 | 1 | 397319 | 11 | 731 | Christ in Limbo, after Raphael | 895 | After | Nicolas Beatrizet|Raphael (Raffaello Sanzio or Santi)|Tommaso Barlacchi | French, Lunéville 1515–ca. 1566 Rome (?)|Italian, Urbino 1483–1520 Rome|active Rome, 1541–50 | 39649 | 211 | 1515 |1483 |1541 | 1566 |1520 |1550 | 1541 | 1541 | 1541 | 7208 | Sheet (trimmed): 11 3/16 × 6 11/16 in. (28.4 × 17 cm) | Bequest of Phyllis Massar, 2012 | 13 | http://www.metmuseum.org/art/collection/search/397319 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 270157 | 2012.136.606 | 0 | 1 | 399283 | 11 | 731 | Christ in the House of Mary | 895 | After | Gerard de Jode|Ambrosius Francken I|Gerard de Jode | Netherlandish, 1509/17–1591|Flemish, 1544–1618 Antwerp|Netherlandish, 1509/17–1591 | 40122 | 375 | 1509 |1544 |1509 | 1591 |1618 |1591 | 16th century | 1541 | 1591 | 7208 | Sheet (Trimmed): 7 11/16 × 9 15/16 in. (19.5 × 25.2 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/399283 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 240325 | 49.97.348 | 0 | 1 | 368441 | 11 | 731 | St George Killing the Dragon | 895 | Engraved by|After|Published by | Enea Vico|Giulio Clovio|Antonio Salamanca | Italian, Parma 1523–1567 Ferrara|Italian, Brizane 1498–1578 Rome|Salamanca 1478–1562 Rome | 33322 | 93 | 1523 |1498 |1478 | 1567 |1578 |1562 | 1542 | 1542 | 1542 | 7208 | sheet: 10 1/16 x 13 9/16 in. (25.6 x 34.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/368441 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 240497 | 49.97.356 | 0 | 1 | 368613 | 11 | 731 | Rhinoceros | 895 | Engraved by|Copy in reverse after|Published by | Enea Vico|Albrecht Dürer|Antonio Salamanca | Italian, Parma 1523–1567 Ferrara|German, Nuremberg 1471–1528 Nuremberg|Salamanca 1478–1562 Rome | 33373 | 309 | 1523 |1471 |1478 | 1567 |1528 |1562 | 1542 (date changed to 1548) | 1542 | 1542 | 7208 | sheet: 10 1/4 x 14 5/16 in. (26 x 36.3 cm) trimmed just outside platemark | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/368613 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 230424 | 17.50.16-135 | 0 | 1 | 358113 | 11 | 731 | The Academy of Baccio Bandinelli | 895 | After|Published by | Enea Vico|Baccio Bandinelli|Pietro Paolo Palumbo | Italian, Parma 1523–1567 Ferrara|Italian, Gaiole in Chianti 1493–1560 Florence|Italian, active Rome, 1563–?1586 | 30381 | 145 | 1523 |1493 |1563 | 1567 |1560 |1586 | ca. 1544 | 1543 | 1546 | 30370 | sheet: 12 1/16 x 17 1/4 in. (30.6 x 43.8 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/358113 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 240315 | 17.50.16-141 | 0 | 0 | 368431 | 11 | 731 | The Entombment of Christ | 895 | Possibly after | Enea Vico|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Parma 1523–1567 Ferrara|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | 33316 | 93 | 1523 |1483 |1478 | 1567 |1520 |1562 | 1543 | 1543 | 1543 | 29124 | Sheet (trimmed): 11 3/8 × 7 15/16 in. (28.9 × 20.2 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 571 | 13 | http://www.metmuseum.org/art/collection/search/368431 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 268556 | 2012.136.403 | 0 | 1 | 397619 | 11 | 731 | Entombment of Christ, whose chest is grasped by Joseph of Arimathea, with two kneeling and two standing female mourners at left and crown of thorns at bottom right | 895 | After | Enea Vico|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Parma 1523–1567 Ferrara|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | 33316 | 93 | 1523 |1483 |1478 | 1567 |1520 |1562 | 1543 | 1543 | 1543 | 7208 | image: 11 3/4 x 8 1/16 in. (29.8 x 20.5 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/397619 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 243321 | 2006.167 | 0 | 0 | 371501 | 11 | 731 | Combat between Cupid and Apollo | 895 | After | Nicolas Beatrizet|Baccio Bandinelli|Antonio Salamanca | French, Lunéville 1515–ca. 1566 Rome (?)|Italian, Gaiole in Chianti 1493–1560 Florence|Salamanca 1478–1562 Rome | 34134 | 247 | 1515 |1493 |1478 | 1566 |1560 |1562 | 1545 | 1545 | 1545 | 7208 | sheet: 17 1/16 x 22 1/2 in. (43.3 x 57.2 cm) | A. Hyatt Mayor Purchase Fund, Marjorie Phelps Starr Bequest, 2006 | 13 | http://www.metmuseum.org/art/collection/search/371501 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254948 | 41.72(3.15) | 0 | 1 | 383576 | 11 | 731 | Speculum Romanae Magnificentiae: Sacrificial Instruments Based on Ancient Relief Sculpture | 895 | Attributed to|After|Published by | Nicolas Beatrizet|Enea Vico|Claudio Duchetti | French, Lunéville 1515–ca. 1566 Rome (?)|Italian, Parma 1523–1567 Ferrara|Italian, active Venice and Rome, ca. 1565–died ca. 1585 | 36559 | 211 | 1515 |1523 |1565 | 1566 |1567 |1585 | ca. 1550–75 | 1545 | 1580 | 32636 | sheet: 14 3/16 x 17 11/16 in. (36.1 x 45 cm). Wide margins around platemark. | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/383576 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 411790 | 49.95.289 | 0 | 1 | 679283 | 11 | 731 | The Trojans hauling the wooden horse into Troy | 895 | After | Giulio Bonasone|Francesco Primaticcio|Carlo Losi | Italian, active Rome and Bologna, 1531–after 1576|Italian, Bologna 1504/5–1570 Paris|Italian, 1757– after 1805 | 51963 | 145 | 1510 |1504 |1757 | 1576 |1570 |1805 | 1545 (published 1773) | 1545 | 1545 | 33354 | Sheet: 15 15/16 × 24 7/8 in. (40.5 × 63.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/679283 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 407119 | 26.71.8(18) | 0 | 1 | 665037 | 11 | 13815 | Livre de Moresques, page 9 (verso) | 895 | Previously published by|Published by | Cornelis Bos|Francesco di Pellegrino|Hiérosme de Gormont | Netherlandish, Hertogenbosch ca. 1510?–before 1566 Groningen|Italian, born Florence, died 1552 | 51346 | 3214 | 1510 |1525 | 1566 |1552 | 1546 | 1546 | 1546 | 26552 | Overall: 12 x 8 5/16 x 1/4 in. (30.5 x 21.1 x 0.7 cm) | Harris Brisbane Dick Fund, 1926 | 27 | 665 | http://www.metmuseum.org/art/collection/search/665037 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 411789 | 17.50.19-151 | 0 | 1 | 679279 | 11 | 731 | The Last Judgment from the Sistine Chapel | 895 | After | Giulio Bonasone|Michelangelo Buonarroti|Antonio Salamanca | Italian, active Rome and Bologna, 1531–after 1576|Italian, Caprese 1475–1564 Rome|Salamanca 1478–1562 Rome | 51962 | 93 | 1510 |1475 |1478 | 1576 |1564 |1562 | 1546–50 | 1546 | 1550 | 38125 | Sheet: 22 13/16 × 17 3/8 in. (58 × 44.2 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/679279 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 274510 | 41.72(3.28) | 0 | 1 | 403682 | 11 | 731 | Speculum Romanae Magnificentiae: Plan of St. Peter's | 159 | 895 | After|After | Antonio da Sangallo, the Younger|Antonio da Labacco|Antonio Salamanca | Italian, Florence 1484–1546 Terni|Italian, near Vigevano ca. 1495–after 1567|Salamanca 1478–1562 Rome | 40540 | 93 | 1484 |1495 |1478 | 1546 |1567 |1562 | 1549 | 1549 | 1549 | 7208 | sheet: 22 5/8 x 16 13/16 in. (57.5 x 42.7 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/403682 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 207110 | 1986.1180.1344 | 0 | 0 | 334458 | 11 | 731 | Hercules Feeds Diomedes to His Own Mares and Hercules Slays Cacus from The Labours of Hercules | 895 | After | Cornelis Cort|Frans Floris I|Hieronymus Cock | Netherlandish, Hoorn ca. 1533–1578 Rome|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 17559 | 787 | 1533 |1519 |1510 | 1578 |1570 |1570 | 1550–78 | 1550 | 1578 | 7208 | plate: 8 3/4 x 11 1/4in. (22.3 x 28.5cm) sheet: 9 3/8 x 11 5/8 in. (23.8 x 29.5 cm) | Bequest of Grace M. Pugh, 1985 | 13 | http://www.metmuseum.org/art/collection/search/334458 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 236220 | 59.595.17 | 0 | 1 | 364099 | 11 | 731 | The Crucifixion of St Peter (after Michelangelo's Frescoes in the Pauline Chapel, Vatican Palace) | 895 | After | Michelangelo Buonarroti|Michele Lucchese|Antonio Lafreri | Italian, Caprese 1475–1564 Rome|Italian, active Rome, 1534–64|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 32234 | 93 | 1475 |1534 |1507 | 1564 |1564 |1577 | 1550–60 | 1550 | 1560 | 29331 | plate: 16 7/16 x 12 3/4 in. (41.8 x 32.4 cm) sheet: 18 7/16 x 14 1/4 in. (46.8 x 36.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/364099 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239348 | 25.62.30 | 0 | 0 | 367418 | 11 | 731 | The School of Athens; Plato and Aristotle in a classical architectural setting surrounded by a number of philosophers from antiquity; after the fresco in the Stanza della Segnatura in the Vatican Palace | 895 | After | Giorgio Ghisi|Raphael (Raffaello Sanzio or Santi)|Hieronymus Cock | Italian, Mantua ca. 1520–1582 Mantua|Italian, Urbino 1483–1520 Rome|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 23577 | 974 | 1515 |1483 |1510 | 1582 |1520 |1570 | 1550 | 1550 | 1550 | 38189 | Plate: 20 3/8 × 32 5/16 in. (51.8 × 82 cm) | Harris Brisbane Dick Fund, 1925 | 13 | http://www.metmuseum.org/art/collection/search/367418 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254441 | 28.4(3) | 0 | 1 | 383047 | 11 | 731 | Armed Four-Master Putting Out to Sea from The Sailing Vessels | 895 | After | Pieter Bruegel the Elder|Frans Huys|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, 1522–1562|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 36422 | 787 | 1525 |1522 |1510 | 1569 |1562 |1570 | ca. 1555–56 | 1550 | 1560 | 7208 | plate: 8 13/16 x 11 9/16 in. (22.4 x 29.3 cm) sheet: 10 1/4 x 13 3/8 in. (26.1 x 33.9 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/383047 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254450 | 28.4(4) | 0 | 1 | 383056 | 11 | 731 | Armed Three-Master Anchored Near a City from The Sailing Vessels | 895 | After | Pieter Bruegel the Elder|Frans Huys|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, 1522–1562|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 36422 | 787 | 1525 |1522 |1510 | 1569 |1562 |1570 | ca. 1555–56 | 1550 | 1560 | 30370 | plate: 9 1/8 x 11 9/16 in. (23.2 x 29.4 cm) sheet: 10 1/4 x 13 3/8 in. (26.1 x 33.9 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/383056 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 260778 | 2009.463 | 0 | 1 | 389496 | 11 | 731 | St. Sebastian's Fair | 895 | After|Published by | Anonymous, Netherlandish, 16th century|Peeter van der Borcht|Jan Baptist Vrients | Netherlandish, Mechelen ca. 1545–1608 Antwerp|Netherlandish | 37878 | 787 | 1500 |1540 | 1600 |1608 | 1550 | 1610 | 39759 | plate: 8 3/4 x 11 7/8 in. (22.2 x 30.1 cm) sheet: 11 1/8 x 14 3/8 in. (28.2 x 36.5 cm) | Gift of Mr. and Mrs. Helmut H. Rumbler, 2009 | 13 | http://www.metmuseum.org/art/collection/search/389496 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 261243 | 53.601.18(73) | 0 | 1 | 389968 | 11 | 731 | Pieta | 895 | After|Published by | Hieronymus (Jerome) Wierix|Jan Gossart (called Mabuse)|Gerard de Jode | Netherlandish, ca. 1553–1619 Antwerp|Netherlandish, Maubeuge ca. 1478–1532 Antwerp (?)|Netherlandish, 1509/17–1591 | 37973 | 787 | 1553 |1478 |1509 | 1619 |1532 |1591 | 1550 | 1625 | 7208 | sheet: 8 3/16 x 11 9/16 in. (20.8 x 29.4 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/389968 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 267652 | 51.501.785 | 0 | 0 | 396695 | 11 | 731 | The Holy Family with Sts. George, Blaise, Nicholas, and Catherine | 895 | After | Adamo (Ghisi) Scultori|Giulio Romano|Domenico De Rossi | Italian, Mantua ca. 1530–1587 Rome|Italian, Rome 1499?–1546 Mantua|Italian, 1647–1729 | 39522 | 145 | 1530 |1499 |1647 | 1587 |1546 |1729 | 1550–87 | 1550 | 1587 | 7208 | sheet: 14 3/4 x 9 7/16 in. (37.5 x 24 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/396695 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 429040 | 51.501.6434 | 0 | 0 | 712079 | 11 | 731 | Saint Narcissus in a Landscape | 895 | After | Anonymous|Cornelis Cort|Sadeler (unspecified member of the Sadeler family) | Netherlandish, Hoorn ca. 1533–1578 Rome|Netherlandish, mid-16th century–mid-17th century | 54686 | 1533 |1550 | 1578 |1650 | mid-16th century–mid-17th century | 1550 | 1650 | 7208 | Sheet: 7 15/16 × 10 1/16 in. (20.2 × 25.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/712079 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 235292 | 58.642.10 | 0 | 1 | 363058 | 11 | 731 | The Last Supper | 895 | After | Giorgio Ghisi|Lambert Lombard|Hieronymus Cock | Italian, Mantua ca. 1520–1582 Mantua|Netherlandish, Liège 1506–1566 Liège|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 31992 | 2496 | 1515 |1506 |1510 | 1582 |1566 |1570 | 1551 | 1551 | 1551 | 37290 | Sheet (Trimmed): 13 3/4 in. × 21 in. (34.9 × 53.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1958 | 13 | http://www.metmuseum.org/art/collection/search/363058 | 4/23/2018 8:00:01 AM | 1 |