Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 18108 | 16.135 | 0 | 1 | 22626 | 5 | 1639 | Miquelet Flintlock Gun Made for Charles IV of Spain (reigned 1788–1808) | 223 | 119 | Antonio Guisasola|Juan Navaro | Spanish, Eibar, recorded 1796–1833|Spanish, Eibar, active ca. 1800 | 2748 | 85 | 1796 |1775 | 1833 |1825 | dated 1796 | 1796 | 1796 | 3754 | L. 48 1/2 in. (123.2 cm); L. of barrel 34 in. (86.4 cm); Cal. .68 in. (17.3 mm); Wt. 5 lb. 6 oz. (2438 g) | Rogers Fund, 1916 | 460 | 100 | http://www.metmuseum.org/art/collection/search/22626 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 24554 | 37.154.5 | 0 | 1 | 29594 | 5 | 2163 | Miquelet Pistol | 747 | 131 | Llorens Torrens|Jacinto Jaumeandreu | Spanish, Catalonia, active 1793–1824|Spanish, Catalonia, active about 1750–1807 | 3062 | 85 | 1793 |1725 | 1824 |1832 | ca. 1790–1807 | 1765 | 1832 | 3881 | Caliber, .665 in, (16.89 mm) Weight, 1 lb. 12 oz. (800 g) Length, 14 11/16 in. (37.31 cm) Length of barrel, 8 13/16 in. (22.38 cm) | Roger's Fund, 1937 | 613 | 38 | http://www.metmuseum.org/art/collection/search/29594 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 92921 | 2009.300.59a–c | 0 | 0 | 159147 | 8 | 6048 | Toreador suit | 13 | 205 | J. Uriarte|Alejandro Velasco | Spanish | 7376 | 85 | fourth quarter 19th century | 1876 | 1899 | 19663 | Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Museum Expedition 1922, Robert B. Woodward Memorial Fund, 1922 | http://www.metmuseum.org/art/collection/search/159147 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||
| 110710 | 41.190.34 | 0 | 1 | 198911 | 3 | 14 | Saint Anthony of Padua | 13 | 13 | Possibly follower of|Possibly follower of | Alonso Cano|Pedro de Mena | Spanish, Granada 1601–1667 Granada|Spanish, Granada 1628–1688 Málaga | or | 10175 | 85 | 1601 |1628 | 1667 |1688 | late 17th–early 18th century | 1685 | 1715 | 22270 | Height: 12 5/8 in. (32.1 cm) | Bequest of George Blumenthal, 1941 | 12 | http://www.metmuseum.org/art/collection/search/198911 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 206436 | 16.4.2 | 0 | 1 | 333780 | 11 | 731 | Plate 10 from 'La Tauromaquia': Charles V spearing a bull in the ring at Valladolid | 1 | 972 | Portrait of | Goya (Francisco de Goya y Lucientes)|Charles V, Holy Roman Emperor | Spanish, Fuendetodos 1746–1828 Bordeaux|Spanish, 1500–1558 | 17302 | 85 | 1746 |1500 | 1828 |1558 | 1816 | 1816 | 1816 | 28934 | Plate: 9 13/16 × 13 3/4 in. (25 × 35 cm) Sheet: 10 15/16 × 15 1/16 in. (27.8 × 38.2 cm) | Gift of Walter E. Sachs, 1916 | 13 | http://www.metmuseum.org/art/collection/search/333780 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 206535 | 24.97.1 | 0 | 1 | 333879 | 11 | 731 | The Drunkards, after Velázquez | 13 | After | Velázquez (Diego Rodríguez de Silva y Velázquez)|Goya (Francisco de Goya y Lucientes) | Spanish, Seville 1599–1660 Madrid|Spanish, Fuendetodos 1746–1828 Bordeaux | 17343 | 85 | 1599 |1746 | 1660 |1828 | 1778 | 1778 | 1778 | 26137 | Plate: 12 1/2 × 16 15/16 in. (31.7 × 43.1 cm) Sheet: 14 1/8 × 16 1/4 in. (35.8 × 41.3 cm) | Harris Brisbane Dick Fund, 1924 | 13 | http://www.metmuseum.org/art/collection/search/333879 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206609 | 31.31.11 | 0 | 1 | 333953 | 11 | 731 | Isabel de Bourbon on horseback, after Velázquez | 987 | After | Velázquez (Diego Rodríguez de Silva y Velázquez)|Isabel of Bourbon|Goya (Francisco de Goya y Lucientes) | Spanish, Seville 1599–1660 Madrid|Fontainebleau 1602–1644 Madrid|Spanish, Fuendetodos 1746–1828 Bordeaux | 17358 | 85 | 1599 |1602 |1746 | 1660 |1644 |1828 | 1778 | 1778 | 1778 | 28973 | Plate: 14 9/16 × 12 1/4 in. (37 × 31.1 cm) Sheet: 16 1/8 × 13 15/16 in. (41 × 35.4 cm) | Henry Walters by exchange, 1931 | 13 | http://www.metmuseum.org/art/collection/search/333953 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206610 | 31.31.12 | 0 | 1 | 333954 | 11 | 731 | Philip IV on horseback, after Velázquez | 987 | Painted by|portrait of | Velázquez (Diego Rodríguez de Silva y Velázquez)|Philip IV (Felipe IV), King of Spain|Goya (Francisco de Goya y Lucientes) | Spanish, Seville 1599–1660 Madrid|Spanish, Valladolid 1605–1665 Madrid|Spanish, Fuendetodos 1746–1828 Bordeaux | 17359 | 85 | 1599 |1605 |1746 | 1660 |1665 |1828 | 1778 | 1778 | 1778 | 26137 | Plate: 14 1/2 × 12 3/16 in. (36.8 × 31 cm) Sheet: 16 1/8 × 13 7/8 in. (41 × 35.3 cm) | Henry Walters by exchange, 1931 | 13 | http://www.metmuseum.org/art/collection/search/333954 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206611 | 31.31.14 | 0 | 1 | 333955 | 11 | 731 | A dwarf (Un enano)Portrait of Sebastian de Morra | 22 | 987 | After | Velázquez (Diego Rodríguez de Silva y Velázquez)|Sebastian de Morra|Goya (Francisco de Goya y Lucientes) | Spanish, Seville 1599–1660 Madrid|Spanish, Fuendetodos 1746–1828 Bordeaux | 17360 | 85 | 1599 |1746 | 1660 |1828 | 1778 | 1778 | 1778 | 29022 | Plate: 8 3/16 × 5 7/8 in. (20.8 × 14.9 cm) Sheet: 16 x 11 7/16 in. (40.7 x 29 cm) | Harris Brisbane Dick Fund, Rogers Fund, and Gift of Theodore De Witt, by exchange, 1931 | 13 | http://www.metmuseum.org/art/collection/search/333955 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 206613 | 31.31.16 | 0 | 1 | 333957 | 11 | 731 | Aesop (Aesopus), from Etchings after Velazquez | 22 | 13 | After | Velázquez (Diego Rodríguez de Silva y Velázquez)|Goya (Francisco de Goya y Lucientes) | Spanish, Seville 1599–1660 Madrid|Spanish, Fuendetodos 1746–1828 Bordeaux | 17343 | 85 | 1599 |1746 | 1660 |1828 | 1778 | 1778 | 1778 | 29022 | Plate: 11 5/8 × 8 7/16 in. (29.5 × 21.5 cm) Sheet: 16 1/8 × 11 5/16 in. (41 × 28.7 cm) | Harris Brisbane Dick Fund, Rogers Fund, and Gift of Theodore De Witt, by exchange, 1931 | 13 | http://www.metmuseum.org/art/collection/search/333957 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 206614 | 31.31.17 | 0 | 1 | 333958 | 11 | 731 | Moenippus (Menipo Filosofo) | 22 | 13 | After | Velázquez (Diego Rodríguez de Silva y Velázquez)|Goya (Francisco de Goya y Lucientes) | Spanish, Seville 1599–1660 Madrid|Spanish, Fuendetodos 1746–1828 Bordeaux | 17343 | 85 | 1599 |1746 | 1660 |1828 | 1778 | 1778 | 1778 | 29022 | Plate: 12 1/16 × 8 11/16 in. (30.6 × 22 cm) Sheet: 16 in. × 11 3/8 in. (40.7 × 28.9 cm) | Harris Brisbane Dick Fund, Rogers Fund, and Gift of Theodore De Witt, by exchange, 1931 | 13 | http://www.metmuseum.org/art/collection/search/333958 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 206615 | 31.31.18 | 0 | 1 | 333959 | 11 | 731 | A dwarf (Un Enano)Portrait of El Primo | 22 | 987 | After | Velázquez (Diego Rodríguez de Silva y Velázquez)|El Primo (Diego de Acedo)|Goya (Francisco de Goya y Lucientes) | Spanish, Seville 1599–1660 Madrid|Spanish, Fuendetodos 1746–1828 Bordeaux | 17362 | 85 | 1599 |1746 | 1660 |1828 | 1778 | 1778 | 1778 | 29022 | Plate: 8 7/16 x 6 1/16 in. (21.5 x 15.4 cm) Sheet: 15 11/16 × 11 1/4 in. (39.8 × 28.6 cm) | Harris Brisbane Dick Fund, Rogers Fund, and Gift of Theodore De Witt, by exchange, 1931 | 13 | http://www.metmuseum.org/art/collection/search/333959 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 206793 | 50.558.33 | 0 | 1 | 334137 | 11 | 731 | Plate 1 from 'Los Caprichos': Self-portrait of Goya (Franco. Goya e Lucientes, Pintor) | 2 | 392 | Goya (Francisco de Goya y Lucientes)|Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux|Spanish, Fuendetodos 1746–1828 Bordeaux | 17416 | 85 | 1746 |1746 | 1828 |1828 | 1799 | 1799 | 1799 | 28939 | Plate: 8 9/16 × 5 7/8 in. (21.7 × 15 cm) Sheet: 12 5/16 × 8 3/16 in. (31.2 × 20.8 cm) | Gift of Mrs. Francis Ormond, 1950 | 13 | http://www.metmuseum.org/art/collection/search/334137 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 206884 | 61.524.1 | 0 | 1 | 334228 | 11 | 731 | Philip III, King of Spain on horseback, after Velázquez | 1046 | After | Velázquez (Diego Rodríguez de Silva y Velázquez)|Goya (Francisco de Goya y Lucientes)|Philip III (Felipe III), King of Spain | Spanish, Seville 1599–1660 Madrid|Spanish, Fuendetodos 1746–1828 Bordeaux|1578–1621 | 17460 | 85 | 1599 |1746 |1578 | 1660 |1828 |1621 | 1778 | 1778 | 1778 | 28973 | Sheet: 16 1/4 × 13 7/16 in. (41.2 × 34.1 cm) Plate: 14 15/16 × 12 3/16 in. (38 × 31 cm) | Gift of Nathan Chaikin, 1960 | 13 | http://www.metmuseum.org/art/collection/search/334228 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 207375 | 36.20 | 0 | 0 | 334728 | 11 | 731 | The Follies (Disparates [Los Proverbios]) | 75 | 710 | Published by | Goya (Francisco de Goya y Lucientes)|Academia de Nobles Artes de San Fernando | Spanish, Fuendetodos 1746–1828 Bordeaux | 17729 | 85 | 1746 | 1828 | 1816–23 | 1816 | 1823 | 28972 | Gift of Mrs. Henry J. Bernheim, 1936 | 13 | http://www.metmuseum.org/art/collection/search/334728 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 208008 | 80.3.504 | 0 | 1 | 335366 | 11 | 23 | Charles II of Spain on Horseback | 55 | Claudio Coello|Matías de Torres | Spanish, Madrid 1642–1693 Madrid|Spanish, Aguilar de Campóo (Palencia) 1635–1711 Madrid | 18049 | 85 | 1642 |1635 | 1693 |1711 | late 17th century | 1655 | 1693 | 29834 | 7-5/16 x 6-7/16 in. (18.6 x 16.4 cm) | Gift of Cornelius Vanderbilt, 1880 | 9 | http://www.metmuseum.org/art/collection/search/335366 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 216953 | 50.523 | 0 | 0 | 344439 | 11 | 97 | El Caballero Determinado, traducido de la lengua francesa a Castellano por Don Hernando de Acuña | 1483 | Translated by|Published by | Hernando de Acuña|Pedro Laso | Spanish | , Salamanca | 20844 | 85 | 1573 | 1573 | 1573 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1950 | 442 | http://www.metmuseum.org/art/collection/search/344439 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 217112 | 47.148 | 0 | 0 | 344602 | 11 | 97 | 'Obra muy útil y provechosa para los devotos de nuestra Señora ... Rosario', Salamanca 1592 | 44 | Esteban de Alaejos|Pedro Laso | Spanish | 20958 | 85 | 1560 | 1600 | 1592 | 1592 | 1592 | 33954 | 7 5/16 × 5 3/16 in. (18.5 × 13.2 cm) | Harris Brisbane Dick Fund, 1947 | 1126 | 442 | http://www.metmuseum.org/art/collection/search/344602 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 217174 | 35.23.19 | 0 | 0 | 344665 | 11 | 97 | Album Artistico de Toledo | 44 | Written by|Published by | Manuel de Assas|Doroteo Bachiller | 20999 | 85 | 1848 | 1848 | 1848 | Harris Brisbane Dick Fund, 1935 | 442 | http://www.metmuseum.org/art/collection/search/344665 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 217472 | 30.56.12 | 0 | 0 | 344965 | 11 | 97 | Arte de Escribir | 1009 | Designed by|Published by | José de Anduaga y Garimberti|Imprenta Real | 21214 | 85 | 1781 | 1781 | 1781 | 33820 | Overall: 9 13/16 x 6 7/8 x 7/8 in. (25 x 17.5 x 2.2 cm) | Harris Brisbane Dick Fund, 1930 | 467 | 442 | http://www.metmuseum.org/art/collection/search/344965 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 217566 | 52.568 | 0 | 0 | 345059 | 11 | 97 | De Varia commensuración para la escultura y arquitectura | 44 | Written by|Published by | Juan de Arfe|Andrea Pescioni & Juan de Leon | Spanish, 1535–1603 | 21292 | 85 | 1535 | 1603 | 1585 | 1585 | 1585 | Harris Brisbane Dick Fund, 1952 | 577 | 442 | http://www.metmuseum.org/art/collection/search/345059 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 217770 | 30.56.11 | 0 | 0 | 345266 | 11 | 97 | Arte Nuevo de Escribir por Preceptos Geometricos y reglas matematicas | 44 | Written by|Published by | Juan Claudio Aznar de Polanco|The Heirs of Manuel Ruiz de Murga | 21457 | 85 | 1719 | 1719 | 1719 | 33955 | Overall: 12 1/16 x 8 11/16 x 1 1/8 in. (30.6 x 22 x 2.8 cm) | Harris Brisbane Dick Fund, 1930 | 467 | 442 | http://www.metmuseum.org/art/collection/search/345266 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 219734 | 50.528 | 0 | 0 | 347256 | 11 | 97 | El Caballero Determinado | 1483 | Translated by|Published by | Hernando de Acuña|Pedro Laso | Spanish | , Salamanca | 20844 | 85 | 1573 | 1573 | 1573 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1950 | 1126 | 442 | http://www.metmuseum.org/art/collection/search/347256 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 219765 | 68.618.14(1,2) | 0 | 0 | 347290 | 11 | 97 | The Ingenious Gentleman Don Quixote of la Mancha | 1154 | Miguel de Cervantes Saavedra|Enric Cristòfol Ricart|The Limited Editions Club | Spanish, Alcalá 1547–1616 Madrid|Spanish, Vilanova i la Geltrú 1893–1960 | New York | 22805 | 85 | 1547 |1893 | 1616 |1960 | 1933 | 1933 | 1933 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1968 | 3 | 442 | http://www.metmuseum.org/art/collection/search/347290 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 219766 | 69.549 | 0 | 0 | 347291 | 11 | 97 | El Ingenioso Hidalgo Don Quixote de la Mancha | 44 | Written by|Published by | Miguel de Cervantes Saavedra|Imprenta de Tomas Grochs | Spanish, Alcalá 1547–1616 Madrid | , Barcelona | 22806 | 85 | 1547 | 1616 | 1859 | 1859 | 1859 | Gift of Grace M. Belt, 1969 | 613 | 442 | http://www.metmuseum.org/art/collection/search/347291 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 220127 | 1986.1174 | 0 | 0 | 347658 | 11 | 23 | Les Temples du Lac, St. Quentin-en-Yvelines, Paris, perspective | 2130 | Designed by|Drawn by | Ricardo Bofill|Fernando Trueba | Spanish, born Barcelona, 1939|Spanish | 23082 | 85 | 1939 | 2039 | 1982 | 1982 | 1982 | 34326 | Image: 15 3/4 × 45 3/8 in. (40 × 115.2 cm) | Edward Pearce Casey Fund, 1986 | 9 | http://www.metmuseum.org/art/collection/search/347658 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 222104 | 28.106.10 | 0 | 0 | 349664 | 11 | 97 | Libro Subtilissimo por el qual se enseña a escrevir . . . . | 44 | Written by|Published by | Juan de Yciar|Bartholme de Nagera | Spanish, born Durango, 1523 | , Caragoça | 24411 | 85 | 1523 | 1564 | 1564 | 1564 | 31469 | Overall: 7 1/2 x 5 5/16 x 1/2 in. (19 x 13.5 x 1.3 cm) | Gift of Felix M. Warburg, 1928 | 442 | http://www.metmuseum.org/art/collection/search/349664 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 223718 | 67.836.3 | 0 | 0 | 351303 | 11 | 97 | Camino Real de la Cruz...Valladolid | 1258 | Written by | P. D. Benedicto Haestano|Juan Godinez | 25675 | 85 | 1721 | 1721 | 1721 | 26552 | Overall: 8 1/4 x 5 7/8 in. (21 x 15 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund | 442 | http://www.metmuseum.org/art/collection/search/351303 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 224485 | 49.70.3 | 0 | 0 | 352078 | 11 | 97 | Regla y Establescimientos dela orden de la Cavalleria de Señor Sanctiago del espada | 44 | Written by|Published by | Ruy Diaz de Isfa|Pedro de Celada | , Leon | 26298 | 85 | 1555 | 1555 | 1555 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 442 | http://www.metmuseum.org/art/collection/search/352078 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||
| 225148 | 59.608.85 | 0 | 0 | 352742 | 11 | 13811 | Los remedios. Fabricación mécanica de toda chase de materiales de construcción...Cerámica artistica... | 44 | Julio Laffitte|Lit. Tip. Gomez | Spanish, active 1895 | , Sevilla | 26765 | 85 | 1850 | 1950 | [after 1895] | 1895 | 1895 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 665 | http://www.metmuseum.org/art/collection/search/352742 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 225843 | 28.106.11 | 0 | 0 | 353445 | 11 | 97 | Arte de Escrevir | 1009 | Designed by|Published by | Francisco Lucas|Francisco Sanchez | , Madrid | 27249 | 85 | 1580 | 1580 | 1580 | 31469 | Overall: 7 7/8 x 5 7/8 x 13/16 in. (20 x 15 x 2.1 cm) | Gift of Felix M. Warburg, 1928 | 442 | http://www.metmuseum.org/art/collection/search/353445 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 226130 | 66.558.10 | 0 | 0 | 353736 | 11 | 97 | Relacion de las Diversiones, festejos públicos, y Ostros Acaecimientos que han occurido en la cuidad de Barcelona, desde el 11 de Setiembre hasta principos de Noviembre de 1802 | 1415 | Published by | La Compania de Jordi, Roca y Gaspar|Buenaventura Planella | Spanish, Barcelona, 1772–1844 | , Barcelona | 27450 | 85 | 1772 | 1844 | 1802 | 1802 | 1802 | 29387 | Overall: 8 7/16 x 5 3/4 x 13/16 in. (21.5 x 14.6 x 2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1966 | 442 | http://www.metmuseum.org/art/collection/search/353736 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 227452 | 29.34.1 | 0 | 0 | 355071 | 11 | 97 | Paleografia Espanola | 1714 | Written by|Lithographyed portrait of | Estéban Paluzie y Cantalozella|Estéban Paluzie y Cantalozella | 28357 | 85 | September 1846 | 1846 | 1846 | 33978 | Overall: 14 3/8 x 10 7/16 x 1 9/16 in. (36.5 x 26.5 x 4 cm) | Gift of Mrs. Henry J. Bernheim, 1929 | 442 | http://www.metmuseum.org/art/collection/search/355071 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 229017 | 66.558.19 | 0 | 0 | 356662 | 11 | 97 | Alma América Poemas indo-españoles | 1235 | Written by|Cover and illustrations made by | Jose Santos Chocano|Juan Gris | Spanish, Madrid 1887–1927 Boulogne-sur-Seine | 29441 | 85 | 1887 | 1927 | 1906 | 1906 | 1906 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1966 | 442 | http://www.metmuseum.org/art/collection/search/356662 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 229332 | 29.106.3 | 0 | 1 | 356985 | 11 | 97 | Laminas de las Reflexiones... | 44 | Written by|Published by | Don Domingo Maria de Servidori|Imprenta Real | , Madrid | 29669 | 85 | 1789 | 1789 | 1789 | 33820 | Overall: 15 3/8 x 11 7/16 x 1 9/16 in. (39 x 29 x 4 cm) | Harris Brisbane Dick Fund, 1929 | 442 | http://www.metmuseum.org/art/collection/search/356985 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 229333 | 30.56.7(1,2) | 0 | 0 | 356986 | 11 | 97 | Reflexiones sobre la verdadera Arte de Escribir: Tomo Primero | 44 | Written by|Published by | Don Domingo Maria de Servidori|Imprenta Real | , Madrid | 29669 | 85 | 1789 | 1789 | 1789 | 33820 | Vols.I & II: overall: 17 1/8 x 12 3/16 x 1 9/16 in. (43.5 x 31 x 4 cm) | Harris Brisbane Dick Fund, 1930 | 442 | http://www.metmuseum.org/art/collection/search/356986 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 229674 | 32.102.3.1-.2 | 0 | 0 | 357338 | 11 | 97 | Historia de la Conquista de Mexico... | 44 | Written by|Published by | Antonio de Solis|de Sancha | Spanish, 1610–1686 | , Madrid | 29919 | 85 | 1610 | 1686 | 1783 | 1783 | 1783 | Gift of Philip Hofer,1932 | 442 | http://www.metmuseum.org/art/collection/search/357338 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 230167 | 1978.643.19(1) | 0 | 1 | 357843 | 11 | 731 | Broadside with 48 scenes relating the tale of Don Juan de Serrallonga | 990 | José Taulo|Samunca|Juan Llorens | Spanish, active ca. 1855–70|Spanish, active ca. 1860|Spanish, active Barcelona, ca. 1855–70 | 30244 | 85 | 1855 |1860 |1800 | 1870 |1860 |1900 | 1860 | 1860 | 1860 | 36275 | sheet: 17 1/4 x 12 3/8 in. (43.8 x 31.4 cm) | Max G. Wildnauer Fund, 1978 | 13 | http://www.metmuseum.org/art/collection/search/357843 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 230170 | 1978.643.19(2) | 0 | 1 | 357846 | 11 | 731 | Broadside with 48 scenes relating to the Hispano-Moroccan War (1859-60) | 710 | Saourni|Juan Llorens | Spanish, 19th century|Spanish, active Barcelona, ca. 1855–70 | 30245 | 85 | 1800 |1800 | 1899 |1900 | ca. 1860 | 1855 | 1865 | 36275 | sheet: 17 7/16 x 12 3/8 in. (44.3 x 31.4 cm) | Max G. Wildnauer Fund, 1978 | 13 | http://www.metmuseum.org/art/collection/search/357846 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 230187 | 1978.643.21(2) | 0 | 1 | 357865 | 11 | 731 | Broadside with 48 scenes relating to the carnival in Barcelona | 710 | José Noguera|Juan Llorens | Spanish, 19th century|Spanish, active Barcelona, ca. 1855–70 | 30250 | 85 | 1800 |1800 | 1900 |1900 | 1862 | 1862 | 1862 | 29001 | Sheet: 17 5/16 × 12 1/2 in. (44 × 31.8 cm) | Max G. Wildnauer Fund, 1978 | 13 | http://www.metmuseum.org/art/collection/search/357865 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 230188 | 1978.643.24(1) | 0 | 1 | 357866 | 11 | 731 | Broadside with 48 scenes depicting the antics of the shoemaker's apprentice | 710 | José Noguera|Juan Llorens | Spanish, 19th century|Spanish, active Barcelona, ca. 1855–70 | 30250 | 85 | 1800 |1800 | 1900 |1900 | 1861 | 1861 | 1861 | 29001 | Sheet: 17 1/2 × 12 3/8 in. (44.5 × 31.5 cm) | Max G. Wildnauer Fund, 1978 | 13 | http://www.metmuseum.org/art/collection/search/357866 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 230363 | 56.649.2 | 0 | 0 | 358050 | 11 | 13811 | Breve Tratado de/ todo Genero de Bombedas... | 44 | Juan de Torija|Pablo de Val | Spanish, 1624–1666 | , Madrid | 30344 | 85 | 1624 | 1666 | 1661 | 1661 | 1661 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 | 665 | http://www.metmuseum.org/art/collection/search/358050 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 231143 | 1987.1078 | 0 | 0 | 358858 | 11 | 97 | 'El diletante y eclectico desastre Africa' by Enrique de Pedro | 162 | Enrique de Pedro|Borja de Pedro | Spanish|Spanish, born 1945 | 30736 | 85 | 1900 |1945 | 2050 | ca. 1986 | 1981 | 1991 | 30622 | 7 11/16 × 6 × 3/8 in. (19.5 × 15.2 × 1 cm) | Purchase, Max G. Wildnauer Fund, 1987 | 442 | http://www.metmuseum.org/art/collection/search/358858 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 231344 | 1978.643.28 | 0 | 1 | 359080 | 11 | 731 | Broadside with 48 scenes of the life of Jesus Christ | 740 | Juan Llorens|José Noguera | Spanish, active Barcelona, ca. 1855–70|Spanish, 19th century | 30817 | 85 | 1800 |1800 | 1900 |1900 | 1866 | 1866 | 1866 | 29001 | sheet: 17 1/4 x 15 5/8 in. (43.8 x 39.7 cm) | Max G. Wildnauer Fund, 1978 | 13 | http://www.metmuseum.org/art/collection/search/359080 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 236675 | 59.643.8 | 0 | 0 | 364637 | 11 | 97 | Oracion Fúnebre, que en las Solemnes Exequias del Excelentismo Senor Don Pedro Zoylo Tellez, Giron y Guzman, Duque de Osuna &c. | 679 | Designed by|Engraved by | Juan de Villanueva|Josef Ximeno | Spanish, active 18th century|Spanish, active 18th century | 32370 | 85 | 1700 |1700 | 1800 |1800 | 1787 | 1787 | 1787 | Overall: 9 1/4 x 6 7/8 x 1/2 in. (23.5 x 17.5 x 1.3 cm) | Harris Brisbane Dick Fund, 1959 | 442 | http://www.metmuseum.org/art/collection/search/364637 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 247778 | 2007.49.422 | 0 | 0 | 376072 | 11 | 731 | Untitled Abstraction | 710 | Published by | Antoni Tàpies|Sala Gaspar | Spanish, 1923–2012 | 35045 | 85 | 1923 | 2012 | 1959 | 1959 | 1959 | 14948 | Sheet: 29 3/4 × 41 9/16 in. (75.6 × 105.5 cm) | Bequest of William S. Lieberman, 2005 | 13 | http://www.metmuseum.org/art/collection/search/376072 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 247779 | 2007.49.423 | 0 | 0 | 376073 | 11 | 731 | Untitled Abstraction | 710 | Antoni Tàpies|Sala Gaspar | Spanish, 1923–2012 | 35045 | 85 | 1923 | 2012 | 1959 | 1959 | 1959 | 14948 | Image: 24 1/2 × 35 9/16 in. (62.3 × 90.3 cm) Sheet: 29 1/2 × 41 7/16 in. (75 × 105.3 cm) | Bequest of William S. Lieberman, 2005 | 13 | http://www.metmuseum.org/art/collection/search/376073 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 247780 | 2007.49.424 | 0 | 0 | 376074 | 11 | 731 | Untitled Abstraction | 710 | Antoni Tàpies|Sala Gaspar | Spanish, 1923–2012 | 35045 | 85 | 1923 | 2012 | 1959 | 1959 | 1959 | 14948 | Image: 24 5/8 × 35 7/16 in. (62.6 × 90 cm) Sheet: 29 3/4 × 41 3/4 in. (75.5 × 106 cm) | Bequest of William S. Lieberman, 2005 | 13 | http://www.metmuseum.org/art/collection/search/376074 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 249371 | 18.64(1) | 0 | 1 | 377808 | 11 | 731 | Plate 1 from 'Los Caprichos': Self-portrait of Goya ( Franco. Goya e Lucientes, Pintor) | 2 | 972 | Goya (Francisco de Goya y Lucientes)|Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux|Spanish, Fuendetodos 1746–1828 Bordeaux | 17416 | 85 | 1746 |1746 | 1828 |1828 | 1799 | 1799 | 1799 | 39903 | Plate: 8 9/16 in. × 6 in. (21.8 × 15.2 cm) Sheet: 11 5/8 x 8 5/16 in. (29.5 x 21.1 cm) | Gift of M. Knoedler & Co., 1918 | 13 | http://www.metmuseum.org/art/collection/search/377808 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 268151 | 51.530.1(1) | 0 | 1 | 397203 | 11 | 731 | Plate 1 from 'Los Caprichos': Self-portrait of Goya (Franco. Goya e Lucientes, Pintor) | 2 | 972 | Goya (Francisco de Goya y Lucientes)|Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux|Spanish, Fuendetodos 1746–1828 Bordeaux | 17416 | 85 | 1746 |1746 | 1828 |1828 | 1799 | 1799 | 1799 | 39903 | Plate: 8 9/16 × 5 15/16 in. (21.8 × 15.1 cm) Sheet: 11 13/16 × 8 1/4 in. (30 × 20.9 cm) | Gift of Mrs. Grafton H. Pyne, 1951 | 13 | http://www.metmuseum.org/art/collection/search/397203 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 307682 | 52.125 | 0 | 1 | 437868 | 15 | 69 | Don Gaspar de Guzmán (1587–1645), Count-Duke of Olivares | 13 | Attributed to|and/or | Velázquez (Diego Rodríguez de Silva y Velázquez)|Juan Bautista Martínez del Mazo | Spanish, Seville 1599–1660 Madrid|Spanish, Cuenca ca. 1612–1667 Madrid | 43923 | 85 | 1599 |1612 | 1660 |1667 | ca. 1635 | 1630 | 1640 | 953 | 50 1/4 x 41 in. (127.6 x 104.1 cm) | Fletcher Fund, 1952 | 11 | http://www.metmuseum.org/art/collection/search/437868 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 321881 | 1975.1.977 | 0 | 1 | 460032 | 16 | 23 | Bullfight | 13 | 55 | Velázquez (Diego Rodríguez de Silva y Velázquez)|Eugenio Lucas y Padilla | Spanish, Seville 1599–1660 Madrid|Spanish, 1824–1870 | 44519 | 85 | 1599 |1824 | 1660 |1870 | 19th century | 1800 | 1900 | 48167 | 5 5/8 x 8 11/16 in. (14.3 x 22 cm) | Robert Lehman Collection, 1975 | 9 | http://www.metmuseum.org/art/collection/search/460032 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 337735 | 1989.402 | 0 | 0 | 485324 | 4 | 7 | Vase | 3 | Joan Miró|Josep Llorens Artigas | Spanish, Barcelona 1893–1983 Palma de Mallorca|Spanish, Barcelona 1892–1980 Barcelona | 45982 | 85 | 1893 |1892 | 1983 |1980 | 1942 | 1942 | 1942 | 7896 | H. 13, Diam. 11 in. (34.9 x 27.9 cm.) | Gift of Florene M. Schoenborn, 1989 | 314 | © 2018 Artists Rights Society (ARS), New York | http://www.metmuseum.org/art/collection/search/485324 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 380686 | 2013.998.1 | 0 | 1 | 627328 | 11 | 731 | The dwarf Francisco Lezcano, called 'El Niño de Vallecas', after Velázquez | 53 | After|Intermediary draughtsman | Bartolomé Vázquez|Velázquez (Diego Rodríguez de Silva y Velázquez)|Antonio Vázquez | Spanish, 1749–1802|Spanish, Seville 1599–1660 Madrid|Spanish, active 1792–1836 | 48934 | 85 | 1749 |1599 |1792 | 1802 |1660 |1836 | 1792 | 1792 | 1792 | 57852 | Sheet: 30 3/8 × 21 11/16 in. (77.1 × 55.1 cm) Plate: 17 5/8 × 14 in. (44.8 × 35.5 cm) | Gift of Maurice and Yvette Bendahan, 2013 | 13 | http://www.metmuseum.org/art/collection/search/627328 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 380689 | 2013.998.2 | 0 | 1 | 627331 | 11 | 731 | The Fable of Aracne, or 'The Spinners', after Velázquez | 13 | After | Bartolomé Maura|Velázquez (Diego Rodríguez de Silva y Velázquez) | Spanish, 1599–1660|Spanish, Seville 1599–1660 Madrid | 48936 | 85 | 1599 |1599 | 1660 |1660 | 1870 | 1870 | 1870 | 30274 | Sheet: 30 3/8 × 21 11/16 in. (77.1 × 55.1 cm) Plate: 17 3/8 × 17 5/8 in. (44.1 × 44.7 cm) | Gift of Maurice and Yvette Bendahan, 2013 | 13 | http://www.metmuseum.org/art/collection/search/627331 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 380690 | 2013.998.3 | 0 | 1 | 627332 | 11 | 731 | The Surrender at Breda or 'Las Lanzas' (The Lances), after Velázquez | 13 | After | Bartolomé Maura|Velázquez (Diego Rodríguez de Silva y Velázquez) | Spanish, 1599–1660|Spanish, Seville 1599–1660 Madrid | 48936 | 85 | 1599 |1599 | 1660 |1660 | 1876 | 1876 | 1876 | 30274 | Sheet: 24 3/16 × 29 1/2 in. (61.4 × 74.9 cm) Plate: 19 × 22 1/4 in. (48.3 × 56.5 cm) | Gift of Maurice and Yvette Bendahan, 2013 | 13 | http://www.metmuseum.org/art/collection/search/627332 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 398519 | 2014.241 | 0 | 1 | 652746 | 11 | 731 | View of the Convent of San José in Saragossa set alight after bombing by the invading French army during the Napoleonic war in Spain | 13 | Fernando Brambila|Juan Galvez | Spanish, 1763–1834|Spanish, 1773–1846 | 50689 | 85 | 1763 |1773 | 1834 |1846 | 1808–14 | 1808 | 1814 | 28935 | 15 3/16 × 19 5/8 in. (38.5 × 49.9 cm) | Purchase, Carolyn Bullard Gift, in honor of E. John Bullard, 2014 | 13 | http://www.metmuseum.org/art/collection/search/652746 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 401060 | 59.630.2 | 0 | 0 | 655936 | 11 | 731 | View of the courtyard of Santa Engracia in Saragossa bombed by the invading French army during the Napoleonic war in Spain | 13 | Fernando Brambila|Juan Galvez | Spanish, 1763–1834|Spanish, 1773–1846 | 50689 | 85 | 1763 |1773 | 1834 |1846 | 1808–14 | 1808 | 1814 | 28935 | Sheet: 19 1/2 × 25 3/16 in. (49.5 × 64 cm) Plate: 17 1/8 × 21 5/8 in. (43.5 × 55 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/655936 | 4/23/2018 8:00:01 AM | 1 |