Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 206938 | 67.837.2 | 0 | 0 | 334282 | 11 | 97 | Shakespeare's Seven Ages | 1060 | After | Daniel Maclise|Edward Goodall|Art Union of London|William Shakespeare | Irish, Cork 1806–1870 London|British, near Leeds 1795–1870 London|British, Stratford-upon-Avon 1564–1616 Stratford-upon-Avon | 17494 | 783 | 1805 |1795 |1800 |1564 | 1870 |1870 |1899 |1616 | 1850 | 1850 | 1850 | 28943 | 9 3/16 x 12 13/16 x 3/16 in. (23.4 x 32.6 x 0.5cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | 442 | http://www.metmuseum.org/art/collection/search/334282 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 223399 | 33.32.2 | 0 | 0 | 350975 | 11 | 97 | The Deserted Village, A Poem | 1561 | Designed and engraved by | Oliver Goldsmith|W. Griffin|Isaac Taylor, I | Irish, Pallas, Longford ca. 1728–1774 London|London|British, Worcester 1730–1807 Edmonton, Greater London | 25428 | 783 | 1725 |1700 |1730 | 1774 |1800 |1807 | 1770 | 1770 | 1770 | 28942 | 10 1/16 x 7 11/16 in. (25.5 x 19.5 cm) | Gift of Spencer Bickerton, 1933 | 442 | http://www.metmuseum.org/art/collection/search/350975 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 227472 | 41.102.53 | 0 | 0 | 355092 | 11 | 97 | Parables of Our Lord | 1108 | John Franklin|John Mitchell|McQueen & Co. | Irish, 1828–1868 London|British, London 1806–1874 London|London | 28375 | 783 | 1828 |1806 |1819 | 1868 |1874 |1956 | 1848–51 (?) | 1848 | 1851 | 28942 | 14 7/8 x 10 3/8 x 15/16 in. (37.8 x 26.4 x 2.4 cm) | Anonymous Gift, 1941 | 442 | http://www.metmuseum.org/art/collection/search/355092 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 228832 | 1970.680.5 | 0 | 0 | 356470 | 11 | 97 | County Down Songs | 1154 | Richard Rowley|Lady Mabel Annesley|Duckworth & Co. | Irish, Belfast 1877–1947|British, London 1881–1959 Clare, Suffolk|British, London | (woodcuts) | 29293 | 783 | 1877 |1881 |1900 | 1947 |1959 |2100 | 1924 | 1924 | 1924 | 33876 | 8 7/16 x 6 11/16 in. (21.5 x 17 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | 442 | http://www.metmuseum.org/art/collection/search/356470 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 228927 | 1970.565.28 | 0 | 0 | 356572 | 11 | 97 | A Memorial of the Marriage of H.R.H. Albert Edward Prince of Wales and H.R.H. Alexandra Princess of Denmark.. | 1710 | Sir William Howard Russell|Day & Son, Ltd.|Robert Charles Dudley | Irish, Tallaght, Dublin 1820–1907 London|London|British, 1826–1909 | 29359 | 783 | 1820 |1800 |1826 | 1907 |1899 |1909 | 1863 | 1863 | 1863 | 28996 | 17 1/4 x 14 3/8 in. (43.8 x 36.5 cm) | Gift of Lincoln Kirstein, 1970 | 442 | http://www.metmuseum.org/art/collection/search/356572 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 228928 | 1972.638.11 | 0 | 0 | 356573 | 11 | 97 | A Memorial of the Marriage of H.R.H. Albert Edward Prince of Wales and H.R.H. Alexandra, Princess of Denmark | 1302 | Sir William Howard Russell|Robert Charles Dudley|Day & Son, Ltd. | Irish, Tallaght, Dublin 1820–1907 London|British, 1826–1909|London | 29360 | 783 | 1820 |1826 |1800 | 1907 |1909 |1899 | 1863 | 1863 | 1863 | 36055 | 16 9/16 x 12 1/16 x 1 3/8 in. (42 x 30.7 x 3.5 cm) | Jacob S. Rogers Fund, Transferred from the Library, 1972 | 442 | http://www.metmuseum.org/art/collection/search/356573 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 231648 | 67.539.60 | 0 | 1 | 359387 | 11 | 731 | Les Invisibles (The Invisible Ones) | 867 | After | William Brocas|J. Sidebotham|James Gillray | Irish, ca. 1794–1868|active London and Dublin 1802–1820|British, Chelsea 1756–1815 London | 30963 | 783 | 1789 |1800 |1756 | 1868 |1820 |1815 | 1810 | 1810 | 1810 | 36587 | Sheet: 9 5/16 x 12 7/8 in. (23.6 x 32.7 cm) | Purchase, Harry G. Friedman Bequest, 1967 | 13 | http://www.metmuseum.org/art/collection/search/359387 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 261793 | 53.600.1843 | 0 | 0 | 390696 | 11 | 731 | Mr. Garrick as Richard the Third | 4511 | After | John Dixon|Nathaniel Dance-Holland|John Boydell|William Shakespeare|David Garrick | Irish (active England), ca. 1740–1811|British, London 1735–1811 Winchester|British, Shropshire 1720–1804 London|British, Stratford-upon-Avon 1564–1616 Stratford-upon-Avon|British, Hereford 1717–1779 London | 38061 | 783 | 1740 |1735 |1720 |1564 |1717 | 1811 |1811 |1804 |1616 |1779 | April 18, 1772 | 1772 | 1772 | 36796 | 25 1/4 x 15 7/8 in. (64.1 x 40.3 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/390696 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 287587 | 32.35(187) | 0 | 1 | 416901 | 11 | 731 | The Right Honorable James Caulfield, Earl of Charlemont of the Kingdom of Ireland, Head of the Volunteers | 4609 | after | James Caulfield, 1st Earl of Charlemont|William Hogarth|Joseph Haynes | Irish, Dublin, 1728–1799|British, London 1697–1764 London|British, 1760–1829 | 41517 | 783 | 1728 |1697 |1760 | 1799 |1764 |1829 | 1782 | 1782 | 1782 | 38310 | Sheet: 9 7/16 x 7 1/8 in. (23.9 x 18.1 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/416901 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 382485 | 69.669.2 | 0 | 0 | 631503 | 11 | 731 | George III | 1046 | After | Thomas Frye|William Pether|George III, King of Great Britain and Ireland | Irish, Edenderry 1711/12–1762 London|British, Carlisle ca. 1738–1821 Bristol|British, London 1738–1820 Windsor | 49170 | 783 | 1711 |1733 |1738 | 1762 |1821 |1820 | 1762 | 1762 | 1762 | 36689 | Plate: 24 3/8 × 16 15/16 in. (61.9 × 43.1 cm) Sheet: 26 3/4 × 18 7/8 in. (67.9 × 48 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, by exchange, 1969 | 13 | http://www.metmuseum.org/art/collection/search/631503 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 392007 | 49.40.212 | 0 | 0 | 644100 | 11 | 731 | Snap Apple Night, or All Hallow Eve | 1036 | After | Daniel Maclise|James Scott|Henry Graves & Company | Irish, Cork 1806–1870 London|British, London 1809–1899|London | 49939 | 783 | 1805 |1809 |1820 | 1870 |1899 |1899 | January 1, 1845 | 1845 | 1845 | 38289 | Plate: 25 × 33 1/4 in. (63.5 × 84.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/644100 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 411259 | 14.1.43 | 0 | 0 | 677830 | 11 | 731 | Saturday Morning, Favorite Chickens Going to Market | 1005 | After | Thomas Burke|William Redmore Bigg, A.R.A.|James Daniell | Irish, Dublin 1749–1815 London|British, 1755–1828|British, active 1780–1820 | 51899 | 783 | 1749 |1755 |1780 | 1815 |1828 |1820 | 1802 | 1802 | 1802 | 35946 | Plate: 18 5/16 × 22 7/8 in. (46.5 × 58.1 cm) Sheet: 19 7/8 × 29 1/4 in. (50.5 × 74.3 cm) | Bequest of Frederick Townsend Martin, 1914 | 13 | http://www.metmuseum.org/art/collection/search/677830 | 4/23/2018 8:00:01 AM | 1 |