Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 409698 | 60.708(14) | 0 | 0 | 671407 | 11 | 731 | A mass being performed in a church, a priest at left standing before the altar, followers gathered behind him, after Polidoro da Caravaggio | 53 | After | Polidoro da Caravaggio|Anne Claude Philippe de Tubières, comte de Caylus|Nicolas Le Sueur | Italian, Caravaggio ca. 1499–ca. 1543 Messina|French, Paris 1692–1765 Paris|French, 1691–1764 | 51757 | 180 | 1494 |1692 |1691 | 1548 |1765 |1764 | ca. 1729–ca. 1764 | 1724 | 1769 | 59498 | Sheet: 20 7/8 × 15 1/4 in. (53.1 × 38.8 cm) | Gift of Harry G. Friedman, 1960 | 13 | http://www.metmuseum.org/art/collection/search/671407 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 421403 | 60.708(3) | 0 | 0 | 698009 | 11 | 731 | A shepherd holding a lion on a leash in the foreground, in the middle ground the shepherd stands in a meadow surrounded by wild beasts, in the background the shepherd is seated on a rock with the lion at his side; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Baldassare Peruzzi | 53 | After | Baldassare Tommaso Peruzzi|Nicolas Le Sueur|Anne Claude Philippe de Tubières, comte de Caylus | Italian, Ancaiano 1481–1536 Rome|French, 1691–1764|French, Paris 1692–1765 Paris | 53588 | 1481 |1691 |1692 | 1536 |1764 |1765 | ca. 1729–64 | 1724 | 1769 | 59498 | Sheet: 20 7/8 × 15 1/4 in. (53 × 38.8 cm) Plate: 12 15/16 × 8 1/16 in. (32.8 × 20.5 cm) | Gift of Harry G. Friedman, 1960 | 13 | http://www.metmuseum.org/art/collection/search/698009 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421405 | 60.708(18) | 0 | 0 | 698039 | 11 | 731 | Alexander the Great freeing Timoclea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' | 189 | After|After | Nicolas Le Sueur|Taddeo Zuccaro|Anne Claude Philippe de Tubières, comte de Caylus|Perino del Vaga (Pietro Buonaccorsi) | French, 1691–1764|Italian, Sant'Angelo in Vado 1529–1566 Rome|Italian, Florence 1501–1547 Rome | 53589 | 1691 |1529 |1501 | 1764 |1566 |1547 | ca. 1729–40 | 1724 | 1745 | 59498 | Sheet: 20 7/8 × 15 1/4 in. (53 × 38.7 cm) Plate: 10 7/8 × 13 3/4 in. (27.7 × 35 cm) | Gift of Harry G. Friedman, 1960 | 13 | http://www.metmuseum.org/art/collection/search/698039 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421415 | 60.708(72) | 0 | 0 | 698050 | 11 | 731 | The invention of the cross; three men lifting a cross from a trench; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Pinturicchio | 13 | After | Nicolas Le Sueur|Bernardo di Betto Pinturicchio | French, 1691–1764|Italian, 1454–1513 | 53595 | 1691 |1454 | 1764 |1513 | ca. 1729–64 | 1724 | 1769 | 59498 | Sheet: 20 7/8 × 15 1/16 in. (53.1 × 38.3 cm) Plate: 16 1/8 × 12 3/8 in. (41 × 31.5 cm) | Gift of Harry G. Friedman, 1960 | 13 | http://www.metmuseum.org/art/collection/search/698050 | 4/23/2018 8:00:01 AM | 1 |