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rowidObject NumberIs HighlightIs Public DomainObject IDDepartmentObject NameTitleCulturePeriodDynastyReignPortfolioArtist RoleArtist PrefixArtist Display NameArtist Display BioArtist SuffixArtist Alpha SortArtist NationalityArtist Begin DateArtist End DateObject DateObject Begin DateObject End DateMediumDimensionsCredit LineGeography TypeCityStateCountyCountryRegionSubregionLocaleLocusExcavationRiverClassificationRights and ReproductionLink ResourceRepository
457739 60.627.7 0 0 773281 11 731 Title page of 'Views of Gardens' (Vedute de' Giardini)         3011 740   Callisto Ferranti|Johann Wilhelm Baur Italian, active Rome, 1626–47|German, Strasbourg ca. 1600–1640 Vienna   58717   1600 |1600 1700 |1640 1636 1636 1636 26137 Sheet (Trimmed): 3 7/8 × 4 7/8 in. (9.8 × 12.4 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960   571                   13   1
449208 55.590.6 0 0 752062 11 13858 Ideal Cityscape or 'True Representation of the Capitoline Hill in Antiquity' (Vera Antiqui Capitoli Descriptio). Right Sheet of a Three-part View.           5872 Formerly published by|Formerly published by|Formerly published by|Formerly published by Antonio Lafreri|Antonio Salamanca|Hendrick van Schoel|Anonymous, Italian, 16th century|Claudio Duchetti|Giovanni Orlandi French, Orgelet, Franche-Comte ca. 1512–1577 Rome|Salamanca 1478–1562 Rome|Flemish, active Rome, ca. 1565–1622|Italian, active Venice and Rome, ca. 1565–died ca. 1585|Italian, active Rome, then Naples, from ca. 1590–1613, died 1640   57424   1507 |1478 |1500 |1500 |1565 |1590 1577 |1562 |1600 |1600 |1585 |1640 1602 1602 1602 62789 Sheet: 16 9/16 × 11 1/4 in. (42.1 × 28.6 cm) [cut within plate mark] The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1955   571                   673   1
432003 41.97.347 0 0 717314 11 731 Jurisprudence, flanked by Fortitude and Temperance; after the fresco by Raphael in the Stanza della Segnatura           853 After|Intermediary draughtsman Raphael Morghen|Raphael (Raffaello Sanzio or Santi)|Stephano Tofanelli|Giovanni Volpato Italian, Naples 1758–1833 Florence|Italian, Urbino 1483–1520 Rome|Italian, 1752–1812|Italian, Bassano 1732–1803 Rome   55090   1758 |1483 |1752 |1732 1833 |1520 |1812 |1803 1781 1781 1781 29129 Sheet: 18 7/8 in. × 31 in. (48 × 78.8 cm) Plate: 17 5/16 × 29 3/4 in. (43.9 × 75.5 cm) Gift of Harry Shaw Newman, 1941   571                   13   1
431583 41.97.360 0 0 716668 11 731 The council of the Gods on Olympus           1298 After|Intermediary draughtsman Agapito Franzetti|Raphael (Raffaello Sanzio or Santi)|Antonio Ricciani|Domenico del Frate Italian, active Rome, last quarter 18th century–first quarter 19th century|Italian, Urbino 1483–1520 Rome|Italian, Rome 1775/76–1847 Naples|Italian, Lucca 1765–1821 Rome   55036   1750 |1483 |1775 |1765 1850 |1520 |1847 |1821 ca. 1800–20 1795 1825 7208 Sheet: 24 5/16 × 33 1/8 in. (61.7 × 84.1 cm) Plate: 17 5/8 × 27 3/4 in. (44.7 × 70.5 cm) Gift of Harry Shaw Newman, 1941   571                   13   1
430794 24.57.80 0 0 715569 11 731 Portrait of General Francesco di Moncada on horseback           53 After|Intermediary draughtsman Anthony van Dyck|Raphael Morghen|Stephano Tofanelli Flemish, Antwerp 1599–1641 London|Italian, Naples 1758–1833 Florence|Italian, 1752–1812   54935   1599 |1758 |1752 1641 |1833 |1812 1793 1793 1793 7208 Sheet: 29 13/16 × 22 11/16 in. (75.7 × 57.7 cm) Plate: 25 11/16 × 18 1/16 in. (65.3 × 45.9 cm) Gift of Carl J. Ulmann, 1924   571                   13   1
430682 28.22.35 0 0 715342 11 731 The hunt of Diana, who stands at center with nymphs at her left           878 After Giovanni Volpato|Domenichino (Domenico Zampieri)|Raphael Morghen Italian, Bassano 1732–1803 Rome|Italian, Bologna 1581–1641 Naples|Italian, Naples 1758–1833 Florence   54922   1732 |1581 |1758 1803 |1641 |1833 1784 1784 1784 7208   Harris Brisbane Dick Fund, 1928   571                   13   1
429480 62.602.641 0 0 712702 11 731 Battle scene depicting the victory of Alexander over Darius           878 After Giovanni Giacomo De Rossi|Pietro da Cortona (Pietro Berrettini)|Pietro Aquila Italian, Rome 1627–1691 Rome|Italian, Cortona 1596–1669 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome   54778   1627 |1596 |1650 1691 |1669 |1700 ca. 1650–92 1645 1697 26137 17 5/8 × 34 15/16 in. (44.8 × 88.7 cm) Rogers Fund, 1962   571                   13   1
429153 49.116.78 0 1 712269 11 731 The tomb of Pope Clement XIII Rezzonico in the Vatican           53 Intermediary draughtsman|After Stephano Tofanelli|Raphael Morghen|Antonio Canova Italian, 1752–1812|Italian, Naples 1758–1833 Florence|Italian, Possagno 1757–1822 Venice   54735   1752 |1758 |1757 1812 |1833 |1822 ca. 1790 1785 1795 7208 Plate: 29 3/4 × 18 7/8 in. (75.5 × 47.9 cm) Sheet: 31 11/16 × 22 7/16 in. (80.5 × 57 cm) Gift of Mrs. John H. Wright, 1946   571                   13   1
423771 59.600.270 0 1 702954 11 13856 Catafalque for Pope Clement X; central structure at the top of a fifteen step platform, with columns surmounted by candelabra at each of the four corners           867 After Giovanni Battista Falda|Giovanni Giacomo De Rossi|Giovanni Battista de' Rossi Italian, Valduggia 1643–1678 Rome|Italian, Rome 1627–1691 Rome|Italian, active Rome, ca. 1601–1678   54078   1643 |1627 |1600 1678 |1691 |1678 1676 1676 1676 26137 Sheet (Trimmed): 17 3/16 × 12 13/16 in. (43.6 × 32.5 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959   571                   687   1
422130 ND3365.G7 B74 2009a Q 1 0 699928 20   Breviario Grimani : ms. Lat. I 99=2138 della Biblioteca nazionale marciana di Venezia           5339   Carlo Bertoncello Brotto|Enrico Malato|Biblioteca Nazionale Marciana|Salerno Editrice     53790       2009 2009 2009   831 leaves of plates : col. ill. ; Height: 11 13/16 in. (30 cm) Gift of Friends of the Thomas J. Watson Library.   571     14                 1
421717 21.36.12(1-55) 0 0 698575 11 97 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis', after Raphael           853 After Raphael (Raffaello Sanzio or Santi)|Pietro Aquila|Cesare Fantetti|Giovanni Giacomo De Rossi Italian, Urbino 1483–1520 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Florence 1660–1675|Italian, Rome 1627–1691 Rome   53694   1483 |1650 |1660 |1627 1520 |1700 |1675 |1691 1675 1675 1675 26137 13 9/16 × 18 7/8 × 13/16 in. (34.5 × 47.9 × 2 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421713 21.36.12(54) 0 0 698571 11 97 The prophet Isaiah seated, holding a scroll; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           867 After Cesare Fantetti|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi) Italian, Florence 1660–1675|Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome   53651   1660 |1627 |1483 1675 |1691 |1520 1675 1675 1675 26137 Plate: 12 5/16 × 8 15/16 in. (31.2 × 22.7 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421710 21.36.12(53) 0 0 698568 11 97 Plate 52: The last supper; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Pietro Aquila Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome   53692   1627 |1483 |1650 1691 |1520 |1700 1675 1675 1675 26137 Plate: 8 9/16 × 15 in. (21.7 × 38.1 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421707 21.36.12(52) 0 0 698565 11 97 Plate 51: The baptism of Christ; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           867 After Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi|Pietro Aquila Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome   53685   1483 |1627 |1650 1520 |1691 |1700 1675 1675 1675 26137 Plate: 8 7/8 × 15 9/16 in. (22.6 × 39.5 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421705 21.36.12(51) 0 0 698563 11 97 Plate 50: The adoration of the Magi; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           895 After Pietro Aquila|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome   53689   1650 |1483 |1627 1700 |1520 |1691 1675 1675 1675 26137 Plate: 8 1/2 × 15 1/16 in. (21.6 × 38.2 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421703 21.36.12(50) 0 0 698560 11 97 Plate 49: The adoration of the shepherds; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           867 After Pietro Aquila|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi) Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome   53686   1650 |1627 |1483 1700 |1691 |1520 1675 1675 1675 26137 Plate: 8 7/8 × 15 5/8 in. (22.5 × 39.7 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421701 21.36.12(49) 0 0 698558 11 97 Plate 48: Solomon building the Temple at Jerusalem; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Pietro Aquila Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome   53692   1627 |1483 |1650 1691 |1520 |1700 1675 1675 1675 26137 Plate: 10 3/16 × 11 3/4 in. (25.8 × 29.9 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421698 21.36.12(48) 0 0 698555 11 97 Plate 47: The Queen of Sheba visits Solomon; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Pietro Aquila|Raphael (Raffaello Sanzio or Santi) Italian, Rome 1627–1691 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Urbino 1483–1520 Rome   53691   1627 |1650 |1483 1691 |1700 |1520 1675 1675 1675 26137 Plate: 9 7/8 × 11 5/16 in. (25.1 × 28.8 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421696 21.36.12(47) 0 0 698553 11 97 Plate 46: The judgment of Solomon; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           895 After Pietro Aquila|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome   53689   1650 |1483 |1627 1700 |1520 |1691 1675 1675 1675 26137 Plate: 9 7/16 × 10 11/16 in. (24 × 27.1 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421695 21.36.12(46) 0 0 698552 11 97 Plate 45: Zadok anointing Solomon; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           867 After Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi|Pietro Aquila Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome   53685   1483 |1627 |1650 1520 |1691 |1700 1675 1675 1675 26137 Plate: 9 5/16 × 11 in. (23.7 × 27.9 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421694 21.36.12(45) 0 0 698551 11 97 Plate 44: David watching Bathsheba bathing on the roof of the palace while soldiers march below; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           895 After Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti|Giovanni Giacomo De Rossi Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675|Italian, Rome 1627–1691 Rome   53659   1483 |1660 |1627 1520 |1675 |1691 1675 1675 1675 26137 Plate: 9 5/8 × 11 1/8 in. (24.4 × 28.3 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421686 21.36.12(44) 0 0 698540 11 97 Plate 43: David returning in triumph after defeating the Syrians; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           895 After Raphael (Raffaello Sanzio or Santi)|Pietro Aquila|Giovanni Giacomo De Rossi Italian, Urbino 1483–1520 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Rome 1627–1691 Rome   53682   1483 |1650 |1627 1520 |1700 |1691 1675 1675 1675 26137 Plate: 9 15/16 × 11 3/8 in. (25.3 × 28.9 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421685 21.36.12(43) 0 0 698539 11 97 Plate 42: David and Goliath; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           867 After Pietro Aquila|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi) Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome   53686   1650 |1627 |1483 1700 |1691 |1520 1675 1675 1675 26137 Plate: 9 5/8 × 11 7/16 in. (24.4 × 29.1 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421684 21.36.12(42) 0 0 698538 11 97 Plate 41: Samuel anointing David; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           895 After Raphael (Raffaello Sanzio or Santi)|Pietro Aquila|Giovanni Giacomo De Rossi Italian, Urbino 1483–1520 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Rome 1627–1691 Rome   53682   1483 |1650 |1627 1520 |1700 |1691 1675 1675 1675 26137 Plate: 9 15/16 × 11 1/4 in. (25.3 × 28.5 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421683 21.36.12(41) 0 0 698536 11 97 Plate 40: The distribution of the promised land; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           867 After Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi|Pietro Aquila Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome   53685   1483 |1627 |1650 1520 |1691 |1700 1675 1675 1675 26137 Plate: 9 5/8 × 12 1/16 in. (24.5 × 30.6 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421682 21.36.12(40) 0 0 698534 11 97 Plate 39: Joshua stopping the sun and the moon; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           867 After Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi|Pietro Aquila Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome   53685   1483 |1627 |1650 1520 |1691 |1700 1675 1675 1675 26137 Plate: 9 5/8 × 11 3/8 in. (24.5 × 28.9 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421680 21.36.12(39) 0 0 698532 11 97 Plate 38: The storming of Jericho; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           895 After Raphael (Raffaello Sanzio or Santi)|Pietro Aquila|Giovanni Giacomo De Rossi Italian, Urbino 1483–1520 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Rome 1627–1691 Rome   53682   1483 |1650 |1627 1520 |1700 |1691 1675 1675 1675 26137 Plate: 9 1/2 × 11 5/16 in. (24.2 × 28.8 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421678 21.36.12(38) 0 0 698530 11 97 Plate 37: The crossing of the Jordan; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           895 After Raphael (Raffaello Sanzio or Santi)|Pietro Aquila|Giovanni Giacomo De Rossi Italian, Urbino 1483–1520 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Rome 1627–1691 Rome   53682   1483 |1650 |1627 1520 |1700 |1691 1675 1675 1675 26137 Plate: 9 3/4 × 11 7/16 in. (24.8 × 29.1 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421676 21.36.12(37) 0 0 698528 11 97 Plate 36: Moses showing the Tablets of the Law to the Israelites; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675   53657   1627 |1483 |1660 1691 |1520 |1675 1675 1675 1675 26137 Plate: 9 3/4 × 11 1/8 in. (24.7 × 28.3 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421675 21.36.12(36) 0 0 698527 11 97 Plate 35: God appearing as a pillar of smoke in the Israelite camp to speak to Moses; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi) Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome   53655   1627 |1660 |1483 1691 |1675 |1520 1675 1675 1675 26137 Plate: 9 3/4 × 10 3/8 in. (24.8 × 26.3 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421674 21.36.12(35) 0 0 698526 11 97 Plate 34: The Israelites gathered around the Golden Calf in adoration; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           895 After Cesare Fantetti|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome   53664   1660 |1483 |1627 1675 |1520 |1691 1675 1675 1675 26137 Plate: 9 15/16 × 11 7/8 in. (25.3 × 30.1 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421663 21.36.12(34) 0 0 698515 11 97 Plate 33: Moses atop Mount Sinai, receiving the Tablets of the Law from God; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi) Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome   53655   1627 |1660 |1483 1691 |1675 |1520 1675 1675 1675 26137 Plate: 9 3/4 × 10 3/16 in. (24.8 × 25.9 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421661 21.36.12(33) 0 0 698513 11 97 Plate 32: Moses drawing water from the rock; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           895 After Cesare Fantetti|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome   53664   1660 |1483 |1627 1675 |1520 |1691 1675 1675 1675 26137 Plate: 9 15/16 × 11 9/16 in. (25.2 × 29.3 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421645 21.36.12(32) 0 0 698496 11 97 Plate 31: Moses parting the Red Sea; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           867 After Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi|Cesare Fantetti Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675   53658   1483 |1627 |1660 1520 |1691 |1675 1675 1675 1675 26137 Plate: 9 13/16 × 12 11/16 in. (24.9 × 32.2 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421643 21.36.12(31) 0 0 698494 11 97 Plate 30: God appearing to Moses in the burning bush; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675   53657   1627 |1483 |1660 1691 |1520 |1675 1675 1675 1675 26137 Plate: 10 3/8 × 10 11/16 in. (26.3 × 27.1 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421640 21.36.12(30) 0 0 698491 11 97 Plate 29: Pharaoh's daughter and her attendants find baby Moses in a basket at the riverbank; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi) Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome   53655   1627 |1660 |1483 1691 |1675 |1520 1675 1675 1675 26137 Plate: 10 5/8 × 11 1/4 in. (27 × 28.6 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421639 21.36.12(29) 0 0 698489 11 97 Plate 28: Joseph explains his dream to Pharaoh; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           867 After Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi|Cesare Fantetti Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675   53658   1483 |1627 |1660 1520 |1691 |1675 1675 1675 1675 26137 Plate: 10 1/16 × 11 5/8 in. (25.6 × 29.5 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421638 21.36.12(28) 0 0 698488 11 97 Plate 27: Joseph escapes Zuleika, wife of Potiphar; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675   53657   1627 |1483 |1660 1691 |1520 |1675 1675 1675 1675 26137 Plate: 9 1/4 × 10 1/4 in. (23.5 × 26.1 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421630 21.36.12(27) 0 0 698476 11 97 Plate 26: Joseph and his brothers gathered around a cistern, as his brothers prepare to sell him; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi) Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome   53655   1627 |1660 |1483 1691 |1675 |1520 1675 1675 1675 26137 Plate: 10 1/16 × 11 1/8 in. (25.6 × 28.3 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421629 21.36.12(26) 0 0 698474 11 97 Plate 25: Joseph telling his brothers about his dream; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675   53657   1627 |1483 |1660 1691 |1520 |1675 1675 1675 1675 26137 Plate: 10 3/8 × 12 1/16 in. (26.4 × 30.7 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421626 21.36.12(25) 0 0 698470 11 97 Plate 24: Jacob and his family ride camels home to Isaac; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           867 After Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi|Cesare Fantetti Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675   53658   1483 |1627 |1660 1520 |1691 |1675 1675 1675 1675 26137 Plate: 9 9/16 × 10 13/16 in. (24.3 × 27.4 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421624 21.36.12(24) 0 0 698466 11 97 Plate 23: Jacob confronts Laban about his marriage to Leah; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675   53657   1627 |1483 |1660 1691 |1520 |1675 1675 1675 1675 26137 Plate: 9 9/16 × 10 3/8 in. (24.3 × 26.3 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421623 21.36.12(23) 0 0 698463 11 97 Plate 22: Jacob meets Rachel as his sheep drink from the well; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi) Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome   53655   1627 |1660 |1483 1691 |1675 |1520 1675 1675 1675 26137 Plate: 9 5/16 × 12 in. (23.6 × 30.5 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421622 21.36.12(22) 0 0 698462 11 97 Plate 21: Jacob asleep, arm resting on a rock, as God and angels descend a staircase in the distance; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           867 After Cesare Fantetti|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi) Italian, Florence 1660–1675|Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome   53651   1660 |1627 |1483 1675 |1691 |1520 1675 1675 1675 26137 Plate: 9 1/2 × 10 5/16 in. (24.2 × 26.2 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421619 21.36.12(21) 0 0 698459 11 97 Plate 20: Isaac, lying in bed, addresses Isaiah who stands before him; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675   53657   1627 |1483 |1660 1691 |1520 |1675 1675 1675 1675 26137 Plate: 9 9/16 × 10 9/16 in. (24.3 × 26.8 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421618 21.36.12(20) 0 0 698458 11 97 Plate 19: Isaac, lying in bed, blesses Jacob who kneels before him; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675   53657   1627 |1483 |1660 1691 |1520 |1675 1675 1675 1675 26137 Plate: 9 9/16 × 10 9/16 in. (24.3 × 26.8 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421615 21.36.12(19) 0 0 698454 11 97 Plate 18: Abimelech looking through a window to see Isaac embracing his wife Rebekah; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi) Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome   53655   1627 |1660 |1483 1691 |1675 |1520 1675 1675 1675 26137 Plate: 9 9/16 × 10 9/16 in. (24.3 × 26.8 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421614 21.36.12(18) 0 0 698453 11 97 Plate 16: Lot leaving Sodom with his wife and daughters; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi) Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome   53655   1627 |1660 |1483 1691 |1675 |1520 1675 1675 1675 26137 Plate: 9 5/16 × 10 1/4 in. (23.6 × 26.1 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421612 21.36.12(17) 0 0 698451 11 97 Plate 15: Abraham kneeling before three angels; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           867 After Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi|Cesare Fantetti Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675   53658   1483 |1627 |1660 1520 |1691 |1675 1675 1675 1675 26137 Plate: 9 1/4 × 10 5/16 in. (23.5 × 26.2 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421611 21.36.12(16) 0 0 698450 11 97 Plate 14: God announcing to Abraham his posterity; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           867 After Cesare Fantetti|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi) Italian, Florence 1660–1675|Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome   53651   1660 |1627 |1483 1675 |1691 |1520 1675 1675 1675 26137 Plate: 9 1/4 × 10 1/4 in. (23.5 × 26 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421610 21.36.12(14) 0 0 698449 11 97 Plate 12: Noah kneeling before an altar, about to slaughter a ram as a sacrifice; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi) Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome   53655   1627 |1660 |1483 1691 |1675 |1520 1675 1675 1675 26137 Plate: 9 3/8 × 10 1/16 in. (23.8 × 25.6 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421607 21.36.12(15) 0 0 698446 11 97 Plate 13: Melchizedek offering bread and wine to Abraham; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           867 After Cesare Fantetti|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi) Italian, Florence 1660–1675|Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome   53651   1660 |1627 |1483 1675 |1691 |1520 1675 1675 1675 26137 Plate: 9 1/4 × 10 5/16 in. (23.5 × 26.2 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421606 21.36.12(13) 0 0 698445 11 97 Plate 11: Noah and his family leaving the ark after the flood; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           895 After Cesare Fantetti|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome   53664   1660 |1483 |1627 1675 |1520 |1691 1675 1675 1675 26137 Plate: 9 7/16 × 10 1/16 in. (23.9 × 25.6 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421603 21.36.12(12) 0 0 698440 11 97 Plate 10: The Deluge, men attempting to save women and children from the flood, as others take cover under the trees in the background; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           867 After Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi|Cesare Fantetti Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675   53658   1483 |1627 |1660 1520 |1691 |1675 1675 1675 1675 26137 Plate: 9 1/2 × 10 1/16 in. (24.2 × 25.6 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421601 21.36.12(11) 0 0 698438 11 97 Plate 9: Noah watching over three men as they build the ark; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi) Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome   53655   1627 |1660 |1483 1691 |1675 |1520 1675 1675 1675 26137 Plate: 9 7/16 × 10 1/8 in. (24 × 25.7 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421599 21.36.12(10) 0 0 698436 11 97 Plate 8: Adam and Eve laboring as Cain and Abel play in the foreground; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi) Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome   53655   1627 |1660 |1483 1691 |1675 |1520 1675 1675 1675 26137 Plate: 9 7/16 × 10 3/16 in. (24 × 25.8 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421597 21.36.12(9) 0 0 698434 11 97 Plate 7: The expulsion of Adam and Eve from the Garden of Paradise; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           895 After Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti|Giovanni Giacomo De Rossi Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675|Italian, Rome 1627–1691 Rome   53659   1483 |1660 |1627 1520 |1675 |1691 1675 1675 1675 26137 Plate: 9 7/16 × 10 1/8 in. (23.9 × 25.7 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421596 21.36.12(8) 0 0 698433 11 97 Plate 6: Adam and Eve eating from the Tree of Knowledge; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675   53657   1627 |1483 |1660 1691 |1520 |1675 1675 1675 1675 26137 Plate: 9 1/2 × 10 3/16 in. (24.2 × 25.9 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421594 21.36.12(7) 0 0 698430 11 97 Plate 5: God the Father creating Adam and Eve; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           895 After Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti|Giovanni Giacomo De Rossi Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675|Italian, Rome 1627–1691 Rome   53659   1483 |1660 |1627 1520 |1675 |1691 1675 1675 1675 26137 Plate: 9 5/16 × 10 1/8 in. (23.7 × 25.7 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421593 21.36.12(5) 0 0 698429 11 97 Plate 3: God the Father creating the sun and the moon; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           867 After Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi|Cesare Fantetti Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675   53658   1483 |1627 |1660 1520 |1691 |1675 1675 1675 1675 26137 Plate: 8 7/8 × 13 1/4 in. (22.6 × 33.7 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421589 21.36.12(6) 0 0 698425 11 97 Plate 4: God the Father and the creation of animals; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675   53657   1627 |1483 |1660 1691 |1520 |1675 1675 1675 1675 26137 Plate: 7 1/2 × 12 3/16 in. (19.1 × 31 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421586 21.36.12(4) 0 0 698422 11 97 Plate 2: God the Father separating the light from the darkness; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           878 After Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi) Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome   53655   1627 |1660 |1483 1691 |1675 |1520 1675 1675 1675 26137 Plate: 7 5/8 × 12 3/16 in. (19.4 × 31 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421583 21.36.12(2) 0 0 698419 11 97 Frontispiece to the Images from the New Testament after Raphael 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis'. Oval portrait of Raphael, crowned with a laurel wreath by Fame, below three allegorical figures personifying the Arts support a tablet with the epigraph of Raphael           867 Intermediary draughtsman Carlo Maratti|Giovanni Giacomo De Rossi|Pietro Aquila Italian, Camerano 1625–1713 Rome|Italian, Rome 1627–1691 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome   53652   1625 |1627 |1650 1713 |1691 |1700 1675 1675 1675 26137 Plate: 12 3/8 × 15 1/2 in. (31.5 × 39.3 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421582 21.36.12(3) 0 0 698418 11 97 Plate 1: God the Father creating the earth and the sky; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael           867 After Cesare Fantetti|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi) Italian, Florence 1660–1675|Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome   53651   1660 |1627 |1483 1675 |1691 |1520 1675 1675 1675 26137 Plate: 8 7/8 × 13 1/4 in. (22.5 × 33.7 cm) Museum Accession, transferred from the Library, 1921   571                   442   1
421556 42.65.105 0 0 698347 11 731 The conversion of Saul, who lies on the ground surrounded by horses and soldiers as Christ appears above him           13 After Pieter Perret|Matteo Perez da Leccio Netherlandish, 1555–1639|Italian, active Rome, 1582, active Spain, 1583–87, active South America, 1587   53632   1555 |1582 1639 |1587 1583 1583 1583 7208 Sheet (Trimmed): 20 7/8 × 13 15/16 in. (53 × 35.4 cm) Gift of George Hellman, 1942   571                   13   1
420181 51.501.4319 0 0 696218 11 731 Plate 6: Composition with two putti playing with a small bird on a string, to the right a large vase of flowers framed by two male nudes; all framed by grotesque friezes and architectural elements; from 'David trionfante di Golia e de' filistei', after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome           878 after Domenico De Rossi|Filippo Carrocci|Pietro da Cortona (Pietro Berrettini) Italian, 1647–1729|Italian, active ca. 1660–70|Italian, Cortona 1596–1669 Rome   53382   1647 |1655 |1596 1729 |1670 |1669 ca. 1660–70 1657 1673 36340 Sheet (Trimmed): 10 11/16 × 14 3/8 in. (27.2 × 36.5 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
420180 51.501.4316 0 0 696217 11 731 Plate 3: Composition with a putto seated next to a basket filled with fruit and a peacock perched on top, to the right a large vase of flowers framed by two male nudes; all framed by grotesque friezes and architectural elements; from 'David trionfante di Golia e de' filistei', after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome           895 after Filippo Carrocci|Pietro da Cortona (Pietro Berrettini)|Domenico De Rossi Italian, active ca. 1660–70|Italian, Cortona 1596–1669 Rome|Italian, 1647–1729   53384   1655 |1596 |1647 1670 |1669 |1729 ca. 1660–70 1657 1673 36340 Sheet (Trimmed): 10 11/16 × 14 3/16 in. (27.2 × 36.1 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
420179 51.501.4317 0 0 696214 11 731 Plate 4: Composition with a large vase of flowers framed by two male nudes at left, to the right two putti wrestle over a hare as a third watches, all framed by grotesque friezes and architectural elements; from 'David trionfante di Golia e de' filistei', after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome           867 after Filippo Carrocci|Domenico De Rossi|Pietro da Cortona (Pietro Berrettini) Italian, active ca. 1660–70|Italian, 1647–1729|Italian, Cortona 1596–1669 Rome   53390   1655 |1647 |1596 1670 |1729 |1669 ca. 1660–70 1657 1673 36340 Sheet (Trimmed): 11 3/4 × 14 1/2 in. (29.9 × 36.8 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
420178 51.501.4314 0 0 696211 11 731 Plate 1: Composition with a large vase of flowers framed by two male nudes at left, to the right two putti play with a hare, all framed by grotesque friezes and architectural elements; from 'David trionfante di Golia e de' filistei', after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome           867 after Filippo Carrocci|Domenico De Rossi|Pietro da Cortona (Pietro Berrettini) Italian, active ca. 1660–70|Italian, 1647–1729|Italian, Cortona 1596–1669 Rome   53390   1655 |1647 |1596 1670 |1729 |1669 ca. 1660–70 1657 1673 36340 Sheet (Trimmed): 11 7/8 × 14 7/16 in. (30.2 × 36.7 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
420175 51.501.4312 0 0 696208 11 731 A putto seated next to a basket of fruit and a peacock at left, David slaying Goliath at center, and two putti wrestling over a hare at right, all set within elaborate frames and sculpture work; after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome           13 after Girard Audran|Pietro da Cortona (Pietro Berrettini) French, Lyons 1640–1703 Paris|Italian, Cortona 1596–1669 Rome   53385   1640 |1596 1703 |1669 1668 1668 1668 26137 Sheet (Trimmed): 14 1/2 × 21 5/8 in. (36.8 × 54.9 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
420172 51.501.4311 0 0 696205 11 731 Two putti playing with a small bird on a string at top, David holding open the mouth of a lion at center, and two putti playing with a hare at bottom, all set within elaborate frames and sculpture work; after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome           13 after Girard Audran|Pietro da Cortona (Pietro Berrettini) French, Lyons 1640–1703 Paris|Italian, Cortona 1596–1669 Rome   53385   1640 |1596 1703 |1669 1668 1668 1668 26137 Sheet (Trimmed): 21 13/16 × 11 7/8 in. (55.4 × 30.1 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
420166 51.501.4310 0 0 696198 11 731 Two scenes set inside elaborate frames and sculpture work; at top a triumphal procession with three men at center carrying Goliath's severed head on a spike, David following behind, at bottom King Saul seated at center watching David walk away holding his sling; after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome           13 after Girard Audran|Pietro da Cortona (Pietro Berrettini) French, Lyons 1640–1703 Paris|Italian, Cortona 1596–1669 Rome   53385   1640 |1596 1703 |1669 1668 1668 1668 26137 Sheet (Trimmed): 21 13/16 × 11 7/8 in. (55.4 × 30.1 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
420162 51.501.4321 0 0 695639 11 731 Plate 7B: David holding open the mouth of a lion who is attempting to devour a lamb from his flock; from 'David trionfante di Golia e de' filistei', after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome           895 after Filippo Carrocci|Pietro da Cortona (Pietro Berrettini)|Domenico De Rossi Italian, active ca. 1660–70|Italian, Cortona 1596–1669 Rome|Italian, 1647–1729   53384   1655 |1596 |1647 1670 |1669 |1729 ca. 1660–70 1657 1673 36340 Sheet (Trimmed): 5 13/16 × 4 1/2 in. (14.7 × 11.5 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
420161 51.501.4320 0 0 695638 11 731 Plate 7A: David slaying Goliath; from 'David trionfante di Golia e de' filistei', after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome           895 after Filippo Carrocci|Pietro da Cortona (Pietro Berrettini)|Domenico De Rossi Italian, active ca. 1660–70|Italian, Cortona 1596–1669 Rome|Italian, 1647–1729   53384   1655 |1596 |1647 1670 |1669 |1729 ca. 1660–70 1657 1673 36340 Sheet (Trimmed): 6 in. × 4 5/8 in. (15.2 × 11.8 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
420154 51.501.4318 0 0 695614 11 731 Plate 5: Triumphal procession with three men at center carrying Goliath's severed head on a spike, David follows behind, scene set inside an architectural frame; from 'David trionfante di Golia e de' filistei', after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome           878 after Domenico De Rossi|Filippo Carrocci|Pietro da Cortona (Pietro Berrettini) Italian, 1647–1729|Italian, active ca. 1660–70|Italian, Cortona 1596–1669 Rome   53382   1647 |1655 |1596 1729 |1670 |1669 ca. 1660–70 1657 1673 36340 Sheet (Trimmed): 11 1/4 × 11 7/16 in. (28.5 × 29 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
420153 51.501.4315 0 0 695612 11 731 Plate 2: King Saul seated at center watching David walk away holding his sling, set inside an architectural frame; from 'David trionfante di Golia e de' filistei', after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome           895 after Pietro da Cortona (Pietro Berrettini)|Filippo Carrocci|Domenico De Rossi Italian, Cortona 1596–1669 Rome|Italian, active ca. 1660–70|Italian, 1647–1729   53381   1596 |1655 |1647 1669 |1670 |1729 ca. 1660–70 1657 1673 36340 Sheet (Trimmed): 11 1/4 × 11 7/16 in. (28.6 × 29 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
420144 51.501.4313 0 0 695587 11 731 Title page to 'David trionfante di Golia e de' filistei', after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome           710   Filippo Carrocci|Domenico De Rossi Italian, active ca. 1660–70|Italian, 1647–1729   53380   1655 |1647 1670 |1729 ca. 1660–70 1657 1673 7208 Sheet (Trimmed): 9 7/16 × 12 1/2 in. (24 × 31.8 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
420138 51.501.4340 0 0 695556 11 731 Plate 3: Allegorical representation of papal authority flanked by Prudence on the left and Glory on the right; to the far left are Vulcan and a Cyclops; from 'Barberinae aulae fornix', after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome           740 after Giovanni Giacomo De Rossi|Pietro da Cortona (Pietro Berrettini) Italian, Rome 1627–1691 Rome|Italian, Cortona 1596–1669 Rome   53340   1627 |1596 1691 |1669 ca. 1677 1674 1680 7208 Sheet (Trimmed): 12 3/8 × 25 3/8 in. (31.4 × 64.5 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
420137 51.501.4341 0 0 695549 11 731 Plate 4: Minerva battling the giants; from 'Barberinae aulae fornix', after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome           710 after Pietro da Cortona (Pietro Berrettini)|Giovanni Giacomo De Rossi Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome   53251   1596 |1627 1669 |1691 ca. 1677 1674 1680 7208 Sheet (Trimmed): 10 3/16 × 22 11/16 in. (25.8 × 57.6 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
420135 51.501.5067 0 0 695537 11 731 Human Knowledge assisted by Chastity, Piety, and Divine Love as they triumph over Earthly Love; from 'Barberinae aulae fornix', after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome           740 after Giovanni Giacomo De Rossi|Pietro da Cortona (Pietro Berrettini) Italian, Rome 1627–1691 Rome|Italian, Cortona 1596–1669 Rome   53340   1627 |1596 1691 |1669 ca. 1677 1674 1680 7208 Sheet (Trimmed): 11 in. × 24 3/8 in. (28 × 61.9 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
420120 51.501.4339 0 0 695519 11 731 Plate 2: Human Knowledge assisted by Chastity, Piety, and Divine Love as they triumph over Earthly Love; from 'Barberinae aulae fornix', after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome           740 after Giovanni Giacomo De Rossi|Pietro da Cortona (Pietro Berrettini) Italian, Rome 1627–1691 Rome|Italian, Cortona 1596–1669 Rome   53340   1627 |1596 1691 |1669 ca. 1677 1674 1680 7208 Sheet (Trimmed): 11 3/4 in. × 24 in. (29.8 × 60.9 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
420116 51.501.4343 0 0 695505 11 731 Plate 6: Allegory with Hercules fighting off the Harpies at left, to the right Justice and Plenty come to the aid of the beggars below; from 'Barberinae aulae fornix', after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome           740 after Giovanni Giacomo De Rossi|Pietro da Cortona (Pietro Berrettini) Italian, Rome 1627–1691 Rome|Italian, Cortona 1596–1669 Rome   53340   1627 |1596 1691 |1669 ca. 1677 1674 1680 7208 Sheet (Trimmed): 12 5/8 × 13 5/16 in. (32 × 33.8 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
420115 51.501.4347 0 0 695501 11 731 Plate 10: Allegory with the symbols of Prudence, including two bears at the bottom and Fabius Cunctator above; from 'Barberinae aulae fornix', after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome           740 after Giovanni Giacomo De Rossi|Pietro da Cortona (Pietro Berrettini) Italian, Rome 1627–1691 Rome|Italian, Cortona 1596–1669 Rome   53340   1627 |1596 1691 |1669 ca. 1677 1674 1680 7208 Sheet (Trimmed): 14 3/16 × 14 3/16 in. (36.1 × 36 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
420082 51.501.4346 0 0 695444 11 731 Plate 9: Allegory with the symbols of Temperance; including a unicorn at bottom right and Publius Scipio Africanus above; from 'Barberinae aulae fornix', after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome           710 after Pietro da Cortona (Pietro Berrettini)|Giovanni Giacomo De Rossi Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome   53251   1596 |1627 1669 |1691 ca. 1677 1674 1680 7208 Sheet (Trimmed): 14 9/16 × 11 7/16 in. (37 × 29 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
420058 51.501.4345 0 0 695415 11 731 Plate 8: Allegory with the symbols of Fortitude, including a lion at bottom left; from 'Barberinae aulae fornix', after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome           710 after Pietro da Cortona (Pietro Berrettini)|Giovanni Giacomo De Rossi Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome   53251   1596 |1627 1669 |1691 ca. 1677 1674 1680 7208 Sheet (Trimmed): 15 1/8 × 10 7/16 in. (38.4 × 26.5 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
419970 51.501.4344 0 0 695320 11 731 Plate 7: Allegory with the symbols of Justice, including the griffon of Manlius Torquatus at right; from 'Barberinae aulae fornix', after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome           710 after Pietro da Cortona (Pietro Berrettini)|Giovanni Giacomo De Rossi Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome   53251   1596 |1627 1669 |1691 ca. 1677 1674 1680 7208 Sheet (Trimmed): 15 9/16 × 14 3/16 in. (39.5 × 36.1 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
419936 51.501.4338 0 0 695272 11 731 Title page to 'Barberinae aulae fornix'; after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome           710 after Pietro da Cortona (Pietro Berrettini)|Giovanni Giacomo De Rossi Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome   53251   1596 |1627 1669 |1691 ca. 1677 1674 1680 7208 Sheet (Trimmed): 15 1/4 × 20 5/16 in. (38.8 × 51.6 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
419880 51.501.4342 0 0 695209 11 731 Plate 5: Triumph of Divine Providence; after the fresco by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome           710 after Pietro da Cortona (Pietro Berrettini)|Giovanni Giacomo De Rossi Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome   53251   1596 |1627 1669 |1691 ca. 1645–50 1642 1653 7208 Sheet (Trimmed): 24 3/8 × 11 9/16 in. (61.9 × 29.4 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
419817 51.501.4362 0 0 695137 11 731 Justice seated at center holding fasces, criminals wait to meet her at right, to her left a woman probably representing Abundance distributes coins to people below; from 'Heroicae Virtutis Imagines' after the frescoes by Pietro da Cortona in the Sala di Marte of the Palazzo Pitti, Florence           895 after Pietro da Cortona (Pietro Berrettini)|Jacques Blondeau|Giovanni Giacomo De Rossi Italian, Cortona 1596–1669 Rome|Flemish, baptized 1655–1698 Rome|Italian, Rome 1627–1691 Rome   53343   1596 |1655 |1627 1669 |1698 |1691 ca. 1677 1674 1680 29129 Sheet (Trimmed): 15 3/16 × 31 11/16 in. (38.6 × 80.5 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
419696 51.501.4354 0 0 694987 11 731 Fury as a blind woman with torches and chains emerging from the left, chasing a soldier; from 'Heroicae Virtutis Imagines' after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence           867 after Pietro da Cortona (Pietro Berrettini)|Giovanni Giacomo De Rossi|Jacques Blondeau Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome|Flemish, baptized 1655–1698 Rome   53346   1596 |1627 |1655 1669 |1691 |1698 ca. 1677 1674 1680 7208 Sheet (Trimmed): 7 13/16 × 13 7/16 in. (19.8 × 34.1 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
419691 51.501.4363 0 0 694980 11 731 Roman warriors blowing horns and preparing to attack their enemy; from 'Heroicae Virtutis Imagines' after the frescoes by Pietro da Cortona in the Sala di Marte of the Palazzo Pitti, Florence           895 after Pietro da Cortona (Pietro Berrettini)|Jacques Blondeau|Giovanni Giacomo De Rossi Italian, Cortona 1596–1669 Rome|Flemish, baptized 1655–1698 Rome|Italian, Rome 1627–1691 Rome   53343   1596 |1655 |1627 1669 |1698 |1691 ca. 1677 1674 1680 7208 Sheet (Trimmed): 15 11/16 in. × 25 in. (39.9 × 63.5 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
419686 51.501.4360 0 0 694973 11 731 The young prince leads warriors toward their enemy's ships and into battle; from 'Heroicae Virtutis Imagines' after the frescoes by Pietro da Cortona in the Sala di Marte of the Palazzo Pitti, Florence           895 after Jacques Blondeau|Pietro da Cortona (Pietro Berrettini)|Giovanni Giacomo De Rossi Flemish, baptized 1655–1698 Rome|Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome   41583   1655 |1596 |1627 1698 |1669 |1691 ca. 1677 1674 1680 7208 Sheet (Trimmed): 18 1/8 × 31 1/16 in. (46 × 78.9 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
419681 51.501.4361 0 0 694968 11 731 The young prince leads warriors toward their enemy's ships; from 'Heroicae Virtutis Imagines' after the frescoes by Pietro da Cortona in the Sala di Marte of the Palazzo Pitti, Florence           878 after Giovanni Giacomo De Rossi|Pietro da Cortona (Pietro Berrettini)|Jacques Blondeau Italian, Rome 1627–1691 Rome|Italian, Cortona 1596–1669 Rome|Flemish, baptized 1655–1698 Rome   53342   1627 |1596 |1655 1691 |1669 |1698 ca. 1677 1674 1680 7208 Sheet (Trimmed): 16 7/16 × 27 3/16 in. (41.8 × 69 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
419678 51.501.4364 0 0 694952 11 731 Dedication plate to Rossi's series of engravings of the Sala di Marte, with the Medici balls held up by putti at center; from 'Heroicae Virtutis Imagines' after the frescoes by Pietro da Cortona in the Palazzo Pitti, Florence           740 after Giovanni Giacomo De Rossi|Pietro da Cortona (Pietro Berrettini) Italian, Rome 1627–1691 Rome|Italian, Cortona 1596–1669 Rome   53340   1627 |1596 1691 |1669 ca. 1677 1674 1680 7208 Sheet (Trimmed): 25 3/16 in. × 14 in. (64 × 35.5 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
419651 51.501.4358 0 0 694925 11 731 Hercules leading the young prince to Olympus while Fame writes his deeds at center and men prepare his arms to the left; from 'Heroicae Virtutis Imagines' after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence           867 after Jacques Blondeau|Giovanni Giacomo De Rossi|Pietro da Cortona (Pietro Berrettini) Flemish, baptized 1655–1698 Rome|Italian, Rome 1627–1691 Rome|Italian, Cortona 1596–1669 Rome   53317   1655 |1627 |1596 1698 |1691 |1669 ca. 1677 1674 1680 29129 Sheet (Trimmed): 14 5/16 × 25 13/16 in. (36.4 × 65.5 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951   571                   673   1
418017 52.519.89(62) 0 0 690812 11 97 Vue du Port de Ripa grande, from Les Plus Beaux Edifices de Rome Moderne, ou Recueil des plus belles vues des principales eglises, places, palais, fontaines etc. qui sont dans Rome           5271 Printed by|after|Published by Komarek|Jean Barbault|Bouchard & Gravier|Dominico Montagu French, Viarmes 1718–1762 Rome|Rome|Italian, active Rome, ca. 1750–76   53013   1718 |1700 1762 |1800 1763 1763 1763 7208 Plate: 15 1/4 × 20 15/16 in. (38.8 × 53.2 cm) Rogers Fund, 1952   571                   442   1
418016 52.519.89(61) 0 0 690811 11 97 Vue du Port de Ripetta, from Les Plus Beaux Edifices de Rome Moderne, ou Recueil des plus belles vues des principales eglises, places, palais, fontaines etc. qui sont dans Rome           1066 Printed by|Published by|after Komarek|Bouchard & Gravier|Jean Barbault Rome|French, Viarmes 1718–1762 Rome   52984   1700 |1718 1800 |1762 1763 1763 1763 7208 Plate: 4 3/4 × 7 7/8 in. (12 × 20 cm) Rogers Fund, 1952   571                   442   1
418015 52.519.89(60) 0 0 690809 11 97 Vue du Pont rompu et du Pont a quatre Têtes, from Les Plus Beaux Edifices de Rome Moderne, ou Recueil des plus belles vues des principales eglises, places, palais, fontaines etc. qui sont dans Rome           4294 Printed by|after|Published by Komarek|Jean Barbault|Freicenet|Bouchard & Gravier French, Viarmes 1718–1762 Rome|Italian, active Rome, mid-18th century|Rome   53012   1718 |1700 1762 |1800 1763 1763 1763 7208 Plate: 15 1/2 × 19 7/8 in. (39.4 × 50.5 cm) Rogers Fund, 1952   571                   442   1
418014 52.519.89(59) 0 0 690808 11 97 Vuë du Pont Sixte, from Les Plus Beaux Edifices de Rome Moderne, ou Recueil des plus belles vues des principales eglises, places, palais, fontaines etc. qui sont dans Rome           5270 Published by|after|Printed by Bouchard & Gravier|Jean Barbault|Komarek|Giraud Rome|French, Viarmes 1718–1762 Rome|active Italy, late 18th century   53010   1700 |1718 |1750 1800 |1762 |1850 1763 1763 1763 7208 Plate: 15 3/16 × 20 15/16 in. (38.5 × 53.2 cm) Rogers Fund, 1952   571                   442   1
418012 52.519.89(58) 0 0 690805 11 97 Vuë de la Fontaine de l'Eau Felix a Termini, from Les Plus Beaux Edifices de Rome Moderne, ou Recueil des plus belles vues des principales eglises, places, palais, fontaines etc. qui sont dans Rome           5270 Published by|Printed by|after Bouchard & Gravier|Freicenet|Komarek|Jean Barbault Rome|Italian, active Rome, mid-18th century|French, Viarmes 1718–1762 Rome   53011   1700 |1718 1800 |1762 1763 1763 1763 7208 Plate: 5 3/8 × 7 11/16 in. (13.7 × 19.6 cm) Rogers Fund, 1952   571                   442   1
418011 52.519.89(57) 0 0 690804 11 97 Vuë du Palais de l'Academie de France, from Les Plus Beaux Edifices de Rome Moderne, ou Recueil des plus belles vues des principales eglises, places, palais, fontaines etc. qui sont dans Rome           5270 Published by|after|Printed by Bouchard & Gravier|Jean Barbault|Komarek|Giraud Rome|French, Viarmes 1718–1762 Rome|active Italy, late 18th century   53010   1700 |1718 |1750 1800 |1762 |1850 1763 1763 1763 7208 Plate: 5 3/8 × 7 11/16 in. (13.7 × 19.6 cm) Rogers Fund, 1952   571                   442   1
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