Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 422130 | ND3365.G7 B74 2009a Q | 1 | 0 | 699928 | 20 | Breviario Grimani : ms. Lat. I 99=2138 della Biblioteca nazionale marciana di Venezia | 5339 | Carlo Bertoncello Brotto|Enrico Malato|Biblioteca Nazionale Marciana|Salerno Editrice | 53790 | 2009 | 2009 | 2009 | 831 leaves of plates : col. ill. ; Height: 11 13/16 in. (30 cm) | Gift of Friends of the Thomas J. Watson Library. | 571 | 14 | http://www.metmuseum.org/art/collection/search/699928 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||||
| 324051 | 11.163.5 | 0 | 1 | 463532 | 6 | 296 | Pitcher | 36 | 14th century | 1300 | 1399 | 49034 | Overall: 5 3/16 x 5 1/2 x 4 1/4 in. (13.1 x 13.9 x 10.8 cm) | Gift of Wilhelm Bode, 1911 | 1 | 571 | 14 | 5 | http://www.metmuseum.org/art/collection/search/463532 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||
| 416158 | 2015.287.1 | 0 | 1 | 687670 | 2 | 5 | Hiawatha | 2 | Edmonia Lewis | American, 1844–1907 | 52753 | 1844 | 1907 | 1868 | 1868 | 1868 | 750 | 13 3/4 × 7 3/4 × 5 1/2 in. (34.9 × 19.7 × 14 cm) | Morris K. Jesup and Friends of the American Wing Funds, 2015 | 1 | 571 | 14 | 12 | http://www.metmuseum.org/art/collection/search/687670 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 416160 | 2015.287.2 | 0 | 1 | 687677 | 2 | 5 | Minnehaha | 2 | Edmonia Lewis | American, 1844–1907 | 52753 | 1844 | 1907 | 1868 | 1868 | 1868 | 750 | 11 5/8 × 7 1/4 × 4 7/8 in. (29.5 × 18.4 × 12.4 cm) | Morris K. Jesup and Friends of the American Wing Funds, 2015 | 1 | 571 | 14 | 12 | http://www.metmuseum.org/art/collection/search/687677 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 215907 | 2001.29 | 0 | 0 | 343337 | 11 | 731 | Christ Holding the Cross, after Michelangelo's Statue in Santa Maria sopra Minerva, Rome | 13 | Engraved by|After sculpture by | Nicolas Beatrizet|Michelangelo Buonarroti | French, Lunéville 1515–ca. 1566 Rome (?)|Italian, Caprese 1475–1564 Rome | 20389 | 247 | 1515 |1475 | 1566 |1564 | ca. 1540–77 | 1535 | 1582 | 30349 | 17 1/4 x 8 7/16 in. (43.8 x 21.4 cm) trimmed to/within platemark | Purchase, funds from various donors, 2001 | 571 | 13 | http://www.metmuseum.org/art/collection/search/343337 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 234135 | 49.97.351 | 0 | 1 | 361887 | 11 | 731 | Venus and Mars Embracing as Vulcan Works at His Forge | 13 | After | Enea Vico|Parmigianino (Girolamo Francesco Maria Mazzola) | Italian, Parma 1523–1567 Ferrara|Italian, Parma 1503–1540 Casalmaggiore | 31661 | 93 | 1523 |1503 | 1567 |1540 | 1543 | 1543 | 1543 | 7208 | Sheet: 9 1/16 x 12 7/8 in. (23 x 32.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/361887 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 234287 | 17.50.16-138 | 0 | 0 | 362043 | 11 | 731 | Battle of Lapiths and Centaurs | 1172 | Possibly after|Published by|or possibly after | Enea Vico|Rosso Fiorentino|Tommaso Barlacchi|Perino del Vaga (Pietro Buonaccorsi) | Italian, Parma 1523–1567 Ferrara|Italian, Florence 1494–1540 Fontainebleau|active Rome, 1541–50|Italian, Florence 1501–1547 Rome | by Vasari | 31724 | 315 | 1523 |1494 |1541 |1501 | 1567 |1540 |1550 |1547 | 1542 | 1542 | 1542 | 7208 | Sheet (Trimmed): 10 1/8 × 16 3/8 in. (25.7 × 41.6 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 571 | 13 | http://www.metmuseum.org/art/collection/search/362043 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 234392 | 51.501.4081 | 0 | 1 | 362148 | 11 | 731 | Ostrich Hunt, from 'Hunting Scenes VI' | 710 | Antonio Tempesta|Callisto Ferranti | Italian, Florence 1555–1630 Rome|Italian, active Rome, 1626–47 | 31742 | 6 | 1555 |1600 | 1630 |1700 | 1609 | 1609 | 1609 | 26137 | Sheet (Trimmed): 8 1/16 × 11 1/8 in. (20.4 × 28.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 571 | 13 | http://www.metmuseum.org/art/collection/search/362148 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 236212 | 17.50.19-149 | 0 | 0 | 364091 | 11 | 731 | The Last Judgment | 13 | After | Michelangelo Buonarroti|Mario Cartaro | Italian, Caprese 1475–1564 Rome|Italian, born Viterbo, active Rome ca. 1557–88, died 1620 | 32230 | 93 | 1475 |1557 | 1564 |1620 | 1569 | 1569 | 1569 | 7208 | Sheet (Trimmed): 21 13/16 × 16 3/4 in. (55.4 × 42.5 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 571 | 13 | http://www.metmuseum.org/art/collection/search/364091 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 237358 | 41.72(2.62) | 0 | 1 | 365340 | 11 | 731 | Speculum Romanae Magnificentiae: Hercules Colossus at Padua (L'Ercole di casa Benavides a Padova) | 3855 | After a drawing attributed to|Depicts a statue by|Published earlier by|Published by|Published earlier by | Enea Vico|Bartolomeo Ammanati (Ammannati)|Antonio Lafreri|Pietro de' Nobili|Paolo Graziani|Anonymous, Italian, 16th century | Italian, Parma 1523–1567 Ferrara|Italian, Settignano near Florence 1511–1592 Florence|French, Orgelet, Franche-Comte ca. 1512–1577 Rome|Italian, active Rome, 1584–85|Italian, active Rome, 1577–84 | 32477 | 1131 | 1523 |1511 |1507 |1584 |1577 |1500 | 1567 |1592 |1577 |1585 |1584 |1600 | 1553 | 1553 | 1553 | 7208 | sheet: 20 7/8 x 15 1/2 in. (53 x 39.4 cm) | Rogers Fund, Transferred from the Library, 1941 | 571 | 13 | http://www.metmuseum.org/art/collection/search/365340 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 237386 | 41.72(2.61) | 0 | 1 | 365368 | 11 | 731 | Speculum Romanae Magnificentiae: Hercules Colossus at Padua (L'Ercole di casa Benavides a Padova) | 3856 | Published by|After drawing attributed to|Depicts a statue by | Antonio Lafreri|Enea Vico|Bartolomeo Ammanati (Ammannati)|Anonymous, Italian, 16th century | French, Orgelet, Franche-Comte ca. 1512–1577 Rome|Italian, Parma 1523–1567 Ferrara|Italian, Settignano near Florence 1511–1592 Florence | 32484 | 1987 | 1507 |1523 |1511 |1500 | 1577 |1567 |1592 |1600 | 1553 | 1553 | 1553 | 7208 | sheet: 20 13/16 x 15 15/16 in. (52.8 x 40.5 cm) | Rogers Fund, Transferred from the Library, 1941 | 571 | 13 | http://www.metmuseum.org/art/collection/search/365368 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 238552 | 27.78.2(180) | 0 | 1 | 366599 | 11 | 731 | Mars and Venus | 13 | Engraved by|After | Enea Vico|Giovanni Battista Scultori | Italian, Parma 1523–1567 Ferrara|Italian, 1503–1575 | 32907 | 93 | 1523 |1503 | 1567 |1575 | [1543] | 1543 | 1543 | 7208 | Harris Brisbane Dick Fund, 1927 | 571 | 13 | http://www.metmuseum.org/art/collection/search/366599 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 238553 | 27.78.2(182) | 0 | 1 | 366600 | 11 | 731 | Lucretia Preparing to Kill Herself | 13 | Engraved by|After | Enea Vico|Parmigianino (Girolamo Francesco Maria Mazzola) | Italian, Parma 1523–1567 Ferrara|Italian, Parma 1503–1540 Casalmaggiore | 31661 | 93 | 1523 |1503 | 1567 |1540 | ca. 1542–43 | 1537 | 1548 | 38086 | Harris Brisbane Dick Fund, 1927 | 571 | 13 | http://www.metmuseum.org/art/collection/search/366600 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 238607 | 27.78.2(184) | 0 | 1 | 366658 | 11 | 731 | Venus and Mars Embracing as Vulcan Works at His Forge (right half only) | 13 | Engraved by|Designed by | Enea Vico|Parmigianino (Girolamo Francesco Maria Mazzola) | Italian, Parma 1523–1567 Ferrara|Italian, Parma 1503–1540 Casalmaggiore | 31661 | 93 | 1523 |1503 | 1567 |1540 | 1543 | 1543 | 1543 | 31648 | Harris Brisbane Dick Fund, 1927 | 571 | 13 | http://www.metmuseum.org/art/collection/search/366658 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 238627 | 27.78.2(189) | 0 | 1 | 366678 | 11 | 731 | Old Woman Spinning | 13 | Engraved by|After | Enea Vico|Parmigianino (Girolamo Francesco Maria Mazzola) | Italian, Parma 1523–1567 Ferrara|Italian, Parma 1503–1540 Casalmaggiore | 31661 | 93 | 1523 |1503 | 1567 |1540 | ca. 1543–44 | 1538 | 1549 | 7208 | Harris Brisbane Dick Fund, 1927 | 571 | 13 | http://www.metmuseum.org/art/collection/search/366678 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 240312 | 17.50.16-147 | 0 | 0 | 368428 | 11 | 731 | Madonna and Child with Angels | 53 | After|After | Enea Vico|Raphael (Raffaello Sanzio or Santi)|Marcantonio Raimondi | Italian, Parma 1523–1567 Ferrara|Italian, Urbino 1483–1520 Rome|Italian, Argini (?) ca. 1480–before 1534 Bologna (?) | 33314 | 145 | 1523 |1483 |1475 | 1567 |1520 |1534 | 1542 | 1542 | 1542 | 31648 | Plate: 6 7/16 x 5 7/8 in. (16.4 x 14.9 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 571 | 13 | http://www.metmuseum.org/art/collection/search/368428 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 240313 | 49.95.294 | 0 | 1 | 368429 | 11 | 731 | The Holy Family with St. Anne and St. Catherine | 3961 | After|Previously published by|or after|Previously published by|Published by | Enea Vico|Rosso Fiorentino|Antonio Salamanca|Francesco Salviati (Francesco de' Rossi)|Orazio Pacifico|Giovanni Giacomo De Rossi | Italian, Parma 1523–1567 Ferrara|Italian, Florence 1494–1540 Fontainebleau|Salamanca 1478–1562 Rome|Italian, Florence 1510–1563 Rome|Italian, ca. 1580–1637|Italian, Rome 1627–1691 Rome | by Voss (1920) and Mortari (1992) | 33315 | 836 | 1523 |1494 |1478 |1510 |1580 |1627 | 1567 |1540 |1562 |1563 |1637 |1691 | 1542, published 1627–50 | 1542 | 1650 | 38348 | plate: 14 1/2 x 9 1/2 in. (36.8 x 24.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/368429 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 240315 | 17.50.16-141 | 0 | 0 | 368431 | 11 | 731 | The Entombment of Christ | 895 | Possibly after | Enea Vico|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Parma 1523–1567 Ferrara|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | 33316 | 93 | 1523 |1483 |1478 | 1567 |1520 |1562 | 1543 | 1543 | 1543 | 29124 | Sheet (trimmed): 11 3/8 × 7 15/16 in. (28.9 × 20.2 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 571 | 13 | http://www.metmuseum.org/art/collection/search/368431 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 240325 | 49.97.348 | 0 | 1 | 368441 | 11 | 731 | St George Killing the Dragon | 895 | Engraved by|After|Published by | Enea Vico|Giulio Clovio|Antonio Salamanca | Italian, Parma 1523–1567 Ferrara|Italian, Brizane 1498–1578 Rome|Salamanca 1478–1562 Rome | 33322 | 93 | 1523 |1498 |1478 | 1567 |1578 |1562 | 1542 | 1542 | 1542 | 7208 | sheet: 10 1/16 x 13 9/16 in. (25.6 x 34.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/368441 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 240379 | 17.50.16-145 | 0 | 0 | 368495 | 11 | 731 | Lucretia's Suicide | 853 | After|After | Enea Vico|Raphael (Raffaello Sanzio or Santi)|Marcantonio Raimondi|Tommaso Barlacchi | Italian, Parma 1523–1567 Ferrara|Italian, Urbino 1483–1520 Rome|Italian, Argini (?) ca. 1480–before 1534 Bologna (?)|active Rome, 1541–50 | 33341 | 315 | 1523 |1483 |1475 |1541 | 1567 |1520 |1534 |1550 | 1541 | 1541 | 1541 | 7208 | Purchase, Joseph Pulitzer Bequest, 1917 | 571 | 13 | http://www.metmuseum.org/art/collection/search/368495 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 240383 | 26.50.1(80) | 0 | 0 | 368499 | 11 | 731 | The Three Graces | 2 | Enea Vico | Italian, Parma 1523–1567 Ferrara | 21753 | 6 | 1523 | 1567 | 1542 | 1542 | 1542 | 7208 | plate: 10 9/16 x 7 3/16 in. (26.8 x 18.2 cm) sheet: 15 7/16 x 10 9/16 in. (39.2 x 26.9 cm) printed on full sheet | Harris Brisbane Dick Fund, 1926 | 571 | 13 | http://www.metmuseum.org/art/collection/search/368499 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 240385 | 26.50.1(137) | 0 | 0 | 368501 | 11 | 731 | Leda and the Swan | 53 | After ?|or after | Enea Vico|Perino del Vaga (Pietro Buonaccorsi)|Francesco Salviati (Francesco de' Rossi) | Italian, Parma 1523–1567 Ferrara|Italian, Florence 1501–1547 Rome|Italian, Florence 1510–1563 Rome | by Voss (1920) and Mortari (1992) | 33345 | 145 | 1523 |1501 |1510 | 1567 |1547 |1563 | 1542 | 1542 | 1542 | 7208 | plate: 4 11/16 x 6 3/16 in. (11.9 x 15.7 cm) sheet: 4 13/16 x 6 3/8 in. (12.3 x 16.2 cm) | Harris Brisbane Dick Fund, 1926 | 571 | 13 | http://www.metmuseum.org/art/collection/search/368501 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 240387 | 17.50.16-139 | 0 | 0 | 368503 | 11 | 731 | Venus Asleep as Vulcan Works at His Forge | 867 | Published by|After | Enea Vico|Antonio Salamanca|Parmigianino (Girolamo Francesco Maria Mazzola) | Italian, Parma 1523–1567 Ferrara|Salamanca 1478–1562 Rome|Italian, Parma 1503–1540 Casalmaggiore | 33347 | 93 | 1523 |1478 |1503 | 1567 |1562 |1540 | 1543, first state | 1543 | 1543 | 38358 | Plate: 8 1/4 x 12 11/16 in. (21 x 32.3 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 571 | 13 | http://www.metmuseum.org/art/collection/search/368503 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 240479 | 17.50.16-148 | 0 | 0 | 368595 | 11 | 731 | Sacrifice | 13 | After | Enea Vico|Perino del Vaga (Pietro Buonaccorsi) | Italian, Parma 1523–1567 Ferrara|Italian, Florence 1501–1547 Rome | 33340 | 93 | 1523 |1501 | 1567 |1547 | 1542 | 1542 | 1542 | 7208 | Plate: 6 1/4 x 5 9/16 in. (15.8 x 14.2 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 571 | 13 | http://www.metmuseum.org/art/collection/search/368595 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 240480 | 49.97.355 | 0 | 0 | 368596 | 11 | 731 | Two Pilgrims in a Landscape | 13 | After | Enea Vico|Giorgio Vasari | Italian, Parma 1523–1567 Ferrara|Italian, Arezzo 1511–1574 Florence | 33364 | 93 | 1523 |1511 | 1567 |1574 | 1542 | 1542 | 1542 | 7208 | sheet: 8 9/16 x 5 7/8 in. (21.8 x 15 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/368596 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 240481 | 26.50.1(54) | 0 | 0 | 368597 | 11 | 731 | Female statues known as Thusnelda and the Veiled Sabina from the Collection of Cardinal Della Valle | 867 | Published by|After | Enea Vico|Antonio Salamanca|Francesco Primaticcio | Italian, Parma 1523–1567 Ferrara|Salamanca 1478–1562 Rome|Italian, Bologna 1504/5–1570 Paris | in 1541 | 33365 | 93 | 1523 |1478 |1504 | 1567 |1562 |1570 | 1541 | 1541 | 1541 | 7208 | sheet: 15 15/16 x 10 13/16 in. (40.5 x 27.5 cm) printed on full sheet plate: 9 15/16 x 7 3/8 in. (25.2 x 18.8 cm) | Harris Brisbane Dick Fund, 1926 | 571 | 13 | http://www.metmuseum.org/art/collection/search/368597 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 240482 | 26.50.1(52) | 0 | 0 | 368598 | 11 | 731 | Ariadne (ancient statue in collection of Cardinal Delle Valle) | 867 | Published by|After | Enea Vico|Antonio Salamanca|Francesco Primaticcio | Italian, Parma 1523–1567 Ferrara|Salamanca 1478–1562 Rome|Italian, Bologna 1504/5–1570 Paris | 33365 | 93 | 1523 |1478 |1504 | 1567 |1562 |1570 | 1541 | 1541 | 1541 | 7208 | plate: 10 5/8 x 4 7/16 in. (27 x 11.2 cm) sheet: 15 15/16 x 10 13/16 in. (40.5 x 27.5 cm) printed on full sheet | Harris Brisbane Dick Fund, 1926 | 571 | 13 | http://www.metmuseum.org/art/collection/search/368598 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 240483 | 26.50.1(53) | 0 | 0 | 368599 | 11 | 731 | Ancient Statues Representing Minerva and Proserpina (?) from the Collection of Cardinal Delle Valle | 867 | Published by|After | Enea Vico|Antonio Salamanca|Francesco Primaticcio | Italian, Parma 1523–1567 Ferrara|Salamanca 1478–1562 Rome|Italian, Bologna 1504/5–1570 Paris | in 1541 | 33365 | 93 | 1523 |1478 |1504 | 1567 |1562 |1570 | 1541 | 1541 | 1541 | 7208 | plate: 9 15/16 x 7 5/8 in. (25.2 x 19.3 cm) sheet: 15 15/16 x 10 13/16 in. (40.5 x 27.5 cm) printed on full sheet | Harris Brisbane Dick Fund, 1926 | 571 | 13 | http://www.metmuseum.org/art/collection/search/368599 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 240496 | 17.3.1884 | 0 | 0 | 368612 | 11 | 731 | Punishment of the Courtesan Who Had Mocked Virgil | 53 | Possibly designed by|Design attributed to | Enea Vico|Francesco Salviati (Francesco de' Rossi)|Perino del Vaga (Pietro Buonaccorsi) | Italian, Parma 1523–1567 Ferrara|Italian, Florence 1510–1563 Rome|Italian, Florence 1501–1547 Rome | by Bartsch | 33372 | 145 | 1523 |1510 |1501 | 1567 |1563 |1547 | 1542 | 1542 | 1542 | 7208 | Harris Brisbane Dick Fund, 1917 | 571 | 13 | http://www.metmuseum.org/art/collection/search/368612 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 242423 | 49.97.401 | 0 | 1 | 370587 | 11 | 731 | Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis. | 871 | 4037 | Formerly attributed to|After | Enea Vico|Philippe Thomassin|Francesco Angeloni|Battista Franco|Anonymous, Italian, 16th century | Italian, Parma 1523–1567 Ferrara|French, Troyes 1562–1622 Rome|Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice | 33864 | 2658 | 1523 |1562 |1559 |1510 |1500 | 1567 |1622 |1652 |1561 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/370587 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 242604 | 41.72(2.68) | 0 | 1 | 370768 | 11 | 731 | Speculum Romanae Magnificentiae: Aristotle | 159 | 895 | After|Published by | Enea Vico|Anonymous, Italian, mid-16th century|Antonio Lafreri | Italian, Parma 1523–1567 Ferrara|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 33902 | 114 | 1523 |1520 |1507 | 1567 |1580 |1577 | 1553 | 1553 | 1553 | 7208 | sheet: 19 5/16 x 13 9/16 in. (49 x 34.5 cm) plate: 16 1/8 x 11 5/16 in. (41 x 28.7 cm) | Rogers Fund, Transferred from the Library, 1941 | 571 | 13 | http://www.metmuseum.org/art/collection/search/370768 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 242635 | 41.72(2.172) | 0 | 1 | 370800 | 11 | 731 | Speculum Romanae Magnificentiae: Subjects after Antique Cameos and Gems | 159 | 4047 | Formerly attributed to|Published by|Former publisher|After | Enea Vico|Claudio Duchetti|Antonio Lafreri|Battista Franco|Anonymous, Italian, 16th century | Italian, Parma 1523–1567 Ferrara|Italian, active Venice and Rome, ca. 1565–died ca. 1585|French, Orgelet, Franche-Comte ca. 1512–1577 Rome|Italian, Venice ca. 1510–1561 Venice | 33920 | 1764 | 1523 |1565 |1507 |1510 |1500 | 1567 |1585 |1577 |1561 |1600 | executed ca. 1550–77, printed after 1577 | 1545 | 1585 | 38592 | Rogers Fund, Transferred from the Library, 1941 | 571 | 13 | http://www.metmuseum.org/art/collection/search/370800 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 242636 | 41.72(2.173) | 0 | 1 | 370801 | 11 | 731 | Speculum Romanae Magnificentiae: Subjects after Antique Cameos and Gems | 159 | 4047 | Formerly attributed to|Published by|Former publisher|After | Enea Vico|Claudio Duchetti|Antonio Lafreri|Anonymous, Italian, 16th century|Battista Franco | Italian, Parma 1523–1567 Ferrara|Italian, active Venice and Rome, ca. 1565–died ca. 1585|French, Orgelet, Franche-Comte ca. 1512–1577 Rome|Italian, Venice ca. 1510–1561 Venice | 33921 | 1764 | 1523 |1565 |1507 |1500 |1510 | 1567 |1585 |1577 |1600 |1561 | executed ca. 1550–77, printed after 1577 | 1545 | 1585 | 38592 | Rogers Fund, Transferred from the Library, 1941 | 571 | 13 | http://www.metmuseum.org/art/collection/search/370801 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 242637 | 41.72(2.174) | 0 | 1 | 370802 | 11 | 731 | Speculum Romanae Magnificentiae: Subjects after Antique Cameos and Gems | 159 | 4047 | Formerly attributed to|Published by|Former publisher|After | Enea Vico|Claudio Duchetti|Antonio Lafreri|Anonymous, Italian, 16th century|Battista Franco | Italian, Parma 1523–1567 Ferrara|Italian, active Venice and Rome, ca. 1565–died ca. 1585|French, Orgelet, Franche-Comte ca. 1512–1577 Rome|Italian, Venice ca. 1510–1561 Venice | 33921 | 1764 | 1523 |1565 |1507 |1500 |1510 | 1567 |1585 |1577 |1600 |1561 | executed ca. 1550–77, printed after 1577 | 1545 | 1585 | 38592 | Rogers Fund, Transferred from the Library, 1941 | 571 | 13 | http://www.metmuseum.org/art/collection/search/370802 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 242721 | 24.10.14(1) | 0 | 0 | 370886 | 11 | 731 | Frieze with Rinceaux and Two Chimerical Animals | 2 | Attributed to | Enea Vico | Italian, Parma 1523–1567 Ferrara | 21753 | 6 | 1523 | 1567 | ca. 1540s | 1535 | 1555 | 7208 | Harris Brisbane Dick Fund, 1924 | 571 | 13 | http://www.metmuseum.org/art/collection/search/370886 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 242722 | 24.10.14(2) | 0 | 0 | 370887 | 11 | 731 | Frieze with Rinceaux, a Siren and Four Children | 2 | Enea Vico | Italian, Parma 1523–1567 Ferrara | 21753 | 6 | 1523 | 1567 | 1541–43 | 1541 | 1543 | 7208 | Harris Brisbane Dick Fund, 1924 | 571 | 13 | http://www.metmuseum.org/art/collection/search/370887 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 242795 | 30.58.5(27a) | 0 | 0 | 370963 | 11 | 731 | Grotesque design with Smoking Lantern and Double Satyr Herms | 895 | Reverse copy after|Published by | Enea Vico|Anonymous, Italian, 16th century|Tommaso Barlacchi | Italian, Parma 1523–1567 Ferrara|active Rome, 1541–50 | 33980 | 145 | 1523 |1500 |1541 | 1567 |1600 |1550 | 1541 | 1541 | 1541 | 7208 | Plate: 6 9/16 x 4 3/16 in. (16.7 x 10.7 cm) Sheet: 10 13/16 x 16 1/8 in. (27.5 x 41 cm) | Harris Brisbane Dick Fund, 1930 | 571 | 13 | http://www.metmuseum.org/art/collection/search/370963 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 242796 | 30.58.5(27b) | 0 | 0 | 370964 | 11 | 731 | Grotesque with a Man Reaching toward a Festoon | 895 | Reverse copy after|Published by | Enea Vico|Anonymous, Italian, 16th century|Tommaso Barlacchi | Italian, Parma 1523–1567 Ferrara|active Rome, 1541–50 | 33980 | 145 | 1523 |1500 |1541 | 1567 |1600 |1550 | 1541 | 1541 | 1541 | 7208 | plate: 7 3/16 x 5 1/8 in. (18.2 x 13 cm) sheet: 10 13/16 x 16 1/8 in. (27.5 x 41 cm) | Harris Brisbane Dick Fund, 1930 | 571 | 13 | http://www.metmuseum.org/art/collection/search/370964 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 242923 | 49.97.532 | 0 | 1 | 371095 | 11 | 731 | Bust portrait of Pope Pius V in profile facing left set within an elaborate architectural structure upon which sit allegorical figures including Faith, Charity and Religion above and Justice and Prudence below who flank St Michael | 710 | Mario Cartaro|Bartolomeo Faleti | Italian, born Viterbo, active Rome ca. 1557–88, died 1620|Italian, active ca. 1560, died 1570 | 34034 | 93 | 1557 |1560 | 1620 |1570 | 1567 | 1567 | 1567 | 7208 | Sheet (Trimmed just inside platemark): 20 7/8 × 15 13/16 in. (53 × 40.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371095 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 243637 | 49.97.402 | 0 | 1 | 371839 | 11 | 731 | Two Figures, a Faun, and a Satyr approach a Recliniing Woman | 871 | 4144 | After | Enea Vico|Francesco Angeloni|Battista Franco|Philippe Thomassin|Anonymous, Italian, 16th century | Italian, Parma 1523–1567 Ferrara|Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome | 34234 | 2239 | 1523 |1559 |1510 |1562 |1500 | 1567 |1652 |1561 |1622 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371839 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243638 | 49.97.403 | 0 | 1 | 371840 | 11 | 731 | Reclining Female Figure on a Chariot drawn by Two Centaurs | 871 | 4144 | Formerly attributed to|Dedicated to|After|Published by|Engraved by | Enea Vico|Francesco Angeloni|Battista Franco|Philippe Thomassin|Anonymous, Italian, 16th century | Italian, Parma 1523–1567 Ferrara|Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome | 34234 | 2239 | 1523 |1559 |1510 |1562 |1500 | 1567 |1652 |1561 |1622 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371840 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243639 | 49.97.404 | 0 | 1 | 371841 | 11 | 731 | Man Grappling with Winged Horse | 871 | 4144 | Formerly attributed to|Dedicated to|After|Published by|Engraved by | Enea Vico|Francesco Angeloni|Battista Franco|Philippe Thomassin|Anonymous, Italian, 16th century | Italian, Parma 1523–1567 Ferrara|Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome | 34234 | 2239 | 1523 |1559 |1510 |1562 |1500 | 1567 |1652 |1561 |1622 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371841 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243640 | 49.97.405 | 0 | 1 | 371842 | 11 | 731 | Scene of Sacrifice with Warrior Killing Ram and Four Other Figures | 871 | 4144 | Formerly attributed to|Dedicated to|After|Published by|Engraved by | Enea Vico|Francesco Angeloni|Battista Franco|Philippe Thomassin|Anonymous, Italian, 16th century | Italian, Parma 1523–1567 Ferrara|Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome | 34234 | 2239 | 1523 |1559 |1510 |1562 |1500 | 1567 |1652 |1561 |1622 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371842 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243641 | 49.97.406 | 0 | 1 | 371843 | 11 | 731 | Man and Woman Sacrificing a Goat | 871 | 4144 | Formerly attributed to|Dedicated to|After|Published by|Engraved by | Enea Vico|Francesco Angeloni|Battista Franco|Philippe Thomassin|Anonymous, Italian, 16th century | Italian, Parma 1523–1567 Ferrara|Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome | 34234 | 2239 | 1523 |1559 |1510 |1562 |1500 | 1567 |1652 |1561 |1622 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371843 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243642 | 49.97.407 | 0 | 1 | 371844 | 11 | 731 | Man with Torch between Flaming Altar and Statuette | 871 | 4144 | Formerly attributed to|Dedicated to|After|Published by|Engraved by | Enea Vico|Francesco Angeloni|Battista Franco|Philippe Thomassin|Anonymous, Italian, 16th century | Italian, Parma 1523–1567 Ferrara|Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome | 34234 | 2239 | 1523 |1559 |1510 |1562 |1500 | 1567 |1652 |1561 |1622 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371844 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243643 | 49.97.408 | 0 | 1 | 371845 | 11 | 731 | Two Lovers with Pan | 871 | 4144 | Formerly attributed to|Dedicated to|After|Published by|Engraved by | Enea Vico|Francesco Angeloni|Battista Franco|Philippe Thomassin|Anonymous, Italian, 16th century | Italian, Parma 1523–1567 Ferrara|Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome | 34234 | 2239 | 1523 |1559 |1510 |1562 |1500 | 1567 |1652 |1561 |1622 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371845 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243644 | 49.97.409 | 0 | 1 | 371846 | 11 | 731 | Sacrifice of a Swan | 871 | 4144 | Formerly attributed to|Dedicated to|After|Published by|Engraved by | Enea Vico|Francesco Angeloni|Battista Franco|Philippe Thomassin|Anonymous, Italian, 16th century | Italian, Parma 1523–1567 Ferrara|Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome | 34234 | 2239 | 1523 |1559 |1510 |1562 |1500 | 1567 |1652 |1561 |1622 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371846 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243645 | 49.97.410 | 0 | 1 | 371847 | 11 | 731 | Female Nude with Two Seahorses | 871 | 4144 | Formerly attributed to|Dedicated to|After|Published by|Engraved by | Enea Vico|Francesco Angeloni|Battista Franco|Philippe Thomassin|Anonymous, Italian, 16th century | Italian, Parma 1523–1567 Ferrara|Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome | 34234 | 2239 | 1523 |1559 |1510 |1562 |1500 | 1567 |1652 |1561 |1622 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371847 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243646 | 49.97.411 | 0 | 1 | 371848 | 11 | 731 | Man with Torch at Temple Door | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to|Engraved by | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371848 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243647 | 49.97.412 | 0 | 1 | 371849 | 11 | 731 | Bacchanale with Eight Figures | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to|Engraved by | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371849 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243648 | 49.97.413 | 0 | 1 | 371850 | 11 | 731 | Man Attended by Three Women | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to|Engraved by | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371850 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243649 | 49.97.414 | 0 | 1 | 371851 | 11 | 731 | Man with Crayfish and Urn of Water | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to|Engraved by | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371851 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243650 | 49.97.415 | 0 | 1 | 371852 | 11 | 731 | Head of Satyr and Three Figures | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to|Engraved by | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371852 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243651 | 49.97.416 | 0 | 1 | 371853 | 11 | 731 | Head of Woman in Profile; Apollo and Daphne | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to|Engraved by | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371853 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243652 | 49.97.417 | 0 | 1 | 371854 | 11 | 731 | Figure with Pig and Serpent | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to|Engraved by | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371854 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243653 | 49.97.419 | 0 | 1 | 371855 | 11 | 731 | A Woman and Man Sacrificing in the Presence of Cupid | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to|Engraved by | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371855 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243654 | 49.97.420 | 0 | 1 | 371856 | 11 | 731 | A Woman Collecting Blood from a Sheep | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to|Engraved by | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371856 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243655 | 49.97.421 | 0 | 1 | 371857 | 11 | 731 | A Faun or Satyr Preparing a Pig for Sacrifice | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to|Engraved by | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371857 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243656 | 49.97.422 | 0 | 1 | 371858 | 11 | 731 | Hercules playing a lyre, a lionskin draped over his shoulder | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371858 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243657 | 49.97.423 | 0 | 1 | 371859 | 11 | 731 | Two Women and Two Cupids | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to|Engraved by | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371859 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243658 | 49.97.424 | 0 | 1 | 371860 | 11 | 731 | Man Playing Two Flutes and Woman on Lionskin | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371860 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243659 | 49.97.425 | 0 | 1 | 371861 | 11 | 731 | A Belted Pig and Two Cupids (or Geniuses) with a Butterfly (or Moth) | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to|Engraved by | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371861 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243660 | 49.97.426 | 0 | 1 | 371862 | 11 | 731 | Woman with Shield Seated on Seamonster | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to|Engraved by | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371862 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243661 | 49.97.427 | 0 | 1 | 371863 | 11 | 731 | Woman and Man Seated on Lionskin, Man Pouring Wine | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371863 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243662 | 49.97.428 | 0 | 1 | 371864 | 11 | 731 | Three Cupids and Two Dolphins | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371864 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243663 | 49.97.429 | 0 | 1 | 371865 | 11 | 731 | Man with Wing; Man with Vase and Dog | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371865 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243664 | 49.97.430 | 0 | 1 | 371866 | 11 | 731 | Woman on Rearing Horse | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371866 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243665 | 49.97.431 | 0 | 1 | 371867 | 11 | 731 | Satyr Leading Goat on which a Infant Rides | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371867 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243666 | 49.97.432 | 0 | 1 | 371868 | 11 | 731 | Hercules and Cerberus | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to|Engraved by | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371868 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243667 | 49.97.433 | 0 | 1 | 371869 | 11 | 731 | Figure on Seagoat; Man Carving Wing | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to|Engraved by | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371869 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 243668 | 49.97.434 | 0 | 1 | 371870 | 11 | 731 | Ram | 871 | 4145 | Dedicated to|After|Published by|Formerly attributed to|Engraved by | Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century | Terni 1559 or 1587–1652 Rome|Italian, Venice ca. 1510–1561 Venice|French, Troyes 1562–1622 Rome|Italian, Parma 1523–1567 Ferrara | 34235 | 1764 | 1559 |1510 |1562 |1523 |1500 | 1652 |1561 |1622 |1567 |1600 | published ca. 1599–1622 | 1599 | 1622 | 38558 | plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/371870 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 244763 | 2006.322 | 0 | 0 | 372974 | 11 | 731 | Lucretia's Suicide | 853 | After|After|Published by | Enea Vico|Raphael (Raffaello Sanzio or Santi)|Marcantonio Raimondi|Tommaso Barlacchi | Italian, Parma 1523–1567 Ferrara|Italian, Urbino 1483–1520 Rome|Italian, Argini (?) ca. 1480–before 1534 Bologna (?)|active Rome, 1541–50 | in 1541 | 33341 | 315 | 1523 |1483 |1475 |1541 | 1567 |1520 |1534 |1550 | 1541 | 1541 | 1541 | 7208 | sheet: 8 x 5 3/16 in. (20.3 x 13.1 cm) trimmed just outside platemark | A. Hyatt Mayor Purchase Fund, Marjorie Phelps Starr Bequest, 2006 | 571 | 13 | http://www.metmuseum.org/art/collection/search/372974 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 247841 | 2007.49.382 | 0 | 0 | 376142 | 11 | 731 | View of Camaldoli in Perugia | 1181 | Dedicated to|Published by | Luca Ciamberlano|Cardinal Francesco Barberini|David Haex | Italian, active Rome, 1599–1641|Italian, Florence 1597–1679 Rome | 35081 | 145 | 1599 |1597 | 1641 |1679 | 1634 | 1634 | 1634 | 7208 | plate: 12 11/16 x 18 7/16 in. (32.2 x 46.8 cm) sheet: 15 11/16 x 21 5/8 in. (39.8 x 54.9 cm) | Bequest of William S. Lieberman, 2005 | 571 | 13 | http://www.metmuseum.org/art/collection/search/376142 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 248601 | 17.3.3336 | 0 | 0 | 376909 | 11 | 731 | A Sacrifice | 878 | Probably|After | Richard Dalton|Francesco Bartolozzi|Guercino (Giovanni Francesco Barbieri) | British, ca. 1715–1791|Italian, Florence 1728–1815 Lisbon|Italian, Cento 1591–1666 Bologna | 35291 | 93 | 1710 |1728 |1591 | 1791 |1815 |1666 | 1764 | 1764 | 1764 | 32679 | sheet: 10 3/8 x 14 1/16 in. (26.4 x 35.7 cm) | Harris Brisbane Dick Fund, 1917 | 571 | 13 | http://www.metmuseum.org/art/collection/search/376909 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 252063 | 1992.1033.27 | 0 | 0 | 380559 | 11 | 731 | page 75 of Basilicae S. Mariae Maioris de urbe a liberio Papa I usque ad Paulum V Pont. Max. descritio et delineatio auctore abbate Paulo De Angelis. Lib. XII | 1001 | Written by|Published by | Abbate Paolo de Angelis|Abbate Paolo de Angelis|Bartolomeo Zanetti | Italian, 1580–1647|Italian, 1580–1647|Italian, active 1609–23 | 35649 | 145 | 1580 |1580 |1600 | 1647 |1647 |1623 | 1621 | 1621 | 1621 | 7208 | sheet: 16 9/16 x 10 7/16 in. (42 x 26.5 cm) | Gift of Janet S. Byrne, 1992 | 571 | 13 | http://www.metmuseum.org/art/collection/search/380559 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 252064 | 1992.1033.28 | 0 | 0 | 380560 | 11 | 731 | page 170 of Basilicae S. Mariae Maioris de urbe a liberio Papa I usque ad Paulum V Pont. Max. descritio et delineatio auctore abbate Paulo De Angelis. Lib. XII | 1001 | Written by|Published by | Abbate Paolo de Angelis|Abbate Paolo de Angelis|Bartolomeo Zanetti | Italian, 1580–1647|Italian, 1580–1647|Italian, active 1609–23 | 35649 | 145 | 1580 |1580 |1600 | 1647 |1647 |1623 | 1621 | 1621 | 1621 | 7208 | sheet: 16 5/16 x 10 9/16 in. (41.5 x 26.8 cm) | Gift of Janet S. Byrne, 1992 | 571 | 13 | http://www.metmuseum.org/art/collection/search/380560 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 252119 | 59.595.16 | 0 | 0 | 380617 | 11 | 731 | The Conversion of Saint Paul | 2 | Engraved by | Mario Cartaro | Italian, born Viterbo, active Rome ca. 1557–88, died 1620 | 34075 | 6 | 1557 | 1620 | 1567 | 1567 | 1567 | 7208 | plate: 8 7/8 x 11 7/8 in. (22.5 x 30.2 cm). Trimmed to platemark. | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 571 | 13 | http://www.metmuseum.org/art/collection/search/380617 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 252131 | 1986.1180.211 | 0 | 1 | 380629 | 11 | 731 | The Entombment | 13 | Engraved by|After | Mario Cartaro|Albrecht Dürer | Italian, born Viterbo, active Rome ca. 1557–88, died 1620|German, Nuremberg 1471–1528 Nuremberg | 35675 | 309 | 1557 |1471 | 1620 |1528 | 1567 | 1567 | 1567 | 33331 | plate: 4 7/16 x 2 7/8 in. (11.3 x 7.3 cm) | Bequest of Grace M. Pugh, 1985 | 571 | 13 | http://www.metmuseum.org/art/collection/search/380629 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 252133 | 49.97.533 | 0 | 0 | 380631 | 11 | 731 | Farnese Hercules | 13 | After | Mario Cartaro|Giorgio Ghisi | Italian, born Viterbo, active Rome ca. 1557–88, died 1620|Italian, Mantua ca. 1520–1582 Mantua | 35677 | 93 | 1557 |1515 | 1620 |1582 | 1552–88 | 1552 | 1588 | 7208 | plate: 13 7/16 x 8 3/4 in. (34.2 x 22.2 cm) sheet: 13 5/8 x 8 15/16 in. (34.6 x 22.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/380631 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 252173 | 49.97.528 | 0 | 0 | 380672 | 11 | 731 | The Entry into Jerusalem | 2 | Mario Cartaro | Italian, born Viterbo, active Rome ca. 1557–88, died 1620 | 34075 | 6 | 1557 | 1620 | 1567 | 1567 | 1567 | 37658 | Sheet (Trimmed to plate): 17 11/16 × 13 1/8 in. (45 × 33.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 571 | 13 | http://www.metmuseum.org/art/collection/search/380672 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 253944 | 2008.233–.238 | 0 | 0 | 382525 | 11 | 731 | Tombs and Medals of Popes | 2 | Engraved by | Matthaeus Greuter | German, Strassburg ca. 1566–1638 Rome | 34357 | 10 | 1566 | 1638 | 1630 | 1630 | 1630 | 29296 | Average dimensions: plate: 13 3/8 x 8 7/8 in. (34 x 22.6 cm); sheet: 16 1/8 x 9 13/16 in. (41 x 25 cm) | Purchase, Bequest of W. Gedney Beatty, by exchange, 2008 | 571 | 13 | http://www.metmuseum.org/art/collection/search/382525 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 254651 | 2008.233 | 0 | 0 | 383275 | 11 | 731 | Tomb and Medals of Pope Sixtus V | 972 | Engraved by|Portrait of | Matthaeus Greuter|Pope Sixtus V (Felice Peretti) | German, Strassburg ca. 1566–1638 Rome|Italian, Grottamare near Pescara 1520–1590 Rome | 36481 | 348 | 1566 |1520 | 1638 |1590 | 1630 | 1630 | 1630 | 7208 | plate: 13 1/8 x 9 in. (33.3 x 22.8 cm) sheet: 16 1/16 x 10 in. (40.8 x 25.4 cm) | Purchase, Bequest of W. Gedney Beatty, by exchange, 2008 | 571 | 13 | http://www.metmuseum.org/art/collection/search/383275 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 254652 | 2008.234 | 0 | 0 | 383276 | 11 | 731 | Tomb of Pope Adrian VI | 392 | Portrait of|Engraved by | Pope Adrian VI|Matthaeus Greuter | Netherlandish, 1459–1523|German, Strassburg ca. 1566–1638 Rome | 36482 | 835 | 1459 |1566 | 1523 |1638 | 1630 | 1630 | 1630 | 7208 | plate: 13 3/8 x 9 1/8 in. (34 x 23.2 cm) sheet: 16 1/8 x 10 1/16 in. (40.9 x 25.6 cm) | Purchase, Bequest of W. Gedney Beatty, by exchange, 2008 | 571 | 13 | http://www.metmuseum.org/art/collection/search/383276 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 254653 | 2008.235 | 0 | 0 | 383277 | 11 | 731 | Tomb of Pope Martin V | 392 | Portrait of|Engraved by | Pope Martin V|Matthaeus Greuter | (elected 1417) born ca. 1368–1431|German, Strassburg ca. 1566–1638 Rome | 36483 | 309 | 1417 |1566 | 1431 |1638 | 1630 | 1630 | 1630 | 7208 | plate: 13 9/16 x 9 in. (34.4 x 22.8 cm) sheet: 16 3/16 x 10 1/16 in. (41.1 x 25.5 cm) | Purchase, Bequest of W. Gedney Beatty, by exchange, 2008 | 571 | 13 | http://www.metmuseum.org/art/collection/search/383277 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 254654 | 2008.236 | 0 | 0 | 383278 | 11 | 731 | Medals of Pope Pius V | 4430 | About|Engraved by | Pope Pius V|Matthaeus Greuter | Italian, 1504–1572|German, Strassburg ca. 1566–1638 Rome | 36484 | 309 | 1504 |1566 | 1572 |1638 | 1630 | 1630 | 1630 | 7208 | plate: 13 5/16 x 9 in. (33.8 x 22.9 cm) sheet: 16 1/8 x 10 5/8 in. (41 x 27 cm) | Purchase, Bequest of W. Gedney Beatty, by exchange, 2008 | 571 | 13 | http://www.metmuseum.org/art/collection/search/383278 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 254655 | 2008.237 | 0 | 0 | 383279 | 11 | 731 | Tomb and Medals of Gregory XIII | 392 | Portrait of|Ascribed to | Pope Gregory XIII|Matthaeus Greuter | Italian, Bologna 1502–1585 Rome|German, Strassburg ca. 1566–1638 Rome | 36485 | 309 | 1502 |1566 | 1585 |1638 | 1630 | 1630 | 1630 | 7208 | plate: 13 3/8 x 8 7/8 in. (34 x 22.6 cm) sheet: 16 1/4 x 8 15/16 in. (41.2 x 22.7 cm) | Purchase, Bequest of W. Gedney Beatty, by exchange, 2008 | 571 | 13 | http://www.metmuseum.org/art/collection/search/383279 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 254656 | 2008.238 | 0 | 0 | 383280 | 11 | 731 | Medals of Pope Gregory XIII | 4430 | About|Ascribed to | Pope Gregory XIII|Matthaeus Greuter | Italian, Bologna 1502–1585 Rome|German, Strassburg ca. 1566–1638 Rome | 36485 | 309 | 1502 |1566 | 1585 |1638 | 1630 | 1630 | 1630 | 7208 | plate: 13 7/16 x 8 7/8 in. (34.2 x 22.6 cm) sheet: 16 3/16 x 10 1/16 in. (41.1 x 25.6 cm) | Purchase, Bequest of W. Gedney Beatty, by exchange, 2008 | 571 | 13 | http://www.metmuseum.org/art/collection/search/383280 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 254657 | 41.44.1651 | 0 | 0 | 383281 | 11 | 731 | Tomb of Pope Adrian VI | 392 | Portrait of | Pope Adrian VI|Matthaeus Greuter | Netherlandish, 1459–1523|German, Strassburg ca. 1566–1638 Rome | 36482 | 835 | 1459 |1566 | 1523 |1638 | 1630 | 1630 | 1630 | 7208 | sheet: 13 5/8 x 8 7/8 in. (34.6 x 22.6 cm), unevenly trimmed, losses at bottom left | Gift of Henry W. Kent, transferred from the Printing Office, 1941 | 571 | 13 | http://www.metmuseum.org/art/collection/search/383281 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 254877 | 56.515.103 | 0 | 1 | 383505 | 11 | 731 | Tomb and Medals of Pope Sixtus V | 2 | Engraved by | Matthaeus Greuter | German, Strassburg ca. 1566–1638 Rome | 34357 | 10 | 1566 | 1638 | 1630 | 1630 | 1630 | 7208 | plate: 13 1/8 x 9 in. (33.3 x 22.8 cm) sheet: 16 1/16 x 10 in. (40.8 x 25.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 | 571 | 13 | http://www.metmuseum.org/art/collection/search/383505 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 255123 | 2008.333.1–.12 | 0 | 1 | 383757 | 11 | 731 | Gates of Paradise | 867 | Published by|After | Feodor Ivanovich Kalmuk|Heinrich Keller|Lorenzo Ghiberti | Russian, 1765–1832|Swiss, Zurich 1771–1832 Rome|Italian, Florence 1378–1455 Florence | 36589 | 2918 | 1765 |1771 |1378 | 1832 |1832 |1455 | 1798 | 1798 | 1798 | 40913 | each sheet: 20 7/8 x 22 13/16 in. (53.1 x 58 cm) | Purchase, Bequest of W. Gedney Beatty, by exchange, 2008 | 571 | 13 | http://www.metmuseum.org/art/collection/search/383757 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 275853 | 41.71.1.5(1) | 0 | 0 | 405032 | 11 | 731 | Heads found in the tomb of Scipio, from Monumenti degli Scipioni | 702 | 2 | Francesco Piranesi | Italian, Rome 1758–1810 Paris | 28652 | 6 | 1758 | 1810 | 1785 | 1785 | 1785 | 26137 | sheet: 21 1/4 x 15 3/8 in. (54 x 39 cm) plate: 5 1/2 x 8 1/16 in. (14 x 20.5 cm) | Rogers Fund, Transferred from the Library, 1941 | 571 | 13 | http://www.metmuseum.org/art/collection/search/405032 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 275854 | 41.71.1.5(2) | 0 | 0 | 405033 | 11 | 731 | Plan and cutaway of the Hypogeum of the Scipioni, from Monumenti degli Scipioni (Monuments of the Scipios), tavola 1 | 702 | 2 | Francesco Piranesi | Italian, Rome 1758–1810 Paris | 28652 | 6 | 1758 | 1810 | 1785 | 1785 | 1785 | 26137 | sheet: 21 1/4 x 15 3/8 in. (54 x 39 cm) plate: 17 11/16 x 12 1/8 in. (45 x 30.8 cm) | Rogers Fund, Transferred from the Library, 1941 | 571 | 13 | http://www.metmuseum.org/art/collection/search/405033 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 275862 | 41.71.1.5(3) | 0 | 0 | 405041 | 11 | 731 | View of the outside of the Monument of the Scipios with a cutaway of the tombs of Scipione Barbato and Aula Cornelia, from Monumenti degli Scipioni (Monuments of the Scipios), tavola 2 | 702 | 2 | Francesco Piranesi | Italian, Rome 1758–1810 Paris | 28652 | 6 | 1758 | 1810 | 1785 | 1785 | 1785 | 26137 | sheet: 21 1/4 x 15 3/8 in. (54 x 39 cm) plate: 17 5/8 x 12 in. (44.7 x 30.5 cm) | Rogers Fund, Transferred from the Library, 1941 | 571 | 13 | http://www.metmuseum.org/art/collection/search/405041 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 275874 | 41.71.1.5(4) | 0 | 0 | 405053 | 11 | 731 | View of the sarcophagus of Scipione Barbato and the Monument of Aula Cornelia, from Monumenti degli Scipioni (Monuments of the Scipios), tavola 3 | 702 | 2 | Francesco Piranesi | Italian, Rome 1758–1810 Paris | 28652 | 6 | 1758 | 1810 | 1785 | 1785 | 1785 | 26137 | sheet: 21 1/4 x 15 3/8 in. (54 x 39 cm) plate: 11 13/16 x 17 11/16 in. (30 x 45 cm) printed horizontally on the sheet | Rogers Fund, Transferred from the Library, 1941 | 571 | 13 | http://www.metmuseum.org/art/collection/search/405053 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 275880 | 41.71.1.5(5) | 0 | 0 | 405059 | 11 | 731 | Side of the sarcofagus of Scipione Barbato and of the Monument of Aula Cornelia, from Monumenti degli Scipioni (Monuments of the Scipios), tavola 4 | 702 | 2 | Francesco Piranesi | Italian, Rome 1758–1810 Paris | 28652 | 6 | 1758 | 1810 | 1785 | 1785 | 1785 | 26137 | sheet: 21 1/4 x 15 3/8 in. (54 x 39 cm) plate: 12 x 17 11/16 in. (30.5 x 45 cm) printed horizontally on the sheet | Rogers Fund, Transferred from the Library, 1941 | 571 | 13 | http://www.metmuseum.org/art/collection/search/405059 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 275886 | 41.71.1.5(6) | 0 | 0 | 405065 | 11 | 731 | Inscribed plaques of Gente Cornelia found in the Hypogeum of the Scipioni, from Monumenti degli Scipioni (Monuments of the Scipios), tavola 5 | 702 | 2 | Francesco Piranesi | Italian, Rome 1758–1810 Paris | 28652 | 6 | 1758 | 1810 | 1785 | 1785 | 1785 | 26137 | sheet: 21 1/4 x 15 3/8 in. (54 x 39 cm) plate: 12 3/16 x 17 11/16 in. (31 x 45 cm) printed horizontally on the sheet | Rogers Fund, Transferred from the Library, 1941 | 571 | 13 | http://www.metmuseum.org/art/collection/search/405065 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 275887 | 41.71.1.5(7) | 0 | 0 | 405066 | 11 | 731 | Inscriptions found in the same excavation without a definite connection with the Scipioni, from Monumenti degli Scipioni (Monuments of the Scipios), tavola 6 | 702 | 2 | Francesco Piranesi | Italian, Rome 1758–1810 Paris | 28652 | 6 | 1758 | 1810 | 1785 | 1785 | 1785 | 26137 | sheet: 21 1/4 x 15 3/8 in. (54 x 39 cm) plate: 11 5/8 x 17 1/2 in. (29.5 x 44.5 cm) printed horizontally on the sheet | Rogers Fund, Transferred from the Library, 1941 | 571 | 13 | http://www.metmuseum.org/art/collection/search/405066 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 381995 | 45.17(1) | 0 | 0 | 630073 | 11 | 731 | Frontispiece depicting a View of Bologna, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 1 | 308 | 1205 | After designs by|First published by|Re-printed by | Giuseppe Maria Mitelli|Annibale Carracci|Giovanni Giacomo De Rossi|La Calcografia Camerale | Italian, Bologna (?) 1634–1718 Bologna|Italian, Bologna 1560–1609 Rome|Italian, Rome 1627–1691 Rome | 23747 | 315 | 1634 |1560 |1627 | 1718 |1609 |1691 | printed 1740 | 1740 | 1740 | 34855 | Sheet: 15 9/16 × 10 15/16 in. (39.6 × 27.8 cm) Plate: 11 1/8 × 7 11/16 in. (28.3 × 19.6 cm) | Harris Brisbane Dick Fund, 1945 | 571 | 13 | http://www.metmuseum.org/art/collection/search/630073 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 382000 | 45.17(2) | 0 | 0 | 630080 | 11 | 731 | Vendor of Fans, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 2 | 308 | 1205 | After designs by|First published by|Re-printed by | Giuseppe Maria Mitelli|Annibale Carracci|Giovanni Giacomo De Rossi|La Calcografia Camerale | Italian, Bologna (?) 1634–1718 Bologna|Italian, Bologna 1560–1609 Rome|Italian, Rome 1627–1691 Rome | 23747 | 315 | 1634 |1560 |1627 | 1718 |1609 |1691 | printed 1740 | 1740 | 1740 | 34855 | Sheet: 15 15/16 in. × 11 in. (40.5 × 28 cm) Plate: 11 1/8 × 7 3/4 in. (28.2 × 19.7 cm) | Harris Brisbane Dick Fund, 1945 | 571 | 13 | http://www.metmuseum.org/art/collection/search/630080 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 382001 | 45.17(3) | 0 | 0 | 630081 | 11 | 731 | Cheese Vendor, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 3 | 308 | 1205 | After designs by|First published by|Re-printed by | Giuseppe Maria Mitelli|Annibale Carracci|Giovanni Giacomo De Rossi|La Calcografia Camerale | Italian, Bologna (?) 1634–1718 Bologna|Italian, Bologna 1560–1609 Rome|Italian, Rome 1627–1691 Rome | 23747 | 315 | 1634 |1560 |1627 | 1718 |1609 |1691 | printed 1740 | 1740 | 1740 | 34855 | Sheet: 16 1/8 × 10 15/16 in. (40.9 × 27.8 cm) Plate: 11 × 7 5/8 in. (28 × 19.4 cm) | Harris Brisbane Dick Fund, 1945 | 571 | 13 | http://www.metmuseum.org/art/collection/search/630081 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 382002 | 45.17(4) | 0 | 0 | 630082 | 11 | 731 | Vendor of Erthenware Pots, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 4 | 308 | 1205 | After designs by|First published by|Re-printed by | Giuseppe Maria Mitelli|Annibale Carracci|Giovanni Giacomo De Rossi|La Calcografia Camerale | Italian, Bologna (?) 1634–1718 Bologna|Italian, Bologna 1560–1609 Rome|Italian, Rome 1627–1691 Rome | 23747 | 315 | 1634 |1560 |1627 | 1718 |1609 |1691 | printed 1740 | 1740 | 1740 | 34855 | Sheet: 16 1/8 × 11 1/8 in. (41 × 28.2 cm) Plate: 11 1/8 × 7 5/8 in. (28.2 × 19.3 cm) | Harris Brisbane Dick Fund, 1945 | 571 | 13 | http://www.metmuseum.org/art/collection/search/630082 | 4/23/2018 8:00:01 AM | 1 |