Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 20423 | 1993.234 | 0 | 1 | 24956 | 5 | 2307 | Design for the Pommel Plate of a Saddle from a Garniture of Alessandro Farnese (1545–1592) | 384 | 5 | Andrea Casalini | Italian, Parma, died 1597 | 2929 | 6 | 1500 | 1597 | ca. 1575–80 | 1575 | 1580 | 4393 | 19 1/2 x 16 3/8 in. (49.5 x 39.2 cm) | Purchase, Fletcher Fund and Gift of William H. Riggs, by exchange, 1993 | 527 | 129 | http://www.metmuseum.org/art/collection/search/24956 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 217726 | 47.139.1 | 0 | 0 | 345221 | 11 | 97 | Il Favore degli Dei, Drama Fantastico Musicale | 1675 | Printed by|Frontispice designed by|Designed by|Designed by|Etched by|Etched by|Etched by | Aurelio Aureli|Stampe Ducale|Carlo Virginio Draghi|Domenico Mauro|Francesco Galli Bibiena|Fra Antonio Lorenzini|Domenico Maria Bonavera|F. M. Francia | Italian, 1652–1708|Italian, active 17th century|Italian, active 17th century|Italian, Bologna 1659–1739 Bologna|Italian, Bologna 1665–1740 Bologna|Italian, 1653–1731|Italian, active 17th century | , Parma | 21420 | 1197 | 1652 |1600 |1600 |1600 |1659 |1665 |1653 |1600 | 1708 |1700 |1700 |1700 |1739 |1740 |1731 |1700 | 1690 | 1690 | 1690 | 26137 | Overall: 8 3/8 x 6 7/8 x 1 15/16 in. (21.3 x 17.5 x 5 cm) | Harris Brisbane Dick Fund, 1947 | 527 | 442 | http://www.metmuseum.org/art/collection/search/345221 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 217847 | 48.43.5 | 0 | 0 | 345344 | 11 | 97 | Dimonstrazioni di giubilo, fatte dalla città di Parma per lo mezzo de'Sign Anziani e deputati del pubblico in occasione che si diede il solenne felice giuramento di fedelta da questo stato alla Sacra reale maestà cattolica di Elisabetta Franese di Borbone | 1665 | Written by|Published by|Designed by|Engraved by | Abate Balastrieri|Giuseppe Rosati|Mauritius Lotici|Joseph Patrini | Italian, active 18th century|Italian, active 18th century | , Parma | 21517 | 315 | 1700 |1700 | 1800 |1800 | 1746 | 1746 | 1746 | Overall: 11 5/8 x 8 7/16 x 1 5/16 in. (29.5 x 21.5 x 3.4 cm) | Harris Brisbane Dick Fund, 1948 | 527 | 442 | http://www.metmuseum.org/art/collection/search/345344 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 218971 | 47.4 | 0 | 0 | 346481 | 11 | 97 | Raccolta di Teste, Pensieri, Trofei, e preve varie d'acqua forte | 2 | Benigno Bossi | Italian, 1727–1792 | 22191 | 6 | 1727 | 1792 | 1754–72 | 1754 | 1772 | Harris Brisbane Dick Fund, 1947 | 527 | 442 | http://www.metmuseum.org/art/collection/search/346481 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 219590 | 41.46 | 0 | 0 | 347110 | 11 | 97 | Prose E Versi Per Onorare La Memoria Di Livia Doria Caraffa | 2031 | About|Published by | Livia Doria Caraffa|Reale Stamperia|Raphael Morghen | Italian, Naples 1758–1833 Florence | , Parma | 22667 | 145 | 1758 | 1833 | 1784 | 1784 | 1784 | 11 5/8 × 8 7/8 × 1 7/8 in. (29.5 × 22.5 × 4.7 cm) | Harris Brisbane Dick Fund, 1941 | 527 | 442 | http://www.metmuseum.org/art/collection/search/347110 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 221079 | 52.519.76 | 0 | 0 | 348620 | 11 | 97 | Descrizione delle Feste Celebrate in Parma L'Anno MDCCLXIX. Per Le Auguste Nozze di Sua Altezza Reale L'Infante Don Ferdinando Colla Reale Arciduchessa Maria Amalia | 2255 | Designs by|Published by|French text written by|Italian text written by|Designs by | Ennemond Alexandre Petitot|Stamperia Reale|Abbé Claude Francois Xavier Millot|Paolo Maria Paciaudi|Giovanni Volpato | French, Lyons 1727–1801 Parma|French, 1726–1785|1710–1785|Italian, Bassano 1732–1803 Rome | , Parma | 23703 | 1505 | 1727 |1726 |1710 |1732 | 1801 |1785 |1785 |1803 | 1769 | 1769 | 1769 | 32636 | Overall: 21 5/8 x 17 5/16 x 1 9/16 in. (55 x 44 x 4 cm) | Rogers Fund, 1952 | 527 | 442 | http://www.metmuseum.org/art/collection/search/348620 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 227661 | 40.59.1 | 0 | 1 | 355281 | 11 | 13815 | Mascarade à la Grecque; Suite des Vases; and [Cheminées] | 3240 | Etched and published by|Dedicated to | Ennemond Alexandre Petitot|Benigno Bossi|Marquis de Felino | French, Lyons 1727–1801 Parma|Italian, 1727–1792|Italian | 28540 | 211 | 1727 |1727 | 1801 |1792 | 1771, 1764 | 1764 | 1771 | 26137 | Overall: 17 5/16 x 11 7/8 x 13/16 in. (43.9 x 30.1 x 2 cm) plate: 6 3/4 x 8 7/8 in. (17.2 x 22.5 cm) | Harris Brisbane Dick Fund, 1940 | 527 | 665 | http://www.metmuseum.org/art/collection/search/355281 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 227662 | 30.58.7 | 0 | 1 | 355282 | 11 | 97 | Suite des Vases Tirée du Cabinet de Monsieur Du Tillot Marquis de Felino | 2068 | Etched and published by|Dedicated to | Ennemond Alexandre Petitot|Benigno Bossi|Léon Guillaume Du Tillot | French, Lyons 1727–1801 Parma|Italian, 1727–1792|French, Bayonne 1711–1774 Paris | 28541 | 273 | 1727 |1727 |1711 | 1801 |1792 |1774 | [1771] | 1771 | 1771 | 26137 | Book: 19 1/16 x 13 13/16 x 1/2 in. (48.4 x 35.1 x 1.2 cm) | Harris Brisbane Dick Fund, 1930 | 527 | 442 | http://www.metmuseum.org/art/collection/search/355282 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 227670 | 42.70.1 | 0 | 0 | 355290 | 11 | 97 | Raisonnement sur La Perspective | 41 | Written by | Ennemond Alexandre Petitot | French, Lyons 1727–1801 Parma | 18290 | 2 | 1727 | 1801 | 1758 | 1758 | 1758 | 29332 | Overall: 14 5/8 x 10 1/4 x 1/2 in. (37.1 x 26 x 1.3 cm) | Harris Brisbane Dick Fund, 1942 | 527 | 442 | http://www.metmuseum.org/art/collection/search/355290 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 227672 | 1985.1024 | 0 | 1 | 355292 | 11 | 97 | Suite de Vases | 3242 | Etched and published by | Ennemond Alexandre Petitot|Benigno Bossi|Léon Guillaume Du Tillot|J. H. Köch|A. Zingy | French, Lyons 1727–1801 Parma|Italian, 1727–1792|French, Bayonne 1711–1774 Paris|active 1764|active 1764 | 28550 | 2119 | 1727 |1727 |1711 |1700 |1700 | 1801 |1792 |1774 |1800 |1800 | 1764 | 1764 | 1764 | 26137 | 12 7/8 x 9 1/8 x 11/16 in. (32.7 x 23.2 x 1.8 cm) | Rogers Fund, 1944, transferred from the Library | 527 | 442 | http://www.metmuseum.org/art/collection/search/355292 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 245447 | 41.100.116 | 0 | 0 | 373661 | 11 | 13811 | De partibus aedium libre primus [-secondus] | 4186 | Verses written by|Verses written by|Verses written by | Francesco Mario Grapaldi|Angelo Ugoleto|Orlando Pallavicino|Filippo Beroaldo|Giorgio Anselmo|Bernardino Saxoguidano | Italian, 1465–1515|Italian|Italian|Italian, 1472–1518|Italian, 1459–1528 | 34516 | 851 | 1465 |1472 |1459 | 1515 |1518 |1528 | ca. 1494 | 1489 | 1499 | 33728 | 8 3/8 x 6 3/16 x 1 9/16 in. (21.3 x 15.7 x 4 cm) Box: 9 5/8 x 7 5/16 x 2 7/16 in. (24.5 x 18.5 x 6.2 cm) | Bequest of W. Gedney Beatty, 1941 | 527 | 665 | http://www.metmuseum.org/art/collection/search/373661 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 245448 | 41.100.117 | 0 | 0 | 373662 | 11 | 13811 | Francesci Marii Grapaldi De partibus aedium libellus cum additamentis emendatissimus | 4187 | Verses written by|Verses written by | Francisco Ugoleto|Orlando Pallavicino|Francesco Mario Grapaldi|Filippo Beroaldo|Giorgio Anselmo | Italian|Italian|Italian, 1465–1515|Italian, 1472–1518|Italian, 1459–1528 | 34517 | 836 | 1465 |1472 |1459 | 1515 |1518 |1528 | 1501 | 1501 | 1501 | 33728 | 8 1/8 x 6 1/4 x 1 5/16 in. (20.7 x 15.8 x 3.4 cm) Box: 8 9/16 x 6 3/4 x 1 3/4 in. (21.7 x 17.1 x 4.5 cm) | Bequest of W. Gedney Beatty, 1941 | 527 | 665 | http://www.metmuseum.org/art/collection/search/373662 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 245449 | 41.100.118 | 0 | 0 | 373663 | 11 | 13811 | Francisci Marii Grapaldi De partibus aedium cum additamentis quod vides opusculum formis excussum | 4188 | Verses written by|Verses written by | Francesco Mario Grapaldi|Francisco Ugoleto|Orlando Pallavicino|Filippo Beroaldo|Giorgio Anselmo | Italian, 1465–1515|Italian|Italian|Italian, 1472–1518|Italian, 1459–1528 | 34518 | 836 | 1465 |1472 |1459 | 1515 |1518 |1528 | 1506 | 1506 | 1506 | 33728 | 7 15/16 x 5 15/16 x 1 7/16 in. (20.2 x 15.1 x 3.7 cm) Box: 8 1/2 x 6 9/16 x 1 3/4 in. (21.6 x 16.6 x 4.4 cm) | Bequest of W. Gedney Beatty, 1941 | 527 | 665 | http://www.metmuseum.org/art/collection/search/373663 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 248397 | 41.100.121 | 0 | 0 | 376699 | 11 | 13811 | De partibus aedium. Addita modo verborum explicatione quae in eodem libro | 4239 | Biography written by|Verses written by | Orlando Pallavicino|Francesco Mario Grapaldi|Ottaviano Salado & Francesco Ugoleto|Antonio Quinziano|Janus Andreas Albius|Filippo Beroaldo | Italian|Italian, 1465–1515|Italian|Italian, active 1494–1525|Italian|Italian, 1472–1518 | 35227 | 851 | 1465 |1494 |1472 | 1515 |1525 |1518 | 1516 | 1516 | 1516 | 39727 | 8 7/16 x 6 5/16 x 1 7/16 in. (21.5 x 16 x 3.7 cm) Box: 8 15/16 x 6 3/4 x 1 7/8 in. (22.7 x 17.1 x 4.7 cm) | Bequest of W. Gedney Beatty, 1941 | 527 | 665 | http://www.metmuseum.org/art/collection/search/376699 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 252079 | 1991.1073.180 | 0 | 0 | 380575 | 11 | 97 | Degli ornamenti d'architettura e delle loro simmetrie colle regole teorico-pratiche per ben profilare ogni genere di cornici | 41 | Written and illustrated by | Carlo Randoni | Italian, active Parma, early 18th century | 35653 | 6 | 1813 | 1813 | 1813 | 34401 | Rogers Fund, 1991 | 527 | 442 | http://www.metmuseum.org/art/collection/search/380575 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 252159 | 69.670.32 | 0 | 0 | 380657 | 11 | 97 | [Suite des Vases] | 1324 | Etched and published by | Ennemond Alexandre Petitot|Benigno Bossi | French, Lyons 1727–1801 Parma|Italian, 1727–1792 | 35685 | 247 | 1727 |1727 | 1801 |1792 | 1765 | 1765 | 1765 | 26137 | Overall: 17 5/16 x 11 7/8 x 13/16 in. (43.9 x 30.1 x 2 cm) | Rogers Fund, 1969 | 527 | 442 | http://www.metmuseum.org/art/collection/search/380657 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 252160 | 46.8.25 | 0 | 0 | 380658 | 11 | 731 | [Suite de Vases] | 13 | Designed by|Etched by | Ennemond Alexandre Petitot|Benigno Bossi | French, Lyons 1727–1801 Parma|Italian, 1727–1792 | 35685 | 247 | 1727 |1727 | 1801 |1792 | [1764] | 1764 | 1764 | 26137 | plate: 8 1/16 x 6 5/16 in. (20.5 x 16 cm) | Transferred from the Library (46.8.25) | 527 | 13 | http://www.metmuseum.org/art/collection/search/380658 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 429035 | 1980.1132.14 | 0 | 0 | 712074 | 11 | 731 | Design for the facade of the baths, Foro Bonaparte, Milan | 1309 | Giovanni Antonio Antolini|Filippo Antolini di Faenza | Italian, Ravenna 1756–1841 Bologna|Italian, 1786–1859 | 54684 | 1756 |1786 | 1841 |1859 | 1806 | 1806 | 1806 | 36235 | Plate: 19 11/16 × 31 1/2 in. (50 × 80 cm) Sheet: 22 13/16 × 34 5/16 in. (58 × 87.2 cm) | Gift of Harvey Smith, 1980 | 527 | 13 | http://www.metmuseum.org/art/collection/search/712074 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 429041 | 1980.1132.10 | 0 | 0 | 712080 | 11 | 731 | Design for Foro Bonaparte, Milan | 5477 | Giovanni Antonio Antolini|Alessandro Sanquirico|Ferdinando Bonsignore | Italian, Ravenna 1756–1841 Bologna|Italian, 1777–1849|Italian, Turin 1760–1843 Turin | 54687 | 1756 |1777 |1760 | 1841 |1849 |1843 | 1806 | 1806 | 1806 | 36235 | Plate: 19 1/2 × 31 13/16 in. (49.5 × 80.8 cm) Sheet: 23 13/16 × 33 11/16 in. (60.5 × 85.5 cm) | Gift of Harvey Smith, 1980 | 527 | 13 | http://www.metmuseum.org/art/collection/search/712080 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 429043 | 1980.1132.12 | 0 | 0 | 712082 | 11 | 731 | Design for the baths, Foro Bonaparte, Milan | 1168 | Ferdinando Albertolli|Giovanni Antonio Antolini | Italian, Bedano 1780–1844 Milan|Italian, Ravenna 1756–1841 Bologna | 54688 | 1780 |1756 | 1844 |1841 | 1806 | 1806 | 1806 | 36235 | Plate: 19 5/8 × 31 11/16 in. (49.8 × 80.5 cm) Sheet: 23 3/4 × 34 1/16 in. (60.3 × 86.5 cm) | Gift of Harvey Smith, 1980 | 527 | 13 | http://www.metmuseum.org/art/collection/search/712082 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 429061 | 1980.1132.13 | 0 | 0 | 712100 | 11 | 731 | Section view of the design for the baths, Foro Bonaparte, Milan | 1168 | Luigi Rados|Giovanni Antonio Antolini | Italian, Parma 1773–1840|Italian, Ravenna 1756–1841 Bologna | 54692 | 1773 |1756 | 1773 |1841 | 1806 | 1806 | 1806 | 36235 | Plate: 19 7/8 × 32 7/16 in. (50.5 × 82.4 cm) Sheet: 22 13/16 × 33 7/8 in. (58 × 86 cm) | Gift of Harvey Smith, 1980 | 527 | 13 | http://www.metmuseum.org/art/collection/search/712100 | 4/23/2018 8:00:01 AM | 1 |