Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 45971 | 2015.300.227a–f | 0 | 1 | 53449 | 7 | 5018 | 『諸國六玉川』|Six Jewel Rivers from Various Provinces (Shokoku Mu-Tamagawa) | 46 | Edo period (1615–1868) | 2 | Utagawa Hiroshige | Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo) | 3448 | 1797 | 1858 | 1857 | 1750 | 1900 | 11556 | Image (each): 14 1/4 × 9 5/8 in. (36.2 × 24.4 cm) Mat (each): 22 13/16 × 15 9/16 in. (58 × 39.6 cm) | Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 | 13 | http://www.metmuseum.org/art/collection/search/53449 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 46207 | 1999.457.2 | 0 | 1 | 53711 | 7 | 5018 | 46 | Meiji period (1868–1912) | 188 | prints 25,27,31,32 by|print 28 by|print 2 by|prints 13,17,18,20,26,29 by | Kunimasa|Hiroaki|Toyohara Kunichika|Morikawa Chikashige|Yōshū (Hashimoto) Chikanobu | Japanese|Japanese, 1871–1945|Japanese, 1835–1900|Japanese, second half of 19th century|Japanese, 1838–1912 | 4326 | 73 | 1871 |1835 |1850 |1838 | 1945 |1900 |1899 |1912 | 1883–86 | 1883 | 1886 | 11612 | Each H. 14 in. (35.6 cm); W. 9 1/4 in. (23.5 cm) | Gift of Eliot C. Nolen, 1999 | 13 | http://www.metmuseum.org/art/collection/search/53711 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 47485 | JP3177a–f | 0 | 1 | 55121 | 7 | 5018 | 「向處無敵 平壌陥落」|There Stands No Enemy Where We Go: Surrender of Pyongyang from a series on the Sino-Japanese War (Mukau tokoro tekinashi: Heijō kanraku) | 46 | Meiji period (1868–1912) | 2 | Migita Toshihide | Japanese, 1863–1925 | 4402 | 74 | 1863 | 1925 | Meiji 27 (1894) | 27 | 1894 | 11733 | Image (each): 13 1/2 × 9 1/8 in. (34.3 × 23.2 cm) | Gift of Lincoln Kirstein, 1959 | 13 | http://www.metmuseum.org/art/collection/search/55121 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 48086 | JP1569 | 0 | 1 | 55746 | 7 | 5018 | 細田栄之画 「風流やつし源氏 朝顔」|Asagao, from the series “Genji in Fashionable Modern Guise” (Furyū yatsushi Genji) | 46 | Edo period (1615–1868) | 2 | Hosoda Eishi | Japanese, 1756–1829 | 4384 | 74 | 1756 | 1829 | 1789 | 1789 | 1789 | 7356 | a: H. 14 7/8 in. (37.8 cm); W. 9 7/8 in. (25.1 cm); b: H. 14 7/8 in. (37.8 cm); W. 9 3/4 in. (24.8 cm); c: H. 15 in. (38.1 cm); W. 10 in. (25.4 cm) | Fletcher Fund, 1929 | 13 | http://www.metmuseum.org/art/collection/search/55746 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 49927 | JIB170 | 0 | 1 | 57861 | 7 | 5018 | 「傾城道中双六 見立よしはら五十三つい」|Album of prints from the series A Tōkaidō Board Game of Courtesans, Fifty-three Pairings in the Yoshiwara (Keisei dōchū sugoroku, Mitate Yoshiwara gojūsan tsui) | 46 | Edo period (1615–1868) | 2 | Keisai Eisen | Japanese, 1790–1848 | 3482 | 74 | 1790 | 1848 | 1790 | 1848 | 12028 | 11 in. × 14 3/4 in. (27.9 × 37.5 cm) Image (each): 9 3/8 × 13 1/4 in. (23.8 × 33.7 cm) | Gift of Suizan Miki, 1952 | 13 | http://www.metmuseum.org/art/collection/search/57861 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 66021 | 2013.944a–l | 0 | 0 | 78470 | 7 | 5018 | 51 | 2 | Qiu Anxiong | Chinese, born 1972 | 5112 | 116 | 1972 | 2072 | 2008 | 2008 | 2008 | 14982 | Sheet (each): 19 3/4 × 16 1/2 in. (50.2 × 41.9 cm) | Purchase, Friends of Asian Art Gifts, 2013 | 13 | © Qiu Anxiong | http://www.metmuseum.org/art/collection/search/78470 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 249305 | 32.83.3(4-15) | 0 | 0 | 377736 | 11 | 5018 | Aquatint Views for use in The Portable Diorama | 740 | and author | Samuel Leigh|John Heaviside Clark | London|British (born Scotland), 1771–1863 Edinburgh | 23023 | 336 | 1800 |1771 | 1899 |1863 | 1827 | 1827 | 1827 | 39891 | Frame: 7 3/4 x 10 3/8 in. (19.7 x 26.4 cm) | Harris Brisbane Dick Fund, 1932 | 14 | 13 | http://www.metmuseum.org/art/collection/search/377736 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 265090 | 57.559.41 | 0 | 1 | 394057 | 11 | 5018 | Three Loves, one of which is seated, holding a quiver | 960 | 895 | After | Pierre Alexandre Aveline|François Boucher|Chez Huquier | French, Paris 1702–1760 Paris|French, Paris 1703–1770 Paris|French, 18th century | 38773 | 103 | 1702 |1703 |0018 | 1760 |1770 |0018 | 1727–60 | 1727 | 1760 | 6712 | Sheet: 11 5/8 × 15 3/4 in. (29.5 × 40 cm) Plate: 8 1/4 in. × 11 in. (21 × 28 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1957 | 673 | http://www.metmuseum.org/art/collection/search/394057 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 285114 | 55.539.12 | 0 | 1 | 414424 | 11 | 5018 | Three Loves Next to a Cartouche | 1935 | 895 | After | François Boucher|Pierre Alexandre Aveline|Gabriel Huquier | French, Paris 1703–1770 Paris|French, Paris 1702–1760 Paris|French, Orléans 1695–1772 Paris | 22216 | 103 | 1703 |1702 |1695 | 1770 |1760 |1772 | 1727–60 | 1727 | 1760 | 6712 | Sheet: 10 7/16 x 8 7/16 in. (26.5 x 21.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1955 | 13 | http://www.metmuseum.org/art/collection/search/414424 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 285193 | 55.539.18 | 0 | 1 | 414503 | 11 | 5018 | Two Loves, one of which holds a crown | 1935 | 895 | After | François Boucher|Pierre Alexandre Aveline|Gabriel Huquier | French, Paris 1703–1770 Paris|French, Paris 1702–1760 Paris|French, Orléans 1695–1772 Paris | 22216 | 103 | 1703 |1702 |1695 | 1770 |1760 |1772 | 1727–60 | 1727 | 1760 | 6712 | Sheet (trimmed): 10 3/8 × 8 7/16 in. (26.3 × 21.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1955 | 13 | http://www.metmuseum.org/art/collection/search/414503 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 285320 | 57.559.42 | 0 | 1 | 414630 | 11 | 5018 | Three Loves, One holding a Quiver, the Other, Grapes | 960 | 895 | After | François Boucher|Pierre Alexandre Aveline|Gabriel Huquier | French, Paris 1703–1770 Paris|French, Paris 1702–1760 Paris|French, Orléans 1695–1772 Paris | 22216 | 103 | 1703 |1702 |1695 | 1770 |1760 |1772 | 1727–60 | 1727 | 1760 | 6712 | Sheet: 11 9/16 x 15 9/16 in. (29.4 x 39.5 cm) Plate: 8 1/2 x 11 in. (21.6 x 28 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1957 | 13 | http://www.metmuseum.org/art/collection/search/414630 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 288859 | 1986.1130.1 | 0 | 0 | 418178 | 11 | 5018 | Saint Monica and her son, Saint Augustine, from "The Life of Saint Monica" | 849 | Pierre Bonnard|Aimé Jourde|Ambroise Vollard | French, Fontenay-aux-Roses 1867–1947 Le Cannet|French|French, 1866–1939 | 41627 | 103 | 1867 |1866 | 1947 |1939 | 1930 | 1930 | 1930 | 35449 | Sheet: 12 11/16 × 10 1/16 in. (32.3 × 25.5 cm) Image: 11 in. × 8 1/8 in. (28 × 20.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1986 | 13 | © 2018 Artists Rights Society (ARS), New York | http://www.metmuseum.org/art/collection/search/418178 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 294928 | 56.571.4 | 0 | 0 | 424375 | 11 | 5018 | Com Barrios | 2 | Zuelma Damianovich | American | 42139 | 1 | 1956 | 1956 | 1956 | 29346 | Image: 13 9/16 × 18 1/2 in. (34.5 × 47 cm) Sheet: 20 1/16 × 26 1/8 in. (51 × 66.4 cm) | Gift of National Serigraph Society, 56.571.4 | 13 | http://www.metmuseum.org/art/collection/search/424375 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 296515 | 51.501.6414 | 0 | 1 | 426203 | 11 | 5018 | The Preparation of the Cross | 2 | Hieronymus (Jerome) Wierix | Netherlandish, ca. 1553–1619 Antwerp | 12516 | 179 | 1553 | 1619 | before 1619 | 1553 | 1619 | 32759 | Sheet: 3 7/8 × 2 1/2 in. (9.8 × 6.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/426203 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 296516 | 51.501.6417 | 0 | 1 | 426204 | 11 | 5018 | Christ Crucified | 2 | Hieronymus (Jerome) Wierix | Netherlandish, ca. 1553–1619 Antwerp | 12516 | 179 | 1553 | 1619 | before 1619 | 1553 | 1619 | 32759 | Sheet: 3 7/8 × 2 1/2 in. (9.9 × 6.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/426204 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 296517 | 51.501.6406 | 0 | 1 | 426205 | 11 | 5018 | Descent from the Cross | 2 | Hieronymus (Jerome) Wierix | Netherlandish, ca. 1553–1619 Antwerp | 12516 | 179 | 1553 | 1619 | before 1619 | 1553 | 1619 | 32759 | Sheet: 3 7/8 × 2 9/16 in. (9.8 × 6.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/426205 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 296518 | 51.501.6419 | 0 | 1 | 426206 | 11 | 5018 | The Lamentation | 2 | Hieronymus (Jerome) Wierix | Netherlandish, ca. 1553–1619 Antwerp | 12516 | 179 | 1553 | 1619 | before 1619 | 1553 | 1619 | 32759 | Sheet: 3 7/8 × 2 9/16 in. (9.9 × 6.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/426206 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 296519 | 51.501.6393 | 0 | 1 | 426207 | 11 | 5018 | Christ on the Cross | 2 | Antonius Wierix, II | Netherlandish, Antwerp 1555/59–1604 Antwerp | 31404 | 179 | 1555 | 1604 | before 1586 | 1553 | 1586 | 7208 | Sheet: 9 7/16 × 7 1/2 in. (23.9 × 19.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/426207 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 296520 | 51.501.6392 | 0 | 1 | 426208 | 11 | 5018 | The Fountain of Life | 2 | Antonius Wierix, II | Netherlandish, Antwerp 1555/59–1604 Antwerp | 31404 | 179 | 1555 | 1604 | before 1604 | 1555 | 1604 | 31674 | Sheet: 4 3/8 × 2 5/8 in. (11.1 × 6.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/426208 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 296521 | 53.601.18(80) | 0 | 1 | 426209 | 11 | 5018 | Christ on the Cross | 2 | After | Antonius Wierix, II | Netherlandish, Antwerp 1555/59–1604 Antwerp | 31404 | 179 | 1555 | 1604 | before 1604 | 1604 | 1604 | 31672 | Plate: 9 1/8 × 6 13/16 in. (23.2 × 17.3 cm) Sheet: 9 1/4 × 6 15/16 in. (23.5 × 17.7 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/426209 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 296522 | 53.601.18(252) | 0 | 1 | 426210 | 11 | 5018 | The Entombment | 13 | After | Hieronymus (Jerome) Wierix|Maerten de Vos | Netherlandish, ca. 1553–1619 Antwerp|Netherlandish, Antwerp 1532–1603 Antwerp | 31400 | 327 | 1553 |1532 | 1619 |1603 | 1584 | 1584 | 1584 | 7208 | Sheet: 10 1/4 × 7 15/16 in. (26 × 20.1 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/426210 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 296523 | 53.601.18(84) | 0 | 1 | 426211 | 11 | 5018 | The Blood of the Redeemer Venerated by Two Angels | 2 | Hieronymus (Jerome) Wierix | Netherlandish, ca. 1553–1619 Antwerp | 12516 | 179 | 1553 | 1619 | before 1619 | 1553 | 1619 | 7208 | Sheet: 3 3/4 × 2 3/8 in. (9.6 × 6 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/426211 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 296524 | 17.3.489 | 0 | 1 | 426212 | 11 | 5018 | Bearing the Body of Christ | 2 | Hieronymus (Jerome) Wierix | Netherlandish, ca. 1553–1619 Antwerp | 12516 | 179 | 1553 | 1619 | 1586 | 1586 | 1586 | 30370 | Plate: 7 3/16 × 7 5/8 in. (18.3 × 19.4 cm) Sheet: 7 1/2 × 7 15/16 in. (19 × 20.1 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/426212 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 297386 | 53.601.18(45) | 0 | 1 | 427082 | 11 | 5018 | Christ Sitting on the Cold Stone | 2 | Hieronymus (Jerome) Wierix | Netherlandish, ca. 1553–1619 Antwerp | 12516 | 179 | 1553 | 1619 | before ca. 1586 | 1586 | 1586 | 7208 | Plate: 9 1/2 × 7 1/4 in. (24.2 × 18.4 cm) Sheet: 9 11/16 × 7 3/8 in. (24.6 × 18.8 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/427082 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 300039 | 65.587.8 | 0 | 1 | 429805 | 11 | 5018 | The Fall of Babylon | 13 | After | Philips Galle|Maarten van Heemskerck | Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Heemskerck 1498–1574 Haarlem | 42910 | 327 | 1537 |1498 | 1612 |1574 | 1569 | 1569 | 1569 | 7208 | Sheet: 9 3/8 × 16 1/4 in. (23.8 × 41.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1965 | 13 | http://www.metmuseum.org/art/collection/search/429805 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 300236 | 66.506.2 | 0 | 0 | 430002 | 11 | 5018 | Vue de la Neva vers l'Occident entre l'Eglise de St. Isaac et les batimens du Corps des Cadets | 4835 | Supervised by | Giuseppe Valeriani|Mikhail Makhaev|Ivan Sokolov|Iakov Vasiliev|Imperatorskaia Akademiia Nauk | Italian, Rome 1708–1762 Saint Petersburg|Russian, 1716–1770|Russian, 1717–1756|Russian, 1730–1760 | 42919 | 2402 | 1708 |1716 |1717 |1730 | 1761 |1770 |1756 |1760 | 1753 | 1753 | 1753 | 29387 | Sheet: 20 9/16 × 54 7/8 in. (52.3 × 139.4 cm) | Louis V. Bell Fund, 1966 | 13 | http://www.metmuseum.org/art/collection/search/430002 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 300259 | 66.506.7 | 0 | 0 | 430025 | 11 | 5018 | Vue de la Neva vers l'orient entre le chantier des Galeres et la 13me ligne de Wassili ostroff | 4836 | Supervised by | Giuseppe Valeriani|Mikhail Makhaev|Ivan Sokolov|Imperatorskaia Akademiia Nauk|Ivan Eliakov | Italian, Rome 1708–1762 Saint Petersburg|Russian, 1716–1770|Russian, 1717–1756|Russian, 1725–1756 | 42921 | 2402 | 1708 |1716 |1717 |1725 | 1761 |1770 |1756 |1756 | 1753 | 1753 | 1753 | 29387 | Sheet: 20 3/16 × 54 in. (51.3 × 137.2 cm) | Louis V. Bell Fund, 1966 | 13 | http://www.metmuseum.org/art/collection/search/430025 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 301556 | 57.589.8 | 0 | 0 | 431335 | 11 | 5018 | Homeward Ferry | 2 | John DePol | American, New York, New York 1913–2004 Teaneck, New Jersey | 43018 | 1 | 1913 | 2004 | mid 20th century | 1957 | 1957 | 29001 | Block: 2 1/16 × 2 7/8 in. (5.2 × 7.3 cm) Sheet: 5 × 6 7/16 in. (12.7 × 16.4 cm) | John B. Turner Fund, 1957 | 13 | http://www.metmuseum.org/art/collection/search/431335 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 302574 | 49.3.6 | 0 | 0 | 432368 | 11 | 5018 | Unfinished Portrait of Unidentified Sitter | 2 | Anonymous, French, 17th century | 17516 | 2 | 1600 | 1700 | 17th century | 1600 | 1700 | 44363 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/432368 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 302796 | 2013.452 | 0 | 1 | 432632 | 11 | 5018 | Festival of Fools | 895 | After | Pieter Bruegel the Elder|Pieter van der Heyden|Aux Quatre Vents | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569 | 43160 | 787 | 1525 |1525 | 1569 |1569 | after 1570 | 1570 | 1600 | 30392 | Sheet: 14 3/4 × 19 15/16 in. (37.5 × 50.6 cm) Plate: 12 11/16 × 16 15/16 in. (32.3 × 43.1 cm) | Gift of Petra S. Rumbler and Helmut H. Rumbler, 2013 | 13 | http://www.metmuseum.org/art/collection/search/432632 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 304010 | 53.685.162 | 0 | 1 | 433864 | 11 | 5018 | Planiglobii Terrestris Mappa Universalis... | 710 | Published by | Johann Baptist Homann|Homann Heirs | German, Oberkammlach 1663–1724 Nuremberg | 43231 | 10 | 1663 |1730 | 1724 |1853 | 1746 | 1746 | 1746 | 31472 | Plate: 18 3/4 × 22 3/8 in. (47.7 × 56.9 cm) Sheet: 21 13/16 × 24 15/16 in. (55.4 × 63.4 cm) | Gift of Eugene L. Garbaty, 1953 | 13 | http://www.metmuseum.org/art/collection/search/433864 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 382415 | 60.673.12 | 0 | 1 | 631422 | 11 | 5018 | Fashion Plate: The American Girl in France | 740 | Charles Scribners' Sons|Harrison Fisher | American, Brooklyn, New York 1877–1934 New York | 49157 | 1 | 1877 | 1934 | 1909 | 1909 | 1909 | 34809 | Sheet: 16 in. × 12 1/16 in. (40.6 × 30.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 13 | http://www.metmuseum.org/art/collection/search/631422 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 382418 | Museum Accession 1918 | 0 | 1 | 631425 | 11 | 5018 | "Hose of Luxite" Advertisement for Holeproof Hosiery Co. | 2 | Coles Phillips | American, 1880–1927 | 49159 | 1880 | 1927 | ca. 1918 | 1913 | 1923 | 30785 | Sheet: 17 9/16 × 12 7/8 in. (44.6 × 32.7 cm) | Museum Accession, 1918 | 13 | http://www.metmuseum.org/art/collection/search/631425 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 382734 | 2013.1000 | 0 | 1 | 631849 | 11 | 5018 | Eruption of a Vulcano (Vesuvius) seen from across the Bay | 2 | Anonymous, French-Italian, 18th century | 49209 | 3575 | 1700 | 1800 | 18th century | 1700 | 1800 | 26137 | Plate: 11 × 7 1/4 in. (28 × 18.4 cm) Sheet: 11 1/4 × 7 3/8 in. (28.5 × 18.7 cm) | Gift of Joel Kaye, in memory of Leo Lerman and Gray Foy, 2013 | 13 | http://www.metmuseum.org/art/collection/search/631849 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 382893 | 53.601.20(189) | 0 | 0 | 632135 | 11 | 5018 | The Colossus of Rhodes, from the Eight Wonders of the World, plate 4 | 2421 | 13 | After | Philips Galle|Maarten van Heemskerck | Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Heemskerck 1498–1574 Haarlem | 42910 | 327 | 1537 |1498 | 1612 |1574 | 1572 | 1572 | 1572 | 32759 | Sheet: 8 1/4 × 10 1/16 in. (21 × 25.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/632135 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 382894 | 53.601.20(190) | 0 | 0 | 632137 | 11 | 5018 | The Temple of Diana at Ephesus, from the Eight Wonders of the World, plate 5 | 2421 | 13 | After | Philips Galle|Maarten van Heemskerck | Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Heemskerck 1498–1574 Haarlem | 42910 | 327 | 1537 |1498 | 1612 |1574 | 1572 | 1572 | 1572 | 32759 | Sheet: 8 7/16 × 10 1/4 in. (21.5 × 26.1 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/632137 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 382896 | 53.601.20(191) | 0 | 0 | 632139 | 11 | 5018 | The Mausoleum at Halicarnassus, from the Eight Wonders of the World, plate 6 | 2421 | 13 | After | Philips Galle|Maarten van Heemskerck | Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Heemskerck 1498–1574 Haarlem | 42910 | 327 | 1537 |1498 | 1612 |1574 | 1572 | 1572 | 1572 | 32759 | Sheet: 8 3/8 × 10 3/8 in. (21.2 × 26.3 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/632139 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 382897 | 53.601.20(192) | 0 | 0 | 632141 | 11 | 5018 | The Walls of Babylon, from the Eight Wonders of the World, plate 7 | 2421 | 13 | After | Philips Galle|Maarten van Heemskerck | Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Heemskerck 1498–1574 Haarlem | 42910 | 327 | 1537 |1498 | 1612 |1574 | 1572 | 1572 | 1572 | 32759 | Sheet: 8 5/16 × 10 3/8 in. (21.1 × 26.4 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/632141 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 388267 | 2014.219.2 | 0 | 0 | 638317 | 7 | 5018 | 46 | 2 | Ushio Shinohara | Japanese, born Tokyo 1932 | 49569 | 74 | 1932 | 2032 | 1969 | 1969 | 1969 | 58328 | Image (each): 11 7/8 × 11 7/8 in. (30.2 × 30.2 cm) Sheet: 17 3/16 × 43 3/4 in. (43.7 × 111.1 cm) | Bequest of William S. Lieberman, 2005 | 13 | http://www.metmuseum.org/art/collection/search/638317 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 391486 | 49.95.556 | 0 | 1 | 643364 | 11 | 5018 | Melancholy (Melancolia) | 895 | Formerly after|Attributed to | Abraham Bloemaert|Theodor Matham|Jacob Matham | Netherlandish, Gorinchem 1566–1651 Utrecht|Dutch, Haarlem 1605 or 1606–1676 Amsterdam|Netherlandish, Haarlem 1571–1631 Haarlem | 49884 | 797 | 1566 |1605 |1571 | 1651 |1676 |1631 | 1633 | 1676 | 6712 | Sheet: 10 7/8 × 8 1/16 in. (27.7 × 20.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/643364 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 394605 | 27.54.16 | 0 | 0 | 647598 | 11 | 5018 | Gertrude, Robert the Friese, Geoffrey the Humpback, Theodoric V from The Dukes and Duchesses of Holland on Horseback | 2 | Jacob Cornelisz van Oostsanen | Netherlandish, Oostsanen ca. 1470–1533 Amsterdam | 44661 | 179 | 1465 | 1533 | 1518 | 1518 | 1518 | 26552 | Sheet: 6 7/16 × 10 1/4 in. (16.4 × 26 cm) | Harris Brisbane Dick Fund, 1927 | 13 | http://www.metmuseum.org/art/collection/search/647598 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 394617 | 27.54.17 | 0 | 0 | 647612 | 11 | 5018 | William IV and Margaret and Theodoric I and Theodoric II from The Dukes and Duchesses of Holland on Horseback | 2 | Jacob Cornelisz van Oostsanen | Netherlandish, Oostsanen ca. 1470–1533 Amsterdam | 44661 | 179 | 1465 | 1533 | 1518 | 1518 | 1518 | 58709 | Sheet: 6 15/16 × 10 7/8 in. (17.6 × 27.6 cm) | Harris Brisbane Dick Fund, 1927 | 13 | http://www.metmuseum.org/art/collection/search/647612 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 396294 | WW.451 | 0 | 0 | 649737 | 11 | 5018 | Budapest: Coronation Church (Krönungskirche) | 710 | Franz Kuhn|Wiener Werkstätte | Austrian, Mistelbach 1889–1952 Vienna | 50500 | 66 | 1889 | 1952 | 1911 | 1911 | 1911 | 30750 | Sheet: 5 1/2 × 3 9/16 in. (14 × 9 cm) | Museum Accession, transferred from the Library | 13 | http://www.metmuseum.org/art/collection/search/649737 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 396413 | WW.514 | 0 | 1 | 649901 | 11 | 5018 | The Clever Lady Knight (Die schlaue Ritterin) | 710 | Moriz Jung|Wiener Werkstätte | Austrian (born Czechoslovakia) Moravia 1885–1915 Manilowa (Carpathians) | 42035 | 66 | 1885 | 1915 | 1911 | 1911 | 1911 | 30750 | Sheet: 5 1/2 × 3 9/16 in. (14 × 9 cm) | Museum Accession, transferred from the Library | 13 | http://www.metmuseum.org/art/collection/search/649901 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 396468 | 27.4.61 | 0 | 1 | 649970 | 11 | 5018 | Hadleigh Castle: Large Plate | 13 | After | David Lucas|John Constable | British, Northamptonshire 1802–1881 London|British, East Bergholt 1776–1837 Hampstead | 18613 | 9 | 1802 |1776 | 1881 |1837 | 1830–49 | 1830 | 1849 | 58774 | Plate: 10 7/8 × 14 11/16 in. (27.6 × 37.3 cm) Sheet: 11 1/16 × 15 1/8 in. (28.1 × 38.4 cm) | Harris Brisbane Dick Fund, 1927 | 735 | http://www.metmuseum.org/art/collection/search/649970 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 396470 | 63.517.4 | 0 | 1 | 649972 | 11 | 5018 | Night and Her Children Aither and Hemera (Hesiod, Theogony) | 2 | Henry Fuseli | Swiss, Zürich 1741–1825 London | 17862 | 61 | 1741 | 1825 | ca. 1810–15 | 1805 | 1815 | 58775 | Sheet: 12 1/4 × 11 1/2 in. (31.1 × 29.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963 | 13 | http://www.metmuseum.org/art/collection/search/649972 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 396479 | 17.37.60 | 0 | 1 | 649981 | 11 | 5018 | Massacre of the Innocents | 2 | Hendrick Goltzius | Netherlandish, Mühlbracht 1558–1617 Haarlem | 17828 | 179 | 1558 | 1617 | ca. 1585–86 | 1580 | 1590 | 33354 | Sheet: 19 in. × 14 5/8 in. (48.3 × 37.1 cm) | Gift of Henry Walters, 1917 | 13 | http://www.metmuseum.org/art/collection/search/649981 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 396683 | WW.611 | 0 | 0 | 650237 | 11 | 5018 | Stylized Flowers | 710 | Gustav Marisch|Wiener Werkstätte | Austrian, Vienna 1887—1961 Vienna | 50566 | 66 | 1887 | 1961 | 1912 | 1912 | 1912 | 30750 | Sheet: 5 1/2 × 3 9/16 in. (14 × 9 cm) | Museum Accession, transferred from the Library | 13 | http://www.metmuseum.org/art/collection/search/650237 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 399605 | 22.63.41 | 0 | 0 | 654066 | 11 | 5018 | Retreat of the Sacred Batallion to Waterloo.––June 18, 1815. | 710 | Auguste Raffet|Gihaut Frères | French, Paris 1804–1860 Gênes|Paris | 28925 | 21 | 1804 |1800 | 1860 |1900 | 1835 | 1835 | 1835 | 31088 | Image: 7 13/16 × 11 3/4 in. (19.8 × 29.8 cm) Sheet: 12 11/16 in. × 16 in. (32.3 × 40.7 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/654066 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 399983 | 2014.798.4 | 0 | 0 | 654543 | 11 | 5018 | Untitled, Tyler 11.10.85 (HC 7.28.90) | 715 | Frank Lobdell|Tyler School of Art, Temple University | American, Kansas City, Missouri 1921–2013 Palo Alto, California | 50895 | 1 | 1921 | 2013 | 1985 | 1985 | 1985 | 14948 | Image: 17 1/2 × 14 1/2 in. (44.5 × 36.8 cm) Sheet: 29 1/2 × 21 1/4 in. (75 × 54 cm) | Gift of the Frank Lobdell Trust, 2014 | 13 | http://www.metmuseum.org/art/collection/search/654543 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 400021 | 49.95.1873 | 0 | 1 | 654601 | 11 | 5018 | Hercules and Antaeus | 13 | After | Lucas Kilian|Bartholomeus Spranger | German, Augsburg 1579–1637 Augsburg|Netherlandish, Antwerp 1546–1611 Prague | 50678 | 344 | 1579 |1546 | 1637 |1611 | 1610 | 1610 | 1610 | 7208 | Sheet: 17 15/16 × 12 7/16 in. (45.5 × 31.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/654601 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 401821 | 2014.545.1 | 0 | 1 | 656828 | 11 | 5018 | A Rainy Day at Cookham | 867 | After | Frederick Walker|Seeley & Co.|Ernest Stamp | British, London 1840–1875 Perthshire, Scotland|London|British, Sowerby, Yorkshire 1869–1942 Shoreham-by-Sea | 51025 | 178 | 1840 |1800 |1869 | 1875 |1899 |1942 | 1894 | 1894 | 1894 | 38378 | Plate: 5 7/8 × 10 11/16 in. (14.9 × 27.1 cm) Sheet: 8 9/16 × 13 3/4 in. (21.7 × 35 cm) | Gift of Donato Esposito, in memory of Dr. Lee MacCormick Edwards, 2014 | 13 | http://www.metmuseum.org/art/collection/search/656828 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 401823 | 2014.545.5 | 0 | 1 | 656830 | 11 | 5018 | L’Atelier de Rembrandt, tableau de J. Gilbert, from "L’Univers Illustré," p. 395 | 4246 | After | William Luson Thomas|Sir John Gilbert|Rembrandt (Rembrandt van Rijn) | British, London 1830–1900 Chertsey, Surrey|British, London 1817–1897 London|Dutch, Leiden 1606–1669 Amsterdam | 51026 | 9 | 1830 |1817 |1606 | 1900 |1897 |1669 | November 14, 1861 | 1861 | 1861 | 29001 | Sheet: 9 3/4 × 12 5/8 in. (24.7 × 32 cm) | Gift of Donato Esposito, 2014 | 13 | http://www.metmuseum.org/art/collection/search/656830 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 402494 | 2014.641.5 | 0 | 0 | 657561 | 11 | 5018 | Invitation to Opening of Tom E. Lewis at the Stendahl Gallery, 3006 Wilshire Boulevard, Los Angeles | 2 | Alvin Lustig | American, Denver, Colorado 1915–1955 New York | 45616 | 1 | 1915 | 1955 | ca. 1940 | 1940 | 1940 | 31860 | Sheet: 2 3/8 × 2 3/8 in. (6 × 6 cm) | Gift of Amelia Peck, 2014 | 13 | http://www.metmuseum.org/art/collection/search/657561 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 402497 | 2014.641.8 | 0 | 0 | 657564 | 11 | 5018 | Type Talks, Brochure for the Typographers Association | 2 | Alvin Lustig | American, Denver, Colorado 1915–1955 New York | 45616 | 1 | 1915 | 1955 | 1954 | 1954 | 1954 | 59063 | 8 15/16 × 2 1/8 in. (22.7 × 5.4 cm) | Gift of Amelia Peck, 2014 | 13 | http://www.metmuseum.org/art/collection/search/657564 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 402809 | 25.77.1 | 0 | 0 | 658473 | 11 | 5018 | The House by the Road, Provincetown | 2 | Mary J. Coulter | American, Newport, Kentucky 1880–1966 Amherst, Massachusetts | 51129 | 1880 | 1966 | ca. 1921 | 1921 | 1921 | 29360 | Plate: 3 5/16 × 5 1/8 in. (8.4 × 13 cm) Sheet: 6 5/16 × 8 1/4 in. (16 × 21 cm) | Gift of Mary J. Coulter, 1925 | 13 | http://www.metmuseum.org/art/collection/search/658473 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 402810 | 25.77.2 | 0 | 0 | 658474 | 11 | 5018 | Cesco's Inn, Provincetown, Cape Cod | 2 | Mary J. Coulter | American, Newport, Kentucky 1880–1966 Amherst, Massachusetts | 51129 | 1880 | 1966 | 1918–25 | 1918 | 1925 | 59086 | Plate: 4 1/2 × 6 7/8 in. (11.4 × 17.5 cm) Sheet: 8 1/4 × 9 1/8 in. (21 × 23.2 cm) | Gift of Mary J. Coulter, 1925 | 13 | http://www.metmuseum.org/art/collection/search/658474 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 403683 | 49.95.869(1-5) | 0 | 0 | 659733 | 11 | 5018 | The Introduction of the Silkworm [Vermis Sericus] | 878 | After | Philips Galle|Jan van der Straet, called Stradanus|Karel van Mallery | Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Bruges 1523–1605 Florence|Netherlandish, Antwerp, 1571– after 1635 Antwerp | 51190 | 787 | 1537 |1523 |1571 | 1612 |1605 |1645 | ca. 1595 | 1595 | 1595 | 7208 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1950 | 13 | http://www.metmuseum.org/art/collection/search/659733 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 403686 | 49.95.869(1) | 0 | 1 | 659736 | 11 | 5018 | Title Plate from "The Introduction of the Silkworm" [Vermis Sericus] | 878 | After | Philips Galle|Jan van der Straet, called Stradanus|Karel van Mallery | Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Bruges 1523–1605 Florence|Netherlandish, Antwerp, 1571– after 1635 Antwerp | 51190 | 787 | 1537 |1523 |1571 | 1612 |1605 |1645 | ca. 1595 | 1595 | 1595 | 7208 | Sheet: 8 1/4 × 10 5/8 in. (21 × 27 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1950 | 13 | http://www.metmuseum.org/art/collection/search/659736 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 403688 | 49.95.869(3) | 0 | 1 | 659738 | 11 | 5018 | Emperor Justinian Receiving the First Imported Silkworm Eggs from Nestorian Monks, Plate 2 from "The Introduction of the Silkworm" [Vermis Sericus] | 878 | After | Philips Galle|Jan van der Straet, called Stradanus|Karel van Mallery | Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Bruges 1523–1605 Florence|Netherlandish, Antwerp, 1571– after 1635 Antwerp | 51190 | 787 | 1537 |1523 |1571 | 1612 |1605 |1645 | ca. 1595 | 1595 | 1595 | 7208 | Sheet: 7 13/16 × 10 9/16 in. (19.9 × 26.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1950 | 13 | http://www.metmuseum.org/art/collection/search/659738 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 403689 | 49.95.869(2) | 0 | 1 | 659739 | 11 | 5018 | The Incubation of the Silkworm Eggs, Plate 3 from "The Introduction of the Silkworm" [Vermis Sericus] | 878 | After | Philips Galle|Jan van der Straet, called Stradanus|Karel van Mallery | Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Bruges 1523–1605 Florence|Netherlandish, Antwerp, 1571– after 1635 Antwerp | 51190 | 787 | 1537 |1523 |1571 | 1612 |1605 |1645 | ca. 1595 | 1595 | 1595 | 7208 | Sheet: 7 7/8 × 10 5/8 in. (20 × 27 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1950 | 13 | http://www.metmuseum.org/art/collection/search/659739 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 403690 | 49.95.869(4) | 0 | 1 | 659740 | 11 | 5018 | The Silkworm Eggs Spread Out On Shelves, Plate 4 from "The Introduction of the Silkworm" [Vermis Sericus] | 878 | After | Philips Galle|Jan van der Straet, called Stradanus|Karel van Mallery | Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Bruges 1523–1605 Florence|Netherlandish, Antwerp, 1571– after 1635 Antwerp | 51190 | 787 | 1537 |1523 |1571 | 1612 |1605 |1645 | ca. 1595 | 1595 | 1595 | 7208 | Sheet: 7 7/8 × 10 9/16 in. (20 × 26.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1950 | 13 | http://www.metmuseum.org/art/collection/search/659740 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 403692 | 49.95.869(5) | 0 | 1 | 659742 | 11 | 5018 | The Gathering of Mulberry Leaves and the Feeding of the Silkworms, Plate 5 from "The Introduction of the Silkworm" [Vermis Sericus] | 878 | After | Philips Galle|Jan van der Straet, called Stradanus|Karel van Mallery | Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Bruges 1523–1605 Florence|Netherlandish, Antwerp, 1571– after 1635 Antwerp | 51190 | 787 | 1537 |1523 |1571 | 1612 |1605 |1645 | ca. 1595 | 1595 | 1595 | 7208 | Sheet: 7 3/16 × 10 3/8 in. (18.2 × 26.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1950 | 13 | http://www.metmuseum.org/art/collection/search/659742 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 403695 | 24.63.492 | 0 | 1 | 659745 | 11 | 5018 | The Reeling of Silk, Plate 6 from "The Introduction of the Silkworm" [Vermis Sericus] | 878 | After | Philips Galle|Jan van der Straet, called Stradanus|Karel van Mallery | Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Bruges 1523–1605 Florence|Netherlandish, Antwerp, 1571– after 1635 Antwerp | 51190 | 787 | 1537 |1523 |1571 | 1612 |1605 |1645 | ca. 1595 | 1595 | 1595 | 7208 | Sheet: 7 3/16 × 10 9/16 in. (18.3 × 26.8 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/659745 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 405704 | 2014.798.5 | 0 | 0 | 662572 | 11 | 5018 | Untitled, Tyler 11.10.85 (HC 12.4.09) | 715 | Frank Lobdell|Tyler School of Art, Temple University | American, Kansas City, Missouri 1921–2013 Palo Alto, California | 50895 | 1 | 1921 | 2013 | 1985 | 1985 | 1985 | 14948 | Image: 17 1/2 × 14 1/2 in. (44.5 × 36.8 cm) Sheet: 31 in. × 21 1/2 in. (78.7 × 54.6 cm) | Gift of the Frank Lobdell Trust, 2014 | 13 | http://www.metmuseum.org/art/collection/search/662572 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 405705 | 2014.798.6 | 0 | 0 | 662573 | 11 | 5018 | Untitled, Tyler 11.9.85 (HC 11.25.09) | 715 | Frank Lobdell|Tyler School of Art, Temple University | American, Kansas City, Missouri 1921–2013 Palo Alto, California | 50895 | 1 | 1921 | 2013 | 1985 | 1985 | 1985 | 14948 | Image: 17 1/4 × 24 3/4 in. (43.8 × 62.9 cm) Sheet: 21 1/2 in. × 31 in. (54.6 × 78.7 cm) | Gift of the Frank Lobdell Trust, 2014 | 13 | http://www.metmuseum.org/art/collection/search/662573 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 405706 | 2014.798.7 | 0 | 0 | 662574 | 11 | 5018 | Untitled, Tyler 11.6.85 (HC 8.25.88) | 715 | Frank Lobdell|Tyler School of Art, Temple University | American, Kansas City, Missouri 1921–2013 Palo Alto, California | 50895 | 1 | 1921 | 2013 | 1985 | 1985 | 1985 | 59184 | Image: 17 1/2 × 24 1/4 in. (44.5 × 61.6 cm) Sheet: 21 1/4 in. × 31 in. (54 × 78.7 cm) | Gift of the Frank Lobdell Trust, 2014 | 13 | http://www.metmuseum.org/art/collection/search/662574 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 405900 | 22.42.6 | 0 | 1 | 662833 | 11 | 5018 | Portrait of Henry VIII | 2 | Cornelis Massys | Netherlandish, Antwerp 1510/11–1556/57 Antwerp | 42601 | 179 | 1510 | 1557 | ca. 1547 | 1537 | 1557 | 7208 | Sheet: 6 15/16 × 5 3/16 in. (17.6 × 13.2 cm) | The Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/662833 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 408577 | 23.52.20(3) | 0 | 0 | 668781 | 11 | 5018 | Bridge of Alcantara, Toledo | 2 | Joseph Pennell | American, Philadelphia, Pennsylvania 1857–1926 New York | 1671 | 1 | 1857 | 1926 | 1904 | 1904 | 1904 | 26137 | Plate: 9 7/8 × 7 13/16 in. (25.1 × 19.8 cm) Sheet: 13 15/16 × 11 9/16 in. (35.4 × 29.4 cm) | Rogers Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/668781 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 408704 | 51.501.1130 | 0 | 0 | 669099 | 11 | 5018 | Balaam and the Ass | 2 | Nicolaes de Bruyn | Netherlandish, Antwerp 1571–1656 Rotterdam | 19846 | 1571 | 1656 | 1606 | 1606 | 1606 | 31553 | Sheet: 18 3/8 × 26 1/4 in. (46.6 × 66.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/669099 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 410688 | 2015.230.2.1–.4 | 0 | 0 | 676858 | 11 | 5018 | Jim Dine: Complete Graphics | 710 | Jim Dine|Galerie Mikro | American, born Cincinnati, Ohio, 1935 | 27539 | 34 | 1935 | 2035 | 1970 | 1970 | 1970 | 59562 | 8 1/2 × 8 1/2 in. (21.6 × 21.6 cm) | Gift of Andrea G. Stillman, 2015 | 13 | © 2018 Artists Rights Society (ARS), New York | http://www.metmuseum.org/art/collection/search/676858 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 411704 | 23.52.36(1) | 0 | 0 | 679113 | 11 | 5018 | The Woolworth through the Arch | 2 | Joseph Pennell | American, Philadelphia, Pennsylvania 1857–1926 New York | 1671 | 1 | 1857 | 1926 | 1921 | 1921 | 1921 | 59614 | Plate: 9 3/4 × 6 13/16 in. (24.8 × 17.3 cm) Sheet: 11 13/16 × 8 15/16 in. (30 × 22.7 cm) | Rogers Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/679113 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 417939 | 2015.480 | 0 | 1 | 690577 | 11 | 5018 | The Custody of a Prisoner Does Not Call for Torture (La seguridad de un reo no exige tormento) | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 1746 | 1828 | ca. 1815; published ca. 1859 | 1854 | 1864 | 29027 | Sheet: 9 7/8 × 7 3/8 in. (25.1 × 18.8 cm) Image: 4 7/16 × 3 3/8 in. (11.3 × 8.5 cm) | A. Hyatt Mayor Purchase Fund, Marjorie Phelps Starr Bequest, 2015 | 13 | http://www.metmuseum.org/art/collection/search/690577 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421305 | 2016.360.1–.9 | 0 | 1 | 697839 | 11 | 5018 | Enigmes Joyeuses pour les Bons Esprits | 13 | Jean Leclerc IV|Jan van Haelbeeck | French, baptized 1560, died Paris, 1622|Flemish, active Paris (and Copenhagen?), ca. 1600–1630, died Paris, ca. 1630 | 53546 | 1555 |1595 | 1627 |1635 | ca. 1615 | 1610 | 1620 | 60207 | Each: 4 5/16 × 5 1/2 in. (11 × 14 cm) | Mary Oenslager Fund, 2016 | 13 | http://www.metmuseum.org/art/collection/search/697839 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 422488 | 57.585.14(a) | 0 | 1 | 700629 | 11 | 5018 | Bear Hunt | 2 | Virgil Solis | German, (?) 1514–1562 Nuremberg | 18378 | 1514 | 1562 | mid 16th century | 1514 | 1562 | 7208 | Sheet: 1 5/16 × 6 13/16 in. (3.3 × 17.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1957 | 13 | http://www.metmuseum.org/art/collection/search/700629 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 422758 | 55.603 | 0 | 0 | 701209 | 11 | 5018 | Diploma of Apprenticeship as Cook | 2 | Anonymous, German, 18th century | 18212 | 1700 | 1800 | 1765 | 1765 | 1765 | 60542 | Sheet: 18 1/2 in. × 23 in. (47 × 58.4 cm) | Gift of Harry G. Friedman, 1955 | 9 | http://www.metmuseum.org/art/collection/search/701209 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 423206 | 57.585.14(b) | 0 | 1 | 701976 | 11 | 5018 | Copy of Bear Hunt | 13 | After | Virgil Solis|Anonymous, 16th century | German, (?) 1514–1562 Nuremberg | 54006 | 1514 |1500 | 1562 |1600 | mid 16th century | 1514 | 1562 | 7208 | Sheet: 1 1/4 × 6 13/16 in. (3.2 × 17.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1957 | 13 | http://www.metmuseum.org/art/collection/search/701976 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 428418 | 53.600.1682 | 0 | 0 | 711303 | 11 | 5018 | Virgin and Child with a Birdcage | 2 | Raphael Sadeler I | Netherlandish, Antwerp 1560–1628 Venice (?) | 29377 | 1560 | 1628 | 1578–1628 | 1578 | 1628 | 7208 | Sheet: 5 7/16 × 4 3/16 in. (13.8 × 10.6 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/711303 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 428424 | 53.600.1683 | 0 | 0 | 711311 | 11 | 5018 | Virgin and Child with a Birdcage (reverse copy) | 13 | After | Anonymous|Raphael Sadeler I | Netherlandish, Antwerp 1560–1628 Venice (?) | 54525 | 1560 | 1628 | After 1578 | 1578 | 1700 | 7208 | Sheet: 5 9/16 × 3 7/8 in. (14.1 × 9.8 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/711311 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 431475 | 2016.529.3a, b | 0 | 0 | 716524 | 4 | 5018 | Sheela and the Dildo Dancer | 2 | Nancy Spero | American, Cleveland 1926–2009 New York | 46259 | 1926 | 2009 | 1987 | 1987 | 1987 | 61292 | 20 x 220 in | Gift of Dan Miller, in loving memory of the artist, 2016 | 13 | http://www.metmuseum.org/art/collection/search/716524 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 434566 | 83.2.241 | 0 | 1 | 722451 | 11 | 5018 | Benjamin Franklin | 3726 | After | Jean François Janinet|Joseph Siffred Duplessis|Benjamin Franklin | French, Paris 1752–1814 Paris|French, Carpentras 1725–1802 Versailles|American, 1706–1790 | 55301 | 1752 |1725 |1706 | 1814 |1802 |1790 | 1789 | 1789 | 1789 | 61518 | Sheet (trimmed within plate): 13 1/16 × 11 3/16 in. (33.2 × 28.4 cm) | Gift of William Henry Huntington, 1883 | 13 | http://www.metmuseum.org/art/collection/search/722451 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 434589 | 53.685.94 | 0 | 0 | 722483 | 11 | 5018 | A Guard Standing By a Statue on a Dock | 717 | Imprimerie Delâtre, Paris|Eugène André Champollion | French, Embrun 1848–1901 Lettret | 55306 | 1848 | 1901 | possibly ca. 1876 | 1876 | 1876 | 26137 | Sheet: 11 1/4 × 7 11/16 in. (28.6 × 19.6 cm) Plate: 7 5/16 × 5 1/2 in. (18.5 × 13.9 cm) | Gift of Eugene L. Garbaty, 1953 | 13 | http://www.metmuseum.org/art/collection/search/722483 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 434590 | 53.685.95 | 0 | 0 | 722484 | 11 | 5018 | Shepherd Boy | 715 | Eugène André Champollion|Imprimerie Delâtre, Paris | French, Embrun 1848–1901 Lettret | 55307 | 1848 | 1901 | possibly ca. 1876 | 1871 | 1881 | 26137 | Sheet: 11 5/16 × 7 5/8 in. (28.7 × 19.4 cm) Plate: 5 9/16 × 3 11/16 in. (14.1 × 9.3 cm) | Gift of Eugene L. Garbaty, 1953 | 13 | http://www.metmuseum.org/art/collection/search/722484 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 434715 | 20.93.5 | 0 | 0 | 722727 | 11 | 5018 | Venus Triumphant | 629 | After | William Wynne Ryland|Angelica Kauffmann | British, baptized London 1732–1783 London|Swiss, Chur 1741–1807 Rome | 20443 | 1732 |1741 | 1783 |1807 | 1778 | 1778 | 1778 | 61530 | Image: 12 × 12 in. (30.5 × 30.5 cm) Sheet (trimmed to round shape): 13 × 13 in. (33 × 33 cm) | Gift of Mrs. Morris L. Chaim, 1920 | 13 | http://www.metmuseum.org/art/collection/search/722727 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 434730 | 20.93.2 | 0 | 0 | 722742 | 11 | 5018 | Porrigit Hic Veneri Lucida Dona Paris (The Judgment of Paris) | 629 | After | William Wynne Ryland|Angelica Kauffmann | British, baptized London 1732–1783 London|Swiss, Chur 1741–1807 Rome | 20443 | 1732 |1741 | 1783 |1807 | 1778 | 1778 | 1778 | 61530 | Image (circular): 11 3/16 × 11 3/16 in. (28.4 × 28.4 cm) Sheet (trimmed): 13 7/8 × 13 7/8 in. (35.2 × 35.2 cm) | Gift of Mrs. Morris L. Chaim, 1920 | 13 | http://www.metmuseum.org/art/collection/search/722742 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 434767 | 20.93.4 | 0 | 0 | 722786 | 11 | 5018 | Venus Presenting Helen to Paris | 629 | After | William Wynne Ryland|Angelica Kauffmann | British, baptized London 1732–1783 London|Swiss, Chur 1741–1807 Rome | 20443 | 1732 |1741 | 1783 |1807 | 1781 | 1781 | 1781 | 61537 | Image (circular): 11 5/16 × 11 5/16 in. (28.7 × 28.7 cm) Sheet (trimmed to octagon): 13 1/8 in. × 13 in. (33.3 × 33 cm) | Gift of Mrs. Morris L. Chaim, 1920 | 13 | http://www.metmuseum.org/art/collection/search/722786 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 434809 | 37.63 | 0 | 0 | 722849 | 11 | 5018 | Orpheus and Eurydice | 452 | After | Angelica Kauffmann|Pierre François Legrand | Swiss, Chur 1741–1807 Rome|French, 1743–1824 | 55341 | 1741 |1743 | 1807 |1824 | ca. 1782 | 1777 | 1787 | 61530 | Sheet (trimmed within plate): 14 15/16 × 12 5/16 in. (38 × 31.3 cm) | Gift of Miss Mildred Sawyer, 1937 | 13 | http://www.metmuseum.org/art/collection/search/722849 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 438970 | 2017.119 | 0 | 1 | 730796 | 11 | 5018 | View of the church of Santa Maria della Salute in Venice, a regatta taking place on the canal | 13 | after | Gasparo Vecchia|Alessandro della Via | Italian, active 17th century|Italian, active 1688–1724 | 55832 | 1600 |1688 | 1700 |1724 | ca. 1700–1720 | 1695 | 1705 | 26137 | Sheet: 17 1/8 × 26 1/8 in. (43.5 × 66.3 cm) | Purchase, Friends of Drawings and Prints Gifts, 2017 | 13 | http://www.metmuseum.org/art/collection/search/730796 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 439597 | 36.29.8 | 0 | 0 | 732822 | 11 | 5018 | New Jersey City Bank Perth Amboy Currency- One Dollar 1856 | 137 | Baldwin, Bald & Cousland, New York | 55891 | 1856 | 1851 | 1861 | 7208 | Sheet: 2 7/8 in. × 7 in. (7.3 × 17.8 cm) | Harris Brisbane Dick Fund, 1936 | 676 | http://www.metmuseum.org/art/collection/search/732822 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 439670 | 24.90.1561 | 0 | 0 | 732910 | 11 | 5018 | Virginia Currency- One Third of a Dollar 1777 | 1777 | 1772 | 1782 | 61832 | Sheet: 2 1/2 × 3 5/8 in. (6.4 × 9.2 cm) | Bequest of Charles Allen Munn, 1924 | 676 | http://www.metmuseum.org/art/collection/search/732910 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||||||
| 439781 | 53.601.335(126) | 0 | 0 | 733734 | 11 | 5018 | The Parable of the Wedding Banquet, from The Parables of Christ | 867 | After | Ambrosius Francken I|Gerard de Jode|Anonymous | Flemish, 1544–1618 Antwerp|Netherlandish, 1509/17–1591 | 55929 | 1544 |1509 | 1618 |1591 | 1585 | 1585 | 1585 | 7208 | plate: 8 11/16 × 10 7/8 in. (22.1 × 27.6 cm) | Harry Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/733734 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 445291 | 60.652.1–.6 | 0 | 0 | 744615 | 11 | 5018 | Kobashi | 2 | Yasuhide Kobashi | Japanese, Kojima 1931–2003 | 56783 | 1931 | 2003 | 1958 | 1958 | 1958 | 34042 | 15 3/8 × 10 5/8 in. (39 × 27 cm) | Gift of the artist, 1960 | 1068 | http://www.metmuseum.org/art/collection/search/744615 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 445338 | 2016.360.3 | 0 | 1 | 744901 | 11 | 5018 | Enigmes Joyeuses pour les Bons Esprits, Plate 3 | 13 | Jan van Haelbeeck|Jean Leclerc IV | Flemish, active Paris (and Copenhagen?), ca. 1600–1630, died Paris, ca. 1630|French, baptized 1560, died Paris, 1622 | 56799 | 1595 |1555 | 1635 |1627 | ca. 1615 | 1610 | 1620 | 41124 | Sheet: 4 1/2 × 5 13/16 in. (11.5 × 14.8 cm) | Mary Oenslager Fund, 2016 | 13 | http://www.metmuseum.org/art/collection/search/744901 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 445339 | 2016.360.1 | 0 | 1 | 744902 | 11 | 5018 | Enigmes Joyeuses pour les Bons Esprits, Plate 1 | 13 | Jan van Haelbeeck|Jean Leclerc IV | Flemish, active Paris (and Copenhagen?), ca. 1600–1630, died Paris, ca. 1630|French, baptized 1560, died Paris, 1622 | 56799 | 1595 |1555 | 1635 |1627 | ca. 1615 | 1610 | 1620 | 41124 | Sheet: 4 3/8 × 5 1/2 in. (11.1 × 14 cm) | Mary Oenslager Fund, 2016 | 13 | http://www.metmuseum.org/art/collection/search/744902 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 445340 | 2016.360.4 | 0 | 1 | 744903 | 11 | 5018 | Enigmes Joyeuses pour les Bons Esprits, Plate 4 | 13 | Jean Leclerc IV|Jan van Haelbeeck | French, baptized 1560, died Paris, 1622|Flemish, active Paris (and Copenhagen?), ca. 1600–1630, died Paris, ca. 1630 | 53546 | 1555 |1595 | 1627 |1635 | ca. 1615 | 1610 | 1620 | 41124 | Sheet: 4 13/16 in. × 6 in. (12.3 × 15.2 cm) | Mary Oenslager Fund, 2016 | 13 | http://www.metmuseum.org/art/collection/search/744903 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 445341 | 2016.360.5 | 0 | 1 | 744904 | 11 | 5018 | Enigmes Joyeuses pour les Bons Esprits, Plate 5 | 13 | Jan van Haelbeeck|Jean Leclerc IV | Flemish, active Paris (and Copenhagen?), ca. 1600–1630, died Paris, ca. 1630|French, baptized 1560, died Paris, 1622 | 56799 | 1595 |1555 | 1635 |1627 | ca. 1615 | 1610 | 1620 | 41124 | Sheet: 5 1/16 × 6 1/16 in. (12.8 × 15.4 cm) | Mary Oenslager Fund, 2016 | 13 | http://www.metmuseum.org/art/collection/search/744904 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 445342 | 2016.360.6 | 0 | 1 | 744905 | 11 | 5018 | Enigmes Joyeuses pour les Bons Esprits, Plate 6 | 13 | Jean Leclerc IV|Jan van Haelbeeck | French, baptized 1560, died Paris, 1622|Flemish, active Paris (and Copenhagen?), ca. 1600–1630, died Paris, ca. 1630 | 53546 | 1555 |1595 | 1627 |1635 | ca. 1615 | 1610 | 1620 | 41124 | Sheet: 4 1/2 × 5 13/16 in. (11.5 × 14.7 cm) | Mary Oenslager Fund, 2016 | 13 | http://www.metmuseum.org/art/collection/search/744905 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 445343 | 2016.360.7 | 0 | 1 | 744906 | 11 | 5018 | Enigmes Joyeuses pour les Bons Esprits, Plate 7 | 13 | Jan van Haelbeeck|Jean Leclerc IV | Flemish, active Paris (and Copenhagen?), ca. 1600–1630, died Paris, ca. 1630|French, baptized 1560, died Paris, 1622 | 56799 | 1595 |1555 | 1635 |1627 | ca. 1615 | 1610 | 1620 | 41124 | Sheet: 4 5/8 × 5 15/16 in. (11.8 × 15.1 cm) | Mary Oenslager Fund, 2016 | 13 | http://www.metmuseum.org/art/collection/search/744906 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 445344 | 2016.360.8 | 0 | 1 | 744907 | 11 | 5018 | Enigmes Joyeuses pour les Bons Esprits, Plate 8 | 13 | Jean Leclerc IV|Jan van Haelbeeck | French, baptized 1560, died Paris, 1622|Flemish, active Paris (and Copenhagen?), ca. 1600–1630, died Paris, ca. 1630 | 53546 | 1555 |1595 | 1627 |1635 | ca. 1615 | 1610 | 1620 | 41124 | Sheet: 4 5/8 × 5 7/8 in. (11.7 × 14.9 cm) | Mary Oenslager Fund, 2016 | 13 | http://www.metmuseum.org/art/collection/search/744907 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 445345 | 2016.360.2 | 0 | 1 | 744908 | 11 | 5018 | Enigmes Joyeuses pour les Bons Esprits, Plate 2 | 13 | Jean Leclerc IV|Jan van Haelbeeck | French, baptized 1560, died Paris, 1622|Flemish, active Paris (and Copenhagen?), ca. 1600–1630, died Paris, ca. 1630 | 53546 | 1555 |1595 | 1627 |1635 | ca. 1615 | 1610 | 1620 | 41124 | Sheet: 5 1/16 × 6 1/4 in. (12.8 × 15.9 cm) | Mary Oenslager Fund, 2016 | 13 | http://www.metmuseum.org/art/collection/search/744908 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 445347 | 2016.360.9 | 0 | 1 | 744910 | 11 | 5018 | Enigmes Joyeuses pour les Bons Esprits, Plate 9 | 13 | Jan van Haelbeeck|Jean Leclerc IV | Flemish, active Paris (and Copenhagen?), ca. 1600–1630, died Paris, ca. 1630|French, baptized 1560, died Paris, 1622 | 56799 | 1595 |1555 | 1635 |1627 | ca. 1615 | 1610 | 1620 | 41124 | Sheet: 5 1/16 in. × 6 in. (12.8 × 15.2 cm) | Mary Oenslager Fund, 2016 | 13 | http://www.metmuseum.org/art/collection/search/744910 | 4/23/2018 8:00:01 AM | 1 |