Data license: CC0 · Data source: metmuseum/openaccess
rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
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263737 | 59.533.64 | 0 | 1 | 392683 | 11 | 731 | The Departure | 4524 | Thomas Rowlandson|J. Hedges|Charles James Fox|Georgiana Cavendish, Duchess of Devonshire | British, London 1757–1827 London|London|British, 1749–1806|British, Wimbledon, Surrey 1757–1806 Devonshire | 38435 | 9 | 1757 |1750 |1749 |1757 | 1827 |1850 |1806 |1806 | April 29, 1784 | 1784 | 1784 | 42460 | Sheet: 10 1/16 × 13 13/16 in. (25.5 × 35.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/392683 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
263739 | 59.533.53 | 0 | 1 | 392685 | 11 | 731 | The Incurable | 4524 | Thomas Rowlandson|William Humphrey|Dr. John Monro|Charles James Fox | British, London 1757–1827 London|British, 1742?–before 1814|British, Keny 1715–1791 Hadley|British, 1749–1806 | 38437 | 9 | 1757 |1740 |1715 |1749 | 1827 |1814 |1791 |1806 | April 4, 1784 | 1784 | 1784 | 34862 | Sheet: 9 9/16 × 11 7/8 in. (24.3 × 30.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/392685 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
263740 | 24.63.155 | 0 | 1 | 392686 | 11 | 731 | The Incurable | 4524 | Thomas Rowlandson|William Humphrey|Charles James Fox|Dr. John Monro | British, London 1757–1827 London|British, 1742?–before 1814|British, 1749–1806|British, Keny 1715–1791 Hadley | 38438 | 9 | 1757 |1740 |1749 |1715 | 1827 |1814 |1806 |1791 | April 4, 1784 | 1784 | 1784 | 26137 | Sheet: 11 1/2 × 17 15/16 in. (29.2 × 45.6 cm) Plate: 9 13/16 × 12 1/16 in. (24.9 × 30.6 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 14 | 13 | http://www.metmuseum.org/art/collection/search/392686 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
263741 | 59.533.40 | 0 | 1 | 392687 | 11 | 731 | Billy Lackbeard and Charley Blackbeard playing at Football | 4524 | Thomas Rowlandson|William Humphrey|William Pitt|Charles James Fox | British, London 1757–1827 London|British, 1742?–before 1814|British, 1759–1806|British, 1749–1806 | 38439 | 9 | 1757 |1740 |1759 |1749 | 1827 |1814 |1806 |1806 | February 7, 1784 | 1784 | 1784 | 34862 | Sheet: 9 9/16 × 13 11/16 in. (24.3 × 34.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/392687 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
440843 | 1970.541.14 | 0 | 1 | 735341 | 11 | 731 | Reynard Put To His Shifts | 4524 | Thomas Rowlandson|George Humphrey|Georgiana Cavendish, Duchess of Devonshire|Charles James Fox | British, London 1757–1827 London|British, 1773?–?1831|British, Wimbledon, Surrey 1757–1806 Devonshire|British, 1749–1806 | 56078 | 1757 |1773 |1757 |1749 | 1827 |1831 |1806 |1806 | April 23, 1784 | 1784 | 1784 | 26137 | Sheet: 10 3/4 × 16 3/16 in. (27.3 × 41.1 cm) Plate: 9 5/8 × 13 11/16 in. (24.5 × 34.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | 13 | http://www.metmuseum.org/art/collection/search/735341 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
442013 | 59.533.430 | 0 | 1 | 738681 | 11 | 731 | The Grand Monarck Discovered in a Pot de Chambre, or The Fugitives Turning Tail | 4524 | Thomas Rowlandson|Samuel William Fores|Louis XVI, King of France|Marie Antoinette, Queen of France | British, London 1757–1827 London|British, 1761–1838|French, Versailles 1754–1793 Paris|French (born Austria), Vienna 1755–1792 Paris | 56363 | 1757 |1761 |1754 |1755 | 1827 |1838 |1793 |1792 | June 28, 1791 | 1791 | 1791 | 34862 | Sheet: 9 3/8 in. × 13 in. (23.8 × 33 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/738681 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
445393 | 59.533.1315 | 0 | 0 | 744970 | 11 | 731 | Yorkshire Hieroglyphics, Plate 2 | 4524 | Thomas Rowlandson|Thomas Tegg|Prince Frederick Augustus, Duke of York and Albany|Mary Anne Clarke | British, London 1757–1827 London|British, 1776–1846|British, London 1763–1827 London|British, London 1776?–1852 Boulogne | 56813 | 1757 |1776 |1763 |1776 | 1827 |1846 |1827 |1852 | March 11, 1809 | 1809 | 1809 | 34862 | Sheet: 15 9/16 × 10 1/2 in. (39.5 × 26.6 cm) Plate: 13 3/4 × 9 5/8 in. (34.9 × 24.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/744970 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
464358 | 59.533.1346 | 0 | 0 | 786814 | 11 | 731 | Three Weeks After Marriage, or the Great Little Emperor Playing at Bo-Peep | 3043 | 4524 | Thomas Rowlandson|Thomas Tegg|Empress Marie Louise of France|Napoléon Bonaparte | British, London 1757–1827 London|British, 1776–1846|1791–1847|French, Ajaccio 1769–1821 St. Helena | 59245 | 1757 |1776 |1791 |1769 | 1827 |1846 |1847 |1821 | May 15, 1810 | 1810 | 1810 | 34862 | Sheet: 9 5/8 × 13 9/16 in. (24.5 × 34.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 14 | 13 | http://www.metmuseum.org/art/collection/search/786814 | 4/23/2018 8:00:01 AM | 1 |