Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 245420 | 67.797.45(a) | 0 | 0 | 373634 | 11 | 731 | The Paphian Bower | 4184 | After | John Martin|George Henry Phillips|Francis Graham Moon|Chatfield & Company|John Martin | British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man|British, born ca. 1800, active 1819–52|British, London 1796–1871 Brighton|London|British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man | 34499 | 394 | 1789 |1800 |1796 |1820 |1789 | 1854 |1852 |1871 |1830 |1854 | 1826 | 1826 | 1826 | 39436 | Image: 16 1/2 x 23 1/16 in. (41.9 x 58.5 cm) Plate: 19 3/16 x 25 9/16 in. (48.7 x 65 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | 13 | http://www.metmuseum.org/art/collection/search/373634 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 245423 | 49.40.156 | 0 | 0 | 373637 | 11 | 731 | The Flight into Egypt (Matthew, 2:14) | 710 | Designed and engraved by | John Martin|Dean and Co. | British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man|London | 34502 | 9 | 1789 |1800 | 1854 |1900 | 1838 | 1838 | 1838 | 39436 | Image: 11 9/16 x 17 1/2 in. (29.4 x 44.5 cm) Plate: 14 5/16 x 19 3/16 in. (36.3 x 48.8 cm) Sheet: 15 3/4 x 22 1/16 in. (40 x 56 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/373637 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 245437 | 49.40.94 | 0 | 0 | 373651 | 11 | 731 | The Opening of the Seventh Seal (Book of Revelations, 8:8-9) | 710 | Designed, engraved by | John Martin|Dean and Co. | British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man|London | 34502 | 9 | 1789 |1800 | 1854 |1900 | 1837 | 1837 | 1837 | 39436 | Image: 11 1/2 x 15 7/8 in. (29.2 x 40.3 cm) Plate: 15 7/16 x 19 5/8 in. (39.2 x 49.8 cm) Sheet: 23 9/16 x 25 in. (59.8 x 63.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/373651 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 255615 | 62.695.132 | 0 | 1 | 384273 | 11 | 731 | Rape of Europa | 1315 | 895 | After|Published by | Claude Lorrain (Claude Gellée)|Richard Earlom|John Boydell | French, Chamagne 1604/5?–1682 Rome|British, London 1743–1822 London|British, Shropshire 1720–1804 London | Jan. 1, 1776 | 36712 | 643 | 1604 |1743 |1720 | 1682 |1822 |1804 | 1776 | 1776 | 1776 | 39436 | sheet: 9 13/16 x 15 7/8 in. (24.9 x 40.3 cm) plate: 8 1/8 x 10 1/4 in. (20.7 x 26 cm) | Museum Accession, transferred from the Library | 13 | http://www.metmuseum.org/art/collection/search/384273 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 255884 | 24.63.326 | 0 | 1 | 384553 | 11 | 731 | Landscape with Cupid and Psyche | 1320 | 895 | After|Published by | Claude Lorrain (Claude Gellée)|Richard Earlom|John Boydell | French, Chamagne 1604/5?–1682 Rome|British, London 1743–1822 London|British, Shropshire 1720–1804 London | 36712 | 643 | 1604 |1743 |1720 | 1682 |1822 |1804 | 1776 | 1776 | 1776 | 39436 | sheet: 10 11/16 x 16 1/4 in. (27.1 x 41.3 cm) plate: 8 3/16 x 10 1/4 in. (20.8 x 26 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/384553 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 255957 | 24.63.329 | 0 | 1 | 384628 | 11 | 731 | Landscape with Shepherd and Shepherdess | 1322 | 895 | After|Published by | Claude Lorrain (Claude Gellée)|Richard Earlom|John Boydell | French, Chamagne 1604/5?–1682 Rome|British, London 1743–1822 London|British, Shropshire 1720–1804 London | 36712 | 643 | 1604 |1743 |1720 | 1682 |1822 |1804 | 1776 | 1776 | 1776 | 39436 | sheet: 7 7/8 x 10 1/16 in. (20 x 25.5 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/384628 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 255960 | 24.63.328 | 0 | 1 | 384631 | 11 | 731 | View of Rome and Surrounding Country | 1323 | 895 | After|Published by | Claude Lorrain (Claude Gellée)|Richard Earlom|Boydell and Co. | French, Chamagne 1604/5?–1682 Rome|British, London 1743–1822 London|London | 36807 | 643 | 1604 |1743 |1760 | 1682 |1822 |1820 | 1810 | 1810 | 1810 | 39436 | sheet: 5 13/16 x 9 3/16 in. (14.8 x 23.4 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/384631 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 255970 | 24.63.327 | 0 | 1 | 384641 | 11 | 731 | Christ Summoning Peter and Andrew | 1324 | 895 | After|Published by | Claude Lorrain (Claude Gellée)|Richard Earlom|John Boydell | French, Chamagne 1604/5?–1682 Rome|British, London 1743–1822 London|British, Shropshire 1720–1804 London | 36712 | 643 | 1604 |1743 |1720 | 1682 |1822 |1804 | 1776 | 1776 | 1776 | 39436 | sheet: 10 5/8 x 16 1/4 in. (27 x 41.2 cm) plate: 8 1/16 x 10 3/16 in. (20.5 x 25.8 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/384641 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 282991 | 54.578.4 | 0 | 0 | 412297 | 11 | 731 | Eve's Dream – Satan Aroused (Paradise Lost of Milton, Book 4, line 813) | 1061 | Designed and engraved by | John Martin|Septimus Prowett|Chatfield & Company | British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man|London|London | 34500 | 255 | 1789 |1800 |1820 | 1854 |1850 |1830 | 1826 | 1826 | 1826 | 39436 | Image: 7 5/8 x 10 9/16 in. (19.4 x 26.8 cm) Sheet: 12 3/16 x 15 11/16 in. (31 x 39.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1954 | 13 | http://www.metmuseum.org/art/collection/search/412297 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 282992 | 54.578.5 | 0 | 0 | 412298 | 11 | 731 | The Angels Guarding Paradise at Night (Paradise Lost of Milton, Book 4, line 866) | 1061 | Designed and engraved by | John Martin|Septimus Prowett|Chatfield & Company | British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man|London|London | 34500 | 255 | 1789 |1800 |1820 | 1854 |1850 |1830 | 1825 | 1825 | 1825 | 39436 | Image: 7 5/8 x 10 9/16 in. (19.4 x 26.8 cm) Sheet: 15 3/16 x 21 7/16 in. (38.5 x 54.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1954 | 13 | http://www.metmuseum.org/art/collection/search/412298 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 282993 | 54.578.6 | 0 | 0 | 412299 | 11 | 731 | Raphael Conversing with Adam and Eve (Paradise Lost of Milton, Book 5, line 519) | 990 | Designed and engraved by | James Lahee|John Martin|Septimus Prowett | British, active 1801–1852 or later|British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man|London | 41117 | 756 | 1780 |1789 |1800 | 1852 |1854 |1850 | 1826 | 1826 | 1826 | 39436 | Image: 7 11/16 x 10 9/16 in. (19.5 x 26.8 cm) Sheet: 15 1/16 x 20 7/8 in. (38.2 x 53 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1954 | 13 | http://www.metmuseum.org/art/collection/search/412299 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 282994 | 54.578.7 | 0 | 0 | 412300 | 11 | 14046 | Satan Tempting Eve (Paradise Lost of Milton, Book 9, line 780) | 990 | Designed and engraved by | James Lahee|John Martin|Septimus Prowett | British, active 1801–1852 or later|British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man|London | 41117 | 756 | 1780 |1789 |1800 | 1852 |1854 |1850 | 1826 | 1826 | 1826 | 39436 | Image: 7 11/16 x 10 9/16 in. (19.5 x 26.8 cm) Sheet: 13 9/16 x 17 1/8 in. (34.4 x 43.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1954 | 13 | http://www.metmuseum.org/art/collection/search/412300 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 282995 | 54.578.8 | 0 | 0 | 412301 | 11 | 731 | Adam Hearing the Voice of the Almighty (Paradise Lost of Milton, Book 10, line 108) | 990 | Designed and engraved by | James Lahee|John Martin|Septimus Prowett | British, active 1801–1852 or later|British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man|London | 41117 | 756 | 1780 |1789 |1800 | 1852 |1854 |1850 | 1826 | 1826 | 1826 | 39436 | Image: 7 1/2 x 10 1/2 in. (19.1 x 26.7 cm) Sheet: 13 11/16 x 16 7/8 in. (34.8 x 42.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1954 | 13 | http://www.metmuseum.org/art/collection/search/412301 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 282996 | 54.578.9 | 0 | 0 | 412302 | 11 | 731 | Adam Reproving Eve (Paradise Lost of Milton, line 863) | 1061 | Designed and engraved by | John Martin|Septimus Prowett|Chatfield & Company | British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man|London|London | 34500 | 255 | 1789 |1800 |1820 | 1854 |1850 |1830 | 1826 | 1826 | 1826 | 39436 | Image: 7 11/16 x 10 9/16 in. (19.5 x 26.8 cm) Sheet: 12 1/8 x 16 7/16 in. (30.8 x 41.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1954 | 13 | http://www.metmuseum.org/art/collection/search/412302 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 293709 | 2012.494.5 | 0 | 1 | 423049 | 11 | 731 | Man Smoking and Drinking at a Window | 13 | After | Captain William E. Baillie|Adriaen van Ostade | Irish, County Kilbride 1723–1810 London|Dutch, Haarlem 1610–1685 Haarlem | 36754 | 2504 | 1723 |1610 | 1810 |1685 | March 17, 1774 | 1774 | 1774 | 39436 | Plate: 11 1/2 × 9 1/4 in. (29.2 × 23.5 cm) Sheet: 14 × 11 9/16 in. (35.6 × 29.4 cm) | Gift of Bonnie and Manuel Schonhorn, 2012 | 13 | http://www.metmuseum.org/art/collection/search/423049 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 381300 | 62.600.487 | 0 | 0 | 629151 | 11 | 731 | Winter Scene (Wild Duck Hunting) | 13 | Designed and etched by|Finished by | Henry Syer Trimmer|David Lucas | British, active 1838–1839|British, Northamptonshire 1802–1881 London | 48994 | 9 | 1839 |1802 | 1839 |1881 | 1839 | 1839 | 1839 | 39436 | Plate: 13 1/16 × 14 in. (33.1 × 35.5 cm) Sheet: 15 7/8 × 17 11/16 in. (40.4 × 45 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/629151 | 4/23/2018 8:00:01 AM | 1 |