Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 184168 | 1982.1182.665–.680 | 0 | 1 | 288224 | 13 | 13055 | [Group of 16 Early Stereograph Views of British Abbeys] | 886 | Unknown|London Stereoscopic Company|McGlashon|Taylor|Thomas Small|F. York | British|British|British|British|British|British | 16278 | 394 | 1850s–60s | 1850 | 1869 | 26067 | Mounts approximately: 8.4 x 17 cm (3 5/16 x 6 11/16 in.) to 8.4 x 17.5 cm (3 5/16 x 6 7/8 in.) | Gift of Weston J. Naef, in memory of Kathleen W. Naef and Weston J. Naef Sr., 1982 | 21 | http://www.metmuseum.org/art/collection/search/288224 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 184191 | 1982.1182.737–.746 | 0 | 1 | 288247 | 13 | 13055 | [Group of 10 Early Stereograph Views of British Chapels and Cloisters] | 886 | Unknown|F. Jones|Minshull & Hughes|J. W.|London Stereoscopic Company|Mrs. Charles Lawrence | British|British|British|British|British|British | 16299 | 394 | 1860s–80s | 1860 | 1889 | 26067 | Mounts approximately: 8.5 x 16.9 cm (3 3/8 x 6 5/8 in.) to 8.8 x 17.8 cm (3 7/16 x 7 in.) | Gift of Weston J. Naef, in memory of Kathleen W. Naef and Weston J. Naef Sr., 1982 | 21 | http://www.metmuseum.org/art/collection/search/288247 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 206454 | 17.20(1) | 0 | 0 | 333798 | 11 | 97 | A Descriptive and Critical Catalogue of Works Illustrated by Thomas and John Bewick, vol. 1 | 977 | John Bewick|Thomas Bewick|John Gray Bell|Thomas Bewick|Thomas Bewick | British, Eltringham, Northumberland baptised 1760–1795 Ovingham, Northumberland|British, Eltringham, Northumberland 1753–1828 Gateshead|British, Newcastle upon Tyne 1823–1866 Manchester|British, Eltringham, Northumberland 1753–1828 Gateshead|British, Eltringham, Northumberland 1753–1828 Gateshead | 17310 | 394 | 1760 |1753 |1823 |1753 |1753 | 1795 |1828 |1866 |1828 |1828 | 1851 | 1851 | 1851 | 28946 | 15 1/4 x 11 15/16 x 2 15/16 in. (38.7 x 30.3 x 7.5cm) | Gift of Mortimer L. Schiff, 1917 | 442 | http://www.metmuseum.org/art/collection/search/333798 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206486 | 21.36.124 | 0 | 0 | 333830 | 11 | 97 | Bewick's Woodcuts: Impressions of Upwards of Two Thousand Wood-Blocks | 982 | Thomas Bewick|L. Reeve & Co.|Thomas Hugo|John Bewick|Vincent Brooks, Day & Son | British, Eltringham, Northumberland 1753–1828 Gateshead|London|British, Taunton, Somerset 1820–1876 London|British, Eltringham, Northumberland baptised 1760–1795 Ovingham, Northumberland|London | 17323 | 394 | 1753 |1800 |1820 |1760 |1850 | 1828 |1900 |1876 |1795 |1920 | 1870 | 1870 | 1870 | 28946 | 15 3/8 x 11 13/16 x 2 9/16 in. (39 x 30 x 6.5cm) | Museum Accession, transferred from the Library, 1921 | 442 | http://www.metmuseum.org/art/collection/search/333830 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 210881 | 1970.613.9 | 0 | 0 | 338269 | 11 | 97 | The Song of Solomon | 1261 | Herbert Granville Fell|King Solomon|Guild of Women Binders|Chapman and Hall|Guild of Women Binders|William Clowes and Sons | British, 1872–1971|ca. 973 BCE–ca. 933 BCE|London|London|London|London | 19021 | 394 | 1872 |-0975 |1850 |1800 |1850 |1800 | 1951 |-0930 |1950 |1999 |1950 |1900 | 1897 | 1897 | 1897 | 31458 | 11 4/16 x 8 3/4 x 5/8 in. (28.6 x 22.2 x 1.6 cm) | Purchase, Florance Waterbury Bequest, 1970 | 14 | 442 | http://www.metmuseum.org/art/collection/search/338269 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 210955 | 69.604.33 | 0 | 0 | 338343 | 11 | 97 | Reynard the Fox | 1271 | Alfred Thomas Elwes|John Jellicoe|James Davis Cooper|Thomas Roscoe|Frederick Warne & Co. | British (born Italy), Leghorn ca. 1842–after 1911|British, active 1865–1903|British, London 1823–1904 London|British, 1791–1871 | London | 19060 | 394 | 1867 |1865 |1823 |1791 |1850 | 1911 |1903 |1904 |1871 |1950 | 1873 | 1873 | 1873 | 28946 | 8 x 6 1/16 x 7/8 in. (20.3 x 15.4 x 2.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1969 | 14 | 442 | http://www.metmuseum.org/art/collection/search/338343 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 211001 | 1978.645.2 | 0 | 1 | 338389 | 11 | 97 | Scenes from the Winter's Tale | 1273 | William Shakespeare|Henry Warren|Albert Henry Warren|Day & Son, Ltd.|Owen Jones | British, Stratford-upon-Avon 1564–1616 Stratford-upon-Avon|British, London 1794–1879 London|British, London 1830–1911 London|London|British, London 1809–1874 London | 19073 | 394 | 1564 |1794 |1830 |1800 |1809 | 1616 |1879 |1911 |1899 |1874 | 1866 | 1866 | 1866 | 29167 | 11 7/16 x 8 3/4 x 11/16in. (29 x 22.2 x 1.8cm) | Gift of Lincoln Kirstein, 1978 | 14 | 442 | http://www.metmuseum.org/art/collection/search/338389 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 216910 | 69.604.29 | 0 | 0 | 344395 | 11 | 97 | Songs of Many Seasons | 1478 | Walter Crane|George Du Maurier|Jemmett Browne|Simpkin, Marshall & Co.|C. W. Morgan | British, Liverpool 1845–1915 Horsham|British, Paris 1834–1896 London|British, 19th century|London|British, 19th century | 20833 | 394 | 1845 |1834 |1800 |1800 |1830 | 1915 |1896 |1900 |1920 |1930 | 1876 | 1876 | 1876 | 28946 | 8 1/2 x 6 15/16 x 7/8 in. (21.6 x 17.7 x 2.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1969 | 442 | http://www.metmuseum.org/art/collection/search/344395 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 218389 | 41.73.9 | 0 | 0 | 345893 | 11 | 13814 | Essays on Gothic Architecture | 1562 | J. Taylor|John Milner|James Bentham|Francis Grose|Thomas Warton | London|British, 1752–1826|British, Ely 1708–1794 Ely|British, baptised 1731–1791|British, Basingstoke, Hampshire 1728–1790 Trinity College, Oxford | 21799 | 394 | 1700 |1752 |1708 |1731 |1728 | 1850 |1826 |1794 |1791 |1790 | 1802 | 1802 | 1802 | 29021 | 9 3/16 × 5 13/16 × 13/16 in. (23.4 × 14.7 × 2 cm) | Rogers Fund, Transferred from the Library, 1941 | 14 | 665 | http://www.metmuseum.org/art/collection/search/345893 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 218628 | 21.36.155 | 0 | 0 | 346135 | 11 | 97 | Breton Folk: An Artistic Tour in Brittany | 1520 | Henry Blackburn|Sampson Low, Marston, Searle & Rivington|Randolph Caldecott|James Davis Cooper|William Clowes and Sons | British, 1830–1897|London|British, Chester 1846–1886 St. Augustine, Florida|British, London 1823–1904 London|London | 21997 | 394 | 1830 |1800 |1846 |1823 |1800 | 1897 |1900 |1886 |1904 |1900 | 1880 | 1880 | 1880 | 28946 | 10 x 7 5/8 x 1 1/8 in. (25.4 x 19.4 x 2.9 cm) | Museum Accession, transferred from the Library, 1921 | 442 | http://www.metmuseum.org/art/collection/search/346135 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 219178 | 1970.565.162 | 0 | 0 | 346692 | 11 | 13813 | Details of Ancient Timber Houses of the 15th and 16th centuries | 1954 | John Britton|Augustus Welby Northmore Pugin|M. A. Nattali|Combe and Co.|Ackermann & Co., London | British, Kington St. Michael, 1771–1857 London (?)|British, London 1812–1852 Ramsgate|London|Leicester, England|British, active 1829–55 | 22354 | 394 | 1771 |1812 |1800 |1800 |1829 | 1857 |1852 |1899 |1900 |1855 | 1835–37 | 1835 | 1837 | 28943 | 11 5/8 x 9 7/16 x 1 15/16 in. (29.5 x 24 x 5 cm) | Gift of Lincoln Kirstein, 1970 | 14 | 665 | http://www.metmuseum.org/art/collection/search/346692 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 219543 | 53.642.4 | 0 | 0 | 347063 | 11 | 97 | Designs for Encaustic & Geometrical Tile Pavements, parts 1 & 2 | 2025 | Campbell Brick & Tile Co.|Robert Minton Taylor|J. Fleming & Co.|J. Creese & Co.|George Eyre | Fenton, near Stoke-upon-Trent|British, active 1869–75|Leicester|Birmingham|British, active second half 19th century | 22629 | 394 | 1800 |1869 |1800 |1850 |1850 | 1900 |1875 |1900 |1900 |1900 | 1869–75 | 1869 | 1875 | 29167 | 12 5/16 x 9 13/16 x 3/16 in. (31.2 x 25 x 0.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 | 442 | http://www.metmuseum.org/art/collection/search/347063 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 220485 | 1970.565.220 | 0 | 0 | 348019 | 11 | 97 | The Costume of Turkey | 2163 | R. Jones|John Dadley|William Poole|Octavien Dalvimart|Thomas Bensley|William Miller | British, early 19th century|British, 1767–after 1807|British, active 1803–1807|active early 19th century|London|London | 23292 | 394 | 1790 |1767 |1803 |1750 |1759 |1780 | 1820 |1807 |1807 |1850 |1835 |1850 | 1802 | 1802 | 1802 | 34702 | 14 3/8 x 10 13/16 x 1 3/8 in. (36.5 x 27.5 x 3.5 cm) | Gift of Lincoln Kirstein, 1970 | 442 | http://www.metmuseum.org/art/collection/search/348019 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 220526 | 1970.565.565 | 0 | 0 | 348060 | 11 | 97 | The Diverting History of John Gilpin: Showing How He Went Farther Than He Intended, and Came Safe Home Again | 2172 | William Cowper|George Cruikshank|Charles Tilt|Ibotson and Palmer|Joseph Zaehnsdorf | British, Berkhamsted, Hertfordshire, 1731–1800|British, London 1792–1878 London|London|London|British (born Hungary), Pest 1814–1886 London | 23325 | 394 | 1731 |1792 |1800 |1800 |1814 | 1800 |1878 |1900 |1900 |1886 | 1828 | 1828 | 1828 | 28942 | 5 5/16 x 3 15/16 in. (13.5 x 10 cm) | Gift of Lincoln Kirstein, 1970 | 14 | 442 | http://www.metmuseum.org/art/collection/search/348060 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 220757 | 21.36.97 | 0 | 0 | 348294 | 11 | 97 | Dame Wiggins of Lee and Her Seven Wonderful Cats. A Humorous Tale, Written Principally by a Lady of Ninety | 2202 | Kate Greenaway|John Ruskin|Hazell, Watson, & Viney, Ltd.|George Allen & Co., Ltd.|William Harcourt Hooper | British, London 1846–1901 London|British, London 1819–1900 Brantwood, Cumbria|British, London and Aylesbury|British, London 1834–1912 London | Orpington | 23482 | 394 | 1846 |1819 |1800 |1834 | 1901 |1900 |1999 |1912 | 1885 | 1885 | 1885 | 29016 | 7 1/2 x 4 7/8 in. (19 x 12.4 cm) | Museum Accession, transferred from the Library, 1921 | 1280 | 442 | http://www.metmuseum.org/art/collection/search/348294 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 222378 | 21.68.2 | 0 | 0 | 349938 | 11 | 97 | Birket Foster's Pictures of English Landscape | 2464 | Myles Birket Foster|Tom Taylor|George Routledge & Sons|Camden Press|Dalziel Brothers|Dalziel Brothers | British, Northumberland 1825–1899 Braeside|British, Sunderland, Durham 1817–1880 Wandsworth, London|London|British, London|British, active 1839–1893|British, active 1839–1893 | London & New York | 24607 | 394 | 1825 |1817 |1800 |1857 |1839 |1839 | 1899 |1880 |1920 |1893 |1893 |1893 | 1881 | 1881 | 1881 | 35073 | 15 1/2 x 11 3/8 x 1 1/4 in. (39.4 x 28.9 x 3.2 cm) | Rogers Fund, 1921 | 14 | 442 | http://www.metmuseum.org/art/collection/search/349938 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 222428 | 69.604.34 | 0 | 0 | 349989 | 11 | 97 | The White Doe of Rylstone, or The Fate of the Nortons | 1581 | William Wordsworth|Longman, Brown, Green, Longmans and Roberts|Myles Birket Foster|Noel Humphreys|Henry N. Woods | British, Cockermouth, Cumberland 1770–1850 Grasmere|London|British, Northumberland 1825–1899 Braeside|British, Birmingham 1807–1879 London|British, active 1855–70 | 24640 | 394 | 1770 |1800 |1825 |1807 |1855 | 1850 |1900 |1899 |1879 |1870 | 1859 | 1859 | 1859 | 28942 | 9 1/16 x 6 11/16 in. (23 x 17 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1969 | 442 | http://www.metmuseum.org/art/collection/search/349989 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 222452 | 34.11(1-3) | 0 | 0 | 350013 | 11 | 97 | Zoography; Or, The Beauties of Nature Displayed. In select descriptions from the animal, and vegetable, with additions from the mineral kingdom. Systematically arranged. | 2471 | William Wood|Cadell and Davies|William Daniell|R. Taylor & Co.|Charlotte, Queen of England | British, 1774–1857|London|British, 1769–1837 London|London|1744–1818 | 24658 | 394 | 1774 |1800 |1769 |1803 |1744 | 1857 |1900 |1837 |1904 |1818 | 1807 | 1807 | 1807 | 28943 | 10 7/16 x 7 x 1 15/16 in. (26.5 x 17.8 x 4.9 cm) | Gift of Spencer Bickerton, 1934 | 442 | http://www.metmuseum.org/art/collection/search/350013 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 223004 | 1991.1073.58 | 0 | 0 | 350574 | 11 | 97 | Illustrations of the Spires and Towers of the Medieval Churches of England . . . Supplemental Volume. | 2574 | Charles Wickes|Charles Wickes|Alfred Newman|Thompson & Co.|Day & Son, Ltd. | British, active 1850s|British, active 1850s|British, Cincinnati ca. 1827–1866 Rome|London|London | 25126 | 394 | 1820 |1820 |1827 |1800 |1800 | 1900 |1900 |1866 |1900 |1899 | 1858–59 | 1858 | 1859 | 28996 | 22 7/16 x 14 15/16 x 13/16 in. (57 x 38 x 2 cm) | Rogers Fund, 1933, transferred from the Library (1991.1073.58) | 442 | http://www.metmuseum.org/art/collection/search/350574 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 223194 | 60.502.2 | 0 | 0 | 350768 | 11 | 97 | The Series of Dramatic Entertainments Performed by Royal Command, Before Her Majesty the Queen, His Royal Highness Prince Albert, the Royal Family, and the Court, at Windsor Castle | 2598 | Benjamin Webster|W. S. Johnson|John Mitchell|Thomas McLean|National Acting Drama Office | British, Bath 1798–1882 London|London|British, London 1806–1874 London|British, active London 1788-1885|London | , London | 25267 | 394 | 1798 |1800 |1806 |1800 |1800 | 1882 |1900 |1874 |1899 |1900 | 1849 | 1849 | 1849 | 35204 | 9 15/16 x 7 15/16 x 1 3/8 in. (25.2 x 20.2 x 3.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 442 | http://www.metmuseum.org/art/collection/search/350768 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 223271 | 1970.565.54(1–3)bis | 0 | 0 | 350847 | 11 | 97 | Masterpieces of Industrial Art & Sculpture at the International Exhibition, 1862, in Three Volumes | 2608 | John Burley Waring|Day & Son, Ltd.|William Roberts Tymms|Albert Henry Warren|George MacCulloch | British, 1823–1875|London|British, active 1863|British, London 1830–1911 London|British, active late 19th century | 25330 | 394 | 1823 |1800 |1800 |1830 |1840 | 1875 |1899 |1900 |1911 |1940 | 1863 | 1863 | 1863 | 29167 | each volume: 17 1/8 × 11 13/16 × 1 15/16 in. (43.5 × 30 × 5 cm) | Gift of Lincoln Kirstein, 1970 | 442 | http://www.metmuseum.org/art/collection/search/350847 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 223287 | 54.592.4 | 0 | 0 | 350863 | 11 | 97 | New Birmingham Directory | 2614 | Ward & Price|J. Butterworth, T. Wood, J. Belcher|W. Hodgetts|L. Thompson|W. Cooper | Birmingham|Birmingham|Birmingham|Birmingham|Birmingham | 25344 | 394 | 1800 |1800 |1800 |1780 |1800 | 1850 |1900 |1900 |1850 |1900 | 1823 | 1823 | 1823 | 35217 | 7 1/16 x 4 5/16 x 1 1/8 in. (17.9 x 11 x 2.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1954 | 86 | 442 | http://www.metmuseum.org/art/collection/search/350863 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 223569 | 53.546 | 0 | 0 | 351149 | 11 | 97 | Designs by Mr. R. Bentley for Six Poems by Mr. T. Gray | 2657 | Thomas Gray|Richard Bentley|T. S. Müller|Charles Grignion, I|Robert Dodsley | British, London 1716–1771 Cambridge|British, Cambridge, baptized 1708–1782 London|British, active 1753|British, London baptised 1721–1810 London|British, 1703–1764 | 25550 | 394 | 1716 |1682 |1653 |1710 |1703 | 1771 |1782 |1853 |1810 |1764 | 1753 | 1753 | 1753 | 28942 | 15 1/8 x 11 1/8 x 3/4 in. (38.4 x 28.3 x 1.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund | 14 | 442 | http://www.metmuseum.org/art/collection/search/351149 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 225004 | 1983.1223.12 | 0 | 0 | 352598 | 11 | 97 | Fairy Gifts, or, A Wallet of Wonders | 2661 | Kathleen Knox|Kate Greenaway|Griffith & Farran|Murray and Gibb|John Greenaway | British, 19th century|British, London 1846–1901 London|London|Edinburgh|British, 1816–1890 | 26660 | 394 | 1800 |1846 |1800 |1850 |1816 | 1900 |1901 |1930 |1950 |1890 | 1875 | 1875 | 1875 | 33868 | 7 x 5 1/4 in. (17.8 x 13.3 cm) | Gift of Mrs. John Barry Ryan, transferred from the Library, 1983 | 442 | http://www.metmuseum.org/art/collection/search/352598 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 225248 | 59.513.2 | 0 | 0 | 352842 | 11 | 97 | Characteristic Sketches of Animals Principally from the Zoological Gardens, Regent's Park | 2899 | Thomas Landseer|John Henry Barrow|Moon, Boys & Graves|Zoological Society|J. Moyes | British, London 1795–1880 London|British, London 1796–1858 London|London|London|London | 26849 | 394 | 1795 |1796 |1800 |1750 |1780 | 1880 |1858 |1899 |2050 |1850 | 1832 | 1832 | 1832 | 28942 | 15 1/8 x 11 1/8 x 1 3/16 in. (38.4 x 28.3 x 3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 442 | http://www.metmuseum.org/art/collection/search/352842 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 225252 | 53.515.8 | 0 | 0 | 352846 | 11 | 97 | Ten Etchings, Illustrative of the Devil's Walk | 2901 | Thomas Landseer|Robert Southey|Samuel Taylor Coleridge|F. G. Harding|Henry Baylis | British, London 1795–1880 London|British, Bristol 1774–1843 Keswick|British, Ottery St. Mary, Devon 1772–1834 Highgate|London|London | 26853 | 394 | 1795 |1774 |1772 |1800 |1750 | 1880 |1843 |1834 |1899 |1850 | 1831 | 1831 | 1831 | 28943 | 17 1/2 x 12 3/8 x 11/16 in. (44.5 x 31.4 x 1.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 | 442 | http://www.metmuseum.org/art/collection/search/352846 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 226026 | 32.9.6 | 0 | 1 | 353630 | 11 | 13811 | The Cabinet and Chair-Maker's Real Friend and Companion, or, the Whole System of Chair-Making Made plain and easy | 3021 | Robert Manwaring|Henry Webley|Robert Pranker|A. Webley|J. Noual | British, active 1760–ca. 1770|British, active London 1760s|British, active 1755–76|British, active London, 1760s|British, active 1760s | 27374 | 394 | 1730 |1760 |1755 |1760 |1700 | 1800 |1770 |1776 |1770 |1800 | 1765 | 1765 | 1765 | 34157 | Book: 9 1/4 × 5 15/16 × 13/16 in. (23.5 × 15.1 × 2 cm) Sheet: 5 1/2 x 9 1/16 in. (14 x 23 cm) | Harris Brisbane Dick Fund, 1932 | 14 | 665 | http://www.metmuseum.org/art/collection/search/353630 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 226028 | 1984.1103 | 0 | 0 | 353632 | 11 | 13811 | The Chair-Maker's Guide; Being upwards of Two Hundred New and Genteel Designs | 2240 | Robert Sayer|Robert Manwaring|Matthew Darly|Ince and Mayhew|Copland | British, Sunderland 1725–1794 Bath|British, active 1760–ca. 1770|British, ca. 1720–80 London|British, London 1758/9–1811|British, active 18th century | 27375 | 394 | 1725 |1730 |1720 |1758 |1700 | 1794 |1800 |1778 |1811 |1800 | 1766 | 1766 | 1766 | 29021 | 8 11/16 x 5 11/16 x 7/8 in. (22 x 14.5 x 2.3 cm) | Purchase, Leon Lowenstein Foundation, Inc. Gift, 1984 | 14 | 665 | http://www.metmuseum.org/art/collection/search/353632 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 226055 | 65.620.1 | 0 | 0 | 353660 | 11 | 97 | Peacock Pie: A Book of Rhymes | 3025 | Walter De la Mare|Constable & Co., Ltd.|Claud Lovat Fraser|The Mayflower Press|William Brendon & Son, Ltd. | British, Charlton, Kent 1873–1956 Twickenham, Middlesex|British, London|British, London 1890–1921 Sandgate, Kent|Plymouth|Plymouth | Bombay, & Sydney | 27396 | 394 | 1873 |1890 |1880 |1890 | 1956 |1921 |1999 |1950 | 1924 | 1924 | 1924 | 34086 | 10 1/8 x 6 1/2 x 15/16 in. (25.7 x 16.5 x 2.4 cm) | Gift of Miss Fairchild Bowler, 1965 | 442 | http://www.metmuseum.org/art/collection/search/353660 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 226443 | 31.67.15 | 0 | 0 | 354055 | 11 | 97 | Milton's L'Allegro and Il Penseroso | 3079 | W. Kent and Co.|John Milton|Myles Birket Foster|Thomas Harrild|John Milton | London|British, London 1608–1674 London|British, Northumberland 1825–1899 Braeside|London|British, London 1608–1674 London | 27680 | 394 | 1800 |1608 |1825 |1850 |1608 | 1900 |1674 |1899 |1899 |1674 | 1860 | 1860 | 1860 | 35649 | 10 15/16 x 7 1/2 x 7/8 in. (27.8 x 19.1 x 2.2 cm) | Harris Brisbane Dick Fund, 1931 | 442 | http://www.metmuseum.org/art/collection/search/354055 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 226825 | 39.44.3(1-11) | 0 | 0 | 354439 | 11 | 97 | Views of the Seats of Noblemen and Gentlemen, In England, Wales, Scotland, and Ireland | 2848 | John Preston Neale|W. H. Reid|John Charles Varrall|Charles Askey|William Ensom | British, 1780–1847 Suffolk|London|British, 1795–1855|British, active 1818–23|British, 1796–1832) | 27986 | 394 | 1780 |1800 |1795 |1818 |1796 | 1847 |1900 |1855 |1823 |1832 | 1818–29 | 1818 | 1829 | 28942 | 12 x 9 7/16 x 1 13/16 in. (30.5 x 24 x 4.6 cm) | Bequest of Colonel Jacob Ruppert, 1939 | 442 | http://www.metmuseum.org/art/collection/search/354439 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 227975 | 67.807.7 | 0 | 0 | 355602 | 11 | 97 | The Rape of the Lock: An Heroi-Comical Poem in Five Cantos | 3278 | Alexander Pope|Aubrey Vincent Beardsley|Leonard Smithers & Co.|Chiswick Press|Sir Edmund William Gosse|Charles Whittingham & Co. | British, 1688–1744|British, Brighton, Sussex 1872–1898 Menton|London|British, London|British, Hackney, Middlesex 1849–1928 London|British, London | 28747 | 394 | 1688 |1872 |1850 |1849 | 1744 |1898 |1950 |1928 | 1896 | 1896 | 1896 | 34947 | 10 3/8 x 7 9/16 x 3/8 in. (26.4 x 19.2 x 1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | 442 | http://www.metmuseum.org/art/collection/search/355602 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 228117 | 52.519.126 | 0 | 0 | 355745 | 11 | 13814 | Proportional Architecture; or, the Five Orders; regulated by Equal Parts | 3294 | T. Cobb|James Smith|A. Bettesworth|C. Hitch|William Robinson | British, 18th century|British, active mid-18th century|London|London|British, active 1730–40 | 28830 | 394 | 1700 |1700 |1700 |1700 |1644 | 1800 |1750 |1800 |1800 |1744 | 1733 | 1733 | 1733 | 29021 | 7 3/16 × 4 3/4 × 3/8 in. (18.2 × 12 × 1 cm) | Rogers Fund, 1952 | 665 | http://www.metmuseum.org/art/collection/search/355745 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 228977 | 65.531 | 0 | 0 | 356622 | 11 | 97 | Twice round the clock; or the hours of the day and night in London | 3409 | George Augustus Sala|Houlston and Wright|William McConnell|Henry Richard Vizetelly|George Augustus Sala | British, London 1828–1895 Hove|London|British, London 1831–1867 London|British, 1820–1894 Farnham|British, London 1828–1895 Hove | 29405 | 394 | 1828 |1800 |1831 |1820 |1828 | 1895 |1900 |1867 |1894 |1895 | [1859] | 1859 | 1859 | 28946 | 8 1/4 x 5 7/8 in. (21 x 14.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1965 | 442 | http://www.metmuseum.org/art/collection/search/356622 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 229361 | 21.36.85 | 0 | 0 | 357014 | 11 | 97 | Shakespeare's Songs and Sonnets | 3472 | William Shakespeare|Sir John Gilbert|Sampson Low, Son, and Co.|Edmund Evans|W. Bone & Son|William Shakespeare | British, Stratford-upon-Avon 1564–1616 Stratford-upon-Avon|British, London 1817–1897 London|London|British, Southwark, London 1826–1905 Ventnor, Isle of Wight|London|British, Stratford-upon-Avon 1564–1616 Stratford-upon-Avon | 29696 | 394 | 1564 |1817 |1800 |1826 |1860 |1564 | 1616 |1897 |1900 |1905 |1870 |1616 | 1863 | 1863 | 1863 | 28946 | 5 1/2 x 8 in. (14 x 20.3 cm) | Rogers Fund, transferred from the Library, 1921 | 442 | http://www.metmuseum.org/art/collection/search/357014 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 229682 | 1983.1223.11 | 0 | 0 | 357350 | 11 | 97 | Songs for the Nursery: A Collection of Children's Poems, Old and New | 3507 | Robert Ellice|Kate Greenaway|Miss Bennett|Robert Barnes|W. Mack | British, 19th century|British, London 1846–1901 London|British 19th century|British, 1840–1895|London | 29925 | 394 | 1800 |1846 |1850 |1840 |1850 | 1900 |1901 |1900 |1895 |1900 | [1884] | 1884 | 1884 | 28946 | 5 1/2 x 4 1/4 x 5/8 in. (13.9 x 10.8 x 1.6 cm) | Gift of Mrs. John Barry Ryan, transferred from the Library, 1983 | 442 | http://www.metmuseum.org/art/collection/search/357350 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 229719 | 1970.658(1) | 0 | 1 | 357387 | 11 | 97 | The Faerie Queene, A Poem in Six Books with the Fragment Mutabilitie: Book I | 3448 | Edmund Spenser|Walter Crane|Thomas James Wise|George Allen & Co., Ltd.|Charles Whittingham [the elder] | British, London 1552?–1599 London|British, Liverpool 1845–1915 Horsham|British, 1839–1957|London | London | 29959 | 394 | 1552 |1845 |1839 |1800 |1767 | 1599 |1915 |1957 |1999 |1840 | 1894–97 | 1894 | 1897 | 29016 | 11 1/4 × 8 3/4 × 1 3/4 in. (28.5 × 22.2 × 4.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | 442 | http://www.metmuseum.org/art/collection/search/357387 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 230098 | 1983.1223.3 | 0 | 0 | 357770 | 11 | 97 | Little Ann and Other Poems | 1152 | Ann Taylor|Jane Taylor|Kate Greenaway|Frederick Warne & Co.|Edmund Evans | British, active late 19th century|British, active late 19th century|British, London 1846–1901 London|British, Southwark, London 1826–1905 Ventnor, Isle of Wight | London | 30191 | 394 | 1850 |1850 |1846 |1850 |1826 | 1920 |1900 |1901 |1950 |1905 | [ca. 1925 or later] | 1920 | 1940 | 33868 | 8 7/8 x 5 7/8 in. (22.5 x 15 cm) | Gift of Mrs. John Barry Ryan, transferred from the Library, 1983 | 442 | http://www.metmuseum.org/art/collection/search/357770 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 231458 | 1973.631.3(1) | 0 | 0 | 359194 | 11 | 97 | Gardens & Menagerie of the Zoological Society Delineated, Vol. I, Quadrupeds | 3440 | William Harvey|Robert Edward Branston|Charles Whittingham [the elder]|Thomas Tegg|Edward Turner Bennett | British, Newcastle-upon-Tyne 1796–1866 Richmond, Surrey|British, ca. 1803–1877 Denmark Hill, Camberwell|London|British, 1776–1846|British, Hackney, Middlesex 1797–1836 London | 30874 | 394 | 1796 |1803 |1767 |1776 |1797 | 1866 |1877 |1840 |1846 |1836 | 1830 | 1830 | 1830 | 28946 | 8 3/8 x 5 1/2 x 1 in. (21.3 x 14 x 2.5 cm) | Gift of Lincoln Kirstein, 1973 | 442 | http://www.metmuseum.org/art/collection/search/359194 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 231986 | 1986.1110.25 | 0 | 0 | 359731 | 11 | 97 | The Land of the Pharoahs. Egypt and Sinai: Illustrated by Pen and Pencil | 3712 | Samuel Manning|Religious Tract Society|Samuel Manning|Josiah Wood Whymper|Butterworth and Heath | British, Leicester 1821–1881 Notting Hill, London|London|British, Leicester 1821–1881 Notting Hill, London|British, Ipswich 1813–1903 Haslemere|London | 31128 | 394 | 1821 |1800 |1821 |1813 |1856 | 1881 |1900 |1881 |1903 |1910 | [1875] | 1875 | 1875 | 28942 | 11 3/16 x 8 1/16 x 7/8 in. (28.4 x 20.5 x 2.2 cm) | Gift of Lincoln Kirstein, 1986 | 442 | http://www.metmuseum.org/art/collection/search/359731 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 243684 | 1970.526.14 | 0 | 0 | 371887 | 11 | 97 | The Uncommercial Traveller | 2661 | Charles Dickens|Edward Gurden Dalziel|Chapman and Hall|Virtue & Co., Ltd.|Dalziel Brothers | British, Portsmouth 1812–1870 Rochester|British, 1849–1888|London|London|British, active 1839–1893 | 34246 | 394 | 1812 |1849 |1800 |1875 |1839 | 1870 |1888 |1999 |1910 |1893 | [1871–79] | 1871 | 1879 | 28946 | 10 1/16 x 7 5/8 x 1/2 in. (25.6 x 19.4 x 1.3 cm) | Gift of Clara Louise Avery, 1970 | 442 | http://www.metmuseum.org/art/collection/search/371887 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 268659 | 43.55.1 | 0 | 0 | 397723 | 11 | 13811 | 'Ornaments, drawn from examples, executed in the improved papier mâché' (bound with) 'Gothic Ornaments, drawn from examples, executed in the improved papier mâché' (bound with) 'Ornaments in every style of design, practically applicable to the decoration of the interior of domestic and public buildings...' | 4592 | Charles Frederick Bielefeld|John Williams|Ackermann & Co., London|John Williams|John Weale | British, active 1836–50|London|British, active 1829–55|London|London | 39737 | 394 | 1836 |1800 |1829 |1800 |1800 | 1850 |1900 |1855 |1900 |1900 | ca. 1836 | 1831 | 1841 | 28942 | 12 1/16 x 10 1/16 x 1/2 in. (30.7 x 25.5 x 1.3 cm) | Harris Brisbane Dick Fund, 1943 | 665 | http://www.metmuseum.org/art/collection/search/397723 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 411533 | 1970.658(2) | 0 | 0 | 678619 | 11 | 97 | The Faerie Queene, A Poem in Six Books with the Fragment Mutabilitie: Book II | 3448 | Edmund Spenser|Walter Crane|Thomas James Wise|George Allen & Co., Ltd.|Charles Whittingham [the elder] | British, London 1552?–1599 London|British, Liverpool 1845–1915 Horsham|British, 1839–1957|London | London | 29959 | 394 | 1552 |1845 |1839 |1800 |1767 | 1599 |1915 |1957 |1999 |1840 | 1894–97 | 1894 | 1897 | 29016 | 11 1/4 × 8 3/4 × 1 1/2 in. (28.5 × 22.2 × 3.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | 442 | http://www.metmuseum.org/art/collection/search/678619 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 411537 | 1970.658(3) | 0 | 0 | 678623 | 11 | 97 | The Faerie Queene, A Poem in Six Books with the Fragment Mutabilitie: Book III | 3448 | Edmund Spenser|Walter Crane|Thomas James Wise|George Allen & Co., Ltd.|Charles Whittingham [the elder] | British, London 1552?–1599 London|British, Liverpool 1845–1915 Horsham|British, 1839–1957|London | London | 29959 | 394 | 1552 |1845 |1839 |1800 |1767 | 1599 |1915 |1957 |1999 |1840 | 1894–97 | 1894 | 1897 | 29016 | 11 1/4 × 8 3/4 × 1 1/2 in. (28.5 × 22.2 × 3.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | 442 | http://www.metmuseum.org/art/collection/search/678623 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 411538 | 1970.658(4) | 0 | 0 | 678624 | 11 | 97 | The Faerie Queene, A Poem in Six Books with the Fragment Mutabilitie: Book IV | 3448 | Edmund Spenser|Walter Crane|Thomas James Wise|George Allen & Co., Ltd.|Charles Whittingham [the elder] | British, London 1552?–1599 London|British, Liverpool 1845–1915 Horsham|British, 1839–1957|London | London | 29959 | 394 | 1552 |1845 |1839 |1800 |1767 | 1599 |1915 |1957 |1999 |1840 | 1894–97 | 1894 | 1897 | 29016 | 11 1/4 × 8 3/4 × 1 1/2 in. (28.5 × 22.2 × 3.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | 442 | http://www.metmuseum.org/art/collection/search/678624 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 411539 | 1970.658(5) | 0 | 0 | 678625 | 11 | 97 | The Faerie Queene, A Poem in Six Books with the Fragment Mutabilitie: Book V, pt. I | 3448 | Edmund Spenser|Walter Crane|Thomas James Wise|George Allen & Co., Ltd.|Charles Whittingham [the elder] | British, London 1552?–1599 London|British, Liverpool 1845–1915 Horsham|British, 1839–1957|London | London | 29959 | 394 | 1552 |1845 |1839 |1800 |1767 | 1599 |1915 |1957 |1999 |1840 | 1894–97 | 1894 | 1897 | 29016 | 11 1/4 × 8 3/4 × 1 1/2 in. (28.5 × 22.2 × 3.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | 442 | http://www.metmuseum.org/art/collection/search/678625 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 411540 | 1970.658(6) | 0 | 0 | 678626 | 11 | 97 | The Faerie Queene, A Poem in Six Books with the Fragment Mutabilitie: Book V, pt. II | 3448 | Edmund Spenser|Walter Crane|Thomas James Wise|George Allen & Co., Ltd.|Charles Whittingham [the elder] | British, London 1552?–1599 London|British, Liverpool 1845–1915 Horsham|British, 1839–1957|London | London | 29959 | 394 | 1552 |1845 |1839 |1800 |1767 | 1599 |1915 |1957 |1999 |1840 | 1894–97 | 1894 | 1897 | 29016 | 11 1/4 × 8 3/4 × 1 1/2 in. (28.5 × 22.2 × 3.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | 442 | http://www.metmuseum.org/art/collection/search/678626 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 225483 | 67.802.10 | 0 | 0 | 353079 | 11 | 97 | John Leech's Etchings, from Jack Bragg...from Christopher Tadpole...from Hector O'Halloran | 2936 | "Christopher Tadpole" written by|"Hector O'Halloran" written by|"Jack Bragg" written by | John Leech|William Tegg & Co.|Albert Richard Smith|William Hamilton Maxwell|Theodore Edward Hook | British, London 1817–1864 London|London|British, Chertsey, Surrey 1816–1860 Brompton|British, Newry, Northern Ireland 1792–1850 Musselburgh, Scotland|British, London 1788–1841 London | 26978 | 394 | 1817 |1800 |1816 |1792 |1788 | 1864 |1899 |1860 |1850 |1841 | [1870] | 1870 | 1870 | 28943 | 11 1/8 x 8 3/4 x 3/4 in. (28.3 x 22.2 x 1.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | 442 | http://www.metmuseum.org/art/collection/search/353079 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 223436 | 51.579.3 | 0 | 0 | 351014 | 11 | 97 | Impressions of a Series of Animals, Birds, etc. illustrative of British field sports: from a set of silver buttons | 2643 | After | Abraham Cooper|John Scott|Thomas Gosden|J. H. Burn|R. and S. Prowett | British, London 1787–1868 Greenwich|British, Newcastle upon Tyne 1774–1827 London|British, early 19th century|London|London | 25460 | 394 | 1787 |1774 |1780 |1800 |1800 | 1868 |1827 |1850 |1900 |1900 | 1821 | 1821 | 1821 | 35237 | 8 13/16 x 5 5/8 x 3/8 in. (22.4 x 14.3 x 0.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 14 | 442 | http://www.metmuseum.org/art/collection/search/351014 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 228917 | 51.648.2 | 0 | 0 | 356562 | 11 | 97 | The Harbours of England | 3399 | After | John Ruskin|Joseph Mallord William Turner|Thomas Goff Lupton|E. Gambart & Co.|Spottiswoode & Co. | British, London 1819–1900 Brantwood, Cumbria|British, London 1775–1851 London|British, London 1791–1873 London|London|London | 29350 | 394 | 1819 |1775 |1791 |1800 |1800 | 1900 |1851 |1873 |1899 |1899 | 1856 | 1856 | 1856 | 36052 | 13 7/8 x 9 11/16 x 5/8 in. (35.2 x 24.6 x 1.6 cm) | Gift of Edwin De T. Bechtel, 1951 | 442 | http://www.metmuseum.org/art/collection/search/356562 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 230135 | 21.36.86 | 0 | 0 | 357811 | 11 | 97 | The Miller's Daughter | 3543 | After | Alfred Tennyson|W. Kent and Co.|Alfred Tennyson|A. L. Bond|W. H. Mote | British, Somersby, Lincolnshire 1809–1892 Surrey|London|British, Somersby, Lincolnshire 1809–1892 Surrey|British, active mid-19th century|British, active 1830–1860 | 30218 | 394 | 1809 |1800 |1809 |1825 |1800 | 1892 |1900 |1892 |1875 |1900 | [1857] | 1857 | 1857 | 29603 | 9 7/8 x 7 3/4 x 11/16 in. (25.1 x 19.7 x 1.7 cm) | Rogers Fund, transferred from the Library, 1921 | 442 | http://www.metmuseum.org/art/collection/search/357811 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 245420 | 67.797.45(a) | 0 | 0 | 373634 | 11 | 731 | The Paphian Bower | 4184 | After | John Martin|George Henry Phillips|Francis Graham Moon|Chatfield & Company|John Martin | British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man|British, born ca. 1800, active 1819–52|British, London 1796–1871 Brighton|London|British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man | 34499 | 394 | 1789 |1800 |1796 |1820 |1789 | 1854 |1852 |1871 |1830 |1854 | 1826 | 1826 | 1826 | 39436 | Image: 16 1/2 x 23 1/16 in. (41.9 x 58.5 cm) Plate: 19 3/16 x 25 9/16 in. (48.7 x 65 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | 13 | http://www.metmuseum.org/art/collection/search/373634 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 267524 | 17.3.3442.103 | 0 | 1 | 396567 | 11 | 731 | Benefit Ticket for Milward | 4586 | After | William Milward|Susanna Centlivre|John Gay|William Hogarth|Samuel Ireland | British, 1702–1742|British, ca. 1667–1723|British, Barnstaple, Devon 1685–1732|British, London 1697–1764 London|British, active from ca. 1760, died London 1800 | 39493 | 394 | 1702 |1667 |1685 |1697 |1700 | 1742 |1723 |1732 |1764 |1800 | 1788 | 1788 | 1788 | 6712 | plate: 5 3/4 x 4 5/16 in. (14.6 x 11 cm) sheet: 8 1/4 x 6 1/8 in. (20.9 x 15.6 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/396567 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 409464 | 53.600.1835 | 0 | 0 | 670787 | 11 | 731 | School Boys: Master Henry Gawler and Master John Gawler | 5129 | After | John Raphael Smith|John Raphael Smith|Sir Joshua Reynolds|John Bellenden Gawler|Henry Gawler | British, baptized Derby 1751–1812 Doncaster|British, baptized Derby 1751–1812 Doncaster|British, Plympton 1723–1792 London|British, 1764–1842|British, 18th century | 51694 | 394 | 1751 |1751 |1723 |1764 |1700 | 1812 |1812 |1792 |1842 |1800 | August 6, 1778 | 1778 | 1778 | 41083 | Sheet (trimmed to plate): 14 3/4 × 10 13/16 in. (37.5 × 27.4 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/670787 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 409475 | 53.600.345 | 0 | 0 | 670798 | 11 | 731 | The Sliver Age | 5131 | After | John Raphael Smith|Henry Walton|John Raphael Smith|William Humphrey|John Boydell | British, baptized Derby 1751–1812 Doncaster|British, ca. 1746–1813|British, baptized Derby 1751–1812 Doncaster|British, 1742?–before 1814|British, Shropshire 1720–1804 London | 51701 | 394 | 1751 |1746 |1751 |1740 |1720 | 1812 |1813 |1812 |1814 |1804 | January 30, 1778 | 1778 | 1778 | 36738 | Plate: 18 7/8 × 22 5/8 in. (48 × 57.5 cm) Sheet: 19 1/2 × 23 5/16 in. (49.5 × 59.2 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/670798 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 411220 | 14.1.8 | 0 | 0 | 677666 | 11 | 731 | The Woodcutter | 2228 | After | George Morland|William Ward|Daniel Orme|T. F. Tomkins|Elizabeth Walker | British, London 1763–1804 London|British, London 1766–1826 London|British, Manchester 1766–1837 Buxton, Derbyshire|London|British, active 1789–1813 | 51879 | 394 | 1763 |1766 |1766 |1792 |1789 | 1804 |1826 |1837 |1792 |1813 | February 1, 1792 | 1792 | 1792 | 59580 | Plate: 17 13/16 × 21 3/4 in. (45.3 × 55.3 cm) Sheet: 18 7/16 × 23 1/4 in. (46.8 × 59 cm) | Bequest of Frederick Townsend Martin, 1914 | 13 | http://www.metmuseum.org/art/collection/search/677666 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 411238 | 14.1.27 | 0 | 0 | 677803 | 11 | 731 | The Country Stable | 2228 | After | George Morland|William Ward|Daniel Orme|J. F. Tomkins|Elizabeth Walker | British, London 1763–1804 London|British, London 1766–1826 London|British, Manchester 1766–1837 Buxton, Derbyshire|active London 1789–1800|British, active 1789–1813 | 51888 | 394 | 1763 |1766 |1766 |1789 |1789 | 1804 |1826 |1837 |1800 |1813 | March 1, 1792 | 1792 | 1792 | 59580 | Plate (covered at bottom): 18 7/8 × 23 13/16 in. (48 × 60.5 cm) Sheet: 19 7/8 × 24 3/4 in. (50.5 × 62.8 cm) | Bequest of Frederick Townsend Martin, 1914 | 13 | http://www.metmuseum.org/art/collection/search/677803 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 411248 | 14.1.41 | 0 | 0 | 677819 | 11 | 731 | The First of September, Morning | 2228 | After | George Morland|William Ward|Thomas Simpson|William Ward|Darling & Thompson | British, London 1763–1804 London|British, London 1766–1826 London|British, active London, ca. 1765–1801|British, London 1766–1826 London|London | 51894 | 394 | 1763 |1766 |1700 |1766 |1750 | 1804 |1826 |1850 |1826 |1800 | September 1, 1796 | 1796 | 1796 | 35216 | Sheet (clipped to plate): 18 3/16 × 22 15/16 in. (46.2 × 58.3 cm) | Bequest of Frederick Townsend Martin, 1914 | 13 | http://www.metmuseum.org/art/collection/search/677819 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 411323 | 53.600.1879 | 0 | 0 | 677932 | 11 | 731 | The Country Stable | 2228 | After | George Morland|William Ward|Daniel Orme|Elizabeth Walker|J. F. Tomkins | British, London 1763–1804 London|British, London 1766–1826 London|British, Manchester 1766–1837 Buxton, Derbyshire|British, active 1789–1813|active London 1789–1800 | 51921 | 394 | 1763 |1766 |1766 |1789 |1789 | 1804 |1826 |1837 |1813 |1800 | March 1, 1792 | 1792 | 1792 | 29072 | Sheet (trimmed to plate): 19 × 24 in. (48.3 × 61 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/677932 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 261785 | 1973.507.14 | 0 | 1 | 390688 | 11 | 731 | Labourers | 4510 | After|After | George Stubbs|Amos Greene|Richard Earlom|Robert Laurie|Benjamin Beale Evans | British, Liverpool 1724–1806 London|British, Halesowen, Birmingham 1735–1807 York|British, London 1743–1822 London|British, London 1755–1836 Broxbourne, Hertfordshire|British, ca. 1765–1824 | 38054 | 394 | 1724 |1735 |1743 |1755 |1765 | 1806 |1807 |1822 |1836 |1824 | March 25, 1790 | 1790 | 1790 | 41981 | plate: 17 3/8 x 25 7/8 in. (44.2 x 65.7 cm) sheet: 18 1/4 x 26 15/16 in. (46.4 x 68.4 cm) | Harris Brisbane Dick Fund, 1973 | 13 | http://www.metmuseum.org/art/collection/search/390688 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 287582 | 32.35(248) | 0 | 1 | 416896 | 11 | 731 | Satan, Sin and Death (Paradise Lost, Book II) | 4708 | After|After|Illustrates | William Hogarth|Samuel Ireland|Charles Townley|Molton and Co.|John Milton | British, London 1697–1764 London|British, active from ca. 1760, died London 1800|British, 1746?–1801 or later|London|British, London 1608–1674 London | 41514 | 394 | 1697 |1700 |1746 |1750 |1608 | 1764 |1800 |1801 |1850 |1674 | May 1, 1788 | 1788 | 1788 | 6712 | Sheet: 9 x 9 15/16 in. (22.8 x 25.2 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/416896 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 255362 | 51.648.77(2) | 0 | 0 | 383999 | 11 | 97 | Picturesque Views on the Southern Coast of England | 4441 | After|Plates Vol. II after | Joseph Mallord William Turner|George Cooke|William John Thomas Collins|William Bernard Cooke|John and Arthur Arch | British, London 1775–1851 London|British, London 1781–1834 Barnes|British, London 1788–1847 London|British, 1778–1855 Camberwell, London|London | 36646 | 394 | 1775 |1781 |1788 |1778 |1800 | 1851 |1834 |1847 |1855 |1850 | 1826 | 1826 | 1826 | 28942 | 12 1/8 x 9 1/2 x 1 in. (30.8 x 24.1 x 2.5 cm) | Gift of Edwin De T. Bechtel, 1951 | 442 | http://www.metmuseum.org/art/collection/search/383999 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 264007 | 59.533.375 | 0 | 1 | 392954 | 11 | 731 | Satan, Sin and Death (Paradise Lost, Book the 2nd) | 2874 | After|Published London by|After|Illustrates | Thomas Rowlandson|William Hogarth|Robert Wilkinson|Richard Livesay|John Milton | British, London 1757–1827 London|British, London 1697–1764 London|British, active 1760–1825|British, 1753–1823 Southsea|British, London 1608–1674 London | 38499 | 394 | 1757 |1697 |1760 |1753 |1608 | 1827 |1764 |1825 |1823 |1674 | after 1790 | 1790 | 1800 | 32679 | plate: 12 7/8 x 14 7/8 in. (32.7 x 37.8 cm) sheet: 13 9/16 x 15 11/16 in. (34.4 x 39.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/392954 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 229494 | 69.569 | 0 | 0 | 357156 | 11 | 97 | The Shepheards Calendar. Containing Twelve Æglogues, Proportionable to the Twelve Moneths. | 3486 | Attributed to | Edmund Spenser|Sir Philip Sidney|John Harrison, the Elder|Bar Alsop|Anonymous, British, 17th century | British, London 1552?–1599 London|British, Penshurst, Kent 1554–1586 Arnhem, Netherlands|London|London | 29769 | 394 | 1552 |1554 |1550 |1600 |1600 | 1599 |1586 |1650 |1650 |1700 | 1617 | 1617 | 1617 | 36148 | 11 5/16 x 7 1/2 in. (28.7 x 19.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1969 | 442 | http://www.metmuseum.org/art/collection/search/357156 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248423 | 67.668 | 0 | 0 | 376726 | 11 | 97 | The Penny Magazine of the Society for the Diffusiion of Useful Knowledge, Vol. IX, nos. 498-560 | 3259 | Attributed to|Attributed to|Attributed to | Charles Knight & Co.|Frederick William Fairholt|John Jackson|Josiah Wood Whymper|William Clowes and Sons | British, 19th century|British, London baptised 1813–1866 London|British, Ovingham, Northumberland 1801–1848 London|British, Ipswich 1813–1903 Haslemere|London | 35232 | 394 | 1800 |1810 |1801 |1813 |1800 | 1899 |1866 |1848 |1903 |1900 | 1840 | 1840 | 1840 | 28946 | 11 x 7 1/2 in. (27.9 x 19.1 cm) | Gift of Miriam B. Clark, 1967 | 442 | http://www.metmuseum.org/art/collection/search/376726 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 228787 | 21.14.1 | 0 | 1 | 356425 | 11 | 97 | The Prince's Progress, and Other Poems | 3376 | Binding and illustrations by | Christina Georgina Rossetti|Dante Gabriel Rossetti|Macmillan & Co.|R. Clay, Son(s), and Taylor|William James Linton|Burn | British, London 1830–1894 London|British, London 1828–1882 Birchington-on-Sea|London|British, London 1812–1897 New Haven, Connecticut|London | London | 29257 | 394 | 1830 |1828 |1843 |1800 |1812 |1800 | 1894 |1882 |2012 |1900 |1897 |1900 | 1866 | 1866 | 1866 | 28946 | 7 x 4 1/2 in. (17.8 x 11.4 cm) | Rogers Fund, 1921 | 442 | http://www.metmuseum.org/art/collection/search/356425 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 169015 | 68.519 | 0 | 1 | 271329 | 13 | 13040 | Kelmscott Manor Photographs | 791 | Bookplate designed by|Bookplate designed by | Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell | British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914|1910–1957 | 15199 | 394 | 1853 |1872 |1870 |1850 |1832 |1910 | 1943 |1898 |1951 |1950 |1914 |1957 | 1896 | 1896 | 1896 | 26259 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/271329 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409852 | 68.519 (1) | 0 | 1 | 675527 | 13 | 13040 | The Thames near Kelmscott Manor | 5132 | Bookplate designed by|Bookplate designed by | Sir Sydney Cockerell|Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton | 1910–1957|British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914 | 51776 | 394 | 1910 |1853 |1872 |1870 |1850 |1832 | 1957 |1943 |1898 |1951 |1950 |1914 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675527 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409853 | 68.519 (2) | 0 | 1 | 675528 | 13 | 13040 | From the Meadows | 791 | Bookplate designed by|Bookplate designed by | Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell | British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914|1910–1957 | 15199 | 394 | 1853 |1872 |1870 |1850 |1832 |1910 | 1943 |1898 |1951 |1950 |1914 |1957 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675528 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409854 | 68.519 (3) | 0 | 1 | 675529 | 13 | 13040 | From the Fields | 791 | Bookplate designed by|Bookplate designed by | Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell | British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914|1910–1957 | 15199 | 394 | 1853 |1872 |1870 |1850 |1832 |1910 | 1943 |1898 |1951 |1950 |1914 |1957 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675529 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409855 | 68.519 (4) | 0 | 1 | 675530 | 13 | 13040 | Entrance, On Right | 5132 | Bookplate designed by|Bookplate designed by | Sir Sydney Cockerell|Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton | 1910–1957|British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914 | 51776 | 394 | 1910 |1853 |1872 |1870 |1850 |1832 | 1957 |1943 |1898 |1951 |1950 |1914 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675530 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409856 | 68.519 (5) | 0 | 1 | 675531 | 13 | 13040 | Main Gate Entrance | 791 | Bookplate designed by|Bookplate designed by | Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell | British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914|1910–1957 | 15199 | 394 | 1853 |1872 |1870 |1850 |1832 |1910 | 1943 |1898 |1951 |1950 |1914 |1957 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675531 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409857 | 68.519 (6) | 0 | 1 | 675532 | 13 | 13040 | Main Entrance | 5132 | Bookplate designed by|Bookplate designed by | Sir Sydney Cockerell|Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton | 1910–1957|British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914 | 51776 | 394 | 1910 |1853 |1872 |1870 |1850 |1832 | 1957 |1943 |1898 |1951 |1950 |1914 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675532 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409858 | 68.519 (7) | 0 | 1 | 675533 | 13 | 13040 | [Main Entrance] | 5133 | Bookplate designed by|Bookplate designed by | Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell|Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney | British, active late 19th century|British, 1832–1914|1910–1957|British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951 | 51777 | 394 | 1850 |1832 |1910 |1853 |1872 |1870 | 1950 |1914 |1957 |1943 |1898 |1951 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675533 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409859 | 68.519 (8) | 0 | 1 | 675534 | 13 | 13040 | [Main Entrance] | 5134 | Bookplate designed by|Bookplate designed by | Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Sir Sydney Cockerell|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton | British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|1910–1957|British, 1870–1951|British, active late 19th century|British, 1832–1914 | 51778 | 394 | 1853 |1872 |1910 |1870 |1850 |1832 | 1943 |1898 |1957 |1951 |1950 |1914 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675534 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409860 | 68.519 (9) | 0 | 1 | 675535 | 13 | 13040 | [Main Entrance] | 791 | Bookplate designed by|Bookplate designed by | Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell | British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914|1910–1957 | 15199 | 394 | 1853 |1872 |1870 |1850 |1832 |1910 | 1943 |1898 |1951 |1950 |1914 |1957 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675535 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409861 | 68.519 (10) | 0 | 1 | 675536 | 13 | 13040 | [Main Entrance, with Hedge] | 791 | Bookplate designed by|Bookplate designed by | Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell | British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914|1910–1957 | 15199 | 394 | 1853 |1872 |1870 |1850 |1832 |1910 | 1943 |1898 |1951 |1950 |1914 |1957 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675536 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409862 | 68.519 (11) | 0 | 1 | 675537 | 13 | 13040 | [Garden, Front] | 791 | Bookplate designed by|Bookplate designed by | Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell | British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914|1910–1957 | 15199 | 394 | 1853 |1872 |1870 |1850 |1832 |1910 | 1943 |1898 |1951 |1950 |1914 |1957 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675537 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409863 | 68.519 (12) | 0 | 1 | 675538 | 13 | 13040 | [Garden, Front] | 791 | Bookplate designed by|Bookplate designed by | Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell | British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914|1910–1957 | 15199 | 394 | 1853 |1872 |1870 |1850 |1832 |1910 | 1943 |1898 |1951 |1950 |1914 |1957 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675538 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409864 | 68.519 (13) | 0 | 1 | 675539 | 13 | 13040 | In the Orchard | 791 | Bookplate designed by|Bookplate designed by | Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell | British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914|1910–1957 | 15199 | 394 | 1853 |1872 |1870 |1850 |1832 |1910 | 1943 |1898 |1951 |1950 |1914 |1957 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675539 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409865 | 68.519 (14) | 0 | 1 | 675540 | 13 | 13040 | Bed Morris Was Born In | 791 | Bookplate designed by|Bookplate designed by | Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell | British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914|1910–1957 | 15199 | 394 | 1853 |1872 |1870 |1850 |1832 |1910 | 1943 |1898 |1951 |1950 |1914 |1957 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675540 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409866 | 68.519 (15) | 0 | 1 | 675541 | 13 | 13040 | WM's Bedroom | 791 | Bookplate designed by|Bookplate designed by | Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell | British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914|1910–1957 | 15199 | 394 | 1853 |1872 |1870 |1850 |1832 |1910 | 1943 |1898 |1951 |1950 |1914 |1957 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675541 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409867 | 68.519 (16) | 0 | 1 | 675542 | 13 | 13040 | Passage to Panelled Room | 5135 | Bookplate designed by|Bookplate designed by | Theodore Watts-Dunton|Sir Sydney Cockerell|Frederick Colin Tilney|Ernest Radford|Frederick H. Evans|Unknown|Aubrey Vincent Beardsley | British, 1832–1914|1910–1957|British, 1870–1951|British, active late 19th century|British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton | 51779 | 394 | 1832 |1910 |1870 |1850 |1853 |1872 | 1914 |1957 |1951 |1950 |1943 |1898 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675542 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409868 | 68.519 (17) | 0 | 1 | 675543 | 13 | 13040 | The Panelled Room | 791 | Bookplate designed by|Bookplate designed by | Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell | British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914|1910–1957 | 15199 | 394 | 1853 |1872 |1870 |1850 |1832 |1910 | 1943 |1898 |1951 |1950 |1914 |1957 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675543 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409869 | 68.519 (18) | 0 | 1 | 675544 | 13 | 13040 | The Green Room | 5136 | Bookplate designed by|Bookplate designed by | Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell|Frederick H. Evans|Unknown|Aubrey Vincent Beardsley | British, 1870–1951|British, active late 19th century|British, 1832–1914|1910–1957|British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton | 51780 | 394 | 1870 |1850 |1832 |1910 |1853 |1872 | 1951 |1950 |1914 |1957 |1943 |1898 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675544 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409870 | 68.519 (19) | 0 | 1 | 675545 | 13 | 13040 | Tapestry Room | 5133 | Bookplate designed by|Bookplate designed by | Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell|Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney | British, active late 19th century|British, 1832–1914|1910–1957|British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951 | 51777 | 394 | 1850 |1832 |1910 |1853 |1872 |1870 | 1950 |1914 |1957 |1943 |1898 |1951 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675545 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409871 | 68.519 (20) | 0 | 1 | 675546 | 13 | 13040 | [Tapestry Room] | 791 | Bookplate designed by|Bookplate designed by | Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell | British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914|1910–1957 | 15199 | 394 | 1853 |1872 |1870 |1850 |1832 |1910 | 1943 |1898 |1951 |1950 |1914 |1957 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675546 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409872 | 68.519 (21) | 0 | 1 | 675547 | 13 | 13040 | [Tapestry Room] | 5132 | Bookplate designed by|Bookplate designed by | Sir Sydney Cockerell|Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton | 1910–1957|British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914 | 51776 | 394 | 1910 |1853 |1872 |1870 |1850 |1832 | 1957 |1943 |1898 |1951 |1950 |1914 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675547 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409873 | 68.519 (22) | 0 | 1 | 675548 | 13 | 13040 | [Tapestry Room] | 791 | Bookplate designed by|Bookplate designed by | Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell | British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914|1910–1957 | 15199 | 394 | 1853 |1872 |1870 |1850 |1832 |1910 | 1943 |1898 |1951 |1950 |1914 |1957 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675548 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409874 | 68.519 (23) | 0 | 1 | 675549 | 13 | 13040 | The Tapestry Room | 791 | Bookplate designed by|Bookplate designed by | Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell | British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914|1910–1957 | 15199 | 394 | 1853 |1872 |1870 |1850 |1832 |1910 | 1943 |1898 |1951 |1950 |1914 |1957 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675549 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409875 | 68.519 (24) | 0 | 1 | 675550 | 13 | 13040 | From the Tapestry Room | 5137 | Bookplate designed by|Bookplate designed by | Theodore Watts-Dunton|Sir Sydney Cockerell|Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford | British, 1832–1914|1910–1957|British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century | 51781 | 394 | 1832 |1910 |1853 |1872 |1870 |1850 | 1914 |1957 |1943 |1898 |1951 |1950 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675550 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409876 | 68.519 (25) | 0 | 1 | 675551 | 13 | 13040 | In the Attics | 791 | Bookplate designed by|Bookplate designed by | Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell | British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914|1910–1957 | 15199 | 394 | 1853 |1872 |1870 |1850 |1832 |1910 | 1943 |1898 |1951 |1950 |1914 |1957 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675551 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409877 | 68.519 (26) | 0 | 1 | 675552 | 13 | 13040 | In the Attics | 5138 | Bookplate designed by|Bookplate designed by | Theodore Watts-Dunton|Sir Sydney Cockerell|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Frederick H. Evans | British, 1832–1914|1910–1957|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, London 1853–1943 London | 51782 | 394 | 1832 |1910 |1872 |1870 |1850 |1853 | 1914 |1957 |1898 |1951 |1950 |1943 | 1896 | 1896 | 1896 | 26063 | Image: 15.4 x 21 cm (6 1/16 x 8 1/4 in.) | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675552 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 409878 | 68.519 (27) | 0 | 1 | 675553 | 13 | 13040 | K. Church | 5139 | Bookplate designed by|Bookplate designed by | Sir Sydney Cockerell|Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Ernest Radford|Theodore Watts-Dunton|Frederick Colin Tilney | 1910–1957|British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, active late 19th century|British, 1832–1914|British, 1870–1951 | 51783 | 394 | 1910 |1853 |1872 |1850 |1832 |1870 | 1957 |1943 |1898 |1950 |1914 |1951 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675553 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409879 | 68.519 (28) | 0 | 1 | 675554 | 13 | 13040 | [Tithe Barn, Great Cokkeswell] | 5132 | Bookplate designed by|Bookplate designed by | Sir Sydney Cockerell|Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton | 1910–1957|British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914 | 51776 | 394 | 1910 |1853 |1872 |1870 |1850 |1832 | 1957 |1943 |1898 |1951 |1950 |1914 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675554 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409880 | 68.519 (29) | 0 | 1 | 675555 | 13 | 13040 | [Tithe Barn, Great Cokkeswell] | 791 | Bookplate designed by|Bookplate designed by | Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell | British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914|1910–1957 | 15199 | 394 | 1853 |1872 |1870 |1850 |1832 |1910 | 1943 |1898 |1951 |1950 |1914 |1957 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675555 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409881 | 68.519 (30) | 0 | 1 | 675556 | 13 | 13040 | Tithe Barn, Great Cokkeswell, Interior | 791 | Bookplate designed by|Bookplate designed by | Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell | British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914|1910–1957 | 15199 | 394 | 1853 |1872 |1870 |1850 |1832 |1910 | 1943 |1898 |1951 |1950 |1914 |1957 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675556 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409882 | 68.519 (31) | 0 | 1 | 675557 | 13 | 13040 | [Kelmscott Manor from the Garden] | 791 | Bookplate designed by|Bookplate designed by | Frederick H. Evans|Unknown|Aubrey Vincent Beardsley|Frederick Colin Tilney|Ernest Radford|Theodore Watts-Dunton|Sir Sydney Cockerell | British, London 1853–1943 London|British|British, Brighton, Sussex 1872–1898 Menton|British, 1870–1951|British, active late 19th century|British, 1832–1914|1910–1957 | 15199 | 394 | 1853 |1872 |1870 |1850 |1832 |1910 | 1943 |1898 |1951 |1950 |1914 |1957 | 1896 | 1896 | 1896 | 26063 | Purchase, David Hunter McAlpin Fund, 1968 | 441 | http://www.metmuseum.org/art/collection/search/675557 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206842 | 58.545.4 | 0 | 0 | 334186 | 11 | 97 | Decorative Electricity | 1038 | Chapter by | Herbert Granville Fell|Mrs. James Edward Henry Gordon|James Edward Henry Gordon|William Clowes and Sons|Sampson Low, Marston, Searle & Rivington | British, 1872–1971|British, late 19th century|British, late 19th century|London|London | 17444 | 394 | 1872 |1850 |1850 |1800 |1800 | 1951 |1950 |1950 |1900 |1900 | 1891 | 1891 | 1891 | 28946 | 9 1/16 x 5 13/16 x 3/4 in. (23.1 x 14.8 x 1.9 cm) | Myra Carter Church Fund, 1958 | 14 | 442 | http://www.metmuseum.org/art/collection/search/334186 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 227517 | 62.509.2 | 0 | 0 | 355137 | 11 | 13811 | A Few Suggestions for Ornamental Decoration in Painters' and Decorators' Work | 3212 | Compiled by | Thomas Parsons & Sons|F. Scott Mitchell|W. Smart|W. G. Sutherland, Junior|Ernest Howard | London|British, active early 20th century|British, active early 20th century|British, active early 20th century|British, active early 20th century | 28412 | 394 | 1850 |1900 |1800 |0020 |1900 | 1950 |1950 |1950 |0020 |1950 | 1909 | 1909 | 1909 | 33874 | 8 3/4 x 5 3/4 x 11/16 in. (22.2 x 14.6 x 1.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 | 14 | 665 | http://www.metmuseum.org/art/collection/search/355137 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 231204 | 1973.513.8 | 0 | 0 | 358928 | 11 | 97 | The Glow Worm | 3641 | Cover by | William Manning|Westley Horton|Charles Holme|Frank T. Sabin|Chiswick Press | British, active 1896|British, active late 19th century|London|British, London | by Charles Whittingham and Co. | 30767 | 394 | 1850 |1850 |1848 |1896 | 1950 |1950 |1923 |2050 | 1896 | 1896 | 1896 | 33876 | 9 x 7 5/16 x 9/16 in. (22.8 x 18.6 x 1.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1973 | 442 | http://www.metmuseum.org/art/collection/search/358928 | 4/23/2018 8:00:01 AM | 1 |