Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 216685 | 37.13.6-.29 | 0 | 0 | 344158 | 11 | 97 | Variarum Protractionum quas vulgo Maurusias vocant ... | 710 | Published by | Balthazar van den Bos|Balthazar van den Bos | Flemish, Hertogenbosch 1518–1580 Antwerp|Flemish, Hertogenbosch 1518–1580 Antwerp | 20754 | 376 | 1518 |1518 | 1580 |1580 | 1554 | 1554 | 1554 | 29296 | 12 7/16 x 13 3/8 x 1/8 in. (31.6 x 34 x 0.3 cm) | Harris Brisbane Dick Fund, 1937 | 504 | 442 | http://www.metmuseum.org/art/collection/search/344158 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 208149 | 80.3.446 | 0 | 1 | 335507 | 11 | 23 | Portrait of Cornelis de Vos | 13 | After | Anonymous, Flemish, 17th century|Anthony van Dyck | Flemish, Antwerp 1599–1641 London | ? | 18101 | 376 | 1600 |1599 | 1700 |1641 | 16th century | 1500 | 1599 | 29930 | 9 3/8 x 6 11/16 in. (23.8 x 17 cm) | Gift of Cornelius Vanderbilt, 1880 | 9 | http://www.metmuseum.org/art/collection/search/335507 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 223471 | 34.69 | 0 | 0 | 351049 | 11 | 97 | Antverpiae antiquitates | 44 | Written by|Published by | J. Bapt. Gramaye|Jean Mommaert | 25489 | 376 | 1610 | 1610 | 1610 | Harris Brisbane Dick Fund | 442 | http://www.metmuseum.org/art/collection/search/351049 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 259021 | 51.501.7096 | 0 | 0 | 387718 | 11 | 731 | The Adoration of the Shepherds ("with the spider"), after Rubens | 13 | After | Lucas Vorsterman I|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37291 | 376 | 1595 |1577 | 1675 |1640 | 1620 | 1620 | 1620 | 33348 | sheet: 22 15/16 x 17 5/8 in. (58.3 x 44.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387718 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259122 | 24.63.848 | 0 | 0 | 387819 | 11 | 731 | The Flight into Egypt | 13 | After | Peter Paul Rubens|Lucas Vorsterman I | Flemish, Siegen 1577–1640 Antwerp|Flemish, Zaltbommel 1595–1675 Antwerp | 37415 | 376 | 1577 |1595 | 1640 |1675 | 1620 | 1620 | 1620 | 33348 | sheet: 16 9/16 x 12 1/4 in. (42 x 31.1 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/387819 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259137 | 51.501.7008 | 0 | 0 | 387835 | 11 | 731 | Susanna and the Elders | 13 | After | Lucas Vorsterman I|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37291 | 376 | 1595 |1577 | 1675 |1640 | 1620 | 1620 | 1620 | 30370 | sheet: 15 1/4 x 11 in. (38.7 x 27.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387835 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259138 | 51.501.7093 | 0 | 0 | 387836 | 11 | 731 | The Adoration of the Shepherds | 13 | After | Lucas Vorsterman I|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37291 | 376 | 1595 |1577 | 1675 |1640 | 1620 | 1620 | 1620 | 32759 | sheet: 11 3/16 x 17 1/2 in. (28.4 x 44.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387836 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259139 | 24.63.835 | 0 | 1 | 387837 | 11 | 731 | The Holy Family with Saint Elizabeth and John the Baptist as a Child | 1288 | After | Lucas Vorsterman I|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37291 | 376 | 1595 |1577 | 1675 |1640 | 1620 | 1620 | 1620 | 41806 | Sheet (Trimmed): 10 1/2 × 7 15/16 in. (26.7 × 20.2 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/387837 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259140 | 51.501.7356 | 0 | 1 | 387838 | 11 | 731 | The Holy Family with Saint Elizabeth and John the Baptist as a Child | 895 | After | Lucas Vorsterman I|Peter Paul Rubens|Jacques Philippe Le Bas | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp|French, Paris 1707–1783 Paris | 37420 | 376 | 1595 |1577 |1707 | 1675 |1640 |1783 | 1620 | 1620 | 1620 | 41807 | Sheet (Trimmed): 10 1/2 × 7 7/8 in. (26.7 × 20 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387838 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259545 | 51.501.7143 | 0 | 0 | 388244 | 11 | 731 | St. Francis Receiving the Stigmata | 13 | After | Lucas Vorsterman I|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37291 | 376 | 1595 |1577 | 1675 |1640 | 1620 | 1620 | 1620 | 30932 | sheet: 20 1/2 x 13 7/16 in. (52 x 34.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/388244 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259001 | 51.501.7124 | 0 | 1 | 387696 | 11 | 731 | Saint Ignatius of Loyola, praying towards the left with a crucifix, a rosary, a book, and a skull on the table in front of him | 1288 | After | Lucas Vorsterman I|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37291 | 376 | 1595 |1577 | 1675 |1640 | 1621 | 1621 | 1621 | 41791 | Sheet (Trimmed): 12 13/16 × 10 3/8 in. (32.5 × 26.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387696 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259141 | 51.501.7051 | 0 | 0 | 387839 | 11 | 731 | The Tribute Money | 13 | After | Lucas Vorsterman I|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37291 | 376 | 1595 |1577 | 1675 |1640 | 1621 | 1621 | 1621 | 33348 | sheet: 10 3/4 x 14 3/16 in. (27.3 x 36 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387839 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259006 | 51.501.7450 | 0 | 0 | 387701 | 11 | 731 | Triumph of Emperor Licinius, from Varie Figueri de Agati Antique | 13 | After | Lucas Vorsterman I|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37291 | 376 | 1595 |1577 | 1675 |1640 | 1622 | 1622 | 1622 | 33348 | sheet: 7 7/8 x 10 1/16 in. (20 x 25.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387701 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259008 | 98.103 | 0 | 0 | 387703 | 11 | 731 | Three Antique Profiles: Alexander the Great as Hercules, Hercules as Jupiter Amnon, and Messalina | 13 | After | Lucas Vorsterman I|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37291 | 376 | 1595 |1577 | 1675 |1640 | 1622 | 1622 | 1622 | 33348 | sheet: 8 x 6 1/4 in. (20.3 x 15.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387703 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259537 | 51.501.7451 | 0 | 0 | 388236 | 11 | 731 | Three Antique Profiles: Alexander the Great as Hercules; Hercules as Jupiter Amnon; and Messina, from the series Varie Figueri de Agati Antique | 13 | After | Lucas Vorsterman I|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37291 | 376 | 1595 |1577 | 1675 |1640 | 1622 | 1622 | 1622 | 33348 | sheet: 8 x 6 1/4 in. (20.3 x 15.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/388236 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259144 | 51.501.7479 | 0 | 0 | 387842 | 11 | 731 | Frontispiece to Generale Kerckelycke Historie by Ian Cnobbaert (Antwerp 1623) | 13 | After | Lucas Vorsterman I|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37291 | 376 | 1595 |1577 | 1675 |1640 | 1623 | 1623 | 1623 | 32759 | sheet: 12 15/16 x 9 3/16 in. (32.9 x 23.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387842 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259644 | 51.501.7170 | 0 | 1 | 388343 | 11 | 731 | St. Mary Magdalen Trampling Her Valuables | 1288 | After | Lucas Vorsterman I|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37291 | 376 | 1595 |1577 | 1675 |1640 | 1622–23 | 1622 | 1623 | 41808 | Sheet (Trimmed): 11 13/16 × 8 3/4 in. (30 × 22.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/388343 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 235542 | 51.501.7324 | 0 | 1 | 363362 | 11 | 731 | Assumption of the Virgin | 452 | After | Peter Paul Rubens|Paulus Pontius | Flemish, Siegen 1577–1640 Antwerp|Flemish, Antwerp 1603–1658 Antwerp | 32042 | 376 | 1577 |1603 | 1640 |1658 | 1624 | 1624 | 1624 | 7208 | sheet: 25 3/8 x 17 3/8 in. (64.4 x 44.1 cm) (arched) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/363362 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259150 | 51.501.7454 | 0 | 1 | 387848 | 11 | 731 | The bust of Seneca, in a niche | 4488 | After | Lucas Vorsterman I|Peter Paul Rubens|Lucius Annaeus Seneca | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp|Roman, 54 B.C.?–A.D. 30 | 37426 | 376 | 1595 |1577 |-0054 | 1675 |1640 |0030 | ca. 1620 | 1615 | 1625 | 35451 | Sheet (Trimmed): 5 3/8 × 4 1/16 in. (13.7 × 10.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387848 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259151 | 17.3.1698 | 0 | 1 | 387849 | 11 | 731 | The bust of Plato, in a niche | 4488 | After | Lucas Vorsterman I|Peter Paul Rubens|Plato | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp|Greek, ca. 427 B.C.E–347 B.C.E. | 37427 | 376 | 1595 |1577 |-0427 | 1675 |1640 |-0347 | ca. 1620 | 1615 | 1625 | 33351 | Plate: 5 3/8 × 3 5/8 in. (13.6 × 9.2 cm) Sheet (Trimmed): 5 5/8 × 3 7/8 in. (14.3 × 9.9 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/387849 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259153 | 1986.1180.1368 | 0 | 1 | 387851 | 11 | 731 | The bust of Plato, in a niche | 4489 | After | Plato|Lucas Vorsterman I|Peter Paul Rubens | Greek, ca. 427 B.C.E–347 B.C.E.|Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37428 | 376 | -0427 |1595 |1577 | -0347 |1675 |1640 | ca. 1620 | 1615 | 1625 | 33351 | Plate: 5 5/16 × 3 11/16 in. (13.5 × 9.4 cm) Sheet (Trimmed): 5 1/2 × 3 7/8 in. (14 × 9.9 cm) | Bequest of Grace M. Pugh, 1985 | 13 | http://www.metmuseum.org/art/collection/search/387851 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211083 | 18.17.2-258 | 0 | 0 | 338471 | 11 | 731 | The Coronation of the Virgin | 1161 | after | Christoffel Jegher|Peter Paul Rubens | Flemish, 1596–1652/53|Flemish, Siegen 1577–1640 Antwerp | 19105 | 376 | 1596 |1577 | 1653 |1640 | 1633 | 1633 | 1633 | 26552 | Rogers Fund, 1918 | 13 | http://www.metmuseum.org/art/collection/search/338471 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 259149 | 24.63.1600 | 0 | 1 | 387847 | 11 | 731 | Portrait of Emperor Charles V | 4487 | After|After | Lucas Vorsterman I|Peter Paul Rubens|Charles V, Holy Roman Emperor|Titian (Tiziano Vecellio)|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice|Flemish, Siegen 1577–1640 Antwerp | 37425 | 376 | 1595 |1577 |1500 |1485 |1577 | 1675 |1640 |1558 |1576 |1640 | ca. 1620–30 | 1615 | 1635 | 33348 | Sheet (Trimmed): 17 3/16 in. × 13 in. (43.7 × 33 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/387847 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 232041 | 21.14.10 | 0 | 0 | 359786 | 11 | 731 | Susanna and the Elders | 13 | after | Christoffel Jegher|Peter Paul Rubens | Flemish, 1596–1652/53|Flemish, Siegen 1577–1640 Antwerp | 19105 | 376 | 1596 |1577 | 1653 |1640 | 1632–36 | 1632 | 1636 | 26552 | Rogers Fund, 1921 | 13 | http://www.metmuseum.org/art/collection/search/359786 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 394538 | 51.501.7405 | 0 | 1 | 647517 | 11 | 13856 | Plate 1: Ferdinand as Mars, standing on a pedestal; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' | 895 | After | Pieter de Jode II|Cornelis Schut|Johannes Meursius | Flemish, 1606–ca. 1674|Flemish, Antwerp 1597–1655 Antwerp|Flemish, active 1620–47 | 50266 | 376 | 1606 |1597 |1600 | 1674 |1655 |1699 | 1636 | 1636 | 1636 | 7208 | Sheet (Trimmed): 15 3/8 × 11 7/8 in. (39.1 × 30.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 504 | 687 | http://www.metmuseum.org/art/collection/search/647517 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 394952 | 51.501.7408 | 0 | 1 | 647980 | 11 | 13856 | Plate 6: Ferdinand receiving the keys to the city of Ghent; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' | 895 | After | Pieter de Jode II|Anton van den Heuvel|Johannes Meursius | Flemish, 1606–ca. 1674|Flemish, ca. 1600–1677|Flemish, active 1620–47 | 50333 | 376 | 1606 |1600 |1600 | 1674 |1677 |1699 | 1636 | 1636 | 1636 | 7208 | Sheet (Trimmed): 14 13/16 × 10 15/16 in. (37.6 × 27.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 504 | 687 | http://www.metmuseum.org/art/collection/search/647980 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 394965 | 51.501.7409 | 0 | 1 | 647993 | 11 | 13856 | Plate 8: Ferdinand on horseback crossing the Alps; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' | 878 | After | Johannes Meursius|Pieter de Jode II|Cornelis Schut | Flemish, active 1620–47|Flemish, 1606–ca. 1674|Flemish, Antwerp 1597–1655 Antwerp | 50336 | 376 | 1600 |1606 |1597 | 1699 |1674 |1655 | 1636 | 1636 | 1636 | 7208 | Sheet (Trimmed): 14 9/16 × 10 1/2 in. (37 × 26.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 504 | 687 | http://www.metmuseum.org/art/collection/search/647993 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 394975 | 51.501.7411 | 0 | 1 | 648003 | 11 | 13856 | Plate 11: Ferdinand greeted by the Elector of Cologne; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' | 895 | After | Pieter de Jode II|Cornelis Schut|Johannes Meursius | Flemish, 1606–ca. 1674|Flemish, Antwerp 1597–1655 Antwerp|Flemish, active 1620–47 | 50266 | 376 | 1606 |1597 |1600 | 1674 |1655 |1699 | 1636 | 1636 | 1636 | 7208 | Sheet (Trimmed): 14 11/16 × 10 3/8 in. (37.3 × 26.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 504 | 687 | http://www.metmuseum.org/art/collection/search/648003 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 394977 | 51.501.7410 | 0 | 1 | 648005 | 11 | 13856 | Plate 10: The King of Hungary and Ferdinand on horseback; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' | 895 | After | Pieter de Jode II|Cornelis Schut|Johannes Meursius | Flemish, 1606–ca. 1674|Flemish, Antwerp 1597–1655 Antwerp|Flemish, active 1620–47 | 50266 | 376 | 1606 |1597 |1600 | 1674 |1655 |1699 | 1636 | 1636 | 1636 | 7208 | Sheet (Trimmed): 15 5/8 × 10 1/4 in. (39.7 × 26 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 504 | 687 | http://www.metmuseum.org/art/collection/search/648005 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 394979 | 51.501.7420 | 0 | 1 | 648007 | 11 | 13856 | Plate 20: Charles V and Ferdinand on Horseback; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' | 878 | After | Johannes Meursius|Pieter de Jode II|Gaspar de Crayer | Flemish, active 1620–47|Flemish, 1606–ca. 1674|Flemish, 1584–1669 | 50340 | 376 | 1600 |1606 |1584 | 1699 |1674 |1669 | 1636 | 1636 | 1636 | 7208 | Sheet (Trimmed): 11 3/4 × 15 3/16 in. (29.9 × 38.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 504 | 743 | http://www.metmuseum.org/art/collection/search/648007 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 394980 | 51.501.7424 | 0 | 1 | 648008 | 11 | 13856 | Plate 24: Charles V crowned Emperor by the Pope; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' | 895 | After | Pieter de Jode II|Gaspar de Crayer|Johannes Meursius | Flemish, 1606–ca. 1674|Flemish, 1584–1669|Flemish, active 1620–47 | 50341 | 376 | 1606 |1584 |1600 | 1674 |1669 |1699 | 1636 | 1636 | 1636 | 7208 | Sheet (Trimmed): 10 3/4 × 13 1/2 in. (27.3 × 34.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 504 | 743 | http://www.metmuseum.org/art/collection/search/648008 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 236069 | 18.17.3-5 | 0 | 0 | 363926 | 11 | 731 | Hercules crushing Discord | 1197 | After | Peter Paul Rubens|Christoffel Jegher | Flemish, Siegen 1577–1640 Antwerp|Flemish, 1596–1652/53 | 32182 | 376 | 1577 |1596 | 1640 |1653 | ca. 1633–35 | 1628 | 1638 | 26552 | sheet (trimmed close to block line): 23 3/4 x 14 1/8 in. (60.3 x 35.9 cm) | Rogers Fund, 1918 | 13 | http://www.metmuseum.org/art/collection/search/363926 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 258489 | 51.501.7033 | 0 | 0 | 387183 | 11 | 731 | Abraham and Melchisedech | 13 | After | Jan (Hans) Witdoeck|Peter Paul Rubens | Flemish, ca. 1615–1642|Flemish, Siegen 1577–1640 Antwerp | 37292 | 376 | 1615 |1577 | 1642 |1640 | 1638 | 1638 | 1638 | 41736 | sheet: 15 3/8 x 17 13/16 in. (39.1 x 45.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387183 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259154 | 51.501.7457 | 0 | 0 | 387852 | 11 | 731 | Democritus, from a series of antique busts | 13 | After | Lucas Vorsterman I|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37291 | 376 | 1595 |1577 | 1675 |1640 | 1638 or earlier | 1615 | 1638 | 33348 | sheet: 10 1/4 x 8 1/8 in. (26 x 20.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387852 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259155 | 51.501.7459 | 0 | 0 | 387853 | 11 | 731 | Plato, from a series of antique busts | 13 | After | Lucas Vorsterman I|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37291 | 376 | 1595 |1577 | 1675 |1640 | 1638 or earlier | 1615 | 1638 | 33348 | sheet: 11 5/8 x 7 1/2 in. (29.6 x 19 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387853 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259156 | 51.501.7464 | 0 | 0 | 387854 | 11 | 731 | Marcus Junius Brutus, from a series of antique busts | 13 | After | Lucas Vorsterman I|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37291 | 376 | 1595 |1577 | 1675 |1640 | 1638 or earlier | 1615 | 1638 | 33348 | sheet: 11 5/16 x 7 11/16 in. (28.7 x 19.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387854 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259157 | 51.501.7465 | 0 | 0 | 387855 | 11 | 731 | Seneca, from a series of antique busts | 13 | After | Lucas Vorsterman I|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37291 | 376 | 1595 |1577 | 1675 |1640 | 1638 or earlier | 1615 | 1638 | 32759 | sheet: 11 9/16 x 7 13/16 in. (29.4 x 19.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387855 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259531 | 17.3.2654 | 0 | 0 | 388230 | 11 | 731 | Marcus Junius Brutus, from a series of antique busts | 13 | After | Lucas Vorsterman I|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37291 | 376 | 1595 |1577 | 1675 |1640 | 1638 or earlier | 1615 | 1638 | 33348 | sheet: 18 3/16 x 12 in. (46.2 x 30.5 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/388230 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 269504 | 2012.136.458 | 0 | 1 | 398618 | 11 | 731 | Nero (after Rubens) | 13 | After | Paulus Pontius|Peter Paul Rubens | Flemish, Antwerp 1603–1658 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 33604 | 376 | 1603 |1577 | 1658 |1640 | 1638 | 1638 | 1638 | 7208 | sheet: 12 5/16 x 7 7/8 in. (31.3 x 20 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/398618 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 269505 | 2012.136.459 | 0 | 1 | 398619 | 11 | 731 | Sophocles (after Rubens) | 13 | After | Paulus Pontius|Peter Paul Rubens | Flemish, Antwerp 1603–1658 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 33604 | 376 | 1603 |1577 | 1658 |1640 | 1638 | 1638 | 1638 | 7208 | plate: 12 1/16 x 8 11/16 in. (30.6 x 22 cm) sheet: 13 3/16 x 9 5/8 in. (33.5 x 24.4 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/398619 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211785 | 30.53.17a | 0 | 1 | 339176 | 11 | 731 | The Garden of Love (left block) | 13 | after | Christoffel Jegher|Peter Paul Rubens | Flemish, 1596–1652/53|Flemish, Siegen 1577–1640 Antwerp | 19105 | 376 | 1596 |1577 | 1653 |1640 | 1630s | 1630 | 1639 | 26552 | Sheet: 18 1/4 x 23 3/4 in. (46.4 x 60.3 cm) Mount: 22 x 28 in. (55.9 x 71.1 cm) | Harris Brisbane Dick Fund, 1930 | 13 | http://www.metmuseum.org/art/collection/search/339176 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 247890 | 30.53.17b | 0 | 1 | 376191 | 11 | 731 | The Garden of Love (right block) | 13 | after | Christoffel Jegher|Peter Paul Rubens | Flemish, 1596–1652/53|Flemish, Siegen 1577–1640 Antwerp | 19105 | 376 | 1596 |1577 | 1653 |1640 | 1630s | 1630 | 1639 | 26552 | Sheet: 18 1/8 x 21 1/16 in. (46 x 53.5 cm) Mount: 22 x 28 in. (55.9 x 71.1 cm) | Harris Brisbane Dick Fund, 1930 | 13 | http://www.metmuseum.org/art/collection/search/376191 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 249530 | 1994.610(14) | 0 | 1 | 377973 | 11 | 731 | Isabella Clara Eugenia | 13 | after|engraved by | Peter Paul Rubens|Abraham Verhouven | Flemish, Siegen 1577–1640 Antwerp|Antwerp, 1580–1639 | 35507 | 376 | 1577 |1580 | 1640 |1639 | n.d. | 1580 | 1639 | 7208 | Sheet: 15 7/16 x 10 1/2 in. (39.2 x 26.7 cm) Plate (Sight): 12 3/16 × 9 13/16 in. (30.9 × 25 cm) | Purchase, Lila Acheson Wallace Gift, Gifts in Memory of Jacob Bean, and various donors, 1994 | 684 | http://www.metmuseum.org/art/collection/search/377973 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 220433 | 59.208.108 | 0 | 1 | 347967 | 11 | 23 | The Nile, Indus, Tigris and Euphrates rivers | 13 | After | Peter Paul Rubens|Anonymous, Flemish, 17th century | Flemish, Siegen 1577–1640 Antwerp | 23265 | 376 | 1577 |1600 | 1640 |1700 | n.d. | 1590 | 1640 | 29155 | 18 3/8 x 23 1/4 in. (46.7 x 59 cm) | Gift of the Estate of James Hazen Hyde, 1959 | 9 | http://www.metmuseum.org/art/collection/search/347967 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 220498 | 1975.131.182 | 0 | 1 | 348032 | 11 | 23 | Design for a Chimney Place and Study of a Nude Female Figure. | 55 | Peter Paul Rubens|Anonymous, Flemish, 17th century | Flemish, Siegen 1577–1640 Antwerp | 23265 | 376 | 1577 |1600 | 1640 |1700 | n.d. | 1590 | 1640 | 34706 | sheet: 7 9/16 x 11 7/8 in. (19.2 x 30.2 cm) | Bequest of Harry G. Sperling, 1971 | 9 | http://www.metmuseum.org/art/collection/search/348032 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 307095 | 30.58.20 | 0 | 1 | 437187 | 15 | 69 | Interior of a Gothic Church by Day | 13 | and | Frans Francken III|Pieter Neeffs the Elder | Flemish, 1607–1667|Flemish, active 1605–1656/61 | 43777 | 376 | 1607 |1605 | 1667 |1661 | probably ca. 1635–40 | 1635 | 1640 | 1953 | 5 1/8 x 6 1/2 in. (13 x 16.5 cm) | Bequest of Edward C. Post, 1915 | 11 | http://www.metmuseum.org/art/collection/search/437187 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 307096 | 30.58.21 | 0 | 1 | 437188 | 15 | 69 | Interior of a Gothic Church at Night | 13 | and | Pieter Neeffs the Elder|Frans Francken III | Flemish, active 1605–1656/61|Flemish, 1607–1667 | 43778 | 376 | 1605 |1607 | 1661 |1667 | probably ca. 1635–40 | 1635 | 1640 | 1953 | 5 1/8 x 6 1/2 in. (13 x 16.5 cm) | Bequest of Edward C. Post, 1915 | 11 | http://www.metmuseum.org/art/collection/search/437188 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 220448 | 61.68 | 0 | 1 | 347982 | 11 | 23 | Martyrdom of Saint Lawrence | 13 | Workshop of|Attributed to | Peter Paul Rubens|Anthony van Dyck | Flemish, Siegen 1577–1640 Antwerp|Flemish, Antwerp 1599–1641 London | 23271 | 376 | 1577 |1599 | 1640 |1641 | early 17th century | 1610 | 1641 | 34694 | sheet: 14 5/8 x 10 5/8 in. (37.2 x 27 cm) | The Elisha Whittelsey Collection, the Elisha Whittelsey Fund, 1961 | 9 | http://www.metmuseum.org/art/collection/search/347982 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 393543 | 51.501.7598 | 0 | 1 | 646169 | 11 | 731 | Portrait of Elisabeth of Bourbon, Queen of Spain | 4432 | After | Elisabeth, Queen of Spain|Peter Paul Rubens|Pieter de Jode II | French, Fontainebleau 1602–1644 Madrid|Flemish, Siegen 1577–1640 Antwerp|Flemish, 1606–ca. 1674 | 50112 | 376 | 1602 |1577 |1606 | 1644 |1640 |1674 | ca. 1632–44 | 1627 | 1649 | 7208 | Sheet (Trimmed): 6 9/16 × 4 7/16 in. (16.6 × 11.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/646169 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 241375 | 51.501.7111(12) | 0 | 1 | 369507 | 11 | 731 | Three Studies of Écorchés | 13 | After | Paulus Pontius|Peter Paul Rubens | Flemish, Antwerp 1603–1658 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 33604 | 376 | 1603 |1577 | 1658 |1640 | after 1640 | 1640 | 1650 | 7208 | plate: 12 5/16 x 8 3/16 in. (31.3 x 20.8 cm) sheet: 12 5/8 x 8 7/16 in. (32 x 21.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/369507 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259145 | 51.501.7582 | 0 | 1 | 387843 | 11 | 731 | Portrait of Lorenzo de' Medici | 1046 | After | Lucas Vorsterman I|Peter Paul Rubens|Lorenzo de' Medici | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp|Italian, Florence 1449–1492 Florence | 37421 | 376 | 1595 |1577 |1449 | 1675 |1640 |1492 | 1610–50 | 1610 | 1650 | 33348 | Sheet (Trimmed): 6 7/8 × 4 3/4 in. (17.5 × 12.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387843 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 270097 | 2011.490 | 0 | 1 | 399223 | 11 | 731 | The Consecration of Decius Mus | 13 | After | Antoine Sallaert|Peter Paul Rubens | Flemish, Brussels ca. 1580/85–1650 Brussels|Flemish, Siegen 1577–1640 Antwerp | 40103 | 376 | 1575 |1577 | 1650 |1640 | ca. 1620–50 | 1620 | 1650 | 30010 | sheet: 7 5/16 x 7 7/16 in. (18.5 x 18.9 cm) | Frits and Rita Markus Fund, 2011 | 13 | http://www.metmuseum.org/art/collection/search/399223 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 305706 | 30.95.241 | 0 | 1 | 435590 | 15 | 69 | Family Group in a Landscape | 13 | and | Jacques d'Arthois|Flemish Painter | Flemish, 1613–ca. 1686|ca. 1645 | 43386 | 376 | 1613 | 1686 | ca. 1645 | 1640 | 1650 | 953 | 49 1/8 x 60 1/8 in. (124.8 x 152.7 cm) | Theodore M. Davis Collection, Bequest of Theodore M. Davis, 1915 | 11 | http://www.metmuseum.org/art/collection/search/435590 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 393529 | 47.100.986 | 0 | 1 | 646155 | 11 | 731 | The Three Graces | 13 | After | Pieter de Jode II|Peter Paul Rubens | Flemish, 1606–ca. 1674|Flemish, Siegen 1577–1640 Antwerp | 39655 | 376 | 1606 |1577 | 1674 |1640 | ca. 1630–45 | 1625 | 1650 | 57856 | Plate: 19 3/16 × 13 3/4 in. (48.7 × 34.9 cm) Sheet: 19 1/4 × 21 3/4 in. (48.9 × 55.2 cm) | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/646155 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 393625 | 49.95.2507 | 0 | 0 | 646252 | 11 | 731 | Christian V, King of Denmark from Theatrum pontificum, imperatorum, regum, ducum, principum | 740 | Pieter de Jode II|Anonymous, Flemish, 17th century | Flemish, 1606–ca. 1674 | 50144 | 376 | 1606 |1600 | 1674 |1700 | 1650 | 1650 | 1650 | 7208 | Sheet: 6 7/8 × 4 7/8 in. (17.5 × 12.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/646252 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 307729 | 06.1039 | 0 | 1 | 437919 | 15 | 69 | Two Tritons at the Feast of Acheloüs | 13 | Attributed to|and Attributed to | Cornelis de Vos|Frans Snyders | Flemish, Hulst 1584/85–1651 Antwerp|Flemish, Antwerp 1579–1657 Antwerp | 43938 | 376 | 1584 |1579 | 1651 |1657 | 1603 | 1651 | 953 | 62 3/4 x 45 7/8 in. (159.4 x 116.5 cm) | Marquand Fund, 1906 | 11 | http://www.metmuseum.org/art/collection/search/437919 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 237401 | 62.635.732 | 0 | 0 | 365383 | 11 | 731 | The Temptation of Christ | 13 | After | Peter Paul Rubens|Christoffel Jegher | Flemish, Siegen 1577–1640 Antwerp|Flemish, 1596–1652/53 | 32182 | 376 | 1577 |1596 | 1640 |1653 | before 1652 | 1640 | 1652 | 36831 | sheet: 12 5/8 x 16 3/4 in. (32 x 42.5 cm) | Gift of Harry G. Friedman, 1962 | 13 | http://www.metmuseum.org/art/collection/search/365383 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211076 | 17.42.33 | 0 | 0 | 338464 | 11 | 731 | The Temptation of Christ | 13 | after | Christoffel Jegher|Peter Paul Rubens | Flemish, 1596–1652/53|Flemish, Siegen 1577–1640 Antwerp | 19105 | 376 | 1596 |1577 | 1653 |1640 | 1596–1652/3 | 1596 | 1653 | 26552 | Rogers Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/338464 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 232365 | 51.501.7332 | 0 | 0 | 360114 | 11 | 731 | The Rest on the Flight into Egypt | 13 | after | Christoffel Jegher|Peter Paul Rubens | Flemish, 1596–1652/53|Flemish, Siegen 1577–1640 Antwerp | 19105 | 376 | 1596 |1577 | 1653 |1640 | 1610–53 | 1610 | 1653 | 36789 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/360114 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 321325 | 1975.1.837 | 0 | 1 | 459294 | 16 | 23 | The Young Woman and the Jester | 54 | Copy after | Jacob Jordaens|Jacob Jordaens | Flemish, Antwerp 1593–1678 Antwerp|Flemish, Antwerp 1593–1678 Antwerp | 44417 | 376 | 1593 |1593 | 1678 |1678 | ca. 1640–50 | 1637 | 1653 | 47863 | 11 x 8 5/8 in. (28 x 21.9 cm) | Robert Lehman Collection, 1975 | 9 | http://www.metmuseum.org/art/collection/search/459294 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 257641 | 51.501.509 | 0 | 0 | 386326 | 11 | 731 | Christ Gives the Keys to St. Peter | 4007 | After | Martinus van den Enden|Peter Paul Rubens | Flemish, active 1630–54|Flemish, Siegen 1577–1640 Antwerp | 37234 | 376 | 1630 |1577 | 1654 |1640 | mid-17th century | 1630 | 1654 | 7208 | sheet: 16 7/16 x 12 3/8 in. (41.8 x 31.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/386326 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 393539 | 51.501.7562 | 0 | 1 | 646165 | 11 | 731 | Portrait of Charles of Austria, Infante of Spain, in profile to the right | 5033 | After | Infante Carlos of Spain|Peter Paul Rubens|Pieter de Jode II | Spanish, Madrid 1607–1632 Madrid|Flemish, Siegen 1577–1640 Antwerp|Flemish, 1606–ca. 1674 | 50110 | 376 | 1607 |1577 |1606 | 1632 |1640 |1674 | ca. 1650 | 1645 | 1655 | 7208 | Sheet (Trimmed): 5 9/16 × 3 11/16 in. (14.1 × 9.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/646165 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 393549 | 51.501.7588 | 0 | 1 | 646175 | 11 | 731 | Portrait of Isabella Clara Eugenia, Infanta of Spain | 1046 | After | Peter Paul Rubens|Pieter de Jode II|Infanta Isabella Clara Eugenia | Flemish, Siegen 1577–1640 Antwerp|Flemish, 1606–ca. 1674|Spanish, Segovia 1566–1633 Brussels | 50115 | 376 | 1577 |1606 |1566 | 1640 |1674 |1633 | ca. 1650 | 1645 | 1655 | 7208 | Sheet (Trimmed): 6 3/4 × 4 5/8 in. (17.1 × 11.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/646175 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 393661 | 51.501.7565 | 0 | 1 | 646297 | 11 | 5846 | Portrait of Albert VII, Archduke of Austria | 1046 | After | Peter Paul Rubens|Pieter de Jode II|Albert VII, Archduke of Austria | Flemish, Siegen 1577–1640 Antwerp|Flemish, 1606–ca. 1674|Austrian, Wiener Neustadt 1559–1621 Brussels | 50154 | 376 | 1577 |1606 |1559 | 1640 |1674 |1621 | ca. 1650 | 1645 | 1655 | 7208 | Sheet (Trimmed): 6 7/8 × 4 11/16 in. (17.5 × 11.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/646297 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 232147 | 51.501.7695 | 0 | 1 | 359893 | 11 | 731 | The March of Silenus | 13 | after | Christoffel Jegher|Peter Paul Rubens | Flemish, 1596–1652/53|Flemish, Siegen 1577–1640 Antwerp | 19105 | 376 | 1596 |1577 | 1653 |1640 | ca. 1652 | 1647 | 1657 | 26552 | Sheet: 17 5/8 × 13 3/8 in. (44.7 × 33.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/359893 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 268869 | 18.17.3-17 | 0 | 0 | 397941 | 11 | 731 | The March of Silenus | 1161 | after | Christoffel Jegher|Peter Paul Rubens | Flemish, 1596–1652/53|Flemish, Siegen 1577–1640 Antwerp | 19105 | 376 | 1596 |1577 | 1653 |1640 | ca. 1652 | 1647 | 1657 | 26552 | sheet: 17 13/16 x 13 9/16 in. (45.2 x 34.4 cm) | Rogers Fund, 1918 | 13 | http://www.metmuseum.org/art/collection/search/397941 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239053 | 29.52.7 | 0 | 0 | 367117 | 11 | 731 | Hendrik van Balen | 13 | After | Anthony van Dyck|Paulus Pontius | Flemish, Antwerp 1599–1641 London|Flemish, Antwerp 1603–1658 Antwerp | 33023 | 376 | 1599 |1603 | 1641 |1658 | 17th century | 1615 | 1658 | 30316 | sheet: 9 5/8 x 6 in. (24.4 x 15.3 cm) | Gift of Miss Mary W. Tweed, 1929 | 13 | http://www.metmuseum.org/art/collection/search/367117 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239054 | 47.100.552 | 0 | 0 | 367118 | 11 | 731 | Jean-Gaspard Gevaerts | 13 | After | Anthony van Dyck|Paulus Pontius | Flemish, Antwerp 1599–1641 London|Flemish, Antwerp 1603–1658 Antwerp | 33023 | 376 | 1599 |1603 | 1641 |1658 | 17th century | 1615 | 1658 | 38145 | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/367118 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 239055 | 24.63.475 | 0 | 0 | 367119 | 11 | 731 | Marie de Medici | 13 | After | Anthony van Dyck|Paulus Pontius | Flemish, Antwerp 1599–1641 London|Flemish, Antwerp 1603–1658 Antwerp | 33023 | 376 | 1599 |1603 | 1641 |1658 | 17th century | 1620 | 1658 | 30316 | sheet: 9 1/2 x 7 3/16 in. (24.1 x 18.2 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/367119 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239057 | 17.3.756–1261 | 0 | 0 | 367121 | 11 | 731 | Marie de Medici | 13 | After | Anthony van Dyck|Paulus Pontius | Flemish, Antwerp 1599–1641 London|Flemish, Antwerp 1603–1658 Antwerp | 33023 | 376 | 1599 |1603 | 1641 |1658 | 17th century | 1620 | 1658 | 36117 | plate: 9 5/8 x 7 3/16 in. (24.5 x 18.3 cm) sheet: 10 7/16 x 7 15/16 in. (26.5 x 20.1 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/367121 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239058 | 47.100.566 | 0 | 0 | 367122 | 11 | 731 | Aubert Miraeus | 13 | After | Anthony van Dyck|Paulus Pontius | Flemish, Antwerp 1599–1641 London|Flemish, Antwerp 1603–1658 Antwerp | 33023 | 376 | 1599 |1603 | 1641 |1658 | 17th century | 1615 | 1658 | 30751 | sheet: 9 3/4 x 6 7/8 in. (24.7 x 17.5 cm) | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/367122 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239059 | 42.119.65 | 0 | 0 | 367123 | 11 | 731 | Paulus Pontius, from The Iconography | 13 | After | Anthony van Dyck|Paulus Pontius | Flemish, Antwerp 1599–1641 London|Flemish, Antwerp 1603–1658 Antwerp | 33023 | 376 | 1599 |1603 | 1641 |1658 | 17th century | 1615 | 1658 | 35817 | plate: 9 5/8 x 7 1/4 in. (24.5 x 18.4 cm) sheet: 14 7/16 x 10 3/8 in. (36.7 x 26.4 cm) | Gertrude and Thomas Jefferson Mumford Collection, Gift of Dorothy Quick Mayer, 1942 | 13 | http://www.metmuseum.org/art/collection/search/367123 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239060 | 1986.1180.1325 | 0 | 0 | 367124 | 11 | 731 | Theodor Rombouts, from The Iconography | 13 | After | Anthony van Dyck|Paulus Pontius | Flemish, Antwerp 1599–1641 London|Flemish, Antwerp 1603–1658 Antwerp | 33023 | 376 | 1599 |1603 | 1641 |1658 | 17th century | 1615 | 1658 | 30751 | plate: 9 5/16 x 6 1/8 in. (23.7 x 15.5 cm) sheet: 15 7/16 x 11 1/4 in. (39.2 x 28.5 cm) | Bequest of Grace M. Pugh, 1985 | 13 | http://www.metmuseum.org/art/collection/search/367124 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239143 | 1994.338.11 | 0 | 0 | 367210 | 11 | 731 | Don Alvaro de Bazan Marquis of Santa Cruz | 13 | After | Anthony van Dyck|Paulus Pontius | Flemish, Antwerp 1599–1641 London|Flemish, Antwerp 1603–1658 Antwerp | 33023 | 376 | 1599 |1603 | 1641 |1658 | 17th century | 1615 | 1658 | 30316 | plate: 9 7/16 x 6 3/4 in. (24 x 17.2 cm) sheet: 9 13/16 x 7 3/16 in. (24.9 x 18.2 cm) | Gift of Herbert Mitchell, 1994 | 13 | http://www.metmuseum.org/art/collection/search/367210 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 258819 | 51.501.515 | 0 | 0 | 387514 | 11 | 731 | The Flagellation of Christ | 13 | After | Paulus Pontius|Peter Paul Rubens | Flemish, Antwerp 1603–1658 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 33604 | 376 | 1603 |1577 | 1658 |1640 | 1620–58 | 1620 | 1658 | 7208 | sheet: 14 15/16 x 11 9/16 in. (37.9 x 29.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387514 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 394483 | 51.540.15(61-67) | 0 | 0 | 647462 | 11 | 13858 | Livre de Plusieurs Cartouches | 710 | Albert Flamen|Jacques Van Merlen | Flemish, born ca. 1620, active 1648–88|Flemish, Antwerp 1616–1682 Paris | 50262 | 376 | 1615 |1616 | 1688 |1682 | 1664 | 1664 | 1664 | 26137 | Harris Brisbane Dick Fund, 1951 | 673 | http://www.metmuseum.org/art/collection/search/647462 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 394487 | 51.540.15(61) | 0 | 0 | 647466 | 11 | 13858 | Livre de Plusieurs Cartouches, Plate 1 | 710 | Albert Flamen|Jacques Van Merlen | Flemish, born ca. 1620, active 1648–88|Flemish, Antwerp 1616–1682 Paris | 50262 | 376 | 1615 |1616 | 1688 |1682 | 1664 | 1664 | 1664 | 26137 | Plate: 4 1/8 × 4 15/16 in. (10.4 × 12.6 cm) Sheet: 4 5/16 × 5 3/16 in. (11 × 13.1 cm) 10 9/16 × 7 1/2 in. (26.8 × 19.1 cm) | Harris Brisbane Dick Fund, 1951 | 673 | http://www.metmuseum.org/art/collection/search/647466 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 394501 | 51.540.15(62) | 0 | 0 | 647480 | 11 | 13858 | Livre de Plusieurs Cartouches, Plate [2] | 710 | Albert Flamen|Jacques Van Merlen | Flemish, born ca. 1620, active 1648–88|Flemish, Antwerp 1616–1682 Paris | 50262 | 376 | 1615 |1616 | 1688 |1682 | 1664 | 1664 | 1664 | 26137 | Plate: 4 7/16 × 5 1/16 in. (11.3 × 12.9 cm) Sheet: 5 1/4 × 6 3/16 in. (13.3 × 15.7 cm) 10 9/16 × 7 1/2 in. (26.8 × 19.1 cm) | Harris Brisbane Dick Fund, 1951 | 673 | http://www.metmuseum.org/art/collection/search/647480 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 394509 | 51.540.15(63) | 0 | 0 | 647488 | 11 | 13858 | Livre de Plusieurs Cartouches, Plate [3] | 710 | Albert Flamen|Jacques Van Merlen | Flemish, born ca. 1620, active 1648–88|Flemish, Antwerp 1616–1682 Paris | 50262 | 376 | 1615 |1616 | 1688 |1682 | 1664 | 1664 | 1664 | 26137 | Plate: 4 7/16 × 5 1/16 in. (11.3 × 12.9 cm) Sheet: 5 1/2 × 6 1/4 in. (14 × 15.8 cm) 10 9/16 × 7 9/16 in. (26.8 × 19.2 cm) | Harris Brisbane Dick Fund, 1951 | 673 | http://www.metmuseum.org/art/collection/search/647488 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 394520 | 51.540.15(67) | 0 | 0 | 647499 | 11 | 13858 | Livre de Plusieurs Cartouches, Plate [7] | 710 | Albert Flamen|Jacques Van Merlen | Flemish, born ca. 1620, active 1648–88|Flemish, Antwerp 1616–1682 Paris | 50262 | 376 | 1615 |1616 | 1688 |1682 | 1664 | 1664 | 1664 | 26137 | Plate: 4 × 4 13/16 in. (10.2 × 12.2 cm) Sheet: 4 5/16 × 5 7/16 in. (11 × 13.8 cm) 10 9/16 × 7 9/16 in. (26.8 × 19.2 cm) | Harris Brisbane Dick Fund, 1951 | 673 | http://www.metmuseum.org/art/collection/search/647499 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 394521 | 51.540.15(65) | 0 | 0 | 647500 | 11 | 13858 | Livre de Plusieurs Cartouches, Plate [5] | 710 | Albert Flamen|Jacques Van Merlen | Flemish, born ca. 1620, active 1648–88|Flemish, Antwerp 1616–1682 Paris | 50262 | 376 | 1615 |1616 | 1688 |1682 | 1664 | 1664 | 1664 | 26137 | Plate: 4 1/2 × 5 3/16 in. (11.4 × 13.1 cm) Sheet: 5 1/2 × 6 1/4 in. (14 × 15.8 cm) 10 9/16 × 7 9/16 in. (26.8 × 19.2 cm) | Harris Brisbane Dick Fund, 1951 | 673 | http://www.metmuseum.org/art/collection/search/647500 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 394532 | 51.540.15(66) | 0 | 0 | 647511 | 11 | 13858 | Livre de Plusieurs Cartouches, Plate [6] | 710 | Albert Flamen|Jacques Van Merlen | Flemish, born ca. 1620, active 1648–88|Flemish, Antwerp 1616–1682 Paris | 50262 | 376 | 1615 |1616 | 1688 |1682 | 1664 | 1664 | 1664 | 26137 | Plate: 4 1/8 × 4 15/16 in. (10.5 × 12.6 cm) Sheet: 5 1/4 in. × 6 in. (13.3 × 15.2 cm) 10 1/2 × 7 9/16 in. (26.7 × 19.2 cm) | Harris Brisbane Dick Fund, 1951 | 673 | http://www.metmuseum.org/art/collection/search/647511 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 394534 | 51.540.15(64) | 0 | 0 | 647513 | 11 | 13858 | Livre de Plusieurs Cartouches, Plate 4 | 710 | Albert Flamen|Jacques Van Merlen | Flemish, born ca. 1620, active 1648–88|Flemish, Antwerp 1616–1682 Paris | 50262 | 376 | 1615 |1616 | 1688 |1682 | 1664 | 1664 | 1664 | 26137 | Plate: 4 7/16 × 5 1/16 in. (11.3 × 12.9 cm) Sheet: 5 13/16 × 7 1/16 in. (14.8 × 17.9 cm) 7 9/16 × 10 1/2 in. (19.2 × 26.7 cm) | Harris Brisbane Dick Fund, 1951 | 673 | http://www.metmuseum.org/art/collection/search/647513 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 394535 | 60.620.158 | 0 | 0 | 647514 | 11 | 13858 | Livre de Plusieurs Cartouches, Plate 6 | 710 | Albert Flamen|Jacques Van Merlen | Flemish, born ca. 1620, active 1648–88|Flemish, Antwerp 1616–1682 Paris | 50262 | 376 | 1615 |1616 | 1688 |1682 | 1664 | 1664 | 1664 | 26137 | Plate: 4 1/2 × 5 1/16 in. (11.4 × 12.8 cm) Sheet: 5 1/4 × 6 3/4 in. (13.3 × 17.1 cm) 10 9/16 × 7 5/8 in. (26.8 × 19.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 673 | http://www.metmuseum.org/art/collection/search/647514 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 394537 | 60.620.159 | 0 | 0 | 647516 | 11 | 13858 | Livre de Plusieurs Cartouches, Plate 8 | 710 | Albert Flamen|Jacques Van Merlen | Flemish, born ca. 1620, active 1648–88|Flemish, Antwerp 1616–1682 Paris | 50262 | 376 | 1615 |1616 | 1688 |1682 | 1664 | 1664 | 1664 | 26137 | Plate: 4 1/2 × 5 1/16 in. (11.4 × 12.9 cm) Sheet: 5 1/4 × 6 3/4 in. (13.4 × 17.1 cm) 10 9/16 × 7 5/8 in. (26.8 × 19.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 673 | http://www.metmuseum.org/art/collection/search/647516 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 242081 | 59.600.43 | 0 | 0 | 370233 | 11 | 731 | Title page of Burgundi's "Mundi Lapis Lydis" | 452 | After | Abraham van Diepenbeeck|Jacques Van Merlen | Flemish, 's Hertogenbosch 1596–1675 Antwerp|Flemish, Antwerp 1616–1682 Paris | 33773 | 376 | 1596 |1616 | 1675 |1682 | 1665 | 1665 | 1665 | 7208 | plate: 2 3/4 x 1 15/16 in. (7 x 4.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/370233 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 307097 | 71.50 | 0 | 1 | 437189 | 15 | 69 | Interior of a Gothic Church at Night | 13 | and | Pieter Neeffs the Younger|Frans Francken III | Flemish, 1620–after 1675|Flemish, 1607–1667 | 43779 | 376 | 1620 |1607 | 1675 |1667 | ca. 1660 | 1655 | 1665 | 156 | 10 x 7 3/4 in. (25.4 x 19.7 cm) | Purchase, 1871 | 11 | http://www.metmuseum.org/art/collection/search/437189 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 268280 | 51.501.7101 | 0 | 1 | 397342 | 11 | 731 | The Visitation | 13 | After | Pieter de Jode II|Peter Paul Rubens | Flemish, 1606–ca. 1674|Flemish, Siegen 1577–1640 Antwerp | 39655 | 376 | 1606 |1577 | 1674 |1640 | 1625–74 | 1625 | 1674 | 7208 | sheet: 25 1/2 x 19 11/16 in. (64.8 x 50 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/397342 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 393531 | 51.501.7647 | 0 | 1 | 646157 | 11 | 731 | Neptune and Cybele | 895 | After | Pieter de Jode II|Peter Paul Rubens|Gillis Hendricx | Flemish, 1606–ca. 1674|Flemish, Siegen 1577–1640 Antwerp|Flemish, active 1640–1677 | 50107 | 376 | 1606 |1577 |1640 | 1674 |1640 |1677 | 1640–74 | 1640 | 1674 | 37048 | Sheet (Trimmed): 17 1/16 × 12 7/16 in. (43.3 × 31.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/646157 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 393605 | 51.501.6715 | 0 | 0 | 646232 | 11 | 731 | Margaret of Lorraine, Duchess of Orleans | 13 | After | Pieter de Jode II|Cornelis de Vos | Flemish, 1606–ca. 1674|Flemish, Hulst 1584/85–1651 Antwerp | 50128 | 376 | 1606 |1584 | 1674 |1651 | 1620–74 | 1620 | 1674 | 7208 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/646232 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 239066 | 42.119.240 | 0 | 0 | 367130 | 11 | 731 | Martin Ryckaert, from The Iconography | 13 | After | Anthony van Dyck|Jacob Neeffs | Flemish, Antwerp 1599–1641 London|Flemish, Antwerp 1610–after 1660 Antwerp | 33029 | 376 | 1599 |1610 | 1641 |1670 | 17th century | 1625 | 1675 | 36117 | plate: 10 9/16 x 7 15/16 in. (26.9 x 20.2 cm) sheet: 14 1/4 x 10 7/16 in. (36.2 x 26.5 cm) | Gertrude and Thomas Jefferson Mumford Collection, Gift of Dorothy Quick Mayer, 1942 | 13 | http://www.metmuseum.org/art/collection/search/367130 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239072 | 49.116.62 | 0 | 0 | 367136 | 11 | 731 | Nicolas Rockox | 13 | After | Anthony van Dyck|Lucas Vorsterman I | Flemish, Antwerp 1599–1641 London|Flemish, Zaltbommel 1595–1675 Antwerp | 33034 | 376 | 1599 |1595 | 1641 |1675 | 17th century | 1610 | 1675 | 30316 | sheet: 12 5/16 x 10 1/2 in. (31.3 x 26.7 cm) | Gift of Mrs. John H. Wright, 1949 | 13 | http://www.metmuseum.org/art/collection/search/367136 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 241264 | 47.100.1032 | 0 | 0 | 369396 | 11 | 731 | The Satyr and the Peasant | 13 | Engraved by | Jacob Jordaens|Lucas Vorsterman I | Flemish, Antwerp 1593–1678 Antwerp|Flemish, Zaltbommel 1595–1675 Antwerp | 33587 | 376 | 1593 |1595 | 1678 |1675 | 1615 | 1675 | 30932 | plate: 15 5/16 x 15 7/8 in. (38.9 x 40.4 cm) | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/369396 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 249531 | 1994.610(15) | 0 | 0 | 377974 | 11 | 731 | Isabella Clara Eugenia | 13 | after | Anthony van Dyck|Lucas Vorsterman I | Flemish, Antwerp 1599–1641 London|Flemish, Zaltbommel 1595–1675 Antwerp | 33034 | 376 | 1599 |1595 | 1641 |1675 | 17th century | 1605 | 1675 | 29124 | Sheet: 15 3/8 x 10 9/16 in. (39.1 x 26.8 cm) Plate: 9 3/4 x 6 3/16 in. (24.8 x 15.7 cm) | Purchase, Lila Acheson Wallace Gift, Gifts in Memory of Jacob Bean, and various donors, 1994 | 684 | http://www.metmuseum.org/art/collection/search/377974 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 258487 | 51.501.7034 | 0 | 0 | 387181 | 11 | 731 | Job Tormented By Demons and Abused By His Wife | 13 | After | Lucas Vorsterman I|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37291 | 376 | 1595 |1577 | 1675 |1640 | 1610–75 | 1610 | 1675 | 31674 | sheet: 15 1/16 x 10 1/8 in. (38.3 x 25.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387181 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 258979 | 49.95.1362 | 0 | 0 | 387674 | 11 | 731 | Virgin and Child | 3240 | After|Dedicated to | Hendrik van Balen the Elder|Lucas Vorsterman I|Barbara de Jode | Flemish, Antwerp 1575–1632 Antwerp|Flemish, Zaltbommel 1595–1675 Antwerp | 37389 | 376 | 1575 |1595 | 1632 |1675 | 1615 | 1675 | 32759 | sheet: 6 13/16 x 5 in. (17.3 x 12.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/387674 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 258981 | 17.3.1675 | 0 | 0 | 387676 | 11 | 731 | Gluttony, from The Seven Vices | 13 | After | Adriaen Brouwer|Lucas Vorsterman I | Flemish, Oudenaarde 1605/6–1638 Antwerp|Flemish, Zaltbommel 1595–1675 Antwerp | 37390 | 376 | 1605 |1595 | 1638 |1675 | 1615 | 1675 | 30392 | sheet: 7 7/16 x 5 3/8 in. (18.9 x 13.7 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/387676 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 258999 | 51.501.7334 | 0 | 0 | 387694 | 11 | 731 | The Virgin Praying near the Sleeping Child | 13 | After | Lucas Vorsterman I|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37291 | 376 | 1595 |1577 | 1675 |1640 | 1615–75 | 1615 | 1675 | 30932 | sheet: 7 5/8 x 6 1/16 in. (19.3 x 15.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387694 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259000 | 51.501.7155 | 0 | 1 | 387695 | 11 | 731 | Saint Barbara | 13 | After | Lucas Vorsterman I|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37291 | 376 | 1595 |1577 | 1675 |1640 | ca. 1615–75 | 1610 | 1675 | 33348 | Sheet (Trimmed): 12 7/8 × 8 13/16 in. (32.7 × 22.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387695 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259009 | 51.501.1335 | 0 | 0 | 387704 | 11 | 731 | The Virgin Contemplating the Instruments of the Passion | 13 | After | Lucas Vorsterman I|Gerard Seghers | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Antwerp 1591–1651 Antwerp | 37398 | 376 | 1595 |1591 | 1675 |1651 | 1615–75 | 1615 | 1675 | 33348 | sheet: 11 7/16 x 8 9/16 in. (29.1 x 21.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387704 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259010 | 51.501.1338 | 0 | 0 | 387705 | 11 | 731 | St. Francis in Ecstasy before a Crucifix | 13 | After | Lucas Vorsterman I|Gerard Seghers | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Antwerp 1591–1651 Antwerp | 37398 | 376 | 1595 |1591 | 1675 |1651 | 1615–75 | 1615 | 1675 | 33348 | sheet: 11 1/4 x 8 1/8 in. (28.6 x 20.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387705 | 4/23/2018 8:00:01 AM | 1 |