Data license: CC0 · Data source: metmuseum/openaccess
rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
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233110 | 20.81.1.44 | 0 | 0 | 360861 | 11 | 731 | The Vanity of Human Wishes (from, Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal) | 542 | 3759 | After|Associated with | Wenceslaus Hollar|Robert Streater|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|British, London 1621–1679 London|British, active 1669|Aquinum 55/60?–?127/140 | 31484 | 2438 | 1607 |1621 |1640 |0055 | 1677 |1679 |1700 |0140 | 1660 | 1660 | 1660 | 29783 | Plate: 11 11/16 × 7 15/16 in. (29.7 × 20.2 cm) Sheet: 12 in. × 7 15/16 in. (30.5 × 20.2 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360861 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
233139 | 20.81.1.35 | 0 | 0 | 360890 | 11 | 731 | Frontispiece. Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal. | 542 | 3759 | After|Associated with | Wenceslaus Hollar|Robert Streater|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|British, London 1621–1679 London|British, active 1669|Aquinum 55/60?–?127/140 | 31484 | 2438 | 1607 |1621 |1640 |0055 | 1677 |1679 |1700 |0140 | 1660 | 1660 | 1660 | 36890 | Plate: 11 11/16 × 8 1/8 in. (29.7 × 20.7 cm) Sheet: 12 1/16 × 8 7/8 in. (30.6 × 22.5 cm) cut into blank margin at bottom; margins outside platemark at top and sides | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360890 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
233140 | 20.81.1.36 | 0 | 0 | 360891 | 11 | 731 | Fashionable Society after Jan Danckerts. From Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal. | 542 | 3759 | After|Associated with | Wenceslaus Hollar|Johan Danckerts|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|Dutch, 1615–1681/87|British, active 1669|Aquinum 55/60?–?127/140 | 31493 | 2440 | 1607 |1615 |1640 |0055 | 1677 |1687 |1700 |0140 | 1658–60 | 1658 | 1660 | 29783 | Plate: 11 5/8 × 8 1/16 in. (29.5 × 20.5 cm) Sheet: 11 3/4 in. × 9 in. (29.9 × 22.8 cm) cut into blank margin at bottom; margins outside platemark at top and sides | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360891 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
233141 | 20.81.1.37 | 0 | 0 | 360892 | 11 | 731 | Rome's Depravity after Jan Danckerts. From Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal. | 542 | 3759 | Associated with | Wenceslaus Hollar|Johan Danckerts|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|Dutch, 1615–1681/87|British, active 1669|Aquinum 55/60?–?127/140 | 31493 | 2440 | 1607 |1615 |1640 |0055 | 1677 |1687 |1700 |0140 | 1658 | 1658 | 1658 | 29783 | Plate: 11 7/8 × 8 1/8 in. (30.2 × 20.7 cm) Sheet: 12 1/4 × 8 13/16 in. (31.1 × 22.4 cm) cut into blank margin at bottom; margins outside platemark at top and sides | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360892 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
233142 | 20.81.1.38 | 0 | 0 | 360893 | 11 | 731 | The Council Meeting after Jan Danckerts. From Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal. | 542 | 3759 | After|Associated with | Wenceslaus Hollar|Johan Danckerts|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|Dutch, 1615–1681/87|British, active 1669|Aquinum 55/60?–?127/140 | 31493 | 2440 | 1607 |1615 |1640 |0055 | 1677 |1687 |1700 |0140 | 1660 | 1660 | 1660 | 29783 | Plate: 11 11/16 × 8 in. (29.7 × 20.3 cm) Sheet: 11 15/16 × 8 13/16 in. (30.3 × 22.4 cm) cut into blank margin at bottom; margins outside platemark at top and sides | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360893 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
233143 | 20.81.1.39 | 0 | 0 | 360894 | 11 | 731 | Exiled from the Capital (from, Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal) | 542 | 3759 | After|Associated with | Wenceslaus Hollar|Johan Danckerts|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|Dutch, 1615–1681/87|British, active 1669|Aquinum 55/60?–?127/140 | 31493 | 2440 | 1607 |1615 |1640 |0055 | 1677 |1687 |1700 |0140 | 1660 | 1660 | 1660 | 36684 | Plate: 11 13/16 × 8 1/16 in. (30 × 20.4 cm) Sheet: 12 1/8 × 8 3/4 in. (30.8 × 22.2 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360894 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
233145 | 20.81.1.40 | 0 | 0 | 360896 | 11 | 731 | Roman Women (from, Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal) | 542 | 3759 | After|Associated with | Wenceslaus Hollar|Johan Danckerts|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|Dutch, 1615–1681/87|British, active 1669|Aquinum 55/60?–?127/140 | 31493 | 2440 | 1607 |1615 |1640 |0055 | 1677 |1687 |1700 |0140 | 1660 | 1660 | 1660 | 29783 | Plate: 11 1/2 × 7 7/8 in. (29.2 × 20 cm) Sheet: 11 7/8 × 8 11/16 in. (30.2 × 22 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360896 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
233146 | 20.81.1.41 | 0 | 0 | 360897 | 11 | 731 | The Banquet (from, Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal) | 542 | 3759 | After|Associated with | Wenceslaus Hollar|Johan Danckerts|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|Dutch, 1615–1681/87|British, active 1669|Aquinum 55/60?–?127/140 | 31493 | 2440 | 1607 |1615 |1640 |0055 | 1677 |1687 |1700 |0140 | 1660 | 1660 | 1660 | 29783 | Plate: 11 3/4 × 8 1/16 in. (29.9 × 20.5 cm) Sheet: 12 1/8 × 8 3/4 in. (30.8 × 22.3 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360897 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
233149 | 20.81.1.45 | 0 | 0 | 360900 | 11 | 731 | The Decline of Naevolus (from Robert Stapylton, Mores Hominum, The Manners of Men, Described in Sixteen Satyrs, by Juvenal) | 542 | 3759 | After|Associated with | Wenceslaus Hollar|Robert Streater|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|British, London 1621–1679 London|British, active 1669|Aquinum 55/60?–?127/140 | 31484 | 2438 | 1607 |1621 |1640 |0055 | 1677 |1679 |1700 |0140 | 1660 | 1660 | 1660 | 29764 | Plate: 11 11/16 × 7 13/16 in. (29.7 × 19.8 cm) Sheet: 12 1/8 × 8 3/8 in. (30.8 × 21.2 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360900 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
233150 | 20.81.1.46 | 0 | 0 | 360901 | 11 | 731 | Catullus Saved from Shipwreck (from, Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal) | 542 | 3759 | After|Associated with | Wenceslaus Hollar|Robert Streater|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|British, London 1621–1679 London|British, active 1669|Aquinum 55/60?–?127/140 | 31484 | 2438 | 1607 |1621 |1640 |0055 | 1677 |1679 |1700 |0140 | 1660 | 1660 | 1660 | 29783 | Plate: 11 7/16 × 7 15/16 in. (29 × 20.2 cm) Sheet: 11 7/8 × 8 3/4 in. (30.1 × 22.3 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360901 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
233151 | 20.81.1.47 | 0 | 0 | 360902 | 11 | 731 | The Country Meal (from, Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal) | 542 | 3759 | After|Associated with | Wenceslaus Hollar|Francis Barlow|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|British, Lincolnshire ca. 1626–1704 London|British, active 1669|Aquinum 55/60?–?127/140 | 31496 | 2438 | 1607 |1626 |1640 |0055 | 1677 |1704 |1700 |0140 | 1659 | 1659 | 1659 | 29783 | Plate: 11 1/4 × 7 13/16 in. (28.5 × 19.9 cm) Sheet: 11 7/8 × 8 9/16 in. (30.2 × 21.8 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360902 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
233153 | 20.81.1.49 | 0 | 0 | 360904 | 11 | 731 | A Letter of Condolence (from, Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal) | 542 | 3759 | After|Associated with | Wenceslaus Hollar|Robert Streater|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|British, London 1621–1679 London|British, active 1669|Aquinum 55/60?–?127/140 | 31484 | 2438 | 1607 |1621 |1640 |0055 | 1677 |1679 |1700 |0140 | 1660 | 1660 | 1660 | 29783 | Plate: 11 5/8 × 8 in. (29.5 × 20.3 cm) Sheet: 11 15/16 × 8 3/4 in. (30.4 × 22.2 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360904 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
233156 | 20.81.1.51 | 0 | 0 | 360907 | 11 | 731 | Fight Between the Ombites and the Tentyrites (from Robert Stapylton, Mores Hominum. The Manners of Men, Described in Sixteen Satyrs, by Juvenal) | 542 | 3759 | After|Associated with | Wenceslaus Hollar|Robert Streater|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|British, London 1621–1679 London|British, active 1669|Aquinum 55/60?–?127/140 | 31484 | 2438 | 1607 |1621 |1640 |0055 | 1677 |1679 |1700 |0140 | 1660 | 1660 | 1660 | 29783 | Plate: 11 11/16 × 8 1/8 in. (29.7 × 20.7 cm) Sheet: 12 1/16 × 8 7/8 in. (30.6 × 22.5 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360907 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
233157 | 20.81.1.52 | 0 | 0 | 360908 | 11 | 731 | The Cat and the Cock (from John Ogilby, The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations) | 545 | 3759 | After|Associated with | Wenceslaus Hollar|Franz Cleyn|John Ogilby|Aesop | Bohemian, Prague 1607–1677 London|German, Rostock 1582–1658 London|British, Forfarshire 1600–1676 London|Greek, ca. 620–560 B.C. | 31498 | 2444 | 1607 |1582 |1600 |-0620 | 1677 |1658 |1676 |-0560 | 1665 | 1665 | 1665 | 29757 | Sheet: 8 3/8 × 6 7/16 in. (21.2 × 16.3 cm) cut outside bordelines, number thus trimmed off, and within platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360908 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
233158 | 20.81.1.53 | 0 | 0 | 360909 | 11 | 731 | The Stag and the Horse (from, John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations") | 545 | 3759 | After|Associated with | Wenceslaus Hollar|Franz Cleyn|John Ogilby|Aesop | Bohemian, Prague 1607–1677 London|German, Rostock 1582–1658 London|British, Forfarshire 1600–1676 London|Greek, ca. 620–560 B.C. | 31498 | 2444 | 1607 |1582 |1600 |-0620 | 1677 |1658 |1676 |-0560 | 1665 | 1665 | 1665 | 29757 | Sheet: 8 9/16 × 6 5/8 in. (21.8 × 16.8 cm) Upper left corner cut into image; cut outside borderline rest of sheet and within the platemark.. | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360909 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
233159 | 20.81.1.54 | 0 | 0 | 360910 | 11 | 731 | The Lion and the Forester (from, John Ogilby, The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations) | 545 | 3759 | After|Associated with | Wenceslaus Hollar|Franz Cleyn|John Ogilby|Aesop | Bohemian, Prague 1607–1677 London|German, Rostock 1582–1658 London|British, Forfarshire 1600–1676 London|Greek, ca. 620–560 B.C. | 31498 | 2444 | 1607 |1582 |1600 |-0620 | 1677 |1658 |1676 |-0560 | 1665 | 1665 | 1665 | 29757 | Sheet: 8 5/16 × 6 1/2 in. (21.1 × 16.5 cm) cut irregularly into image at upper left; cut on and just within borderline rest of sheet and within platemark all around. | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360910 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
233160 | 20.81.1.55 | 0 | 0 | 360911 | 11 | 731 | The Lion and the Mouse (from John Ogilby, The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations) | 545 | 3759 | After|Associated with | Wenceslaus Hollar|Franz Cleyn|John Ogilby|Aesop | Bohemian, Prague 1607–1677 London|German, Rostock 1582–1658 London|British, Forfarshire 1600–1676 London|Greek, ca. 620–560 B.C. | 31498 | 2444 | 1607 |1582 |1600 |-0620 | 1677 |1658 |1676 |-0560 | 1665 | 1665 | 1665 | 29783 | Sheet: 8 7/8 × 6 5/8 in. (22.6 × 16.8 cm) cut outside borderline and within platemark all around | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360911 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
233161 | 20.81.1.56 | 0 | 0 | 360912 | 11 | 731 | The Wolf, the Lamb, and the Crane (from John Ogilby, The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations) | 545 | 3759 | After|Associated with | Wenceslaus Hollar|Franz Cleyn|John Ogilby|Aesop | Bohemian, Prague 1607–1677 London|German, Rostock 1582–1658 London|British, Forfarshire 1600–1676 London|Greek, ca. 620–560 B.C. | 31498 | 2444 | 1607 |1582 |1600 |-0620 | 1677 |1658 |1676 |-0560 | 1665 | 1665 | 1665 | 29757 | Sheet: 8 3/4 × 6 1/2 in. (22.2 × 16.5 cm) Cut outside borderline and within platemark all around | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360912 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
233162 | 20.81.1.57 | 0 | 0 | 360913 | 11 | 731 | The Fox and the Cock (from John Ogilby, The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations) | 545 | 3759 | After (?)|Associated with | Wenceslaus Hollar|Franz Cleyn|John Ogilby|Aesop | Bohemian, Prague 1607–1677 London|German, Rostock 1582–1658 London|British, Forfarshire 1600–1676 London|Greek, ca. 620–560 B.C. | 31498 | 2444 | 1607 |1582 |1600 |-0620 | 1677 |1658 |1676 |-0560 | 1665 | 1665 | 1665 | 29757 | Sheet: 8 11/16 × 6 1/2 in. (22 × 16.5 cm) Cut outside borderline and within platemark all around | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360913 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
233163 | 20.81.1.58 | 0 | 0 | 360914 | 11 | 731 | The Woodman (from, John Ogilby, The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations) | 545 | 3759 | After|Associated with | Wenceslaus Hollar|Franz Cleyn|John Ogilby|Aesop | Bohemian, Prague 1607–1677 London|German, Rostock 1582–1658 London|British, Forfarshire 1600–1676 London|Greek, ca. 620–560 B.C. | 31498 | 2444 | 1607 |1582 |1600 |-0620 | 1677 |1658 |1676 |-0560 | 1665 | 1665 | 1665 | 29757 | Sheet: 8 11/16 × 6 1/2 in. (22.1 × 16.5 cm) Cut outside borderline and within platemark all around | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360914 | 4/23/2018 8:00:01 AM | 1 |