Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 232070 | 62.600.685 | 0 | 1 | 359816 | 11 | 731 | The Royal Academy of Arts | 3717 | After | Robert Sayer|Richard Earlom|Johan Joseph Zoffany | British, Sunderland 1725–1794 Bath|British, London 1743–1822 London|German, near Frankfurt 1733–1810 London | 31160 | 1058 | 1725 |1743 |1733 | 1794 |1822 |1810 | August 2, 1773 | 1773 | 1773 | 29072 | 19 7/8 x 28 1/8 in. (50.5 x 71.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/359816 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239952 | 1975.501.1 | 0 | 0 | 368038 | 11 | 731 | Love and Death | 3717 | After | Robert Dunthorne|Sir Frank Short|George Frederic Watts | British, born ca. 1851|British, Stourbridge, West Midlands 1857–1945 Ditchling, East Sussex|British, London 1817–1904 London | 33226 | 9 | 1851 |1857 |1817 | 1945 |1904 | 1900 | 1900 | 1900 | 38277 | plate: 22 15/16 x 10 5/8 in. (58.2 x 27 cm) sheet: 25 1/4 x 15 15/16 in. (64.1 x 40.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1975 | 13 | http://www.metmuseum.org/art/collection/search/368038 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239954 | 1975.501.3 | 0 | 0 | 368040 | 11 | 731 | Hope | 3717 | After | Robert Dunthorne|Sir Frank Short|George Frederic Watts | British, born ca. 1851|British, Stourbridge, West Midlands 1857–1945 Ditchling, East Sussex|British, London 1817–1904 London | 33226 | 9 | 1851 |1857 |1817 | 1945 |1904 | 1901 | 1901 | 1901 | 38279 | plate: 19 3/4 x 15 9/16 in. (50.1 x 39.5 cm) sheet: 23 3/16 x 18 3/16 in. (58.9 x 46.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1975 | 13 | http://www.metmuseum.org/art/collection/search/368040 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239955 | 1975.501.4 | 0 | 0 | 368041 | 11 | 731 | Diana and Endymion | 3717 | After | Robert Dunthorne|Sir Frank Short|George Frederic Watts | British, born ca. 1851|British, Stourbridge, West Midlands 1857–1945 Ditchling, East Sussex|British, London 1817–1904 London | 33226 | 9 | 1851 |1857 |1817 | 1945 |1904 | 1891 | 1891 | 1891 | 38280 | plate: 18 1/16 x 22 3/16 in. (45.9 x 56.4 cm) sheet: 20 7/8 x 26 1/4 in. (53 x 66.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1975 | 13 | http://www.metmuseum.org/art/collection/search/368041 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 240348 | 24.90.1953 | 0 | 0 | 368464 | 11 | 97 | The New-York Magazine; or, Literary Repository, Vol. I | 3717 | After | Thomas and James Swords|Cornelius Tiebout|J. Anderson | New York, NY|American, New York ca. 1773–1832 Kentucky|American, active New York, 1789–95 | 33331 | 101 | 1750 |1773 |1789 | 1800 |1832 |1795 | 1790 | 1790 | 1790 | 28942 | 8 7/16 x 5 1/8 in. (21.5 x 13 cm) | Bequest of Charles Allen Munn, 1924 | 442 | http://www.metmuseum.org/art/collection/search/368464 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 247616 | 2007.49.379 | 0 | 1 | 375910 | 11 | 731 | Winged Figure Flying Through Clouds | 3717 | Probably published by|After | Thomas Bell|William Blake|Thomas Stothard | British, Poole, Dorset 1792–1880 Selbourne|British, London 1757–1827 London|British, London 1755–1834 London | 34984 | 9 | 1792 |1757 |1755 | 1880 |1827 |1834 | ca. 1780–87 | 1775 | 1792 | 33348 | sheet: 4 1/2 x 2 11/16 in. (11.4 x 6.9 cm) (cut within plate mark) | Bequest of William S. Lieberman, 2005 | 13 | http://www.metmuseum.org/art/collection/search/375910 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254340 | 28.97.31 | 0 | 1 | 382934 | 11 | 731 | Lauffenbourgh on the Rhine (Liber Studiorum, part VI, plate 31) | 3717 | Designed and etched by | Joseph Mallord William Turner|Thomas Hodgetts|Joseph Mallord William Turner | British, London 1775–1851 London|British, active 1801–46|British, London 1775–1851 London | 36397 | 178 | 1775 |1801 |1775 | 1851 |1846 |1851 | January 1, 1811 | 1811 | 1811 | 40753 | plate: 7 x 10 1/4 in. (17.8 x 26 cm) sheet: 8 x 11 1/2 in. (20.3 x 29.2 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/382934 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254342 | 28.97.33 | 0 | 1 | 382936 | 11 | 731 | St. Catharine's Hill near Guilford (Liber Studiorum, part VII) | 3717 | Designed and etched by | Joseph Mallord William Turner|J. C. Easling|Joseph Mallord William Turner | British, London 1775–1851 London|British, active 1807–33|British, London 1775–1851 London | 36398 | 178 | 1775 |1807 |1775 | 1851 |1833 |1851 | June 1811 | 1811 | 1811 | 40759 | plate: 7 5/16 x 10 3/8 in. (18.6 x 26.4 cm) sheet: 8 5/16 x 11 7/16 in. (21.1 x 29.1 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/382936 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 257432 | 53.638.31(20-9) | 0 | 1 | 386117 | 11 | 731 | Simple Bodily Pain (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun) | 3717 | After | Robert Sayer|Anonymous, British, 18th century|Charles Le Brun | British, Sunderland 1725–1794 Bath|French, Paris 1619–1690 Paris | 37198 | 319 | 1725 |1700 |1619 | 1794 |1800 |1690 | 1765 | 1765 | 1800 | 37638 | Plate: 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/386117 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 257435 | 53.638.31(20-12) | 0 | 0 | 386120 | 11 | 731 | Scorn (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun) | 3717 | After | Robert Sayer|Anonymous, British, 18th century|Charles Le Brun | British, Sunderland 1725–1794 Bath|French, Paris 1619–1690 Paris | 37198 | 319 | 1725 |1700 |1619 | 1794 |1800 |1690 | 1765 | 1765 | 1800 | 37638 | plate: 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/386120 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 266138 | 2014.596.2 | 0 | 1 | 395106 | 11 | 731 | The Blue Egyptian Water Lily, from "The Temple of Flora, or Garden of Nature" | 3717 | After | Robert John Thornton|Joseph Constantine Stadler|Peter Charles Henderson | British, 1768–1837|German, active London, 1780–1822|British, active 1791–1829 | 39139 | 1432 | 1768 |1780 |1791 | 1837 |1822 |1829 | September 11, 1804 | 1804 | 1804 | 42751 | Image: 17 1/8 x 14 in. (43.5 x 35.6 cm) Plate: 20 1/2 × 19 5/8 in. (52 × 49.8 cm) Sheet: 22 7/16 × 17 13/16 in. (57 × 45.2 cm) | Gift of Joyce Bullock Darrell, 2014 | 13 | http://www.metmuseum.org/art/collection/search/395106 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 292206 | 24.90.1257 | 0 | 0 | 421538 | 11 | 731 | View on the Hudson, and the Palisades, New York (New York Mirror) | 3717 | Engraved by|After | New York Mirror|Milo Osborne|John Gadsby Chapman | 1823–1843|American, 1810–1880|American, Alexandria, Virginia 1808–1889 New York | 41834 | 101 | 1823 |1810 |1808 | 1843 |1880 |1889 | 1838 | 1838 | 1838 | 29900 | Image: 7 13/16 x 6 in. (19.8 x 15.3 cm) Sheet: 13 1/2 x 9 5/8 in. (34.3 x 24.4 cm) | Bequest of Charles Allen Munn, 1924 | 13 | http://www.metmuseum.org/art/collection/search/421538 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 292210 | 24.90.1260 | 0 | 0 | 421542 | 11 | 731 | New York Institution for the Instruction of the Deaf and Dumb (New York Mirror) | 3717 | After | New York Mirror|James Smillie|Alexander Jackson Davis | 1823–1843|American, Edinburgh 1807–1885 Poughkeepsie, New York|American, New York 1803–1892 West Orange, New Jersey | 41836 | 101 | 1823 |1807 |1803 | 1843 |1885 |1892 | 1835 | 1835 | 1835 | 29900 | Plate: 6 7/16 x 9 7/16 in. (16.4 x 24 cm) Sheet: 10 1/16 x 13 3/8 in. (25.5 x 33.9 cm) | Bequest of Charles Allen Munn, 1924 | 13 | http://www.metmuseum.org/art/collection/search/421542 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 293102 | 67.797.41 | 0 | 0 | 422437 | 11 | 731 | Mercury Inventing the Lyre | 3717 | Engraved by|After | John Boydell|John Raphael Smith|James Barry | British, Shropshire 1720–1804 London|British, baptized Derby 1751–1812 Doncaster|Irish, Cork 1741–1806 London | 41907 | 3028 | 1720 |1751 |1741 | 1804 |1812 |1806 | February 1, 1775 | 1775 | 1775 | 37975 | Plate: 12 5/8 × 14 15/16 in. (32 × 38 cm) Sheet: 12 13/16 × 15 1/16 in. (32.5 × 38.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | 13 | http://www.metmuseum.org/art/collection/search/422437 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 401136 | 47.81(34) | 0 | 0 | 656013 | 11 | 731 | Black Cap, a Harrier's Head | 3717 | Published London by|After | Henry G. Bohn|Thomas Landseer|George Henry Laporte | British, London 1795–1880 London|British, 1802–1873 London | 50981 | 178 | 1796 |1795 |1802 | 1884 |1880 |1873 | 1853 | 1853 | 1853 | 6712 | Plate: 7 9/16 × 5 15/16 in. (19.2 × 15.1 cm) Sheet: 12 11/16 × 9 5/8 in. (32.2 × 24.5 cm) | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/656013 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 401143 | 47.81(39) | 0 | 0 | 656020 | 11 | 731 | Red Deer | 3717 | Published London by|After | Henry G. Bohn|Thomas Landseer|Robert Hills | British, London 1795–1880 London|British, Middlesex 1769–1844 London | 50984 | 178 | 1796 |1795 |1769 | 1884 |1880 |1844 | 1853 | 1853 | 1853 | 6712 | Plate: 8 13/16 × 5 13/16 in. (22.4 × 14.8 cm) Sheet: 12 11/16 × 9 5/8 in. (32.2 × 24.5 cm) | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/656020 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 409470 | 53.600.4461 | 0 | 0 | 670793 | 11 | 731 | Love in Her Eye Sits Playing | 3717 | After | John Boydell|John Raphael Smith|Matthew William Peters | British, Shropshire 1720–1804 London|British, baptized Derby 1751–1812 Doncaster|British, Freshwater, Isle of Wight 1742–1814 Brasted, Kent | 51697 | 178 | 1720 |1751 |1742 | 1804 |1812 |1814 | May 1, 1778 | 1778 | 1778 | 36738 | Plate: 13 7/8 × 15 1/2 in. (35.3 × 39.3 cm) Sheet: 14 13/16 × 16 9/16 in. (37.7 × 42 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/670793 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 413355 | 51.501.1006 | 0 | 0 | 681663 | 11 | 731 | Ha! Ha! Ha! – I've got the Chink | 3717 | After | Robert Sayer|Charles Spooner|Adriaen van Ostade | British, Sunderland 1725–1794 Bath|Irish, 1720–1767|Dutch, Haarlem 1610–1685 Haarlem | 52081 | 3775 | 1725 |1720 |1610 | 1794 |1767 |1685 | 1760–67 | 1760 | 1767 | 29072 | Sheet (trimmed to plate): 6 in. × 4 11/16 in. (15.2 × 11.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/681663 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 416374 | 62.520.237 | 0 | 1 | 687945 | 11 | 731 | Portrait of French Painter Hubert Robert | 3717 | After | Jean-Baptiste Isabey|Simon Charles Miger|Jean-Baptiste Isabey | French, Nancy 1767–1855 Paris|French, Nemours 1736–1820 Paris|French, Nancy 1767–1855 Paris | 52766 | 103 | 1767 |1736 |1767 | 1855 |1820 |1855 | 1798–99 | 1798 | 1799 | 35138 | Sheet: 14 9/16 × 10 1/2 in. (37 × 26.6 cm) Plate: 10 5/8 × 8 11/16 in. (27 × 22 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/687945 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 422574 | 2015.653.4 | 0 | 1 | 700930 | 11 | 731 | David Brought Before Saul, from "The Art Journal," opposite p. 100 | 3717 | After | J. S. Virtue|Samuel S. Smith|Louisa Starr Canziani | London|British, London? 1810–1879 London|British, London 1845–1909 London | 53875 | 1855 |1810 |1845 | 1892 |1879 |1909 | April 1871 | 1871 | 1871 | 6712 | Image: 7 9/16 × 9 1/8 in. (19.2 × 23.2 cm) Sheet: 8 15/16 × 11 3/8 in. (22.7 × 28.9 cm) | Gift of Donato Esposito, 2015 | 13 | http://www.metmuseum.org/art/collection/search/700930 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 424726 | 53.601.16(142) | 0 | 0 | 705446 | 11 | 731 | The Parable of the Unjust Husbandmen | 3717 | Aegidius Sadeler II|Adriaen Collaert|Hans Bol | Netherlandish, Antwerp 1568–1629 Prague|Netherlandish, Antwerp ca. 1560–1618 Antwerp|Netherlandish, Mechelen 1534–1593 Amsterdam | 54192 | 1568 |1560 |1534 | 1629 |1618 |1593 | 1585 | 1585 | 1585 | 7208 | Sheet: 6 in. × 8 1/8 in. (15.3 × 20.6 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/705446 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 424735 | 53.601.16(141) | 0 | 0 | 705455 | 11 | 731 | Title Plate for Emblemata Evangelica (scenes from the New Testament) | 3717 | Aegidius Sadeler II|Adriaen Collaert|Hans Bol | Netherlandish, Antwerp 1568–1629 Prague|Netherlandish, Antwerp ca. 1560–1618 Antwerp|Netherlandish, Mechelen 1534–1593 Amsterdam | 54192 | 1568 |1560 |1534 | 1629 |1618 |1593 | 1585 | 1585 | 1585 | 7208 | Sheet: 6 in. × 8 1/4 in. (15.2 × 21 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/705455 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 424753 | 53.601.17(42) | 0 | 0 | 705473 | 11 | 731 | Abraham and the Three Angels | 3717 | possibly | Aegidius Sadeler II|Johann Sadeler I|Hans Bol | Netherlandish, Brussels 1550–1600/1601 Venice|Netherlandish, Mechelen 1534–1593 Amsterdam | and Johannes Sadeler I | 54199 | 1568 |1550 |1534 | 1629 |1601 |1593 | 1580 | 1580 | 1580 | 7208 | Sheet: 7 11/16 × 10 1/2 in. (19.5 × 26.7 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/705473 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 425464 | 36.33(10-1) | 0 | 1 | 706548 | 11 | 731 | Whalers | 976 | 3717 | After | D. Appleton & Co.|Robert Brandard|Joseph Mallord William Turner | New York, NY|British, Birmingham 1805–1862 London|British, London 1775–1851 London | 54274 | 1800 |1805 |1775 | 1900 |1862 |1851 | 1879–80 | 1879 | 1880 | 29900 | Image: 7 1/8 in. × 10 in. (18.1 × 25.4 cm) Sheet: 10 3/4 × 14 13/16 in. (27.3 × 37.7 cm) | Gift of Mrs. C. E. Colahan, 1936 | 13 | http://www.metmuseum.org/art/collection/search/706548 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 426186 | 42.119.88 | 0 | 1 | 707779 | 11 | 731 | The Resentment of Queen Catherine (Paul de Rapin, History of England) | 3717 | After | John Thane|John Ogborne|William Hamilton | British, London 1748–1818|British, Chelmsford, Essex 1755–1837 London|British, London 1751–1801 London | 54370 | 1748 |1755 |1751 | 1818 |1837 |1801 | 1790 | 1790 | 1790 | 42667 | Sheet (trimmed within plate): 13 1/2 × 12 3/4 in. (34.3 × 32.4 cm) | Gertrude and Thomas Jefferson Mumford Collection, Gift of Dorothy Quick Mayer, 1942 | 13 | http://www.metmuseum.org/art/collection/search/707779 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 429093 | 42.119.157 | 0 | 0 | 712178 | 11 | 731 | A Veiled Woman | 3717 | After | Robert Sayer|William Humphrey|Robert Edge Pine | British, Sunderland 1725–1794 Bath|British, 1742?–before 1814|British, London (?) 1720/30?–1788 Philadelphia, Pennsylvania | 54700 | 1725 |1740 |1720 | 1794 |1814 |1788 | January 1, 1772 | 1772 | 1772 | 29072 | Plate: 13 11/16 × 9 3/4 in. (34.7 × 24.7 cm) Sheet: 14 in. × 10 1/16 in. (35.5 × 25.5 cm) | Gertrude and Thomas Jefferson Mumford Collection, Gift of Dorothy Quick Mayer, 1942 | 13 | http://www.metmuseum.org/art/collection/search/712178 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 429506 | 24.63.364 | 0 | 0 | 712765 | 11 | 731 | Sanctus Matthaeus Angelo praemonente evangilium scribit (St. Matthew Inspired to Write his Gospel by an Angel) | 3717 | After | Caroline Watson|Caroline Watson|Peter Paul Rubens | British, London 1760/61–1814 London|British, London 1760/61–1814 London|Flemish, Siegen 1577–1640 Antwerp | 54788 | 1760 |1760 |1577 | 1814 |1814 |1640 | 1788 | 1788 | 1788 | 37370 | Plate: 8 3/4 × 6 5/16 in. (22.3 × 16 cm) Sheet: 11 15/16 × 8 11/16 in. (30.4 × 22 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/712765 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 434644 | 17.3.3377 | 0 | 0 | 722595 | 11 | 731 | Beauty Governed by Reason is Rewarded by Merit | 3717 | After | Ann Bryer|Jean Marie Delattre|Angelica Kauffmann | British, active 1779–88|French, Abbeville 1745–1840 Fulham, London|Swiss, Chur 1741–1807 Rome | 55323 | 1779 |1745 |1741 | 1788 |1840 |1807 | December 30, 1783 | 1783 | 1783 | 39710 | Plate: 14 3/4 × 12 5/8 in. (37.5 × 32.1 cm) Sheet: 19 3/4 × 14 3/8 in. (50.2 × 36.5 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/722595 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 435202 | 42.119.61 | 0 | 0 | 724962 | 11 | 731 | Cupid and Cephisa, "Cephisa says..." | 3717 | After | S. & J. Fuller|Thomas Burke|Angelica Kauffmann | London|Irish, Dublin 1749–1815 London|Swiss, Chur 1741–1807 Rome | 55377 | 1800 |1749 |1741 | 1900 |1815 |1807 | 1816 | 1816 | 1816 | 37906 | Sheet: 18 1/4 × 13 1/4 in. (46.4 × 33.7 cm) | Gertrude and Thomas J. Mumford Collection, Gift of Dorothy Quick Mayer, 1942 | 13 | http://www.metmuseum.org/art/collection/search/724962 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 435204 | 42.119.266 | 0 | 0 | 724964 | 11 | 731 | Angelica and Sacriponte | 3717 | After | John & Josiah Boydell|Thomas Burke|Angelica Kauffmann | British, 1786–1804|Irish, Dublin 1749–1815 London|Swiss, Chur 1741–1807 Rome | 55379 | 1786 |1749 |1741 | 1804 |1815 |1807 | 1792 | 1792 | 1792 | 37906 | Plate: 19 7/16 × 15 1/2 in. (49.4 × 39.3 cm) | Gertrude and Thomas J. Mumford Collection, Gift of Dorothy Quick Mayer, 1942 | 13 | http://www.metmuseum.org/art/collection/search/724964 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 435231 | 20.93.1 | 0 | 0 | 725000 | 11 | 731 | Posthumio Consul of Rome... | 3717 | After | Ann Bryer|Jean Marie Delattre|Angelica Kauffmann | British, active 1779–88|French, Abbeville 1745–1840 Fulham, London|Swiss, Chur 1741–1807 Rome | 55323 | 1779 |1745 |1741 | 1788 |1840 |1807 | 1786 | 1786 | 1786 | 61562 | Image (circular): 10 3/4 × 10 3/4 in. (27.3 × 27.3 cm) Sheet (circular): 12 7/8 × 12 7/8 in. (32.7 × 32.7 cm) | Gift of Mrs. Morris L. Chaim, 1920 | 13 | http://www.metmuseum.org/art/collection/search/725000 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 436310 | 2014.97.1 | 0 | 1 | 726291 | 11 | 13884 | Design for a Cartouche, Plate 1 from 'Neü inventierte sehr dienstiche Schilde oder Cartouches' | 3717 | After | Martin Engelbrecht|Jeremias Wachsmuth|Johannes Rumpp | German, Augsburg 1684–1756 Augsburg|German, 1712–1771|Central European, active Augsburg ca. 1730-1750 | 55483 | 1684 |1712 |1730 | 1756 |1771 |1750 | Printed ca. 1750–56 | 1750 | 1756 | 26137 | Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm) | Purchase, Daniel Ergmann Gift, 2014 | 701 | http://www.metmuseum.org/art/collection/search/726291 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 436352 | 2014.97.33 | 0 | 1 | 726333 | 11 | 13884 | Suggestion for the Decoration of Lower Right and Top Right of an Altar Frame, Plate 3 from an Untitled Series with Rocailles Ornaments for Altar and Door Frames | 3717 | After | Martin Engelbrecht|Wolffgang Christoph Mayr|Johann Wolfgang Baumgartner | German, Augsburg 1684–1756 Augsburg|German, active Kassel and Augsburg (?), ca. 1740–1770|German, Kufstein 1712–1761 Augsburg | 55501 | 1684 |1712 | 1756 |1761 | Printed ca. 1750–56 | 1745 | 1755 | 26137 | Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm) | Purchase, Daniel Ergmann Gift, 2014 | 701 | http://www.metmuseum.org/art/collection/search/726333 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 436415 | 2014.97.96 | 0 | 1 | 726396 | 11 | 13884 | Design for a Cartouche and a Representation of 'Taste', Plate 4 from 'Neu Inventierte auf die artigste Facon Sehr nutzliche Schild.' | 3717 | After | Martin Engelbrecht|Johann Georg Pintz|Johannes Rumpp | German, Augsburg 1684–1756 Augsburg|German, 1697–1767|Central European, active Augsburg ca. 1730-1750 | 55516 | 1684 |1730 | 1756 |1750 | Printed ca. 1750–56 | 1745 | 1755 | 26137 | Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm) | Purchase, Daniel Ergmann Gift, 2014 | 701 | http://www.metmuseum.org/art/collection/search/726396 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 446353 | 53.600.1457 | 0 | 0 | 747072 | 11 | 731 | Wisdom | 3717 | After | John Boydell|Peter Simon|John Francis Rigaud | British, Shropshire 1720–1804 London|British, London ca. 1764–1813 Paris|British (born Italy), Turin 1742–1810 Packington | 57024 | 1720 |1764 |1742 | 1804 |1813 |1810 | 1799 | 1799 | 1799 | 37370 | Plate: 23 1/8 × 17 5/16 in. (58.7 × 44 cm) Sheet: 23 5/8 × 17 3/4 in. (60 × 45.1 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/747072 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 448267 | 1993.1120 | 0 | 0 | 750820 | 11 | 731 | Frontispiece: The Works of Publius Virgilius Maro | 3717 | After | John Ogilby|Pierre Lombart|Franz Cleyn | British, Forfarshire 1600–1676 London|French, 1612/13–1682 Paris (active Britain)|German, Rostock 1582–1658 London | 57291 | 1600 |1612 |1582 | 1676 |1682 |1658 | 1654–68 | 1654 | 1668 | 7208 | Sheet: 14 1/4 × 9 13/16 in. (36.2 × 25 cm) | Museum accession, 1993 | 13 | http://www.metmuseum.org/art/collection/search/750820 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 448842 | 24.90.437 | 0 | 0 | 751552 | 11 | 731 | The Right Honourable William Pitt | 3717 | After | Fisher, Son & Co.|James Thomson|John Hoppner | London|British, 1790–1850|British, London 1758–1810 London | 57369 | 1818 |1790 |1758 | 1843 |1850 |1810 | 1829 | 1829 | 1829 | 44331 | Sheet (trimmed and inset): 6 1/16 × 3 5/8 in. (15.4 × 9.2 cm) | Bequest of Charles Allen Munn, 1924 | 13 | http://www.metmuseum.org/art/collection/search/751552 | 4/23/2018 8:00:01 AM | 1 |