Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 118536 | 1985.333 | 0 | 1 | 207543 | 3 | 9 | Pedrolino | 122 | 382 | After a print by|Attributed to | Johann Esaias Nilson|Cozzi manufactory | German, Augsburg 1721–1788 Augsburg|Italian, 1764–1812 | 11700 | 348 | 1721 |1764 | 1788 |1812 | ca. 1767 | 1762 | 1772 | 572 | Height: 6 7/16 in. (16.4 cm) | The Charles E. Sampson Memorial Fund, 1985 | 307 | http://www.metmuseum.org/art/collection/search/207543 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 207096 | 1986.1180.529 | 0 | 0 | 334444 | 11 | 731 | St. John | 52 | 13 | Designed by | Franz Xaver Jungwirth|Giovanni Battista Piazzetta | German, 1720–1790|Italian, Venice 1682–1754 Venice | 17554 | 348 | 1720 |1682 | 1790 |1754 | 1735–90 | 1735 | 1790 | 7208 | Sheet: 5 11/16 x 3 11/16 in. (14.4 x 9.4cm) Plate: 5 9/16 x 3 11/16 in. (14.14 x 9.4cm) Image: 4 13/16 x 3 5/8 in. (12.2 x 9.2cm) | Bequest of Grace M. Pugh, 1985 | 13 | http://www.metmuseum.org/art/collection/search/334444 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 207097 | 1986.1180.530 | 0 | 0 | 334445 | 11 | 731 | St. Matthew | 52 | 13 | Designed by | Franz Xaver Jungwirth|Giovanni Battista Piazzetta | German, 1720–1790|Italian, Venice 1682–1754 Venice | 17554 | 348 | 1720 |1682 | 1790 |1754 | 1735–90 | 1735 | 1790 | 7208 | Sheet: 6 3/16 x 4 1/16 in. (15.7 x 10.39cm) Plate: 29 3/8 x 4 in. (74.6 x 10.11cm) Image: 4 13/16 x 3 5/8 in. (12.19 x 9.19cm) | Bequest of Grace M. Pugh, 1985 | 13 | http://www.metmuseum.org/art/collection/search/334445 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 208892 | 62.602.110 | 0 | 1 | 336268 | 11 | 731 | The Capture of Carthagena by Scipio and His Troops | 13 | After | Georg Pencz|Giulio Romano | German, Wroclaw ca. 1500–1550 Leipzig|Italian, Rome 1499?–1546 Mantua | 18376 | 348 | 1500 |1499 | 1550 |1546 | 1539 | 1539 | 1539 | 30384 | Sheet: 16 1/4 × 21 5/8 in. (41.3 × 55 cm) | Rogers Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/336268 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 209509 | 61.658.40 | 0 | 1 | 336890 | 11 | 23 | Elaborately Framed Roundel of Christ Washing the Feel of the Apostles | 54 | Formerly attributed to | Anonymous, German, 19th century|Anonymous, Italian, 18th century | 18561 | 348 | 1800 |1700 | 1899 |1800 | after 1800 (?) | 1800 | 1810 | 30720 | 22 3/4 x 17 1/16 in. (57.8 x 43.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1961 | 9 | http://www.metmuseum.org/art/collection/search/336890 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 214289 | 53.600.3545 | 0 | 1 | 341709 | 11 | 13856 | The hellmouth, set design from 'Il Pomo D'Oro' | 13 | after | Mathäus Küsel|Ludovico Ottaviano Burnacini | German, 1621–1682|Italian, Mantua 1636–1707 Vienna (active Austria) | 20013 | 348 | 1621 |1636 | 1682 |1707 | 1668 | 1668 | 1668 | 6712 | Sheet (Trimmed): 10 1/2 × 17 3/16 in. (26.7 × 43.7 cm) | Harris Brisbane Dick Fund, 1953 | 687 | http://www.metmuseum.org/art/collection/search/341709 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 215894 | 2000.635.5 | 0 | 0 | 343323 | 11 | 731 | Giardino del Emi.mo Card. Montalto (Villa Montalto) | 710 | Published by | Matthaeus Greuter|De Rossi | German, Strassburg ca. 1566–1638 Rome | 20383 | 348 | 1566 | 1638 | ca. 1623 | 1618 | 1628 | 33557 | Plate: 9 7/16 x 13 15/16 in. (23.9 x 35.4 cm) Sheet: 10 5/8 x 15 11/16 in. (27 x 39.8 cm) | Gift of Gray Foy in memory of Leo Lerman, 2000 | 13 | http://www.metmuseum.org/art/collection/search/343323 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 230227 | 66.676.1 | 0 | 0 | 357913 | 11 | 97 | Dell'Imitatione di Cristo | 796 | Written by|Dedication signed by | Thomas à Kempis|Giovanni Palazzi | German, 1380–1471 | 30269 | 348 | 1380 | 1471 | [ca. 1600] | 1595 | 1605 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1966 | 442 | http://www.metmuseum.org/art/collection/search/357913 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 231349 | 40.139.1 | 0 | 0 | 359085 | 11 | 97 | Venice | 710 | Published by | Paul von Schlippenbach|Ubaldo Piacenza | 1869–1933 | 30821 | 348 | 1869 | 1933 | 1890 | 1933 | 28944 | Overall: 19 7/8 x 15 15/16 x 7/8 in. (50.5 x 40.5 x 2.2 cm) | Gift of Mrs. Felix M. Warburg, transferred from the Library, 1940 | 276 | 442 | http://www.metmuseum.org/art/collection/search/359085 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 231629 | 1970.565.452 | 0 | 0 | 359368 | 11 | 97 | De Humana Physiognomonia | 1030 | Printed by | Cornelius Sutor|Giovanni Battista della Porta | German, 1597–1605|Italian, 1538–1615 | 30950 | 348 | 1597 |1538 | 1605 |1615 | 1601 | 1601 | 1601 | Overall: 7 5/16 x 4 3/4 x 1 1/4 in. (18.5 x 12 x 3.2 cm) | Gift of Lincoln Kirstein, 1970 | 442 | http://www.metmuseum.org/art/collection/search/359368 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 234281 | 51.501.6671 | 0 | 0 | 362037 | 11 | 731 | Hercules leading Cerebus out of Hades, Hercules at center holding a wooden club and wearing lion's skin, two young boys with a shield at left with various soldiers behind them | 13 | After | Matthaeus Greuter|Innocenzo Martini | German, Strassburg ca. 1566–1638 Rome|Italian, 1551–1623 | 31720 | 348 | 1566 |1551 | 1638 |1623 | ca. 1620–25 | 1615 | 1630 | 7208 | Sheet (Trimmed): 15 3/8 × 18 1/4 in. (39 × 46.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/362037 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239950 | 27.78.2(159) | 0 | 1 | 368036 | 11 | 731 | Madonna of the Rose | 13 | Engraved by|After | Johann Christian Teucher|Parmigianino (Girolamo Francesco Maria Mazzola) | German, 1716–1750|Italian, Parma 1503–1540 Casalmaggiore | 33225 | 348 | 1716 |1503 | 1750 |1540 | 1716 | 1750 | 7208 | Harris Brisbane Dick Fund, 1927 | 13 | http://www.metmuseum.org/art/collection/search/368036 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 242876 | 22.103.4 | 0 | 0 | 371048 | 11 | 731 | Madonna and Child in the Manger | 13 | After | Ferdinand Piloty|Pietro da Cortona (Pietro Berrettini) | German, Homburg 1786–1844 Munich|Italian, Cortona 1596–1669 Rome | 34016 | 348 | 1786 |1596 | 1844 |1669 | early 19th century | 1800 | 1844 | 14948 | sheet: 18 11/16 x 13 1/4 in. (47.4 x 33.7 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/371048 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 243696 | 1990.1095 | 0 | 0 | 371899 | 11 | 731 | Battle of the Sea Gods | 13 | After school of | Daniel Hopfer|Andrea Mantegna | German, Kaufbeuren 1471–1536 Augsburg|Italian, Isola di Carturo 1430/31–1506 Mantua | 34252 | 348 | 1471 |1430 | 1536 |1506 | n.d. | 1465 | 1536 | 29783 | sheet: 6 x 8 13/16 in. (15.3 x 22.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1990 | 13 | http://www.metmuseum.org/art/collection/search/371899 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 244783 | 51.501.349 | 0 | 0 | 372994 | 11 | 731 | David and Goliath | 13 | After | Daniel Hopfer|Marcantonio Raimondi | German, Kaufbeuren 1471–1536 Augsburg|Italian, Argini (?) ca. 1480–before 1534 Bologna (?) | 34417 | 348 | 1471 |1475 | 1536 |1534 | 1520s | 1520 | 1529 | 29408 | sheet: 8 5/16 x 11 1/4 in. (21.1 x 28.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/372994 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 244784 | 51.501.355 | 0 | 0 | 372995 | 11 | 731 | Christ Before Pilate | 13 | After | Daniel Hopfer|Andrea Mantegna | German, Kaufbeuren 1471–1536 Augsburg|Italian, Isola di Carturo 1430/31–1506 Mantua | 34252 | 348 | 1471 |1430 | 1536 |1506 | 1520s | 1520 | 1529 | 29783 | sheet: 8 3/16 x 6 3/16 in. (20.8 x 15.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/372995 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 244790 | 17.3.1340 | 0 | 0 | 373001 | 11 | 731 | Christ Before Pilate | 13 | After school of | Daniel Hopfer|Andrea Mantegna | German, Kaufbeuren 1471–1536 Augsburg|Italian, Isola di Carturo 1430/31–1506 Mantua | 34252 | 348 | 1471 |1430 | 1536 |1506 | 1520s | 1520 | 1529 | 29783 | sheet: 8 5/16 x 6 3/8 in. (21.1 x 16.2 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/373001 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 244819 | 51.501.377 | 0 | 0 | 373030 | 11 | 731 | Virgin and St. Anne (St. Elizabeth?) | 13 | After | Daniel Hopfer|Benedetto Montagna | German, Kaufbeuren 1471–1536 Augsburg|Italian, ca. 1480–1555/58 | 34423 | 348 | 1471 |1480 | 1536 |1555 | 1520s | 1520 | 1529 | 26137 | sheet: 9 x 6 1/16 in. (22.9 x 15.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/373030 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 244820 | 51.501.380 | 0 | 0 | 373031 | 11 | 731 | St. George and the Dragon | 13 | After | Daniel Hopfer|Raphael (Raffaello Sanzio or Santi) | German, Kaufbeuren 1471–1536 Augsburg|Italian, Urbino 1483–1520 Rome | 34424 | 348 | 1471 |1483 | 1536 |1520 | ca. 1520 | 1515 | 1525 | 29783 | sheet: 8 7/8 x 5 7/8 in. (22.5 x 15 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/373031 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 244862 | 51.501.397 | 0 | 1 | 373073 | 11 | 731 | Morris Dancers | 13 | After | Daniel Hopfer|Anonymous, Italian, 15th to 16th century | German, Kaufbeuren 1471–1536 Augsburg | 34428 | 348 | 1471 |1400 | 1536 |1700 | late 15th–early 16th century | 1485 | 1536 | 30695 | sheet: 8 3/8 x 13 1/8 in. (21.2 x 33.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/373073 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 244891 | 19.52.19 | 0 | 1 | 373102 | 11 | 731 | Portrait of Charles V | 13 | After | Daniel Hopfer|Giovanni Maria Pomedelli | German, Kaufbeuren 1471–1536 Augsburg|Italian, Villafranca di Verona 1478–1537 | 34429 | 348 | 1471 |1478 | 1536 |1537 | ca. 1519 | 1514 | 1524 | 29408 | sheet: 9 1/16 x 6 1/4 in. (23 x 15.8 cm) | Gift of Junius S. Morgan, 1919 | 13 | http://www.metmuseum.org/art/collection/search/373102 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 244899 | 51.501.407 | 0 | 0 | 373110 | 11 | 731 | Ornamental Fillet | 13 | After | Daniel Hopfer|Giovanni Antonio da Brescia | German, Kaufbeuren 1471–1536 Augsburg|Italian, active ca. 1490–ca. 1525 | 34432 | 348 | 1471 |1490 | 1536 |1525 | 1520s | 1520 | 1529 | 29764 | sheet: 5 3/16 x 3 1/4 in. (13.2 x 8.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/373110 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 244911 | 51.501.416 | 0 | 0 | 373122 | 11 | 731 | Ornamental Fillet | 13 | After | Daniel Hopfer|Giovanni Antonio da Brescia | German, Kaufbeuren 1471–1536 Augsburg|Italian, active ca. 1490–ca. 1525 | 34432 | 348 | 1471 |1490 | 1536 |1525 | 1520s | 1520 | 1529 | 29783 | sheet: 10 5/8 x 8 7/8 in. (27 x 22.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/373122 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 244912 | 51.501.417 | 0 | 0 | 373123 | 11 | 731 | Ornamental Fillet with the Crucifixion | 13 | After | Daniel Hopfer|Giovanni Antonio da Brescia | German, Kaufbeuren 1471–1536 Augsburg|Italian, active ca. 1490–ca. 1525 | 34432 | 348 | 1471 |1490 | 1536 |1525 | ca. 1525 | 1520 | 1530 | 29783 | sheet: 12 15/16 x 4 in. (32.8 x 10.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/373123 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 244931 | 17.3.1339 | 0 | 0 | 373142 | 11 | 731 | A Trophy of Arms (Victory's Two Aspects) | 13 | After | Daniel Hopfer|Giovanni Maria Pomedelli | German, Kaufbeuren 1471–1536 Augsburg|Italian, Villafranca di Verona 1478–1537 | 34429 | 348 | 1471 |1478 | 1536 |1537 | ca. 1520 | 1515 | 1525 | 29783 | sheet: 8 3/4 x 6 3/16 in. (22.2 x 15.7 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/373142 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 247556 | 2007.49.373 | 0 | 0 | 375845 | 11 | 731 | The Capture of Carthagena by Scipio and His Troops | 895 | After | Georg Pencz|Giulio Romano|Antonio Salamanca | German, Wroclaw ca. 1500–1550 Leipzig|Italian, Rome 1499?–1546 Mantua|Salamanca 1478–1562 Rome | 34961 | 348 | 1500 |1499 |1478 | 1550 |1546 |1562 | 1539 | 1539 | 1539 | 39565 | sheet: 16 7/16 x 22 1/16 in. (41.8 x 56 cm) | Bequest of William S. Lieberman, 2005 | 13 | http://www.metmuseum.org/art/collection/search/375845 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 251953 | 2007.223.47 | 0 | 1 | 380420 | 11 | 23 | Saint Margaret Ponting to Heaven, with a Globe Next to Her | 13 | After | Maria Clara Eimmart|Annibale Carracci | German, Nuremberg 1676–1706 Nuremberg|Italian, Bologna 1560–1609 Rome | 35596 | 348 | 1676 |1560 | 1706 |1609 | 1693 | 1693 | 1693 | 40329 | sheet: 5 3/8 x 3 5/8 in. (13.7 x 9.2 cm) | Purchase, Jean A. Bonna Gift, 2007 | 9 | http://www.metmuseum.org/art/collection/search/380420 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254651 | 2008.233 | 0 | 0 | 383275 | 11 | 731 | Tomb and Medals of Pope Sixtus V | 972 | Engraved by|Portrait of | Matthaeus Greuter|Pope Sixtus V (Felice Peretti) | German, Strassburg ca. 1566–1638 Rome|Italian, Grottamare near Pescara 1520–1590 Rome | 36481 | 348 | 1566 |1520 | 1638 |1590 | 1630 | 1630 | 1630 | 7208 | plate: 13 1/8 x 9 in. (33.3 x 22.8 cm) sheet: 16 1/16 x 10 in. (40.8 x 25.4 cm) | Purchase, Bequest of W. Gedney Beatty, by exchange, 2008 | 571 | 13 | http://www.metmuseum.org/art/collection/search/383275 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 256298 | 23.106.47 | 0 | 1 | 384970 | 11 | 731 | Marriage of Joseph and Mary | 13 | After | Rudolf Stang|Raphael (Raffaello Sanzio or Santi) | German, 1831–1927|Italian, Urbino 1483–1520 Rome | 36890 | 348 | 1831 |1483 | 1927 |1520 | 1873 | 1873 | 1873 | 41282 | Plate: 33 3/8 x 22 in. (84.8 x 55.9 cm) Sheet: 39 9/16 x 28 3/8 in. (100.5 x 72.1 cm) | Gift of Junius S. Morgan, 1923 | 13 | http://www.metmuseum.org/art/collection/search/384970 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 256303 | 28.22.40 | 0 | 0 | 384975 | 11 | 731 | The Sistine Madonna | 13 | After | Johann Friedrich Wilhelm Müller|Raphael (Raffaello Sanzio or Santi) | German, 1782–1816|Italian, Urbino 1483–1520 Rome | 36894 | 348 | 1782 |1483 | 1816 |1520 | n.d. | 1795 | 1816 | 41284 | plate: 32 x 23 15/16 in. (81.3 x 60.8 cm) sheet: 35 1/4 x 26 3/8 in. (89.5 x 67 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/384975 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 256305 | 90.3.11 | 0 | 0 | 384977 | 11 | 731 | The Sistine Madonna, with the Virgin and Child between Saints Sixtus and Barbara | 13 | After | Franz Anton Erich Moritz Steinla|Raphael (Raffaello Sanzio or Santi) | German, 1791–1858|Italian, Urbino 1483–1520 Rome | 36896 | 348 | 1791 |1483 | 1858 |1520 | 1847 | 1847 | 1847 | 29129 | Plate: 32 in. × 23 9/16 in. (81.3 × 59.9 cm) Sheet: 33 9/16 × 25 13/16 in. (85.3 × 65.5 cm) | Bequest of Mrs. A.M. Minturn, 1890 | 226 | 13 | http://www.metmuseum.org/art/collection/search/384977 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 256306 | 35.85.104 | 0 | 0 | 384978 | 11 | 731 | The Sistine Madonna, with the Virgin and Child between Saints Sixtus and Barbara | 13 | After | Franz Anton Erich Moritz Steinla|Raphael (Raffaello Sanzio or Santi) | German, 1791–1858|Italian, Urbino 1483–1520 Rome | 36896 | 348 | 1791 |1483 | 1858 |1520 | 1847 | 1847 | 1847 | 7208 | Plate: 31 7/8 × 23 7/16 in. (80.9 × 59.5 cm) Sheet: 36 1/2 × 27 1/2 in. (92.7 × 69.8 cm) | Gift of Lucy Chauncey, in memory of her father, Henry Chauncey, 1935 | 226 | 13 | http://www.metmuseum.org/art/collection/search/384978 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 256396 | 2009.447 | 0 | 1 | 385069 | 11 | 23 | Saint Sebastian | 13 | After | Hans Friedrich Schorer|Jacopo Tintoretto (Jacopo Robusti) | German, ca. 1609–1649, (active Augsburg)|Italian, Venice 1518/19–1594 Venice | 36912 | 348 | 1609 |1518 | 1649 |1594 | 1620–49 | 1620 | 1649 | 41335 | sheet: 10 11/16 x 6 7/8 in. (27.2 x 17.4 cm) | Harry G. Sperling Fund, 2009 | 9 | http://www.metmuseum.org/art/collection/search/385069 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 258864 | 19.73.147 | 0 | 1 | 387559 | 11 | 13829 | Embroidery Pattern with an Oblong Panel in its Center | 13 | After | Albrecht Dürer|Leonardo da Vinci | German, Nuremberg 1471–1528 Nuremberg|Italian, Vinci 1452–1519 Amboise | (or workshop) | 37369 | 348 | 1471 |1452 | 1528 |1519 | 1521 before | 1500 | 1521 | 26552 | sheet: 10 9/16 x 8 5/16 in. (26.8 x 21.1 cm) | Gift of Junius Spencer Morgan, 1919 | 673 | http://www.metmuseum.org/art/collection/search/387559 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 259462 | 1975.653.104 | 0 | 1 | 388161 | 11 | 13829 | “The Fourth Knot”. Interlaced Roundel with a Round Medallion in its Center | 13 | After | Albrecht Dürer|Leonardo da Vinci | German, Nuremberg 1471–1528 Nuremberg|Italian, Vinci 1452–1519 Amboise | (or workshop) | 37369 | 348 | 1471 |1452 | 1528 |1519 | after 1528 | 1528 | 1528 | 26552 | sheet: 10 3/4 x 8 7/16 in. (27.3 x 21.4 cm) | The George Khuner Collection, Gift of Mrs. George Khuner, 1975 | 673 | http://www.metmuseum.org/art/collection/search/388161 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 259463 | 1975.653.105 | 0 | 1 | 388162 | 11 | 13829 | Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces | 13 | after | Albrecht Dürer|Leonardo da Vinci | German, Nuremberg 1471–1528 Nuremberg|Italian, Vinci 1452–1519 Amboise | (or workshop) | 37369 | 348 | 1471 |1452 | 1528 |1519 | 1521 before | 1500 | 1521 | 26552 | sheet: 11 5/16 x 9 1/16 in. (28.7 x 23 cm) | The George Khuner Collection, Gift of Mrs. George Khuner, 1975 | 673 | http://www.metmuseum.org/art/collection/search/388162 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 259464 | 1975.653.106 | 0 | 1 | 388163 | 11 | 13829 | Embroidery Pattern with Seven Wreaths and Four Corner Pieces | 13 | After | Albrecht Dürer|Leonardo da Vinci | German, Nuremberg 1471–1528 Nuremberg|Italian, Vinci 1452–1519 Amboise | (or workshop) | 37369 | 348 | 1471 |1452 | 1528 |1519 | 1521 before | 1500 | 1521 | 26552 | sheet: 8 1/4 x 10 5/8 in. (21 x 27 cm) | The George Khuner Collection, Gift of Mrs. George Khuner, 1975 | 673 | http://www.metmuseum.org/art/collection/search/388163 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 259674 | 18.13.1 | 0 | 1 | 388373 | 11 | 13829 | Embroidery Pattern with an Amazon Shield in its Center | 13 | After | Albrecht Dürer|Leonardo da Vinci | German, Nuremberg 1471–1528 Nuremberg|Italian, Vinci 1452–1519 Amboise | (or workshop) | 37369 | 348 | 1471 |1452 | 1528 |1519 | 1521 before | 1500 | 1521 | 26552 | sheet: 10 13/16 x 8 3/8 in. (27.5 x 21.3 cm) | Rogers Fund, 1918 | 673 | http://www.metmuseum.org/art/collection/search/388373 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 259675 | 18.13.3 | 0 | 1 | 388374 | 11 | 13829 | Embroidery Pattern with Round Medallion in its Center | 13 | After | Albrecht Dürer|Leonardo da Vinci | German, Nuremberg 1471–1528 Nuremberg|Italian, Vinci 1452–1519 Amboise | (or workshop) | 37369 | 348 | 1471 |1452 | 1528 |1519 | 1521 before | 1500 | 1521 | 26552 | sheet: 11 x 8 5/8 in. (27.9 cm, 48.3lb.) image: 10 5/8 x 8 1/4 in. (27 x 21 cm) | Rogers Fund, 1918 | 673 | http://www.metmuseum.org/art/collection/search/388374 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 259676 | 18.13.4 | 0 | 1 | 388375 | 11 | 13829 | “The Sixth Knot”. Interlaced Roundel with Seven Wreaths | 13 | After | Albrecht Dürer|Leonardo da Vinci | German, Nuremberg 1471–1528 Nuremberg|Italian, Vinci 1452–1519 Amboise | (or workshop) | 37369 | 348 | 1471 |1452 | 1528 |1519 | 1521 before | 1500 | 1521 | 26552 | sheet: 10 15/16 x 8 11/16 in. (27.8 x 22.1 cm) image: 10 1/2 x 8 1/4 in. (26.7 x 21 cm) | Rogers Fund, 1918 | 673 | http://www.metmuseum.org/art/collection/search/388375 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 259677 | 18.13.5 | 0 | 1 | 388376 | 11 | 13829 | Embroidery Pattern with Seven Six-pointed Stars and Four Corner Pieces | 13 | After | Albrecht Dürer|Leonardo da Vinci | German, Nuremberg 1471–1528 Nuremberg|Italian, Vinci 1452–1519 Amboise | (or workshop) | 37369 | 348 | 1471 |1452 | 1528 |1519 | 1521 before | 1500 | 1521 | 26552 | sheet: 12 7/8 x 10 1/8 in. (32.7 x 25.7 cm) image: 10 9/16 x 8 1/4 in. (26.8 x 21 cm) | Rogers Fund, 1918 | 673 | http://www.metmuseum.org/art/collection/search/388376 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 259678 | 18.13.2 | 0 | 1 | 388377 | 11 | 13829 | Embroidery Pattern with an Oblong Panel in its Center | 13 | After | Albrecht Dürer|Leonardo da Vinci | German, Nuremberg 1471–1528 Nuremberg|Italian, Vinci 1452–1519 Amboise | (or workshop) | 37369 | 348 | 1471 |1452 | 1528 |1519 | 1521 before | 1500 | 1521 | 26552 | sheet: 10 1/2 x 8 1/4 in. (26.7 x 21 cm) | Rogers Fund, 1918 | 673 | http://www.metmuseum.org/art/collection/search/388377 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 259691 | 49.63.223 | 0 | 1 | 388390 | 11 | 23 | Design for Settee | 54 | Formerly attributed to | Anonymous, German, 18th century|Anonymous, Italian, 18th century | 37546 | 348 | 1700 |1700 | 1800 |1800 | 18th century | 1700 | 1800 | 41875 | sheet: 7 x 7 1/4 in. (17.8 x 18.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 9 | http://www.metmuseum.org/art/collection/search/388390 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 259927 | 18.17.2-40 | 0 | 1 | 388644 | 11 | 731 | The Visitation, from The Life of the Virgin (copy) | 13 | After | Albrecht Dürer|Marcantonio Raimondi | German, Nuremberg 1471–1528 Nuremberg|Italian, Argini (?) ca. 1480–before 1534 Bologna (?) | 37607 | 348 | 1471 |1475 | 1528 |1534 | early 16th century | 1504 | 1511 | 26552 | sheet: 11 5/8 x 8 5/16 in. (29.5 x 21.1 cm) | Rogers Fund, 1918 | 13 | http://www.metmuseum.org/art/collection/search/388644 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 260069 | 1984.1201.30 | 0 | 1 | 388787 | 11 | 13829 | “The Second Knot”. Interlaced Roundel with an Amazon Shield in its Center | 13 | After | Albrecht Dürer|Leonardo da Vinci | German, Nuremberg 1471–1528 Nuremberg|Italian, Vinci 1452–1519 Amboise | (or workshop) | 37369 | 348 | 1471 |1452 | 1528 |1519 | 1521 before | 1500 | 1521 | 26552 | sheet: 10 3/4 x 8 3/8 in. (27.3 x 21.3 cm) | George Khuner Collection, Bequest of Marianne Khuner, 1984 | 673 | http://www.metmuseum.org/art/collection/search/388787 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 260070 | 1984.1201.31 | 0 | 1 | 388788 | 11 | 13829 | “The First Knot”. Interlaced Roundel with an Oblong Panel in its Center | 13 | After | Albrecht Dürer|Leonardo da Vinci | German, Nuremberg 1471–1528 Nuremberg|Italian, Vinci 1452–1519 Amboise | (or workshop) | 37369 | 348 | 1471 |1452 | 1528 |1519 | 1521 before | 1500 | 1521 | 26552 | sheet: 10 11/16 x 8 3/8 in. (27.1 x 21.2 cm) | George Khuner Collection, Bequest of Marianne Khuner, 1984 | 673 | http://www.metmuseum.org/art/collection/search/388788 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 260071 | 1984.1201.32 | 0 | 1 | 388789 | 11 | 13829 | “The Fourth Knot”. Interlaced Roundel with a Round Medallion in its Center | 13 | After | Albrecht Dürer|Leonardo da Vinci | German, Nuremberg 1471–1528 Nuremberg|Italian, Vinci 1452–1519 Amboise | (or workshop) | 37369 | 348 | 1471 |1452 | 1528 |1519 | 1521 before | 1500 | 1521 | 26552 | sheet: 10 3/4 x 8 3/8 in. (27.3 x 21.2 cm) | George Khuner Collection, Bequest of Marianne Khuner, 1984 | 673 | http://www.metmuseum.org/art/collection/search/388789 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 260072 | 1984.1201.33 | 0 | 1 | 388790 | 11 | 13829 | “The Sixth Knot”. Interlaced Roundel with Seven Wreaths | 13 | After | Albrecht Dürer|Leonardo da Vinci | German, Nuremberg 1471–1528 Nuremberg|Italian, Vinci 1452–1519 Amboise | (or workshop) | 37369 | 348 | 1471 |1452 | 1528 |1519 | 1521 before | 1500 | 1521 | 26552 | sheet: 10 3/4 x 8 5/16 in. (27.3 x 21.1 cm) | George Khuner Collection, Bequest of Marianne Khuner, 1984 | 673 | http://www.metmuseum.org/art/collection/search/388790 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 260073 | 1984.1201.34 | 0 | 1 | 388791 | 11 | 13829 | “The Third Knot”. Interlaced Roundel with Eight Wreaths and a Scalloped Shield in its Center | 13 | After | Albrecht Dürer|Leonardo da Vinci | German, Nuremberg 1471–1528 Nuremberg|Italian, Vinci 1452–1519 Amboise | (or workshop) | 37369 | 348 | 1471 |1452 | 1528 |1519 | 1521 before | 1500 | 1521 | 26552 | sheet: 10 3/4 x 8 3/8 in. (27.3 x 21.3 cm) | George Khuner Collection, Bequest of Marianne Khuner, 1984 | 673 | http://www.metmuseum.org/art/collection/search/388791 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 260074 | 1984.1201.35 | 0 | 1 | 388792 | 11 | 13829 | “The Fifth Knot”. Interlaced Roundel with Seven Six-pointed Stars | 13 | After | Albrecht Dürer|Leonardo da Vinci | German, Nuremberg 1471–1528 Nuremberg|Italian, Vinci 1452–1519 Amboise | (or workshop) | 37369 | 348 | 1471 |1452 | 1528 |1519 | 1521 before | 1500 | 1521 | 26552 | sheet: 10 3/4 x 8 3/16 in. (27.3 x 20.8 cm) image: 10 9/16 x 8 3/16 in. (26.9 x 20.8 cm) | George Khuner Collection, Bequest of Marianne Khuner, 1984 | 673 | http://www.metmuseum.org/art/collection/search/388792 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 260115 | 47.100.1255 | 0 | 1 | 388833 | 11 | 731 | The Betrothal of the Virgin, from The Life of the Virgin (copy) | 13 | After | Albrecht Dürer|Marcantonio Raimondi | German, Nuremberg 1471–1528 Nuremberg|Italian, Argini (?) ca. 1480–before 1534 Bologna (?) | 37607 | 348 | 1471 |1475 | 1528 |1534 | early 16th century | 1505 | 1511 | 7208 | Sheet: 11 7/16 × 8 1/8 in. (29 × 20.6 cm) | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/388833 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 262158 | 47.100.116 | 0 | 1 | 391078 | 11 | 731 | Three Peasants in Conversation (reverse copy) | 13 | After | Albrecht Dürer|Luigi Guidotti | German, Nuremberg 1471–1528 Nuremberg | 38164 | 348 | 1471 | 1528 | n.d. | 1485 | 1761 | 7208 | Sheet: 4 1/2 × 3 1/4 in. (11.5 × 8.2 cm) | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/391078 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 263395 | 2010.273 | 0 | 1 | 392341 | 11 | 23 | Pietà (after Giovanni Cariani) | 13 | Johann David Passavant|Giovanni Cariani | German, Frankfurt 1787–1861 Frankfurt|Italian, ca. 1485/90–after 1547 | 38329 | 348 | 1787 |1485 | 1861 |1547 | early to mid-19th century | 1807 | 1861 | 38868 | sheet: 5 7/8 x 4 3/4 in. (14.9 x 12 cm) | Purchase, PECO Foundation Gift, 2010 | 9 | http://www.metmuseum.org/art/collection/search/392341 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 266785 | 51.501.2751 | 0 | 0 | 395814 | 11 | 731 | Design for a Stage Set: Opera for the Marriage Festivities of the Elector of Bavaria | 13 | After | Johann Andreas Pfeffel|Giuseppe Galli Bibiena | German, Augsburg 1674–1748 Augsburg|Italian, Parma 1696–1756 Berlin | 39360 | 348 | 1674 |1696 | 1748 |1756 | 1740 | 1740 | 1740 | 7208 | image: 12 5/8 x 19 5/16 in. (32 x 49.1 cm) sheet: 13 1/16 x 19 7/16 in. (33.2 x 49.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/395814 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 270514 | 2012.136.733 | 0 | 1 | 399642 | 11 | 731 | Battle between cavalry and infantry in a wood | 13 | After | Hieronymus Hopfer|Domenico Campagnola | German, ca. 1500–?1563|Italian, Venice (?) 1500–1564 Padua | 40184 | 348 | 1500 |1500 | 1563 |1564 | 16th century | 1500 | 1563 | 30761 | sheet: 9 1/2 x 8 11/16 in. (24.2 x 22 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/399642 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 277364 | 49.63.229(1-8) | 0 | 0 | 406546 | 11 | 13829 | Friezes with Birds, Flowers and Meandering Wreaths and Scrolls | 710 | Theodor Bang|Giovanni Giacomo De Rossi | German, active in Nuremberg (fl.1606)|Italian, Rome 1627–1691 Rome | (most probably) | 40732 | 348 | 1606 |1627 | 1606 |1691 | 17th century | 1600 | 1699 | 29198 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund 1949 | 673 | http://www.metmuseum.org/art/collection/search/406546 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 277408 | 49.63.229(1) | 0 | 0 | 406590 | 11 | 13829 | Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (1) | 710 | Theodor Bang|Giovanni Giacomo De Rossi | German, active in Nuremberg (fl.1606)|Italian, Rome 1627–1691 Rome | (most probably) | 40732 | 348 | 1606 |1627 | 1606 |1691 | 17th century | 1600 | 1699 | 29198 | Plate: 3 3/16 x 8 7/8 in. (8.1 x 22.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund 1949 | 673 | http://www.metmuseum.org/art/collection/search/406590 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 277409 | 49.63.229(2) | 0 | 0 | 406591 | 11 | 13829 | Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (2) | 710 | Theodor Bang|Giovanni Giacomo De Rossi | German, active in Nuremberg (fl.1606)|Italian, Rome 1627–1691 Rome | (most probably) | 40732 | 348 | 1606 |1627 | 1606 |1691 | 17th century | 1600 | 1699 | 29198 | Plate: 3 3/16 x 8 15/16 in. (8.1 x 22.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund 1949 | 673 | http://www.metmuseum.org/art/collection/search/406591 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 277410 | 49.63.229(3) | 0 | 0 | 406592 | 11 | 13829 | Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (3) | 710 | Theodor Bang|Giovanni Giacomo De Rossi | German, active in Nuremberg (fl.1606)|Italian, Rome 1627–1691 Rome | (most probably) | 40732 | 348 | 1606 |1627 | 1606 |1691 | 17th century | 1600 | 1699 | 29198 | Plate: 3 1/8 x 8 15/16 in. (8 x 22.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund 1949 | 673 | http://www.metmuseum.org/art/collection/search/406592 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 277411 | 49.63.229(4) | 0 | 0 | 406593 | 11 | 13829 | Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (4) | 710 | Theodor Bang|Giovanni Giacomo De Rossi | German, active in Nuremberg (fl.1606)|Italian, Rome 1627–1691 Rome | (most probably) | 40732 | 348 | 1606 |1627 | 1606 |1691 | 17th century | 1600 | 1699 | 29198 | Plate: 3 3/16 x 9 in. (8.1 x 22.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund 1949 | 673 | http://www.metmuseum.org/art/collection/search/406593 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 277412 | 49.63.229(5) | 0 | 0 | 406594 | 11 | 13829 | Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (5) | 710 | Theodor Bang|Giovanni Giacomo De Rossi | German, active in Nuremberg (fl.1606)|Italian, Rome 1627–1691 Rome | (most probably) | 40732 | 348 | 1606 |1627 | 1606 |1691 | 17th century | 1600 | 1699 | 29198 | Plate: 3 1/4 x 9 1/16 in. (8.2 x 23 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund 1949 | 673 | http://www.metmuseum.org/art/collection/search/406594 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 277413 | 49.63.229(6) | 0 | 0 | 406595 | 11 | 13829 | Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (6) | 710 | Theodor Bang|Giovanni Giacomo De Rossi | German, active in Nuremberg (fl.1606)|Italian, Rome 1627–1691 Rome | (most probably) | 40732 | 348 | 1606 |1627 | 1606 |1691 | 17th century | 1600 | 1699 | 29198 | Plate: 3 1/8 x 8 15/16 in. (7.9 x 22.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund 1949 | 673 | http://www.metmuseum.org/art/collection/search/406595 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 277414 | 49.63.229(7) | 0 | 0 | 406596 | 11 | 13829 | Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (7) | 710 | Theodor Bang|Giovanni Giacomo De Rossi | German, active in Nuremberg (fl.1606)|Italian, Rome 1627–1691 Rome | (most probably) | 40732 | 348 | 1606 |1627 | 1606 |1691 | 17th century | 1600 | 1699 | 29198 | Plate: 3 1/4 x 9 in. (8.3 x 22.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund 1949 | 673 | http://www.metmuseum.org/art/collection/search/406596 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 277415 | 49.63.229(8) | 0 | 0 | 406597 | 11 | 13829 | Friezes with Birds, Flowers and Meandering Wreaths and Scrolls (8) | 710 | Theodor Bang|Giovanni Giacomo De Rossi | German, active in Nuremberg (fl.1606)|Italian, Rome 1627–1691 Rome | (most probably) | 40732 | 348 | 1606 |1627 | 1606 |1691 | 17th century | 1600 | 1699 | 29198 | Plate: 3 1/4 x 9 in. (8.2 x 22.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund 1949 | 673 | http://www.metmuseum.org/art/collection/search/406597 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 279736 | 17.3.1316 | 0 | 0 | 408927 | 11 | 731 | A Battle Scene | 13 | After | Hanns Lautensack|Giulio Romano | German, Bamberg (?) ca. 1520–1564/66 Vienna|Italian, Rome 1499?–1546 Mantua | 40943 | 348 | 1515 |1499 | 1566 |1546 | 1546 | 1546 | 1546 | 26137 | Sheet: 7 15/16 x 12 3/8 in. (20.2 x 31.5 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/408927 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 299142 | 17.50.55 | 0 | 1 | 428889 | 11 | 13835 | Fifteen Nude Children Dancing | 13 | after | Heinrich Aldegrever|Marcantonio Raimondi | German, Paderborn ca. 1502–1555/1561 Soest|Italian, Argini (?) ca. 1480–before 1534 Bologna (?) | 42864 | 348 | 1502 |1475 | 1561 |1534 | 1535 | 1535 | 1535 | 7208 | Sheet: 2 1/16 × 6 1/2 in. (5.3 × 16.5 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 673 | http://www.metmuseum.org/art/collection/search/428889 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 299969 | 36.10 | 0 | 1 | 429718 | 11 | 731 | Venus with Two Putti | 13 | after | Albrecht Altdorfer|Peregrino da Cesena | German, Regensburg ca. 1480–1538 Regensburg|Italian, active Bologna, ca. 1490–ca. 1520 | 42899 | 348 | 1480 |1450 | 1538 |1520 | 1500 | 1538 | 7208 | Sheet: 2 3/8 × 1 7/16 in. (6.1 × 3.7 cm) | Harris Brisbane Dick Fund, 1936 | 13 | http://www.metmuseum.org/art/collection/search/429718 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 300421 | 34.62.3 | 0 | 1 | 430189 | 11 | 731 | Venus Crouching | 13 | after | Albrecht Altdorfer|Marcantonio Raimondi | German, Regensburg ca. 1480–1538 Regensburg|Italian, Argini (?) ca. 1480–before 1534 Bologna (?) | 42926 | 348 | 1480 |1475 | 1538 |1534 | 1500 | 1538 | 30618 | Sheet: 2 3/8 × 1 9/16 in. (6.1 × 4 cm) | Harris Brisbane Dick Fund, 1934 | 13 | http://www.metmuseum.org/art/collection/search/430189 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 302768 | 59.642.88 | 0 | 0 | 432603 | 11 | 731 | The Capture of Carthagena by Scipio and His Troops | 13 | After | Georg Pencz|Giulio Romano | German, Wroclaw ca. 1500–1550 Leipzig|Italian, Rome 1499?–1546 Mantua | 18376 | 348 | 1500 |1499 | 1550 |1546 | 1539 | 1539 | 1539 | 44376 | Sheet: 18 7/16 × 24 15/16 in. (46.9 × 63.4 cm) | Purchase, Anne and Carl Stern Gift, 1959 | 13 | http://www.metmuseum.org/art/collection/search/432603 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 305108 | 53.600.712 | 0 | 0 | 434970 | 11 | 731 | Woman's Head in Profile to left | 13 | After | Marie Catherine Prestel|Guercino (Giovanni Francesco Barbieri) | German, Nuremberg 1747–1794 London|Italian, Cento 1591–1666 Bologna | 43320 | 348 | 1747 |1591 | 1794 |1666 | 1747–94 | 1747 | 1794 | 26137 | Mount: 12 × 8 13/16 in. (30.5 × 22.4 cm) Sheet: 9 × 6 7/8 in. (22.8 × 17.4 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/434970 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 343428 | 2001.545 | 0 | 0 | 492235 | 4 | 15184 | "Soft" Chaise Longue | 3 | Werner Aisslinger|Zanotta S.p.A. | German, born Berlin, 1964 | 47299 | 348 | 1964 | 2064 | 1999 | 1999 | 1999 | 53273 | H. 34, W. 23 7/8, L. 72 in. (86.4 x 182.9 x 60.6 cm) | Gift of Zanotta S.p.A., 2001 | 4 | http://www.metmuseum.org/art/collection/search/492235 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 382207 | 2014.460 | 0 | 1 | 631142 | 11 | 23 | A Nude Male Seen from the Back in Clouds (after Michelangelo Buonarroti) | 13 | after | Daniel Fröschl|Michelangelo Buonarroti | German, Augsburg 1563–1613 Prague|Italian, Caprese 1475–1564 Rome | 49128 | 348 | 1563 |1475 | 1613 |1564 | 1602 (?) | 1602 | 1602 | 29392 | Sheet: 7 1/4 × 5 1/2 in. (18.4 × 13.9 cm) | Purchase, Ian Woodner Family Collection, Mary Oenslager, and Karen B. Cohen Funds, 2014 | 9 | http://www.metmuseum.org/art/collection/search/631142 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 382264 | 17.3.1258 | 0 | 0 | 631223 | 11 | 731 | Adam and Eve | 2415 | 13 | After | William Unger|Palma Il Vecchio | German, 1837–1932|Italian, Venetian, 1479–1528 | 49136 | 348 | 1837 |1479 | 1932 |1479 | 1850 | 1932 | 26137 | Mount: 11 in. × 7 1/2 in. (27.9 × 19 cm) Sheet: 8 9/16 × 5 15/16 in. (21.7 × 15.1 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/631223 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 399846 | 21.41.11 | 0 | 0 | 654364 | 11 | 731 | Landscape with a milkmaid at right and a boy at left, feeding a herd | 13 | After | Giovanni Britto|Titian (Tiziano Vecellio) | German, active Venice, 1536–50|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice | 50865 | 348 | 1536 |1485 | 1550 |1576 | 1585 | 1585 | 1585 | 26552 | Sheet: 14 7/8 in. × 21 in. (37.8 × 53.3 cm) | Rogers Fund, 1921 | 13 | http://www.metmuseum.org/art/collection/search/654364 | 4/23/2018 8:00:01 AM | 1 |