Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 110828 | 42.30.2 | 0 | 1 | 199040 | 3 | 49 | Mug | 2267 | 460 | After an original by | Worcester factory|William Woollett|Robert Hancock|Antoine Watteau | British, 1751–2008|British, Maidstone, Kent 1735–1785 London|British, Burslem 1730–1817 Bristol|French, Valenciennes 1684–1721 Nogent-sur-Marne | 10187 | 319 | 1751 |1735 |1730 |1684 | 2008 |1785 |1817 |1721 | ca. 1765 | 1760 | 1770 | 2061 | Height: 4 3/4 in. (12.1 cm) | Gift of Mr. and Mrs. Luke Vincent Lockwood, 1942 | 307 | http://www.metmuseum.org/art/collection/search/199040 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 222507 | 34.64.1 | 0 | 0 | 350068 | 11 | 13814 | A New Book of Architecture, Wherein is represented fourty figures of gates and arches triumphant, composed of different inventions, according to the five orders of columnes. Viz. the Tuscane, Dorick, Ionick, Corinthian and Compositeconcerned in eminent building. | 1250 | Robert Pricke|J. Darby|Alexandre Francine | British, ca. 1642–1708|London|French (born Italy), died 1648 | 24701 | 319 | 1642 |1650 | 1708 |1750 |1648 | 1669 | 1669 | 1669 | 28942 | 15 3/8 × 11 15/16 × 7/8 in. (39 × 30.4 × 2.3 cm) | Harris Brisbane Dick Fund, 1934 | 14 | 665 | http://www.metmuseum.org/art/collection/search/350068 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 224567 | 24.90.1901 | 0 | 0 | 352160 | 11 | 97 | The Stranger in America: Containing Observations made during a long residence in that Country, on the Genius, Manners and Customs of the People of the United States; with Biographical Particulars of Public Characters... | 1267 | Charles William Janson|James Cundee|J. Merigot | British, 18th–19th century|London|French, active 1772–1814 | 26352 | 319 | 1750 |1780 |1772 | 1850 |1880 |1814 | 1807 | 1807 | 1807 | 35220 | 10 1/16 x 8 1/4 in. (25.5 x 21 cm) | Bequest of Charles Allen Munn, 1924 | 442 | http://www.metmuseum.org/art/collection/search/352160 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 224839 | 62.600.234 | 0 | 0 | 352433 | 11 | 97 | ...Corsican Brothers a legendary drama founded upon Dumas' novel "Les Freres Corses" | 1534 | Inspired by | Charles Kean|Marcus Ward & Company, Ltd.|Alexandre-Davy-de-la-Pailleterie Dumas | British, 1811–1868|French, 1802–1870 | London and Belfast | 26528 | 319 | 1811 |1800 |1802 | 1868 |1899 |1870 | 1852 (?) | 1840 | 1860 | 8 1/2 × 8 1/8 in. (21.6 × 20.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 | 442 | http://www.metmuseum.org/art/collection/search/352433 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 225250 | 59.600.38(1-6) | 0 | 0 | 352844 | 11 | 97 | Monkey-ana, or Men in Miniature | 876 | Thomas Landseer|Moon, Boys & Graves|Pieri Bernard | British, London 1795–1880 London|London | , Paris | 26851 | 319 | 1795 |1800 |1800 | 1880 |1899 |1900 | 1827–28 | 1827 | 1828 | 34071 | 13 9/16 x 10 1/8 in. (34.5 x 25.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 442 | http://www.metmuseum.org/art/collection/search/352844 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 231618 | 27.79.1 | 0 | 0 | 359357 | 11 | 97 | Histoire de Tom Jones ou l'Enfant Trouve | 1466 | Henry Fielding|Jean Nourse|Hubert François Gravelot | British, 1707–1754|London|French, Paris 1699–1773 Paris | 30947 | 319 | 1707 |1700 |1699 | 1754 |1800 |1773 | 1750 | 1750 | 1750 | Harris Brisbane Dick Fund, 1927 | 442 | http://www.metmuseum.org/art/collection/search/359357 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 231620 | 27.79.3 | 0 | 0 | 359359 | 11 | 97 | Histoire de Tom Jones ou l'Enfant Trouve | 1466 | Henry Fielding|Jean Nourse|Hubert François Gravelot | British, 1707–1754|London|French, Paris 1699–1773 Paris | 30947 | 319 | 1707 |1700 |1699 | 1754 |1800 |1773 | 1750 | 1750 | 1750 | Harris Brisbane Dick Fund, 1927 | 442 | http://www.metmuseum.org/art/collection/search/359359 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 231621 | 27.79.4 | 0 | 0 | 359360 | 11 | 97 | Histoire de Tom Jones ou l'Enfant Trouve | 1466 | Henry Fielding|Jean Nourse|Hubert François Gravelot | British, 1707–1754|London|French, Paris 1699–1773 Paris | 30947 | 319 | 1707 |1700 |1699 | 1754 |1800 |1773 | 1750 | 1750 | 1750 | Harris Brisbane Dick Fund, 1927 | 442 | http://www.metmuseum.org/art/collection/search/359360 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 245580 | 2007.49.601 | 0 | 0 | 373810 | 11 | 731 | A Languid Floating Flower | 1061 | The artist and, | Richard Hamilton|Waddington Graphics|Aldo Crommelynck | British, London 1922–2011 Oxfordshire|French (born Monaco) 1931–2008 Paris | 34558 | 319 | 1922 |1931 | 2011 |2008 | 1983 | 1983 | 1983 | 39462 | plate: 12 1/2 x 14 7/8 in. (31.8 x 37.8 cm) sheet: 18 1/16 x 19 5/8 in. (45.8 x 49.8 cm) | Bequest of William S. Lieberman, 2005 | 13 | http://www.metmuseum.org/art/collection/search/373810 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 257431 | 53.638.31(20-8) | 0 | 0 | 386116 | 11 | 731 | Acute Pain (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun) | 2136 | After | Anonymous, British, 18th century|Robert Sayer|Charles Le Brun | British, Sunderland 1725–1794 Bath|French, Paris 1619–1690 Paris | 37197 | 319 | 1700 |1725 |1619 | 1800 |1794 |1690 | 1765 | 1765 | 1800 | 37638 | plate: 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/386116 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 257432 | 53.638.31(20-9) | 0 | 1 | 386117 | 11 | 731 | Simple Bodily Pain (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun) | 3717 | After | Robert Sayer|Anonymous, British, 18th century|Charles Le Brun | British, Sunderland 1725–1794 Bath|French, Paris 1619–1690 Paris | 37198 | 319 | 1725 |1700 |1619 | 1794 |1800 |1690 | 1765 | 1765 | 1800 | 37638 | Plate: 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/386117 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 257435 | 53.638.31(20-12) | 0 | 0 | 386120 | 11 | 731 | Scorn (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun) | 3717 | After | Robert Sayer|Anonymous, British, 18th century|Charles Le Brun | British, Sunderland 1725–1794 Bath|French, Paris 1619–1690 Paris | 37198 | 319 | 1725 |1700 |1619 | 1794 |1800 |1690 | 1765 | 1765 | 1800 | 37638 | plate: 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/386120 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 257440 | 53.638.31(20-17) | 0 | 0 | 386125 | 11 | 731 | Despair (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun) | 2136 | After | Anonymous, British, 18th century|Robert Sayer|Charles Le Brun | British, Sunderland 1725–1794 Bath|French, Paris 1619–1690 Paris | 37197 | 319 | 1700 |1725 |1619 | 1800 |1794 |1690 | 1765 | 1765 | 1800 | 37638 | plate: 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/386125 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 265167 | 67.630.84 | 0 | 0 | 394134 | 11 | 731 | Maria Louisa Archduchess of Austria, Empress of France | 53 | After | John Roffe|J. Hamble|Pierre Paul Prud'hon | British, 1769–1850|British, 1790–1807|French, Cluny 1758–1823 Paris | 38791 | 319 | 1769 |1790 |1758 | 1850 |1807 |1823 | 1811 | 1811 | 1811 | 42600 | image: 11 7/16 x 8 3/8 in. (29 x 21.2 cm) plate: 15 13/16 x 12 5/16 in. (40.2 x 31.2 cm) sheet: 19 5/16 x 15 1/4 in. (49 x 38.7 cm) | Bequest of Susan Dwight Bliss, 1966 | 13 | http://www.metmuseum.org/art/collection/search/394134 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 266589 | 59.600.38(1) | 0 | 0 | 395572 | 11 | 97 | Monkey-ana, or men in miniature | 876 | Thomas Landseer|Moon, Boys & Graves|Pieri Bernard | British, London 1795–1880 London|London | , Paris | 26851 | 319 | 1795 |1800 |1800 | 1880 |1899 |1900 | 1827 | 1827 | 1827 | 34071 | 13 9/16 x 10 1/8 in. (34.5 x 25.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 442 | http://www.metmuseum.org/art/collection/search/395572 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 266590 | 59.600.38(2) | 0 | 0 | 395573 | 11 | 97 | Monkey-ana, or Men in Miniature | 876 | Thomas Landseer|Moon, Boys & Graves|Pieri Bernard | British, London 1795–1880 London|London | , Paris | 26851 | 319 | 1795 |1800 |1800 | 1880 |1899 |1900 | 1827–28 | 1827 | 1828 | 34071 | 13 9/16 x 10 1/8 in. (34.5 x 25.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 442 | http://www.metmuseum.org/art/collection/search/395573 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 266591 | 59.600.38(3) | 0 | 0 | 395574 | 11 | 97 | Monkey-ana, or Men in Miniature | 876 | Thomas Landseer|Moon, Boys & Graves|Pieri Bernard | British, London 1795–1880 London|London | , Paris | 26851 | 319 | 1795 |1800 |1800 | 1880 |1899 |1900 | 1828 | 1828 | 1828 | 34071 | 13 9/16 x 10 1/8 in. (34.5 x 25.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 442 | http://www.metmuseum.org/art/collection/search/395574 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 266592 | 59.600.38(4) | 0 | 0 | 395575 | 11 | 97 | Monkey-ana, or Men in Miniature | 876 | Thomas Landseer|Moon, Boys & Graves|Pieri Bernard | British, London 1795–1880 London|London | , Paris | 26851 | 319 | 1795 |1800 |1800 | 1880 |1899 |1900 | 1828 | 1828 | 1828 | 34071 | 13 9/16 x 10 1/8 in. (34.5 x 25.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 442 | http://www.metmuseum.org/art/collection/search/395575 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 266593 | 59.600.38(5) | 0 | 0 | 395576 | 11 | 97 | Monkey-ana, or Men in Miniature | 876 | Thomas Landseer|Moon, Boys & Graves|Pieri Bernard | British, London 1795–1880 London|London | , Paris | 26851 | 319 | 1795 |1800 |1800 | 1880 |1899 |1900 | 1828 | 1828 | 1828 | 34071 | 13 9/16 x 10 1/8 in. (34.5 x 25.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 442 | http://www.metmuseum.org/art/collection/search/395576 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 266594 | 59.600.38(6) | 0 | 0 | 395577 | 11 | 97 | Monkey-ana, or Men in Miniature | 876 | Thomas Landseer|Moon, Boys & Graves|Pieri Bernard | British, London 1795–1880 London|London | , Paris | 26851 | 319 | 1795 |1800 |1800 | 1880 |1899 |1900 | 1828 | 1828 | 1828 | 34071 | 13 9/16 x 10 1/8 in. (34.5 x 25.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 442 | http://www.metmuseum.org/art/collection/search/395577 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 266595 | 59.600.38(1.1) | 0 | 1 | 395578 | 11 | 731 | Title Page, from Monkey-ana, or Men in Miniature | 876 | Thomas Landseer|Moon, Boys & Graves|Pieri Bernard | British, London 1795–1880 London|London | , Paris | 26851 | 319 | 1795 |1800 |1800 | 1880 |1899 |1900 | 1827 | 1827 | 1827 | 34071 | plate: 8 1/8 x 6 1/2 in. (20.6 x 16.5 cm) sheet: 13 7/16 x 9 3/8 in. (34.1 x 23.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/395578 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 266596 | 59.600.38(5.4) | 0 | 1 | 395579 | 11 | 731 | Monkey Dandy, from Monkey-ana, or Men in Miniature | 876 | Thomas Landseer|Moon, Boys & Graves|Pieri Bernard | British, London 1795–1880 London|London | , Paris | 26851 | 319 | 1795 |1800 |1800 | 1880 |1899 |1900 | July 1828 | 1828 | 1828 | 34071 | plate: 7 7/8 x 6 7/16 in. (20 x 16.3 cm) sheet: 13 5/16 x 9 1/2 in. (33.8 x 24.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/395579 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 267193 | 32.35(224) | 0 | 1 | 396233 | 11 | 731 | Charles XII at Bender (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, vol. II, pl. 30) | 4581 | Map engraved by|Vignette designed and etched by|Illustrates | S. Parker|William Hogarth|Aubry de La Mottraye | British, active 1720|British, London 1697–1764 London|French, 1674–1743 | 39437 | 319 | 1720 |1697 |1674 | 1720 |1764 |1743 | 1723–24 | 1723 | 1724 | 32458 | sheet: 9 7/8 x 13 9/16 in. (25.1 x 34.4 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/396233 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 270040 | 32.35(254) | 0 | 1 | 399165 | 11 | 731 | Frontispiece to Moliere's "L'Avare" (The Miser) | 3822 | After|Illustrates | William Hogarth|John Vandergucht|Jean-Baptiste Poquelin Molière | British, London 1697–1764 London|British, London 1697–possibly 1732 London|French, 1622–1673 | 40080 | 319 | 1697 |1697 |1622 | 1764 |1732 |1673 | 1732 | 1732 | 1732 | 30931 | sheet: 5 1/4 x 3 1/16 in. (13.4 x 7.7 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/399165 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 270042 | 32.35(255) | 0 | 1 | 399167 | 11 | 731 | Frontispiece to Moliere's "Sganarelle, ou le Cocu Imaginaire" (The Imaginary Cuckold) | 3822 | After|Illustrates | William Hogarth|John Vandergucht|Jean-Baptiste Poquelin Molière | British, London 1697–1764 London|British, London 1697–possibly 1732 London|French, 1622–1673 | 40080 | 319 | 1697 |1697 |1622 | 1764 |1732 |1673 | ca. 1732 | 1727 | 1737 | 32759 | sheet: 5 3/8 x 3 1/8 in. (13.7 x 8 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/399167 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 271132 | 24.63.1075 | 0 | 1 | 400266 | 11 | 731 | The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, Aet. 67. A.D. 1743 | 4609 | After | Benjamin Hoadly|William Hogarth|Bernard Baron | British, 1676–1761|British, London 1697–1764 London|French, Paris 1696–1762 London | 40288 | 319 | 1676 |1697 |1696 | 1761 |1764 |1762 | 1743 | 1743 | 1743 | 7208 | sheet: 16 7/16 x 11 3/8 in. (41.8 x 28.9 cm) | Gift of Georgiana W. Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/400266 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 271133 | 32.35(198) | 0 | 1 | 400267 | 11 | 731 | The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, Aet. 67. A.D. 1743 | 4609 | After | Benjamin Hoadly|William Hogarth|Bernard Baron | British, 1676–1761|British, London 1697–1764 London|French, Paris 1696–1762 London | 40288 | 319 | 1676 |1697 |1696 | 1761 |1764 |1762 | 1743 | 1743 | 1743 | 7208 | sheet: 16 1/2 x 11 5/16 in. (41.9 x 28.8 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/400267 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 271134 | 91.1.142 | 0 | 1 | 400268 | 11 | 731 | The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, Aet. 67. A.D. 1743 | 4609 | After | Benjamin Hoadly|William Hogarth|Bernard Baron | British, 1676–1761|British, London 1697–1764 London|French, Paris 1696–1762 London | 40288 | 319 | 1676 |1697 |1696 | 1761 |1764 |1762 | 1743 | 1743 | 1743 | 7208 | plate: 16 3/4 x 11 5/8 in. (42.5 x 29.5 cm) sheet: 17 13/16 x 12 1/2 in. (45.3 x 31.7 cm) | Gift of Sarah Lazarus, 1891 | 13 | http://www.metmuseum.org/art/collection/search/400268 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 276049 | 17.3.756.2357 | 0 | 1 | 405228 | 11 | 731 | The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of the Garter, Aet. 67. A.D. 1743 | 4644 | After | William Hogarth|Benjamin Hoadly|Bernard Baron | British, London 1697–1764 London|British, 1676–1761|French, Paris 1696–1762 London | 40647 | 319 | 1697 |1676 |1696 | 1764 |1761 |1762 | 1743 | 1743 | 1743 | 7208 | Sheet: 16 15/16 x 11 15/16 in. (43 x 30.3 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/405228 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 283105 | 24.63.832(59) | 0 | 0 | 412413 | 11 | 731 | Jerusalem Taken Captive into Babylon – Les Israélites Menés Captifs à Babylone | 895 | In the style of | John Martin|James G. S. Lucas|Rittner & Goupil | British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man|British, active 1831–35|Paris | 41128 | 319 | 1789 |1831 | 1854 |1834 | 1833–35 | 1833 | 1835 | 29072 | Plate: 10 3/8 x 12 13/16 in. (26.4 x 32.5 cm) Sheet: 11 5/16 x 16 11/16 in. (28.7 x 42.4 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/412413 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 294778 | 25.62.66r(a-e) | 0 | 1 | 424121 | 11 | 13986 | Leaf from Aedes Walpolinae mounted with a hand-written sheet, two prints and a printed sheet with drawn additions: (a): Sermon on Painting, continued; (b): St. Peter's Church at Walpole; (c): Chateau de Picton; (d): Monument of Eudo de Arsie; (e) Printed text describing Monument of Eudo de Arsie | 722 | Horace Walpole, 4th Earl of Orford|Anonymous, British, 18th century|Anonymous, French, 18th century | British, London 1717–1797 London | 42101 | 319 | 1717 |1700 |1700 | 1797 |1800 |1800 | 1742 | 1742 | 1742 | 44020 | Leaf: 28 15/16 × 20 1/2 in. (73.5 × 52 cm) | Harris Brisbane Dick Fund, 1925 | 64 | http://www.metmuseum.org/art/collection/search/424121 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 408483 | 62.557.178 | 0 | 0 | 668404 | 11 | 731 | The Separation of Lewis the Sixteenth, from His Family / Le Seperation de Louis Seize, de sa Famille | 3844 | After | Colnaghi, London|Anthony Cardon|Charles Benazech|Louis XVI, King of France | British, Brussels 1772–1813 London|British, London 1767–1794 London|French, Versailles 1754–1793 Paris | , (late Torre's) | 51533 | 319 | 1760 |1772 |1767 |1754 | 9999 |1813 |1794 |1793 | 1794 | 1794 | 1794 | 37370 | Image: 12 3/8 × 16 15/16 in. (31.5 × 43 cm) Sheet: 16 7/16 × 18 11/16 in. (41.7 × 47.4 cm) | Gift of Mrs. Olga Sichel and Max Philippson, 1962 | 13 | http://www.metmuseum.org/art/collection/search/668404 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 413913 | 58.549.437 | 0 | 0 | 683022 | 11 | 731 | Queen Elizabeth I | 5209 | Associated with | Elizabeth I, Queen of England|Anonymous, British, 19th century|Paul de Rapin de Thoyras | 1533–1603|French, Castres, France 1661–1725 Wesel, Germany | 52187 | 319 | 1533 |1800 |1661 | 1603 |1900 |1725 | 1733–37 | 1733 | 1737 | 6712 | Sheet: 15 1/4 × 9 1/16 in. (38.8 × 23 cm) | Gift of Susan Dwight Bliss, 1958 | 13 | http://www.metmuseum.org/art/collection/search/683022 | 4/23/2018 8:00:01 AM | 1 |