Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 211004 | 1970.699.5 | 0 | 0 | 338392 | 11 | 97 | Theory on the Classification of Beauty and Deformity, and Their Correspondence with Physiognomonic Expression, Exemplified in Various Works of Art, and Natural Objects | 1154 | Mary Anne Schimmelpenninck|William Henry Brooke|John and Arthur Arch | British, Birmingham 1778–1856 Clifton, Bristol|British, London (?) 1772–1860 Chichester, Sussex|London | 19076 | 178 | 1778 |1772 |1800 | 1856 |1860 |1850 | 1815 | 1815 | 1815 | 31505 | 11 1/8 x 8 3/4 x 1 3/4 in. (28.3 x 22.2 x 4.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | 14 | 442 | http://www.metmuseum.org/art/collection/search/338392 | 4/23/2018 8:00:01 AM | 1 |