Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 208843 | 19.73.106 | 0 | 1 | 336219 | 11 | 731 | The Promenade | 2 | Albrecht Dürer | German, Nuremberg 1471–1528 Nuremberg | 9043 | 10 | 1471 | 1528 | ca. 1498 | 1493 | 1503 | 30370 | sheet: 7 11/16 x 4 3/4 in. (19.5 x 12.1 cm) trimmed to plate line | Fletcher Fund, 1919 | 13 | http://www.metmuseum.org/art/collection/search/336219 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 208930 | 66.529.17 | 0 | 1 | 336306 | 11 | 731 | Amnon and Jonadab, from The Story of Amnon and Tamar | 2 | Heinrich Aldegrever | German, Paderborn ca. 1502–1555/1561 Soest | 10929 | 10 | 1502 | 1561 | 1540 | 1540 | 1540 | 30370 | Sheet: 4 11/16 x 3 in. (11.9 x 7.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1966 | 13 | http://www.metmuseum.org/art/collection/search/336306 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 209273 | 1970.571 | 0 | 0 | 336654 | 11 | 731 | Studies of Horses' Heads | 13 | after | Giovanni Antonio da Brescia|Leonardo da Vinci | Italian, active ca. 1490–ca. 1525|Italian, Vinci 1452–1519 Amboise | 18498 | 93 | 1490 |1452 | 1525 |1519 | 1490–1525 | 1490 | 1525 | 30370 | Purchase, Florance Waterbury Bequest, 1970 | 13 | http://www.metmuseum.org/art/collection/search/336654 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 210551 | 32.92.27(1) | 0 | 1 | 337935 | 11 | 731 | Susanna and the Elders | 13 | After | René Boyvin|Giulio Romano | French, Angers ca. 1525–1598 or 1625/6 Angers|Italian, Rome 1499?–1546 Mantua | 18881 | 247 | 1525 |1499 | 1598 |1546 | 1525 | 1598 | 30370 | Sheet: 12 3/8 x 8 13/16 in. (31.5 x 22.4 cm) | Purchase, Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/337935 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 211306 | 26.72.23 | 0 | 1 | 338696 | 11 | 731 | Summer (Aestas) from the series The Seasons | 895 | After | Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19206 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1570 | 1570 | 1570 | 30370 | Sheet: 8 7/8 x 11 5/16 in. (22.5 x 28.7 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/338696 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211307 | 26.72.24 | 0 | 1 | 338697 | 11 | 731 | Skating before the St. George's Gate, Antwerp | 895 | After | Frans Huys|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, 1522–1562|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19207 | 787 | 1522 |1525 |1510 | 1562 |1569 |1570 | ca. 1558 | 1553 | 1563 | 30370 | 9 1/8 x 11 3/4 in. (23.2 x 29.9 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/338697 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211308 | 26.72.31 | 0 | 1 | 338698 | 11 | 731 | Avarice (Avaritia) from the series The Seven Deadly Sins | 895 | After | Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19206 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 30370 | Sheet: 8 7/8 x 11 5/8 in. (22.6 x 29.5 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/338698 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211315 | 26.72.46 | 0 | 1 | 338705 | 11 | 731 | Envy (Invidia) from The Seven Deadly Sins | 895 | After | Pieter van der Heyden|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, ca. 1525–1569|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19206 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 30370 | 8 15/16 x 11 5/8 in. (22.7 x 29.5 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/338705 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 212879 | 53.600.516 | 0 | 0 | 340275 | 11 | 731 | Child with a Top | 895 | after | Jean Siméon Chardin|Bernard Lepicié|Louis Surugue | French, Paris 1699–1779 Paris|French, Paris 1698–1755 Paris|French, Paris ca. 1686–1762 Grand Vaux | 19654 | 2 | 1699 |1698 |1686 | 1779 |1755 |1762 | 1742 | 1742 | 1742 | 30370 | Sheet (trimmed): 8 7/16 × 8 1/16 in. (21.5 × 20.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/340275 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 213263 | 29.107.36 | 0 | 0 | 340659 | 11 | 731 | Das Schadet Nit, from The Weather Peasants | 2 | Sebald Beham | German, Nuremberg 1500–1550 Frankfurt | 8732 | 10 | 1500 | 1550 | 1542 | 1542 | 1542 | 30370 | H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 | 13 | http://www.metmuseum.org/art/collection/search/340659 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 213265 | 29.107.37 | 0 | 0 | 340661 | 11 | 731 | Es ist Kalt Weter, from The Weather Peasants | 2 | Sebald Beham | German, Nuremberg 1500–1550 Frankfurt | 8732 | 10 | 1500 | 1550 | 1542 | 1542 | 1542 | 30370 | H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 | 13 | http://www.metmuseum.org/art/collection/search/340661 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 215252 | 17.50.16-5 | 0 | 1 | 342676 | 11 | 731 | Alexander the Great commanding that the work of Homer be placed in the tomb of Achilles | 2 | Marcantonio Raimondi | Italian, Argini (?) ca. 1480–before 1534 Bologna (?) | 19719 | 6 | 1475 | 1534 | ca. 1500–1534 | 1495 | 1539 | 30370 | Sheet: 9 7/8 × 15 11/16 in. (25.1 × 39.8 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/342676 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 215274 | 17.50.16-8 | 0 | 0 | 342698 | 11 | 731 | Two women standing back to back supporting a censer adorned with salamanders and fleur-de-lis | 13 | After | Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi) | Italian, Argini (?) ca. 1480–before 1534 Bologna (?)|Italian, Urbino 1483–1520 Rome | 18609 | 93 | 1475 |1483 | 1534 |1520 | ca. 1515–20 | 1500 | 1534 | 30370 | Sheet: 12 1/16 × 6 9/16 in. (30.7 × 16.7 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/342698 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 215353 | 49.97.23 | 0 | 0 | 342777 | 11 | 731 | Christ standing in aureole, right hand raised, a staff with banner in left hand | 13 | School of|After | Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi) | Italian, Argini (?) ca. 1480–before 1534 Bologna (?)|Italian, Urbino 1483–1520 Rome | 18609 | 93 | 1475 |1483 | 1534 |1520 | ca. 1500–1550 | 1495 | 1555 | 30370 | Sheet: 8 in. × 5 3/16 in. (20.3 × 13.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/342777 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 215354 | 49.97.25 | 0 | 1 | 342778 | 11 | 731 | Saint John holding chalice in left hand, book in right, eagle standing by left side | 13 | School of|After | Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi) | Italian, Argini (?) ca. 1480–before 1534 Bologna (?)|Italian, Urbino 1483–1520 Rome | 18609 | 93 | 1475 |1483 | 1534 |1520 | ca. 1500–1550 | 1500 | 1550 | 30370 | Sheet: 7 15/16 × 5 5/16 in. (20.2 × 13.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/342778 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 215355 | 49.97.24 | 0 | 1 | 342779 | 11 | 731 | Saint James the Major turned towards right, holding staff | 13 | School of|After | Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi) | Italian, Argini (?) ca. 1480–before 1534 Bologna (?)|Italian, Urbino 1483–1520 Rome | 18609 | 93 | 1475 |1483 | 1534 |1520 | ca. 1500–1550 | 1495 | 1555 | 30370 | Sheet: 8 1/16 × 5 5/16 in. (20.5 × 13.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/342779 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 215356 | 49.97.26 | 0 | 0 | 342780 | 11 | 731 | Saint Philip turned toward left holding cross and book | 13 | After|School of | Raphael (Raffaello Sanzio or Santi)|Marcantonio Raimondi | Italian, Urbino 1483–1520 Rome|Italian, Argini (?) ca. 1480–before 1534 Bologna (?) | 20226 | 93 | 1483 |1475 | 1520 |1534 | ca. 1500–1550 | 1495 | 1555 | 30370 | Sheet: 9 15/16 × 5 5/16 in. (25.2 × 13.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/342780 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 215361 | 25.2.25 | 0 | 0 | 342785 | 11 | 731 | Naked man standing before naked woman holding a burning bowl and resting foot on a sphere (allegorical figure of Fortune) | 13 | Attributed to|After | Marcantonio Raimondi|Francesco Francia | Italian, Argini (?) ca. 1480–before 1534 Bologna (?)|Italian, Bologna ca. 1447–1517 Bologna | 20219 | 93 | 1475 |1447 | 1534 |1517 | ca. 1506–7 | 1501 | 1512 | 30370 | Sheet: 5 13/16 × 3 9/16 in. (14.7 × 9 cm) | Harris Brisbane Dick Fund, 1925 | 13 | http://www.metmuseum.org/art/collection/search/342785 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 222547 | 2001.739 | 0 | 0 | 350108 | 11 | 731 | Master John Blockhead or The Lute Maker | 2 | Frans Huys | Netherlandish, 1522–1562 | 24734 | 179 | 1522 | 1562 | mid-16th century | 1525 | 1575 | 30370 | sheet: 11 1/8 x 16 5/8 in. (28.2 x 42.3 cm) | Purchase, Barbara and Howard Fox Gift, 2001 | 13 | http://www.metmuseum.org/art/collection/search/350108 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 223397 | 41.72(2.97) | 0 | 1 | 350973 | 11 | 731 | Speculum Romanae Magnificentiae: The Tiber | 159 | 710 | Nicolas Beatrizet|Antonio Lafreri | French, Lunéville 1515–ca. 1566 Rome (?)|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 25426 | 21 | 1515 |1507 | 1566 |1577 | mid-16th century | 1530 | 1571 | 30370 | mount: 13 3/16 x 21 5/8 in. (33.5 x 55 cm) sheet: 21 x 26 15/16 in. (53.4 x 68.5 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/350973 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 228942 | 25.2.32 | 0 | 0 | 356587 | 11 | 731 | Portrait of Ippolita Gonzaga | 13 | After | Nicolas Beatrizet|Jacopo Nizolla da Trezzo | French, Lunéville 1515–ca. 1566 Rome (?)|Italian, Milan 1515/19–1589 Madrid | 29372 | 247 | 1515 |1515 | 1566 |1589 | after 1552 | 1552 | 1565 | 30370 | sheet: 20 x 14 1/2 in. (50.8 x 36.8 cm) | Harris Brisbane Dick Fund, 1925 | 13 | http://www.metmuseum.org/art/collection/search/356587 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 230424 | 17.50.16-135 | 0 | 1 | 358113 | 11 | 731 | The Academy of Baccio Bandinelli | 895 | After|Published by | Enea Vico|Baccio Bandinelli|Pietro Paolo Palumbo | Italian, Parma 1523–1567 Ferrara|Italian, Gaiole in Chianti 1493–1560 Florence|Italian, active Rome, 1563–?1586 | 30381 | 145 | 1523 |1493 |1563 | 1567 |1560 |1586 | ca. 1544 | 1543 | 1546 | 30370 | sheet: 12 1/16 x 17 1/4 in. (30.6 x 43.8 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/358113 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 232024 | 60.634.37 | 0 | 1 | 359769 | 11 | 731 | The Moon in its Final Quarter | 459 | 2 | Claude Mellan | French, Abbeville 1598–1688 Paris | 31142 | 2 | 1598 | 1688 | 1635 | 1635 | 1635 | 30370 | Plate: 9 1/8 × 5 3/8 in. (23.1 × 13.7 cm) Sheet: 9 3/16 × 5 1/2 in. (23.4 × 14 cm) | Purchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 13 | http://www.metmuseum.org/art/collection/search/359769 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 232037 | 38.99 | 0 | 1 | 359782 | 11 | 731 | Portrait of Bartholomeus Spranger with an Allegory on the Death of his Wife, Christina Muller | 13 | After | Aegidius Sadeler II|Bartholomeus Spranger | Netherlandish, Antwerp 1568–1629 Prague|Netherlandish, Antwerp 1546–1611 Prague | 22571 | 327 | 1568 |1546 | 1629 |1611 | 1600 | 1600 | 1600 | 30370 | sheet: 11 3/4 x 16 9/16 in. (29.9 x 42.1 cm) | Harris Brisbane Dick Fund, 1938 | 13 | http://www.metmuseum.org/art/collection/search/359782 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 232294 | 49.97.683 | 0 | 0 | 360043 | 11 | 731 | The Dead Saviour and the Four Evangelists | 13 | after | Hendrick Goltzius|Anthonie Blocklandt | Netherlandish, Mühlbracht 1558–1617 Haarlem|Netherlandish, 1532–1583 | 20463 | 327 | 1558 |1532 | 1617 |1583 | 1583 | 1583 | 1583 | 30370 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/360043 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 232356 | 19.43.7 | 0 | 0 | 360105 | 11 | 731 | Perspectival Stage Set with Townscape | 2 | Anonymous, Italian, 16th century | Italian, active Central Italy, ca. 1550–1580 | 19618 | 6 | 1550 | 1600 | 1500–1550 | 1500 | 1550 | 30370 | Rogers Fund, 1919 | 13 | http://www.metmuseum.org/art/collection/search/360105 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 234179 | 49.97.249 | 0 | 1 | 361932 | 11 | 731 | Assembly of the Gods after the ceiling composition in the Loggia di Psiche, Villa Farnesina, Rome | 53 | After|After | Giovanni Jacopo Caraglio|Giovanni Francesco Penni|Raphael (Raffaello Sanzio or Santi) | Italian, Parma or Verona ca. 1500/1505–1565 Krakow (?)|Italian, Florence ca. 1496–after 1528 Naples|Italian, Urbino 1483–1520 Rome | 31681 | 145 | 1500 |1496 |1483 | 1565 |1528 |1520 | 1527 | 1527 | 1527 | 30370 | Sheet (Trimmed): 14 3/4 × 21 7/16 in. (37.4 × 54.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/361932 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 236657 | 22.83.17 | 0 | 1 | 364587 | 11 | 13829 | Leaf-ornament with a Heron | 2 | Master ES | German, active ca. 1450–67 | 18347 | 10 | 1445 | 1467 | 15th century | 1445 | 1467 | 30370 | Sheet: 3 13/16 × 2 11/16 in. (9.7 × 6.7 cm) | Harris Brisbane Dick Fund, 1922 | 673 | http://www.metmuseum.org/art/collection/search/364587 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 240280 | 49.95.1329 | 0 | 0 | 368371 | 11 | 731 | Cycle of the Viscissitudes of Human Life (Omnium Rerum Vicissitudo Est), from Virtues and Vices | 818 | 13 | after | Zacharias Dolendo|Jacques de Gheyn II | Netherlandish, 1561–ca. 1604|Netherlandish, Antwerp 1565–1629 The Hague | 33298 | 327 | 1561 |1565 | 1604 |1629 | 1596–97 | 1596 | 1597 | 30370 | Sheet: 8 13/16 × 6 5/16 in. (22.4 × 16.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/368371 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 242596 | 51.501.3285 | 0 | 1 | 370760 | 11 | 731 | Birth of the Virgin (copy) | 853 | After|After | Cornelis Cort|Federico Zuccaro (Zuccari)|Julius Goltzius|Caspar Rutz | Netherlandish, Hoorn ca. 1533–1578 Rome|Italian, Sant'Angelo in Vado 1540/42–1609 Ancona|Netherlandish, died ca. 1595 | 33899 | 2660 | 1533 |1540 |1500 | 1578 |1609 |1595 | 1581 | 1581 | 1581 | 30370 | sheet: 10 13/16 x 7 15/16 in. (27.4 x 20.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/370760 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 245745 | 56.597.5 | 0 | 1 | 374006 | 11 | 731 | Arion on a Dolphin | 895 | Cornelis Cornelisz van Haarlem|Jan Muller|Harmen Jansz. Muller | Netherlandish, Haarlem 1562–1638 Haarlem|Netherlandish, Amsterdam 1571–1628 Amsterdam|Netherlandish, Amsterdam ca. 1540–1617 Amsterdam | 34621 | 787 | 1562 |1571 |1540 | 1638 |1628 |1617 | ca. 1599 | 1597 | 1601 | 30370 | 35.2 x 35.0 cm | Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 | 13 | http://www.metmuseum.org/art/collection/search/374006 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 245755 | 51.501.6334 | 0 | 1 | 374017 | 11 | 731 | Harpocrates, Philosopher | 710 | Jan Muller|Harmen Jansz. Muller | Netherlandish, Amsterdam 1571–1628 Amsterdam|Netherlandish, Amsterdam ca. 1540–1617 Amsterdam | 34627 | 327 | 1571 |1540 | 1628 |1617 | ca. 1611 | 1609 | 1613 | 30370 | 19 × 14 5/8 in. (48.2 × 37.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/374017 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 245756 | 51.501.6338 | 0 | 1 | 374018 | 11 | 731 | St. Mary Magdelen at the Foot of the Cross | 710 | Jan Muller|Harmen Jansz. Muller | Netherlandish, Amsterdam 1571–1628 Amsterdam|Netherlandish, Amsterdam ca. 1540–1617 Amsterdam | 34627 | 327 | 1571 |1540 | 1628 |1617 | ca. 1612 | 1610 | 1614 | 30370 | 7 9/16 × 11 11/16 in. (19.2 × 29.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/374018 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 245787 | 51.501.6337 | 0 | 1 | 374049 | 11 | 731 | Christ as a Man of Sorrows | 710 | Jan Muller|Dancker Danckerts | Netherlandish, Amsterdam 1571–1628 Amsterdam|Dutch, Amsterdam 1634–1666 Amsterdam | 34643 | 327 | 1571 |1634 | 1628 |1666 | ca. 1610 | 1608 | 1612 | 30370 | 17 13/16 × 11 5/8 in. (45.2 × 29.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/374049 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 254434 | 28.4(5) | 0 | 1 | 383040 | 11 | 731 | A Dutch Hulk and a Boeier from The Sailing Vessels | 853 | After | Pieter Bruegel the Elder|Frans Huys|Cornelis Cort|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, 1522–1562|Netherlandish, Hoorn ca. 1533–1578 Rome|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 36421 | 829 | 1525 |1522 |1533 |1510 | 1569 |1562 |1578 |1570 | 1565 | 1565 | 1565 | 30370 | sheet: 13 1/4 x 10 1/4 in. (33.7 x 26.1 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/383040 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254442 | 28.4(8) | 0 | 1 | 383048 | 11 | 731 | Two Galleys Sailing Behind an Armed Three-Master with Phaeton and Jupiter in the Sky, from the series of Ships | 895 | After | Pieter Bruegel the Elder|Frans Huys|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, 1522–1562|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 36422 | 787 | 1525 |1522 |1510 | 1569 |1562 |1570 | 1561–65 | 1561 | 1565 | 30370 | sheet: 10 1/4 x 13 1/2 in. (26.1 x 34.3 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/383048 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254444 | 28.4(35) | 0 | 1 | 383050 | 11 | 731 | The Descent of Christ Into Limbo | 895 | After | Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19210 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1551 | 1551 | 1551 | 30370 | sheet: 10 5/16 x 13 9/16 in. (26.2 x 34.5 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/383050 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254445 | 26.72.41 | 0 | 1 | 383051 | 11 | 731 | The Descent of Christ Into Limbo | 895 | After | Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19210 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | ca. 1561 | 1556 | 1566 | 30370 | sheet: 9 1/16 x 11 7/16 in. (23 x 29 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/383051 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254446 | 26.72.32 | 0 | 1 | 383052 | 11 | 731 | The Last Judgment | 895 | After | Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19210 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 30370 | sheet: 8 15/16 x 11 11/16 in. (22.7 x 29.7 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/383052 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254447 | 28.4(36) | 0 | 1 | 383053 | 11 | 731 | The Last Judgment | 895 | After | Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19210 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 30370 | sheet: 10 1/4 x 13 9/16 in. (26 x 34.4 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/383053 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254450 | 28.4(4) | 0 | 1 | 383056 | 11 | 731 | Armed Three-Master Anchored Near a City from The Sailing Vessels | 895 | After | Pieter Bruegel the Elder|Frans Huys|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, 1522–1562|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 36422 | 787 | 1525 |1522 |1510 | 1569 |1562 |1570 | ca. 1555–56 | 1550 | 1560 | 30370 | plate: 9 1/8 x 11 9/16 in. (23.2 x 29.4 cm) sheet: 10 1/4 x 13 3/8 in. (26.1 x 33.9 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/383056 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254459 | 28.4(27) | 0 | 1 | 383065 | 11 | 731 | The Parable of the Wise and Foolish Virgins | 895 | After | Pieter Bruegel the Elder|Philips Galle|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 32974 | 787 | 1525 |1537 |1510 | 1569 |1612 |1570 | ca. 1560–63 | 1555 | 1565 | 30370 | sheet: 10 5/16 x 13 3/16 in. (26.2 x 33.5 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/383065 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254460 | 26.72.30 | 0 | 1 | 383066 | 11 | 731 | Faith (Fides) from the series The Virtues | 867 | Pieter Bruegel the Elder|Hieronymus Cock|Philips Galle | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp|Netherlandish, Haarlem 1537–1612 Antwerp | 36428 | 787 | 1525 |1510 |1537 | 1569 |1570 |1612 | ca. 1559–60 | 1554 | 1564 | 30370 | sheet: 9 1/2 x 11 7/8 in. (24.2 x 30.2 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/383066 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 254464 | 28.4(33) | 0 | 1 | 383070 | 11 | 731 | Avarice (Avaritia) from The Seven Deadly Sins | 895 | After | Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19210 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 30370 | sheet: 10 3/16 x 13 in. (25.9 x 33 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/383070 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254468 | 18.55.21 | 0 | 1 | 383074 | 11 | 731 | Avarice (Avaritia), from the series The Seven Deadly Sins | 895 | Pieter Bruegel the Elder|Pieter van der Heyden|Hieronymus Cock | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, ca. 1525–1569|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 19210 | 787 | 1525 |1525 |1510 | 1569 |1569 |1570 | 1558 | 1558 | 1558 | 30370 | sheet: 8 7/8 x 11 11/16 in. (22.5 x 29.7 cm) | Rogers Fund, 1918 | 13 | http://www.metmuseum.org/art/collection/search/383074 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 254469 | 28.4(30) | 0 | 1 | 383075 | 11 | 731 | Faith (Fides) from The Virtues | 867 | After | Pieter Bruegel the Elder|Hieronymus Cock|Philips Galle | Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp|Netherlandish, Haarlem 1537–1612 Antwerp | 36428 | 787 | 1525 |1510 |1537 | 1569 |1570 |1612 | ca. 1559–60 | 1554 | 1564 | 30370 | sheet: 10 3/16 x 13 1/4 in. (25.9 x 33.6 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/383075 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 255433 | 51.501.6213 | 0 | 1 | 384070 | 11 | 731 | The Ecstasy of St. Teresa | 2 | Antonius Wierix, II | Netherlandish, Antwerp 1555/59–1604 Antwerp | 31404 | 179 | 1555 | 1604 | ca. 1622–24 | 1617 | 1629 | 30370 | Sheet: 4 3/4 x 3 1/8 in. (12.1 x 7.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/384070 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 255439 | 2008.481 | 0 | 0 | 384082 | 11 | 731 | Eros and Anteros | 13 | After|Engraved by | Bonaventura Genelli|Hermann Schütz | German, Berlin 1798–1868 Weimar|German, Bückeburg 1807–1869 Munich | 36675 | 79 | 1798 |1807 | 1868 |1869 | 1810–68 | 1810 | 1868 | 30370 | sheet: 12 x 17 7/16 in. (30.5 x 44.3 cm) plate: 11 1/8 x 13 7/8 in. (28.3 x 35.3 cm) | Charles Z. Offin Fund, 2008 | 13 | http://www.metmuseum.org/art/collection/search/384082 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 256826 | 51.591.2 | 0 | 0 | 385504 | 11 | 731 | Adam and Eve in the Garden of Eden, from Chasseneuz's 'Catalogus Gloriae Mundi' | 2 | Jost Amman | Swiss, Zurich before 1539–1591 Nuremberg | 17860 | 61 | 1539 | 1591 | 1579 | 1579 | 1579 | 30370 | Sheet (trimmed): 10 5/8 × 14 1/16 in. (27 × 35.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/385504 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 258997 | 51.501.1334 | 0 | 0 | 387692 | 11 | 731 | Portrait of Justus Lipsius | 972 | Portrait of | Lucas Vorsterman I|Justus Lipsius | Flemish, Zaltbommel 1595–1675 Antwerp|Netherlands, Overijse 1547–1606 Louvain, Brabant | 37396 | 378 | 1595 |1547 | 1675 |1606 | 1615–75 | 1615 | 1675 | 30370 | sheet: 5 1/4 x 4 3/8 in. (13.4 x 11.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387692 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 258998 | 51.501.522 | 0 | 0 | 387693 | 11 | 731 | Christ on the Cross | 3240 | After|Dedicated to | Lucas Vorsterman I|Peter Paul Rubens|Godefroid Houtappels | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37397 | 368 | 1595 |1577 | 1675 |1640 | 1625–75 | 1625 | 1675 | 30370 | plate: 15 3/16 x 9 15/16 in. (38.5 x 25.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387693 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259137 | 51.501.7008 | 0 | 0 | 387835 | 11 | 731 | Susanna and the Elders | 13 | After | Lucas Vorsterman I|Peter Paul Rubens | Flemish, Zaltbommel 1595–1675 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 37291 | 376 | 1595 |1577 | 1675 |1640 | 1620 | 1620 | 1620 | 30370 | sheet: 15 1/4 x 11 in. (38.7 x 27.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387835 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259158 | 46.140.18 | 0 | 0 | 387856 | 11 | 731 | The Backgammon Players | 13 | After | Lucas Vorsterman I|Adam de Coster | Flemish, Zaltbommel 1595–1675 Antwerp|Mechelen ca. 1586–1643 Antwerp | 37429 | 376 | 1595 |1586 | 1675 |1643 | 1615 | 1675 | 30370 | sheet: 11 x 14 in. (27.9 x 35.5 cm) | Harris Brisbane Dick Fund, 1946 | 13 | http://www.metmuseum.org/art/collection/search/387856 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 259165 | 53.600.2050 | 0 | 0 | 387863 | 11 | 731 | The Agony in the Garden | 13 | After | Lucas Vorsterman I|Annibale Carracci | Flemish, Zaltbommel 1595–1675 Antwerp|Italian, Bologna 1560–1609 Rome | 37433 | 1377 | 1595 |1560 | 1675 |1609 | 1615 | 1675 | 30370 | sheet: 15 3/8 x 11 1/4 in. (39 x 28.6 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/387863 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 259264 | 41.1.73 | 0 | 1 | 387963 | 11 | 731 | Christian II, King of Denmark | 13 | After | Jan Gossart (called Mabuse)|Jacob Binck | Netherlandish, Maubeuge ca. 1478–1532 Antwerp (?)|German, Cologne 1494/1500–1569 Kaliningrad (Königsberg) | 37454 | 835 | 1478 |1494 | 1532 |1569 | 1529 | 1529 | 1529 | 30370 | sheet: 10 7/16 x 8 9/16 in. (26.5 x 21.7 cm) | Gift of Felix M. Warburg and his family, 1941 | 13 | http://www.metmuseum.org/art/collection/search/387963 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259632 | 49.95.2756 | 0 | 0 | 388331 | 11 | 731 | Elijah in the Wilderness Fed by Ravens, from Four Scenes from the Life of the Prophets, Isaiah, Ahajah and Elisha, plate 2 | 13 | Engraved by|After | Jan (Pietersz.) Saenredam|Abraham Bloemaert | Netherlandish, Zaandam 1565–1607 Assendelft|Netherlandish, Gorinchem 1566–1651 Utrecht | 37526 | 327 | 1565 |1566 | 1607 |1651 | n.d. | 1560 | 1607 | 30370 | plate: 10 9/16 x 7 3/4 in. (26.9 x 19.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/388331 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259946 | 2009.476.1 | 0 | 1 | 388663 | 11 | 731 | Adolescentis Angli et Iuvenculae Habitus, from Fashions of Different Nations | 895 | After|Published by | Pieter de Jode I|Sebastiaen Vrancx|Pieter de Jode I | Netherlandish, Antwerp 1570–Antwerp 1634|Netherlandish, Antwerp 1573–1647 Antwerp|Netherlandish, Antwerp 1570–Antwerp 1634 | 37622 | 787 | 1572 |1573 |1572 | 1634 |1647 |1634 | n.d. | 1580 | 1634 | 30370 | sheet: 8 9/16 x 6 in. (21.8 x 15.2 cm) | Gift of Isaiah and Lola B. Gellman, 2009 | 13 | http://www.metmuseum.org/art/collection/search/388663 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259947 | 2009.476.2 | 0 | 1 | 388664 | 11 | 731 | Viri et Mulieris apud Florentinos Habitus, from Fashions of Different Nations | 895 | After|Published by | Pieter de Jode I|Sebastiaen Vrancx|Pieter de Jode I | Netherlandish, Antwerp 1570–Antwerp 1634|Netherlandish, Antwerp 1573–1647 Antwerp|Netherlandish, Antwerp 1570–Antwerp 1634 | 37622 | 787 | 1572 |1573 |1572 | 1634 |1647 |1634 | n.d. | 1580 | 1634 | 30370 | sheet: 9 x 5 7/8 in. (22.9 x 15 cm) | Gift of Isaiah and Lola B. Gellman, 2009 | 13 | http://www.metmuseum.org/art/collection/search/388664 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259948 | 2009.476.3 | 0 | 1 | 388665 | 11 | 731 | Hispani et Hispanae in Vestitu Cultus, from Fashions of Different Nations | 895 | After|Published by | Pieter de Jode I|Sebastiaen Vrancx|Pieter de Jode I | Netherlandish, Antwerp 1570–Antwerp 1634|Netherlandish, Antwerp 1573–1647 Antwerp|Netherlandish, Antwerp 1570–Antwerp 1634 | 37622 | 787 | 1572 |1573 |1572 | 1634 |1647 |1634 | n.d. | 1580 | 1634 | 30370 | sheet: 9 3/16 x 5 7/8 in. (23.4 x 15 cm) | Gift of Isaiah and Lola B. Gellman, 2009 | 13 | http://www.metmuseum.org/art/collection/search/388665 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259949 | 2009.476.4 | 0 | 1 | 388666 | 11 | 731 | Mercatoris Belgae Eiusque Coniugis Vestitus, from Fashions of Different Nations | 895 | After|Published by | Pieter de Jode I|Sebastiaen Vrancx|Pieter de Jode I | Netherlandish, Antwerp 1570–Antwerp 1634|Netherlandish, Antwerp 1573–1647 Antwerp|Netherlandish, Antwerp 1570–Antwerp 1634 | 37622 | 787 | 1572 |1573 |1572 | 1634 |1647 |1634 | n.d. | 1580 | 1634 | 30370 | sheet: 9 x 6 in. (22.8 x 15.3 cm) | Gift of Isaiah and Lola B. Gellman, 2009 | 13 | http://www.metmuseum.org/art/collection/search/388666 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259950 | 2009.476.5 | 0 | 1 | 388667 | 11 | 731 | Gallica in Vestitu Varietas, from Fashions of Different Nations | 895 | After|Published by | Pieter de Jode I|Sebastiaen Vrancx|Pieter de Jode I | Netherlandish, Antwerp 1570–Antwerp 1634|Netherlandish, Antwerp 1573–1647 Antwerp|Netherlandish, Antwerp 1570–Antwerp 1634 | 37622 | 787 | 1572 |1573 |1572 | 1634 |1647 |1634 | n.d. | 1580 | 1634 | 30370 | sheet: 9 1/16 x 6 1/16 in. (23 x 15.4 cm) | Gift of Isaiah and Lola B. Gellman, 2009 | 13 | http://www.metmuseum.org/art/collection/search/388667 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259951 | 2009.476.6 | 0 | 1 | 388668 | 11 | 731 | Nobilium in Belgio Utriusque Sexus Ornatus, from Fashions of Different Nations | 895 | After|Published by | Pieter de Jode I|Sebastiaen Vrancx|Pieter de Jode I | Netherlandish, Antwerp 1570–Antwerp 1634|Netherlandish, Antwerp 1573–1647 Antwerp|Netherlandish, Antwerp 1570–Antwerp 1634 | 37622 | 787 | 1572 |1573 |1572 | 1634 |1647 |1634 | n.d. | 1580 | 1634 | 30370 | sheet: 8 7/8 x 6 in. (22.6 x 15.2 cm) | Gift of Isaiah and Lola B. Gellman, 2009 | 13 | http://www.metmuseum.org/art/collection/search/388668 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259952 | 2009.476.7 | 0 | 1 | 388669 | 11 | 731 | Romanorium Viri et Feminae Habitus, from Fashions of Different Nations (copy) | 1172 | After|After|Published by | Pieter de Jode I|Sebastiaen Vrancx|Hendrick Laurensz|Master ID | Netherlandish, Antwerp 1570–Antwerp 1634|Netherlandish, Antwerp 1573–1647 Antwerp|Dutch, active 1609–49|Dutch, active early 17th century | 37623 | 1523 | 1572 |1573 |1609 |1580 | 1634 |1647 |1649 |1650 | early 17th century | 1609 | 1649 | 30370 | sheet: 8 7/16 x 5 15/16 in. (21.5 x 15.1 cm) | Gift of Isaiah and Lola B. Gellman, 2009 | 13 | http://www.metmuseum.org/art/collection/search/388669 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259953 | 2009.476.8 | 0 | 1 | 388670 | 11 | 731 | Germanicus Habitus, from Fashions of Different Nations | 895 | After|Published by | Pieter de Jode I|Sebastiaen Vrancx|Pieter de Jode I | Netherlandish, Antwerp 1570–Antwerp 1634|Netherlandish, Antwerp 1573–1647 Antwerp|Netherlandish, Antwerp 1570–Antwerp 1634 | 37622 | 787 | 1572 |1573 |1572 | 1634 |1647 |1634 | n.d. | 1580 | 1634 | 30370 | sheet: 9 11/16 x 5 7/8 in. (24.6 x 15 cm) | Gift of Isaiah and Lola B. Gellman, 2009 | 13 | http://www.metmuseum.org/art/collection/search/388670 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259954 | 2009.476.9 | 0 | 1 | 388671 | 11 | 731 | Mediolanensis Viri Feminaeque Ornatus, from Fashions of Different Nations | 895 | After|Published by | Pieter de Jode I|Sebastiaen Vrancx|Pieter de Jode I | Netherlandish, Antwerp 1570–Antwerp 1634|Netherlandish, Antwerp 1573–1647 Antwerp|Netherlandish, Antwerp 1570–Antwerp 1634 | 37622 | 787 | 1572 |1573 |1572 | 1634 |1647 |1634 | n.d. | 1580 | 1634 | 30370 | sheet: 8 3/4 x 6 in. (22.2 x 15.2 cm) | Gift of Isaiah and Lola B. Gellman, 2009 | 13 | http://www.metmuseum.org/art/collection/search/388671 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259955 | 2009.476.10 | 0 | 1 | 388672 | 11 | 731 | Habitus Lusitanorum Peculiaris, from Fashions of Different Nations | 895 | After|Published by | Pieter de Jode I|Sebastiaen Vrancx|Pieter de Jode I | Netherlandish, Antwerp 1570–Antwerp 1634|Netherlandish, Antwerp 1573–1647 Antwerp|Netherlandish, Antwerp 1570–Antwerp 1634 | 37622 | 787 | 1572 |1573 |1572 | 1634 |1647 |1634 | n.d. | 1580 | 1634 | 30370 | sheet: 8 7/8 x 6 in. (22.6 x 15.2 cm) | Gift of Isaiah and Lola B. Gellman, 2009 | 13 | http://www.metmuseum.org/art/collection/search/388672 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 261374 | 2009.468.19 | 0 | 1 | 390101 | 11 | 731 | Self-portrait in a Turkish Outfit | 53 | After|After | Carlo Gregori|Giovanni Domenico Campiglia|Jean Étienne Liotard | Italian, Lucca 1702–1759 Florence|Italian, Lucca, 1692–1768|Swiss, Geneva 1702–1789 Geneva | 38017 | 1107 | 1702 |1692 |1702 | 1759 |1768 |1789 | 18th century | 1730 | 1759 | 30370 | plate: 10 13/16 x 7 1/16 in. (27.5 x 18 cm) sheet: 18 1/2 x 12 7/8 in. (47 x 32.7 cm) | Gift of Susan Schulman Printseller and Carolyn Bullard Fine Prints, 2009 | 13 | http://www.metmuseum.org/art/collection/search/390101 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 263374 | 53.601.233 | 0 | 1 | 392319 | 11 | 731 | Moses Before the Burning Bush | 2 | Claude Mellan | French, Abbeville 1598–1688 Paris | 31142 | 2 | 1598 | 1688 | 1663 | 1663 | 1663 | 30370 | sheet: 9 7/16 x 13 3/16 in. (24 x 33.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/392319 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 263384 | 41.57.1 | 0 | 1 | 392329 | 11 | 731 | Virgin and Child | 991 | Arms of | Claude Mellan|Nicolas Le Pelletier de La Houssaye | French, Abbeville 1598–1688 Paris|French | 38323 | 21 | 1598 | 1688 | 1600 | 1688 | 30370 | sheet: 8 3/4 x 13 11/16 in. (22.2 x 34.7 cm) | Purchase, Harris Brisbane Dick Fund, 1941 | 13 | http://www.metmuseum.org/art/collection/search/392329 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 263571 | 47.100.624 | 0 | 1 | 392517 | 11 | 731 | St. Francis of Assisi Adoring the Christ Child on the Virgin's Lap | 2 | Claude Mellan | French, Abbeville 1598–1688 Paris | 31142 | 2 | 1598 | 1688 | 1600 | 1688 | 30370 | sheet: 9 3/8 x 13 7/8 in. (23.8 x 35.2 cm) | Purchase, Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/392517 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 264191 | 53.601.279 | 0 | 1 | 393147 | 11 | 731 | Pierre Gassendi | 972 | Portrait of | Claude Mellan|Pierre Gassendi | French, Abbeville 1598–1688 Paris|1592–1655 Paris | 38548 | 21 | 1598 |1592 | 1688 |1655 | ca. 1637 or 1638 | 1637 | 1637 | 30370 | sheet: 8 7/16 x 5 1/2 in. (21.4 x 13.9 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/393147 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 264449 | 53.601.238 | 0 | 1 | 393409 | 11 | 731 | Allegory of France with the Arms of Richelieu (Allégorie sur la Paix) | 370 | Commissioned by | Claude Mellan|Cardinal Duc de Richelieu | French, Abbeville 1598–1688 Paris|French, 1585–1642 | 38618 | 21 | 1598 |1585 | 1688 |1642 | 1620 | 1642 | 30370 | sheet: 10 1/8 x 16 1/4 in. (25.7 x 41.3 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/393409 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 264462 | 53.601.311 | 0 | 1 | 393422 | 11 | 731 | Henriette-Anne d'Angleterre, duchesse d'Orléans | 972 | Portrait of | Claude Mellan|Henriette Anne d'Angleterre, Duchess of Orléans | French, Abbeville 1598–1688 Paris|1644–1670 | 38640 | 229 | 1598 |1644 | 1688 |1670 | 1644 | 1670 | 30370 | sheet: 8 1/2 x 6 3/8 in. (21.6 x 16.2 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/393422 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 264584 | 41.57.25 | 0 | 1 | 393546 | 11 | 731 | Minerva | 2 | Claude Mellan | French, Abbeville 1598–1688 Paris | 31142 | 2 | 1598 | 1688 | 1600 | 1688 | 30370 | sheet: 9 7/16 x 13 9/16 in. (24 x 34.5 cm) | Purchase, Harris Brisbane Dick Fund, 1941 | 13 | http://www.metmuseum.org/art/collection/search/393546 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 264625 | 41.57.23 | 0 | 1 | 393587 | 11 | 731 | The Arms of France Accompanied by Personifications of Law and Good Faith | 2 | Claude Mellan | French, Abbeville 1598–1688 Paris | 31142 | 2 | 1598 | 1688 | 1664 | 1664 | 1664 | 30370 | sheet: 4 13/16 x 11 11/16 in. (12.3 x 29.7 cm) | Purchase, Harris Brisbane Dick Fund, 1941 | 13 | http://www.metmuseum.org/art/collection/search/393587 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 264628 | 53.601.225 | 0 | 1 | 393591 | 11 | 731 | Saint Bernard Kneeling before the Virgin and Child | 13 | After | Claude Mellan|Jacques Stella | French, Abbeville 1598–1688 Paris|French, Lyons 1596–1657 Paris | 38688 | 21 | 1598 |1596 | 1688 |1657 | 1640 | 1640 | 1640 | 30370 | sheet: 14 1/8 x 9 5/16 in. (35.9 x 23.6 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/393591 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 264632 | 41.57.36 | 0 | 1 | 393597 | 11 | 731 | Portrait of Cardinal Richelieu | 4539 | Portrait of|Published by|Published by | Claude Mellan|Cardinal Duc de Richelieu|Sebastien Cramoisy|Gabriel Cramoisy | French, Abbeville 1598–1688 Paris|French, 1585–1642 | 38690 | 103 | 1598 |1585 | 1688 |1642 | 1651 | 1651 | 1651 | 30370 | sheet: 13 11/16 x 9 5/16 in. (34.7 x 23.6 cm) | Purchase, Harris Brisbane Dick Fund, 1941 | 13 | http://www.metmuseum.org/art/collection/search/393597 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 264762 | 17.3.1094 | 0 | 1 | 393729 | 11 | 731 | Claude Mellan: Self Portrait | 2 | Claude Mellan | French, Abbeville 1598–1688 Paris | 31142 | 2 | 1598 | 1688 | 1635 | 1635 | 1635 | 30370 | sheet: 9 x 6 1/4 in. (22.8 x 15.9 cm) plate: 8 11/16 x 6 in. (22.1 x 15.3 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/393729 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 264770 | 41.57.30 | 0 | 1 | 393737 | 11 | 731 | Frontispiece: Horace, Quinti Horatii Flacci Opera | 13 | After | Claude Mellan|Nicolas Poussin | French, Abbeville 1598–1688 Paris|French, Les Andelys 1594–1665 Rome | 38706 | 21 | 1598 |1594 | 1688 |1665 | 1642 | 1642 | 1642 | 30370 | sheet: 13 7/8 x 9 in. (35.2 x 22.9 cm) | Purchase, Harris Brisbane Dick Fund, 1941 | 13 | http://www.metmuseum.org/art/collection/search/393737 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 264771 | 41.57.29 | 0 | 1 | 393738 | 11 | 731 | Frontispiece: Virgil, Publii Virgilii Maronis Opera | 13 | After | Claude Mellan|Nicolas Poussin | French, Abbeville 1598–1688 Paris|French, Les Andelys 1594–1665 Rome | 38706 | 21 | 1598 |1594 | 1688 |1665 | 1641 | 1641 | 1641 | 30370 | sheet: 14 1/8 x 9 1/4 in. (35.9 x 23.5 cm) | Purchase, Harris Brisbane Dick Fund, 1941 | 13 | http://www.metmuseum.org/art/collection/search/393738 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 264772 | 41.57.34 | 0 | 1 | 393739 | 11 | 731 | Title Page: Desmarets de Saint-Sorlin, L'Office de la Vierge Marie | 2 | Claude Mellan | French, Abbeville 1598–1688 Paris | 31142 | 2 | 1598 | 1688 | 1645 | 1645 | 1645 | 30370 | sheet: 4 1/16 x 2 5/16 in. (10.3 x 5.9 cm) | Purchase, Harris Brisbane Dick Fund, 1941 | 13 | http://www.metmuseum.org/art/collection/search/393739 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 264788 | 41.57.5 | 0 | 1 | 393755 | 11 | 731 | St. Alexis | 2 | Claude Mellan | French, Abbeville 1598–1688 Paris | 31142 | 2 | 1598 | 1688 | 1649 | 1649 | 1649 | 30370 | sheet: 19 3/16 x 14 3/16 in. (48.8 x 36 cm) plate: 17 3/16 x 12 1/2 in. (43.7 x 31.8 cm) | Purchase, Harris Brisbane Dick Fund, 1941 | 13 | http://www.metmuseum.org/art/collection/search/393755 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 265448 | 30.15.45 | 0 | 1 | 394415 | 11 | 731 | James Kent | 1353 | After | Asher Brown Durand|Frederick R. Spencer|James Herring|James Kent | American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey|American, Lenox, New York 1806–1875 Wampsville, New York|American, 1794–1867|American, 1763–1847 | 38889 | 97 | 1796 |1806 |1794 |1763 | 1886 |1875 |1867 |1847 | 1834 | 1834 | 1834 | 30370 | image: 4 7/16 x 3 5/8 in. (11.2 x 9.2 cm) plate: 9 5/8 x 6 3/4 in. (24.5 x 17.2 cm) sheet: 16 5/8 x 11 11/16 in. (42.3 x 29.7 cm) | Gift of Mrs. Frederic F. Durand, 1930 | 13 | http://www.metmuseum.org/art/collection/search/394415 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 265449 | 30.15.37 | 0 | 1 | 394416 | 11 | 731 | Cadwallader David Colden, Mayor of New York City | 4557 | After | Asher Brown Durand|Peter Maverick|Samuel Lovett Waldo|Cadwallader David Colden|P. Maverick, Durand & Co. | American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey|American, New York 1780–1831 New York|American, Windham, Connecticut 1783–1861 New York|American, Flushing, New York 1769–1834 Jersey City, New Jersey|American, 1817–1820 | 38890 | 459 | 1796 |1780 |1783 |1769 |1817 | 1886 |1831 |1861 |1834 |1820 | ca. 1825 | 1820 | 1830 | 30370 | Plate: 12 1/2 x 9 3/4 in. (31.8 x 24.7 cm) | Gift of Mrs. Frederic F. Durand, 1930 | 13 | http://www.metmuseum.org/art/collection/search/394416 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 265462 | 30.15.38 | 0 | 1 | 394429 | 11 | 731 | Cadwallader David Colden, Mayor of New York City | 4558 | After | Asher Brown Durand|Samuel Lovett Waldo|Cadwallader David Colden|Peter Maverick|P. Maverick, Durand & Co. | American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey|American, Windham, Connecticut 1783–1861 New York|American, Flushing, New York 1769–1834 Jersey City, New Jersey|American, New York 1780–1831 New York|American, 1817–1820 | 38903 | 459 | 1796 |1783 |1769 |1780 |1817 | 1886 |1861 |1834 |1831 |1820 | ca. 1825 | 1820 | 1830 | 30370 | Plate: 12 5/8 x 9 3/4 in. (32 x 24.7 cm) | Gift of Mrs. Frederic F. Durand, 1930 | 13 | http://www.metmuseum.org/art/collection/search/394429 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 266257 | 53.601.265 | 0 | 1 | 395234 | 11 | 731 | Annunciation | 991 | Dedicated to | Claude Mellan|Emmanuel-Théodose de La Tour d'Auvergne | French, Abbeville 1598–1688 Paris|French, Turenne 1643–1715 Rome | 38480 | 21 | 1598 |1643 | 1688 |1715 | 1666 | 1666 | 1666 | 30370 | sheet: 15 3/4 x 18 11/16 in. (40 x 47.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/395234 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 267550 | 58.627.4(3) | 0 | 0 | 396593 | 11 | 731 | Mercury Putting Argus to Sleep and Festoon of Instruments | 1554 | 13 | After | René Boyvin|Leonard Thiry | French, Angers ca. 1525–1598 or 1625/6 Angers|Netherlandish, active Fontainebleau ca. 1536–1550 | 39380 | 21 | 1525 | 1598 |1550 | 1525 | 1600 | 30370 | sheet: 9 15/16 x 2 5/8 in. (25.3 x 6.7 cm) | Purchase, Anne and Carl Stern Gift, 1958 | 13 | http://www.metmuseum.org/art/collection/search/396593 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 267551 | 58.627.4(5) | 0 | 0 | 396594 | 11 | 731 | Flora Receiving Flowers and Festoon of Flowers | 1552 | 2 | René Boyvin | French, Angers ca. 1525–1598 or 1625/6 Angers | 22272 | 2 | 1525 | 1598 | 1525 | 1600 | 30370 | sheet: 9 15/16 x 2 5/8 in. (25.2 x 6.7 cm) | Purchase, Anne and Carl Stern Gift, 1958 | 13 | http://www.metmuseum.org/art/collection/search/396594 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 267552 | 58.627.4(1) | 0 | 0 | 396595 | 11 | 731 | Vulcan Forging the Wings of Cupid | 1555 | 2 | René Boyvin | French, Angers ca. 1525–1598 or 1625/6 Angers | 22272 | 2 | 1525 | 1598 | 1525 | 1600 | 30370 | sheet: 9 7/8 x 2 9/16 in. (25.1 x 6.5 cm) | Purchase, Anne and Carl Stern Gift, 1958 | 13 | http://www.metmuseum.org/art/collection/search/396595 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 268647 | 55.565.82 | 0 | 1 | 397711 | 11 | 731 | The Sending Out of the Apostles | 13 | After | Adriaen Collaert|Hans Bol | Netherlandish, Antwerp ca. 1560–1618 Antwerp|Netherlandish, Mechelen 1534–1593 Amsterdam | 28024 | 327 | 1560 |1534 | 1618 |1593 | ca. 1584 | 1570 | 1618 | 30370 | sheet: 5 9/16 x 8 3/16 in. (14.2 x 20.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1955 | 13 | http://www.metmuseum.org/art/collection/search/397711 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 269141 | 53.601.336(1) | 0 | 1 | 398241 | 11 | 731 | Susanna | 2 | Hendrick Goltzius | Netherlandish, Mühlbracht 1558–1617 Haarlem | 17828 | 179 | 1558 | 1617 | 1583 | 1583 | 1583 | 30370 | Oval sheet: 7 1/4 × 55 7/8 in. (18.4 × 142 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/398241 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 269330 | 47.124.1 | 0 | 1 | 398433 | 11 | 731 | St. Mary Magdalen Penitent | 2 | Hendrick Goltzius | Netherlandish, Mühlbracht 1558–1617 Haarlem | 17828 | 179 | 1558 | 1617 | 1585 | 1585 | 1585 | 30370 | sheet: 11 1/2 x 7 13/16 in. (29.2 x 19.9 cm) | Gift of Edwin De T. Bechtel, 1947 | 13 | http://www.metmuseum.org/art/collection/search/398433 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 270252 | 32.35(233) | 0 | 1 | 399378 | 11 | 731 | Laponia (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, pl. 312) | 709 | Attributed to|Illustrates | William Hogarth|Aubry de La Mottraye | British, London 1697–1764 London|French, 1674–1743 | 34942 | 169 | 1697 |1674 | 1764 |1743 | 1723–24 | 1723 | 1724 | 30370 | sheet: 9 7/16 x 6 9/16 in. (24 x 16.7 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/399378 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 270254 | 32.35(230) | 0 | 1 | 399380 | 11 | 731 | Five Standing Muscovites (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, pl. 313) | 709 | Attributed to|Illustrates | William Hogarth|Aubry de La Mottraye | British, London 1697–1764 London|French, 1674–1743 | 34942 | 169 | 1697 |1674 | 1764 |1743 | 1723–24 | 1723 | 1724 | 30370 | sheet: 2 11/16 x 4 1/4 in. (6.8 x 10.8 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/399380 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 270256 | 32.35(231) | 0 | 1 | 399382 | 11 | 731 | Two Dromedaries (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, plate 314) | 709 | Attributed to|Illustrates | William Hogarth|Aubry de La Mottraye | British, London 1697–1764 London|French, 1674–1743 | 34942 | 169 | 1697 |1674 | 1764 |1743 | 1723–24 | 1723 | 1724 | 30370 | sheet: 3 5/16 x 4 5/16 in. (8.4 x 10.9 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/399382 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 274095 | 32.35(16) | 0 | 1 | 403267 | 11 | 731 | Noon: The Four Times of Day | 2 | William Hogarth | British, London 1697–1764 London | 20072 | 7 | 1697 | 1764 | March 25, 1738 | 1738 | 1738 | 30370 | sheet: 19 3/16 x 15 13/16 in. (48.8 x 40.2 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/403267 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 274531 | 41.72(3.48) | 0 | 1 | 403703 | 11 | 731 | Speculum Romanae Magnificentiae: Exterior of the Farnese Palace | 159 | 710 | Nicolas Beatrizet|Antonio Lafreri | French, Lunéville 1515–ca. 1566 Rome (?)|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | 25426 | 21 | 1515 |1507 | 1566 |1577 | 1549 | 1549 | 1549 | 30370 | sheet: 17 1/2 x 22 1/16 in. (44.5 x 56 cm) plate: 13 1/4 x 21 1/4 in. (33.6 x 54 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/403703 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 281627 | 28.4(26) | 0 | 1 | 410924 | 11 | 731 | Prudence (Prudentia) from The Virtues | 895 | After | Philips Galle|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 41057 | 787 | 1537 |1525 |1510 | 1612 |1569 |1570 | ca. 1559–60 | 1559 | 1564 | 30370 | Sheet: 10 1/4 x 13 3/16 in. (26.1 x 33.5 cm) Plate: 8 11/16 x 11 5/8 in. (22 x 29.5 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/410924 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 281632 | 26.72.43 | 0 | 1 | 410929 | 11 | 731 | Temperance (Temperantia) from The Virtues | 895 | After | Philips Galle|Pieter Bruegel the Elder|Hieronymus Cock | Netherlandish, Haarlem 1537–1612 Antwerp|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp ca. 1510–1570 Antwerp | 41057 | 787 | 1537 |1525 |1510 | 1612 |1569 |1570 | ca.1559–60 | 1559 | 1564 | 30370 | Sheet: 9 5/8 x 12 5/16 in. (24.4 x 31.2 cm) Plate: 8 3/4 x 11 7/16 in. (22.3 x 29.1 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/410929 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 282355 | 51.501.1717(4) | 0 | 1 | 411659 | 11 | 731 | The Banishment of Hagar and Ishmael, from The Story of Abraham | 221 | 867 | After | Maerten de Vos|Gerard de Jode|Adriaen Collaert | Netherlandish, Antwerp 1532–1603 Antwerp|Netherlandish, 1509/17–1591|Netherlandish, Antwerp ca. 1560–1618 Antwerp | 41089 | 787 | 1532 |1509 |1560 | 1603 |1591 |1618 | 1584–85 | 1584 | 1585 | 30370 | Sheet: 8 x 10 3/16 in. (20.3 x 25.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/411659 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 282479 | 51.501.1717(1) | 0 | 0 | 411783 | 11 | 731 | Abraham and Lot and Their Family Leaving for Canaan, from The Story of Abraham | 221 | 867 | After | Maerten de Vos|Gerard de Jode|Adriaen Collaert | Netherlandish, Antwerp 1532–1603 Antwerp|Netherlandish, 1509/17–1591|Netherlandish, Antwerp ca. 1560–1618 Antwerp | 41089 | 787 | 1532 |1509 |1560 | 1603 |1591 |1618 | 1584–85 | 1584 | 1585 | 30370 | Sheet: 7 3/4 x 10 1/4 in. (19.7 x 26 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/411783 | 4/23/2018 8:00:01 AM | 1 |