Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 236043 | 64.682.345 | 0 | 1 | 363888 | 11 | 13833 | Embroidery Design for a Frame, No. 098 | 2 | Morris & Company | 27854 | after 1875 | 1875 | 1890 | 2990 | sheet: 16 x 13 in. (40.6 x 33 cm) | Gift of Harry G. Friedman, 1964 | 671 | http://www.metmuseum.org/art/collection/search/363888 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 258040 | 60.632.161 | 0 | 0 | 386733 | 11 | 13833 | Liturgical Cross with Christ and Four Holy Figures | 2 | Attributed to | Richardson Ellson & Co. | British | 32026 | second half 19th century | 1850 | 1900 | 2990 | sheet: 19 7/16 x 10 13/16 in. (49.3 x 27.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 671 | http://www.metmuseum.org/art/collection/search/386733 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 349443 | Inst.1983.4.1 | 0 | 1 | 504222 | 18 | 16957 | Portrait of the Father of Emilius Nicolai Scherr | 682 | late 18th century | 1750 | 1799 | 2990 | Overall: 8 x 6cm (3 1/8 x 2 3/8in.) | Gift of Mildred Pierce, 1983 | 909 | 621 | 11 | http://www.metmuseum.org/art/collection/search/504222 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 422490 | 1981.1136.154 | 0 | 0 | 700636 | 11 | 27013 | Token of Affection | 2 | Anonymous | 2752 | early 19th century | 1800 | 1835 | 2990 | 6 13/16 × 8 11/16 in. (17.3 × 22 cm) | Gift of Mrs. Richard Riddell, 1981 | 1091 | http://www.metmuseum.org/art/collection/search/700636 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 422492 | 1981.1136.500 | 0 | 0 | 700643 | 11 | 27014 | Cobweb Valentine | 2 | Anonymous | 2752 | 1825–40 | 1825 | 1840 | 2990 | Sheet: 8 11/16 × 6 13/16 in. (22 × 17.3 cm) | Gift of Mrs. Richard Riddell, 1981 | 1092 | http://www.metmuseum.org/art/collection/search/700643 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 422707 | 1981.1136.509 | 0 | 0 | 701082 | 11 | 27014 | Cobweb Valentine | 2 | Anonymous | 2752 | 1830–40 | 1830 | 1840 | 2990 | Diameter 17.2. cm | Gift of Mrs. Richard Riddell, 1981 | 1092 | http://www.metmuseum.org/art/collection/search/701082 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 424926 | 1981.1136.506 | 0 | 0 | 705807 | 11 | 27014 | Cobweb Valentine | 2 | Anonymous | 2752 | 1829 | 1829 | 1829 | 2990 | Sheet: 9 1/8 × 7 5/16 in. (23.1 × 18.6 cm) | Gift of Mrs. Richard Riddell, 1981 | 1093 | http://www.metmuseum.org/art/collection/search/705807 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 426376 | 1981.1136.548 | 0 | 1 | 708061 | 11 | 27014 | Cobweb Valentine | 2 | Anonymous | 2752 | 1810–30 | 1810 | 1830 | 2990 | Sheet: 9 5/8 × 14 9/16 in. (24.4 × 37 cm) | Gift of Mrs. Richard Riddell, 1981 | 1093 | http://www.metmuseum.org/art/collection/search/708061 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 214320 | 62.647 | 0 | 1 | 341740 | 11 | 23 | Coronation of the Czar Alexander I, Moscow, September 1801 | 2 | Lieutenant-Captain Cheleyev | Russian, active early 19th century | 20034 | 57 | 0019 | 0019 | 1801 | 1801 | 1801 | 2990 | sheet: 13 x 19 11/16 in. (33 x 50 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 | 9 | http://www.metmuseum.org/art/collection/search/341740 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 399806 | 58.549.250 | 0 | 0 | 654317 | 11 | 731 | Mary, Queen of Scots | 392 | Portrait of|After a drawing | Mary, Queen of Scots|George Perfect Harding | Linlithgow 1542–1587 Fotheringhay, England|British, Kent 1780–1853 London | 50855 | 3557 | 1542 |1780 | 1587 |1853 | 19th century (?) | 1800 | 1899 | 2990 | Sheet: 8 1/4 in. × 6 in. (21 × 15.2 cm) | Gift of Susan Dwight Bliss, 1958 | 13 | http://www.metmuseum.org/art/collection/search/654317 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 237385 | 2008.438 | 0 | 1 | 365367 | 11 | 23 | Castrica Passerina | 2 | Vincenzo Leonardi | Italian, Rome ca. 1590–ca. 1646 Rome | 32483 | 6 | 1590 | 1646 | 1621 | 1646 | 2990 | sheet: 5 11/16 x 6 1/8 in. (14.4 x 15.6 cm) | Bequest of Catherine G. Curran, 2008 | 9 | http://www.metmuseum.org/art/collection/search/365367 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 238484 | 2008.439 | 0 | 1 | 366527 | 11 | 23 | Castrica Fratina | 2 | Vincenzo Leonardi | Italian, Rome ca. 1590–ca. 1646 Rome | 32483 | 6 | 1590 | 1646 | 17th century | 1621 | 1651 | 2990 | sheet: 6 x 7 15/16 in. (15.2 x 20.2 cm) | Bequest of Catherine G. Curran, 2008 | 9 | http://www.metmuseum.org/art/collection/search/366527 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 242852 | 2007.265 | 0 | 1 | 371022 | 11 | 23 | Tropical Coastal Landscape | 2 | Attributed to | Frans Post | Dutch, Haarlem 1612–1680 Haarlem | 34002 | 11 | 1612 | 1680 | 17th century | 1607 | 1680 | 2990 | sheet: 9 5/8 x 16 1/8 in. (24.5 x 41 cm) | Frits and Rita Markus Fund, 2007 | 9 | http://www.metmuseum.org/art/collection/search/371022 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 231930 | 46.8.11 | 0 | 0 | 359674 | 11 | 1119 | Book with depictions of flowers | 2 | Anonymous, Dutch, 17th century | 17999 | 11 | 1600 | 1700 | 1630–60 | 1630 | 1660 | 2990 | Overall: 15 15/16 x 10 7/16 x 3 7/16 in. (40.5 x 26.5 x 8.7 cm) | Anonymous Gift, 1946 | 681 | http://www.metmuseum.org/art/collection/search/359674 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 251938 | 2007.223.32 | 0 | 1 | 380405 | 11 | 23 | Landscape with Tobias and the Angel | 2 | Attributed to | Felix Meyer | Swiss, Winterthur 1653–1713 Wyden | 35589 | 61 | 1653 | 1713 | 17th–early 18th century | 1653 | 1713 | 2990 | sheet: 3 1/2 x 5 3/16 in. (8.9 x 13.2 cm) | Purchase, Jean A. Bonna Gift, 2007 | 9 | http://www.metmuseum.org/art/collection/search/380405 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 256788 | 2008.430 | 0 | 1 | 385466 | 11 | 23 | Green Beetle with Brown Legs | 2 | Jan Vincentsz van der Vinne | Dutch, Haarlem 1663–1721 Haarlem | 37040 | 11 | 1663 | 1721 | late 17th–early 18th century | 1680 | 1721 | 2990 | Varied dimensions, please see attached list | Bequest of Catherine G. Curran, 2008 | 9 | http://www.metmuseum.org/art/collection/search/385466 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 256789 | 2008.431 | 0 | 1 | 385467 | 11 | 23 | A Black Beetle | 2 | Jan Vincentsz van der Vinne | Dutch, Haarlem 1663–1721 Haarlem | 37040 | 11 | 1663 | 1721 | late 17th–early 18th century | 1680 | 1721 | 2990 | sheet: 2 9/16 x 2 1/4 in. (6.5 x 5.7 cm) | Bequest of Catherine G. Curran, 2008 | 9 | http://www.metmuseum.org/art/collection/search/385467 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 256790 | 2008.432 | 0 | 1 | 385468 | 11 | 23 | A Spider | 2 | Jan Vincentsz van der Vinne | Dutch, Haarlem 1663–1721 Haarlem | 37040 | 11 | 1663 | 1721 | late 17th–early 18th century | 1680 | 1721 | 2990 | sheet: 2 3/4 x 4 5/8 in. (7 x 11.8 cm) | Bequest of Catherine G. Curran, 2008 | 9 | http://www.metmuseum.org/art/collection/search/385468 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 256791 | 2008.433 | 0 | 1 | 385469 | 11 | 23 | A Slug | 2 | Jan Vincentsz van der Vinne | Dutch, Haarlem 1663–1721 Haarlem | 37040 | 11 | 1663 | 1721 | late 17th–early 18th century | 1680 | 1721 | 2990 | sheet: 1 3/4 x 3 1/8 in. (4.5 x 7.9 cm) | Bequest of Catherine G. Curran, 2008 | 9 | http://www.metmuseum.org/art/collection/search/385469 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 211228 | 80.3.202 | 0 | 1 | 338618 | 11 | 23 | Dead Duck | 2 | Count Giorgio Durante (Duranti) | Italian, Palazzolo (?) 1685–1755 Palazzolo | 19168 | 6 | 1685 | 1755 | 1685–1755 | 1685 | 1755 | 2990 | sheet: 9 3/8 x 4 7/16 in. (23.8 x 11.3 cm) | Gift of Cornelius Vanderbilt, 1880 | 9 | http://www.metmuseum.org/art/collection/search/338618 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 223547 | 2013.1130.10 | 0 | 0 | 351127 | 11 | 23 | Celebration in honor of Clemens August, Duke of Bavaria at his Residence Castle Neuhaus in Paderborn | 2 | Johann Conrad Schlaun | German, Nörde (Paderborn) 1695–1773 Münster | 25535 | 10 | 1695 | 1773 | 1719 | 1719 | 1719 | 2990 | sheet: 25 1/2 x 17 3/4 in. (64.8 x 45.1 cm) | Gift of Gray Foy, 2013 | 9 | http://www.metmuseum.org/art/collection/search/351127 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 218244 | 47.100.4 | 0 | 1 | 345747 | 11 | 23 | Design for an Opera Set, a Congress of Cupids | 2 | Carlo Zucchi the Younger | Italian, Venice 1728–1796 Russia (?) | 20363 | 6 | 1728 | 1796 | 18th century | 1740 | 1798 | 2990 | Harris Brisbane Dick Fund, 1947 | 9 | http://www.metmuseum.org/art/collection/search/345747 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 232793 | 25.19.12a, b | 0 | 0 | 360544 | 11 | 13851 | Temple of Bellona, Elevation and Plan, at Kew | 1192 | Sir William Chambers | British (born Sweden), Göteborg 1723–1796 London | 22836 | 486 | 1723 | 1796 | 1763 | 1763 | 1763 | 2990 | Sheet: 10 5/8 x 11 13/16 in. (27 x 30 cm) | Harris Brisbane Dick Fund, 1924 | 671 | http://www.metmuseum.org/art/collection/search/360544 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 232798 | 51.635.1 | 0 | 0 | 360549 | 11 | 13833 | Plan of part of Kew Gardens, including the Orangerie, Temple of the Sun, Exotic Garden, Flower Garden, Menagerie, etc. | 2 | Sir William Chambers | British (born Sweden), Göteborg 1723–1796 London | 22836 | 486 | 1723 | 1796 | ca. 1763 | 1758 | 1768 | 2990 | 19 1/2 x 25 3/4 in. (49.5 x 65.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 671 | http://www.metmuseum.org/art/collection/search/360549 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 302272 | 2013.253 | 0 | 1 | 432058 | 11 | 23 | The Family of Sir James Hunter Blair, 1st Baronet (1741–1787) | 2 | David Allan | British, Alloa, Scotland 1744–1796 Edinburgh | 43102 | 8 | 1744 | 1796 | ca. 1785 | 1780 | 1790 | 2990 | Sheet: 13 × 23 1/8 in. (33 × 58.8 cm) | Purchase, Brooke Russell Astor Bequest, 2013 | 9 | http://www.metmuseum.org/art/collection/search/432058 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 232698 | 25.19.40 | 0 | 1 | 360449 | 11 | 23 | View of the Menagerie at Kew | 1309 | Sir William Chambers|Thomas Sandby | British (born Sweden), Göteborg 1723–1796 London|British, baptized Nottingham 1723–1798 Windsor | 31424 | 696 | 1723 |1723 | 1796 |1798 | 1763 | 1763 | 1763 | 2990 | Sheet: 10 13/16 x 17 11/16 in. (27.5 x 45 cm) | Harris Brisbane Dick Fund, 1925 | 9 | http://www.metmuseum.org/art/collection/search/360449 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 232797 | 25.19.39 | 0 | 1 | 360548 | 11 | 23 | View of the Flower Garden and Aviary at Kew | 1309 | Sir William Chambers|Thomas Sandby | British (born Sweden), Göteborg 1723–1796 London|British, baptized Nottingham 1723–1798 Windsor | 31424 | 696 | 1723 |1723 | 1796 |1798 | 1763 | 1763 | 1763 | 2990 | Sheet: 11 x 17 11/16 in. (28 x 45 cm) | Harris Brisbane Dick Fund, 1925 | 9 | http://www.metmuseum.org/art/collection/search/360548 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 232699 | 25.19.43 | 0 | 1 | 360450 | 11 | 23 | View of the Wilderness at Kew | 1309 | Sir William Chambers|William Marlow | British (born Sweden), Göteborg 1723–1796 London|British, Southwark, London 1740/41–1813 Twickenham, London | 31425 | 696 | 1723 |1740 | 1796 |1813 | 1763 | 1763 | 1763 | 2990 | Sheet: 11 1/16 x 17 13/16 in. (28.1 x 45.2 cm) | Harris Brisbane Dick Fund, 1925 | 9 | http://www.metmuseum.org/art/collection/search/360450 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 232820 | 25.19.38 | 0 | 1 | 360571 | 11 | 23 | View of the Lake and the Island from the Lawn at Kew | 1309 | Sir William Chambers|William Marlow | British (born Sweden), Göteborg 1723–1796 London|British, Southwark, London 1740/41–1813 Twickenham, London | 31425 | 696 | 1723 |1740 | 1796 |1813 | 1763 | 1763 | 1763 | 2990 | Sheet: 11 3/16 x 17 13/16 in. (28.4 x 45.2 cm) | Harris Brisbane Dick Fund, 1925 | 9 | http://www.metmuseum.org/art/collection/search/360571 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 232835 | 25.19.37 | 0 | 0 | 360586 | 11 | 23 | View of the Lake Island from the Bridge at Kew | 1309 | Sir William Chambers|William Marlow | British (born Sweden), Göteborg 1723–1796 London|British, Southwark, London 1740/41–1813 Twickenham, London | 31425 | 696 | 1723 |1740 | 1796 |1813 | 1763 | 1763 | 1763 | 2990 | Sheet: 11 in. × 17 11/16 in. (28 × 45 cm) | Harris Brisbane Dick Fund, 1925 | 9 | http://www.metmuseum.org/art/collection/search/360586 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 213477 | 07.283.2 | 0 | 1 | 340873 | 11 | 23 | Storm Over A Lake | 13 | Formerly attributed to|Attributed to | John Robert Cozens|Joseph Barber | British, London 1752–1797 London|British, Newcastle upon Tyne 1757–1811 Birmingham | 19794 | 7 | 1752 |1757 | 1797 |1811 | 1800–1811 | 1800 | 1811 | 2990 | Sheet: 13 7/8 × 18 1/8 in. (35.2 × 46 cm) | Rogers Fund, 1907 | 9 | http://www.metmuseum.org/art/collection/search/340873 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 216129 | 38.98.10 | 0 | 1 | 343560 | 11 | 23 | Greek Vase featuring Eros | 2 | Anonymous, French, 18th century | 19522 | 2 | 1700 | 1800 | 18th century | 1700 | 1800 | 2990 | Overall: 9 3/8 in. X 7 1/4 in. (23.8 X 18.4 cm) | Harris Brisbane Dick Fund, 1938 | 9 | http://www.metmuseum.org/art/collection/search/343560 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 216337 | 55.595.2 | 0 | 0 | 343768 | 11 | 23 | Design for an Empire Chair | 2 | Anonymous, French, 18th century | 19522 | 2 | 1700 | 1800 | late 18th–early 19th century | 1780 | 1820 | 2990 | 10 1/2 x 7 3/4 in. (26.7 x 19.7 cm) | Gift of Commander M. M. Rigdon, 1955 | 9 | http://www.metmuseum.org/art/collection/search/343768 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 258669 | 49.50.251 | 0 | 0 | 387364 | 11 | 23 | Painted Fan Leaf | 2 | Anonymous, French, 18th century | 19522 | 2 | 1700 | 1800 | 18th century | 1700 | 1799 | 2990 | sheet approx.: 22 1/4 x 12 1/2 in. (56.5 x 31.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 9 | http://www.metmuseum.org/art/collection/search/387364 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 258670 | 49.50.252 | 0 | 0 | 387365 | 11 | 23 | Painted Fan Leaf | 2 | Anonymous, French, 18th century | 19522 | 2 | 1700 | 1800 | 18th century | 1700 | 1799 | 2990 | sheet approx.: 22 1/4 x 12 1/2 in. (56.5 x 31.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 9 | http://www.metmuseum.org/art/collection/search/387365 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 258671 | 49.50.253 | 0 | 0 | 387366 | 11 | 23 | Painted Fan Leaf | 2 | Anonymous, French, 18th century | 19522 | 2 | 1700 | 1800 | 18th century | 1700 | 1799 | 2990 | sheet approx.: 22 1/4 x 12 1/2 in. (56.5 x 31.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 9 | http://www.metmuseum.org/art/collection/search/387366 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 258791 | 60.628.9 | 0 | 0 | 387486 | 11 | 23 | Spanish Uniforms | 2 | Anonymous, Spanish, 18th century | 18652 | 76 | 1700 | 1800 | 18th century | 1700 | 1799 | 2990 | sheet: 8 x 7 1/2 in. (20.3 x 19.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 9 | http://www.metmuseum.org/art/collection/search/387486 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 261045 | 52.570.102 | 0 | 1 | 389770 | 11 | 13828 | Design for a Ceiling Decoration with Chinoiseries | 2 | Anonymous, Italian, 18th century | 22124 | 6 | 1700 | 1800 | 1725–75 | 1725 | 1775 | 2990 | 10-1/4 x 13-3/4 in | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1952 | 671 | http://www.metmuseum.org/art/collection/search/389770 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 434597 | 28.118.22 | 0 | 0 | 722493 | 11 | 13828 | Mise-en-carte for Velours Miniature with Young Man Piping to His Dancing Dog | 2 | Anonymous, French, 18th century | 19522 | 1700 | 1800 | ca. 1775-1800 | 1770 | 1805 | 2990 | Image: 4 15/16 × 7 11/16 in. (12.6 × 19.6 cm) Sheet: 7 in. × 9 7/8 in. (17.8 × 25.1 cm) | Harris Brisbane Dick Fund, 1928 | 671 | http://www.metmuseum.org/art/collection/search/722493 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 434598 | 38.98.3 | 0 | 0 | 722494 | 11 | 13828 | Mise-en-carte with Pink Basket and Fruit and Sprays of Blue Flowers | 2 | Anonymous, French, 18th century | 19522 | 1700 | 1800 | 18th century | 1700 | 1799 | 2990 | Sheet: 8 9/16 × 10 1/16 in. (21.8 × 25.5 cm) | Harris Brisbane Dick Fund, 1938 | 671 | http://www.metmuseum.org/art/collection/search/722494 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 434608 | 29.90.44 | 0 | 0 | 722504 | 11 | 13828 | Design for Embroidered or Woven Textile with Red Stylized Flowers | 2 | Anonymous, Spanish, 18th century | 18652 | 1700 | 1800 | ca. 1750-1800 | 1750 | 1800 | 2990 | Sheet: 7 3/8 × 8 1/2 in. (18.8 × 21.6 cm) | Gift of H. A. Elsberg, 1929 | 671 | http://www.metmuseum.org/art/collection/search/722504 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 214372 | 06.1051.1 | 0 | 1 | 341793 | 11 | 23 | Lindisfarne Castle, Holy Island, Northumberland | 2 | Thomas Girtin | British, London 1775–1802 London | 20067 | 7 | 1775 | 1802 | 1796–97 | 1796 | 1797 | 2990 | Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm) | Rogers Fund, 1906 | 9 | http://www.metmuseum.org/art/collection/search/341793 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 214374 | 07.283.4 | 0 | 1 | 341795 | 11 | 23 | River at Norwich | 13 | Formerly attributed to | Thomas Girtin|Anonymous, British, 19th century | British, London 1775–1802 London | 20069 | 7 | 1775 |1800 | 1802 |1900 | early 19th century | 1800 | 1850 | 2990 | Sheet: 12 3/4 × 18 3/4 in. (32.4 × 47.6 cm) | Rogers Fund, 1907 | 9 | http://www.metmuseum.org/art/collection/search/341795 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 214516 | 60.630.1 | 0 | 1 | 341938 | 11 | 23 | Design for a Cupola with Old and New Testament Figures | 2 | Domenico de Angelis | Italian, ca. 1720–1804 | 20096 | 6 | 1720 | 1804 | 1720–1804 | 1720 | 1804 | 2990 | 19 3/4 in. diameter (50.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 9 | http://www.metmuseum.org/art/collection/search/341938 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 222982 | 1970.270.1 | 0 | 1 | 350552 | 11 | 23 | Battle Scene with Church at left | 2 | Dirk Langendijk | Dutch, Rotterdam 1748–1805 Rotterdam | 19260 | 11 | 1748 | 1805 | ca. 1790–1800 | 1790 | 1800 | 2990 | sheet: 9 13/16 x 14 15/16 in. (24.9 x 38 cm) | Rogers Fund, 1970 | 9 | http://www.metmuseum.org/art/collection/search/350552 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 222983 | 1970.270.2 | 0 | 1 | 350553 | 11 | 23 | Battle Scene with Church at right | 2 | Dirk Langendijk | Dutch, Rotterdam 1748–1805 Rotterdam | 19260 | 11 | 1748 | 1805 | ca. 1790–1800 | 1790 | 1800 | 2990 | sheet: 9 13/16 x 10 3/8 in. (24.9 x 26.3 cm) | Rogers Fund, 1970 | 9 | http://www.metmuseum.org/art/collection/search/350553 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 397736 | 2015.117 | 0 | 1 | 651679 | 11 | 23 | Ruins at Oestergoedland | 2 | Pehr Nordqvist | Swedish, 1771–1805 | 50643 | 1771 | 1805 | ca. 1800 | 1791 | 1805 | 2990 | Sheet: 14 11/16 × 20 13/16 in. (37.3 × 52.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2014 | 9 | http://www.metmuseum.org/art/collection/search/651679 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 234929 | 56.601(1) | 0 | 1 | 362688 | 11 | 13851 | Title Page to a Group of Plans, Elevations and Scenic Interiors of Lea Castle, Worcestershire, Containing a View of New Front to the Ice House | 2 | Attributed to | John Carter | British, London 1748–1817 London | 22717 | 7 | 1748 | 1817 | 1816 | 1816 | 1816 | 2990 | sheet: 11 x 14 in. (27.9 x 35.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 | 671 | http://www.metmuseum.org/art/collection/search/362688 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 234930 | 56.601(2) | 0 | 1 | 362689 | 11 | 13851 | South Aspects of Lea Castle, Worcestershire, Great Court | 2 | Attributed to | John Carter | British, London 1748–1817 London | 22717 | 7 | 1748 | 1817 | ca. 1816 | 1811 | 1821 | 2990 | sheet: 9 1/2 x 17 15/16 in. (24.1 x 45.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 | 671 | http://www.metmuseum.org/art/collection/search/362689 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 234931 | 56.601(3) | 0 | 1 | 362690 | 11 | 13851 | North Aspects of Lea Castle and West Aspect of Wolverly, Cookly, Worcestershire | 2 | Attributed to | John Carter | British, London 1748–1817 London | 22717 | 7 | 1748 | 1817 | ca. 1816 | 1811 | 1821 | 2990 | sheet: 10 1/2 x 10 in. (26.6 x 25.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 | 671 | http://www.metmuseum.org/art/collection/search/362690 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 234932 | 56.601(6) | 0 | 1 | 362691 | 11 | 13851 | Lea Castle, Worcestershire, View in Bower, looking North | 2 | Attributed to | John Carter | British, London 1748–1817 London | 22717 | 7 | 1748 | 1817 | ca. 1816 | 1811 | 1821 | 2990 | sheet: 8 x 6 3/4 in. (20.3 x 17.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 | 671 | http://www.metmuseum.org/art/collection/search/362691 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 234933 | 56.601(7) | 0 | 1 | 362692 | 11 | 13851 | Lea Castle, Worcestershire, Picture Room, Looking West | 2 | Attributed to | John Carter | British, London 1748–1817 London | 22717 | 7 | 1748 | 1817 | ca. 1816 | 1811 | 1821 | 2990 | sheet: 8 1/2 x 7 in. (21.6 x 17.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 | 671 | http://www.metmuseum.org/art/collection/search/362692 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 234934 | 56.601(8) | 0 | 1 | 362693 | 11 | 13851 | Lea Castle, View in the Library, Looking East | 2 | Attributed to | John Carter | British, London 1748–1817 London | 22717 | 7 | 1748 | 1817 | ca. 1816 | 1811 | 1821 | 2990 | sheet: 7 1/4 x 6 3/4 in. (18.4 x 17.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 | 671 | http://www.metmuseum.org/art/collection/search/362693 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 234935 | 56.601(9) | 0 | 1 | 362694 | 11 | 13851 | Lea Castle, Worcestershire, View in the Great Hall, Looking West | 2 | Attributed to | John Carter | British, London 1748–1817 London | 22717 | 7 | 1748 | 1817 | ca. 1816 | 1811 | 1821 | 2990 | sheet: 8 x 6 3/4 in. (20.3 x 17.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 | 671 | http://www.metmuseum.org/art/collection/search/362694 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 234936 | 56.601(10) | 0 | 1 | 362695 | 11 | 13851 | Lea Castle, Worcestershire, Dining Room Looking South | 2 | John Carter | British, London 1748–1817 London | 22717 | 7 | 1748 | 1817 | ca. 1816 | 1811 | 1821 | 2990 | sheet: 8 x 6 3/4 in. (20.3 x 17.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 | 671 | http://www.metmuseum.org/art/collection/search/362695 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 234937 | 56.601(11) | 0 | 1 | 362696 | 11 | 13851 | Lea Castle, Worcestershire, View in Ante-room, Looking North | 2 | Attributed to | John Carter | British, London 1748–1817 London | 22717 | 7 | 1748 | 1817 | ca. 1816 | 1811 | 1821 | 2990 | sheet: 7 3/4 x 6 3/4 in. (19.7 x 17.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 | 9 | http://www.metmuseum.org/art/collection/search/362696 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 234938 | 56.601(12) | 0 | 1 | 362697 | 11 | 13851 | Lea Castle, Worcestershire, Ante-saloon, Looking North | 2 | John Carter | British, London 1748–1817 London | 22717 | 7 | 1748 | 1817 | ca. 1816 | 1811 | 1821 | 2990 | sheet: 8 3/8 x 7 in. (21.2 x 17.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 | 671 | http://www.metmuseum.org/art/collection/search/362697 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 234939 | 56.601(13) | 0 | 1 | 362698 | 11 | 13851 | Lea Castle, Worcestershire, Saloon, Looking North | 2 | Attributed to | John Carter | British, London 1748–1817 London | 22717 | 7 | 1748 | 1817 | ca. 1816 | 1811 | 1821 | 2990 | sheet: 8 1/2 x 7 in. (21.6 x 17.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 | 671 | http://www.metmuseum.org/art/collection/search/362698 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 234975 | 1979.510 | 0 | 1 | 362734 | 11 | 23 | Woman in Pink Reclining on a Canape | 2 | Theodore Lebrun | French, active ca. 1819 | 31913 | 2 | 1819 | 1819 | 1819 | 1819 | 1819 | 2990 | 10 x 14 5/8 in. (25.4 x 37.2 cm) | Purchase, Anne and Carl Stern Gift, 1979 | 9 | http://www.metmuseum.org/art/collection/search/362734 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 235973 | 63.651.2 | 0 | 1 | 363816 | 11 | 23 | Design for the Frontspiece of The British Sportsman | 2 | William-Samuel Howitt | British, ca. 1756/57–1822/23 London | 26118 | 7 | 1756 | 1823 | late 18th–early 19th century | 1770 | 1823 | 2990 | sheet: 7 1/4 x 5 1/4 in. (18.4 x 13.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963 | 9 | http://www.metmuseum.org/art/collection/search/363816 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 240252 | 27.73(1-129) | 0 | 0 | 368342 | 11 | 13829 | Scrapbook of Drawings in Color for Waistcoats | 5 | Designed by | Jean François Bony | French, Givors 1760–1825 Paris | 12423 | 2 | 1760 | 1825 | 1780–1825 | 1780 | 1825 | 2990 | Overall: 19 11/16 x 14 9/16 x 1 3/16 in. (50 x 37 x 3 cm) | Harris Brisbane Dick Fund, 1927 | 665 | http://www.metmuseum.org/art/collection/search/368342 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 261500 | 66.551.23 | 0 | 1 | 390403 | 11 | 23 | Design for an Interior with a Window into a Garden | 2 | Anonymous, Italian, early 19th century | 34275 | 6 | 1800 | 1825 | 1800–1850 | 1800 | 1850 | 2990 | 9-1/4 x 7-3/8 in | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1966 | 9 | http://www.metmuseum.org/art/collection/search/390403 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 257708 | 1991.1257(1) | 0 | 1 | 386398 | 11 | 23 | A Concert | 3463 | Associated with|Attributed to | Dr. Samuel Parr|Granddaughters of Dr. Samuel Parr | British, 1747–1825|British, active 1800–30 | 37258 | 7 | 1747 |1800 | 1825 |1830 | 1820–30 | 1820 | 1830 | 2990 | sheet: 6 3/16 x 8 7/8 in. (15.7 x 22.6 cm) | Gift of Lincoln Kirstein, 1991 | 9 | http://www.metmuseum.org/art/collection/search/386398 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 257709 | 1991.1257(2) | 0 | 1 | 386399 | 11 | 23 | Two young women writing and reading in an interior at Hatton, Warwickshire | 3463 | Associated with|Attributed to | Dr. Samuel Parr|Granddaughters of Dr. Samuel Parr | British, 1747–1825|British, active 1800–30 | 37258 | 7 | 1747 |1800 | 1825 |1830 | 1820–30 | 1820 | 1830 | 2990 | sheet: 8 5/8 x 15 in. (21.9 x 38.1 cm) | Gift of Lincoln Kirstein, 1991 | 9 | http://www.metmuseum.org/art/collection/search/386399 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 257710 | 1991.1257(3) | 0 | 1 | 386400 | 11 | 23 | Drawing Room at Hatton, Warwickshire | 3463 | Associated with|Attributed to | Dr. Samuel Parr|Granddaughters of Dr. Samuel Parr | British, 1747–1825|British, active 1800–30 | 37258 | 7 | 1747 |1800 | 1825 |1830 | 1820–30 | 1820 | 1830 | 2990 | sheet: 5 3/8 x 8 7/16 in. (13.7 x 21.4 cm) | Gift of Lincoln Kirstein, 1991 | 9 | http://www.metmuseum.org/art/collection/search/386400 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 257711 | 1991.1257(4) | 0 | 1 | 386401 | 11 | 23 | An Interior at Hatton, Warwickshire | 3463 | Associated with|Attributed to | Dr. Samuel Parr|Granddaughters of Dr. Samuel Parr | British, 1747–1825|British, active 1800–30 | 37258 | 7 | 1747 |1800 | 1825 |1830 | 1820–30 | 1820 | 1830 | 2990 | sheet: 6 1/4 x 9 in. (15.8 x 22.8 cm) | Gift of Lincoln Kirstein, 1991 | 9 | http://www.metmuseum.org/art/collection/search/386401 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 257712 | 1991.1257(5) | 0 | 1 | 386402 | 11 | 23 | An Interior at Hatton, Warwickshire | 3463 | Associated with|Attributed to | Dr. Samuel Parr|Granddaughters of Dr. Samuel Parr | British, 1747–1825|British, active 1800–30 | 37258 | 7 | 1747 |1800 | 1825 |1830 | 1820–30 | 1820 | 1830 | 2990 | sheet: 5 7/8 x 8 1/16 in. (14.9 x 20.5 cm) | Gift of Lincoln Kirstein, 1991 | 9 | http://www.metmuseum.org/art/collection/search/386402 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 235986 | 17.3.1452 | 0 | 0 | 363829 | 11 | 23 | Mr. Alexander Campbell, Organist, Conducting Three Braying Asses | 2 | John Kay | British, Dalkeith, Scotland 1742–1826 Edinburgh | 26525 | 8 | 1742 | 1826 | 1782 | 1782 | 1782 | 2990 | Sheet: 5 11/16 x 4 1/2 in. (14.4 x 11.4 cm) | Harris Brisbane Dick Fund, 1917 | 9 | http://www.metmuseum.org/art/collection/search/363829 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 220375 | 69.131.1 | 0 | 1 | 347909 | 11 | 23 | Going to Ivy Bridge | 2 | Thomas Rowlandson | British, London 1757–1827 London | 23260 | 7 | 1757 | 1827 | 1780–1827 | 1780 | 1827 | 2990 | Sheet: 4 5/8 x 7 15/16 in. (11.8 x 20.1 cm) | Bequest of Walter M. Carlebach, 1969 | 9 | http://www.metmuseum.org/art/collection/search/347909 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 220376 | 69.131.2 | 0 | 1 | 347910 | 11 | 23 | Street Scene: Vendor of Brushes | 2 | Thomas Rowlandson | British, London 1757–1827 London | 23260 | 7 | 1757 | 1827 | 1780–1827 | 1780 | 1827 | 2990 | Sheet: 4 15/16 x 3 7/16 in. (12.6 x 8.8 cm) | Bequest of Walter Carlebach, 1969 | 9 | http://www.metmuseum.org/art/collection/search/347910 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 220377 | 69.131.3 | 0 | 1 | 347911 | 11 | 23 | Nude Couple Embracing | 2 | Thomas Rowlandson | British, London 1757–1827 London | 23260 | 7 | 1757 | 1827 | 1780–1827 | 1780 | 1827 | 2990 | Sheet: 9 1/16 x 7 5/16 in. (23 x 18.6 cm) | Bequest of Walter Carlebach, 1969 | 9 | http://www.metmuseum.org/art/collection/search/347911 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 220378 | 69.131.4 | 0 | 1 | 347912 | 11 | 23 | The Sailor's Return from Active Service | 2 | Thomas Rowlandson | British, London 1757–1827 London | 23260 | 7 | 1757 | 1827 | 1780–1827 | 1780 | 1827 | 2990 | Sheet: 6 11/16 x 5 1/4 in. (17 x 13.4 cm) | Bequest of Walter Carlebach, 1969 | 9 | http://www.metmuseum.org/art/collection/search/347912 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 220379 | 69.131.5 | 0 | 1 | 347913 | 11 | 23 | Venus, Anchises and Cupid | 2 | Thomas Rowlandson | British, London 1757–1827 London | 23260 | 7 | 1757 | 1827 | 1780–1827 | 1780 | 1827 | 2990 | Sheet: 8 13/16 x 6 9/16 in. (22.4 x 16.7 cm) | Bequest of Walter Carlebach, 1969 | 9 | http://www.metmuseum.org/art/collection/search/347913 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 220380 | 69.131.6 | 0 | 1 | 347914 | 11 | 23 | Standing Nude Man Supporting Fainting Female (Ludovisi Gaul in the Uffizi) | 2 | Thomas Rowlandson | British, London 1757–1827 London | 23260 | 7 | 1757 | 1827 | 1780–1827 | 1780 | 1827 | 2990 | Sheet: 8 11/16 x 6 15/16 in. (22.1 x 17.6 cm) | Bequest of Walter Carlebach, 1969 | 9 | http://www.metmuseum.org/art/collection/search/347914 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 220381 | 69.131.7 | 0 | 1 | 347915 | 11 | 23 | Migrants | 2 | Thomas Rowlandson | British, London 1757–1827 London | 23260 | 7 | 1757 | 1827 | 1780–1827 | 1780 | 1827 | 2990 | Sheet: 5 11/16 x 9 3/8 in. (14.5 x 23.8 cm) | Bequest of Walter Carlebach, 1969 | 9 | http://www.metmuseum.org/art/collection/search/347915 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 220382 | 69.131.8 | 0 | 1 | 347916 | 11 | 23 | Nude Couple Embracing | 2 | Thomas Rowlandson | British, London 1757–1827 London | 23260 | 7 | 1757 | 1827 | 1780–1827 | 1780 | 1827 | 2990 | Sheet: 8 9/16 x 6 13/16 in. (21.8 x 17.3 cm) | Bequest of Walter Carlebach, 1969 | 9 | http://www.metmuseum.org/art/collection/search/347916 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 226613 | 59.533.1653 | 0 | 1 | 354226 | 11 | 23 | Beauty and the Beast | 2 | Attributed to | Thomas Rowlandson | British, London 1757–1827 London | 23260 | 7 | 1757 | 1827 | 18th–19th century | 1770 | 1827 | 2990 | sheet: 5 1/8 x 9 in. (13 x 22.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 9 | http://www.metmuseum.org/art/collection/search/354226 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 230978 | 61.168.3 | 0 | 1 | 358678 | 11 | 23 | Ships and Sailors | 2 | Thomas Rowlandson | British, London 1757–1827 London | 23260 | 7 | 1757 | 1827 | late 18th–early 19th century | 1775 | 1827 | 2990 | image: 5 1/16 x 8 9/16 in. (12.9 x 21.7 cm) | Gift of Mrs. Henry L. Moses, 1961 | 9 | http://www.metmuseum.org/art/collection/search/358678 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 236134 | 59.533.1666 | 0 | 1 | 363993 | 11 | 23 | The Inn at the Ford | 2 | Thomas Rowlandson | British, London 1757–1827 London | 23260 | 7 | 1757 | 1827 | 1775–1827 | 1775 | 1827 | 2990 | sheet: 11 1/2 x 17 3/4 in. (29.2 x 45.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 9 | http://www.metmuseum.org/art/collection/search/363993 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 235489 | 68.730.5 | 0 | 1 | 363309 | 11 | 23 | Interior, Leningrad? | 2 | Charles de Brocktorff | Danish, active 1830 | 32031 | 144 | 1830 | 1830 | ca. 1825 | 1820 | 1830 | 2990 | sheet: 13 1/16 x 16 15/16 in. (33.2 x 43 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1968 | 9 | http://www.metmuseum.org/art/collection/search/363309 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 236416 | 51.578.6 | 0 | 1 | 364295 | 11 | 23 | Design for interior | 2 | Charles de Brocktorff | Danish, active 1830 | 32031 | 144 | 1830 | 1830 | ca. 1830 | 1825 | 1835 | 2990 | sheet: 14 1/4 x 19 in. (36.2 x 48.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 9 | http://www.metmuseum.org/art/collection/search/364295 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 236417 | 51.578.7 | 0 | 1 | 364296 | 11 | 23 | Design for interior | 2 | Charles de Brocktorff | Danish, active 1830 | 32031 | 144 | 1830 | 1830 | ca. 1830 | 1825 | 1835 | 2990 | sheet: 14 1/4 x 19 in. (36.2 x 48.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 9 | http://www.metmuseum.org/art/collection/search/364296 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 236418 | 51.578.8 | 0 | 1 | 364297 | 11 | 23 | Design for interior | 2 | Charles de Brocktorff | Danish, active 1830 | 32031 | 144 | 1830 | 1830 | ca. 1830 | 1825 | 1835 | 2990 | sheet: 14 1/4 x 19 in. (36.2 x 48.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 9 | http://www.metmuseum.org/art/collection/search/364297 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 236419 | 51.578.9 | 0 | 1 | 364298 | 11 | 23 | Design for interior | 2 | Charles de Brocktorff | Danish, active 1830 | 32031 | 144 | 1830 | 1830 | ca. 1830 | 1825 | 1835 | 2990 | sheet: 14 1/4 x 19 in. (36.2 x 48.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 9 | http://www.metmuseum.org/art/collection/search/364298 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 381301 | 55.551.5 | 0 | 1 | 629152 | 11 | 23 | Girl Feeding Pigs | 2 | Richard Westall | British, Reepham, Norfolk 1765–1836 London | 48995 | 7 | 1765 | 1836 | 1800 | 1800 | 1800 | 2990 | Sheet: 9 1/8 × 12 1/2 in. (23.1 × 31.7 cm) | Gift of Regina Slatkin, 1955 | 9 | http://www.metmuseum.org/art/collection/search/629152 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 272112 | 2011.564.1 | 0 | 1 | 401275 | 11 | 23 | Sir John Floyd on Horseback | 972 | Richard Westall|Sir John Floyd, 1st Baronet | British, Reepham, Norfolk 1765–1836 London|British, 1748–1818 London | 40390 | 9 | 1765 |1748 | 1836 |1818 | ca. 1800–1814 | 1800 | 1814 | 2990 | sheet: 7 3/8 x 6 1/4 in. (18.8 x 15.8 cm) | Gift of Roberta J. M. Olson and Alexander B. V. Johnson, 2011 | 9 | http://www.metmuseum.org/art/collection/search/401275 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 223323 | 65.598 | 0 | 0 | 350899 | 11 | 97 | Tinware Sample Book | 41 | Written and illustrated by | W. Wallis | British, active 1837 | 25372 | 7 | 1837 | 1837 | 1837 | 1837 | 1837 | 2990 | sheet: 7 5/8 x 10 7/8 in. (19.4 x 27.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1965 | 442 | http://www.metmuseum.org/art/collection/search/350899 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 427877 | SL.6.2018.19.1 | 0 | 0 | 710429 | 1 | 198 | Stonehenge | 6 | 2 | John Constable | British, East Bergholt 1776–1837 Hampstead | 19853 | 1776 | 1837 | 1835 | 1835 | 1835 | 2990 | 15 1/4 × 23 1/2 in. (38.7 × 59.7 cm) | Victoria and Albert Museum, London. Bequeathed by Isabel Constable, daughter of the artist | 170 | http://www.metmuseum.org/art/collection/search/710429 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 206932 | 67.55.16 | 0 | 1 | 334276 | 11 | 23 | Lady with a Fan | 2 | Louis-Robert Cuvillon | French, born Paris 1848 | 17490 | 2 | 1848 | 1848 | n.d. | 1860 | 1967 | 2990 | Sheet: 10 3/4 x 7 1/4 in. (27.3 x 18.4cm) | Bequest of Susan Dwight Bliss, 1966 | 9 | http://www.metmuseum.org/art/collection/search/334276 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 234269 | 33.69.2 | 0 | 1 | 362025 | 11 | 23 | Scene from "My Aunt Margaret's Mirror" (Keepsake Story by Sir Walter Scott) | 2 | John William Wright | British, London 1802–1848 London | 31717 | 7 | 1802 | 1848 | ca. 1828 | 1823 | 1833 | 2990 | Sheet: 7 5/8 x 5 7/16 in. (19.4 x 13.8 cm) | Gift of Spencer Bickerton, 1933 | 9 | http://www.metmuseum.org/art/collection/search/362025 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 214004 | 10.45.29 | 0 | 1 | 341423 | 11 | 23 | Riverside Scene (Old Mill) | 2 | Peter De Wint | British, Hanley, Stoke-on-Trent 1784–1849 London | 19949 | 7 | 1784 | 1849 | 1805–10 (?) | 1805 | 1810 | 2990 | Sheet: 14 1/4 × 21 7/16 in. (36.2 × 54.5 cm) | Rogers Fund, 1909 | 9 | http://www.metmuseum.org/art/collection/search/341423 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 236638 | 62.696.14 | 0 | 1 | 364566 | 11 | 23 | Balloon Ascending Near the Entrance to Lord's Cricket Ground, 1839 | 2 | After | Robert Bremmel Schnebbelie | British, active 1803–1849 Camden Town | 32357 | 7 | 1803 | 1849 | ca. 1839 | 1834 | 1844 | 2990 | sheet: 5 7/8 x 7 5/8 in. (14.9 x 19.4 cm) | Gift of Paul Bird Jr., 1962 | 9 | http://www.metmuseum.org/art/collection/search/364566 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 236389 | 49.50.67 | 0 | 0 | 364268 | 11 | 13851 | Border of Poppies, Ornament Design | 2 | Anonymous, British, late 18th to early 19th century | 24145 | 7 | 1750 | 1850 | late 18th–early 19th century | 1780 | 1830 | 2990 | sheet: 7 x 19 5/8 in. (17.8 x 49.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 671 | http://www.metmuseum.org/art/collection/search/364268 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 215954 | 1972.118.293 | 0 | 1 | 343384 | 11 | 23 | Fort of L'Essillon, Val de la Maurienne, France | 2 | Joseph Mallord William Turner | British, London 1775–1851 London | 18746 | 7 | 1775 | 1851 | 1836 | 1836 | 1836 | 2990 | sheet: 7 3/4 x 11 in. (19.7 x 28 cm) | Bequest of Walter C. Baker, 1971 | 9 | http://www.metmuseum.org/art/collection/search/343384 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 234468 | 1972.532.1 | 0 | 1 | 362224 | 11 | 13833 | Design for a Gothic "Belle Vue" | 2 | William Hurst Ashpitel | British, London 1776–1852 Schuller von Dan | 31767 | 7 | 1776 | 1852 | ca. 1800 | 1795 | 1805 | 2990 | Sheet: 12 5/8 x 19 1/8 in. (32.1 x 48.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1972 | 671 | http://www.metmuseum.org/art/collection/search/362224 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 236552 | 64.682.5 | 0 | 1 | 364449 | 11 | 23 | Coastal Scene with Beached Boats in Foreground | 2 | Samuel Prout | British, Plymouth 1783–1852 London | 32327 | 7 | 1783 | 1852 | early–mid 19th century | 1800 | 1852 | 2990 | Sheet: 13 7/16 × 19 5/8 in. (34.1 × 49.9 cm) | Gift of Harry G. Friedman, 1964 | 9 | http://www.metmuseum.org/art/collection/search/364449 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 274981 | 2012.84 | 0 | 1 | 404156 | 11 | 23 | Indian Temple | 2 | George Chinnery | British, London 1774–1852 Macau | 37372 | 7 | 1774 | 1852 | ca. 1808–12 | 1808 | 1812 | 2990 | sheet: 4 15/16 x 6 9/16 in. (12.5 x 16.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2012 | 9 | http://www.metmuseum.org/art/collection/search/404156 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 216176 | 2001.414 | 0 | 1 | 343607 | 11 | 23 | Riders with Sheep near an Estuary | 2 | David Cox | British, Birmingham 1783–1859 Harborne, West Midlands | 19857 | 7 | 1783 | 1859 | 1830 | 1830 | 1830 | 2990 | sheet: 6 1/8 x 9 3/16 in. (15.5 x 23.3 cm) | Purchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, Harry G. Sperling Fund, Anne K. and E. Powis Jones Gift, 2001 | 9 | http://www.metmuseum.org/art/collection/search/343607 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 255482 | 43.13(6) | 0 | 0 | 384130 | 11 | 13851 | Perspective showing Interior of the Chapel, Executed in Gothic Style, Nork, the Seat of Lord Arden, near Epsom | 1192 | Designed by | Owen Carter | British, 1806–1859 | 22718 | 7 | 1806 | 1859 | 1836 | 1836 | 1836 | 2990 | sheet: 12 13/16 x 8 7/8 in. (32.5 x 22.5 cm) | Harris Brisbane Dick Fund, 1943 | 671 | http://www.metmuseum.org/art/collection/search/384130 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 255486 | 43.13(10) | 0 | 0 | 384134 | 11 | 13851 | Perspective of Nork [House] in a Landscape, the Seat of Lord Arden, near Epsom | 1192 | Designed by | Owen Carter | British, 1806–1859 | 22718 | 7 | 1806 | 1859 | 1836 | 1836 | 1836 | 2990 | 22 3/4 x 17 in. (57.8 x 43.2 cm) | Harris Brisbane Dick Fund, 1943 | 671 | http://www.metmuseum.org/art/collection/search/384134 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 255487 | 43.13(11) | 0 | 0 | 384135 | 11 | 13851 | Perspective of the Garden Front, Nork, the Seat of Lord Arden, near Epsom | 1192 | Designed by | Owen Carter | British, 1806–1859 | 22718 | 7 | 1806 | 1859 | 1836 | 1836 | 1836 | 2990 | sheet: 7 11/16 x 11 13/16 in. (19.5 x 30 cm) | Harris Brisbane Dick Fund, 1943 | 671 | http://www.metmuseum.org/art/collection/search/384135 | 4/23/2018 8:00:01 AM | 1 |