Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 207930 | 18.65.1(1) | 0 | 1 | 335288 | 11 | 731 | Title page with a large wall of a classical ruin, with a figure seated at right pointing to the dedication, from 'Views' (Vedute altre prese da i luoghi altre ideate da Antonio Canal) | 90 | 1141 | Joseph Smith|Canaletto (Giovanni Antonio Canal) | British, ca. 1674–1770|Italian, Venice 1697–1768 Venice | 17990 | 6 | 1673 |1697 | 1770 |1768 | 1735–46 | 1735 | 1746 | 29783 | Plate: 11 13/16 × 16 15/16 in. (30 × 43 cm) Sheet: 17 9/16 × 23 7/16 in. (44.6 × 59.6 cm) | Rogers Fund, 1918 | 13 | http://www.metmuseum.org/art/collection/search/335288 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 209456 | 25.75.79 | 0 | 1 | 336837 | 11 | 731 | The Sparrow Aviary | 2 | Charles-François Daubigny | French, Paris 1817–1878 Paris | 17301 | 2 | 1817 | 1878 | 1843 | 1843 | 1843 | 29783 | Overall: 6 11/16 x 5 1/8 in. (17 x 13 cm) | Harris Brisbane Dick Fund, 1925 | 13 | http://www.metmuseum.org/art/collection/search/336837 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 209458 | 25.75.78 | 0 | 1 | 336839 | 11 | 731 | Magpie | 2 | Charles-François Daubigny | French, Paris 1817–1878 Paris | 17301 | 2 | 1817 | 1878 | 1843 | 1843 | 1843 | 29783 | sheet: 9 1/4 x 6 5/8 in. (23.5 x 16.8 cm) | Harris Brisbane Dick Fund, 1925 | 13 | http://www.metmuseum.org/art/collection/search/336839 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 209460 | 20.29.4 | 0 | 1 | 336841 | 11 | 731 | The Approaching Storm | 2 | Charles-François Daubigny | French, Paris 1817–1878 Paris | 17301 | 2 | 1817 | 1878 | 1844 | 1844 | 1844 | 29783 | sheet: 9 1/4 x 12 1/4 in. (23.5 x 31.1 cm) plate: 6 1/4 x 8 in. (15.9 x 20.3 cm) image: 4 1/4 x 6 5/8 in. (10.8 x 16.8 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/336841 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 215013 | 2000.361.8 | 0 | 1 | 342436 | 11 | 731 | Small Bridge on Three Piers | 2 | Jean Jacques de Boissieu | French, Lyons 1736–1810 Lyons | 18397 | 2 | 1736 | 1810 | 1773 | 1773 | 1773 | 29783 | Sheet: 8 3/16 × 10 5/8 in. (20.8 × 27 cm) Plate: 4 15/16 × 6 5/16 in. (12.5 × 16.1 cm) | Gift of James David Draper, 2000 | 13 | http://www.metmuseum.org/art/collection/search/342436 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 221057 | 25.41.3 | 0 | 0 | 348598 | 11 | 731 | Castle Rushen--Isle of Man | 2 | Julian Alden Weir | American, West Point, New York 1852–1919 New York | 1912 | 1 | 1852 | 1919 | 1889 | 1889 | 1889 | 29783 | image: 8 3/16 x 11 13/16 in. (20.8 x 30 cm) sheet: 10 3/8 x 16 7/8 in. (26.3 x 42.8 cm) | Gift or Mrs. J. Alden Weir, 1925 | 13 | http://www.metmuseum.org/art/collection/search/348598 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 223230 | 26.49.58 | 0 | 1 | 350806 | 11 | 731 | The Shoemaker | 336 | 710 | Abraham Bosse|Jean I Leblond | French, Tours 1602/1604–1676 Paris|French, ca. 1590–1666 Paris | 25296 | 21 | 1602 |1585 | 1676 |1666 | 1632–33 | 1632 | 1633 | 29783 | Sheet: 11 5/16 × 14 7/16 in. (28.7 × 36.6 cm) Plate: 10 1/4 × 13 1/16 in. (26.1 × 33.2 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/350806 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 226993 | 17.3.1238 | 0 | 1 | 354608 | 11 | 731 | Georg Thenn | 2 | Jost Amman | Swiss, Zurich before 1539–1591 Nuremberg | 17860 | 61 | 1539 | 1591 | 1550–91 | 1550 | 1591 | 29783 | Sheet: 8 3/4 × 7 1/2 in. (22.3 × 19.1 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/354608 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 230325 | 26.70.3(102) | 0 | 1 | 358012 | 11 | 731 | The Lovers | 2 | Parmigianino (Girolamo Francesco Maria Mazzola) | Italian, Parma 1503–1540 Casalmaggiore | 19213 | 6 | 1503 | 1540 | 1527-1530 | 1527 | 1530 | 29783 | 5 7/8 x 4 1/8 in. (14.9 x 10.5 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/358012 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 232239 | 51.501.431 | 0 | 0 | 359987 | 11 | 731 | Designs for Three Washbasins | 2 | Daniel Hopfer | German, Kaufbeuren 1471–1536 Augsburg | 2796 | 10 | 1471 | 1536 | ca. 1530 | 1525 | 1535 | 29783 | sheet: 11 13/16 x 6 11/16 in. (30 x 17 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/359987 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 232348 | 17.50.17-292 | 0 | 1 | 360097 | 11 | 731 | The Medici vase, a large vase to right decorated with a representation of the sacrifice of Iphigenia, on a garden terrace, a teenage boy seated to left with a pen and paper with a drawing of the vase, cyprus trees and an obelisk to left in the background, from 'Six large views, four of Rome, and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine) | 476 | 972 | Stefano della Bella|Cosimo III de' Medici, Grand Duke of Tuscany | Italian, Florence 1610–1664 Florence|Italian, Florence 1642–1723 Florence | 31275 | 93 | 1610 |1642 | 1664 |1723 | 1656 | 1656 | 1656 | 29783 | Sheet (trimmed): 11 1/4 × 10 5/8 in. (28.6 × 27 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360097 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 232349 | 17.50.17-294 | 0 | 1 | 360098 | 11 | 731 | The Temple of Vespasian and the Roman Forum, from 'Six large views, four of Rome, and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine) | 477 | 2 | Stefano della Bella | Italian, Florence 1610–1664 Florence | 18973 | 6 | 1610 | 1664 | 1656 | 1656 | 1656 | 29783 | Sheet: 12 x 10 13/16 in. (30.5 x 27.5 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360098 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 232358 | 51.501.7014 | 0 | 0 | 360107 | 11 | 731 | Sennacherib, King of the Assyrians, Falling from His Horse | 13 | after | Pieter Soutman|Peter Paul Rubens | Dutch, ca. 1580–1657|Flemish, Siegen 1577–1640 Antwerp | 31166 | 1407 | 1580 |1577 | 1657 |1640 | 1595–1657 | 1595 | 1657 | 29783 | sheet: 14 11/16 x 18 in. (37.3 x 45.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/360107 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 232418 | 28.82.1 | 0 | 0 | 360167 | 11 | 731 | Jupiter and Mercury in the House of Philemon and Baucis | 13 | after | Hendrick Goudt|Adam Elsheimer | Dutch, The Hague 1583–1648 Utrecht|German, Frankfurt 1578–1610 Rome | 31187 | 837 | 1580 |1578 | 1648 |1610 | 1612 | 1612 | 1612 | 29783 | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/360167 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 232454 | 28.97.81 | 0 | 1 | 360203 | 11 | 13829 | Three Vessels | 2 | Hieronymus Hopfer | German, ca. 1500–?1563 | 31316 | 10 | 1500 | 1563 | 16th century | 1505 | 1570 | 29783 | sheet: 11 3/8 x 8 1/2 in. (28.9 x 21.6 cm) | Harris Brisbane Dick Fund, 1928 | 673 | http://www.metmuseum.org/art/collection/search/360203 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 232643 | 60.634.53 | 0 | 1 | 360394 | 11 | 731 | The Ratcatcher | 488 | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | mid to late 17th century | 1630 | 1676 | 29783 | Sheet: 8 9/16 × 5 7/8 in. (21.8 × 14.9 cm) Plate: 8 3/8 x 5 11/16 in. (21.3 x 14.4 cm) | Purchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 13 | http://www.metmuseum.org/art/collection/search/360394 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 232865 | 17.3.1166-383 | 0 | 1 | 360616 | 11 | 731 | Piazza in Covent Garden | 500 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | ca. 1647 | 1642 | 1652 | 29783 | Sheet: 5 11/16 in. × 10 in. (14.4 × 25.4 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360616 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 232866 | 17.3.1166-384 | 0 | 1 | 360617 | 11 | 731 | S. Marie Overs in Southwarke (St. Mary Overy, now Southwark Cathedral) | 499 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1647 | 1647 | 1647 | 29783 | Image: 5 9/16 × 9 7/8 in. (14.1 × 25.1 cm) Sheet (clipped impression): 5 11/16 in. × 10 in. (14.4 × 25.4 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360617 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 232875 | 17.3.2858 | 0 | 1 | 360626 | 11 | 731 | Two Swans | 502 | 1330 | After | Wenceslaus Hollar|Francis Barlow | Bohemian, Prague 1607–1677 London|British, Lincolnshire ca. 1626–1704 London | 31449 | 2419 | 1607 |1626 | 1677 |1704 | 1654–58 | 1654 | 1658 | 29783 | Sheet: 5 3/16 × 7 7/16 in. (13.2 × 18.9 cm) cut outside the image but within the platemark | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360626 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 232882 | 17.3.3144 | 0 | 1 | 360633 | 11 | 731 | Classical Ruins | 1330 | After | Wenceslaus Hollar|Sebastiaen Vrancx | Bohemian, Prague 1607–1677 London|Netherlandish, Antwerp 1573–1647 Antwerp | 31452 | 2420 | 1607 |1573 | 1677 |1647 | 1673 | 1673 | 1673 | 29783 | Sheet: 4 1/8 × 6 9/16 in. (10.5 × 16.6 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360633 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 232893 | 17.34.8 | 0 | 1 | 360644 | 11 | 731 | Woman with houpette on forehead turned to left | 506 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1643 | 1643 | 1643 | 29783 | Plate: 4 1/16 × 3 11/16 in. (10.3 × 9.4 cm) Sheet: 4 1/4 x 3 11/16 in. (10.8 x 9.4 cm) | Gift of Dr. Van Horne Norrie, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360644 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 232906 | 17.50.17-374 | 0 | 1 | 360657 | 11 | 731 | The stone bridge | 3757 | Formerly attribued to|After | Adam Elsheimer|Jacob Pynas|Frans van den Wyngaerde|Wenceslaus Hollar | German, Frankfurt 1578–1610 Rome|Dutch, Amsterdam 1592/93–after 1650 Amsterdam (?)|Flemish, Antwerp 1614–1679 Antwerp|Bohemian, Prague 1607–1677 London | 31464 | 2429 | 1578 |1592 |1614 |1607 | 1610 |1650 |1679 |1677 | 1649 | 1649 | 1649 | 29783 | Sheet: 7 15/16 × 10 5/8 in. (20.1 × 27 cm) cut within platemark | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360657 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 232909 | 17.50.17-378 | 0 | 1 | 360660 | 11 | 731 | Amphitiatri Romani | 511 | 1324 | After | Sebastiaen Vrancx|Wenceslaus Hollar | Netherlandish, Antwerp 1573–1647 Antwerp|Bohemian, Prague 1607–1677 London | 31465 | 2430 | 1573 |1607 | 1647 |1677 | ca. 1650 | 1645 | 1655 | 29783 | Sheet (clipped impression): 2 11/16 × 4 1/8 in. (6.8 × 10.5 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360660 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 232910 | 17.50.17-379 | 0 | 1 | 360661 | 11 | 731 | Ruinae Coliseum | 511 | 1324 | After | Sebastiaen Vrancx|Wenceslaus Hollar | Netherlandish, Antwerp 1573–1647 Antwerp|Bohemian, Prague 1607–1677 London | 31465 | 2430 | 1573 |1607 | 1647 |1677 | ca. 1650 | 1645 | 1655 | 29783 | Sheet (clipped impression): 2 11/16 × 4 3/16 in. (6.8 × 10.6 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360661 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 232911 | 17.50.17-380 | 0 | 1 | 360662 | 11 | 731 | Thermaru diocletiani Ruinae (Baths of Diocletian) | 511 | 1324 | After | Sebastiaen Vrancx|Wenceslaus Hollar | Netherlandish, Antwerp 1573–1647 Antwerp|Bohemian, Prague 1607–1677 London | 31465 | 2430 | 1573 |1607 | 1647 |1677 | 1651 | 1651 | 1651 | 29783 | Sheet (clipped impression): 2 11/16 × 4 1/8 in. (6.8 × 10.5 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360662 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 232912 | 17.50.17-381 | 0 | 1 | 360663 | 11 | 731 | St. Croix de Jerusalem | 512 | 1324 | After | Sebastiaen Vrancx|Wenceslaus Hollar | Netherlandish, Antwerp 1573–1647 Antwerp|Bohemian, Prague 1607–1677 London | 31465 | 2430 | 1573 |1607 | 1647 |1677 | 1650 | 1650 | 1650 | 29783 | Sheet: 2 5/8 × 4 3/16 in. (6.7 × 10.7 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360663 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 232913 | 17.50.17-395 | 0 | 1 | 360664 | 11 | 731 | Temple of the Tiburtine Sybil | 512 | 1330 | After | Wenceslaus Hollar|Sebastiaen Vrancx | Bohemian, Prague 1607–1677 London|Netherlandish, Antwerp 1573–1647 Antwerp | 31452 | 2420 | 1607 |1573 | 1677 |1647 | 1650 | 1650 | 1650 | 29783 | Sheet: 2 11/16 × 4 3/16 in. (6.9 × 10.7 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360664 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 232914 | 17.50.17-383 | 0 | 1 | 360665 | 11 | 731 | Passau | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1652–77 | 1652 | 1677 | 29783 | Sheet: 2 3/8 × 5 1/2 in. (6 × 14 cm) cut on platemark | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360665 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 232915 | 17.50.17-384 | 0 | 1 | 360666 | 11 | 731 | Prague | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1652–77 | 1652 | 1677 | 29783 | Sheet: 2 7/16 × 5 13/16 in. (6.2 × 14.8 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360666 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 232925 | 17.50.17-394 | 0 | 1 | 360676 | 11 | 731 | Palati maioris (Palatine Palace, Rome) | 511 | 1324 | After | Sebastiaen Vrancx|Wenceslaus Hollar | Netherlandish, Antwerp 1573–1647 Antwerp|Bohemian, Prague 1607–1677 London | 31465 | 2430 | 1573 |1607 | 1647 |1677 | 1650 | 1650 | 1650 | 29783 | Sheet (trimmed to plateline): 2 3/4 × 4 3/16 in. (6.9 × 10.6 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360676 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 232927 | 17.50.17-397 | 0 | 1 | 360678 | 11 | 731 | Thermaru diocletiani Ruinae (Baths of Diocletian) | 511 | 1330 | After | Wenceslaus Hollar|Sebastiaen Vrancx | Bohemian, Prague 1607–1677 London|Netherlandish, Antwerp 1573–1647 Antwerp | 31452 | 2420 | 1607 |1573 | 1677 |1647 | 1651 | 1651 | 1651 | 29783 | Sheet (clipped impression): 2 11/16 × 4 3/16 in. (6.8 × 10.6 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360678 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 232944 | 17.50.17-416 | 0 | 1 | 360695 | 11 | 731 | Prospect of the inner part of Tangier, with the upper Castle, from South-East | 518 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1669–73 | 1669 | 1673 | 29783 | Sheet: 4 15/16 × 8 9/16 in. (12.6 × 21.8 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360695 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 232947 | 17.50.17-401 | 0 | 1 | 360698 | 11 | 731 | Douer (Dover) | 519 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1642 | 1642 | 1642 | 29783 | Sheet: 2 3/8 × 5 1/4 in. (6 × 13.3 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360698 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 232971 | 17.50.18-111 | 0 | 1 | 360722 | 11 | 731 | Man with stern expression in profile to left | 1324 | After | Leonardo da Vinci|Wenceslaus Hollar | Italian, Vinci 1452–1519 Amboise|Bohemian, Prague 1607–1677 London | 31190 | 2394 | 1452 |1607 | 1519 |1677 | 1645 | 1645 | 1645 | 29783 | 3 5/8 x 2 13/16 in. (9.2 x 7.1 cm) (clipped impression) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360722 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233002 | 17.50.18-201 | 0 | 1 | 360753 | 11 | 731 | Heads of two young women | 525 | 1324 | After | Leonardo da Vinci|Wenceslaus Hollar | Italian, Vinci 1452–1519 Amboise|Bohemian, Prague 1607–1677 London | 31190 | 2394 | 1452 |1607 | 1519 |1677 | 1645 | 1645 | 1645 | 29783 | Plate: 3 3/8 × 4 1/2 in. (8.5 × 11.4 cm) printed on a single sheet with P. 1748 & P.1603 | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360753 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233003 | 17.50.18-202 | 0 | 1 | 360754 | 11 | 731 | Head studies | 526 | 1324 | After | Leonardo da Vinci|Wenceslaus Hollar | Italian, Vinci 1452–1519 Amboise|Bohemian, Prague 1607–1677 London | 31190 | 2394 | 1452 |1607 | 1519 |1677 | 1625–77 | 1625 | 1677 | 29783 | Plate: 1 3/16 × 3 7/8 in. (3 × 9.9 cm) printed on a single sheet with P. 1723 & P.1603 | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360754 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233004 | 17.50.18-203 | 0 | 1 | 360755 | 11 | 731 | Rex et Regina de Tunis | 527 | 1324 | After | Leonardo da Vinci|Wenceslaus Hollar | Italian, Vinci 1452–1519 Amboise|Bohemian, Prague 1607–1677 London | 31190 | 2394 | 1452 |1607 | 1519 |1677 | 1625–77 | 1625 | 1677 | 29783 | Plate: 2 5/8 × 4 13/16 in. (6.7 × 12.3 cm) printed on a single sheet with P. 1723 & P. 1748 | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360755 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233006 | 17.50.18-205 | 0 | 1 | 360757 | 11 | 731 | A large man with a bald head facing a grotesque female | 1324 | After | Leonardo da Vinci|Wenceslaus Hollar | Italian, Vinci 1452–1519 Amboise|Bohemian, Prague 1607–1677 London | 31190 | 2394 | 1452 |1607 | 1519 |1677 | 1625–77 | 1625 | 1677 | 29783 | Sheet: 2 15/16 × 4 3/16 in. (7.5 × 10.6 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360757 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233007 | 17.50.18-206 | 0 | 1 | 360758 | 11 | 731 | Two deformed heads (the figure on the left is possibly a caricature of Dante) | 1324 | After | Leonardo da Vinci|Wenceslaus Hollar | Italian, Vinci 1452–1519 Amboise|Bohemian, Prague 1607–1677 London | 31190 | 2394 | 1452 |1607 | 1519 |1677 | 1645 | 1645 | 1645 | 29783 | Sheet: 2 7/8 × 4 1/2 in. (7.3 × 11.4 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360758 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233008 | 17.50.18-207 | 0 | 1 | 360759 | 11 | 731 | Two deformed heads facing inwards | 1324 | After | Leonardo da Vinci|Wenceslaus Hollar | Italian, Vinci 1452–1519 Amboise|Bohemian, Prague 1607–1677 London | 31190 | 2394 | 1452 |1607 | 1519 |1677 | 1625–77 | 1625 | 1677 | 29783 | Sheet: 2 3/4 × 4 1/8 in. (7 × 10.5 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360759 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233009 | 17.50.18-208 | 0 | 1 | 360760 | 11 | 731 | Two deformed heads facing each other | 1324 | After | Leonardo da Vinci|Wenceslaus Hollar | Italian, Vinci 1452–1519 Amboise|Bohemian, Prague 1607–1677 London | 31190 | 2394 | 1452 |1607 | 1519 |1677 | 1625–77 | 1625 | 1677 | 29783 | Sheet: 3 1/16 × 4 5/8 in. (7.8 × 11.7 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360760 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233010 | 17.50.18-209 | 0 | 1 | 360761 | 11 | 731 | A deformed couple facing each other | 1324 | After | Leonardo da Vinci|Wenceslaus Hollar | Italian, Vinci 1452–1519 Amboise|Bohemian, Prague 1607–1677 London | 31190 | 2394 | 1452 |1607 | 1519 |1677 | 1645 | 1645 | 1645 | 29783 | Sheet: 2 15/16 × 4 1/16 in. (7.5 × 10.3 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360761 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233017 | 17.50.18-216 | 0 | 1 | 360768 | 11 | 731 | Row of three heads in profile to left | 529 | 1324 | After | Leonardo da Vinci|Wenceslaus Hollar | Italian, Vinci 1452–1519 Amboise|Bohemian, Prague 1607–1677 London | 31190 | 2394 | 1452 |1607 | 1519 |1677 | 1645 | 1645 | 1645 | 29783 | Sheet: 2 1/8 × 3 5/8 in. (5.4 × 9.2 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360768 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233018 | 17.50.18-217 | 0 | 1 | 360769 | 11 | 731 | A variety of heads | 529 | 1324 | After | Leonardo da Vinci|Wenceslaus Hollar | Italian, Vinci 1452–1519 Amboise|Bohemian, Prague 1607–1677 London | 31190 | 2394 | 1452 |1607 | 1519 |1677 | 1625–77 | 1625 | 1677 | 29783 | Sheet: 1 11/16 × 4 3/16 in. (4.3 × 10.6 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/360769 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233092 | 18.48.1-10 | 0 | 1 | 360843 | 11 | 731 | Kampen | 537 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1642–44 | 1642 | 1644 | 29783 | Sheet: 1 7/8 × 6 7/16 in. (4.7 × 16.4 cm) | Gift of Robert Hartshorne, 1918 | 13 | http://www.metmuseum.org/art/collection/search/360843 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233096 | 18.48.1-3 | 0 | 1 | 360847 | 11 | 731 | Rüdesheim | 537 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1642–44 | 1642 | 1644 | 29783 | Sheet: 1 13/16 × 6 1/2 in. (4.6 × 16.5 cm) | Gift of Robert Hartshorne, 1918 | 13 | http://www.metmuseum.org/art/collection/search/360847 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233098 | 18.48.1-5 | 0 | 1 | 360849 | 11 | 731 | Bonn | 537 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1642–1644 | 1642 | 1644 | 29783 | Sheet: 1 3/4 × 6 7/16 in. (4.5 × 16.3 cm) | Gift of Robert Hartshorne, 1918 | 13 | http://www.metmuseum.org/art/collection/search/360849 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233104 | 18.90.5 | 0 | 1 | 360855 | 11 | 731 | London Viewed from the Milford Stairs | 539 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1643–1644 | 1643 | 1644 | 29783 | Sheet: 3 13/16 × 6 13/16 in. (9.7 × 17.3 cm) | Rogers Fund, 1918 | 13 | http://www.metmuseum.org/art/collection/search/360855 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233110 | 20.81.1.44 | 0 | 0 | 360861 | 11 | 731 | The Vanity of Human Wishes (from, Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal) | 542 | 3759 | After|Associated with | Wenceslaus Hollar|Robert Streater|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|British, London 1621–1679 London|British, active 1669|Aquinum 55/60?–?127/140 | 31484 | 2438 | 1607 |1621 |1640 |0055 | 1677 |1679 |1700 |0140 | 1660 | 1660 | 1660 | 29783 | Plate: 11 11/16 × 7 15/16 in. (29.7 × 20.2 cm) Sheet: 12 in. × 7 15/16 in. (30.5 × 20.2 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360861 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233122 | 20.81.1.2 | 0 | 0 | 360873 | 11 | 731 | David before Saul | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1638 | 1638 | 1638 | 29783 | Sheet: 2 3/8 × 2 5/16 in. (6 × 5.8 cm) cut on the platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360873 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 233123 | 20.81.1.20 | 0 | 0 | 360874 | 11 | 731 | St. John the Evangelist | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1650 | 1650 | 1650 | 29783 | Sheet: 4 5/8 × 3 9/16 in. (11.7 × 9 cm) cut on the platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360874 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 233128 | 20.81.1.25 | 0 | 0 | 360879 | 11 | 731 | Ecce Homo | 1330 | After | Wenceslaus Hollar|Titian (Tiziano Vecellio) | Bohemian, Prague 1607–1677 London|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice | 31489 | 2391 | 1607 |1485 | 1677 |1576 | 1650 | 1650 | 1650 | 29783 | Sheet: 18 3/8 × 26 11/16 in. (46.7 × 67.8 cm) cut outside the orderline and text but within the platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360879 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233140 | 20.81.1.36 | 0 | 0 | 360891 | 11 | 731 | Fashionable Society after Jan Danckerts. From Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal. | 542 | 3759 | After|Associated with | Wenceslaus Hollar|Johan Danckerts|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|Dutch, 1615–1681/87|British, active 1669|Aquinum 55/60?–?127/140 | 31493 | 2440 | 1607 |1615 |1640 |0055 | 1677 |1687 |1700 |0140 | 1658–60 | 1658 | 1660 | 29783 | Plate: 11 5/8 × 8 1/16 in. (29.5 × 20.5 cm) Sheet: 11 3/4 in. × 9 in. (29.9 × 22.8 cm) cut into blank margin at bottom; margins outside platemark at top and sides | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360891 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233141 | 20.81.1.37 | 0 | 0 | 360892 | 11 | 731 | Rome's Depravity after Jan Danckerts. From Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal. | 542 | 3759 | Associated with | Wenceslaus Hollar|Johan Danckerts|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|Dutch, 1615–1681/87|British, active 1669|Aquinum 55/60?–?127/140 | 31493 | 2440 | 1607 |1615 |1640 |0055 | 1677 |1687 |1700 |0140 | 1658 | 1658 | 1658 | 29783 | Plate: 11 7/8 × 8 1/8 in. (30.2 × 20.7 cm) Sheet: 12 1/4 × 8 13/16 in. (31.1 × 22.4 cm) cut into blank margin at bottom; margins outside platemark at top and sides | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360892 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233142 | 20.81.1.38 | 0 | 0 | 360893 | 11 | 731 | The Council Meeting after Jan Danckerts. From Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal. | 542 | 3759 | After|Associated with | Wenceslaus Hollar|Johan Danckerts|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|Dutch, 1615–1681/87|British, active 1669|Aquinum 55/60?–?127/140 | 31493 | 2440 | 1607 |1615 |1640 |0055 | 1677 |1687 |1700 |0140 | 1660 | 1660 | 1660 | 29783 | Plate: 11 11/16 × 8 in. (29.7 × 20.3 cm) Sheet: 11 15/16 × 8 13/16 in. (30.3 × 22.4 cm) cut into blank margin at bottom; margins outside platemark at top and sides | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360893 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233145 | 20.81.1.40 | 0 | 0 | 360896 | 11 | 731 | Roman Women (from, Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal) | 542 | 3759 | After|Associated with | Wenceslaus Hollar|Johan Danckerts|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|Dutch, 1615–1681/87|British, active 1669|Aquinum 55/60?–?127/140 | 31493 | 2440 | 1607 |1615 |1640 |0055 | 1677 |1687 |1700 |0140 | 1660 | 1660 | 1660 | 29783 | Plate: 11 1/2 × 7 7/8 in. (29.2 × 20 cm) Sheet: 11 7/8 × 8 11/16 in. (30.2 × 22 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360896 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233146 | 20.81.1.41 | 0 | 0 | 360897 | 11 | 731 | The Banquet (from, Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal) | 542 | 3759 | After|Associated with | Wenceslaus Hollar|Johan Danckerts|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|Dutch, 1615–1681/87|British, active 1669|Aquinum 55/60?–?127/140 | 31493 | 2440 | 1607 |1615 |1640 |0055 | 1677 |1687 |1700 |0140 | 1660 | 1660 | 1660 | 29783 | Plate: 11 3/4 × 8 1/16 in. (29.9 × 20.5 cm) Sheet: 12 1/8 × 8 3/4 in. (30.8 × 22.3 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360897 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233147 | 20.81.1.42 | 0 | 0 | 360898 | 11 | 731 | The Aristocracy (from, Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal) | 542 | 3760 | Associated with|After | Wenceslaus Hollar|Robert Stapylton|Decimus Junius Juvenal|Francis Barlow | Bohemian, Prague 1607–1677 London|British, active 1669|Aquinum 55/60?–?127/140|British, Lincolnshire ca. 1626–1704 London | 31494 | 2441 | 1607 |1640 |0055 |1626 | 1677 |1700 |0140 |1704 | 1660 | 1660 | 1660 | 29783 | Plate: 11 5/8 × 8 1/16 in. (29.6 × 20.5 cm) Sheet: 12 in. × 8 3/4 in. (30.5 × 22.3 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360898 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233148 | 20.81.1.43 | 0 | 0 | 360899 | 11 | 731 | The Fate of Scholars (from, Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal) | 542 | 3760 | Associated with|After | Wenceslaus Hollar|Robert Stapylton|Decimus Junius Juvenal|Johan Danckerts | Bohemian, Prague 1607–1677 London|British, active 1669|Aquinum 55/60?–?127/140|Dutch, 1615–1681/87 | 31495 | 2442 | 1607 |1640 |0055 |1615 | 1677 |1700 |0140 |1687 | 1660 | 1660 | 1660 | 29783 | Plate: 11 11/16 × 7 13/16 in. (29.7 × 19.9 cm) Sheet: 12 1/16 × 8 9/16 in. (30.6 × 21.8 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360899 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233150 | 20.81.1.46 | 0 | 0 | 360901 | 11 | 731 | Catullus Saved from Shipwreck (from, Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal) | 542 | 3759 | After|Associated with | Wenceslaus Hollar|Robert Streater|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|British, London 1621–1679 London|British, active 1669|Aquinum 55/60?–?127/140 | 31484 | 2438 | 1607 |1621 |1640 |0055 | 1677 |1679 |1700 |0140 | 1660 | 1660 | 1660 | 29783 | Plate: 11 7/16 × 7 15/16 in. (29 × 20.2 cm) Sheet: 11 7/8 × 8 3/4 in. (30.1 × 22.3 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360901 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233151 | 20.81.1.47 | 0 | 0 | 360902 | 11 | 731 | The Country Meal (from, Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal) | 542 | 3759 | After|Associated with | Wenceslaus Hollar|Francis Barlow|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|British, Lincolnshire ca. 1626–1704 London|British, active 1669|Aquinum 55/60?–?127/140 | 31496 | 2438 | 1607 |1626 |1640 |0055 | 1677 |1704 |1700 |0140 | 1659 | 1659 | 1659 | 29783 | Plate: 11 1/4 × 7 13/16 in. (28.5 × 19.9 cm) Sheet: 11 7/8 × 8 9/16 in. (30.2 × 21.8 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360902 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233152 | 20.81.1.48 | 0 | 0 | 360903 | 11 | 731 | False Education (from, Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal) | 542 | 3761 | Associated with | Wenceslaus Hollar|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|British, active 1669|Aquinum 55/60?–?127/140 | 31497 | 2443 | 1607 |1640 |0055 | 1677 |1700 |0140 | 1660 | 1660 | 1660 | 29783 | Plate: 11 1/2 × 8 1/16 in. (29.2 × 20.4 cm) Sheet: 11 15/16 × 8 3/4 in. (30.3 × 22.3 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360903 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233153 | 20.81.1.49 | 0 | 0 | 360904 | 11 | 731 | A Letter of Condolence (from, Robert Stapylton, Mores Hominum–The Manners of Men, Described in Sixteen Satyrs, by Juvenal) | 542 | 3759 | After|Associated with | Wenceslaus Hollar|Robert Streater|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|British, London 1621–1679 London|British, active 1669|Aquinum 55/60?–?127/140 | 31484 | 2438 | 1607 |1621 |1640 |0055 | 1677 |1679 |1700 |0140 | 1660 | 1660 | 1660 | 29783 | Plate: 11 5/8 × 8 in. (29.5 × 20.3 cm) Sheet: 11 15/16 × 8 3/4 in. (30.4 × 22.2 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360904 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233155 | 20.81.1.50 | 0 | 0 | 360906 | 11 | 731 | Superiority of the Warrior Class (from Robert Stapylton, Mores Hominum. The Manners of Men, Described in Sixteen Satyrs, by Juvenal) | 542 | 3761 | Associated with | Wenceslaus Hollar|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|British, active 1669|Aquinum 55/60?–?127/140 | 31497 | 2443 | 1607 |1640 |0055 | 1677 |1700 |0140 | 1659 | 1659 | 1659 | 29783 | Plate: 11 3/4 × 8 in. (29.9 × 20.3 cm) Sheet: 12 1/16 × 8 11/16 in. (30.7 × 22.1 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360906 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233156 | 20.81.1.51 | 0 | 0 | 360907 | 11 | 731 | Fight Between the Ombites and the Tentyrites (from Robert Stapylton, Mores Hominum. The Manners of Men, Described in Sixteen Satyrs, by Juvenal) | 542 | 3759 | After|Associated with | Wenceslaus Hollar|Robert Streater|Robert Stapylton|Decimus Junius Juvenal | Bohemian, Prague 1607–1677 London|British, London 1621–1679 London|British, active 1669|Aquinum 55/60?–?127/140 | 31484 | 2438 | 1607 |1621 |1640 |0055 | 1677 |1679 |1700 |0140 | 1660 | 1660 | 1660 | 29783 | Plate: 11 11/16 × 8 1/8 in. (29.7 × 20.7 cm) Sheet: 12 1/16 × 8 7/8 in. (30.6 × 22.5 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360907 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233160 | 20.81.1.55 | 0 | 0 | 360911 | 11 | 731 | The Lion and the Mouse (from John Ogilby, The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations) | 545 | 3759 | After|Associated with | Wenceslaus Hollar|Franz Cleyn|John Ogilby|Aesop | Bohemian, Prague 1607–1677 London|German, Rostock 1582–1658 London|British, Forfarshire 1600–1676 London|Greek, ca. 620–560 B.C. | 31498 | 2444 | 1607 |1582 |1600 |-0620 | 1677 |1658 |1676 |-0560 | 1665 | 1665 | 1665 | 29783 | Sheet: 8 7/8 × 6 5/8 in. (22.6 × 16.8 cm) cut outside borderline and within platemark all around | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360911 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233164 | 20.81.1.59 | 0 | 0 | 360915 | 11 | 731 | The Satyr and the Traveller (from, John Ogilby, The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations) | 545 | 3762 | Associated with | Wenceslaus Hollar|John Ogilby|Aesop | Bohemian, Prague 1607–1677 London|British, Forfarshire 1600–1676 London|Greek, ca. 620–560 B.C. | 31499 | 2445 | 1607 |1600 |-0620 | 1677 |1676 |-0560 | 1665 | 1665 | 1665 | 29783 | Sheet: 8 11/16 × 6 5/8 in. (22.1 × 16.9 cm) Cut outside borderline and within platemark all around | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360915 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233180 | 20.81.1.73 | 0 | 0 | 360931 | 11 | 731 | The wolf and the lamb (from, John Ogilby, Aesop's Fables) | 549 | 3764 | Related author | Aesop|John Ogilby|Wenceslaus Hollar | Greek, ca. 620–560 B.C.|British, Forfarshire 1600–1676 London|Bohemian, Prague 1607–1677 London | 31501 | 69 | -0620 |1600 |1607 | -0560 |1676 |1677 | 1664 | 1664 | 1664 | 29783 | Sheet: 8 7/8 × 6 5/8 in. (22.5 × 16.8 cm) cut outside borderline but within platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360931 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233181 | 20.81.1.74 | 0 | 0 | 360932 | 11 | 731 | The Eagle and the Crow (from, John Ogilby, Aesop's Fables) | 549 | 3764 | Related author | Aesop|John Ogilby|Wenceslaus Hollar | Greek, ca. 620–560 B.C.|British, Forfarshire 1600–1676 London|Bohemian, Prague 1607–1677 London | 31501 | 69 | -0620 |1600 |1607 | -0560 |1676 |1677 | 1625–77 | 1625 | 1677 | 29783 | Sheet: 9 13/16 × 6 1/2 in. (25 × 16.5 cm) cut outside the borderline and within the platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360932 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233182 | 20.81.1.75 | 0 | 0 | 360933 | 11 | 731 | The Forester and the Bear (from, John Ogilby, Aesop's Fables) | 549 | 3764 | Related author | Aesop|John Ogilby|Wenceslaus Hollar | Greek, ca. 620–560 B.C.|British, Forfarshire 1600–1676 London|Bohemian, Prague 1607–1677 London | 31501 | 69 | -0620 |1600 |1607 | -0560 |1676 |1677 | 1662 | 1662 | 1662 | 29783 | Sheet: 9 3/4 × 6 3/4 in. (24.7 × 17.1 cm) cut outsid ethe borderline and within the platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360933 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233198 | 20.81.2.107 | 0 | 0 | 360949 | 11 | 731 | Head of a man with thick curly hair in profile to the left | 1324 | After | Leonardo da Vinci|Wenceslaus Hollar | Italian, Vinci 1452–1519 Amboise|Bohemian, Prague 1607–1677 London | 31190 | 2394 | 1452 |1607 | 1519 |1677 | 1625–77 | 1625 | 1677 | 29783 | Sheet: 4 5/8 × 3 1/8 in. (11.8 × 8 cm) cut down as per second state but also cut just within platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360949 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233199 | 20.81.2.108 | 0 | 0 | 360950 | 11 | 731 | The King and Queen of Tunis | 1324 | After | Leonardo da Vinci|Wenceslaus Hollar | Italian, Vinci 1452–1519 Amboise|Bohemian, Prague 1607–1677 London | 31190 | 2394 | 1452 |1607 | 1519 |1677 | 1625–77 | 1625 | 1677 | 29783 | Sheet: 2 11/16 × 4 15/16 in. (6.8 × 12.5 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360950 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233200 | 20.81.2.109 | 0 | 0 | 360951 | 11 | 731 | Head and shoulders of a youth wearing a hat | 1330 | After | Wenceslaus Hollar|Leonardo da Vinci | Bohemian, Prague 1607–1677 London|Italian, Vinci 1452–1519 Amboise | 31443 | 2391 | 1607 |1452 | 1677 |1519 | 1646 | 1646 | 1646 | 29783 | Sheet: 3 13/16 × 2 5/8 in. (9.7 × 6.7 cm) cut on the platemark and window-mounted | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360951 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233201 | 20.81.2.11 | 0 | 0 | 360952 | 11 | 731 | Tower of London | 559 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1625–77 | 1625 | 1677 | 29783 | Sheet: 5 11/16 × 10 1/16 in. (14.4 × 25.5 cm) cut outside the borderline and within the platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360952 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233203 | 20.81.2.111 | 0 | 0 | 360954 | 11 | 731 | Bust of man with stern expression in profile to left | 1324 | After | Leonardo da Vinci|Wenceslaus Hollar | Italian, Vinci 1452–1519 Amboise|Bohemian, Prague 1607–1677 London | 31190 | 2394 | 1452 |1607 | 1519 |1677 | 1645 | 1645 | 1645 | 29783 | Plate: 3 9/16 × 2 13/16 in. (9 × 7.1 cm) cut on the platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360954 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233212 | 20.81.2.12 | 0 | 0 | 360963 | 11 | 731 | Piazza in Covent Garden | 559 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1625–77 | 1625 | 1677 | 29783 | Sheet: 5 5/8 × 9 15/16 in. (14.3 × 25.3 cm) Cut outside the borderline but within the platemark, the number clipped off. | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360963 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233221 | 20.81.2.13 | 0 | 0 | 360972 | 11 | 731 | View of St Mary Overy | 559 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1647 | 1647 | 1647 | 29783 | Sheet: 5 7/8 × 10 1/8 in. (14.9 × 25.7 cm) Cut outside the borderline and within the platemark. | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360972 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233239 | 20.81.2.146 | 0 | 0 | 360990 | 11 | 731 | Head studies | 568 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | ca. 1645 | 1640 | 1650 | 29783 | Plate: 1 1/4 × 3 15/16 in. (3.1 × 10 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360990 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233240 | 20.81.2.147 | 0 | 0 | 360991 | 11 | 731 | A variety of heads | 568 | 1330 | After | Wenceslaus Hollar|Leonardo da Vinci | Bohemian, Prague 1607–1677 London|Italian, Vinci 1452–1519 Amboise | 31443 | 2391 | 1607 |1452 | 1677 |1519 | 1645 | 1645 | 1645 | 29783 | Plate: 1 11/16 × 4 1/4 in. (4.3 × 10.8 cm) cut on the platemark and with thread margins in places | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/360991 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233264 | 20.81.2.169 | 0 | 0 | 361015 | 11 | 731 | Landscape with a stone bridge | 1357 | After | Wenceslaus Hollar|Adam Elsheimer|Frans van den Wyngaerde | Bohemian, Prague 1607–1677 London|German, Frankfurt 1578–1610 Rome|Flemish, Antwerp 1614–1679 Antwerp | 31519 | 2450 | 1607 |1578 |1614 | 1677 |1610 |1679 | 1649 | 1649 | 1649 | 29783 | Sheet: 8 1/16 × 10 11/16 in. (20.5 × 27.1 cm) cut within the platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361015 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233290 | 20.81.2.3 | 0 | 0 | 361041 | 11 | 731 | The Royal Exchange | 559 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1625–77 | 1625 | 1677 | 29783 | Sheet: 5 13/16 × 9 15/16 in. (14.8 × 25.3 cm) cut outside the borderline but within the platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361041 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233308 | 20.81.2.49 | 0 | 0 | 361059 | 11 | 731 | Brussels | 584 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1625–77 | 1625 | 1677 | 29783 | Plate: 3 1/8 × 5 in. (8 × 12.7 cm) with thread margins at top and sides | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361059 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233325 | 20.81.2.64 | 0 | 0 | 361076 | 11 | 731 | Amphitiatri Romani (Roman Ruins) | 589 | 1330 | After | Wenceslaus Hollar|Sebastiaen Vrancx | Bohemian, Prague 1607–1677 London|Netherlandish, Antwerp 1573–1647 Antwerp | 31452 | 2420 | 1607 |1573 | 1677 |1647 | ca. 1650 | 1645 | 1655 | 29783 | Sheet: 2 5/8 × 4 1/8 in. (6.7 × 10.4 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361076 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233327 | 20.81.2.66 | 0 | 0 | 361078 | 11 | 731 | Thermaru diocletiani Ruinae (Roman Ruins) | 589 | 1330 | After | Wenceslaus Hollar|Sebastiaen Vrancx | Bohemian, Prague 1607–1677 London|Netherlandish, Antwerp 1573–1647 Antwerp | 31452 | 2420 | 1607 |1573 | 1677 |1647 | 1651 | 1651 | 1651 | 29783 | Sheet: 2 5/8 × 4 1/8 in. (6.7 × 10.5 cm) cut within platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361078 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233328 | 20.81.2.67 | 0 | 0 | 361079 | 11 | 731 | Thermaru diocletiani Ruinae (Roman Ruins) | 589 | 1330 | After | Wenceslaus Hollar|Sebastiaen Vrancx | Bohemian, Prague 1607–1677 London|Netherlandish, Antwerp 1573–1647 Antwerp | 31452 | 2420 | 1607 |1573 | 1677 |1647 | 1651 | 1651 | 1651 | 29783 | Sheet: 2 5/8 in. × 4 in. (6.7 × 10.2 cm) cut within platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361079 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233329 | 20.81.2.68 | 0 | 0 | 361080 | 11 | 731 | The Palatine Palace | 589 | 1330 | After | Wenceslaus Hollar|Sebastiaen Vrancx | Bohemian, Prague 1607–1677 London|Netherlandish, Antwerp 1573–1647 Antwerp | 31452 | 2420 | 1607 |1573 | 1677 |1647 | 1650 | 1650 | 1650 | 29783 | Sheet: 2 11/16 × 4 3/16 in. (6.8 × 10.6 cm) cut within the platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361080 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233330 | 20.81.2.69 | 0 | 0 | 361081 | 11 | 731 | St Croy de Jerusalem | 589 | 1330 | After | Wenceslaus Hollar|Sebastiaen Vrancx | Bohemian, Prague 1607–1677 London|Netherlandish, Antwerp 1573–1647 Antwerp | 31452 | 2420 | 1607 |1573 | 1677 |1647 | 1650 | 1650 | 1650 | 29783 | Sheet: 2 5/8 × 4 1/8 in. (6.7 × 10.5 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361081 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233332 | 20.81.2.70 | 0 | 0 | 361083 | 11 | 731 | Temple of the Tiburtine Sybil | 589 | 1330 | After | Wenceslaus Hollar|Sebastiaen Vrancx | Bohemian, Prague 1607–1677 London|Netherlandish, Antwerp 1573–1647 Antwerp | 31452 | 2420 | 1607 |1573 | 1677 |1647 | 1650 | 1650 | 1650 | 29783 | Sheet: 2 11/16 × 4 3/16 in. (6.8 × 10.6 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361083 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 233336 | 20.81.2.74 | 0 | 0 | 361087 | 11 | 731 | Two barges on a river: Ierlbach | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1652–77 | 1652 | 1677 | 29783 | Sheet: 1 9/16 × 4 5/8 in. (3.9 × 11.8 cm) the plate has been cut as described in the second state but the print is also cut within the new platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361087 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 233338 | 20.81.2.76 | 0 | 0 | 361089 | 11 | 731 | Two barges on a river: Ierlbach | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1625–77 | 1625 | 1677 | 29783 | Sheet: 1 9/16 × 4 5/8 in. (4 × 11.8 cm) the plate has been cut as described in the second state but the print is also cut within the new platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361089 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 233346 | 20.81.2.83 | 0 | 0 | 361097 | 11 | 731 | The river Danube at Pfatter | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1652–77 | 1652 | 1677 | 29783 | Sheet: 2 5/16 × 5 3/16 in. (5.8 × 13.1 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361097 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 233356 | 20.81.2.92 | 0 | 0 | 361107 | 11 | 731 | Willebroeck bey Boom, after Brueguel | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | [1651] | 1651 | 1651 | 29783 | Plate: 5 11/16 × 8 11/16 in. (14.5 × 22.1 cm) Sheet: 5 13/16 × 8 13/16 in. (14.8 × 22.4 cm) | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361107 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 233359 | 20.81.2.95 | 0 | 0 | 361110 | 11 | 731 | Prospect of Windsor Castle | 594 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1667 | 1667 | 1667 | 29783 | Sheet: 7 3/8 × 13 5/8 in. (18.8 × 34.6 cm) cut within the platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361110 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233365 | 20.81.3.271 | 0 | 0 | 361116 | 11 | 731 | Margaret Lemon | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1646 | 1646 | 1646 | 29783 | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361116 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 233367 | 20.81.3.10 | 0 | 0 | 361118 | 11 | 731 | Woman with circular lace collar and bodkin in her hair | 599 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1636 | 1636 | 1636 | 29783 | Plate: 2 5/8 × 2 1/16 in. (6.7 × 5.3 cm) cut on platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361118 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233378 | 20.81.3.11 | 0 | 0 | 361129 | 11 | 731 | Young woman with bib | 599 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1636 | 1636 | 1636 | 29783 | Plate: 2 5/8 × 2 1/8 in. (6.7 × 5.4 cm) cut on the platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361129 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233384 | 20.81.3.115 | 0 | 0 | 361135 | 11 | 731 | Mulier Norimbergiensis Uxor (Married woman of Nuremberg) | 601 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1643 | 1643 | 1643 | 29783 | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361135 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 233386 | 20.81.3.117 | 0 | 0 | 361137 | 11 | 731 | Mulier Austriae superioris (A woman of Upper Austria) | 601 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1643 | 1643 | 1643 | 29783 | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361137 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 233387 | 20.81.3.118 | 0 | 0 | 361138 | 11 | 731 | Mulier Generosa Viennensis Austriae (A Gentlewoman of Vienna, Austria) | 600 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1642 | 1642 | 1642 | 29783 | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361138 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 233400 | 20.81.3.13 | 0 | 0 | 361151 | 11 | 731 | Young Woman with Pigtails | 599 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1636 | 1636 | 1636 | 29783 | Plate: 2 5/8 × 2 1/16 in. (6.7 × 5.3 cm) cut on the platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361151 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 233411 | 20.81.3.14 | 0 | 0 | 361162 | 11 | 731 | Young Woman with Rosettes on Her Sleeves | 599 | 2 | Wenceslaus Hollar | Bohemian, Prague 1607–1677 London | 12447 | 69 | 1607 | 1677 | 1635 | 1635 | 1635 | 29783 | Plate: 2 11/16 × 2 1/16 in. (6.8 × 5.3 cm) cut on platemark | Rogers Fund, 1920 | 13 | http://www.metmuseum.org/art/collection/search/361162 | 4/23/2018 8:00:01 AM | 1 |