Data license: CC0 · Data source: metmuseum/openaccess
rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
216211 | 09.1.4 | 0 | 1 | 343642 | 11 | 731 | Lion walking | 1330 | After | Charles Courtry|Antoine-Louis Barye | French, Paris 1846–1897 Paris|French, Paris 1796–1875 Paris | 20485 | 21 | 1846 |1796 | 1897 |1875 | 1866–1897 | 1866 | 1897 | 28973 | Sheet: 9 1/4 × 12 7/8 in. (23.5 × 32.7 cm) Plate: 6 13/16 × 10 1/4 in. (17.3 × 26 cm) | Gift of Mrs. Cyrus J. Lawrence, 1909 | 13 | http://www.metmuseum.org/art/collection/search/343642 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
214460 | 17.3.1887 | 0 | 0 | 341882 | 11 | 731 | A nude woman leaning on a stone, from the series of 'Figurine' | 2 | Salvator Rosa | Italian, Arenella (Naples) 1615–1673 Rome | 10644 | 6 | 1615 | 1673 | ca. 1656–1657 | 1651 | 1662 | 28973 | Sheet: 5 9/16 × 3 9/16 in. (14.1 × 9 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/341882 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
426781 | 17.3.2249 | 0 | 0 | 708541 | 11 | 731 | Ponte della Trinità | 2 | Sir David Young Cameron | British, Glasgow, Scotland 1865–1945 Perth, Scotland | 19828 | 1865 | 1945 | 1902 | 1902 | 1902 | 28973 | Sheet: 8 15/16 × 9 11/16 in. (22.7 × 24.6 cm) Plate: 8 7/16 × 9 7/16 in. (21.5 × 24 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/708541 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
401864 | 17.3.2877 | 0 | 0 | 656882 | 11 | 731 | Oriental Head | 2 | Thomas Worlidge | British, Peterborough 1700–1766 Hammersmith | 31256 | 7 | 1700 | 1766 | 1735 | 1735 | 1735 | 28973 | Sheet: 4 13/16 × 3 13/16 in. (12.3 × 9.7 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/656882 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
401866 | 17.3.2880 | 0 | 0 | 656884 | 11 | 731 | A Young Woman in a Feathered Cap | 2 | Thomas Worlidge | British, Peterborough 1700–1766 Hammersmith | 31256 | 7 | 1700 | 1766 | 1753 | 1753 | 1753 | 28973 | Plate: 7 9/16 × 6 in. (19.2 × 15.3 cm) Sheet: 8 11/16 × 6 11/16 in. (22.1 × 17 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/656884 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
213155 | 17.3.494 | 0 | 1 | 340551 | 11 | 731 | The White Kimono | 2 | Childe Hassam | American, Dorchester, Massachusetts 1859–1935 East Hampton, New York | 1487 | 1 | 1859 | 1935 | 1915 | 1915 | 1915 | 28973 | sheet: 10 1/16 x 14 in. (25.5 x 35.5 cm) plate: 7 7/16 x 10 13/16 in. (18.9 x 27.4 cm) image: 7 7/16 x 10 13/16 in. (18.9 x 27.4 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/340551 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
401859 | 17.3.756–1531 | 0 | 0 | 656875 | 11 | 731 | Sarah Delaval, later Lady Mexborough | 2 | Thomas Worlidge | British, Peterborough 1700–1766 Hammersmith | 31256 | 7 | 1700 | 1766 | 1754–66 | 1754 | 1766 | 28973 | Plate: 4 × 3 3/16 in. (10.2 × 8.1 cm) Sheet: 9 1/8 × 5 11/16 in. (23.2 × 14.5 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/656875 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
410873 | 17.3.761 | 0 | 0 | 677089 | 11 | 731 | A Fishing Harbor | 2 | James McBey | British, Newburgh 1883–1959 Tangier | 22570 | 7 | 1883 | 1959 | 1913 | 1913 | 1913 | 28973 | Plate: 5 7/16 × 7 15/16 in. (13.8 × 20.2 cm) Sheet: 6 3/8 in. × 9 in. (16.2 × 22.9 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/677089 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
410861 | 17.3.762 | 0 | 0 | 677073 | 11 | 731 | The Timber Mill | 2 | James McBey | British, Newburgh 1883–1959 Tangier | 22570 | 7 | 1883 | 1959 | 1913 | 1913 | 1913 | 28973 | Plate: 6 × 9 3/16 in. (15.2 × 23.3 cm) Sheet: 7 3/8 × 10 5/16 in. (18.7 × 26.2 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/677073 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
410872 | 17.3.768 | 0 | 0 | 677087 | 11 | 731 | Penzance | 2 | James McBey | British, Newburgh 1883–1959 Tangier | 22570 | 7 | 1883 | 1959 | 1913 | 1913 | 1913 | 28973 | Plate: 8 1/4 × 12 in. (21 × 30.5 cm) Sheet: 9 1/2 × 14 3/8 in. (24.1 × 36.5 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/677087 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
410616 | 17.3.770 | 0 | 0 | 676631 | 11 | 731 | The Lion Brewery | 2 | James McBey | British, Newburgh 1883–1959 Tangier | 22570 | 7 | 1883 | 1959 | 1914 | 1914 | 1914 | 28973 | Plate: 11 1/2 × 8 in. (29.2 × 20.3 cm) Sheet: 13 5/8 × 10 1/16 in. (34.6 × 25.6 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/676631 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
410538 | 17.3.774 | 0 | 0 | 676533 | 11 | 731 | April in Kent | 2 | James McBey | British, Newburgh 1883–1959 Tangier | 22570 | 7 | 1883 | 1959 | 1912 | 1912 | 1912 | 28973 | Plate: 6 1/8 × 11 3/8 in. (15.6 × 28.9 cm) Sheet (irregular): 9 7/8 in. × 14 in. (25.1 × 35.6 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/676533 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
410592 | 17.3.775 | 0 | 0 | 676589 | 11 | 731 | Richborough Castle | 2 | James McBey | British, Newburgh 1883–1959 Tangier | 22570 | 7 | 1883 | 1959 | 1912 | 1912 | 1912 | 28973 | Plate: 7 1/8 × 11 9/16 in. (18.1 × 29.4 cm) Sheet: 9 1/8 × 14 1/2 in. (23.2 × 36.8 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/676589 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
410470 | 17.3.779 | 0 | 0 | 676459 | 11 | 731 | The Shower | 2 | James McBey | British, Newburgh 1883–1959 Tangier | 22570 | 7 | 1883 | 1959 | 1912 | 1912 | 1912 | 28973 | Plate: 7 1/8 × 12 3/8 in. (18.1 × 31.4 cm) Sheet: 9 1/8 × 14 7/16 in. (23.2 × 36.7 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/676459 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
410534 | 17.3.780 | 0 | 0 | 676529 | 11 | 731 | 1588 | 2 | James McBey | British, Newburgh 1883–1959 Tangier | 22570 | 7 | 1883 | 1959 | 1912 | 1912 | 1912 | 28973 | Plate: 7 7/16 × 12 in. (18.9 × 30.5 cm) Sheet (irregular): 9 15/16 × 16 9/16 in. (25.2 × 42.1 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/676529 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
410539 | 17.3.781 | 0 | 0 | 676534 | 11 | 731 | Haarlem | 2 | James McBey | British, Newburgh 1883–1959 Tangier | 22570 | 7 | 1883 | 1959 | 1910 | 1910 | 1910 | 28973 | Plate: 4 3/4 × 6 7/16 in. (12.1 × 16.4 cm) Sheet: 7 9/16 × 9 15/16 in. (19.2 × 25.2 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/676534 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
410558 | 17.3.782 | 0 | 0 | 676555 | 11 | 731 | The Ovation to the Matador | 2 | James McBey | British, Newburgh 1883–1959 Tangier | 22570 | 7 | 1883 | 1959 | 1911 | 1911 | 1911 | 28973 | Plate: 10 1/2 × 6 7/8 in. (26.7 × 17.5 cm) Sheet: 11 15/16 × 7 15/16 in. (30.3 × 20.2 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/676555 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
408566 | 17.3.798 | 0 | 0 | 668757 | 11 | 731 | Plazza del Comune, Pistoia | 2 | Joseph Pennell | American, Philadelphia, Pennsylvania 1857–1926 New York | 1671 | 1 | 1857 | 1926 | 1883 | 1883 | 1883 | 28973 | Plate: 9 3/4 × 8 15/16 in. (24.7 × 22.7 cm) Sheet: 15 7/16 × 13 3/8 in. (39.2 × 34 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/668757 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
410551 | 17.3.827 | 0 | 0 | 676546 | 11 | 731 | The Bread Market, Tetuan | 2 | James McBey | British, Newburgh 1883–1959 Tangier | 22570 | 7 | 1883 | 1959 | 1912 | 1912 | 1912 | 28973 | Plate: 6 1/8 × 10 15/16 in. (15.6 × 27.8 cm) Sheet: 7 15/16 × 12 11/16 in. (20.2 × 32.2 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/676546 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
263130 | 17.3.853 | 0 | 1 | 392072 | 11 | 731 | Cupid Resting (copy) | 55 | Formerly attributed to|After | Rembrandt (Rembrandt van Rijn)|Rembrandt (Rembrandt van Rijn) | Dutch, Leiden 1606–1669 Amsterdam|Dutch, Leiden 1606–1669 Amsterdam | School|School | 38283 | 290 | 1606 |1606 | 1669 |1669 | n.d. | 1620 | 1669 | 28973 | Sheet (Trimmed): 3 1/2 × 4 3/4 in. (8.9 × 12 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/392072 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
214379 | 17.3.945 | 0 | 0 | 341800 | 11 | 731 | Democritus in Meditation | 2 | Salvator Rosa | Italian, Arenella (Naples) 1615–1673 Rome | 10644 | 6 | 1615 | 1673 | 1662 | 1662 | 1662 | 28973 | Sheet: 21 5/8 × 15 3/8 in. (55 × 39 cm) Plate: 17 15/16 × 10 7/8 in. (45.6 × 27.6 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/341800 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
262693 | 17.37.185 | 0 | 1 | 391632 | 11 | 731 | Jan Uytenbogaert (The Gold Weigher) | 710 | Published by | Rembrandt (Rembrandt van Rijn)|Captain William E. Baillie | Dutch, Leiden 1606–1669 Amsterdam|Irish, County Kilbride 1723–1810 London | 38233 | 3025 | 1606 |1723 | 1669 |1810 | 1639 | 1639 | 1639 | 28973 | Plate: 9 15/16 × 8 1/16 in. (25.2 × 20.5 cm) Sheet: 10 7/16 × 8 9/16 in. (26.5 × 21.8 cm) | Gift of Henry Walters, 1917 | 13 | http://www.metmuseum.org/art/collection/search/391632 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
244836 | 17.37.191 | 0 | 1 | 373047 | 11 | 731 | The Triumph of Mordecai | 2 | Rembrandt (Rembrandt van Rijn) | Dutch, Leiden 1606–1669 Amsterdam | 17658 | 11 | 1606 | 1669 | ca. 1641 | 1636 | 1646 | 28973 | sheet: 6 15/16 x 8 11/16 in. (17.6 x 22 cm) | Gift of Henry Walters, 1917 | 13 | http://www.metmuseum.org/art/collection/search/373047 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
244870 | 17.37.201 | 0 | 1 | 373081 | 11 | 731 | Abraham's Sacrifice | 2 | Rembrandt (Rembrandt van Rijn) | Dutch, Leiden 1606–1669 Amsterdam | 17658 | 11 | 1606 | 1669 | 1655 | 1655 | 1655 | 28973 | sheet: 6 1/4 x 5 1/4 in. (15.8 x 13.3 cm) | Gift of Henry Walters, 1917 | 13 | http://www.metmuseum.org/art/collection/search/373081 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
244869 | 17.37.4 | 0 | 1 | 373080 | 11 | 731 | Man at a Desk Wearing a Cross and Chain | 2 | Rembrandt (Rembrandt van Rijn) | Dutch, Leiden 1606–1669 Amsterdam | 17658 | 11 | 1606 | 1669 | 1641 | 1641 | 1641 | 28973 | sheet: 6 x 4 1/8 in. (15.3 x 10.5 cm) | Gift of Henry Walters, 1917 | 13 | http://www.metmuseum.org/art/collection/search/373080 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
252183 | 17.50.15-239 | 0 | 1 | 380682 | 11 | 731 | Veüe de Conflans | 2 | Reinier Nooms, called Zeeman | Dutch, Amsterdam ca. 1623–1664 Amsterdam | 34106 | 11 | 1623 | 1664 | mid-17th century | 1635 | 1669 | 28973 | sheet: 2 1/2 x 3 7/8 in. (6.3 x 9.9 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/380682 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
214221 | 17.50.17-157 | 0 | 0 | 341641 | 11 | 731 | Three battling tritons with a nereid, from 'The Triton Group' | 2 | Salvator Rosa | Italian, Arenella (Naples) 1615–1673 Rome | 10644 | 6 | 1615 | 1673 | ca. 1660–1661 | 1655 | 1666 | 28973 | Sheet: 4 1/4 × 6 7/16 in. (10.8 × 16.3 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/341641 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
214231 | 17.50.17-83 | 0 | 0 | 341651 | 11 | 731 | Alexander in the studio of Apelles | 2 | Salvator Rosa | Italian, Arenella (Naples) 1615–1673 Rome | 10644 | 6 | 1615 | 1673 | ca. 1662 | 1657 | 1667 | 28973 | sheet: 17 1/2 x 10 9/16 in. (44.5 x 26.9 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/341651 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
214212 | 17.50.17-85 | 0 | 1 | 341632 | 11 | 731 | Dream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand | 2 | Salvator Rosa | Italian, Arenella (Naples) 1615–1673 Rome | 10644 | 6 | 1615 | 1673 | ca. 1663–1664 | 1658 | 1668 | 28973 | Sheet: 13 13/16 x 9 3/16 in. (35.1 x 23.3 cm) Plate: 13 11/16 x 9 in. (34.7 x 22.9 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/341632 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
214232 | 17.50.17-86 | 0 | 1 | 341652 | 11 | 731 | Jason and the Dragon | 2 | Salvator Rosa | Italian, Arenella (Naples) 1615–1673 Rome | 10644 | 6 | 1615 | 1673 | ca. 1663–64 | 1658 | 1669 | 28973 | sheet: 13 7/16 x 8 1/2 in. (34.1 x 21.6 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/341652 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
214218 | 17.50.17-88 | 0 | 1 | 341638 | 11 | 731 | Apollo and the Cumaean Sibyl | 2 | Salvator Rosa | Italian, Arenella (Naples) 1615–1673 Rome | 10644 | 6 | 1615 | 1673 | ca. 1661 | 1656 | 1666 | 28973 | sheet: 13 3/8 x 8 7/16 in. (34 x 21.5 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/341638 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
248721 | 17.78.22 | 0 | 1 | 377130 | 11 | 731 | Le Grand Châtelet (Grand Châtelet, Paris circa 1780, after an earlier drawing) | 13 | After | Charles Meryon|Victor Jean Nicolle | French, 1821–1868|French, Paris 1754–1826 Paris | 35228 | 21 | 1821 |1754 | 1868 |1826 | 1861 | 1861 | 1861 | 28973 | plate: 9 3/16 x 11 3/4 in. (23.3 x 29.8 cm) | Rogers Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/377130 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
455877 | 18.42.4 | 0 | 0 | 768457 | 11 | 731 | Francis Jeffrey | 392 | Francis Jeffrey|Andrew Geddes | British, Scotland 1773–1850|British, Edinburgh, Scotland 1783–1844 London | 58301 | 1773 |1783 | 1850 |1844 | 1806–42 | 1815 | 1825 | 28973 | Sheet: 8 3/8 in. (21.2 cm) | Rogers Fund, 1918 | 13 | http://www.metmuseum.org/art/collection/search/768457 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
456343 | 18.53.126 | 0 | 0 | 769434 | 11 | 731 | View in Richmond Park (?), A Small Bridge to the Right | 2 | Andrew Geddes | British, Edinburgh, Scotland 1783–1844 London | 58363 | 1783 | 1844 | 1806–42 | 1815 | 1825 | 28973 | Sheet: 7 13/16 × 11 3/16 in. (19.8 × 28.4 cm) | Rogers Fund, 1918 | 13 | http://www.metmuseum.org/art/collection/search/769434 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
455879 | 18.88.3 | 0 | 0 | 768464 | 11 | 731 | Molesworth Phillips | 972 | Andrew Geddes|Molesworth Phillips | British, Edinburgh, Scotland 1783–1844 London|Anglo-Irish, Swords near Dublin 1755–1832 Lambeth | 58303 | 1783 |1755 | 1844 |1832 | before 1826 | 1820 | 1826 | 28973 | Sheet: 16 15/16 × 11 5/8 in. (43 × 29.6 cm) | Rogers Fund, 1918 | 13 | http://www.metmuseum.org/art/collection/search/768464 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
455723 | 1970.633.23 | 0 | 1 | 767973 | 11 | Trolling in the Norwegian highlands | 2 | Frederick Hans Haagensen | British, active Norway, Grimsby 1877–Chelmsford 1943 | 58292 | 1877 | 1943 | ca. 1920–30 | 1915 | 1935 | 28973 | Plate: 8 3/8 × 11 7/8 in. (21.2 × 30.1 cm) Sheet: 11 7/16 × 16 1/8 in. (29.1 × 41 cm) | Bequest of Florance Waterbury, 1970 | 13 | http://www.metmuseum.org/art/collection/search/767973 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
243888 | 1970.744.1 | 0 | 0 | 372095 | 11 | 731 | Nocturne | 2 | Charles Wilbert White | American, Chicago, Illinois 1918–1979 Los Angeles, California | 34323 | 1 | 1918 | 1979 | 1969 | 1969 | 1969 | 28973 | 12 11/16 x 14 in. (32.2 x 35.6 cm) | Estate of Martin Birnbaum and Rogers Fund, Transfer from Modern, 1970 | 13 | http://www.metmuseum.org/art/collection/search/372095 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
243873 | 1970.744.3 | 0 | 0 | 372080 | 11 | 731 | Matriarch | 2 | Charles Wilbert White | American, Chicago, Illinois 1918–1979 Los Angeles, California | 34323 | 1 | 1918 | 1979 | 1969 | 1969 | 1969 | 28973 | plate: 11 x 13 15/16 in. (27.9 x 35.4 cm) sheet: 17 15/16 x 23 7/8 in. (45.6 x 60.6 cm) | Estate of Martin Birnbaum and Rogers Fund, Transfer from Modern, 1970 | 13 | http://www.metmuseum.org/art/collection/search/372080 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
243871 | 1970.744.4 | 0 | 0 | 372078 | 11 | 731 | Elijah | 2 | Charles Wilbert White | American, Chicago, Illinois 1918–1979 Los Angeles, California | 34323 | 1 | 1918 | 1979 | 1969 | 1969 | 1969 | 28973 | Plate: 12 3/4 x 21 3/4 in. (32.4 x 55.2 cm) Sheet: 18 x 27 9/16 in. (45.7 x 70 cm) | Estate of Martin Birnbaum and Rogers Fund, Transfer from Modern, 1970 | 13 | http://www.metmuseum.org/art/collection/search/372078 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
243886 | 1970.744.5 | 0 | 0 | 372093 | 11 | 731 | Melinda | 2 | Charles Wilbert White | American, Chicago, Illinois 1918–1979 Los Angeles, California | 34323 | 1 | 1918 | 1979 | 1969 | 1969 | 1969 | 28973 | plate: 10 13/16 x 21 13/16 in. (27.5 x 55.4 cm) sheet: 18 x 27 5/8 in. (45.7 x 70.2 cm) | Estate of Martin Birnbaum and Rogers Fund, Transfer from Modern, 1970 | 13 | http://www.metmuseum.org/art/collection/search/372093 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
454254 | 1972.563.28 | 0 | 0 | 764643 | 11 | 731 | Tomb of the Sheik Umar | 2 | Herbert Gordon Warlow | British, Sheffield 1885–1942 | 30857 | 1885 | 1942 | ca. 1920 | 1915 | 1925 | 28973 | Plate: 5 1/4 × 6 5/16 in. (13.4 × 16 cm) Sheet: 11 3/4 in. × 11 in. (29.8 × 28 cm) | Museum Accession, Anonymous Gift, 1972 | 13 | http://www.metmuseum.org/art/collection/search/764643 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
262822 | 1972.628 | 0 | 1 | 391761 | 11 | 731 | The Sleeping Herdsman | 2 | Rembrandt (Rembrandt van Rijn) | Dutch, Leiden 1606–1669 Amsterdam | 17658 | 11 | 1606 | 1669 | ca. 1644 | 1639 | 1649 | 28973 | Sheet (Trimmed): 3 1/16 × 2 5/16 in. (7.8 × 5.8 cm) | Rogers Fund and Bequest of Ida Kammerer, in memory of Frederick Kammerer, M.D., by exchange | 13 | http://www.metmuseum.org/art/collection/search/391761 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
244854 | 1974.504 | 0 | 1 | 373065 | 11 | 731 | The Rest on the Flight into Egypt; lightly etched | 2 | Rembrandt (Rembrandt van Rijn) | Dutch, Leiden 1606–1669 Amsterdam | 17658 | 11 | 1606 | 1669 | 1645 | 1645 | 1645 | 28973 | sheet: 5 3/16 x 4 9/16 in. (13.2 x 11.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1974 | 13 | http://www.metmuseum.org/art/collection/search/373065 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
248609 | 1975.638.10 | 0 | 0 | 376917 | 11 | 731 | Jacob Telling His Dreams | 1197 | After | Rembrandt (Rembrandt van Rijn)|baron Dominique Vivant Denon | Dutch, Leiden 1606–1669 Amsterdam|French, Givry 1747–1825 Paris | 33698 | 350 | 1606 |1747 | 1669 |1825 | mid-18th–early 19th century | 1760 | 1825 | 28973 | sheet: 28 5/8 x 21 in. (72.7 x 53.4 cm) plate: 22 x 16 9/16 in. (55.9 x 42.1 cm) | Gift of M. Roy Fisher, 1975 | 13 | http://www.metmuseum.org/art/collection/search/376917 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
302215 | 1979.566.3 | 0 | 0 | 432001 | 11 | 731 | Silence | 2 | Frederick Stuart Church | American, Grand Rapids, Michigan 1842–1924 New York | 37068 | 1 | 1842 | 1924 | 1881 | 1881 | 1881 | 28973 | Plate: 6 × 7 13/16 in. (15.2 × 19.9 cm) Sheet: 11 5/8 × 13 1/4 in. (29.5 × 33.7 cm) | Gift of Victoria Seydel Belmont, 1979 | 13 | http://www.metmuseum.org/art/collection/search/432001 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
411685 | 1982.1181.7 | 0 | 0 | 679090 | 11 | 731 | Santa Maria della Fava | 2 | James McBey | British, Newburgh 1883–1959 Tangier | 22570 | 7 | 1883 | 1959 | 1926 | 1926 | 1926 | 28973 | Plate: 12 13/16 × 8 3/8 in. (32.5 × 21.3 cm) Sheet: 17 3/16 × 11 3/8 in. (43.7 × 28.9 cm) | Gift of Marilyn Walter Grounds, 1982 | 13 | http://www.metmuseum.org/art/collection/search/679090 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
241684 | 1983.1212.25 | 0 | 0 | 369829 | 11 | 731 | Reclining Nude Woman | 849 | Printed by|Published by | Pablo Picasso|Jacques Frélaut|Galerie Louise Leiris | Spanish, Malaga 1881–1973 Mougins, France|French|Paris | , 1981 | 18463 | 143 | 1881 | 1973 | 1934, printed 1961 | 1961 | 1961 | 28973 | plate: 5 7/16 x 8 3/16 in. (13.8 x 20.8 cm) sheet: 8 5/16 x 11 3/4 in. (21.1 x 29.8 cm) | Gift of Reiss-Cohen Inc., 1983 | 13 | © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York | http://www.metmuseum.org/art/collection/search/369829 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
241632 | 1983.1212.6 | 0 | 0 | 369777 | 11 | 731 | The Guitar on a Table | 849 | Printed by|Published by | Pablo Picasso|Jacques Frélaut|Galerie Louise Leiris | Spanish, Malaga 1881–1973 Mougins, France|French|Paris | , 1981 | 18463 | 143 | 1881 | 1973 | 1925–26, printed 1961 | 1961 | 1961 | 28973 | plate: 3 1/8 x 4 3/4 in. (7.9 x 12.1 cm) sheet: 8 1/4 x 11 3/4 in. (21 x 29.8 cm) | Gift of Reiss-Cohen Inc., 1983 | 13 | © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York | http://www.metmuseum.org/art/collection/search/369777 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
378557 | 1984.1198.21 | 0 | 0 | 623821 | 11 | 731 | Carlops, Pentland Hills [Scotland] | 2 | Margaret Manuel | American, active early 20th century | 48621 | 1 | Early 20th c. | 1900 | 1950 | 28973 | Plate: 5 11/16 × 7 9/16 in. (14.4 × 19.2 cm) Sheet: 10 11/16 × 12 5/8 in. (27.1 × 32.1 cm) | Gift of Andrew C. Rose, 1984 | 13 | http://www.metmuseum.org/art/collection/search/623821 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
252973 | 1984.1203.192(4) | 0 | 0 | 381494 | 11 | 731 | Self Portrait with Woman | 1039 | 2 | Marc Chagall | French, Vitebsk 1887–1985 Saint-Paul-de-Vence | 29156 | 2 | 1887 | 1985 | 1922 | 1922 | 1922 | 28973 | Sheet: 10 9/16 x 8 3/4 in. (26.9 x 22.2 cm) Plate: 7 1/16 × 5 11/16 in. (18 × 14.5 cm) | Bequest of Scofield Thayer, 1982 | 13 | © 2018 Artists Rights Society (ARS), New York | http://www.metmuseum.org/art/collection/search/381494 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
267304 | 1986.1180.1357 | 0 | 1 | 396345 | 11 | 731 | Baker Blowing Horn | 2 | Adriaen van Ostade | Dutch, Haarlem 1610–1685 Haarlem | 18727 | 11 | 1610 | 1685 | 1610–85 | 1610 | 1685 | 28973 | Plate: 4 1/16 x 3 7/16 in. (10.3 x 8.7 cm) Sheet: 5 1/8 × 4 1/2 in. (13 × 11.5 cm) | Bequest of Grace M. Pugh, 1986 | 13 | http://www.metmuseum.org/art/collection/search/396345 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
241815 | 1986.1236.20 | 0 | 0 | 369962 | 11 | 731 | Itinerant Players with Owl and Jester Embracing a Woman, from 347 Suite | 849 | Printed by|Published by | Pablo Picasso|Aldo and Piero Crommelynck|Galerie Louise Leiris | Spanish, Malaga 1881–1973 Mougins, France|Paris | 33697 | 143 | 1881 | 1973 | 1968 | 1968 | 1968 | 28973 | plate: 12 1/2 x 12 3/8 in. (31.8 x 31.4 cm) sheet: 19 7/16 x 17 15/16 in. (49.3 x 45.5 cm) | Gift of Reiss-Cohen Inc., 1986 | 13 | © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York | http://www.metmuseum.org/art/collection/search/369962 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
337938 | 1990.38.34 | 0 | 1 | 485545 | 4 | 731 | The Artist's Mother Crocheting | 2 | Umberto Boccioni | Italian, Reggio 1882–1916 Sorte | 39736 | 6 | 1882 | 1916 | 1907 | 1907 | 1907 | 28973 | 14 5/8 x 12 1/8 in. (37.1 x 30.8 cm) | Bequest of Lydia Winston Malbin, 1989 | 13 | http://www.metmuseum.org/art/collection/search/485545 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
341919 | 1990.38.45 | 0 | 1 | 490116 | 4 | Man Lying in a Field | 2 | Umberto Boccioni | Italian, Reggio 1882–1916 Sorte | 39736 | 1882 | 1916 | 1907 | 1907 | 1907 | 28973 | H. 5-7/8, W. 9-1/4 inches (14.9 x 23.5 cm.) | Bequest of Lydia Winston Malbin, 1989 | 9 | http://www.metmuseum.org/art/collection/search/490116 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
298485 | 1993.1072(3) | 0 | 0 | 428212 | 11 | 731 | Chess, Morocco | 2 | Paul Ashbrook | American, 1867–1949 | 42742 | 1 | 1867 | 1949 | 1931 | 1931 | 1931 | 28973 | Plate: 12 1/4 × 9 7/16 in. (31.1 × 24 cm) Sheet: 16 7/8 × 13 in. (42.9 × 33 cm) | Gift of Paul Barker, 1993 | 13 | http://www.metmuseum.org/art/collection/search/428212 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
298486 | 1993.1072(4) | 0 | 0 | 428213 | 11 | 731 | Tetuan Market, Morocco | 2 | Paul Ashbrook | American, 1867–1949 | 42742 | 1 | 1867 | 1949 | 1931 | 1931 | 1931 | 28973 | Plate: 8 5/16 × 11 13/16 in. (21.1 × 30 cm) Sheet: 12 1/16 × 16 9/16 in. (30.6 × 42 cm) | Gift of Paul Barker, 1993 | 13 | http://www.metmuseum.org/art/collection/search/428213 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
298483 | 1993.1072(5) | 0 | 0 | 428210 | 11 | 731 | Floating Gardens, Mexico City | 2 | Paul Ashbrook | American, 1867–1949 | 42742 | 1 | 1867 | 1949 | 1928 | 1928 | 1928 | 28973 | Plate: 11 1/8 × 7 3/16 in. (28.3 × 18.3 cm) Sheet: 16 15/16 × 12 13/16 in. (43 × 32.5 cm) | Gift of Paul Barker, 1993 | 13 | http://www.metmuseum.org/art/collection/search/428210 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
298481 | 1993.1072(6) | 0 | 0 | 428208 | 11 | 731 | The Old Shipowner, Cape Cod | 2 | Paul Ashbrook | American, 1867–1949 | 42742 | 1 | 1867 | 1949 | 1925 | 1925 | 1925 | 28973 | Plate: 8 13/16 × 6 1/2 in. (22.4 × 16.5 cm) Sheet: 12 7/8 × 9 15/16 in. (32.7 × 25.3 cm) | Gift of Paul Barker, 1993 | 13 | http://www.metmuseum.org/art/collection/search/428208 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
298478 | 1993.1072(7) | 0 | 0 | 428205 | 11 | 731 | Illinois Coal Miner | 2 | Paul Ashbrook | American, 1867–1949 | 42742 | 1 | 1867 | 1949 | 1924 | 1924 | 1924 | 28973 | Plate: 7 13/16 × 6 1/4 in. (19.8 × 15.8 cm) Sheet: 12 1/4 × 8 7/8 in. (31.1 × 22.5 cm) | Gift of Paul Barker, 1993 | 13 | http://www.metmuseum.org/art/collection/search/428205 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
298487 | 1993.1072(8) | 0 | 0 | 428214 | 11 | 731 | Dock Worker, Caen, France | 2 | Paul Ashbrook | American, 1867–1949 | 42742 | 1 | 1867 | 1949 | 1926 | 1926 | 1926 | 28973 | Plate: 8 5/16 × 11 13/16 in. (21.1 × 30 cm) Sheet: 12 1/16 × 16 9/16 in. (30.6 × 42 cm) | Gift of Paul Barker, 1993 | 13 | http://www.metmuseum.org/art/collection/search/428214 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
249189 | 1994.195 | 0 | 0 | 377605 | 11 | 731 | Telegraph Hill | 2 | Gertrude Partington Albright | American, Heysham, England 1883–1959 San Francisco, California | 35413 | 1 | 1883 | 1959 | 1914 | 1914 | 1914 | 28973 | plate: 5 1/2 x 6 9/16 in. (14 x 16.7 cm) | Gift of Mrs. Jeanne Partington, 1994 | 13 | http://www.metmuseum.org/art/collection/search/377605 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
342115 | 1999.181 | 0 | 1 | 490741 | 4 | 731 | Women in a Bordello | 2 | Jules Pascin | American (born Bulgaria), Vidin 1885–1930 Paris | 22933 | 1417 | 1885 | 1930 | 1924 | 1924 | 1924 | 28973 | 21 x 18 in. (53.3 x 45.7 cm) | Gift of Harvey S. Shipley Miller, in honor of William S. Lieberman, 1999 | 13 | http://www.metmuseum.org/art/collection/search/490741 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
263054 | 20.46.15 | 0 | 1 | 391995 | 11 | 731 | Christ Returning from the Temple with His Parents | 2 | Rembrandt (Rembrandt van Rijn) | Dutch, Leiden 1606–1669 Amsterdam | 17658 | 11 | 1606 | 1669 | 1654 | 1654 | 1654 | 28973 | Sheet (Trimmed): 3 13/16 × 5 13/16 in. (9.7 × 14.8 cm) | The Sylmaris Collection, Gift of George Coe Graves, 1920 | 13 | http://www.metmuseum.org/art/collection/search/391995 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
262636 | 20.46.7 | 0 | 1 | 391574 | 11 | 731 | Jan Uytenbogaert | 2 | Rembrandt (Rembrandt van Rijn) | Dutch, Leiden 1606–1669 Amsterdam | 17658 | 11 | 1606 | 1669 | 1635 | 1637 | 28973 | The Sylmaris Collection, Gift of George Coe Graves, 1920 | 13 | http://www.metmuseum.org/art/collection/search/391574 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
343523 | 2001.603 | 0 | 0 | 492351 | 4 | 731 | Untitled (Artist Bending) | 2 | William Kentridge | South African, born Johannesburg, 1955 | 22146 | 707 | 1955 | 2055 | 1997 | 1997 | 1997 | 28973 | 5 x 5 in. (12.7 x 12.7cm) | Purchase, Reba and Dave Williams Gift, 2001 | 13 | http://www.metmuseum.org/art/collection/search/492351 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
343522 | 2001.606 | 0 | 0 | 492350 | 4 | 731 | Untitled (Artist Standing) | 2 | William Kentridge | South African, born Johannesburg, 1955 | 22146 | 707 | 1955 | 2055 | 1997 | 1997 | 1997 | 28973 | 5 x 5 in. (12.7 x 12.7cm) | Purchase, Reba and Dave Williams Gift, 2001 | 13 | http://www.metmuseum.org/art/collection/search/492350 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
225284 | 2001.727.24 | 0 | 0 | 352878 | 11 | 731 | Bathing Time | 2 | Sears Gallagher | American, Boston, Massachusetts 1869–1955 Boston, Massachusetts | 26623 | 1 | 1869 | 1955 | ca. 1911–55 | 1911 | 1955 | 28973 | image: 6 7/8 x 5 7/8 in. (17.4 x 14.9 cm) sheet: 10 15/16 x 8 3/8 in. (27.8 x 21.3 cm) | Gift of Robert Westerlund and Louis J. Guerrera, 2001 | 13 | http://www.metmuseum.org/art/collection/search/352878 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
225309 | 2001.727.41 | 0 | 0 | 352903 | 11 | 731 | Chums I/II | 2 | Sears Gallagher | American, Boston, Massachusetts 1869–1955 Boston, Massachusetts | 26623 | 1 | 1869 | 1955 | ca. 1911–55 | 1911 | 1955 | 28973 | image: 5 7/8 x 8 13/16 in. (15 x 22.4 cm) sheet: 9 x 11 13/16 in. (22.8 x 30 cm) | Gift of Robert Westerlund and Louis J. Guerrera, 2001 | 13 | http://www.metmuseum.org/art/collection/search/352903 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
225941 | 2001.727.48 | 0 | 0 | 353544 | 11 | 731 | Monhegan | 2 | Sears Gallagher | American, Boston, Massachusetts 1869–1955 Boston, Massachusetts | 26623 | 1 | 1869 | 1955 | ca. 1911–55 | 1911 | 1955 | 28973 | image: 8 x 9 15/16 in. (20.3 x 25.3 cm) sheet: 9 1/8 x 11 5/16 in. (23.2 x 28.7 cm) | Gift of Robert Westerlund and Louis J. Guerrera, 2001 | 13 | http://www.metmuseum.org/art/collection/search/353544 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
343634 | 2002.466 | 0 | 1 | 492696 | 4 | 731 | O Sole Mio | 2 | Walter Richard Sickert | British, Munich 1860–1942 Bathampton, Somerset | 30815 | 7 | 1860 | 1942 | ca. 1923 | 1923 | 1923 | 28973 | Sheet: 9 1/8 x 5 5/8 in. (23.2 x 14.3 cm) Plate: 4 5/8 x 2 3/4 in. (11.7 x 7 cm) | Purchase, Emma Swan Hall Gift, 2002 | 13 | http://www.metmuseum.org/art/collection/search/492696 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
231431 | 2002.541.18 | 0 | 0 | 359167 | 11 | 731 | St. Gudule (Cathedral), Brussels | 2 | Herbert Gordon Warlow | British, Sheffield 1885–1942 | 30857 | 7 | 1885 | 1942 | ca. 1930 | 1925 | 1935 | 28973 | sheet: 15 1/2 x 10 in. (39.4 x 25.4 cm) | Gift of Leo Steinberg, 2002 | 13 | http://www.metmuseum.org/art/collection/search/359167 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
234047 | 2003.250 | 0 | 0 | 361799 | 11 | 731 | The Telephone and Telegraph Foundation | 2 | Joseph Pennell | American, Philadelphia, Pennsylvania 1857–1926 New York | 1671 | 1 | 1857 | 1926 | 1924 | 1924 | 1924 | 28973 | sheet: 9 1/2 x 14 in. (24.1 x 35.6 cm) | Gift of Dr. and Mrs. David L. Smith, 2003 | 13 | http://www.metmuseum.org/art/collection/search/361799 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
235656 | 2003.446.5 | 0 | 0 | 363476 | 11 | 731 | Composition (Still Life with Glasses) | 1061 | Georges Braque|Maeght Editeur|Georges Visat | French, Argenteuil 1882–1963 Paris|French, Foce di Mela, Corsica 1910–2001 Arzacq-Arraziguet | 32077 | 2 | 1882 |1910 | 1963 |2001 | 1912, published 1950 | 1912 | 1912 | 28973 | plate: 13-3/4 x 8-1/4 inches (34.9 x 21 cm) sheet: 20-5/8 x 14-7/8 inches (52.4 x 37.8 cm) | Anonymous Gift, 2003 | 13 | © 2018 Artists Rights Society (ARS), New York | http://www.metmuseum.org/art/collection/search/363476 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
269264 | 2011.391 | 0 | 0 | 398364 | 11 | 731 | Roman Victory | 2 | James Ensor | Belgian, Ostend 1860–1949 Ostend | 17352 | 20 | 1860 | 1949 | 1889 | 1889 | 1889 | 28973 | sheet: 6 11/16 x 9 1/16 in. (17 x 23 cm) | A. Hyatt Mayor Purchase Fund, Marjorie Phelps Starr Bequest, 2011 | 13 | © 2018 Artists Rights Society (ARS), New York | http://www.metmuseum.org/art/collection/search/398364 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
268858 | 2012.136.299.7 | 0 | 1 | 397930 | 11 | 731 | A semi-nude woman seated resting her head on a rock, from the series 'Figurine' | 1639 | 2 | Salvator Rosa | Italian, Arenella (Naples) 1615–1673 Rome | 10644 | 6 | 1615 | 1673 | ca. 1656–1657 | 1651 | 1661 | 28973 | Sheet: 7 x 5 1/16 in. (17.8 x 12.9 cm) Plate: 5 11/16 x 3 9/16 in. (14.4 x 9.1 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/397930 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
268860 | 2012.136.299.9 | 0 | 1 | 397932 | 11 | 731 | Three warriors conversing at a low wall, one with his back turned, from the series 'Figurine' | 2 | Salvator Rosa | Italian, Arenella (Naples) 1615–1673 Rome | 10644 | 6 | 1615 | 1673 | ca. 1656–1657 | 1651 | 1661 | 28973 | Sheet: 7 x 4 15/16 in. (17.8 x 12.5 cm) Plate: 5 11/16 x 3 9/16 in. (14.4 x 9.1 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/397932 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
268867 | 2012.136.300.1 | 0 | 1 | 397939 | 11 | 731 | Male figure holding a flute reclining on a rock and pointing over the heads of two children, from 'The Triton Group' | 2 | Salvator Rosa | Italian, Arenella (Naples) 1615–1673 Rome | 10644 | 6 | 1615 | 1673 | ca. 1660–1661 | 1655 | 1665 | 28973 | Sheet: 5 1/8 x 7 5/16 in. (13 x 18.5 cm) Plate: 4 5/16 x 6 9/16 in. (10.9 x 16.6 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/397939 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
380052 | 2013.609.4 | 0 | 1 | 626342 | 11 | 731 | Broken Tackle | 2 | Sir Hubert von Herkomer | British, Waal, Bavaria 1849–1914 Budleigh Salterton, Devon | 33770 | 437 | 1849 | 1914 | 1891 | 1891 | 1891 | 28973 | Plate: 5 13/16 × 11 11/16 in. (14.7 × 29.7 cm) Sheet: 6 3/4 × 12 3/8 in. (17.2 × 31.4 cm) | Gift of Donato Esposito, 2013 | 13 | http://www.metmuseum.org/art/collection/search/626342 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
400203 | 2014.284.7 | 0 | 0 | 654958 | 11 | 731 | familiar to 16 | 2 | Liz Zanis | American, born Morristown, New Jersey, 1980 | 41923 | 3252 | 1980 | 9999 | 2010 | 2010 | 2010 | 28973 | Plate: 2 1/4 × 3 in. (5.7 × 7.6 cm) Sheet: 5 1/2 in. × 6 in. (14 × 15.2 cm) | Gift of Kit Smyth Basquin, 2014 | 13 | http://www.metmuseum.org/art/collection/search/654958 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
401291 | 2014.292.2 | 0 | 0 | 656178 | 11 | 731 | Maple Tree | 2 | Sylvia Plimack Mangold | American, born New York, 1938 | 47573 | 1 | 1938 | 2038 | 1998 | 1998 | 1998 | 28973 | Sheet: 22 1/2 × 17 7/8 in. (57.2 × 45.4 cm) Plate: 13 3/4 × 10 7/8 in. (34.9 × 27.6 cm) | Gift of Joan Witek, 2014 | 13 | http://www.metmuseum.org/art/collection/search/656178 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
403662 | 2014.571 | 0 | 0 | 659711 | 11 | 731 | Lucky Strike | 2 | Linda Karshan | American, born 1947 | 51188 | 1 | 1947 | 2047 | 1996 | 1996 | 1996 | 28973 | Sheet: 16 15/16 × 14 9/16 in. (43 × 37 cm) Plate: 11 × 8 5/8 in. (28 × 21.9 cm) | John B. Turner Fund, 2014 | 13 | © Linda Karshan | http://www.metmuseum.org/art/collection/search/659711 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
439511 | 2016.386.2 | 0 | 1 | 732734 | 11 | 731 | Rouen, from Bon Secours | 2 | Joseph Pennell | American, Philadelphia, Pennsylvania 1857–1926 New York | 1671 | 1857 | 1926 | 1907 | 1907 | 1907 | 28973 | Plate: 7 11/16 × 11 15/16 in. (19.5 × 30.4 cm) Sheet: 10 1/4 × 15 3/4 in. (26 × 40 cm) | Gift of Lynne and Peter Esmay, 2016 | 13 | http://www.metmuseum.org/art/collection/search/732734 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
445296 | 2016.784.3 | 0 | 1 | 744621 | 11 | 731 | Dwarfs of Ragged Island | 2 | Ernest Haskell | American, Woodstock, Connecticut 1876–1925 West Point, Maine | 31811 | 1876 | 1925 | 1912 | 1912 | 1912 | 28973 | Sheet: 4 11/16 × 6 3/8 in. (11.9 × 16.1 cm) | Gift of Seward Stevens, Diana Stevens, Karen Jorgensen, and Abigail Aldridge in memory of Josephine Haskell Aldridge, 2016 | 13 | http://www.metmuseum.org/art/collection/search/744621 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
256703 | 21.36.57(1) | 0 | 0 | 385381 | 11 | 731 | Kew, England (in Catalogue of Etching Proofs Exhibited at the National Academy of Design, New York, 1891) | 740 | New York Etching Club|Samuel Colman | American, Portland, Maine 1832–1920 New York | 36972 | 5 | 1832 | 1920 | 1891 | 1891 | 1891 | 28973 | plate: 4 7/8 x 6 in. (12.4 x 15.3 cm) | Harris Brisbane Dick Collection, transferred from the Library, 1921 | 13 | http://www.metmuseum.org/art/collection/search/385381 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
256616 | 21.36.59(4) | 0 | 0 | 385293 | 11 | 731 | A Little Girl | 740 | Published by | New York Etching Club|Frederick Dielman | American, 1847–1935 | 36958 | 5 | 1847 | 1935 | 1882 | 1882 | 1882 | 28973 | plate: 3 1/4 x 5 9/16 in. (8.3 x 14.1 cm) sheet: 11 3/4 x 8 7/8 in. (29.8 x 22.6 cm) | Harris Brisbane Dick Fund, transferred from the Library, 1921 | 13 | http://www.metmuseum.org/art/collection/search/385293 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
222136 | 22.26.7 | 0 | 0 | 349696 | 11 | 731 | d'Après Renoir | 2 | Walter Pach | American, New York 1883–1958 New York | 24394 | 1 | 1883 | 1958 | 1912 | 1912 | 1912 | 28973 | Plate: 7 1/16 x 5 1/16 in. (18 x 12.9 cm) Sheet: 11 7/16 x 9 3/8 in. (29 x 23.8 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/349696 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206495 | 22.60.23 | 0 | 1 | 333839 | 11 | 731 | Margaret of Austria on horseback, after Velázquez | 987 | After | Velázquez (Diego Rodríguez de Silva y Velázquez)|Margaret of Austria, Queen of Spain|Goya (Francisco de Goya y Lucientes) | Spanish, Seville 1599–1660 Madrid|Spanish (born Austria), Graz 1584–1611 San Lorenzo de El Escorial|Spanish, Fuendetodos 1746–1828 Bordeaux | 17329 | 748 | 1599 |1584 |1746 | 1660 |1611 |1828 | 1778 | 1778 | 1778 | 28973 | Plate: 14 5/8 × 12 1/4 in. (37.2 × 31.1 cm) Sheet: 23 9/16 × 15 13/16 in. (59.8 × 40.1 cm) | Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 | 13 | http://www.metmuseum.org/art/collection/search/333839 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
252146 | 22.60.25(8) | 0 | 1 | 380644 | 11 | 731 | Plate 8 from 'The Disasters of War' (Los Desastres de la Guerra): 'It always happens.' (Siempre sucede.) | 21 | 2 | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1810 (published 1863) | 1810 | 1810 | 28973 | Plate: 6 7/8 × 8 11/16 in. (17.5 × 22 cm) Sheet: 9 15/16 × 13 7/16 in. (25.2 × 34.2 cm) | Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 | 13 | http://www.metmuseum.org/art/collection/search/380644 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
262826 | 23.16.2 | 0 | 1 | 391765 | 11 | 731 | Christ Carried to the Tomb | 2 | Rembrandt (Rembrandt van Rijn) | Dutch, Leiden 1606–1669 Amsterdam | 17658 | 11 | 1606 | 1669 | ca. 1645 | 1640 | 1650 | 28973 | Sheet (Trimmed): 5 3/8 × 4 9/16 in. (13.7 × 11.6 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/391765 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206521 | 23.37.5 | 0 | 1 | 333865 | 11 | 731 | The cloaked man (El Embozado) | 2 | After | Goya (Francisco de Goya y Lucientes) | Spanish, Fuendetodos 1746–1828 Bordeaux | 15462 | 76 | 1746 | 1828 | 1818 | 1859 | 28973 | Plate: 7 1/2 × 4 3/4 in. (19 × 12 cm) Sheet: 9 3/16 × 6 1/4 in. (23.4 × 15.9 cm) | Harris Brisbane Dick Fund, 1923 | 13 | http://www.metmuseum.org/art/collection/search/333865 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
411705 | 24.58.20 | 0 | 0 | 679114 | 11 | 731 | Philadelphia from League Island | 2 | Joseph Pennell | American, Philadelphia, Pennsylvania 1857–1926 New York | 1671 | 1 | 1857 | 1926 | 1920 | 1920 | 1920 | 28973 | Plate: 5 7/8 × 9 3/4 in. (14.9 × 24.8 cm) Sheet: 8 15/16 × 13 3/16 in. (22.7 × 33.5 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/679114 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
411706 | 24.58.21 | 0 | 0 | 679115 | 11 | 731 | Freight Station, Chicago | 2 | Joseph Pennell | American, Philadelphia, Pennsylvania 1857–1926 New York | 1671 | 1 | 1857 | 1926 | 1919 | 1919 | 1919 | 28973 | Plate: 9 3/4 × 11 5/8 in. (24.7 × 29.6 cm) Sheet (trimmed to plate except at bottom): 10 1/16 × 11 3/4 in. (25.5 × 29.8 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/679115 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
232325 | 24.58.29 | 0 | 0 | 360074 | 11 | 731 | L'Orage | 2 | Théophile-Alexandre Steinlen | French (born Switzerland), Lausanne 1859–1923 Paris | 19539 | 231 | 1859 | 1923 | 1914 | 1914 | 1914 | 28973 | Harris Brisbane Dick Fund, 1924 | 13 | http://www.metmuseum.org/art/collection/search/360074 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
434679 | 24.63.1777 | 0 | 0 | 722689 | 11 | 731 | Bearded Man Wearing a Turban | 1330 | After | Damiano Pernati|Angelica Kauffmann | Italian, Novara 1769–1841 Novara|Swiss, Chur 1741–1807 Rome | 55334 | 1769 |1741 | 1841 |1807 | 1784–1841 | 1784 | 1841 | 28973 | Plate: 6 11/16 × 4 15/16 in. (17 × 12.5 cm) Sheet: 9 3/8 × 7 3/8 in. (23.8 × 18.7 cm) | Gift of Georgiana W. Sargent in Memory of John Osborn Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/722689 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
442764 | 24.63.1828 | 0 | 0 | 740661 | 11 | 731 | Death of Atilius Regulus | 2 | Salvator Rosa | Italian, Arenella (Naples) 1615–1673 Rome | 10644 | 1615 | 1673 | ca.1662 | 1657 | 1667 | 28973 | Sheet: 14 7/16 × 28 7/8 in. (36.6 × 73.3 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/740661 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
451647 | 24.63.2053 | 0 | 0 | 756989 | 11 | 731 | Alexander in the studio of Apelles | 2 | Salvator Rosa | Italian, Arenella (Naples) 1615–1673 Rome | 10644 | 1615 | 1673 | ca. 1662 | 1657 | 1667 | 28973 | Sheet: 23 1/4 × 17 5/16 in. (59 × 44 cm) Plate: 17 11/16 × 10 13/16 in. (45 × 27.5 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/756989 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
264037 | 27.10.122 | 0 | 1 | 392986 | 11 | 731 | Old Cottage | 2 | Willem de Zwart | Dutch, The Hague 1862–1931 The Hague | 38515 | 11 | 1862 | 1931 | late 19th–early 20th century | 1880 | 1931 | 28973 | sheet: 7 9/16 x 8 1/2 in. (19.2 x 21.6 cm) | Harris Brisbane Dick Fund, 1927 | 13 | http://www.metmuseum.org/art/collection/search/392986 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
411529 | 27.78.1(1) | 0 | 0 | 678615 | 11 | 731 | Wilton album, folio 1a: The birth of Christ who is by the Virgin at the left, Joseph stands behind, shepherds and other figures at the right | 2 | Andrea Schiavone (Andrea Meldola) | Italian, Zadar (Zara) ca. 1510?–1563 Venice | 19904 | 6 | 1510 | 1563 | ca. 1558–63 | 1553 | 1563 | 28973 | Sheet: 8 1/2 × 12 13/16 in. (21.6 × 32.5 cm) | Harris Brisbane Dick Fund, 1927 | 13 | http://www.metmuseum.org/art/collection/search/678615 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
418063 | 27.78.1(101) | 0 | 0 | 690882 | 11 | 731 | Wilton album, folio 21a: The Lamentation over the Dead Christ, or The Entombment; Christ's body, on the right, reclining on a tomb, the Virgin swooning on the left | 13 | After | Andrea Schiavone (Andrea Meldola)|Parmigianino (Girolamo Francesco Maria Mazzola) | Italian, Zadar (Zara) ca. 1510?–1563 Venice|Italian, Parma 1503–1540 Casalmaggiore | 32445 | 1510 |1503 | 1563 |1540 | 1545–50 | 1545 | 1550 | 28973 | Sheet: 8 3/4 × 2 7/8 in. (22.3 × 7.3 cm) | Harris Brisbane Dick Fund, 1927 | 13 | http://www.metmuseum.org/art/collection/search/690882 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
418064 | 27.78.1(102) | 0 | 0 | 690885 | 11 | 731 | Wilton album, folio 21b: The Lamentation over the Dead Christ, or The Entombment; Christ, seated on the right, with a kneeling female figure in fron of him, the Virgin swooning on the left | 13 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Andrea Schiavone (Andrea Meldola) | Italian, Parma 1503–1540 Casalmaggiore|Italian, Zadar (Zara) ca. 1510?–1563 Venice | 32875 | 1503 |1510 | 1540 |1563 | 1545–50 | 1545 | 1550 | 28973 | Sheet: 9 3/8 × 6 5/8 in. (23.8 × 16.8 cm) | Harris Brisbane Dick Fund, 1927 | 13 | http://www.metmuseum.org/art/collection/search/690885 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
418089 | 27.78.1(103) | 0 | 0 | 690962 | 11 | 731 | Wilton album, folio 22a: Christ the Saviour, from the larger series of Christ and the Apostles | 2 | Andrea Schiavone (Andrea Meldola) | Italian, Zadar (Zara) ca. 1510?–1563 Venice | 19904 | 1510 | 1563 | ca. 1550 | 1550 | 1550 | 28973 | Sheet: 8 9/16 × 4 7/16 in. (21.7 × 11.2 cm) | Harris Brisbane Dick Fund, 1927 | 13 | http://www.metmuseum.org/art/collection/search/690962 | 4/23/2018 8:00:01 AM | 1 |