Data license: CC0 · Data source: metmuseum/openaccess
rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
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82400 | C.I.49.2.6a, b | 0 | 0 | 113556 | 8 | 5885 | Pumps | 7 | 18 | of textile | Tassinari & Chatel|Pierre Yantorny | French|Italian, 1874–1936 | 6613 | 247 | 1874 | 1936 | 1913–14 | 1913 | 1914 | 16245 | Gift of Howard Sturges, in memory of his mother, Mrs. Howard O. Sturges, 1949 | http://www.metmuseum.org/art/collection/search/113556 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
88602 | 2007.211.1a, b | 0 | 0 | 134606 | 8 | 5896 | Goya | 7 | 3 | Roger Vivier|René Caovilla | French, 1913–1998|Italian | 6818 | 247 | 1913 | 1998 | fall/winter 1986–87 | 1986 | 1987 | 15517 | Gift of Mary Robertson, 2006 | http://www.metmuseum.org/art/collection/search/134606 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
105988 | 17.190.1142 | 0 | 1 | 193825 | 3 | 7005 | Snuffbox with hunting scenes | 114 | 75 | Miniatures by|Manner of | J.D.|Nicolas Antoine Taunay|Francesco Casanova | French, Paris 1755–1830 Paris|Italian, London 1727–1803 Brühl | 9118 | 247 | 1755 |1727 | 1830 |1803 | 1768–69 | 1768 | 1769 | 21418 | Box: 1 7/16 × 2 3/8 in. (3.7 × 6 cm); Miniature (top): 2 × 2 7/8 in. (5.1 × 7.3 cm); Miniature (front): 1 × 2 3/4 in. (2.5 × 7 cm); Miniature (back): 1 × 2 3/4 in. (2.5 × 7 cm); Miniature (left side): 1 × 2 in. (2.5 × 5.1 cm); Miniature (right side): 1 × 2 in. (2.5 × 5.1 cm) | Gift of J. Pierpont Morgan, 1917 | 317 | http://www.metmuseum.org/art/collection/search/193825 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
108392 | 29.56 | 0 | 1 | 196409 | 3 | 3917 | Descent from the Cross | 114 | 13 | Follower of|After a composition by | Jean Goujon|Marcantonio Raimondi | French, ca. 1510–ca. 1565 Bologna (?)|Italian, Argini (?) ca. 1480–before 1534 Bologna (?) | 9718 | 247 | 1505 |1475 | 1565 |1534 | ca. 1555 | 1550 | 1560 | 21900 | 43 1/4 x 24 1/2 in. (109.9 x 62.2 cm) | Fletcher Fund, 1929 | 12 | http://www.metmuseum.org/art/collection/search/196409 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
115309 | 64.101.1212 | 0 | 1 | 203886 | 3 | 8263 | Doorcase | 222 | 7 | Carved by|After a design by | Jean Antoine Cuenot|Giovanni Battista Borra | French, active London 1744–1762, born Morteau near La Chaux de Fonds, died 1763|Italian (Turin), 1713–1770 | 11091 | 247 | 1663 |1713 | 1763 |1770 | ca. 1755 | 1750 | 1760 | 22912 | Overall: 149 × 58 1/2 × 10 in. (378.5 × 148.6 × 25.4 cm) | Gift of Irwin Untermyer, 1964 | 185 | http://www.metmuseum.org/art/collection/search/203886 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
117504 | 1976.155.11 | 0 | 1 | 206412 | 3 | 818 | Snuffbox | 114 | 39 | Miniature after a painting by | Daniel Govaers (or Gouers)|Rosalba Carriera | French, master 1717, active 1736|Italian, Venice 1673–1757 Venice | 11511 | 247 | 1681 |1673 | 1766 |1757 | 1732–38 | 1732 | 1738 | 21406 | Overall: 1 × 3 5/16 × 2 5/16 in. (2.5 × 8.4 × 5.9 cm) | Gift of Mr. and Mrs. Charles Wrightsman, 1976 | 326 | http://www.metmuseum.org/art/collection/search/206412 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
161103 | 1981.1229.94 | 0 | 0 | 263274 | 13 | 13002 | Notice sur la Vie de Marc Antoine Raimondi, Graveur Bolonais. Accompagnée de Reproductions Photographiques de Quelques unes de ses Estampes par M. Benjamin Delessert | 13 | François-Benjamin-Maria Delessert|Marcantonio Raimondi | French, 1817–1868|Italian, Argini (?) ca. 1480–before 1534 Bologna (?) | 14026 | 247 | 1817 |1475 | 1868 |1534 | 1850s | 1850 | 1859 | 26131 | Robert O. Dougan Collection, Gift of Warner Communications Inc., 1981 | 442 | http://www.metmuseum.org/art/collection/search/263274 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
206478 | 20.70 | 0 | 1 | 333822 | 11 | 731 | Virgin kneeling before Christ | 13 | Designed by | Pierre Brebiette|Andrea del Sarto (Andrea d'Agnolo) | French, Mantes-sur-Seine ca. 1598–1642 Paris|Italian, Florence 1486–1530 Florence | 17320 | 247 | 1598 |1486 | 1642 |1530 | 1610–42 | 1610 | 1642 | 26137 | Sheet: 8 15/16 x 7 1/8 in. (22.7 x 18.1cm) | Gift of Colonel James Barnes, 1920 | 13 | http://www.metmuseum.org/art/collection/search/333822 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206820 | 53.600.3013 | 0 | 0 | 334164 | 11 | 731 | St. Barnaby | 13 | Designed by | Pierre Brebiette|Paolo Veronese (Paolo Caliari) | French, Mantes-sur-Seine ca. 1598–1642 Paris|Italian, Verona 1528–1588 Venice | 17434 | 247 | 1598 |1528 | 1642 |1588 | n.d. | 1528 | 1642 | 26137 | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/334164 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
207089 | 1986.1180.495 | 0 | 0 | 334437 | 11 | 731 | Le Cardinal Hippolyte de Médicis | 1068 | After | Pierre Audouin|Hippolyte de Médici|Titian (Tiziano Vecellio) | French, Paris 1768–1822 Paris|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice | 17550 | 247 | 1768 |1511 |1485 | 1822 |1535 |1576 | 1800–1822 | 1800 | 1822 | 7208 | Plate: 5 3/4 x 7 3/4 in. (14.6 x 19.7cm) | Bequest of Grace M. Pugh, 1985 | 13 | http://www.metmuseum.org/art/collection/search/334437 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
207095 | 1986.1180.527 | 0 | 1 | 334443 | 11 | 731 | Jacob Draws Water for Rachel's Animals (Jacob abreuve le troupeau de Rachel) | 13 | After | Claude Mellan|Paolo Veronese (Paolo Caliari) | French, Abbeville 1598–1688 Paris|Italian, Verona 1528–1588 Venice | 17553 | 247 | 1598 |1528 | 1688 |1588 | 1600 | 1688 | 7208 | sheet: 15 1/8 x 16 3/4 in. (38.4 x 42.6 cm) | Bequest of Grace M. Pugh, 1985 | 13 | http://www.metmuseum.org/art/collection/search/334443 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
208222 | 1998.177a, b | 0 | 1 | 335581 | 11 | 23 | Venus and Cupid in a Landscape, after Annibale Carracci (recto); A Warrior Holding a Shield and Sword, Seen from the Back (verso) | 13 | after | Théodore Gericault|Annibale Carracci | French, Rouen 1791–1824 Paris|Italian, Bologna 1560–1609 Rome | 18130 | 247 | 1791 |1560 | 1824 |1609 | 1816–17 | 1816 | 1817 | 29969 | 8-1/2 x 11-1/4 in. (21.6 x 28.6 cm) | Gift of Leonardo Mondadori, in memory of his mother Mimma Mondadori, 1998 | 9 | http://www.metmuseum.org/art/collection/search/335581 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209193 | 49.97.570 | 0 | 1 | 336570 | 11 | 731 | Cadmus fighting the Dragon | 13 | after | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | ca. 1540–45 | 1535 | 1550 | 26137 | Sheet: 9 13/16 in. × 12 in. (25 × 30.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/336570 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209437 | 49.49.24 | 0 | 1 | 336818 | 11 | 731 | Pieta | 13 | After | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1535–55 | 1535 | 1555 | 26137 | Sheet (trimmed): 13 in. × 11 5/16 in. (33 × 28.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/336818 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209438 | 49.95.190 | 0 | 1 | 336819 | 11 | 731 | Cleopatra Bitten By an Asp | 13 | After | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1535–55 | 1535 | 1555 | 26137 | Sheet (trimmed): 16 1/4 × 11 15/16 in. (41.2 × 30.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/336819 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209439 | 49.97.604 | 0 | 1 | 336820 | 11 | 731 | Cleopatra Bitten by an Asp | 13 | After | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1535–55 | 1535 | 1555 | 26137 | Sheet (trimmed): 16 5/16 in. × 12 in. (41.4 × 30.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/336820 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209440 | 65.589 | 0 | 1 | 336821 | 11 | 731 | Combat of Naked Men | 13 | After | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1535–55 | 1535 | 1555 | 26137 | Sheet (trimmed): 11 11/16 × 17 13/16 in. (29.7 × 45.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1965 | 13 | http://www.metmuseum.org/art/collection/search/336821 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209441 | 49.97.606 | 0 | 1 | 336822 | 11 | 731 | Venus Bathing Attended by Nymphs | 13 | After | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1535–55 | 1535 | 1555 | 26137 | Sheet (trimmed): 12 1/2 × 9 1/2 in. (31.7 × 24.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/336822 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209442 | 49.95.195 | 0 | 1 | 336823 | 11 | 731 | Adoration of the Magi | 13 | After | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | ca. 1545 | 1540 | 1560 | 26137 | Sheet (trimmed): 12 3/8 × 16 5/8 in. (31.5 × 42.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/336823 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209443 | 37.42.28 | 0 | 1 | 336824 | 11 | 731 | The Judgment of Paris | 13 | After | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1535–55 | 1535 | 1555 | 26137 | Sheet (trimmed): 12 1/4 × 16 13/16 in. (31.1 × 42.7 cm) | Harris Brisbane Dick Fund, 1937 | 13 | http://www.metmuseum.org/art/collection/search/336824 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209444 | 17.3.1494 | 0 | 1 | 336825 | 11 | 731 | The Judgment of Paris | 13 | After | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1535–55 | 1535 | 1555 | 26137 | Mount: 10 15/16 in. × 7 9/16 in. (27.8 × 19.2 cm) Sheet (trimmed): 7 3/8 × 5 1/4 in. (18.8 × 13.3 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/336825 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209445 | 32.92.6 | 0 | 1 | 336826 | 11 | 731 | The Abduction of Helen | 13 | after | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1535–55 | 1535 | 1555 | 26137 | 12 1/2 x 16 5/8 in. (31.8 x 42.3 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/336826 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209446 | 49.95.191 | 0 | 1 | 336827 | 11 | 731 | The Abduction of Helen | 13 | After | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1535–55 | 1535 | 1555 | 26137 | Sheet (trimmed): 12 7/16 × 16 7/8 in. (31.6 × 42.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/336827 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209447 | 24.63.1097 | 0 | 0 | 336828 | 11 | 731 | Battle Before Troy | 13 | after | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1535–55 | 1535 | 1555 | 29198 | 12 1/2 x 17 3/8 in. (31.8 x 44.1 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/336828 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209448 | 49.95.1903 | 0 | 1 | 336829 | 11 | 731 | Battle Before Troy | 13 | After | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1535–55 | 1535 | 1555 | 26137 | Sheet (trimmed): 12 5/8 × 17 5/8 in. (32 × 44.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/336829 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209449 | 24.63.1099 | 0 | 1 | 336830 | 11 | 731 | The Treacherous Sinon Brought into the Trojan's Camp by the Shepherds | 13 | After | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1535–55 | 1535 | 1555 | 26137 | Sheet (trimmed): 12 3/8 × 17 1/2 in. (31.5 × 44.5 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/336830 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209450 | 49.95.194 | 0 | 1 | 336831 | 11 | 731 | The Treacherous Sinon Brought into the Trajan's Camp by the Shepherds | 13 | After | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1535–55 | 1535 | 1555 | 26137 | Sheet (trimmed): 12 11/16 × 17 7/16 in. (32.2 × 44.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/336831 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209451 | 32.92.9 | 0 | 1 | 336832 | 11 | 731 | The Trojans Bring the Wooden Horse into Their City | 13 | after | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1535–55 | 1535 | 1555 | 26137 | 12 15/16 x 17 9/16 in. (32.9 x 44.6 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/336832 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209523 | 24.63.1098 | 0 | 1 | 336904 | 11 | 731 | The Sack of Troy | 13 | After | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1535–55 | 1535 | 1555 | 26137 | Sheet (trimmed): 12 11/16 × 17 5/16 in. (32.3 × 44 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/336904 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209524 | 1989.1012 | 0 | 1 | 336905 | 11 | 731 | Women Bathing | 13 | after | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1535–55 | 1535 | 1555 | 26137 | Sheet: 17 13/16 × 24 3/4 in. (45.3 × 62.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1989 | 13 | http://www.metmuseum.org/art/collection/search/336905 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209525 | 32.92.10 | 0 | 0 | 336906 | 11 | 731 | Marcus Curtius Plunging into a Chasm | 13 | after | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1535–55 | 1535 | 1555 | 29198 | 12 7/8 x 18 7/8 in. (32.7 x 47.9 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/336906 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209526 | 49.95.388 | 0 | 0 | 336907 | 11 | 731 | Adoration of the Magi | 13 | after | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1535–55 | 1535 | 1555 | 29198 | 13 7/16 x 18 1/2 in. (34.1 x 47 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/336907 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209527 | 59.600.263 | 0 | 0 | 336908 | 11 | 731 | St. Michael Fighting the Rebellious Angels | 13 | after | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1535–55 | 1535 | 1555 | 29198 | 23 1/2 x 16 7/16 in. (59.7 x 41.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/336908 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209528 | 59.599.12 | 0 | 1 | 336909 | 11 | 731 | The Last Judgment | 13 | after | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1535–55 | 1535 | 1555 | 26137 | Sheet (trimmed): 13 9/16 × 17 15/16 in. (34.4 × 45.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/336909 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209529 | 32.92.8 | 0 | 1 | 336910 | 11 | 731 | The Death of Adonis | 13 | After | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1544 | 1544 | 1544 | 26137 | 11 1/4 x 9 1/2 in. (28.5 x 24.2 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/336910 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209567 | 1970.242.1 | 0 | 1 | 336948 | 11 | 23 | Study for the Muse Urania | 54 | Formerly attributed to | Michel Dorigny|Francesco Solimena | French, Saint-Quentin 1616/17–1665 Paris|Italian, Canale di Serino 1657–1747 Barra | 18579 | 247 | 1616 |1657 | 1665 |1747 | mid-17th century | 1630 | 1665 | 29220 | 11 9/16 x 14 7/8 in. (29.3 x 37.8 cm) | Rogers Fund, 1970 | 9 | http://www.metmuseum.org/art/collection/search/336948 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209698 | 66.219 | 0 | 1 | 337079 | 11 | 23 | St. Michael Casting Down Lucifer, after Pier Francesco Mola | 13 | after | Louis Jean Jacques Durameau|Pier Francesco Mola | French, Paris 1733–1796 Versailles|Italian, Coldrerio 1612–1666 Rome | 18622 | 247 | 1733 |1612 | 1796 |1666 | 18th century | 1745 | 1796 | 29390 | 10 3/8 x 6 1/16 in. (26.3 x 15.4 cm) | Rogers Fund, 1966 | 9 | http://www.metmuseum.org/art/collection/search/337079 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209699 | 1984.352 | 0 | 1 | 337080 | 11 | 23 | The Last Communion of St. Mary Magdalen, after Benedetto Luti | 13 | after | Louis Jean Jacques Durameau|Benedetto Luti | French, Paris 1733–1796 Versailles|Italian, Florence 1666–1724 Rome | 18623 | 247 | 1733 |1666 | 1796 |1724 | ca. 1761–64 | 1756 | 1769 | 30791 | 13 x 9 7/16 in. (33 x 23.9 cm) | Purchase, David L. Klein, Jr., Memorial Foundation, Inc., Gift, 1984 | 9 | http://www.metmuseum.org/art/collection/search/337080 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209719 | 1987.239 | 0 | 1 | 337100 | 11 | 23 | Saint Celestine V Renouncing the Papacy, after Mattia Preti | 13 | After | Jean Honoré Fragonard|Mattia Preti (Il Cavalier Calabrese) | French, Grasse 1732–1806 Paris|Italian, Taverna 1613–1699 Valletta | 18633 | 247 | 1732 |1613 | 1806 |1699 | 1761 | 1761 | 1761 | 30806 | 7 11/16 x 7 5/8 in. (19.5 x 19.3 cm.) | Gift of Dr. and Mrs. John C. Weber, 1987 | 9 | http://www.metmuseum.org/art/collection/search/337100 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209800 | 49.97.554 | 0 | 1 | 337182 | 11 | 731 | Calliope | 157 | 13 | After | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | ca. 1542–45 | 1537 | 1550 | 26137 | Sheet (trimmed): 8 3/4 × 6 9/16 in. (22.3 × 16.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337182 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
209801 | 1972.631 | 0 | 1 | 337183 | 11 | 731 | Nymph Watching a Heron Flying Away | 13 | After | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | ca. 1542–45 | 1537 | 1550 | 26137 | Sheet (trimmed): 5 11/16 × 9 15/16 in. (14.5 × 25.3 cm) | Joseph Pulitzer Bequest and Gift of William H. Riggs, by exchange, 1972 | 13 | http://www.metmuseum.org/art/collection/search/337183 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209803 | 49.97.558 | 0 | 1 | 337185 | 11 | 731 | Terpsichore | 157 | 13 | After | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | ca. 1542–45 | 1537 | 1550 | 26137 | Sheet (trimmed): 8 3/4 × 6 15/16 in. (22.3 × 17.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337185 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
209804 | 49.97.556 | 0 | 1 | 337186 | 11 | 731 | Erato | 157 | 13 | After | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | ca. 1540–45 | 1535 | 1550 | 26137 | Sheet (trimmed): 9 1/16 × 6 7/8 in. (23 × 17.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337186 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
209913 | 27.78.2(201) | 0 | 1 | 337295 | 11 | 731 | Circe and the Companions of Ulysses | 13 | After | Léon Davent|Parmigianino (Girolamo Francesco Maria Mazzola) | French, active 1540–56|Italian, Parma 1503–1540 Casalmaggiore | 18692 | 247 | 1540 |1503 | 1556 |1540 | ca. 1540–45 | 1535 | 1550 | 26137 | Harris Brisbane Dick Fund, 1927 | 13 | http://www.metmuseum.org/art/collection/search/337295 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
209986 | 24.63.1088 | 0 | 1 | 337368 | 11 | 731 | The Rape of Europa | 13 | After | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | ca. 1542–45 | 1537 | 1550 | 26137 | Sheet (trimmed): 9 3/16 × 8 1/4 in. (23.3 × 21 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/337368 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209987 | 49.97.565 | 0 | 1 | 337369 | 11 | 731 | Bellona Seated on her Trophies | 13 | After | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | ca. 1540–45 | 1535 | 1550 | 26137 | Sheet (trimmed): 6 1/16 × 7 5/16 in. (15.4 × 18.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337369 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209991 | 49.97.566 | 0 | 1 | 337373 | 11 | 731 | Mars seated on his Trophies | 13 | After | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | ca. 1542–45 | 1537 | 1550 | 26137 | Sheet (trimmed): 6 1/8 × 7 13/16 in. (15.5 × 19.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337373 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209993 | 49.97.571 | 0 | 1 | 337375 | 11 | 731 | Hercules Fighting Aboard The Argonauts' Ship | 13 | after | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | ca. 1542–45 | 1537 | 1550 | 26137 | Sheet (trimmed): 9 3/16 × 13 5/8 in. (23.3 × 34.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337375 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209994 | 49.97.550 | 0 | 1 | 337376 | 11 | 731 | Achilles Removing Patroclus' Body From the Battle | 13 | After | Léon Davent|Giulio Romano | French, active 1540–56|Italian, Rome 1499?–1546 Mantua | 18716 | 247 | 1540 |1499 | 1556 |1546 | ca. 1547 | 1540 | 1550 | 26137 | sheet: 14 5/16 x 23 1/4 in. (36.3 x 59.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337376 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209995 | 51.501.756 | 0 | 0 | 337377 | 11 | 731 | Achilles Removing Patroclus's Body from the Battle | 13 | after | Léon Davent|Giulio Romano | French, active 1540–56|Italian, Rome 1499?–1546 Mantua | 18716 | 247 | 1540 |1499 | 1556 |1546 | ca. 1540–45 | 1535 | 1550 | 26137 | 14 1/8 x 23 1/8 in. (35.9 x 58.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/337377 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209996 | 32.92.4 | 0 | 1 | 337378 | 11 | 731 | Jupiter and Antiope | 13 | After | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | ca. 1540–45 | 1535 | 1550 | 26137 | Sheet: 6 9/16 × 10 1/8 in. (16.6 × 25.7 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/337378 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209998 | 28.91.31 | 0 | 1 | 337380 | 11 | 731 | Alexander Mastering Bucephalus | 13 | After | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | ca. 1540–45 | 1535 | 1550 | 26137 | Sheet: 14 1/2 × 9 3/4 in. (36.8 × 24.7 cm) Plate (oval): 13 3/4 in. × 9 1/8 in. (35 × 23.2 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/337380 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209999 | 49.95.1899 | 0 | 1 | 337381 | 11 | 731 | Alexander Mastering Bucephalus | 13 | After | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | ca. 1540–45 | 1535 | 1550 | 26137 | Sheet (trimmed): 13 3/16 × 8 11/16 in. (33.5 × 22 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337381 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210003 | 49.95.1879 | 0 | 1 | 337385 | 11 | 731 | Timocleia Before Alexander | 13 | After | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | ca. 1540–45 | 1535 | 1550 | 26137 | Sheet (trimmed/oval): 12 15/16 × 8 1/2 in. (32.8 × 21.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337385 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210008 | 49.95.1906 | 0 | 0 | 337390 | 11 | 731 | The Apostles Looking at Christ and the Virgin in a Glory of Angels (top left plate) | 13 | after | Léon Davent|Giulio Romano | French, active 1540–56|Italian, Rome 1499?–1546 Mantua | 18716 | 247 | 1540 |1499 | 1556 |1546 | 1546 | 1546 | 1546 | 26137 | 15 3/4 x 21 1/8 in. (40 x 53.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337390 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210009 | 49.97.547 | 0 | 1 | 337391 | 11 | 731 | The Apostles looking at Christ and the Virgin in a Glory of Angels (top left plate) | 13 | after | Léon Davent|Giulio Romano | French, active 1540–56|Italian, Rome 1499?–1546 Mantua | 18716 | 247 | 1540 |1499 | 1556 |1546 | 1546 | 1546 | 1546 | 26137 | 15 11/16 x 21 in. (39.8 x 53.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337391 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210010 | 49.95.288 | 0 | 1 | 337392 | 11 | 731 | The Apostles Looking at Christ and the Virgin in a Glory of Angels (top right plate) | 13 | after | Léon Davent|Giulio Romano | French, active 1540–56|Italian, Rome 1499?–1546 Mantua | 18716 | 247 | 1540 |1499 | 1556 |1546 | 1546 | 1546 | 1546 | 26137 | 16 3/16 x 21 9/16 in. (41.1 x 54.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337392 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210011 | 49.97.548 | 0 | 0 | 337393 | 11 | 731 | The Apostles Looking at Christ and the Virgin in a Glory of Angels (top right plate) | 13 | after | Léon Davent|Giulio Romano | French, active 1540–56|Italian, Rome 1499?–1546 Mantua | 18716 | 247 | 1540 |1499 | 1556 |1546 | 1546 | 1546 | 1546 | 26137 | 15 13/16 x 21 9/16 in. (40.1 x 54.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337393 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210012 | 49.97.545 | 0 | 1 | 337394 | 11 | 731 | The Apostles Looking at Christ and the Virgin in a Glory of Angels (bottom left plate) | 13 | after | Léon Davent|Giulio Romano | French, active 1540–56|Italian, Rome 1499?–1546 Mantua | 18716 | 247 | 1540 |1499 | 1556 |1546 | 1546 | 1546 | 1546 | 26137 | 14 15/16 x 21 9/16 in. (37.9 x 54.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337394 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210013 | 49.97.546 | 0 | 1 | 337395 | 11 | 731 | The Apostles Looking at Christ and the Virgin in a Glory of Angels (bottom right plate) | 13 | after | Léon Davent|Giulio Romano | French, active 1540–56|Italian, Rome 1499?–1546 Mantua | 18716 | 247 | 1540 |1499 | 1556 |1546 | 1546 | 1546 | 1546 | 26137 | 15 3/16 x 21 11/16 in. (38.5 x 55.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337395 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210068 | 27.78.2(192) | 0 | 1 | 337450 | 11 | 731 | Sacred Conversation (Madonna and Child with Saints) | 13 | After | Léon Davent|Parmigianino (Girolamo Francesco Maria Mazzola) | French, active 1540–56|Italian, Parma 1503–1540 Casalmaggiore | 18692 | 247 | 1540 |1503 | 1556 |1540 | ca. 1540–45 | 1535 | 1550 | 26137 | 9 7/16 x 7 1/4 in. (23.9 x 18.4 cm) | Harris Brisbane Dick Fund, 1927 | 13 | http://www.metmuseum.org/art/collection/search/337450 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210069 | 59.570.322 | 0 | 1 | 337451 | 11 | 731 | Virgin and Child with Saints | 13 | After | Léon Davent|Parmigianino (Girolamo Francesco Maria Mazzola) | French, active 1540–56|Italian, Parma 1503–1540 Casalmaggiore | 18692 | 247 | 1540 |1503 | 1556 |1540 | ca. 1550–56 | 1545 | 1561 | 26137 | Sheet (trimmed): 9 5/8 × 7 3/8 in. (24.5 × 18.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/337451 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210070 | 59.596.28 | 0 | 1 | 337452 | 11 | 731 | Sacred Conversation | 13 | After | Léon Davent|Parmigianino (Girolamo Francesco Maria Mazzola) | French, active 1540–56|Italian, Parma 1503–1540 Casalmaggiore | 18692 | 247 | 1540 |1503 | 1556 |1540 | ca. 1550–56 | 1545 | 1561 | 26137 | Sheet (trimmed): 9 1/2 × 7 3/16 in. (24.1 × 18.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/337452 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210071 | 49.95.193 | 0 | 1 | 337453 | 11 | 731 | Men Gathered Around a Camel | 13 | After | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | ca. 1540–56 | 1535 | 1561 | 26137 | Sheet (trimmed): 12 1/2 × 17 1/16 in. (31.8 × 43.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337453 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210072 | 49.97.579 | 0 | 1 | 337454 | 11 | 731 | Men Gathered Around a Camel | 13 | after | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | mid-16th century | 1540 | 1556 | 26137 | Sheet (trimmed): 13 1/16 × 17 5/16 in. (33.1 × 44 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337454 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210073 | 24.63.1089 | 0 | 1 | 337455 | 11 | 731 | A Sacrifice | 13 | After | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | 1540–56 | 1540 | 1556 | 26137 | Sheet (trimmed): 8 9/16 × 17 7/16 in. (21.7 × 44.3 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/337455 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210074 | 49.95.293 | 0 | 1 | 337456 | 11 | 731 | A Sacrifice | 13 | after | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | mid-16th century | 1540 | 1556 | 26137 | Sheet (trimmed): 8 1/4 × 16 1/8 in. (21 × 41 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337456 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210075 | 49.97.563 | 0 | 1 | 337457 | 11 | 731 | Standing Nude Woman | 13 | After | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | 1540–56 | 1540 | 1556 | 26137 | Sheet (trimmed): 10 15/16 × 5 11/16 in. (27.8 × 14.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337457 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210076 | 32.92.3 | 0 | 1 | 337458 | 11 | 731 | Venus in Vulcan's Forge | 13 | After | Léon Davent|Luca Penni | French, active 1540–56|Italian, Florence 1500/1504–1557 Paris | 18733 | 247 | 1540 |1500 | 1556 |1557 | 1546-47 | 1546 | 1547 | 26137 | plate: 12 15/16 x 17 11/16 in. (32.8 x 45 cm) sheet: 13 1/8 x 18 1/16 in. (33.4 x 45.8 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/337458 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210077 | 41.72(2.11) | 0 | 1 | 337459 | 11 | 731 | Speculum Romanae Magnificentiae: Capital of Composite Order | 13 | After | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | mid-16th century | 1540 | 1556 | 26137 | Sheet: 11 1/2 x 13 in. (29.2 x 33 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/337459 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210078 | 49.97.573 | 0 | 1 | 337460 | 11 | 731 | Death of Adonis | 13 | after | Léon Davent|Luca Penni | French, active 1540–56|Italian, Florence 1500/1504–1557 Paris | 18733 | 247 | 1540 |1500 | 1556 |1557 | 1540–56 | 1540 | 1556 | 26137 | Sheet (trimmed): 10 15/16 × 15 9/16 in. (27.8 × 39.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337460 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210081 | 49.97.544 | 0 | 1 | 337463 | 11 | 731 | Mary Magdalene Carried to Heaven | 13 | after | Léon Davent|Giulio Romano | French, active 1540–56|Italian, Rome 1499?–1546 Mantua | 18716 | 247 | 1540 |1499 | 1556 |1546 | mid-16th century | 1540 | 1556 | 26137 | Sheet (trimmed): 12 15/16 × 10 1/2 in. (32.9 × 26.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337463 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210082 | 1983.1097 | 0 | 1 | 337464 | 11 | 731 | Mary Magdalen carried to Heaven | 13 | Designed by | Anonymous, French, School of Fontainebleau, 16th century|Giulio Romano | Italian, Rome 1499?–1546 Mantua | 18736 | 247 | 1500 |1499 | 1600 |1546 | ca. 1544 | 1540 | 1560 | 26137 | 11 13/16 x 13 3/8in. (30 x 34cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1983 | 13 | http://www.metmuseum.org/art/collection/search/337464 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210084 | 49.95.1895 | 0 | 1 | 337466 | 11 | 731 | Mars and Venus Being Served at Table by Cupid | 13 | after | Léon Davent|Luca Penni | French, active 1540–56|Italian, Florence 1500/1504–1557 Paris | 18733 | 247 | 1540 |1500 | 1556 |1557 | 1540–56 | 1540 | 1556 | 26137 | Sheet (trimmed): 11 1/8 × 16 3/4 in. (28.2 × 42.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337466 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210085 | 49.95.383 | 0 | 1 | 337467 | 11 | 731 | Camillus Arriving at the Moment When the Romans Atone for Their Pillage | 13 | After | Léon Davent|Luca Penni | French, active 1540–56|Italian, Florence 1500/1504–1557 Paris | 18733 | 247 | 1540 |1500 | 1556 |1557 | 1540–56 | 1540 | 1556 | 26137 | Sheet (trimmed): 11 1/4 × 15 3/8 in. (28.6 × 39.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337467 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210086 | 49.97.564 | 0 | 1 | 337468 | 11 | 731 | Jupiter Surrounded by Other Gods Carrying Branches | 13 | after | Léon Davent|Luca Penni | French, active 1540–56|Italian, Florence 1500/1504–1557 Paris | 18733 | 247 | 1540 |1500 | 1556 |1557 | 1547 | 1547 | 1547 | 26137 | Sheet (trimmed): 16 5/16 × 10 15/16 in. (41.5 × 27.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337468 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210087 | 49.95.1897 | 0 | 1 | 337469 | 11 | 731 | Adonis Pursuing Calydon's Boar | 176 | 13 | After | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | 1547 | 1547 | 1547 | 26137 | Sheet (trimmed): 12 5/16 × 15 9/16 in. (31.2 × 39.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337469 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
210088 | 49.95.1896 | 0 | 1 | 337470 | 11 | 731 | Diana and Her Nymphs Pursuing a Stag | 176 | 13 | After | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | 1547 | 1547 | 1547 | 26137 | Sheet (trimmed): 12 11/16 × 15 7/16 in. (32.2 × 39.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337470 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
210089 | 29.49.12 | 0 | 1 | 337471 | 11 | 731 | Fishing Scene | 177 | 13 | After | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | 1547 | 1547 | 1547 | 26137 | Sheet (trimmed/oval): 11 1/2 × 13 3/8 in. (29.2 × 34 cm) | Gift of Burton Emmett. 1929 | 13 | http://www.metmuseum.org/art/collection/search/337471 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
210090 | 40.7 | 0 | 1 | 337472 | 11 | 731 | Fishing Scene | 176 | 13 | After | Léon Davent|Francesco Primaticcio | French, active 1540–56|Italian, Bologna 1504/5–1570 Paris | 18480 | 247 | 1540 |1504 | 1556 |1570 | 1547 | 1547 | 1547 | 26137 | Sheet (trimmed): 12 1/16 × 14 1/16 in. (30.7 × 35.7 cm) | Harris Brisbane Dick Fund, 1940 | 13 | http://www.metmuseum.org/art/collection/search/337472 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
210252 | 59.596.33 | 0 | 1 | 337634 | 11 | 731 | Christ in Limbo | 13 | After | Léon Davent|Luca Penni | French, active 1540–56|Italian, Florence 1500/1504–1557 Paris | 18733 | 247 | 1540 |1500 | 1556 |1557 | 1546-47 | 1546 | 1547 | 26137 | Sheet (trimmed): 14 5/8 × 11 3/16 in. (37.1 × 28.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/337634 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
210253 | 49.50.212 | 0 | 1 | 337635 | 11 | 731 | Justice, frontispiece | 179 | 13 | After | Léon Davent|Luca Penni | French, active 1540–56|Italian, Florence 1500/1504–1557 Paris | 18733 | 247 | 1540 |1500 | 1556 |1557 | ca. 1550–55 | 1545 | 1560 | 26137 | Sheet (trimmed/oval): 10 5/16 × 11 9/16 in. (26.2 × 29.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337635 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
210254 | 49.95.297 | 0 | 1 | 337636 | 11 | 731 | Avarice | 179 | 13 | After | Léon Davent|Luca Penni | French, active 1540–56|Italian, Florence 1500/1504–1557 Paris | 18733 | 247 | 1540 |1500 | 1556 |1557 | ca. 1550–55 | 1545 | 1560 | 26137 | Sheet (trimmed/oval): 10 1/4 × 11 7/16 in. (26 × 29 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337636 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
210255 | 54.640.10 | 0 | 1 | 337637 | 11 | 731 | Avarice | 180 | 13 | after | Léon Davent|Luca Penni | French, active 1540–56|Italian, Florence 1500/1504–1557 Paris | 18733 | 247 | 1540 |1500 | 1556 |1557 | ca. 1547 | 1542 | 1552 | 26137 | Sheet (trimmed): 12 1/16 × 18 1/8 in. (30.6 × 46 cm) | Harris Brisbane Dick Fund and The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, by exchange, 1954 | 13 | http://www.metmuseum.org/art/collection/search/337637 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
210256 | 49.95.298 | 0 | 1 | 337638 | 11 | 731 | Envy | 179 | 13 | After | Léon Davent|Luca Penni | French, active 1540–56|Italian, Florence 1500/1504–1557 Paris | 18733 | 247 | 1540 |1500 | 1556 |1557 | ca. 1550–55 | 1545 | 1560 | 26137 | Sheet (trimmed/oval): 10 5/8 × 11 13/16 in. (27 × 30 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337638 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
210257 | 49.95.299 | 0 | 1 | 337639 | 11 | 731 | Anger | 179 | 13 | After | Léon Davent|Luca Penni | French, active 1540–56|Italian, Florence 1500/1504–1557 Paris | 18733 | 247 | 1540 |1500 | 1556 |1557 | ca. 1550–55 | 1545 | 1560 | 26137 | Sheet (trimmed/oval): 10 1/4 × 11 7/16 in. (26 × 29 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337639 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
210258 | 49.50.213 | 0 | 1 | 337640 | 11 | 731 | Lust | 179 | 13 | After | Léon Davent|Luca Penni | French, active 1540–56|Italian, Florence 1500/1504–1557 Paris | 18733 | 247 | 1540 |1500 | 1556 |1557 | ca. 1550–55 | 1545 | 1560 | 26137 | Sheet (trimmed/oval): 10 13/16 × 11 15/16 in. (27.5 × 30.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337640 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
210259 | 49.50.214 | 0 | 1 | 337641 | 11 | 731 | Sloth | 179 | 13 | After | Léon Davent|Luca Penni | French, active 1540–56|Italian, Florence 1500/1504–1557 Paris | 18733 | 247 | 1540 |1500 | 1556 |1557 | ca. 1550–55 | 1545 | 1560 | 26137 | Sheet (trimmed/oval): 10 9/16 × 11 3/4 in. (26.8 × 29.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/337641 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
210551 | 32.92.27(1) | 0 | 1 | 337935 | 11 | 731 | Susanna and the Elders | 13 | After | René Boyvin|Giulio Romano | French, Angers ca. 1525–1598 or 1625/6 Angers|Italian, Rome 1499?–1546 Mantua | 18881 | 247 | 1525 |1499 | 1598 |1546 | 1525 | 1598 | 30370 | Sheet: 12 3/8 x 8 13/16 in. (31.5 x 22.4 cm) | Purchase, Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/337935 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
212412 | 61.5.2 | 0 | 1 | 339806 | 11 | 23 | Standing Warrior | 55 | Formerly attributed to | Carle (Antoine Charles Horace) Vernet|Bartolomeo Pinelli | French, Bordeaux 1758–1836 Paris|Italian, Rome 1781–1835 Rome | 19560 | 247 | 1758 |1781 | 1836 |1835 | n.d. | 1795 | 1835 | 32140 | 12 1/8 x 9 7/8 in. (30.8 x 20.5 cm) | Rogers Fund, 1960 | 9 | http://www.metmuseum.org/art/collection/search/339806 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
212446 | 1972.118.237 | 0 | 1 | 339840 | 11 | 23 | Landscape with an Old Woman Holding a Spindle, after Domenico Campagnola | 13 | after | Antoine Watteau|Domenico Campagnola | French, Valenciennes 1684–1721 Nogent-sur-Marne|Italian, Venice (?) 1500–1564 Padua | 19569 | 247 | 1684 |1500 | 1721 |1564 | ca. 1715 | 1710 | 1720 | 30872 | 8 1/8 x 12 1/2 in. (20.6 x 31.8 cm) | Bequest of Walter C. Baker, 1971 | 9 | http://www.metmuseum.org/art/collection/search/339840 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
214497 | 1994.536.2 | 0 | 0 | 341919 | 11 | 731 | Death of Saint Francis Xavier | 13 | After | Anonymous, French, 18th century|Ludovico Gimignani | Italian, Rome 1643–1697 Zagarolo | 20088 | 247 | 1700 |1643 | 1800 |1697 | ca. 1700–1800 | 1700 | 1800 | 33183 | 19 7/8 x 12 3/16 in. (50.5 x 31 cm) | Gift of Otto Naumann, 1994 | 13 | http://www.metmuseum.org/art/collection/search/341919 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
214505 | 47.100.923 | 0 | 0 | 341927 | 11 | 731 | Mystic Marriage of Saint Catherine | 13 | After | Constant-Louis-Antoine Lorichon|Correggio (Antonio Allegri) | French, born Paris, 1800|Italian, Correggio, active by 1514–died 1534 Correggio | 20091 | 247 | 1800 |1514 | 1534 | 1825 | 1825 | 1825 | 7208 | Plate: 17 3/16 × 14 1/2 in. (43.6 × 36.8 cm) Sheet: 24 3/4 in. × 19 in. (62.8 × 48.3 cm) | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/341927 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
214825 | 61.532.42 | 0 | 0 | 342248 | 11 | 731 | Fall of the Rebel Angels | 13 | After | Jean Mignon|Luca Penni | French, active 1535–ca. 1555|Italian, Florence 1500/1504–1557 Paris | 18538 | 247 | 1535 |1500 | 1555 |1557 | 1535–55 | 1535 | 1555 | 7208 | 23 13/16 x 17 1/2 in. (60.5 x 44.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1961 | 13 | http://www.metmuseum.org/art/collection/search/342248 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
215900 | 2000.635.9 | 0 | 0 | 343329 | 11 | 731 | Vero e novo disegno di Frascati con tutte le ville convicine | 710 | attributed to|Published by | Dominique Barrière|Giovanni Giacomo De Rossi | French, Marseille 1610–1678|Italian, Rome 1627–1691 Rome | 20385 | 247 | 1610 |1627 | 1678 |1691 | ca. 1630–78 | 1625 | 1683 | 26137 | 17 x 22 in. (43.2 x 55.9 cm) | Gift of Gray Foy in memory of Leo Lerman, 2000 | 13 | http://www.metmuseum.org/art/collection/search/343329 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
215907 | 2001.29 | 0 | 0 | 343337 | 11 | 731 | Christ Holding the Cross, after Michelangelo's Statue in Santa Maria sopra Minerva, Rome | 13 | Engraved by|After sculpture by | Nicolas Beatrizet|Michelangelo Buonarroti | French, Lunéville 1515–ca. 1566 Rome (?)|Italian, Caprese 1475–1564 Rome | 20389 | 247 | 1515 |1475 | 1566 |1564 | ca. 1540–77 | 1535 | 1582 | 30349 | 17 1/4 x 8 7/16 in. (43.8 x 21.4 cm) trimmed to/within platemark | Purchase, funds from various donors, 2001 | 571 | 13 | http://www.metmuseum.org/art/collection/search/343337 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
215971 | 2001.120 | 0 | 1 | 343401 | 11 | 23 | Bacchanal | 54 | Formerly attributed to | Michel Dorigny|Giulio Carpioni | French, Saint-Quentin 1616/17–1665 Paris|Italian, Venice 1613–1678 Venice | 20414 | 247 | 1616 |1613 | 1665 |1678 | 17th century | 1625 | 1665 | 33604 | 11 3/16 x 8 3/16 in. (28.4 x 20.8 cm) | Purchase, Stephen A. Geiger Gift and Harry G. Sperling Fund, 2001 | 9 | http://www.metmuseum.org/art/collection/search/343401 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
217498 | 36.84.1 | 0 | 0 | 344991 | 11 | 97 | I Vestigi dell'Antichitá di Roma Raccolti et Ritratti in Perspettiva con Ogni Diligentia da Stefano Du Perac | 710 | Etienne DuPérac|Lorenzo Vaccari | French, ca. 1535–1604|Italian, active Rome, ca. 1575–1608 | 21234 | 247 | 1535 |1575 | 1604 |1608 | 1575 | 1575 | 1575 | 7208 | Overall: 10 5/8 x 16 1/8 x 13/16 in. (27 x 41 x 2 cm) | Harris Brisbane Dick Fund, 1936 | 571 | 442 | http://www.metmuseum.org/art/collection/search/344991 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
217827 | 30.58.5(154-166) | 0 | 0 | 345323 | 11 | 97 | Nova Raccolta di Vaire, E Diverse Sorti Di Fiori | 710 | Published by | Jacques Bailly|De Rossi | French, Graçay 1629–1679 Paris | 21501 | 247 | 1629 | 1679 | 1681 | 1681 | 1681 | Harris Brisbane Dick Fund, 1930 | 571 | 442 | http://www.metmuseum.org/art/collection/search/345323 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
218316 | 27.88.1 | 0 | 0 | 345820 | 11 | 1119 | The Works of Della Bella [scrapbook title] | 1306 | Published by|Etched by | Pierre Mariette le fils|Stefano della Bella | French, Paris 1634–1716 Paris|Italian, Florence 1610–1664 Florence | 21752 | 247 | 1634 |1610 | 1716 |1664 | n.d. | 1645 | 1716 | 26137 | Gift of Carl J. Ulmann, 1927 | 27 | 462 | http://www.metmuseum.org/art/collection/search/345820 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
218429 | 24.51.1 | 0 | 0 | 345934 | 11 | 97 | Sermoni Devotissimi | 44 | Written by|Published by | Saint Bernard of Clairvaux|Piero de Quarengi | French, 1090/91–1153 | 21832 | 247 | 1090 | 1153 | March 17, 1508 | 1508 | 1508 | Harris Brisbane Dick Fund, 1924 | 276 | 442 | http://www.metmuseum.org/art/collection/search/345934 | 4/23/2018 8:00:01 AM | 1 |