MetObjects

Data license: CC0 · Data source: metmuseum/openaccess

Custom SQL query returning 101 rows (hide)

Query parameters

rowidObject NumberIs HighlightIs Public DomainObject IDDepartmentObject NameTitleCulturePeriodDynastyReignPortfolioArtist RoleArtist PrefixArtist Display NameArtist Display BioArtist SuffixArtist Alpha SortArtist NationalityArtist Begin DateArtist End DateObject DateObject Begin DateObject End DateMediumDimensionsCredit LineGeography TypeCityStateCountyCountryRegionSubregionLocaleLocusExcavationRiverClassificationRights and ReproductionLink ResourceRepository
77306 2004.148a–e 0 0 101600 8 5908 Tuxedo 36         23 Textile manufactured by A. Schiraldi of Napoli|Harrods, Ltd. Italian|British, founded London, 1834   6460 234 1834 2099 1962 1962 1962 17455   Gift of Mr. and Mrs. Jack Clopper, 2004                           1
166088 36.37 0 1 268303 13 1119 Album di disegni fotogenici           13 Likely Sebastiano Tassinari|William Henry Fox Talbot Italian, 1814–1888|British, Dorset 1800–1877 Lacock   14831 234 1814 |1800 1888 |1800 1839–40 1839 1840 26131 28.5 x 22 cm (11 1/4 x 8 11/16 in. ) Harris Brisbane Dick Fund, 1936                       441   1
184841 36.37 (2) 0 1 289191 13 13050 [Manuscript Letter from W. H. Fox Talbot to Antonio Bertoloni]           944   Antonio Bertoloni|William Henry Fox Talbot Italian, 1775–1869|British, Dorset 1800–1877 Lacock   16475 234 1775 |1800 1869 |1800 1839 1839 1839 26471 Sheet: 30 x 37.4 cm (11 13/16 x 14 3/4 in.) Harris Brisbane Dick Fund, 1936                       460   1
184851 36.37 (12) 0 1 289201 13 13050 [Manuscript Letter from W. H. Fox Talbot to Antonio Bertoloni]           944   Antonio Bertoloni|William Henry Fox Talbot Italian, 1775–1869|British, Dorset 1800–1877 Lacock   16475 234 1775 |1800 1869 |1800 1839 1839 1839 26471 Sheet: 22.7 x 37.2 cm (8 15/16 x 14 5/8 in.) Harris Brisbane Dick Fund, 1936                       460   1
184857 36.37 (18) 0 1 289207 13 13050 [Manuscript Letter from William-Fox Strangways to Antonio Bertoloni]           944   Antonio Bertoloni|William Thomas Horner Fox-Strangways Italian, 1775–1869|British, 1795–1865   16476 234 1775 |1795-05-07 1869 |1865-01-10 1839 1839 1839 26471 Sheet: 23.2 x 36.8 cm (9 1/8 x 14 1/2 in.) Harris Brisbane Dick Fund, 1936                       460   1
184868 36.37 (30) 0 1 289218 13 13050 [Manuscript Letter from W. H. Fox Talbot to Antonio Bertoloni]           944   Antonio Bertoloni|William Henry Fox Talbot Italian, 1775–1869|British, Dorset 1800–1877 Lacock   16475 234 1775 |1800 1869 |1800 1840 1840 1840 26471 Sheet: 22.6 x 37.6 cm (8 7/8 x 14 13/16 in.) Harris Brisbane Dick Fund, 1936                       460   1
206709 36.31.6 0 0 334053 11 13811 Vases and Tripods on Twelve Plates           1009 Designed and etched by Placido Columbani|Isaac Taylor, I Italian, born 1744, active to 1801|British, Worcester 1730–1807 Edmonton, Greater London   17377 234 1744 |1730 1801 |1807 1760–1810 1760 1810 28943 9 1/16 x 7 5/8 x 5/16 in. (23 x 19.4 x 0.8 cm) Harris Brisbane Dick Fund, 1936   14                   665   1
220235 25.76.3 0 0 347768 11 13811 New Book of Ornaments Containing a Variety of Elegant Designs for Modern Panels           1009   Placido Columbani|Isaac Taylor, I Italian, born 1744, active to 1801|British, Worcester 1730–1807 Edmonton, Greater London   17377 234 1744 |1730 1801 |1807 February 15, 1775 1775 1775 34430 12 3/8 x 9 13/16 x 9/16 in. (31.5 x 25 x 1.5 cm) Harris Brisbane Dick Fund, 1925   14                   665   1
220236 52.519.47 0 0 347769 11 97 Variety of Capitals, Freezes, and Corniches...           1009 Designed and engraved by Placido Columbani|Isaac Taylor, I Italian, born 1744, active to 1801|British, Worcester 1730–1807 Edmonton, Greater London   17377 234 1744 |1730 1801 |1807 1776 1776 1776 34157 10 7/16 x 14 3/16 x 3/8 in. (26.5 x 36 x 1 cm) Rogers Fund, 1952   14                   442   1
227260 64.543 0 0 354877 11 97 Repertorium sculptile-typicum: or a complete collection and explanation of the several marks and cyphers by which the best engravers are distinguished...           44 S. G. for Pellegrini Antonio Orlandi|Sam Hardin Italian, Bologna 1660–1727|London   28210 234 1660 |1700 1727 |1750 1730 1730 1730 33876 6 5/16 x 4 1/8 in. (16 x 10.5 cm) Gift of Ludwig Ries, 1964                       442   1
228592 46.83 0 0 356228 11 97 Iconologia:or Moral Emblems by Caesar Ripa           710   Cesare Ripa|Benjamin Motte Italian, Perugia ca. 1555–probably 1622 Rome|British, died 1710   29128 234 1555 |1710 1622 |1710 1709 1709 1709 28942 9 1/4 x 7 5/16 in. (23.5 x 18.5 cm) Harris Brisbane Dick Fund, 1946   14                   442   1
229233 49.25.2 0 0 356878 11 97 Sculptura-Historico-Technica: or, the History and Art of Engraving           44   Filippo Baldinucci|J. Marks Italian, Florence 1625–1697 Florence|British   29595 234 1625 |1700 1697 |1800 1770 1770 1770 28942 7 x 4 7/16 x 7/8 in. (17.8 x 11.2 x 2.3 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949   14                   442   1
229341 38.11 0 0 356994 11 97 Fleurs Et Masques           44   Gino Severini|Etchells & Macdonald Italian, Cortona 1883–1966 Paris|London   29676 234 1883 |1924 1966 |2024 1930 1930 1930     Harris Brisbane Dick Fund, 1938                       442 © 2018 Artists Rights Society (ARS), New York 1
231402 21.15.2bis(1-48) 0 0 359138 11 13839 Ornamento delle belle & virtuose donne           1265   Matteo Pagano|Lloyd, Wallis & Lloyd Italian, 1515–1588|British, active London after 1821 , Venice 30841 234 1515 |1821 1588 |1900 1554 1554 1554 26552 Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm) Rogers Fund, 1921                       679   1
236924 67.763.7 0 0 364888 11 97 Sketches of the Interior & Temporary Decorations in Woolley-Hall, Yorkshire           1917   Augostino Aglio, the elder|Charles Joseph Hullmandel Italian, Cremona 1777–1857 London|British, London 1789–1850 London   32406 234 1777 |1789 1857 |1850 1821 1821 1821 28996 19 1/2 x 14 x 3/8 in. (49.5 x 35.5 x 1 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967                       442   1
239300 17.65.1 0 1 367367 11 731 The Circle of the Lustful: Paolo and Francesca, from Dante's Inferno, Canto V           162 Illustrates Dante Alighieri|William Blake Italian, Florence ca. 1265–1321 Ravenna|British, London 1757–1827 London   33070 234 1265 |1757 1321 |1827 ca. 1825–27 1820 1832 7208 plate: 9 7/16 x 13 1/4 in. (24 x 33.7 cm) sheet: 10 3/4 x 13 13/16 in. (27.3 x 35.1 cm) frame: 18 x 24 in. (45.7 x 61 cm) Rogers Fund, 1917                       13   1
241600 1984.1032 0 0 369745 11 731 The Conclusion of the Treaty of Troyes           13 Engraved by|After Francesco Bartolozzi|William Hamilton Italian, Florence 1728–1815 Lisbon|British, London 1751–1801 London   33659 234 1728 |1751 1815 |1801 1788 1788 1788 38474 sheet: 12 11/16 x 15 7/8 in. (32.3 x 40.3 cm) Gift of Helen N. Tausky From the Collection of Alexander R. Tausky, 1984                       13   1
247588 64.682.97 0 1 375877 11 731 A riding school, a horseman with sword jumping directed by another man with a sword in center, a man standing next to his horse to right, various horsemen, the school, and two dogs in the background, from 'Varie figure'         956 710   Stefano della Bella|H. R. Young Italian, Florence 1610–1664 Florence|British, active 1818–24   34970 234 1610 |1780 1664 |1850 ca. 1645 1640 1650 39570 Sheet: 4 1/4 × 6 1/4 in. (10.8 × 15.8 cm) Gift of Harry G. Friedman, 1964                       13   1
248181 17.3.887-36 0 0 376483 11 731 Henry and Emma           13 After Francesco Bartolozzi|John Opie Italian, Florence 1728–1815 Lisbon|British, St. Agnes, Cornwall 1761–1807 London   35132 234 1728 |1761 1815 |1807 1796 1796 1796 39657 sheet: 17 5/8 x 12 7/8 in. (44.8 x 32.7 cm) Harris Brisbane Dick Fund, 1917                       13   1
248236 17.3.756–2016 0 0 376538 11 731 John Williams, known as Anthony Pasquin           972 Portrait of Francesco Bartolozzi|John Williams [Anthony Pasquin] Italian, Florence 1728–1815 Lisbon|British, 1754–1818   35163 234 1728 |1754 1815 |1818 1796 1796 1796 39678 image: 3 7/16 x 2 13/16 in. (8.7 x 7.1 cm) sheet: 6 5/8 x 4 1/2 in. (16.8 x 11.4 cm) Harris Brisbane Dick Fund, 1917                       13   1
248306 17.3.3235 0 0 376608 11 731 Orange Girl           13 After Francesco Bartolozzi|John Hodges Benwell Italian, Florence 1728–1815 Lisbon|British, Blenheim 1764–1785 London   35197 234 1728 |1764 1815 |1785 February 2, 1787 1787 1787 39700 oval image: 8 7/16 x 6 1/2 in. (21.4 x 16.5 cm) sheet: 10 1/2 x 7 3/8 in. (26.7 x 18.7 cm) (clipped impression) Harris Brisbane Dick Fund, 1917                       13   1
248310 17.3.2675 0 0 376612 11 731 Fonrose           13 After Francesco Bartolozzi|John Hodges Benwell Italian, Florence 1728–1815 Lisbon|British, Blenheim 1764–1785 London   35197 234 1728 |1764 1815 |1785 1764–1815 1764 1815 39702 oval image: 10 x 7 1/8 in. (25.4 x 18.1 cm) sheet: 11 3/4 x 8 9/16 in. (29.8 x 21.7 cm) Harris Brisbane Dick Fund, 1917                       13   1
248324 69.582.4 0 0 376626 11 731 Frontispiece to Leonora           13 After Francesco Bartolozzi|Lady Diana Beauclerk Italian, Florence 1728–1815 Lisbon|British, 1734–1808   35207 234 1728 |1734 1815 |1808 1796 1796 1796 39706 image: 11 9/16 x 8 3/4 in. (29.4 x 22.2 cm) sheet: 16 5/8 x 11 7/16 in. (42.2 x 29.1 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959                       13   1
248331 24.90.1487 0 0 376633 11 731 Serena           13 After Francesco Bartolozzi|John Hodges Benwell Italian, Florence 1728–1815 Lisbon|British, Blenheim 1764–1785 London   35197 234 1728 |1764 1815 |1785 February 1, 1785 1785 1785 39710 oval image: 4 1/8 x 3 3/16 in. (10.5 x 8.1 cm) sheet: 4 5/16 x 3 5/16 in. (11 x 8.4 cm) (clipped impression) Bequest of Charles Allen Munn, 1924                       13   1
248332 41.128.5 0 0 376634 11 731 Weeping Cupid           13 After Francesco Bartolozzi|Lady Diana Beauclerk Italian, Florence 1728–1815 Lisbon|British, 1734–1808   35207 234 1728 |1734 1815 |1808 1796 1796 1796 37906 sheet: 5 3/8 x 4 3/16 in. (13.6 x 10.6 cm) Gift of Bessie Potter Vonnoh, 1941                       13   1
248335 23.60.42 0 0 376637 11 731 The Girl and the Kitten           13 After Francesco Bartolozzi|Sir Joshua Reynolds Italian, Florence 1728–1815 Lisbon|British, Plympton 1723–1792 London   35213 234 1728 |1723 1815 |1792 1900–23 1900 1923 39691   Rogers Fund, Transfered from the Library, 1923                       13   1
248523 17.3.756–2014 0 0 376827 11 731 Dr. Isaac Watts           972 Portrait of Francesco Bartolozzi|Isaac Watts Italian, Florence 1728–1815 Lisbon|British, 1674–1748   35264 234 1728 |1674 1815 |1748 1765–1800 1765 1800 39754 image: 4 3/4 x 2 3/4 in. (12.1 x 7 cm) plate: 6 1/2 x 4 1/16 in. (16.5 x 10.3 cm) sheet: 6 3/4 x 4 5/16 in. (17.1 x 11 cm) Harris Brisbane Dick Fund, 1917                       13   1
248524 17.3.2695 0 0 376828 11 731 Finis Plate from Captain James Cook's Voyages to the Pacific           709 Written by Francesco Bartolozzi|Captain James Cook Italian, Florence 1728–1815 Lisbon|British, 1728–1779   35265 234 1728 |1728 1815 |1779 1795 1795 1795 37906 image: 2 5/16 x 3 1/2 in. (5.9 x 8.9 cm) sheet: 7 1/4 x 7 3/4 in. (18.4 x 19.7 cm) Harris Brisbane Dick Fund, 1917                       13   1
248525 17.3.529 0 0 376829 11 731 Cupid Holding an Arrow and Approaching a Child Holding a Club, within a Leafy Frame Centered on a Faun Mask           13 After Francesco Bartolozzi|Lady Diana Beauclerk Italian, Florence 1728–1815 Lisbon|British, 1734–1808   35207 234 1728 |1734 1815 |1808 June 4, 1797 1797 1797 39755 plate: 5 7/8 x 6 3/4 in. (14.9 x 17.1 cm) sheet: 5 7/8 x 7 3/8 in. (14.9 x 18.7 cm) Harris Brisbane Dick Fund, 1917                       13   1
248529 17.3.402 0 0 376833 11 731 Head of Young Bacchus (for title page, Satires and Biography by Anthony Pasquin)           13 After Francesco Bartolozzi|Thomas Stothard Italian, Florence 1728–1815 Lisbon|British, London 1755–1834 London   35267 234 1728 |1755 1815 |1834 1796 1796 1796 6712 sheet: 8 5/8 x 5 3/16 in. (21.9 x 13.2 cm) Harris Brisbane Dick Fund, 1917                       13   1
248530 17.3.2678 0 0 376834 11 731 Seaside Scene with Bathing Machines, from "The New Brighton Guide" by Anthony Pasquin           13 After Francesco Bartolozzi|John Williams [Anthony Pasquin] Italian, Florence 1728–1815 Lisbon|British, 1754–1818   35163 234 1728 |1754 1815 |1818 1796 1796 1796 29744 plate: 2 15/16 x 3 9/16 in. (7.4 x 9 cm) sheet: 4 3/4 x 5 7/8 in. (12 x 15 cm) Harris Brisbane Dick Fund, 1917                       13   1
248540 17.3.390 0 0 376844 11 731 Genius Unveiling Nature, Ticket for Walker's Lectures           13 After Francesco Bartolozzi|William Hamilton Italian, Florence 1728–1815 Lisbon|British, London 1751–1801 London   33659 234 1728 |1751 1815 |1801 1794 1794 1794 30931 sheet: 5 1/4 x 3 9/16 in. (13.3 x 9 cm) Harris Brisbane Dick Fund, 1917                       13   1
248541 17.3.887-75 0 0 376845 11 731 The Prisoner, Frontispiece to "Ode, Inscribed to John Howard, Esq. F.R.S., author of The state of English and Foreign Prisons," by William Hayley, Esq.           709 Written by Francesco Bartolozzi|William Hayley Italian, Florence 1728–1815 Lisbon|British, 1745–1820   35274 234 1728 |1745 1815 |1820 1782 1782 1782 30931 sheet: 6 3/4 x 5 1/8 in. (17.1 x 13 cm) Harris Brisbane Dick Fund, 1917                       13   1
248544 17.3.3442(109) 0 0 376848 11 731 Misery (Dying Man)           13 After Francesco Bartolozzi|Raphael Lamar West Italian, Florence 1728–1815 Lisbon|British, London 1769–1850 Bushey Heath   35277 234 1728 |1769 1815 |1850 1801 1801 1801 39704 sheet: 4 1/2 x 5 3/16 in. (11.4 x 13.2 cm) Harris Brisbane Dick Fund, 1917                       13   1
248560 1986.1180.620 0 1 376867 11 731 Bust of a Pole         987 13 After Stefano della Bella|Peregrine Lovell Italian, Florence 1610–1664 Florence|British, active 1646–47   35285 234 1610 |1646 1664 |1647 after 1641 1641 1700 39767 Sheet: 4 1/16 × 3 11/16 in. (10.3 × 9.4 cm) Bequest of Grace M. Pugh, 1985                       13   1
248567 1986.1180.621 0 1 376874 11 731 Two Heads of Old Soldiers           13 After|Etched by ? Stefano della Bella|Peregrine Lovell Italian, Florence 1610–1664 Florence|British, active 1646–47   35285 234 1610 |1646 1664 |1647 after 1641 1641 1700 26137 Sheet (trimmed): 3 7/8 × 7 7/8 in. (9.9 × 20 cm) Bequest of Grace M. Pugh, 1985                       13   1
248579 24.63.1127 0 0 376887 11 731 Types of Lines and Thirteen Eyes, from Principles of Beauty Relative to the Human Head           13 Designed and published by Francesco Bartolozzi|Alexander Cozens Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London   35289 234 1728 |1717 1815 |1786 April 10, 1777 1777 1777 29129 sheet: 18 11/16 x 13 in. (47.5 x 33 cm) Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924                       13   1
248580 24.63.1128 0 0 376888 11 731 The Sensible, or Wise Beauty (Beauté Spirituelle), from Principles of Beauty Relative to the Human Head           13 Designed and published by Francesco Bartolozzi|Alexander Cozens Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London   35289 234 1728 |1717 1815 |1786 April 10, 1777 1777 1777 29129 sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924                       13   1
248581 24.63.1129 0 0 376889 11 731 The Steady Beauty (Beauté Déterminée), from Principles of Beauty Relative to the Human Head           13 Designed and published by Francesco Bartolozzi|Alexander Cozens Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London   35289 234 1728 |1717 1815 |1786 April 10, 1777 1777 1777 29129 sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924                       13   1
248582 24.63.1130 0 0 376890 11 731 The Spirited Beauty (Beauté Vive), from Principles of Beauty Relative to the Human Head           13 Designed and published by Francesco Bartolozzi|Alexander Cozens Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London   35289 234 1728 |1717 1815 |1786 April 10, 1777 1777 1777 29129 sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924                       13   1
248583 24.63.1131 0 0 376891 11 731 The Haughty Beauty (Beauté Fière), from Principles of Beauty Relative to the Human Head           13 Designed and published by Francesco Bartolozzi|Alexander Cozens Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London   35289 234 1728 |1717 1815 |1786 April 10, 1777 1777 1777 29129 sheet: 13 1/4 in. (33.7 cm) Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924                       13   1
248584 24.63.1132 0 0 376892 11 731 The Melancholy Beauty (Beauté Mélancholique), from Principles of Beauty Relative to the Human Head           13 Designed and published by Francesco Bartolozzi|Alexander Cozens Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London   35289 234 1728 |1717 1815 |1786 April 10, 1777 1777 1777 29129 sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924                       13   1
248585 24.63.1133 0 0 376893 11 731 The Tender Beauty (Beauté Sensible), from Principles of Beauty Relative to the Human Head           13 Designed and published by Francesco Bartolozzi|Alexander Cozens Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London   35289 234 1728 |1717 1815 |1786 April 10, 1777 1777 1777 29129 sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924                       13   1
248586 24.63.1134 0 0 376894 11 731 The Modest Beauty (Beauté Timide), from Principles of Beauty Relative to the Human Head           13 Designed and published by Francesco Bartolozzi|Alexander Cozens Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London   35289 234 1728 |1717 1815 |1786 April 10, 1777 1777 1777 29129 sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924                       13   1
248587 24.63.1135 0 0 376895 11 731 The Languid, or Delicate Beauty (Beauté Languissante), from Principles of Beauty Relative to the Human Head           13 Designed and published by Francesco Bartolozzi|Alexander Cozens Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London   35289 234 1728 |1717 1815 |1786 April 10, 1777 1777 1777 29129 sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924                       13   1
248588 24.63.1136 0 0 376896 11 731 The Penetrating Beauty (Beauté Intelligente), from Principles of Beauty Relative to the Human Head           13 Designed and published by Francesco Bartolozzi|Alexander Cozens Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London   35289 234 1728 |1717 1815 |1786 April 10, 1777 1777 1777 29129 sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924                       13   1
248589 24.63.1137 0 0 376897 11 731 The Engaging Beauty (Beauté Prévenante), from Principles of Beauty Relative to the Human Head           13 Designed and published by Francesco Bartolozzi|Alexander Cozens Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London   35289 234 1728 |1717 1815 |1786 April 10, 1777 1777 1777 29129 sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924                       13   1
248590 24.63.1138 0 0 376898 11 731 The Good Natured Beauty (Beauté Douce), from Principles of Beauty Relative to the Human Head           13 Designed and published by Francesco Bartolozzi|Alexander Cozens Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London   35289 234 1728 |1717 1815 |1786 April 10, 1777 1777 1777 29129 sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924                       13   1
248591 24.63.1139 0 0 376899 11 731 The Timid Beauty (Beauté Craintive), from Principles of Beauty Relative to the Human Head           13 Designed and published by Francesco Bartolozzi|Alexander Cozens Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London   35289 234 1728 |1717 1815 |1786 April 10, 1777 1777 1777 29129 sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924                       13   1
248592 24.63.1140 0 0 376900 11 731 The Cheerful Beauty (Beauté Gaie), from Principles of Beauty Relative to the Human Head           13 Designed and published by Francesco Bartolozzi|Alexander Cozens Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London   35289 234 1728 |1717 1815 |1786 April 10, 1777 1777 1777 29129 sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924                       13   1
248593 24.63.1141 0 0 376901 11 731 The Artful Beauty (Beauté Fine), from Principles of Beauty Relative to the Human Head           13 Designed and published by Francesco Bartolozzi|Alexander Cozens Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London   35289 234 1728 |1717 1815 |1786 April 10, 1777 1777 1777 29129 sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924                       13   1
248595 17.3.2794 0 0 376903 11 731 Putto Pointing to a Panel of Twleve Ears           13   Francesco Bartolozzi|Thomas Holloway Italian, Florence 1728–1815 Lisbon|British, London 1748–1827 Coltishall, Norfolk   35290 234 1728 |1748 1815 |1827 1786 1786 1786 37022 sheet: 3 3/4 x 4 3/4 in. (9.5 x 12 cm) Harris Brisbane Dick Fund, 1917                       13   1
248596 63.540.12 0 0 376904 11 731 Putto Pointing to a Panel of Twelve Ears           13   Francesco Bartolozzi|Thomas Holloway Italian, Florence 1728–1815 Lisbon|British, London 1748–1827 Coltishall, Norfolk   35290 234 1728 |1748 1815 |1827 1786 1786 1786 39770 plate: 3 9/16 x 4 1/8 in. (9 x 10.4 cm) sheet: 5 11/16 x 8 1/8 in. (14.5 x 20.6 cm) Harris Brisbane Dick Fund, 1917                       13   1
248615 24.63.1126 0 0 376923 11 731 Twelve Noses and Six Mouths, from Principles of Beauty Relative to the Human Head           13 Designed and published by Francesco Bartolozzi|Alexander Cozens Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London   35289 234 1728 |1717 1815 |1786 April 10, 1777 1777 1777 29129 sheet: 12 5/8 in. (32 cm) Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924                       13   1
248617 48.166 0 0 376925 11 731 A Nest of Cupids           710 Attributed to|Published by Francesco Bartolozzi|Anthony Molteno Italian, Florence 1728–1815 Lisbon|London   35302 234 1728 |1770 1815 |1810 May 10, 1804 1804 1804 39710 sheet: 13 7/16 x 16 in. (34.2 x 40.7 cm) Gift of A. Chapin Rogers, 1948                       13   1
248623 17.3.451 0 1 376931 11 731 Demosthenes, Cicero and William Pitt, Earl of Chatham           972 Attributed to Francesco Bartolozzi|William Pitt, 1st Earl of Chatham Italian, Florence 1728–1815 Lisbon|British, 1708–1778   35305 234 1728 |1708 1815 |1778 1750–1815 1750 1815 6712 plate: 9 9/16 x 6 5/16 in. (24.3 x 16.1 cm) sheet: 10 3/16 x 6 5/8 in. (25.8 x 16.9 cm) Harris Brisbane Dick Fund, 1917                       13   1
248624 17.3.887-50 0 0 376932 11 731 Ma Chère Ami           13 Attributed to|After Francesco Bartolozzi|William Hamilton Italian, Florence 1728–1815 Lisbon|British, London 1751–1801 London   33659 234 1728 |1751 1815 |1801 1765–1800 1765 1800 39683 sheet: 6 5/16 x 5 3/16 in. (16 x 13.1 cm) Harris Brisbane Dick Fund, 1917                       13   1
248625 17.3.2692 0 0 376933 11 731 Thalia Weeping Over the Portrait of Samuel Foote: "Weep Thaly Weep"           972 Portrait of Francesco Bartolozzi|Samuel Foote Italian, Florence 1728–1815 Lisbon|British, baptized Truro, Cornwall 1721–1777 Dover   35306 234 1728 |1721 1815 |1777 ca. 1777 1772 1782 26137 plate: 4 1/8 x 4 9/16 in. (10.5 x 11.6 cm) sheet: 4 3/4 x 5 5/16 in. (12 x 13.5 cm) Harris Brisbane Dick Fund, 1917                       13   1
248702 17.3.756–973 0 0 377070 11 731 Michaelangelo           13 Attributed to|After Francesco Bartolozzi|Henry Howard Italian, Florence 1728–1815 Lisbon|British, London 1769–1847 Oxford   35333 234 1728 |1769 1815 |1847 1765–1800 1765 1800 37370 plate: 12 3/16 x 7 11/16 in. (31 x 19.5 cm) sheet: 18 1/2 x 12 1/2 in. (47 x 31.8 cm) Harris Brisbane Dick Fund, 1917                       13   1
248816 17.3.2699 0 0 377227 11 731 Infant Hercules           710 Published by Francesco Bartolozzi|William Dickinson Italian, Florence 1728–1815 Lisbon|British, 1746–1823 , London 35360 234 1728 |1746 1815 |1823 May 25, 1785 1785 1785 6712 Sheet: 4 9/16 × 3 3/16 in. (11.6 × 8.1 cm) Harris Brisbane Dick Fund, 1917                       13   1
248818 17.3.2697 0 0 377229 11 731 Apollo and Mercury as Infants           13 After Francesco Bartolozzi|Edward Francis Burney Italian, Florence 1728–1815 Lisbon|British, Worcester 1760–1848 London   35362 234 1728 |1760 1815 |1848 1797 1797 1797 37022 Plate: 4 1/4 × 6 in. (10.8 × 15.2 cm) Sheet: 4 15/16 × 6 13/16 in. (12.5 × 17.3 cm) Harris Brisbane Dick Fund, 1917                       13   1
248837 17.3.887-18 0 0 377248 11 731 History           710 Published London by Francesco Bartolozzi|Thomas Tomkins Italian, Florence 1728–1815 Lisbon|British, 1743–1816 London   35374 234 1728 |1743 1815 |1816 May 18, 1793 1793 1793 6712 Sheet: 4 15/16 × 3 9/16 in. (12.5 × 9 cm) Harris Brisbane Dick Fund, 1917                       13   1
248838 17.3.543 0 0 377249 11 731 History           710 Published London by Francesco Bartolozzi|Thomas Tomkins Italian, Florence 1728–1815 Lisbon|British, 1743–1816 London   35374 234 1728 |1743 1815 |1816 May 18, 1793 1793 1793 6712 Sheet: 5 3/16 × 3 15/16 in. (13.2 × 10 cm) Harris Brisbane Dick Fund, 1917                       13   1
249509 53.600.1890(1) 0 0 377952 11 731 Domestic Happiness – Laetitia with her Parents           13 Attributed to|After Francesco Bartolozzi|George Morland Italian, Florence 1728–1815 Lisbon|British, London 1763–1804 London   35504 234 1728 |1763 1815 |1804 after 1811 1811 1811 35946 Sheet (trimmed within plate): 16 11/16 x 11 7/8 in. (42.4 x 30.1 cm) Harris Brisbane Dick Fund, 1953                       13   1
249511 53.600.1890(2) 0 0 377954 11 731 The Elopement – Laetitia seduced from her Friends under a promise of Marriage           13 Attributed to|After Francesco Bartolozzi|George Morland Italian, Florence 1728–1815 Lisbon|British, London 1763–1804 London   35504 234 1728 |1763 1815 |1804 after 1811 1811 1811 35946 Sheet: 17 5/16 × 12 15/16 in. (44 × 32.9 cm) Harris Brisbane Dick Fund, 1953                       13   1
249512 53.600.1890(3) 0 0 377955 11 731 The Virtuous Parent – Laetitia endeavours in vain by presents to reconcile her Parents           13 Attributed to|After Francesco Bartolozzi|George Morland Italian, Florence 1728–1815 Lisbon|British, London 1763–1804 London   35504 234 1728 |1763 1815 |1804 after 1811 1811 1811 35946 Plate: 18 × 13 5/16 in. (45.7 × 33.8 cm) Sheet: 18 1/4 × 13 3/8 in. (46.3 × 34 cm) Harris Brisbane Dick Fund, 1953                       13   1
249513 53.600.1890(4) 0 0 377956 11 731 Dressing for the Masquerade – Laetitia flees from reflection to public entertainments           13 Attributed to|After Francesco Bartolozzi|George Morland Italian, Florence 1728–1815 Lisbon|British, London 1763–1804 London   35504 234 1728 |1763 1815 |1804 after 1811 1811 1811 35946 Sheet (trimmed within plate): 18 in. × 13 3/16 in. (45.7 × 33.5 cm) Harris Brisbane Dick Fund, 1953                       13   1
249514 53.600.1890(5) 0 0 377957 11 731 The Tavern Door – Laetitia deserted by her Seducer is thrown upon the town           13 Attributed to|After Francesco Bartolozzi|George Morland Italian, Florence 1728–1815 Lisbon|British, London 1763–1804 London   35504 234 1728 |1763 1815 |1804 after 1811 1811 1811 35946 Plate: 17 3/16 × 13 1/4 in. (43.7 × 33.7 cm) Sheet: 17 11/16 × 13 11/16 in. (45 × 34.8 cm) Harris Brisbane Dick Fund, 1953                       13   1
249515 53.600.1890(6) 0 0 377958 11 731 The Fair Penitent – Laetitia in penitence finds relief and protection from her Parents           13 Attributed to|After Francesco Bartolozzi|George Morland Italian, Florence 1728–1815 Lisbon|British, London 1763–1804 London   35504 234 1728 |1763 1815 |1804 after 1811 1811 1811 35946 Sheet: 17 7/16 in. × 13 in. (44.3 × 33 cm) Harris Brisbane Dick Fund, 1953                       13   1
254901 17.65.2 0 1 383529 11 731 The Circle of Corrupt Officials: The Devils Tormenting Ciampolo, from Dante's Inferno, Canto XXII           162 Illustrates Dante Alighieri|William Blake Italian, Florence ca. 1265–1321 Ravenna|British, London 1757–1827 London   33070 234 1265 |1757 1321 |1827 ca. 1825–27 1820 1832 7208 plate: 9 3/8 x 13 1/4 in. (23.8 x 33.7 cm) sheet: 10 9/16 x 13 9/16 in. (26.8 x 34.4 cm) Rogers Fund, 1917                       13   1
262931 62.602.273 0 0 391870 11 731 Seated Female Figure reaching upwards           13 After Parmigianino (Girolamo Francesco Maria Mazzola)|Arthur Pond Italian, Parma 1503–1540 Casalmaggiore|British, London 1701–1758 London   38259 234 1503 |1701 1540 |1758 1720–58 1720 1758 42347 sheet: 5 11/16 x 4 3/16 in. (14.4 x 10.6 cm) Rogers Fund, 1962                       13   1
262932 62.602.275 0 0 391871 11 731 Two Figure Studies           13 After Parmigianino (Girolamo Francesco Maria Mazzola)|Arthur Pond Italian, Parma 1503–1540 Casalmaggiore|British, London 1701–1758 London   38259 234 1503 |1701 1540 |1758 1715–58 1715 1758 42347 sheet: 6 x 7 1/2 in. (15.2 x 19 cm) Rogers Fund, 1962                       13   1
262933 62.602.272 0 0 391872 11 731 Compositional Study           13 After Parmigianino (Girolamo Francesco Maria Mazzola)|Arthur Pond Italian, Parma 1503–1540 Casalmaggiore|British, London 1701–1758 London   38259 234 1503 |1701 1540 |1758 1734 1734 1734 26137 sheet: 6 1/2 x 7 7/16 in. (16.5 x 18.9 cm) Rogers Fund, 1962                       13   1
262934 62.602.276 0 0 391873 11 731 Seated Male Figure           13 After Parmigianino (Girolamo Francesco Maria Mazzola)|Arthur Pond Italian, Parma 1503–1540 Casalmaggiore|British, London 1701–1758 London   38259 234 1503 |1701 1540 |1758 1715–58 1715 1758 26137 sheet: 7 1/16 x 7 1/4 in. (18 x 18.4 cm) Rogers Fund, 1962                       13   1
263614 53.600.2040 0 1 392560 11 731 Il Gobbo dei Carracci           13 After Annibale Carracci|Arthur Pond Italian, Bologna 1560–1609 Rome|British, London 1701–1758 London   38402 234 1560 |1701 1609 |1758 1736 1736 1736 42450 sheet: 11 5/8 x 7 5/8 in. (29.6 x 19.4 cm) Harris Brisbane Dick Fund, 1953                       13   1
267163 51.501.2997 0 1 396203 11 731 Virgin and Child           895 After Simone Cantarini|Robert Laurie|Robert Sayer Italian, Pesaro 1612–1648 Verona|British, London 1755–1836 Broxbourne, Hertfordshire|British, Sunderland 1725–1794 Bath   39427 234 1612 |1755 |1725 1648 |1836 |1794 1772 1772 1772 29072 Sheet: 14 13/16 x 10 7/8 in. (37.7 x 27.7 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951                       13   1
267167 51.501.3203 0 1 396207 11 731 A female figure seated beside a flower vase           710 After Simone Cantarini|John Boydell Italian, Pesaro 1612–1648 Verona|British, Shropshire 1720–1804 London   39430 234 1612 |1720 1648 |1804 1775 1775 1775 26137 sheet: 8 3/16 x 6 1/16 in. (20.8 x 15.4 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951                       13   1
267168 51.501.3204 0 1 396208 11 731 Seated woman with a putto           710 After Simone Cantarini|John Boydell Italian, Pesaro 1612–1648 Verona|British, Shropshire 1720–1804 London   39430 234 1612 |1720 1648 |1804 1775 1775 1775 26137 sheet: 8 1/2 x 6 9/16 in. (21.6 x 16.7 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951                       13   1
267169 51.501.3205 0 1 396209 11 731 Virgin and Child           710 After Simone Cantarini|John Boydell Italian, Pesaro 1612–1648 Verona|British, Shropshire 1720–1804 London   39430 234 1612 |1720 1648 |1804 1775 1775 1775 26137 Sheet: 7 x 6 11/16 in. (17.8 x 17 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951                       13   1
267170 51.501.3206 0 1 396210 11 731 Woman with a book           710 After Simone Cantarini|John Boydell Italian, Pesaro 1612–1648 Verona|British, Shropshire 1720–1804 London   39430 234 1612 |1720 1648 |1804 1775 1775 1775 26137 sheet: 7 11/16 x 4 15/16 in. (19.5 x 12.6 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951                       13   1
267171 51.501.3207 0 1 396211 11 731 Virgin and Child           710 After Simone Cantarini|John Boydell Italian, Pesaro 1612–1648 Verona|British, Shropshire 1720–1804 London   39430 234 1612 |1720 1648 |1804 1775 1775 1775 26137 Sheet: 5 5/16 x 3 15/16 in. (13.5 x 10 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951                       13   1
267172 51.501.3208 0 1 396212 11 731 Virgin and Child           710 After Simone Cantarini|John Boydell Italian, Pesaro 1612–1648 Verona|British, Shropshire 1720–1804 London   39430 234 1612 |1720 1648 |1804 1775 1775 1775 26137 Sheet: 5 5/16 x 4 5/16 in. (13.5 x 11 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951                       13   1
267175 17.3.2854 0 1 396215 11 731 Apollo wearing a mantle and holding a laurel branch and violin           4208 After Simone Cantarini|John Boydell|Victor Marie Picot Italian, Pesaro 1612–1648 Verona|British, Shropshire 1720–1804 London|French, Monthières 1744–1802 Amiens   39433 234 1612 |1720 |1744 1648 |1804 |1802 1784 1784 1784 6712 Sheet: 8 1/8 x 6 1/4 in. (20.7 x 15.8 cm) Plate: 7 3/8 x 5 9/16 in. (18.8 x 14.2 cm) Harris Brisbane Dick Fund, 1917                       13   1
276254 41.71.1.8(54) 0 0 405433 11 731 View of the Arch built in honor of Augustus near the City of Aosta in Piedmont, Augusta Praetoria Salassorum in Antiquity. The inscribed fragment is from the attic story and is now built into the wall of the Capuchin Monastery, from Alcune Vedute di Archi Trionfali ed altri monumenti analzati da Romani parte de quali se veggono in Roma e parte per l'Italia (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy), tavola 5         1759 13 After a design by Giovanni Battista Piranesi|Sir Roger Newdigate, 5th Baronet Italian, Mogliano Veneto 1720–1778 Rome|British, Arbury, Warwickshire 1719–1806   40651 234 1720 |1719 1778 |1806 printed after 1775 1775 1800 26137 Sheet: 21 5/8 x 15 3/4 in. (55 x 40 cm) Plate: 10 1/2 x 15 9/16 in. (26.7 x 39.5 cm) printed horizontally on the sheet Rogers Fund, Transferred from the Library, 1941                       13   1
282985 61.663.69 0 0 412291 11 731 Edward the Martyr           710 Published London by Andrea Casali|John Boydell Italian, 1705–1784|British, Shropshire 1720–1804 London   41115 234 1705 |1720 1784 |1804 1773 1773 1773 26137 Sheet: 18 x 12 15/16 in. (45.7 x 32.9 cm) Gift of Harry G. Friedman, 1961                       13   1
283086 2012.136.803.5 0 1 412394 11 731 A rowboat full of men in center, a group of men standing on shore at left, a ship full of men, one firing a pistol, at right, from 'Set of eight nautical landscapes' (Suite de huit Marines)         1900 4684   Stefano della Bella|Reverend J. Burleigh James Italian, Florence 1610–1664 Florence|British, 19th century   41124 234 1610 |1799 1664 |1900 1639 1639 1639 26137 Sheet: 5 1/16 x 8 1/8 in. (12.8 x 20.6 cm) Bequest of Phyllis Massar, 2011                       13   1
283087 2012.136.803.7 0 1 412395 11 731 Combat between several rowboats and ships, two groups of men in rowboats fighting to left, two ships full of combatants to right, other ships and clouds of smoke in the background, from 'Set of eight nautical landscapes' (Suite de huit Marines)         1900 4684   Stefano della Bella|Reverend J. Burleigh James Italian, Florence 1610–1664 Florence|British, 19th century   41124 234 1610 |1799 1664 |1900 1639 1639 1639 26137 Sheet: 4 7/8 x 8 1/16 in. (12.4 x 20.5 cm) Bequest of Phyllis Massar, 2011                       13   1
378728 58.651.29 0 0 624563 11 731 Mercury and a Male Figure Riding a Peacock           1324 After Parmigianino (Girolamo Francesco Maria Mazzola)|Jonathan Richardson Sr. Italian, Parma 1503–1540 Casalmaggiore|British, London 1667–1745 London   48641 234 1503 |1667 1540 |1745 before 1745 1745 1745 37965 Round sheet: 2 7/8 × 2 13/16 in. (7.3 × 7.2 cm) Gift of Harry G. Friedman, 1958                       13   1
380500 53.600.705 0 0 626985 11 731 Christ Child, St. Joseph and a Bird: Prints in Imitation of Drawings           1324 After Guercino (Giovanni Francesco Barbieri)|Arthur Pond Italian, Cento 1591–1666 Bologna|British, London 1701–1758 London   48899 234 1591 |1701 1666 |1758 1734–36 1734 1736 32679 Sheet: 8 1/4 × 9 13/16 in. (21 × 25 cm) Mount: 20 3/8 × 14 1/4 in. (51.8 cm) Harris Brisbane Dick Fund, 1953                       13   1
380502 53.600.706 0 0 626987 11 731 The Virgin and Child Looking at a Bird           13 After Guercino (Giovanni Francesco Barbieri)|Arthur Pond Italian, Cento 1591–1666 Bologna|British, London 1701–1758 London   48899 234 1591 |1701 1666 |1758 1734 1734 1734 26137 Sheet: 8 3/4 × 11 13/16 in. (22.2 × 30 cm) Mount: 20 3/8 × 14 1/4 in. (51.8 cm) Harris Brisbane Dick Fund, 1953                       13   1
380516 53.600.614 0 0 627001 11 731 The Mourning of St. Petronilla           3772 Probably|After Richard Dalton|Guercino (Giovanni Francesco Barbieri)|James Basire, the elder British, ca. 1715–1791|Italian, Cento 1591–1666 Bologna|British, London 1730–1802 London   48903 234 1710 |1591 |1730 1791 |1666 |1802 1764 1764 1800 32679 Mount: 14 1/4 × 19 5/16 in. (36.2 × 49 cm) Sheet: 9 7/16 × 8 9/16 in. (24 × 21.8 cm) Harris Brisbane Dick Fund, 1953                       13   1
380554 24.63.1441 0 0 627039 11 731 Eagle perched on a branch         2370 1324 After Guercino (Giovanni Francesco Barbieri)|Arthur Pond Italian, Cento 1591–1666 Bologna|British, London 1701–1758 London   48899 234 1591 |1701 1666 |1758 1736 1736 1736 37965 Sheet: 13 7/8 × 10 1/16 in. (35.2 × 25.5 cm) Plate: 11 × 7 1/16 in. (28 × 18 cm) Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924                       13   1
380599 53.600.648 0 0 627087 11 731 A Young Man with Curly Hair in Profile           895 After Guercino (Giovanni Francesco Barbieri)|Richard Dalton|Richard Dalton Italian, Cento 1591–1666 Bologna|British, ca. 1715–1791|British, ca. 1715–1791   48860 234 1591 |1710 |1710 1666 |1791 |1791 1764 1764 1800 37965 Sheet: 9 11/16 × 6 3/8 in. (24.6 × 16.2 cm) Mount: 14 3/4 × 20 1/2 in. (37.5 × 52 cm) Harris Brisbane Dick Fund, 1953                       13   1
380606 53.600.647 0 0 627094 11 731 Bearded Man with Curly Hair, with his Right Arm Extended           895 After Guercino (Giovanni Francesco Barbieri)|Richard Dalton|Richard Dalton Italian, Cento 1591–1666 Bologna|British, ca. 1715–1791|British, ca. 1715–1791   48860 234 1591 |1710 |1710 1666 |1791 |1791 1764 1764 1800 37965 Sheet: 9 3/4 × 7 1/8 in. (24.8 × 18.1 cm) Mount: 14 3/4 × 20 1/2 in. (37.5 × 52 cm) Harris Brisbane Dick Fund, 1953                       13   1
380625 53.600.645 0 0 627114 11 731 Bearded Man Holding a Staff and Looking up to the Left           1699 After Guercino (Giovanni Francesco Barbieri)|Richard Dalton|Richard Dalton Italian, Cento 1591–1666 Bologna|British, ca. 1715–1791|British, ca. 1715–1791   48860 234 1591 |1710 |1710 1666 |1791 |1791 1764 1764 1800 32679 Sheet: 13 7/16 × 9 1/8 in. (34.1 × 23.2 cm) Mount: 17 3/16 × 15 3/16 in. (43.7 × 38.6 cm) Harris Brisbane Dick Fund, 1953                       13   1
380630 53.600.683 0 0 627119 11 731 Young Woman Holding a Flower in her left hand           13 After Guercino (Giovanni Francesco Barbieri)|James Nevay Italian, Cento 1591–1666 Bologna|British, born Scotland ca. 1730–1811   48916 234 1591 |1730 1666 |1811 ca. 1764 1759 1769 32679 Sheet: 10 in. × 7 3/16 in. (25.4 × 18.2 cm) Mount: 14 3/16 × 10 1/2 in. (36 × 26.7 cm) Harris Brisbane Dick Fund, 1953                       13   1
380639 53.600.642 0 0 627132 11 731 A Quartet (The Singing School of Antonio Comi at Cento)           1699 After Guercino (Giovanni Francesco Barbieri)|Richard Dalton|Richard Dalton Italian, Cento 1591–1666 Bologna|British, ca. 1715–1791|British, ca. 1715–1791   48860 234 1591 |1710 |1710 1666 |1791 |1791 1764 1764 1800 37965 Sheet: 9 1/2 × 11 5/8 in. (24.2 × 29.6 cm) Mount: 10 13/16 × 15 1/16 in. (27.5 × 38.2 cm) Harris Brisbane Dick Fund, 1953                       13   1
380640 53.600.644 0 0 627133 11 731 Man in a Helmet Looking to the Right           1699 After Guercino (Giovanni Francesco Barbieri)|Richard Dalton|Richard Dalton Italian, Cento 1591–1666 Bologna|British, ca. 1715–1791|British, ca. 1715–1791   48860 234 1591 |1710 |1710 1666 |1791 |1791 1764 1764 1800 32679 Sheet: 9 7/16 × 7 15/16 in. (24 × 20.2 cm) Mount: 10 1/8 × 10 1/16 in. (25.7 × 25.5 cm) Harris Brisbane Dick Fund, 1953                       13   1
380642 53.600.643 0 0 627135 11 731 St. John the Evangelist Reading           1699 After Guercino (Giovanni Francesco Barbieri)|Richard Dalton|Richard Dalton Italian, Cento 1591–1666 Bologna|British, ca. 1715–1791|British, ca. 1715–1791   48860 234 1591 |1710 |1710 1666 |1791 |1791 1764 1764 1800 57836 Sheet: 10 3/16 × 7 1/4 in. (25.8 × 18.4 cm) Mount: 14 3/8 × 9 13/16 in. (36.5 × 24.9 cm) Harris Brisbane Dick Fund, 1953                       13   1
380670 53.600.684 0 0 627304 11 731 Veil of St. Veronica (or The Head of St. John the Baptist with Two Angels Holding a Cloth with an Impression of It)           895 After Guercino (Giovanni Francesco Barbieri)|James Nevay|John Boydell Italian, Cento 1591–1666 Bologna|British, born Scotland ca. 1730–1811|British, Shropshire 1720–1804 London   48928 234 1591 |1730 |1720 1666 |1811 |1804 ca. 1764 1759 1769 43475 Sheet: 8 7/16 × 7 3/16 in. (21.5 × 18.3 cm) Mount: 11 5/16 × 20 1/4 in. (28.7 × 51.5 cm) Harris Brisbane Dick Fund, 1953                       13   1
380688 53.600.669 0 0 627330 11 731 Peace and War           710 After Guercino (Giovanni Francesco Barbieri)|Thomas Macklin Italian, Cento 1591–1666 Bologna|British, 1752/53–1800 London   48935 234 1591 |1752 1666 |1800 1779 1779 1779 37906 Plate: 10 1/4 × 12 in. (26 × 30.5 cm) Sheet: 10 7/16 × 12 1/8 in. (26.5 × 30.8 cm) Mount: 14 3/4 × 20 1/4 in. (37.4 × 51.5 cm) Harris Brisbane Dick Fund, 1953                       13   1
Powered by Datasette · Query took 5.28ms · Data license: CC0 · Data source: metmuseum/openaccess