Data license: CC0 · Data source: metmuseum/openaccess
rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
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77306 | 2004.148a–e | 0 | 0 | 101600 | 8 | 5908 | Tuxedo | 36 | 23 | Textile manufactured by | A. Schiraldi of Napoli|Harrods, Ltd. | Italian|British, founded London, 1834 | 6460 | 234 | 1834 | 2099 | 1962 | 1962 | 1962 | 17455 | Gift of Mr. and Mrs. Jack Clopper, 2004 | http://www.metmuseum.org/art/collection/search/101600 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
166088 | 36.37 | 0 | 1 | 268303 | 13 | 1119 | Album di disegni fotogenici | 13 | Likely | Sebastiano Tassinari|William Henry Fox Talbot | Italian, 1814–1888|British, Dorset 1800–1877 Lacock | 14831 | 234 | 1814 |1800 | 1888 |1800 | 1839–40 | 1839 | 1840 | 26131 | 28.5 x 22 cm (11 1/4 x 8 11/16 in. ) | Harris Brisbane Dick Fund, 1936 | 441 | http://www.metmuseum.org/art/collection/search/268303 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
184841 | 36.37 (2) | 0 | 1 | 289191 | 13 | 13050 | [Manuscript Letter from W. H. Fox Talbot to Antonio Bertoloni] | 944 | Antonio Bertoloni|William Henry Fox Talbot | Italian, 1775–1869|British, Dorset 1800–1877 Lacock | 16475 | 234 | 1775 |1800 | 1869 |1800 | 1839 | 1839 | 1839 | 26471 | Sheet: 30 x 37.4 cm (11 13/16 x 14 3/4 in.) | Harris Brisbane Dick Fund, 1936 | 460 | http://www.metmuseum.org/art/collection/search/289191 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
184851 | 36.37 (12) | 0 | 1 | 289201 | 13 | 13050 | [Manuscript Letter from W. H. Fox Talbot to Antonio Bertoloni] | 944 | Antonio Bertoloni|William Henry Fox Talbot | Italian, 1775–1869|British, Dorset 1800–1877 Lacock | 16475 | 234 | 1775 |1800 | 1869 |1800 | 1839 | 1839 | 1839 | 26471 | Sheet: 22.7 x 37.2 cm (8 15/16 x 14 5/8 in.) | Harris Brisbane Dick Fund, 1936 | 460 | http://www.metmuseum.org/art/collection/search/289201 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
184857 | 36.37 (18) | 0 | 1 | 289207 | 13 | 13050 | [Manuscript Letter from William-Fox Strangways to Antonio Bertoloni] | 944 | Antonio Bertoloni|William Thomas Horner Fox-Strangways | Italian, 1775–1869|British, 1795–1865 | 16476 | 234 | 1775 |1795-05-07 | 1869 |1865-01-10 | 1839 | 1839 | 1839 | 26471 | Sheet: 23.2 x 36.8 cm (9 1/8 x 14 1/2 in.) | Harris Brisbane Dick Fund, 1936 | 460 | http://www.metmuseum.org/art/collection/search/289207 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
184868 | 36.37 (30) | 0 | 1 | 289218 | 13 | 13050 | [Manuscript Letter from W. H. Fox Talbot to Antonio Bertoloni] | 944 | Antonio Bertoloni|William Henry Fox Talbot | Italian, 1775–1869|British, Dorset 1800–1877 Lacock | 16475 | 234 | 1775 |1800 | 1869 |1800 | 1840 | 1840 | 1840 | 26471 | Sheet: 22.6 x 37.6 cm (8 7/8 x 14 13/16 in.) | Harris Brisbane Dick Fund, 1936 | 460 | http://www.metmuseum.org/art/collection/search/289218 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206709 | 36.31.6 | 0 | 0 | 334053 | 11 | 13811 | Vases and Tripods on Twelve Plates | 1009 | Designed and etched by | Placido Columbani|Isaac Taylor, I | Italian, born 1744, active to 1801|British, Worcester 1730–1807 Edmonton, Greater London | 17377 | 234 | 1744 |1730 | 1801 |1807 | 1760–1810 | 1760 | 1810 | 28943 | 9 1/16 x 7 5/8 x 5/16 in. (23 x 19.4 x 0.8 cm) | Harris Brisbane Dick Fund, 1936 | 14 | 665 | http://www.metmuseum.org/art/collection/search/334053 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
220235 | 25.76.3 | 0 | 0 | 347768 | 11 | 13811 | New Book of Ornaments Containing a Variety of Elegant Designs for Modern Panels | 1009 | Placido Columbani|Isaac Taylor, I | Italian, born 1744, active to 1801|British, Worcester 1730–1807 Edmonton, Greater London | 17377 | 234 | 1744 |1730 | 1801 |1807 | February 15, 1775 | 1775 | 1775 | 34430 | 12 3/8 x 9 13/16 x 9/16 in. (31.5 x 25 x 1.5 cm) | Harris Brisbane Dick Fund, 1925 | 14 | 665 | http://www.metmuseum.org/art/collection/search/347768 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
220236 | 52.519.47 | 0 | 0 | 347769 | 11 | 97 | Variety of Capitals, Freezes, and Corniches... | 1009 | Designed and engraved by | Placido Columbani|Isaac Taylor, I | Italian, born 1744, active to 1801|British, Worcester 1730–1807 Edmonton, Greater London | 17377 | 234 | 1744 |1730 | 1801 |1807 | 1776 | 1776 | 1776 | 34157 | 10 7/16 x 14 3/16 x 3/8 in. (26.5 x 36 x 1 cm) | Rogers Fund, 1952 | 14 | 442 | http://www.metmuseum.org/art/collection/search/347769 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
227260 | 64.543 | 0 | 0 | 354877 | 11 | 97 | Repertorium sculptile-typicum: or a complete collection and explanation of the several marks and cyphers by which the best engravers are distinguished... | 44 | S. G. for | Pellegrini Antonio Orlandi|Sam Hardin | Italian, Bologna 1660–1727|London | 28210 | 234 | 1660 |1700 | 1727 |1750 | 1730 | 1730 | 1730 | 33876 | 6 5/16 x 4 1/8 in. (16 x 10.5 cm) | Gift of Ludwig Ries, 1964 | 442 | http://www.metmuseum.org/art/collection/search/354877 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
228592 | 46.83 | 0 | 0 | 356228 | 11 | 97 | Iconologia:or Moral Emblems by Caesar Ripa | 710 | Cesare Ripa|Benjamin Motte | Italian, Perugia ca. 1555–probably 1622 Rome|British, died 1710 | 29128 | 234 | 1555 |1710 | 1622 |1710 | 1709 | 1709 | 1709 | 28942 | 9 1/4 x 7 5/16 in. (23.5 x 18.5 cm) | Harris Brisbane Dick Fund, 1946 | 14 | 442 | http://www.metmuseum.org/art/collection/search/356228 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
229233 | 49.25.2 | 0 | 0 | 356878 | 11 | 97 | Sculptura-Historico-Technica: or, the History and Art of Engraving | 44 | Filippo Baldinucci|J. Marks | Italian, Florence 1625–1697 Florence|British | 29595 | 234 | 1625 |1700 | 1697 |1800 | 1770 | 1770 | 1770 | 28942 | 7 x 4 7/16 x 7/8 in. (17.8 x 11.2 x 2.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 14 | 442 | http://www.metmuseum.org/art/collection/search/356878 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
229341 | 38.11 | 0 | 0 | 356994 | 11 | 97 | Fleurs Et Masques | 44 | Gino Severini|Etchells & Macdonald | Italian, Cortona 1883–1966 Paris|London | 29676 | 234 | 1883 |1924 | 1966 |2024 | 1930 | 1930 | 1930 | Harris Brisbane Dick Fund, 1938 | 442 | © 2018 Artists Rights Society (ARS), New York | http://www.metmuseum.org/art/collection/search/356994 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
231402 | 21.15.2bis(1-48) | 0 | 0 | 359138 | 11 | 13839 | Ornamento delle belle & virtuose donne | 1265 | Matteo Pagano|Lloyd, Wallis & Lloyd | Italian, 1515–1588|British, active London after 1821 | , Venice | 30841 | 234 | 1515 |1821 | 1588 |1900 | 1554 | 1554 | 1554 | 26552 | Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm) | Rogers Fund, 1921 | 679 | http://www.metmuseum.org/art/collection/search/359138 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
236924 | 67.763.7 | 0 | 0 | 364888 | 11 | 97 | Sketches of the Interior & Temporary Decorations in Woolley-Hall, Yorkshire | 1917 | Augostino Aglio, the elder|Charles Joseph Hullmandel | Italian, Cremona 1777–1857 London|British, London 1789–1850 London | 32406 | 234 | 1777 |1789 | 1857 |1850 | 1821 | 1821 | 1821 | 28996 | 19 1/2 x 14 x 3/8 in. (49.5 x 35.5 x 1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | 442 | http://www.metmuseum.org/art/collection/search/364888 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
239300 | 17.65.1 | 0 | 1 | 367367 | 11 | 731 | The Circle of the Lustful: Paolo and Francesca, from Dante's Inferno, Canto V | 162 | Illustrates | Dante Alighieri|William Blake | Italian, Florence ca. 1265–1321 Ravenna|British, London 1757–1827 London | 33070 | 234 | 1265 |1757 | 1321 |1827 | ca. 1825–27 | 1820 | 1832 | 7208 | plate: 9 7/16 x 13 1/4 in. (24 x 33.7 cm) sheet: 10 3/4 x 13 13/16 in. (27.3 x 35.1 cm) frame: 18 x 24 in. (45.7 x 61 cm) | Rogers Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/367367 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
241600 | 1984.1032 | 0 | 0 | 369745 | 11 | 731 | The Conclusion of the Treaty of Troyes | 13 | Engraved by|After | Francesco Bartolozzi|William Hamilton | Italian, Florence 1728–1815 Lisbon|British, London 1751–1801 London | 33659 | 234 | 1728 |1751 | 1815 |1801 | 1788 | 1788 | 1788 | 38474 | sheet: 12 11/16 x 15 7/8 in. (32.3 x 40.3 cm) | Gift of Helen N. Tausky From the Collection of Alexander R. Tausky, 1984 | 13 | http://www.metmuseum.org/art/collection/search/369745 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
247588 | 64.682.97 | 0 | 1 | 375877 | 11 | 731 | A riding school, a horseman with sword jumping directed by another man with a sword in center, a man standing next to his horse to right, various horsemen, the school, and two dogs in the background, from 'Varie figure' | 956 | 710 | Stefano della Bella|H. R. Young | Italian, Florence 1610–1664 Florence|British, active 1818–24 | 34970 | 234 | 1610 |1780 | 1664 |1850 | ca. 1645 | 1640 | 1650 | 39570 | Sheet: 4 1/4 × 6 1/4 in. (10.8 × 15.8 cm) | Gift of Harry G. Friedman, 1964 | 13 | http://www.metmuseum.org/art/collection/search/375877 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248181 | 17.3.887-36 | 0 | 0 | 376483 | 11 | 731 | Henry and Emma | 13 | After | Francesco Bartolozzi|John Opie | Italian, Florence 1728–1815 Lisbon|British, St. Agnes, Cornwall 1761–1807 London | 35132 | 234 | 1728 |1761 | 1815 |1807 | 1796 | 1796 | 1796 | 39657 | sheet: 17 5/8 x 12 7/8 in. (44.8 x 32.7 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376483 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248236 | 17.3.756–2016 | 0 | 0 | 376538 | 11 | 731 | John Williams, known as Anthony Pasquin | 972 | Portrait of | Francesco Bartolozzi|John Williams [Anthony Pasquin] | Italian, Florence 1728–1815 Lisbon|British, 1754–1818 | 35163 | 234 | 1728 |1754 | 1815 |1818 | 1796 | 1796 | 1796 | 39678 | image: 3 7/16 x 2 13/16 in. (8.7 x 7.1 cm) sheet: 6 5/8 x 4 1/2 in. (16.8 x 11.4 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376538 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248306 | 17.3.3235 | 0 | 0 | 376608 | 11 | 731 | Orange Girl | 13 | After | Francesco Bartolozzi|John Hodges Benwell | Italian, Florence 1728–1815 Lisbon|British, Blenheim 1764–1785 London | 35197 | 234 | 1728 |1764 | 1815 |1785 | February 2, 1787 | 1787 | 1787 | 39700 | oval image: 8 7/16 x 6 1/2 in. (21.4 x 16.5 cm) sheet: 10 1/2 x 7 3/8 in. (26.7 x 18.7 cm) (clipped impression) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376608 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248310 | 17.3.2675 | 0 | 0 | 376612 | 11 | 731 | Fonrose | 13 | After | Francesco Bartolozzi|John Hodges Benwell | Italian, Florence 1728–1815 Lisbon|British, Blenheim 1764–1785 London | 35197 | 234 | 1728 |1764 | 1815 |1785 | 1764–1815 | 1764 | 1815 | 39702 | oval image: 10 x 7 1/8 in. (25.4 x 18.1 cm) sheet: 11 3/4 x 8 9/16 in. (29.8 x 21.7 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376612 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248324 | 69.582.4 | 0 | 0 | 376626 | 11 | 731 | Frontispiece to Leonora | 13 | After | Francesco Bartolozzi|Lady Diana Beauclerk | Italian, Florence 1728–1815 Lisbon|British, 1734–1808 | 35207 | 234 | 1728 |1734 | 1815 |1808 | 1796 | 1796 | 1796 | 39706 | image: 11 9/16 x 8 3/4 in. (29.4 x 22.2 cm) sheet: 16 5/8 x 11 7/16 in. (42.2 x 29.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/376626 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248331 | 24.90.1487 | 0 | 0 | 376633 | 11 | 731 | Serena | 13 | After | Francesco Bartolozzi|John Hodges Benwell | Italian, Florence 1728–1815 Lisbon|British, Blenheim 1764–1785 London | 35197 | 234 | 1728 |1764 | 1815 |1785 | February 1, 1785 | 1785 | 1785 | 39710 | oval image: 4 1/8 x 3 3/16 in. (10.5 x 8.1 cm) sheet: 4 5/16 x 3 5/16 in. (11 x 8.4 cm) (clipped impression) | Bequest of Charles Allen Munn, 1924 | 13 | http://www.metmuseum.org/art/collection/search/376633 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248332 | 41.128.5 | 0 | 0 | 376634 | 11 | 731 | Weeping Cupid | 13 | After | Francesco Bartolozzi|Lady Diana Beauclerk | Italian, Florence 1728–1815 Lisbon|British, 1734–1808 | 35207 | 234 | 1728 |1734 | 1815 |1808 | 1796 | 1796 | 1796 | 37906 | sheet: 5 3/8 x 4 3/16 in. (13.6 x 10.6 cm) | Gift of Bessie Potter Vonnoh, 1941 | 13 | http://www.metmuseum.org/art/collection/search/376634 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248335 | 23.60.42 | 0 | 0 | 376637 | 11 | 731 | The Girl and the Kitten | 13 | After | Francesco Bartolozzi|Sir Joshua Reynolds | Italian, Florence 1728–1815 Lisbon|British, Plympton 1723–1792 London | 35213 | 234 | 1728 |1723 | 1815 |1792 | 1900–23 | 1900 | 1923 | 39691 | Rogers Fund, Transfered from the Library, 1923 | 13 | http://www.metmuseum.org/art/collection/search/376637 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
248523 | 17.3.756–2014 | 0 | 0 | 376827 | 11 | 731 | Dr. Isaac Watts | 972 | Portrait of | Francesco Bartolozzi|Isaac Watts | Italian, Florence 1728–1815 Lisbon|British, 1674–1748 | 35264 | 234 | 1728 |1674 | 1815 |1748 | 1765–1800 | 1765 | 1800 | 39754 | image: 4 3/4 x 2 3/4 in. (12.1 x 7 cm) plate: 6 1/2 x 4 1/16 in. (16.5 x 10.3 cm) sheet: 6 3/4 x 4 5/16 in. (17.1 x 11 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376827 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248524 | 17.3.2695 | 0 | 0 | 376828 | 11 | 731 | Finis Plate from Captain James Cook's Voyages to the Pacific | 709 | Written by | Francesco Bartolozzi|Captain James Cook | Italian, Florence 1728–1815 Lisbon|British, 1728–1779 | 35265 | 234 | 1728 |1728 | 1815 |1779 | 1795 | 1795 | 1795 | 37906 | image: 2 5/16 x 3 1/2 in. (5.9 x 8.9 cm) sheet: 7 1/4 x 7 3/4 in. (18.4 x 19.7 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376828 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248525 | 17.3.529 | 0 | 0 | 376829 | 11 | 731 | Cupid Holding an Arrow and Approaching a Child Holding a Club, within a Leafy Frame Centered on a Faun Mask | 13 | After | Francesco Bartolozzi|Lady Diana Beauclerk | Italian, Florence 1728–1815 Lisbon|British, 1734–1808 | 35207 | 234 | 1728 |1734 | 1815 |1808 | June 4, 1797 | 1797 | 1797 | 39755 | plate: 5 7/8 x 6 3/4 in. (14.9 x 17.1 cm) sheet: 5 7/8 x 7 3/8 in. (14.9 x 18.7 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376829 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248529 | 17.3.402 | 0 | 0 | 376833 | 11 | 731 | Head of Young Bacchus (for title page, Satires and Biography by Anthony Pasquin) | 13 | After | Francesco Bartolozzi|Thomas Stothard | Italian, Florence 1728–1815 Lisbon|British, London 1755–1834 London | 35267 | 234 | 1728 |1755 | 1815 |1834 | 1796 | 1796 | 1796 | 6712 | sheet: 8 5/8 x 5 3/16 in. (21.9 x 13.2 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376833 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248530 | 17.3.2678 | 0 | 0 | 376834 | 11 | 731 | Seaside Scene with Bathing Machines, from "The New Brighton Guide" by Anthony Pasquin | 13 | After | Francesco Bartolozzi|John Williams [Anthony Pasquin] | Italian, Florence 1728–1815 Lisbon|British, 1754–1818 | 35163 | 234 | 1728 |1754 | 1815 |1818 | 1796 | 1796 | 1796 | 29744 | plate: 2 15/16 x 3 9/16 in. (7.4 x 9 cm) sheet: 4 3/4 x 5 7/8 in. (12 x 15 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376834 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248540 | 17.3.390 | 0 | 0 | 376844 | 11 | 731 | Genius Unveiling Nature, Ticket for Walker's Lectures | 13 | After | Francesco Bartolozzi|William Hamilton | Italian, Florence 1728–1815 Lisbon|British, London 1751–1801 London | 33659 | 234 | 1728 |1751 | 1815 |1801 | 1794 | 1794 | 1794 | 30931 | sheet: 5 1/4 x 3 9/16 in. (13.3 x 9 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376844 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248541 | 17.3.887-75 | 0 | 0 | 376845 | 11 | 731 | The Prisoner, Frontispiece to "Ode, Inscribed to John Howard, Esq. F.R.S., author of The state of English and Foreign Prisons," by William Hayley, Esq. | 709 | Written by | Francesco Bartolozzi|William Hayley | Italian, Florence 1728–1815 Lisbon|British, 1745–1820 | 35274 | 234 | 1728 |1745 | 1815 |1820 | 1782 | 1782 | 1782 | 30931 | sheet: 6 3/4 x 5 1/8 in. (17.1 x 13 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376845 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248544 | 17.3.3442(109) | 0 | 0 | 376848 | 11 | 731 | Misery (Dying Man) | 13 | After | Francesco Bartolozzi|Raphael Lamar West | Italian, Florence 1728–1815 Lisbon|British, London 1769–1850 Bushey Heath | 35277 | 234 | 1728 |1769 | 1815 |1850 | 1801 | 1801 | 1801 | 39704 | sheet: 4 1/2 x 5 3/16 in. (11.4 x 13.2 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376848 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248560 | 1986.1180.620 | 0 | 1 | 376867 | 11 | 731 | Bust of a Pole | 987 | 13 | After | Stefano della Bella|Peregrine Lovell | Italian, Florence 1610–1664 Florence|British, active 1646–47 | 35285 | 234 | 1610 |1646 | 1664 |1647 | after 1641 | 1641 | 1700 | 39767 | Sheet: 4 1/16 × 3 11/16 in. (10.3 × 9.4 cm) | Bequest of Grace M. Pugh, 1985 | 13 | http://www.metmuseum.org/art/collection/search/376867 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
248567 | 1986.1180.621 | 0 | 1 | 376874 | 11 | 731 | Two Heads of Old Soldiers | 13 | After|Etched by ? | Stefano della Bella|Peregrine Lovell | Italian, Florence 1610–1664 Florence|British, active 1646–47 | 35285 | 234 | 1610 |1646 | 1664 |1647 | after 1641 | 1641 | 1700 | 26137 | Sheet (trimmed): 3 7/8 × 7 7/8 in. (9.9 × 20 cm) | Bequest of Grace M. Pugh, 1985 | 13 | http://www.metmuseum.org/art/collection/search/376874 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248579 | 24.63.1127 | 0 | 0 | 376887 | 11 | 731 | Types of Lines and Thirteen Eyes, from Principles of Beauty Relative to the Human Head | 13 | Designed and published by | Francesco Bartolozzi|Alexander Cozens | Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London | 35289 | 234 | 1728 |1717 | 1815 |1786 | April 10, 1777 | 1777 | 1777 | 29129 | sheet: 18 11/16 x 13 in. (47.5 x 33 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/376887 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248580 | 24.63.1128 | 0 | 0 | 376888 | 11 | 731 | The Sensible, or Wise Beauty (Beauté Spirituelle), from Principles of Beauty Relative to the Human Head | 13 | Designed and published by | Francesco Bartolozzi|Alexander Cozens | Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London | 35289 | 234 | 1728 |1717 | 1815 |1786 | April 10, 1777 | 1777 | 1777 | 29129 | sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/376888 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248581 | 24.63.1129 | 0 | 0 | 376889 | 11 | 731 | The Steady Beauty (Beauté Déterminée), from Principles of Beauty Relative to the Human Head | 13 | Designed and published by | Francesco Bartolozzi|Alexander Cozens | Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London | 35289 | 234 | 1728 |1717 | 1815 |1786 | April 10, 1777 | 1777 | 1777 | 29129 | sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/376889 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248582 | 24.63.1130 | 0 | 0 | 376890 | 11 | 731 | The Spirited Beauty (Beauté Vive), from Principles of Beauty Relative to the Human Head | 13 | Designed and published by | Francesco Bartolozzi|Alexander Cozens | Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London | 35289 | 234 | 1728 |1717 | 1815 |1786 | April 10, 1777 | 1777 | 1777 | 29129 | sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/376890 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248583 | 24.63.1131 | 0 | 0 | 376891 | 11 | 731 | The Haughty Beauty (Beauté Fière), from Principles of Beauty Relative to the Human Head | 13 | Designed and published by | Francesco Bartolozzi|Alexander Cozens | Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London | 35289 | 234 | 1728 |1717 | 1815 |1786 | April 10, 1777 | 1777 | 1777 | 29129 | sheet: 13 1/4 in. (33.7 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/376891 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248584 | 24.63.1132 | 0 | 0 | 376892 | 11 | 731 | The Melancholy Beauty (Beauté Mélancholique), from Principles of Beauty Relative to the Human Head | 13 | Designed and published by | Francesco Bartolozzi|Alexander Cozens | Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London | 35289 | 234 | 1728 |1717 | 1815 |1786 | April 10, 1777 | 1777 | 1777 | 29129 | sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/376892 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248585 | 24.63.1133 | 0 | 0 | 376893 | 11 | 731 | The Tender Beauty (Beauté Sensible), from Principles of Beauty Relative to the Human Head | 13 | Designed and published by | Francesco Bartolozzi|Alexander Cozens | Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London | 35289 | 234 | 1728 |1717 | 1815 |1786 | April 10, 1777 | 1777 | 1777 | 29129 | sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/376893 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248586 | 24.63.1134 | 0 | 0 | 376894 | 11 | 731 | The Modest Beauty (Beauté Timide), from Principles of Beauty Relative to the Human Head | 13 | Designed and published by | Francesco Bartolozzi|Alexander Cozens | Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London | 35289 | 234 | 1728 |1717 | 1815 |1786 | April 10, 1777 | 1777 | 1777 | 29129 | sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/376894 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248587 | 24.63.1135 | 0 | 0 | 376895 | 11 | 731 | The Languid, or Delicate Beauty (Beauté Languissante), from Principles of Beauty Relative to the Human Head | 13 | Designed and published by | Francesco Bartolozzi|Alexander Cozens | Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London | 35289 | 234 | 1728 |1717 | 1815 |1786 | April 10, 1777 | 1777 | 1777 | 29129 | sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/376895 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248588 | 24.63.1136 | 0 | 0 | 376896 | 11 | 731 | The Penetrating Beauty (Beauté Intelligente), from Principles of Beauty Relative to the Human Head | 13 | Designed and published by | Francesco Bartolozzi|Alexander Cozens | Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London | 35289 | 234 | 1728 |1717 | 1815 |1786 | April 10, 1777 | 1777 | 1777 | 29129 | sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/376896 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248589 | 24.63.1137 | 0 | 0 | 376897 | 11 | 731 | The Engaging Beauty (Beauté Prévenante), from Principles of Beauty Relative to the Human Head | 13 | Designed and published by | Francesco Bartolozzi|Alexander Cozens | Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London | 35289 | 234 | 1728 |1717 | 1815 |1786 | April 10, 1777 | 1777 | 1777 | 29129 | sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/376897 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248590 | 24.63.1138 | 0 | 0 | 376898 | 11 | 731 | The Good Natured Beauty (Beauté Douce), from Principles of Beauty Relative to the Human Head | 13 | Designed and published by | Francesco Bartolozzi|Alexander Cozens | Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London | 35289 | 234 | 1728 |1717 | 1815 |1786 | April 10, 1777 | 1777 | 1777 | 29129 | sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/376898 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248591 | 24.63.1139 | 0 | 0 | 376899 | 11 | 731 | The Timid Beauty (Beauté Craintive), from Principles of Beauty Relative to the Human Head | 13 | Designed and published by | Francesco Bartolozzi|Alexander Cozens | Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London | 35289 | 234 | 1728 |1717 | 1815 |1786 | April 10, 1777 | 1777 | 1777 | 29129 | sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/376899 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248592 | 24.63.1140 | 0 | 0 | 376900 | 11 | 731 | The Cheerful Beauty (Beauté Gaie), from Principles of Beauty Relative to the Human Head | 13 | Designed and published by | Francesco Bartolozzi|Alexander Cozens | Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London | 35289 | 234 | 1728 |1717 | 1815 |1786 | April 10, 1777 | 1777 | 1777 | 29129 | sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/376900 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248593 | 24.63.1141 | 0 | 0 | 376901 | 11 | 731 | The Artful Beauty (Beauté Fine), from Principles of Beauty Relative to the Human Head | 13 | Designed and published by | Francesco Bartolozzi|Alexander Cozens | Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London | 35289 | 234 | 1728 |1717 | 1815 |1786 | April 10, 1777 | 1777 | 1777 | 29129 | sheet: 18 1/2 x 13 1/4 in. (47 x 33.7 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/376901 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248595 | 17.3.2794 | 0 | 0 | 376903 | 11 | 731 | Putto Pointing to a Panel of Twleve Ears | 13 | Francesco Bartolozzi|Thomas Holloway | Italian, Florence 1728–1815 Lisbon|British, London 1748–1827 Coltishall, Norfolk | 35290 | 234 | 1728 |1748 | 1815 |1827 | 1786 | 1786 | 1786 | 37022 | sheet: 3 3/4 x 4 3/4 in. (9.5 x 12 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376903 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
248596 | 63.540.12 | 0 | 0 | 376904 | 11 | 731 | Putto Pointing to a Panel of Twelve Ears | 13 | Francesco Bartolozzi|Thomas Holloway | Italian, Florence 1728–1815 Lisbon|British, London 1748–1827 Coltishall, Norfolk | 35290 | 234 | 1728 |1748 | 1815 |1827 | 1786 | 1786 | 1786 | 39770 | plate: 3 9/16 x 4 1/8 in. (9 x 10.4 cm) sheet: 5 11/16 x 8 1/8 in. (14.5 x 20.6 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376904 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
248615 | 24.63.1126 | 0 | 0 | 376923 | 11 | 731 | Twelve Noses and Six Mouths, from Principles of Beauty Relative to the Human Head | 13 | Designed and published by | Francesco Bartolozzi|Alexander Cozens | Italian, Florence 1728–1815 Lisbon|British, Russia 1717–1786 London | 35289 | 234 | 1728 |1717 | 1815 |1786 | April 10, 1777 | 1777 | 1777 | 29129 | sheet: 12 5/8 in. (32 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/376923 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248617 | 48.166 | 0 | 0 | 376925 | 11 | 731 | A Nest of Cupids | 710 | Attributed to|Published by | Francesco Bartolozzi|Anthony Molteno | Italian, Florence 1728–1815 Lisbon|London | 35302 | 234 | 1728 |1770 | 1815 |1810 | May 10, 1804 | 1804 | 1804 | 39710 | sheet: 13 7/16 x 16 in. (34.2 x 40.7 cm) | Gift of A. Chapin Rogers, 1948 | 13 | http://www.metmuseum.org/art/collection/search/376925 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248623 | 17.3.451 | 0 | 1 | 376931 | 11 | 731 | Demosthenes, Cicero and William Pitt, Earl of Chatham | 972 | Attributed to | Francesco Bartolozzi|William Pitt, 1st Earl of Chatham | Italian, Florence 1728–1815 Lisbon|British, 1708–1778 | 35305 | 234 | 1728 |1708 | 1815 |1778 | 1750–1815 | 1750 | 1815 | 6712 | plate: 9 9/16 x 6 5/16 in. (24.3 x 16.1 cm) sheet: 10 3/16 x 6 5/8 in. (25.8 x 16.9 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376931 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248624 | 17.3.887-50 | 0 | 0 | 376932 | 11 | 731 | Ma Chère Ami | 13 | Attributed to|After | Francesco Bartolozzi|William Hamilton | Italian, Florence 1728–1815 Lisbon|British, London 1751–1801 London | 33659 | 234 | 1728 |1751 | 1815 |1801 | 1765–1800 | 1765 | 1800 | 39683 | sheet: 6 5/16 x 5 3/16 in. (16 x 13.1 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376932 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248625 | 17.3.2692 | 0 | 0 | 376933 | 11 | 731 | Thalia Weeping Over the Portrait of Samuel Foote: "Weep Thaly Weep" | 972 | Portrait of | Francesco Bartolozzi|Samuel Foote | Italian, Florence 1728–1815 Lisbon|British, baptized Truro, Cornwall 1721–1777 Dover | 35306 | 234 | 1728 |1721 | 1815 |1777 | ca. 1777 | 1772 | 1782 | 26137 | plate: 4 1/8 x 4 9/16 in. (10.5 x 11.6 cm) sheet: 4 3/4 x 5 5/16 in. (12 x 13.5 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376933 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248702 | 17.3.756–973 | 0 | 0 | 377070 | 11 | 731 | Michaelangelo | 13 | Attributed to|After | Francesco Bartolozzi|Henry Howard | Italian, Florence 1728–1815 Lisbon|British, London 1769–1847 Oxford | 35333 | 234 | 1728 |1769 | 1815 |1847 | 1765–1800 | 1765 | 1800 | 37370 | plate: 12 3/16 x 7 11/16 in. (31 x 19.5 cm) sheet: 18 1/2 x 12 1/2 in. (47 x 31.8 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/377070 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248816 | 17.3.2699 | 0 | 0 | 377227 | 11 | 731 | Infant Hercules | 710 | Published by | Francesco Bartolozzi|William Dickinson | Italian, Florence 1728–1815 Lisbon|British, 1746–1823 | , London | 35360 | 234 | 1728 |1746 | 1815 |1823 | May 25, 1785 | 1785 | 1785 | 6712 | Sheet: 4 9/16 × 3 3/16 in. (11.6 × 8.1 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/377227 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
248818 | 17.3.2697 | 0 | 0 | 377229 | 11 | 731 | Apollo and Mercury as Infants | 13 | After | Francesco Bartolozzi|Edward Francis Burney | Italian, Florence 1728–1815 Lisbon|British, Worcester 1760–1848 London | 35362 | 234 | 1728 |1760 | 1815 |1848 | 1797 | 1797 | 1797 | 37022 | Plate: 4 1/4 × 6 in. (10.8 × 15.2 cm) Sheet: 4 15/16 × 6 13/16 in. (12.5 × 17.3 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/377229 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248837 | 17.3.887-18 | 0 | 0 | 377248 | 11 | 731 | History | 710 | Published London by | Francesco Bartolozzi|Thomas Tomkins | Italian, Florence 1728–1815 Lisbon|British, 1743–1816 London | 35374 | 234 | 1728 |1743 | 1815 |1816 | May 18, 1793 | 1793 | 1793 | 6712 | Sheet: 4 15/16 × 3 9/16 in. (12.5 × 9 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/377248 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
248838 | 17.3.543 | 0 | 0 | 377249 | 11 | 731 | History | 710 | Published London by | Francesco Bartolozzi|Thomas Tomkins | Italian, Florence 1728–1815 Lisbon|British, 1743–1816 London | 35374 | 234 | 1728 |1743 | 1815 |1816 | May 18, 1793 | 1793 | 1793 | 6712 | Sheet: 5 3/16 × 3 15/16 in. (13.2 × 10 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/377249 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
249509 | 53.600.1890(1) | 0 | 0 | 377952 | 11 | 731 | Domestic Happiness – Laetitia with her Parents | 13 | Attributed to|After | Francesco Bartolozzi|George Morland | Italian, Florence 1728–1815 Lisbon|British, London 1763–1804 London | 35504 | 234 | 1728 |1763 | 1815 |1804 | after 1811 | 1811 | 1811 | 35946 | Sheet (trimmed within plate): 16 11/16 x 11 7/8 in. (42.4 x 30.1 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/377952 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
249511 | 53.600.1890(2) | 0 | 0 | 377954 | 11 | 731 | The Elopement – Laetitia seduced from her Friends under a promise of Marriage | 13 | Attributed to|After | Francesco Bartolozzi|George Morland | Italian, Florence 1728–1815 Lisbon|British, London 1763–1804 London | 35504 | 234 | 1728 |1763 | 1815 |1804 | after 1811 | 1811 | 1811 | 35946 | Sheet: 17 5/16 × 12 15/16 in. (44 × 32.9 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/377954 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
249512 | 53.600.1890(3) | 0 | 0 | 377955 | 11 | 731 | The Virtuous Parent – Laetitia endeavours in vain by presents to reconcile her Parents | 13 | Attributed to|After | Francesco Bartolozzi|George Morland | Italian, Florence 1728–1815 Lisbon|British, London 1763–1804 London | 35504 | 234 | 1728 |1763 | 1815 |1804 | after 1811 | 1811 | 1811 | 35946 | Plate: 18 × 13 5/16 in. (45.7 × 33.8 cm) Sheet: 18 1/4 × 13 3/8 in. (46.3 × 34 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/377955 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
249513 | 53.600.1890(4) | 0 | 0 | 377956 | 11 | 731 | Dressing for the Masquerade – Laetitia flees from reflection to public entertainments | 13 | Attributed to|After | Francesco Bartolozzi|George Morland | Italian, Florence 1728–1815 Lisbon|British, London 1763–1804 London | 35504 | 234 | 1728 |1763 | 1815 |1804 | after 1811 | 1811 | 1811 | 35946 | Sheet (trimmed within plate): 18 in. × 13 3/16 in. (45.7 × 33.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/377956 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
249514 | 53.600.1890(5) | 0 | 0 | 377957 | 11 | 731 | The Tavern Door – Laetitia deserted by her Seducer is thrown upon the town | 13 | Attributed to|After | Francesco Bartolozzi|George Morland | Italian, Florence 1728–1815 Lisbon|British, London 1763–1804 London | 35504 | 234 | 1728 |1763 | 1815 |1804 | after 1811 | 1811 | 1811 | 35946 | Plate: 17 3/16 × 13 1/4 in. (43.7 × 33.7 cm) Sheet: 17 11/16 × 13 11/16 in. (45 × 34.8 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/377957 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
249515 | 53.600.1890(6) | 0 | 0 | 377958 | 11 | 731 | The Fair Penitent – Laetitia in penitence finds relief and protection from her Parents | 13 | Attributed to|After | Francesco Bartolozzi|George Morland | Italian, Florence 1728–1815 Lisbon|British, London 1763–1804 London | 35504 | 234 | 1728 |1763 | 1815 |1804 | after 1811 | 1811 | 1811 | 35946 | Sheet: 17 7/16 in. × 13 in. (44.3 × 33 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/377958 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
254901 | 17.65.2 | 0 | 1 | 383529 | 11 | 731 | The Circle of Corrupt Officials: The Devils Tormenting Ciampolo, from Dante's Inferno, Canto XXII | 162 | Illustrates | Dante Alighieri|William Blake | Italian, Florence ca. 1265–1321 Ravenna|British, London 1757–1827 London | 33070 | 234 | 1265 |1757 | 1321 |1827 | ca. 1825–27 | 1820 | 1832 | 7208 | plate: 9 3/8 x 13 1/4 in. (23.8 x 33.7 cm) sheet: 10 9/16 x 13 9/16 in. (26.8 x 34.4 cm) | Rogers Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/383529 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
262931 | 62.602.273 | 0 | 0 | 391870 | 11 | 731 | Seated Female Figure reaching upwards | 13 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Arthur Pond | Italian, Parma 1503–1540 Casalmaggiore|British, London 1701–1758 London | 38259 | 234 | 1503 |1701 | 1540 |1758 | 1720–58 | 1720 | 1758 | 42347 | sheet: 5 11/16 x 4 3/16 in. (14.4 x 10.6 cm) | Rogers Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/391870 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
262932 | 62.602.275 | 0 | 0 | 391871 | 11 | 731 | Two Figure Studies | 13 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Arthur Pond | Italian, Parma 1503–1540 Casalmaggiore|British, London 1701–1758 London | 38259 | 234 | 1503 |1701 | 1540 |1758 | 1715–58 | 1715 | 1758 | 42347 | sheet: 6 x 7 1/2 in. (15.2 x 19 cm) | Rogers Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/391871 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
262933 | 62.602.272 | 0 | 0 | 391872 | 11 | 731 | Compositional Study | 13 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Arthur Pond | Italian, Parma 1503–1540 Casalmaggiore|British, London 1701–1758 London | 38259 | 234 | 1503 |1701 | 1540 |1758 | 1734 | 1734 | 1734 | 26137 | sheet: 6 1/2 x 7 7/16 in. (16.5 x 18.9 cm) | Rogers Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/391872 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
262934 | 62.602.276 | 0 | 0 | 391873 | 11 | 731 | Seated Male Figure | 13 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Arthur Pond | Italian, Parma 1503–1540 Casalmaggiore|British, London 1701–1758 London | 38259 | 234 | 1503 |1701 | 1540 |1758 | 1715–58 | 1715 | 1758 | 26137 | sheet: 7 1/16 x 7 1/4 in. (18 x 18.4 cm) | Rogers Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/391873 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
263614 | 53.600.2040 | 0 | 1 | 392560 | 11 | 731 | Il Gobbo dei Carracci | 13 | After | Annibale Carracci|Arthur Pond | Italian, Bologna 1560–1609 Rome|British, London 1701–1758 London | 38402 | 234 | 1560 |1701 | 1609 |1758 | 1736 | 1736 | 1736 | 42450 | sheet: 11 5/8 x 7 5/8 in. (29.6 x 19.4 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/392560 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
267163 | 51.501.2997 | 0 | 1 | 396203 | 11 | 731 | Virgin and Child | 895 | After | Simone Cantarini|Robert Laurie|Robert Sayer | Italian, Pesaro 1612–1648 Verona|British, London 1755–1836 Broxbourne, Hertfordshire|British, Sunderland 1725–1794 Bath | 39427 | 234 | 1612 |1755 |1725 | 1648 |1836 |1794 | 1772 | 1772 | 1772 | 29072 | Sheet: 14 13/16 x 10 7/8 in. (37.7 x 27.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/396203 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
267167 | 51.501.3203 | 0 | 1 | 396207 | 11 | 731 | A female figure seated beside a flower vase | 710 | After | Simone Cantarini|John Boydell | Italian, Pesaro 1612–1648 Verona|British, Shropshire 1720–1804 London | 39430 | 234 | 1612 |1720 | 1648 |1804 | 1775 | 1775 | 1775 | 26137 | sheet: 8 3/16 x 6 1/16 in. (20.8 x 15.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/396207 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
267168 | 51.501.3204 | 0 | 1 | 396208 | 11 | 731 | Seated woman with a putto | 710 | After | Simone Cantarini|John Boydell | Italian, Pesaro 1612–1648 Verona|British, Shropshire 1720–1804 London | 39430 | 234 | 1612 |1720 | 1648 |1804 | 1775 | 1775 | 1775 | 26137 | sheet: 8 1/2 x 6 9/16 in. (21.6 x 16.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/396208 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
267169 | 51.501.3205 | 0 | 1 | 396209 | 11 | 731 | Virgin and Child | 710 | After | Simone Cantarini|John Boydell | Italian, Pesaro 1612–1648 Verona|British, Shropshire 1720–1804 London | 39430 | 234 | 1612 |1720 | 1648 |1804 | 1775 | 1775 | 1775 | 26137 | Sheet: 7 x 6 11/16 in. (17.8 x 17 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/396209 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
267170 | 51.501.3206 | 0 | 1 | 396210 | 11 | 731 | Woman with a book | 710 | After | Simone Cantarini|John Boydell | Italian, Pesaro 1612–1648 Verona|British, Shropshire 1720–1804 London | 39430 | 234 | 1612 |1720 | 1648 |1804 | 1775 | 1775 | 1775 | 26137 | sheet: 7 11/16 x 4 15/16 in. (19.5 x 12.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/396210 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
267171 | 51.501.3207 | 0 | 1 | 396211 | 11 | 731 | Virgin and Child | 710 | After | Simone Cantarini|John Boydell | Italian, Pesaro 1612–1648 Verona|British, Shropshire 1720–1804 London | 39430 | 234 | 1612 |1720 | 1648 |1804 | 1775 | 1775 | 1775 | 26137 | Sheet: 5 5/16 x 3 15/16 in. (13.5 x 10 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/396211 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
267172 | 51.501.3208 | 0 | 1 | 396212 | 11 | 731 | Virgin and Child | 710 | After | Simone Cantarini|John Boydell | Italian, Pesaro 1612–1648 Verona|British, Shropshire 1720–1804 London | 39430 | 234 | 1612 |1720 | 1648 |1804 | 1775 | 1775 | 1775 | 26137 | Sheet: 5 5/16 x 4 5/16 in. (13.5 x 11 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/396212 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
267175 | 17.3.2854 | 0 | 1 | 396215 | 11 | 731 | Apollo wearing a mantle and holding a laurel branch and violin | 4208 | After | Simone Cantarini|John Boydell|Victor Marie Picot | Italian, Pesaro 1612–1648 Verona|British, Shropshire 1720–1804 London|French, Monthières 1744–1802 Amiens | 39433 | 234 | 1612 |1720 |1744 | 1648 |1804 |1802 | 1784 | 1784 | 1784 | 6712 | Sheet: 8 1/8 x 6 1/4 in. (20.7 x 15.8 cm) Plate: 7 3/8 x 5 9/16 in. (18.8 x 14.2 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/396215 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
276254 | 41.71.1.8(54) | 0 | 0 | 405433 | 11 | 731 | View of the Arch built in honor of Augustus near the City of Aosta in Piedmont, Augusta Praetoria Salassorum in Antiquity. The inscribed fragment is from the attic story and is now built into the wall of the Capuchin Monastery, from Alcune Vedute di Archi Trionfali ed altri monumenti analzati da Romani parte de quali se veggono in Roma e parte per l'Italia (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy), tavola 5 | 1759 | 13 | After a design by | Giovanni Battista Piranesi|Sir Roger Newdigate, 5th Baronet | Italian, Mogliano Veneto 1720–1778 Rome|British, Arbury, Warwickshire 1719–1806 | 40651 | 234 | 1720 |1719 | 1778 |1806 | printed after 1775 | 1775 | 1800 | 26137 | Sheet: 21 5/8 x 15 3/4 in. (55 x 40 cm) Plate: 10 1/2 x 15 9/16 in. (26.7 x 39.5 cm) printed horizontally on the sheet | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/405433 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
282985 | 61.663.69 | 0 | 0 | 412291 | 11 | 731 | Edward the Martyr | 710 | Published London by | Andrea Casali|John Boydell | Italian, 1705–1784|British, Shropshire 1720–1804 London | 41115 | 234 | 1705 |1720 | 1784 |1804 | 1773 | 1773 | 1773 | 26137 | Sheet: 18 x 12 15/16 in. (45.7 x 32.9 cm) | Gift of Harry G. Friedman, 1961 | 13 | http://www.metmuseum.org/art/collection/search/412291 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
283086 | 2012.136.803.5 | 0 | 1 | 412394 | 11 | 731 | A rowboat full of men in center, a group of men standing on shore at left, a ship full of men, one firing a pistol, at right, from 'Set of eight nautical landscapes' (Suite de huit Marines) | 1900 | 4684 | Stefano della Bella|Reverend J. Burleigh James | Italian, Florence 1610–1664 Florence|British, 19th century | 41124 | 234 | 1610 |1799 | 1664 |1900 | 1639 | 1639 | 1639 | 26137 | Sheet: 5 1/16 x 8 1/8 in. (12.8 x 20.6 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/412394 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
283087 | 2012.136.803.7 | 0 | 1 | 412395 | 11 | 731 | Combat between several rowboats and ships, two groups of men in rowboats fighting to left, two ships full of combatants to right, other ships and clouds of smoke in the background, from 'Set of eight nautical landscapes' (Suite de huit Marines) | 1900 | 4684 | Stefano della Bella|Reverend J. Burleigh James | Italian, Florence 1610–1664 Florence|British, 19th century | 41124 | 234 | 1610 |1799 | 1664 |1900 | 1639 | 1639 | 1639 | 26137 | Sheet: 4 7/8 x 8 1/16 in. (12.4 x 20.5 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/412395 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
378728 | 58.651.29 | 0 | 0 | 624563 | 11 | 731 | Mercury and a Male Figure Riding a Peacock | 1324 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Jonathan Richardson Sr. | Italian, Parma 1503–1540 Casalmaggiore|British, London 1667–1745 London | 48641 | 234 | 1503 |1667 | 1540 |1745 | before 1745 | 1745 | 1745 | 37965 | Round sheet: 2 7/8 × 2 13/16 in. (7.3 × 7.2 cm) | Gift of Harry G. Friedman, 1958 | 13 | http://www.metmuseum.org/art/collection/search/624563 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
380500 | 53.600.705 | 0 | 0 | 626985 | 11 | 731 | Christ Child, St. Joseph and a Bird: Prints in Imitation of Drawings | 1324 | After | Guercino (Giovanni Francesco Barbieri)|Arthur Pond | Italian, Cento 1591–1666 Bologna|British, London 1701–1758 London | 48899 | 234 | 1591 |1701 | 1666 |1758 | 1734–36 | 1734 | 1736 | 32679 | Sheet: 8 1/4 × 9 13/16 in. (21 × 25 cm) Mount: 20 3/8 × 14 1/4 in. (51.8 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/626985 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
380502 | 53.600.706 | 0 | 0 | 626987 | 11 | 731 | The Virgin and Child Looking at a Bird | 13 | After | Guercino (Giovanni Francesco Barbieri)|Arthur Pond | Italian, Cento 1591–1666 Bologna|British, London 1701–1758 London | 48899 | 234 | 1591 |1701 | 1666 |1758 | 1734 | 1734 | 1734 | 26137 | Sheet: 8 3/4 × 11 13/16 in. (22.2 × 30 cm) Mount: 20 3/8 × 14 1/4 in. (51.8 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/626987 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
380516 | 53.600.614 | 0 | 0 | 627001 | 11 | 731 | The Mourning of St. Petronilla | 3772 | Probably|After | Richard Dalton|Guercino (Giovanni Francesco Barbieri)|James Basire, the elder | British, ca. 1715–1791|Italian, Cento 1591–1666 Bologna|British, London 1730–1802 London | 48903 | 234 | 1710 |1591 |1730 | 1791 |1666 |1802 | 1764 | 1764 | 1800 | 32679 | Mount: 14 1/4 × 19 5/16 in. (36.2 × 49 cm) Sheet: 9 7/16 × 8 9/16 in. (24 × 21.8 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/627001 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
380554 | 24.63.1441 | 0 | 0 | 627039 | 11 | 731 | Eagle perched on a branch | 2370 | 1324 | After | Guercino (Giovanni Francesco Barbieri)|Arthur Pond | Italian, Cento 1591–1666 Bologna|British, London 1701–1758 London | 48899 | 234 | 1591 |1701 | 1666 |1758 | 1736 | 1736 | 1736 | 37965 | Sheet: 13 7/8 × 10 1/16 in. (35.2 × 25.5 cm) Plate: 11 × 7 1/16 in. (28 × 18 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/627039 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
380599 | 53.600.648 | 0 | 0 | 627087 | 11 | 731 | A Young Man with Curly Hair in Profile | 895 | After | Guercino (Giovanni Francesco Barbieri)|Richard Dalton|Richard Dalton | Italian, Cento 1591–1666 Bologna|British, ca. 1715–1791|British, ca. 1715–1791 | 48860 | 234 | 1591 |1710 |1710 | 1666 |1791 |1791 | 1764 | 1764 | 1800 | 37965 | Sheet: 9 11/16 × 6 3/8 in. (24.6 × 16.2 cm) Mount: 14 3/4 × 20 1/2 in. (37.5 × 52 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/627087 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
380606 | 53.600.647 | 0 | 0 | 627094 | 11 | 731 | Bearded Man with Curly Hair, with his Right Arm Extended | 895 | After | Guercino (Giovanni Francesco Barbieri)|Richard Dalton|Richard Dalton | Italian, Cento 1591–1666 Bologna|British, ca. 1715–1791|British, ca. 1715–1791 | 48860 | 234 | 1591 |1710 |1710 | 1666 |1791 |1791 | 1764 | 1764 | 1800 | 37965 | Sheet: 9 3/4 × 7 1/8 in. (24.8 × 18.1 cm) Mount: 14 3/4 × 20 1/2 in. (37.5 × 52 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/627094 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
380625 | 53.600.645 | 0 | 0 | 627114 | 11 | 731 | Bearded Man Holding a Staff and Looking up to the Left | 1699 | After | Guercino (Giovanni Francesco Barbieri)|Richard Dalton|Richard Dalton | Italian, Cento 1591–1666 Bologna|British, ca. 1715–1791|British, ca. 1715–1791 | 48860 | 234 | 1591 |1710 |1710 | 1666 |1791 |1791 | 1764 | 1764 | 1800 | 32679 | Sheet: 13 7/16 × 9 1/8 in. (34.1 × 23.2 cm) Mount: 17 3/16 × 15 3/16 in. (43.7 × 38.6 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/627114 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
380630 | 53.600.683 | 0 | 0 | 627119 | 11 | 731 | Young Woman Holding a Flower in her left hand | 13 | After | Guercino (Giovanni Francesco Barbieri)|James Nevay | Italian, Cento 1591–1666 Bologna|British, born Scotland ca. 1730–1811 | 48916 | 234 | 1591 |1730 | 1666 |1811 | ca. 1764 | 1759 | 1769 | 32679 | Sheet: 10 in. × 7 3/16 in. (25.4 × 18.2 cm) Mount: 14 3/16 × 10 1/2 in. (36 × 26.7 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/627119 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
380639 | 53.600.642 | 0 | 0 | 627132 | 11 | 731 | A Quartet (The Singing School of Antonio Comi at Cento) | 1699 | After | Guercino (Giovanni Francesco Barbieri)|Richard Dalton|Richard Dalton | Italian, Cento 1591–1666 Bologna|British, ca. 1715–1791|British, ca. 1715–1791 | 48860 | 234 | 1591 |1710 |1710 | 1666 |1791 |1791 | 1764 | 1764 | 1800 | 37965 | Sheet: 9 1/2 × 11 5/8 in. (24.2 × 29.6 cm) Mount: 10 13/16 × 15 1/16 in. (27.5 × 38.2 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/627132 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
380640 | 53.600.644 | 0 | 0 | 627133 | 11 | 731 | Man in a Helmet Looking to the Right | 1699 | After | Guercino (Giovanni Francesco Barbieri)|Richard Dalton|Richard Dalton | Italian, Cento 1591–1666 Bologna|British, ca. 1715–1791|British, ca. 1715–1791 | 48860 | 234 | 1591 |1710 |1710 | 1666 |1791 |1791 | 1764 | 1764 | 1800 | 32679 | Sheet: 9 7/16 × 7 15/16 in. (24 × 20.2 cm) Mount: 10 1/8 × 10 1/16 in. (25.7 × 25.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/627133 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
380642 | 53.600.643 | 0 | 0 | 627135 | 11 | 731 | St. John the Evangelist Reading | 1699 | After | Guercino (Giovanni Francesco Barbieri)|Richard Dalton|Richard Dalton | Italian, Cento 1591–1666 Bologna|British, ca. 1715–1791|British, ca. 1715–1791 | 48860 | 234 | 1591 |1710 |1710 | 1666 |1791 |1791 | 1764 | 1764 | 1800 | 57836 | Sheet: 10 3/16 × 7 1/4 in. (25.8 × 18.4 cm) Mount: 14 3/8 × 9 13/16 in. (36.5 × 24.9 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/627135 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
380670 | 53.600.684 | 0 | 0 | 627304 | 11 | 731 | Veil of St. Veronica (or The Head of St. John the Baptist with Two Angels Holding a Cloth with an Impression of It) | 895 | After | Guercino (Giovanni Francesco Barbieri)|James Nevay|John Boydell | Italian, Cento 1591–1666 Bologna|British, born Scotland ca. 1730–1811|British, Shropshire 1720–1804 London | 48928 | 234 | 1591 |1730 |1720 | 1666 |1811 |1804 | ca. 1764 | 1759 | 1769 | 43475 | Sheet: 8 7/16 × 7 3/16 in. (21.5 × 18.3 cm) Mount: 11 5/16 × 20 1/4 in. (28.7 × 51.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/627304 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
380688 | 53.600.669 | 0 | 0 | 627330 | 11 | 731 | Peace and War | 710 | After | Guercino (Giovanni Francesco Barbieri)|Thomas Macklin | Italian, Cento 1591–1666 Bologna|British, 1752/53–1800 London | 48935 | 234 | 1591 |1752 | 1666 |1800 | 1779 | 1779 | 1779 | 37906 | Plate: 10 1/4 × 12 in. (26 × 30.5 cm) Sheet: 10 7/16 × 12 1/8 in. (26.5 × 30.8 cm) Mount: 14 3/4 × 20 1/4 in. (37.4 × 51.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/627330 | 4/23/2018 8:00:01 AM | 1 |