Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 232167 | 45.78.76 | 0 | 1 | 359914 | 11 | 731 | The Cumaean Sibyl | 895 | Etched by|After | Charles-Albert Waltner|Sir Edward Burne-Jones|Thomas Agnew & Sons, Ltd. | French, Paris 1846–1925 Paris|British, Birmingham 1833–1898 Fulham|London | Manchester and Liverpool | 31199 | 229 | 1846 |1833 | 1925 |1898 | November 1, 1882 | 1882 | 1882 | 36742 | Image: 17 3/16 x 6 7/8 in. (43.6 x 17.4 cm) Sheet: 21 7/16 x 16 in. (54.5 x 40.7 cm) | Gift of Mrs. Alice G. Taft, Mrs. Marianna F. Taft, Miss Hope Smith, Mrs. Helen Bradley Head, and Brockholst M. Smith, 1945 | 13 | http://www.metmuseum.org/art/collection/search/359914 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 232362 | 60.625.1 | 0 | 1 | 360111 | 11 | 731 | Le triomphe de la coquetterie | 54 | Anonymous, French, 18th century|Anonymous, British, 18th century | 31280 | 229 | 1700 |1700 | 1800 |1800 | 18th century | 1700 | 1800 | 6712 | sheet: 14 3/4 x 19 in. (37.5 x 48.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 13 | http://www.metmuseum.org/art/collection/search/360111 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 234285 | 42.79(1) | 0 | 0 | 362041 | 11 | 731 | General Plan of the Woods, Park and Gardens of Stowe the seat of the Right Honorable Lord Viscount Cobham | 710 | Published by | Jacques Rigaud|Sarah Bridgeman | French, Marseilles 1681–1754 Paris|British, 18th century | 31722 | 229 | 1681 |1700 | 1754 |1800 | 1739 | 1739 | 1739 | 26137 | sheet: 37 3/16 x 24 13/16 in. (94.5 x 63 cm) | Harris Brisbane Dick Fund, 1942 | 13 | http://www.metmuseum.org/art/collection/search/362041 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 236945 | 53.600.1020(5) | 0 | 1 | 364909 | 11 | 731 | The Chinese Gardener | 13 | After | François Boucher|John Ingram | French, Paris 1703–1770 Paris|British, London 1721 active to 1763 | 32412 | 229 | 1703 |1721 | 1770 |1759 | 1741–63 | 1741 | 1763 | 6712 | sheet: 8 11/16 x 5 11/16 in. (22 x 14.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/364909 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 241485 | 28.81.7(1) | 0 | 1 | 369630 | 11 | 731 | Title page to the series, The Haunted House (La Maison Hantée) | 709 | Written by | Odilon Redon|Edward Bulwer-Lytton, 1st Baron Lytton | French, Bordeaux 1840–1916 Paris|British, London 1803–1873 Torquay | 33633 | 229 | 1840 |1803 | 1916 |1873 | 1896 | 1896 | 1896 | 30273 | sheet: 17 11/16 x 12 1/2 in. (45 x 31.8 cm) image: 12 5/8 x 7 13/16 in. (32 x 19.8 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/369630 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 243377 | 25.79.2 | 0 | 1 | 371573 | 11 | 731 | The Sheepshearer | 13 | After | Jean-François Millet|Henry Linton | French, Gruchy 1814–1875 Barbizon|British, London 1815–1899 | 34154 | 229 | 1814 |1815 | 1875 |1899 | 19th century | 1830 | 1899 | 26552 | Gift of Carl Zigrosser, 1925 | 13 | http://www.metmuseum.org/art/collection/search/371573 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 255375 | 22.1.2 | 0 | 1 | 384012 | 11 | 731 | Portrait of Edwin Edwards | 972 | Félix Bracquemond|Edwin Edwards | French, Paris 1833–1914 Sèvres|British, 1823–1879 | 36657 | 229 | 1833 |1823 | 1914 |1879 | 1872 | 1872 | 1872 | 30693 | Sheet: 9 3/8 × 7 3/16 in. (23.8 × 18.2 cm) Image: 6 3/8 × 5 3/4 in. (16.2 × 14.6 cm) | Gift of David Keppel, 1922 | 13 | http://www.metmuseum.org/art/collection/search/384012 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 255578 | 24.63.1311 | 0 | 1 | 384231 | 11 | 731 | Landscape with Figures (After The Marriage of Isaac and Rebecca, 1648) | 867 | After|Published by | Claude Lorrain (Claude Gellée)|Moon, Boys & Graves|Anonymous | French, Chamagne 1604/5?–1682 Rome|London | 36701 | 229 | 1604 |1800 | 1682 |1899 | published 1830 | 1830 | 1830 | 26137 | sheet: 9 11/16 x 12 3/4 in. (24.6 x 32.4 cm) plate: 9 3/16 x 11 3/4 in. (23.4 x 29.8 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/384231 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 256074 | 22.1.24 | 0 | 1 | 384745 | 11 | 731 | Promenade vénitienne (Venetian Promenade) | 13 | After | Félix Bracquemond|Richard Parkes Bonington | French, Paris 1833–1914 Sèvres|British, Arnold, Nottinghamshire 1802–1828 London | 36827 | 229 | 1833 |1802 | 1914 |1828 | 1863 | 1863 | 1863 | 38521 | Sheet: 14 3/16 × 10 13/16 in. (36 × 27.4 cm) Plate: 6 in. × 6 1/16 in. (15.3 × 15.4 cm) | Gift of David Keppel, 1922 | 13 | http://www.metmuseum.org/art/collection/search/384745 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 256181 | 1990.1119 | 0 | 1 | 384852 | 11 | 731 | La locomotive | 13 | After | Félix Bracquemond|Joseph Mallord William Turner | French, Paris 1833–1914 Sèvres|British, London 1775–1851 London | 36860 | 229 | 1833 |1775 | 1914 |1851 | 1873 | 1873 | 1873 | 35625 | Sheet: 11 1/4 × 16 5/16 in. (28.5 × 41.4 cm) Plate: 8 9/16 × 10 1/4 in. (21.7 × 26.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1990 | 13 | http://www.metmuseum.org/art/collection/search/384852 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 258743 | 67.503.55 | 0 | 0 | 387438 | 11 | 731 | Louis Antoine Jullien, Manager of Drury Lane Theatre | 392 | Portrait of | Louis-Antoine Jullien|Alfred Edward Chalon | French, Sisteron, Basse-Pyrennes 1812–1860 Paris|British, Geneva 1780–1860 London | 37327 | 229 | 1812 |1780 | 1860 |1860 | 1845–53 | 1845 | 1853 | 38132 | sheet: 15 9/16 x 13 9/16 in. (39.5 x 34.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | 13 | http://www.metmuseum.org/art/collection/search/387438 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 258744 | 67.503.46 | 0 | 0 | 387439 | 11 | 731 | Concert Monstre, Weather of No! Enthusiasm in the Reign of Jullien, Surrey Zoological Gardens 1845 | 4483 | Louis-Antoine Jullien|Alfred Henry Forrester [Alfred Crowquill]|M. & N. Hanhart, London | French, Sisteron, Basse-Pyrennes 1812–1860 Paris|British, London 1804–1872 London | 37328 | 229 | 1812 |1804 |1830 | 1860 |1872 |1903 | 1845 | 1845 | 1845 | 14948 | sheet: 13 3/8 x 15 15/16 in. (34 x 40.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | 13 | http://www.metmuseum.org/art/collection/search/387439 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 259481 | 24.90.1145 | 0 | 1 | 388180 | 11 | 731 | Southwest View of the City of New York in North America | 13 | After|After | Pierre Charles Canot|Captain Thomas Howdell, of the Royal Artillery | French, Paris 1710–1777 Kentish Town, London (active England)|British, 18th century | 37488 | 229 | 1710 |1700 | 1777 |1800 | late 18th century | 1750 | 1800 | 26137 | sheet: 5 3/16 x 8 1/4 in. (13.2 x 21 cm) plate: 4 1/2 x 7 7/16 in. (11.4 x 18.9 cm) | Bequest of Charles Allen Munn, 1924 | 13 | http://www.metmuseum.org/art/collection/search/388180 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 263353 | 62.600.556 | 0 | 1 | 392298 | 11 | 731 | From Eaton | 710 | Philippe Jacques de Loutherbourg|R. Sayer and J. Bennett | French, Strasbourg 1740–1812 London|London | 38309 | 229 | 1740 |1770 | 1812 |1800 | December 8, 1776 | 1776 | 1776 | 30694 | plate: 6 5/16 x 4 3/4 in. (16 x 12 cm) sheet: 8 1/8 x 5 3/8 in. (20.7 x 13.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/392298 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 263354 | 62.600.557 | 0 | 1 | 392299 | 11 | 731 | From Soho | 710 | Philippe Jacques de Loutherbourg|R. Sayer and J. Bennett | French, Strasbourg 1740–1812 London|London | 38309 | 229 | 1740 |1770 | 1812 |1800 | December 26, 1776 | 1776 | 1776 | 30694 | plate: 6 5/16 x 4 5/8 in. (16 x 11.7 cm) sheet: 8 9/16 x 5 5/16 in. (21.7 x 13.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/392299 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 264462 | 53.601.311 | 0 | 1 | 393422 | 11 | 731 | Henriette-Anne d'Angleterre, duchesse d'Orléans | 972 | Portrait of | Claude Mellan|Henriette Anne d'Angleterre, Duchess of Orléans | French, Abbeville 1598–1688 Paris|1644–1670 | 38640 | 229 | 1598 |1644 | 1688 |1670 | 1644 | 1670 | 30370 | sheet: 8 1/2 x 6 3/8 in. (21.6 x 16.2 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/393422 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 265703 | 56.595.5 | 0 | 1 | 394670 | 11 | 731 | Woman Carrying a Bucket | 13 | After | François Boucher|William Wynne Ryland | French, Paris 1703–1770 Paris|British, baptized London 1732–1783 London | 39027 | 229 | 1703 |1732 | 1770 |1783 | 1732 | 1783 | 29331 | sheet: 12 7/8 x 15 3/8 in. (32.7 x 39 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 | 13 | http://www.metmuseum.org/art/collection/search/394670 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 266792 | 56.504.1(144-A) | 0 | 0 | 395821 | 11 | 731 | View of Mountains | 1526 | 710 | Jean Jacques de Boissieu|Michael Bryan | French, Lyons 1736–1810 Lyons|British, 1757–1821 | 39363 | 229 | 1736 |1757 | 1810 |1821 | 1764 | 1764 | 1764 | 42884 | sheet: 6 1/8 x 5 in. (15.5 x 12.7 cm) | Gift of Dr. Franz H. Hirschland, 1956 | 13 | http://www.metmuseum.org/art/collection/search/395821 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 267241 | 32.35(178) | 0 | 1 | 396282 | 11 | 731 | Cassandra, Frontispiece, Vol. 1 | 162 | Illustrates | Gautier de Coste de La Calprenède|William Hogarth | French, 1609–1663|British, London 1697–1764 London | 39440 | 229 | 1609 |1697 | 1663 |1764 | 1725 | 1725 | 1725 | 6712 | sheet: 5 5/16 x 2 15/16 in. (13.5 x 7.5 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/396282 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 267242 | 32.35(179) | 0 | 1 | 396283 | 11 | 731 | Cassandra, Frontispiece, Vol. 2: | 162 | Illustrates | Gautier de Coste de La Calprenède|William Hogarth | French, 1609–1663|British, London 1697–1764 London | 39440 | 229 | 1609 |1697 | 1663 |1764 | 1725 | 1725 | 1725 | 6712 | sheet: 5 3/8 x 2 15/16 in. (13.6 x 7.5 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/396283 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 274081 | 32.35(17) | 0 | 1 | 403253 | 11 | 731 | Evening: The Four Times of Day | 629 | After | Bernard Baron|William Hogarth | French, Paris 1696–1762 London|British, London 1697–1764 London | 40510 | 229 | 1696 |1697 | 1762 |1764 | March 25, 1738 | 1738 | 1738 | 30392 | sheet: 19 1/8 x 17 11/16 in. (48.6 x 45 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/403253 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 275670 | 91.1.75 | 0 | 1 | 404845 | 11 | 731 | The Polling, Plate III: Four Prints of an Election | 4639 | François Morellon de la Cave|William Hogarth | French, active 1706–66|British, London 1697–1764 London | 40627 | 229 | 1706 |1697 | 1766 |1764 | February 20, 1758 | 1758 | 1758 | 32460 | sheet: 16 7/16 x 21 11/16 in. (41.7 x 55.1 cm) | Gift of Sarah Lazarus, 1891 | 13 | http://www.metmuseum.org/art/collection/search/404845 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 275675 | 91.1.74 | 0 | 1 | 404850 | 11 | 731 | Chairing the Members, Plate IV: Four Prints of an Election | 4639 | François Antoine Aveline|William Hogarth | French, Paris 1718–1780 London|British, London 1697–1764 London | 40628 | 229 | 1718 |1697 | 1780 |1764 | January 1, 1758 | 1758 | 1758 | 32460 | sheet: 16 9/16 x 22 1/16 in. (42 x 56 cm) | Gift of Sarah Lazarus, 1891 | 13 | http://www.metmuseum.org/art/collection/search/404850 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 276060 | 32.35(8) | 0 | 1 | 405239 | 11 | 731 | Marriage A-la-Mode, Plate I | 629 | After | Gérard Jean-Baptiste Scotin|William Hogarth | French, Paris 1698–after 1755|British, London 1697–1764 London | 40648 | 229 | 1698 |1697 | 1755 |1764 | April 1, 1745 | 1745 | 1745 | 43238 | Sheet: 15 3/16 x 18 5/16 in. (38.5 x 46.5 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/405239 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 276072 | 91.1.111 | 0 | 1 | 405251 | 11 | 731 | Marriage A-la-Mode, Plate V | 629 | After | Simon Francis Ravenet, the elder|William Hogarth | French, 1706–1774|British, London 1697–1764 London | 40649 | 229 | 1706 |1697 | 1774 |1764 | April 1745 | 1745 | 1745 | 36787 | Plate: 15 1/4 x 18 7/16 in. (38.8 x 46.9 cm) | Gift of Sarah Lazarus, 1891 | 13 | http://www.metmuseum.org/art/collection/search/405251 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 277119 | 32.35(13) | 0 | 1 | 406301 | 11 | 731 | Marriage A-la-Mode, Plate VI | 629 | After | Gérard Jean-Baptiste Scotin|William Hogarth | French, Paris 1698–after 1755|British, London 1697–1764 London | 40648 | 229 | 1698 |1697 | 1755 |1764 | April 1, 1745 | 1745 | 1745 | 30931 | Sheet: 15 1/8 x 18 3/16 in. (38.4 x 46.2 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/406301 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 277123 | 32.35(12) | 0 | 1 | 406305 | 11 | 731 | Marriage A-la-Mode, Plate V | 629 | After | Simon Francis Ravenet, the elder|William Hogarth | French, 1706–1774|British, London 1697–1764 London | 40649 | 229 | 1706 |1697 | 1774 |1764 | April 1, 1745 | 1745 | 1745 | 29745 | Sheet: 15 3/16 x 18 3/8 in. (38.6 x 46.7 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/406305 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 280803 | 44.91.50 | 0 | 0 | 410099 | 11 | 731 | Young Men in the Country, from Gavarni's Studies | 1818 | 849 | Paul Gavarni [Chevalier]|Day & Son, Ltd.|Growney & Co. | French, Paris 1804–1866 Paris|London | 40992 | 229 | 1804 |1800 | 1866 |1899 | 19th century | 1800 | 1900 | 14948 | Sheet: 13 7/8 x 10 5/8 in. (35.2 x 27 cm) | Gift of Edith P. Blase, 1944 | 13 | http://www.metmuseum.org/art/collection/search/410099 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 280804 | 44.91.49 | 0 | 0 | 410100 | 11 | 731 | Women in a Landscape, from Gavarni's Studies | 1818 | 849 | Paul Gavarni [Chevalier]|Day & Son, Ltd.|Growney & Co. | French, Paris 1804–1866 Paris|London | 40992 | 229 | 1804 |1800 | 1866 |1899 | 19th century | 1800 | 1900 | 14948 | Sheet: 14 9/16 x 10 5/8 in. (37 x 27 cm) torn at lower left | Gift of Edith P. Blase, 1944 | 13 | http://www.metmuseum.org/art/collection/search/410100 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 280805 | 58.559.168 | 0 | 0 | 410101 | 11 | 731 | Young Men in the Country, from Gavarni's Studies | 1818 | 849 | Paul Gavarni [Chevalier]|Day & Son, Ltd.|Growney & Co. | French, Paris 1804–1866 Paris|London | 40992 | 229 | 1804 |1800 | 1866 |1899 | 19th century | 1800 | 1900 | 14948 | Sheet: 13 5/8 x 10 7/8 in. (34.6 x 27.6 cm) | Gift of Mrs. Hermann Warner Williams Jr., 1958 | 13 | http://www.metmuseum.org/art/collection/search/410101 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 280947 | 21.95.24 | 0 | 0 | 410243 | 11 | 731 | Insurgent Prisoners at Paris Receiving Relief from their Families (from Illustrated London News, vol. XIII, no. 327) | 710 | After | Paul Gavarni [Chevalier]|Illustrated London News | French, Paris 1804–1866 Paris | 41018 | 229 | 1804 |1800 | 1866 |2000 | July 22, 1848 | 1848 | 1848 | 29001 | Sheet: 9 5/8 x 8 1/16 in. (24.5 x 20.4 cm) | Gift of E. Weyhe, 1921 | 13 | http://www.metmuseum.org/art/collection/search/410243 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 283863 | 24.90.1218 | 0 | 0 | 413173 | 11 | 731 | View of Hell Gate, the Entrance from Long Island Sound to New York | 710 | Engraved by | J. Merigot|James Cundee | French, active 1772–1814|London | , Albion Press | 41189 | 229 | 1772 |1780 | 1814 |1880 | March 1, 1807 | 1807 | 1807 | 35633 | Sheet: 8 3/8 x 10 1/8 in. (21.2 x 25.7 cm) Image: 5 1/4 x 7 5/8 in. (13.3 x 19.4 cm) | Bequest of Charles Allen Munn, 1924 | 13 | http://www.metmuseum.org/art/collection/search/413173 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 284962 | 56.595.4 | 0 | 1 | 414272 | 11 | 731 | IIe. Vue de Fronville (2nd View of Fronville) | 452 | After | François Boucher|William Wynne Ryland | French, Paris 1703–1770 Paris|British, baptized London 1732–1783 London | 39027 | 229 | 1703 |1732 | 1770 |1783 | 18th century | 1747 | 1783 | 6712 | Sheet: 13 1/8 x 19 in. (33.4 x 48.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 | 13 | http://www.metmuseum.org/art/collection/search/414272 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 287113 | 1970.538.26 | 0 | 0 | 416424 | 11 | 731 | Cossacks on Horseback Hunting Deer | 710 | Carle (Antoine Charles Horace) Vernet|Joseph Dickinson | French, Bordeaux 1758–1836 Paris|London | 41455 | 229 | 1758 |1780 | 1836 |1880 | 1821–36 | 1821 | 1836 | 14948 | Sheet: 13 3/16 x 17 1/16 in. (33.5 x 43.4 cm) | Rogers Fund, 1970 | 13 | http://www.metmuseum.org/art/collection/search/416424 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 305417 | 62.602.686 | 0 | 0 | 435298 | 11 | 731 | Rosina | 13 | After | Angélique Papavoine|James Dunthorne | French, born Paris 1759|British, Colchester ca. 1758–ca. 1792/93 | 43345 | 229 | 1759 |1750 | 1798 | ca. 1780 | 1775 | 1785 | 37370 | 11 15/16 × 7 15/16 in. (30.3 × 20.2 cm) | Rogers Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/435298 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 395893 | 1970.565.224(1) | 0 | 0 | 648999 | 11 | 731 | Frontispiece (in Parables from Nature) | 452 | After | Philip-Hermogenes Calderon|Horace Harral | French, Poitiers 1833–1898 London|British, 1817–1905 | 50466 | 229 | 1833 |1817 | 1898 |1905 | 1865 | 1865 | 1865 | 29001 | Image: 4 15/16 × 3 13/16 in. (12.5 × 9.7 cm) Sheet: 8 7/16 × 5 1/2 in. (21.5 × 14 cm) | Gift of Lincoln Kirstein, 1970 | 14 | 13 | http://www.metmuseum.org/art/collection/search/648999 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 395921 | 1970.565.224(2) | 0 | 0 | 649027 | 11 | 731 | A Lesson of Faith (in Parables from Nature, opp. p. 1) | 452 | After | Philip-Hermogenes Calderon|Horace Harral | French, Poitiers 1833–1898 London|British, 1817–1905 | 50466 | 229 | 1833 |1817 | 1898 |1905 | 1865 | 1865 | 1865 | 29001 | Image: 5 in. × 3 3/4 in. (12.7 × 9.5 cm) Sheet: 8 7/16 × 5 1/2 in. (21.5 × 14 cm) | Gift of Lincoln Kirstein, 1970 | 14 | 13 | http://www.metmuseum.org/art/collection/search/649027 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 395934 | 1970.565.224(10) | 0 | 0 | 649040 | 11 | 731 | The Circle of Blessing (in Parables from Nature, opp. p. 67) | 452 | After | Philip-Hermogenes Calderon|Horace Harral | French, Poitiers 1833–1898 London|British, 1817–1905 | 50466 | 229 | 1833 |1817 | 1898 |1905 | 1865 | 1865 | 1865 | 29001 | Image: 4 15/16 × 3 3/4 in. (12.5 × 9.5 cm) Sheet: 8 7/16 × 5 1/2 in. (21.5 × 14 cm) | Gift of Lincoln Kirstein, 1970 | 14 | 13 | http://www.metmuseum.org/art/collection/search/649040 | 4/23/2018 8:00:01 AM | 1 |