Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 229115 | 63.592.40 | 0 | 0 | 356760 | 11 | 97 | "Jeux d'enfants" | 3427 | After | François de Cuvilliés the Younger|Jacopo Amigoni|Johann Nepomuk Maag | German, 1731–1777|Italian, Venice 1682–1752 Madrid|German, 1724–1800 | 29503 | 2211 | 1731 |1682 |1724 | 1777 |1752 |1800 | 1768 | 1768 | 1768 | 26137 | Overall: 18 5/16 x 14 9/16 x 1 3/16 in. (46.5 x 37 x 3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963 | 442 | http://www.metmuseum.org/art/collection/search/356760 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 229676 | 1991.1073.83 | 0 | 0 | 357340 | 11 | 97 | Les Celèbres Tapisseries de Raphaël d'Urbin, connües Sous le nom d'Arazzi, qui Sont au Vatican à Rome, au nombre de vingt pièces... | 1005 | Engraved by|After|Published Rome by | Ludwig Sommerau|Raphael (Raffaello Sanzio or Santi)|Ludwig Sommerau | German, 1756–1786|Italian, Urbino 1483–1520 Rome|German, 1756–1786 | 29921 | 2211 | 1756 |1483 |1756 | 1786 |1520 |1786 | 1780 | 1780 | 1780 | Administrative Fund, 1917, transferred from the Library (1991.1073.83) | 442 | http://www.metmuseum.org/art/collection/search/357340 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 231278 | 34.776 | 0 | 0 | 359004 | 11 | 97 | Das ist das buch der Cirurgia | 1111 | Written by|Published by|Printed by | Hieronymus Brunschwig|R. Lier & Co.|Johann Grüninger | German, 1450–1512|German, Markgröningen 1455?–?1533 Strasbourg | 30795 | 2211 | 1450 |1455 | 1512 |1533 | 1923 (1497) | 1923 | 1923 | Overall: 11 3/8 x 7 15/16 x 1 in. (28.9 x 20.2 x 2.6 cm) | Harris Brisbane Dick Fund, 1934 | 442 | http://www.metmuseum.org/art/collection/search/359004 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 231883 | 69.574.5 | 0 | 1 | 359626 | 11 | 731 | Imaginary portrait head of a man wearing a cap and fur-trimmed coat; from the series of 22 imaginary portrait heads after Giovanni Battista Piazzetta | 895 | After | Johann Lorenz Haid|Giovanni Battista Piazzetta|Johann Christian Leopold | German, Kleineislingen 1702–1750 Augsburg|Italian, Venice 1682–1754 Venice | 31065 | 2211 | 1702 |1682 | 1750 |1754 | ca. 1730–50 | 1725 | 1755 | 36653 | Plate: 15 3/16 x 10 11/16 in. (38.5 x 27.1 cm) Sheet: 19 7/8 x 13 7/8 in. (50.5 x 35.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1969 | 424 | 13 | http://www.metmuseum.org/art/collection/search/359626 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 231884 | 69.574.6 | 0 | 1 | 359627 | 11 | 731 | Imaginary portrait head of a man in a feathered hat; from the series of 22 imaginary portrait heads after Giovanni Battista Piazzetta | 895 | After | Johann Lorenz Haid|Giovanni Battista Piazzetta|Johann Christian Leopold | German, Kleineislingen 1702–1750 Augsburg|Italian, Venice 1682–1754 Venice | 31065 | 2211 | 1702 |1682 | 1750 |1754 | ca. 1730–50 | 1725 | 1755 | 36653 | Plate: 15 1/4 x 10 11/16 in. (38.7 x 27.2 cm) Sheet: 19 1/4 × 13 3/4 in. (48.9 × 35 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1969 | 424 | 13 | http://www.metmuseum.org/art/collection/search/359627 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 247921 | 49.50.279 | 0 | 0 | 376222 | 11 | 731 | Saint John the Evangelist; head and shoulders, writing with a quill; after Giovanni Battista Piazzetta | 895 | After | Johann Lorenz Haid|Giovanni Battista Piazzetta|Johann Christian Leopold | German, Kleineislingen 1702–1750 Augsburg|Italian, Venice 1682–1754 Venice | 31065 | 2211 | 1702 |1682 | 1750 |1754 | ca. 1750–ca. 1760 | 1745 | 1765 | 29072 | Sheet (Trimmed): 15 3/4 in. × 11 in. (40 × 28 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 424 | 13 | http://www.metmuseum.org/art/collection/search/376222 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 247922 | 49.50.280 | 0 | 0 | 376223 | 11 | 731 | Saint Jude, head and shoulders, holding a square rule; after Giovanni Battista Piazzetta | 895 | After | Johann Lorenz Haid|Giovanni Battista Piazzetta|Johann Christian Leopold | German, Kleineislingen 1702–1750 Augsburg|Italian, Venice 1682–1754 Venice | 31065 | 2211 | 1702 |1682 | 1750 |1754 | ca. 1750–ca. 1760 | 1745 | 1765 | 29072 | Sheet (Trimmed): 15 13/16 × 11 1/8 in. (40.1 × 28.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 424 | 13 | http://www.metmuseum.org/art/collection/search/376223 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 256302 | 23.106.52 | 0 | 1 | 384974 | 11 | 731 | The Sistine Madonna | 1205 | After|Published by|Printed by | Johann Friedrich Wilhelm Müller|Raphael (Raffaello Sanzio or Santi)|Rittner|Seidelmann | German, 1782–1816|Italian, Urbino 1483–1520 Rome|German | 36893 | 2211 | 1782 |1483 | 1816 |1520 | n.d. | 1795 | 1816 | 41283 | plate: 30 1/4 x 22 in. (76.8 x 55.9 cm) sheet: 34 3/4 x 26 1/2 in. (88.3 x 67.3 cm) | Gift of Junius S. Morgan, 1923 | 13 | http://www.metmuseum.org/art/collection/search/384974 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 266747 | 2011.178 | 0 | 1 | 395773 | 11 | 731 | Portrait of Giovanni Battista Piazzetta | 4451 | Johann Gottfried Haid|Giovanni Battista Piazzetta|Johann Christian Leopold | German, Augsburg 1714–1776 Vienna|Italian, Venice 1682–1754 Venice | 39342 | 2211 | 1714 |1682 | 1776 |1754 | early 18th century | 1725 | 1754 | 29072 | sheet: 15 x 10 1/2 in. (38.1 x 26.7 cm) | Funds from various donors, 2011 | 13 | http://www.metmuseum.org/art/collection/search/395773 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 408580 | 17.3.2811 | 0 | 1 | 668784 | 11 | 731 | The Nude Girl and the Abbot, from The Decameron | 1001 | Hans Schäufelein|Giovanni Boccaccio|Heinrich Steiner | German, Nuremberg ca. 1480–ca. 1540 Nördlingen|Italian, Paris 1313–1375 Certaldo, Tuscany|German, active 1522–47 | 51565 | 2211 | 1480 |1313 |1522 | 1540 |1375 |1547 | before 1534 | 1534 | 1534 | 26552 | Sheet: 2 5/8 × 2 7/8 in. (6.7 × 7.3 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/668784 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 408592 | 17.3.2812 | 0 | 1 | 668874 | 11 | 731 | Brother Cipolla in the Parish of Certaldo, from The Decameron | 1001 | Hans Schäufelein|Giovanni Boccaccio|Heinrich Steiner | German, Nuremberg ca. 1480–ca. 1540 Nördlingen|Italian, Paris 1313–1375 Certaldo, Tuscany|German, active 1522–47 | 51565 | 2211 | 1480 |1313 |1522 | 1540 |1375 |1547 | before 1534 | 1534 | 1534 | 26552 | Sheet: 2 3/4 × 2 7/8 in. (7 × 7.3 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/668874 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 408669 | 17.3.2814 | 0 | 1 | 669029 | 11 | 731 | Ghita Locking out her Husband Tofano, from The Decameron | 1001 | Hans Schäufelein|Giovanni Boccaccio|Heinrich Steiner | German, Nuremberg ca. 1480–ca. 1540 Nördlingen|Italian, Paris 1313–1375 Certaldo, Tuscany|German, active 1522–47 | 51565 | 2211 | 1480 |1313 |1522 | 1540 |1375 |1547 | before 1534 | 1534 | 1534 | 26552 | Sheet: 2 5/8 × 2 13/16 in. (6.7 × 7.1 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/669029 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 408670 | 17.3.2816 | 0 | 1 | 669031 | 11 | 731 | Spinneloccio Locked up in a Chest, on which his Wife and Zeppa are Seated, from The Decameron | 1001 | Hans Schäufelein|Giovanni Boccaccio|Heinrich Steiner | German, Nuremberg ca. 1480–ca. 1540 Nördlingen|Italian, Paris 1313–1375 Certaldo, Tuscany|German, active 1522–47 | 51565 | 2211 | 1480 |1313 |1522 | 1540 |1375 |1547 | before 1534 | 1534 | 1534 | 26552 | Sheet: 2 5/8 × 2 13/16 in. (6.7 × 7.1 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/669031 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409851 | 17.3.2813 | 0 | 1 | 675526 | 11 | 731 | Rinaldo Robbed, Standing in front of the Widow's House, from The Decameron | 1001 | Hans Schäufelein|Giovanni Boccaccio|Heinrich Steiner | German, Nuremberg ca. 1480–ca. 1540 Nördlingen|Italian, Paris 1313–1375 Certaldo, Tuscany|German, active 1522–47 | 51565 | 2211 | 1480 |1313 |1522 | 1540 |1375 |1547 | before 1534 | 1534 | 1534 | 26552 | Sheet: 2 3/4 × 2 7/8 in. (7 × 7.3 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/675526 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 409914 | 17.3.2815 | 0 | 1 | 675589 | 11 | 731 | Ghismonda, Guiscardo, and the Prince of Salerno, from The Decameron | 1001 | Hans Schäufelein|Giovanni Boccaccio|Heinrich Steiner | German, Nuremberg ca. 1480–ca. 1540 Nördlingen|Italian, Paris 1313–1375 Certaldo, Tuscany|German, active 1522–47 | 51565 | 2211 | 1480 |1313 |1522 | 1540 |1375 |1547 | before 1534 | 1534 | 1534 | 26552 | Sheet: 2 3/4 × 2 7/8 in. (7 × 7.3 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/675589 | 4/23/2018 8:00:01 AM | 1 |