Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 225868 | 63.678 | 0 | 0 | 353470 | 11 | 97 | An account of the first aerial voyage in England... | 3001 | Frontispiece portrait designed by | Vincent Lunardi|Francesco Bartolozzi|Richard Cosway | Italian, Lucca 1759–1806|Italian, Florence 1728–1815 Lisbon|British, Oakford, Devon 1742–1821 London | 27270 | 1966 | 1759 |1728 |1742 | 1806 |1815 |1821 | 1784 | 1784 | 1784 | 28942 | 8 3/8 x 5 1/8 in. (21.3 x 13 cm) | Gift of Mrs. Paul Bird, Jr., in memory of Paul Bird, Jr., 1963 | 442 | http://www.metmuseum.org/art/collection/search/353470 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248190 | 64.561.27 | 0 | 0 | 376492 | 11 | 731 | Clytie | 895 | After|Published by | Francesco Bartolozzi|Annibale Carracci|John Boydell | Italian, Florence 1728–1815 Lisbon|Italian, Bologna 1560–1609 Rome|British, Shropshire 1720–1804 London | 35141 | 1966 | 1728 |1560 |1720 | 1815 |1609 |1804 | 1772 | 1772 | 1772 | 37663 | sheet: 22 1/16 x 19 13/16 in. (56.1 x 50.3 cm) plate: 20 1/4 x 18 in. (51.4 x 45.7 cm) | Gift of James N. Rosenberg, 1964 | 13 | http://www.metmuseum.org/art/collection/search/376492 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248313 | 17.3.1231 | 0 | 0 | 376615 | 11 | 731 | Jupiter and Juno on Mount Ida | 895 | After | Francesco Bartolozzi|Giovanni Battista Cipriani|Torre & Co. | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|British, active 1760–99 | 35201 | 1966 | 1728 |1727 |1760 | 1815 |1785 |1799 | January 1, 1784 | 1784 | 1784 | 39703 | oval image: 5 5/8 x 6 5/8 in. (14.3 x 16.8 cm) sheet: 7 1/8 x 8 in. (18.1 x 20.3 cm) (clipped impression) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376615 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248538 | 17.3.2683 | 0 | 0 | 376842 | 11 | 731 | Pegasus Fed Flowers by a Muse | 895 | After|Published by | Francesco Bartolozzi|Giovanni Battista Cipriani|Lewis Borghi | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|active London 1772–94 | 35273 | 1966 | 1728 |1727 |1772 | 1815 |1785 |1794 | 1790 | 1790 | 1790 | 29744 | image: 4 1/4 x 4 7/8 in. (10.8 x 12.4 cm) sheet: 5 1/2 x 6 3/16 in. (14 x 15.7 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376842 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248542 | 17.3.533 | 0 | 0 | 376846 | 11 | 731 | Title Page, Memoirs of Thomas Hollis | 723 | After|Written by | Francesco Bartolozzi|Giovanni Battista Cipriani|Thomas Hollis | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|British, London 1720–1774 | 35275 | 1966 | 1728 |1727 |1720 | 1815 |1785 |1774 | March 20, 1780 | 1780 | 1780 | 39699 | plate: 12 1/8 x 9 1/16 in. (30.8 x 23 cm) sheet: 13 3/4 x 10 7/16 in. (34.9 x 26.5 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376846 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248546 | 17.3.756–1943 | 0 | 0 | 376850 | 11 | 731 | VIgnette, Satyr Playing the Flute, Next to a Bust of the Poet Martial | 895 | After | Francesco Bartolozzi|Giovanni Battista Cipriani|G. Graglia | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|London | 35278 | 1966 | 1728 |1727 |1750 | 1815 |1785 |1850 | December 14, 1783 | 1783 | 1783 | 29745 | sheet: 7 11/16 x 4 11/16 in. (19.5 x 11.9 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376850 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248549 | 48.163.6 | 0 | 1 | 376853 | 11 | 731 | The Nymph of Immortality, Attended by the Loves, Crowning the Bust of Shakespeare | 1308 | After | Francesco Bartolozzi|Giovanni Battista Cipriani|James Birchall|William Shakespeare | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|British, active 1781–94|British, Stratford-upon-Avon 1564–1616 Stratford-upon-Avon | 35280 | 1966 | 1728 |1727 |1781 |1564 | 1815 |1785 |1794 |1616 | September 1784 | 1784 | 1784 | 39762 | plate: 13 3/4 x 10 1/4 in. (34.9 x 26 cm) sheet: 17 1/2 x 11 in. (44.5 x 27.9 cm) | Bequest of George D. Pratt, 1935 | 13 | http://www.metmuseum.org/art/collection/search/376853 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248602 | 17.3.887-47 | 0 | 0 | 376910 | 11 | 731 | Two Men, One Singing and the Other Playing a Lute | 895 | After|Probably | Francesco Bartolozzi|Guercino (Giovanni Francesco Barbieri)|John & Josiah Boydell | Italian, Florence 1728–1815 Lisbon|Italian, Cento 1591–1666 Bologna|British, 1786–1804 | 35293 | 1966 | 1728 |1591 |1786 | 1815 |1666 |1804 | 1793–98 | 1793 | 1798 | 26137 | sheet: 9 7/8 x 12 1/2 in. (25.1 x 31.8 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376910 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248604 | 60.620.220 | 0 | 0 | 376912 | 11 | 731 | Five Persons Kneeling in Prayer | 4248 | After|Or published by|Either published by | Francesco Bartolozzi|Guercino (Giovanni Francesco Barbieri)|John & Josiah Boydell|Richard Dalton | Italian, Florence 1728–1815 Lisbon|Italian, Cento 1591–1666 Bologna|British, 1786–1804|British, ca. 1715–1791 | 35295 | 1966 | 1728 |1591 |1786 |1710 | 1815 |1666 |1804 |1791 | 1764–98 | 1764 | 1798 | 26137 | sheet: 11 15/16 x 16 7/8 in. (30.3 x 42.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 13 | http://www.metmuseum.org/art/collection/search/376912 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248607 | 17.3.2963 | 0 | 0 | 376915 | 11 | 731 | Three Graces Crowning a Bust of Raphael | 895 | After|Published by | Francesco Bartolozzi|Giovanni Battista Cipriani|Simon Watts | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|British, active London 1767–87 | , London | 35297 | 1966 | 1728 |1727 |1767 | 1815 |1785 |1787 | July 28, 1788 | 1788 | 1788 | 37022 | plate: 6 1/8 x 7 1/2 in. (15.5 x 19 cm) sheet: 6 15/16 x 8 7/16 in. (17.6 x 21.5 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/376915 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 248636 | 59.500.583(35) | 0 | 0 | 376975 | 11 | 731 | Duel Between Ruggiero and Marfisa, from Orlando Furioso | 895 | After|Published by | Giovanni Battista Cipriani|Francesco Bartolozzi|G. Baskerville | Italian, Florence 1727–1785 Hammersmith (active London)|Italian, Florence 1728–1815 Lisbon | 35310 | 1966 | 1727 |1728 |1750 | 1785 |1815 |1800 | ca. 1773 | 1768 | 1778 | 29744 | sheet: 9 3/16 x 5 11/16 in. (23.3 x 14.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/376975 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248698 | 42.119.415 | 0 | 0 | 377066 | 11 | 731 | Chryseis restored to her Father | 895 | After|Published London by | Francesco Bartolozzi|Giovanni Battista Cipriani|Susannah Vivares | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|British, active 1781–1797 | 35329 | 1966 | 1728 |1727 |1781 | 1815 |1785 |1797 | June 12, 1786 | 1786 | 1786 | 37906 | oval: 11 3/8 x 14 1/2 in. (28.9 x 36.8 cm) | Gertrude and Thomas Jefferson Mumford Collection, Gift of Dorothy Quick Mayer, 1942 | 13 | http://www.metmuseum.org/art/collection/search/377066 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248810 | 17.3.528 | 0 | 0 | 377221 | 11 | 731 | The Madonna Weeping | 895 | After|Published by | Francesco Bartolozzi|Carlo Dolci|John Boydell | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1616–1687 Florence|British, Shropshire 1720–1804 London | , London | 35356 | 1966 | 1728 |1616 |1720 | 1815 |1687 |1804 | 1769 | 1769 | 1769 | 32458 | Sheet: 9 1/16 in. × 6 in. (23 × 15.3 cm) Plate: 6 1/2 × 4 5/8 in. (16.6 × 11.7 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/377221 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 248813 | 17.3.2674 | 0 | 0 | 377224 | 11 | 731 | St. Francis of Assisi | 895 | After | Francesco Bartolozzi|Cigoli (Ludovico Cardi)|Thomas Bradford | Italian, Florence 1728–1815 Lisbon|Italian, Castello di Cigoli 1559–1613 Rome|British, active London, 1763–73 | 35358 | 1966 | 1728 |1559 |1673 | 1815 |1613 |1773 | 1763 | 1763 | 1763 | 6712 | Sheet: 7 1/4 × 5 1/8 in. (18.4 × 13.1 cm) Plate: 6 1/4 × 4 7/16 in. (15.9 × 11.3 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/377224 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248821 | 17.3.887-44 | 0 | 0 | 377232 | 11 | 731 | Sacrifice to Diana | 895 | After | Francesco Bartolozzi|Pietro da Cortona (Pietro Berrettini)|Torre & Co. | Italian, Florence 1728–1815 Lisbon|Italian, Cortona 1596–1669 Rome|British, active 1760–99 | 35365 | 1966 | 1728 |1596 |1760 | 1815 |1669 |1799 | 1776 | 1776 | 1776 | 6712 | Sheet: 11 in. × 16 15/16 in. (27.9 × 43 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/377232 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248822 | 18.48.4-578 | 0 | 0 | 377233 | 11 | 731 | Euphrosine | 939 | After|After | Francesco Bartolozzi|Jacopo Amigoni|James Birchall|Reichsdruckerei | Italian, Florence 1728–1815 Lisbon|Italian, Venice 1682–1752 Madrid|British, active 1781–94|German | 35366 | 1966 | 1728 |1682 |1781 | 1815 |1752 |1794 | 1880–1900 | 1880 | 1900 | 39784 | Sheet: 16 15/16 in. × 13 in. (43 × 33 cm) Plate: 13 15/16 × 10 9/16 in. (35.4 × 26.8 cm) Oval Image: 11 7/16 × 9 7/16 in. (29.1 × 24 cm) | Gift of Robert Hartshorne, 1918 | 13 | http://www.metmuseum.org/art/collection/search/377233 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248823 | 17.3.3143 | 0 | 0 | 377234 | 11 | 731 | Hebe | 895 | After | Francesco Bartolozzi|Giovanni Battista Cipriani|Emmanuel Matthias Diemar | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|British, active 1761–96 | 35367 | 1966 | 1728 |1727 |1761 | 1815 |1785 |1796 | June 27, 1782 | 1782 | 1782 | 39804 | Oval Image: 4 3/8 × 3 7/16 in. (11.1 × 8.7 cm) Plate: 7 7/16 × 5 3/4 in. (18.9 × 14.6 cm) Sheet: 10 7/8 × 7 7/8 in. (27.6 × 20 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/377234 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248825 | 17.3.756-2325 | 0 | 0 | 377236 | 11 | 731 | The Tragic Muse | 895 | After | Francesco Bartolozzi|Giovanni Battista Cipriani|J. Matthews | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|London | 35369 | 1966 | 1728 |1727 |1750 | 1815 |1785 |1800 | February 1, 1784 | 1784 | 1784 | 39806 | Sheet: 10 5/8 × 8 1/8 in. (27 × 20.6 cm) Plate: 7 3/8 × 5 3/4 in. (18.7 × 14.6 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/377236 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248827 | 17.3.3497 | 0 | 0 | 377238 | 11 | 731 | Psyche Going to Bathe | 895 | After | Francesco Bartolozzi|Giovanni Battista Cipriani|Emmanuel Matthias Diemar | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|British, active 1761–96 | 35367 | 1966 | 1728 |1727 |1761 | 1815 |1785 |1796 | December 12, 1786 | 1786 | 1786 | 39668 | Sheet: 10 1/2 in. × 8 in. (26.7 × 20.3 cm) (clipped impression) Image: 8 3/4 × 7 1/8 in. (22.2 × 18.1 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/377238 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248828 | 17.3.3499 | 0 | 0 | 377239 | 11 | 731 | Psyche Going to Dress | 895 | After | Francesco Bartolozzi|Giovanni Battista Cipriani|Emmanuel Matthias Diemar | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|British, active 1761–96 | 35367 | 1966 | 1728 |1727 |1761 | 1815 |1785 |1796 | December 12, 1786 | 1786 | 1786 | 39668 | Sheet: 11 in. × 8 1/16 in. (28 × 20.5 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/377239 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248832 | 17.3.452 | 0 | 0 | 377243 | 11 | 731 | Air | 895 | After | Francesco Bartolozzi|Giovanni Battista Cipriani|William Palmer | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|British, active 1782–94 | 35371 | 1966 | 1728 |1727 |1782 | 1815 |1785 |1794 | October 1, 1784 | 1784 | 1784 | 34660 | Plate: 7 13/16 × 10 in. (19.8 × 25.4 cm) Sheet: 9 1/4 × 11 3/8 in. (23.5 × 28.9 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/377243 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248834 | 17.3.395 | 0 | 0 | 377245 | 11 | 731 | Fire | 895 | After | Francesco Bartolozzi|Giovanni Battista Cipriani|William Palmer | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|British, active 1782–94 | 35371 | 1966 | 1728 |1727 |1782 | 1815 |1785 |1794 | October 1, 1784 | 1784 | 1784 | 39810 | Plate: 7 1/2 × 10 1/16 in. (19.1 × 25.5 cm) Sheet: 8 1/4 × 10 11/16 in. (21 × 27.2 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/377245 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248835 | 17.3.2625 | 0 | 0 | 377246 | 11 | 731 | Venus Surrounded by Cupids | 895 | After | Francesco Bartolozzi|Giovanni Battista Cipriani|Emmanuel Matthias Diemar | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|British, active 1761–96 | 35367 | 1966 | 1728 |1727 |1761 | 1815 |1785 |1796 | August 12, 1788 | 1788 | 1788 | 39811 | Sheet: 9 13/16 × 11 9/16 in. (25 × 29.4 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/377246 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248836 | 17.3.453 | 0 | 0 | 377247 | 11 | 731 | History | 895 | After|Published by | Francesco Bartolozzi|Giovanni Battista Cipriani|William Dickinson | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|British, 1746–1823 | , London | 35373 | 1966 | 1728 |1727 |1746 | 1815 |1785 |1823 | November 20, 1786 | 1786 | 1786 | 37022 | Sheet: 7 7/8 × 10 3/16 in. (20 × 25.9 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/377247 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 248841 | 17.3.3498 | 0 | 0 | 377252 | 11 | 731 | Vigilance | 895 | After|Published by | Francesco Bartolozzi|Giovanni Battista Cipriani|Susannah Vivares | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|British, active 1781–1797 | , London | 35329 | 1966 | 1728 |1727 |1781 | 1815 |1785 |1797 | December 24, 1782 | 1782 | 1782 | 39797 | Sheet: 6 7/8 × 4 9/16 in. (17.5 × 11.6 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/377252 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 248845 | 48.187.753 | 0 | 0 | 377256 | 11 | 731 | Venus Bathing | 895 | After|Published by | Francesco Bartolozzi|Giovanni Battista Cipriani|William Dickinson | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|British, 1746–1823 | , London | 35373 | 1966 | 1728 |1727 |1746 | 1815 |1785 |1823 | March 1, 1800 | 1800 | 1800 | 39813 | Plate: 14 × 10 3/8 in. (35.5 × 26.3 cm) Sheet: 14 11/16 × 11 1/8 in. (37.3 × 28.2 cm) | Bequest of Catherine D. Wentworth, 1948 | 13 | http://www.metmuseum.org/art/collection/search/377256 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 248847 | 42.119.71 | 0 | 0 | 377258 | 11 | 731 | Genius and Beauty | 895 | After | Francesco Bartolozzi|Giovanni Battista Cipriani|Torre & Co. | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|British, active 1760–99 | 35201 | 1966 | 1728 |1727 |1760 | 1815 |1785 |1799 | September 15, 1782 | 1782 | 1782 | 39814 | Plate: 9 × 10 15/16 in. (22.9 × 27.8 cm) Sheet: 9 15/16 × 12 1/2 in. (25.3 × 31.7 cm) | Gertrude and Thomas Jefferson Mumford Collection, Gift of Dorothy Quick Mayer, 1942 | 13 | http://www.metmuseum.org/art/collection/search/377258 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248849 | 42.119.106 | 0 | 0 | 377260 | 11 | 731 | Prudence, Love and Beauty | 895 | After | Francesco Bartolozzi|Giovanni Battista Cipriani|Torre & Co. | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|British, active 1760–99 | 35201 | 1966 | 1728 |1727 |1760 | 1815 |1785 |1799 | September 15, 1782 | 1782 | 1782 | 39815 | Sheet: 9 3/8 × 10 7/8 in. (23.8 × 27.6 cm) | Gertrude and Thomas Jefferson Mumford Collection, Gift of Dorothy Quick Mayer, 1942 | 13 | http://www.metmuseum.org/art/collection/search/377260 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 248850 | 33.3.2 | 0 | 0 | 377261 | 11 | 731 | Maternal Love | 895 | After|Published by | Francesco Bartolozzi|Giovanni Battista Cipriani|William Byrne | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|British, 1743–1805 | , London | 35380 | 1966 | 1728 |1727 |1743 | 1815 |1785 |1805 | 1784 | 1784 | 1784 | 37022 | Sheet: 5 13/16 × 7 1/16 in. (14.8 × 17.9 cm) (oval) | Gift of Fräulein Sofie Krick, 1933 | 13 | http://www.metmuseum.org/art/collection/search/377261 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 248856 | 28.64.1 | 0 | 0 | 377267 | 11 | 731 | Pomona | 895 | After|Published by | Francesco Bartolozzi|Giovanni Battista Cipriani|Jane White | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|London | 35383 | 1966 | 1728 |1727 |1700 | 1815 |1785 |1800 | January 1787 | 1787 | 1787 | 39820 | plate: 10 x 9 in. (25.4 x 22.9 cm) 11 3/16 x 10 1/8 in. (28.4 x 25.7 cm) | Gift of Mrs. Leonard E. Opdycke, 1928 | 13 | http://www.metmuseum.org/art/collection/search/377267 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 253291 | 17.3.3141 | 0 | 0 | 381819 | 11 | 731 | Terpsichore | 895 | After | Francesco Bartolozzi|Giovanni Battista Cipriani|Torre & Co. | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|British, active 1760–99 | 35201 | 1966 | 1728 |1727 |1760 | 1815 |1785 |1799 | May 31, 1779 | 1779 | 1779 | 40536 | plate: 9 7/16 x 6 7/8 in. (24 x 17.4 cm) sheet: 9 3/4 x 7 13/16 in. (24.8 x 19.8 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/381819 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 253292 | 17.3.3142 | 0 | 0 | 381820 | 11 | 731 | Erato | 895 | After | Francesco Bartolozzi|Giovanni Battista Cipriani|Torre & Co. | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|British, active 1760–99 | 35201 | 1966 | 1728 |1727 |1760 | 1815 |1785 |1799 | February 1, 1779 | 1779 | 1779 | 40536 | plate: 9 1/2 x 6 7/8 in. (24.2 x 17.4 cm) sheet: 9 3/4 x 7 11/16 in. (24.7 x 19.5 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/381820 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 268237 | 2012.136.125.3 | 0 | 1 | 397299 | 11 | 731 | Apollo pursuing Daphne, whose toes take the form of tree roots, a round composition, reverse copy after a series of engravings by Cherubino Alberti of mythological scenes after Polidoro da Caravaggio | 853 | After|After | Anonymous|Cherubino Alberti (Zaccaria Mattia)|Polidoro da Caravaggio|Samuel Sympson | Italian, Borgo Sansepolcro 1553–1615 Rome|Italian, Caravaggio ca. 1499–ca. 1543 Messina|ca. 1720–1751 | 39644 | 1966 | 1553 |1494 |1720 | 1615 |1548 |1751 | ca. 1550–1600 | 1550 | 1600 | 7208 | sheet: 6 5/16 x 5 9/16 in. (16 x 14.2 cm) | Bequest of Phyllis Massar, 2011 | 13 | http://www.metmuseum.org/art/collection/search/397299 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 271313 | 51.501.2661 | 0 | 0 | 400447 | 11 | 731 | Virgin and Child | 895 | After|Attributed to | Carlo Maratti|Giuseppe Canale|John Boydell | Italian, Camerano 1625–1713 Rome|Italian, Rome 1725–1802 Dresden|British, Shropshire 1720–1804 London | 40312 | 1966 | 1625 |1725 |1720 | 1713 |1802 |1804 | 1775 | 1775 | 1775 | 26137 | sheet: 13 3/4 x 10 1/16 in. (35 x 25.5 cm) plate: 7 1/2 x 5 7/16 in. (19 x 13.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/400447 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 271315 | 51.501.2663 | 0 | 0 | 400449 | 11 | 731 | Virgin & Child with Angels | 895 | After|Attributed to | Carlo Maratti|Giuseppe Canale|John Boydell | Italian, Camerano 1625–1713 Rome|Italian, Rome 1725–1802 Dresden|British, Shropshire 1720–1804 London | 40312 | 1966 | 1625 |1725 |1720 | 1713 |1802 |1804 | 1775 | 1775 | 1775 | 26137 | sheet: 20 3/8 x 10 3/16 in. (51.8 x 25.8 cm) plate: 8 1/2 x 6 9/16 in. (21.6 x 16.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/400449 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 271316 | 51.501.2662 | 0 | 0 | 400450 | 11 | 731 | Holy Family | 895 | After|Attributed to | Carlo Maratti|Giuseppe Canale|John Boydell | Italian, Camerano 1625–1713 Rome|Italian, Rome 1725–1802 Dresden|British, Shropshire 1720–1804 London | 40312 | 1966 | 1625 |1725 |1720 | 1713 |1802 |1804 | 1775 | 1775 | 1775 | 26137 | sheet: 20 3/8 x 10 3/16 in. (51.8 x 25.8 cm) plate: 7 5/8 x 5 11/16 in. (19.3 x 14.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/400450 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 380638 | 53.600.632 | 0 | 0 | 627131 | 11 | 731 | Woman reading with two children | 895 | After|Attributed to | Guercino (Giovanni Francesco Barbieri)|Giuseppe Canale|John Boydell | Italian, Cento 1591–1666 Bologna|Italian, Rome 1725–1802 Dresden|British, Shropshire 1720–1804 London | 48918 | 1966 | 1591 |1725 |1720 | 1666 |1802 |1804 | June 24, 1775 | 1775 | 1775 | 26137 | Mount: 7 1/2 × 9 7/16 in. (19 × 24 cm) Sheet: 4 1/4 × 5 3/8 in. (10.8 × 13.6 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/627131 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 381039 | 67.548.2(4) | 0 | 0 | 628849 | 11 | 731 | Veil of St. Veronica (or The Head of St. John the Baptist with Two Angels Holding a Cloth with an Impression of It): Raccolta di Alcuni Disegni del Barberi da Cento detto Il Guercino | 3772 | After | Stamperia di Giovanni Generoso Salomoni|Guercino (Giovanni Francesco Barbieri)|James Nevay | Italian, Cento 1591–1666 Bologna|British, born Scotland ca. 1730–1811 | , Rome | 48974 | 1966 | 1591 |1730 | 1666 |1811 | 1764 | 1764 | 1764 | 32679 | Plate: 8 3/8 × 7 3/16 in. (21.3 × 18.2 cm) Sheet: 23 1/16 × 16 9/16 in. (58.5 × 42 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | 13 | http://www.metmuseum.org/art/collection/search/628849 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 381047 | 67.548.2(5) | 0 | 0 | 628857 | 11 | 731 | Young Woman Holding a Flower in her left hand: Raccolta di Alcuni Disegni del Barberi da Cento detto Il Guercino | 3772 | After | Stamperia di Giovanni Generoso Salomoni|Guercino (Giovanni Francesco Barbieri)|James Nevay | Italian, Cento 1591–1666 Bologna|British, born Scotland ca. 1730–1811 | , Rome | 48974 | 1966 | 1591 |1730 | 1666 |1811 | 1764 | 1764 | 1764 | 32679 | Plate: 6 1/8 × 7 1/16 in. (15.6 × 18 cm) Sheet: 23 1/16 × 16 9/16 in. (58.5 × 42 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | 13 | http://www.metmuseum.org/art/collection/search/628857 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 408125 | 51.501.4605 | 0 | 1 | 667833 | 11 | 731 | The Virgin seated in the clouds with the infant Christ, surrounded by putti, after a drawing by Reni | 895 | After | Guido Reni|Giuseppe Zocchi|Thomas Bradford | Italian, Bologna 1575–1642 Bologna|Italian, Florence 1711–1767 Florence|British, active London, 1763–73 | 51471 | 1966 | 1575 |1711 |1673 | 1642 |1767 |1773 | 1764 | 1764 | 1764 | 26137 | Sheet (Trimmed): 10 11/16 × 7 1/2 in. (27.1 × 19 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/667833 | 4/23/2018 8:00:01 AM | 1 |