Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 218305 | 41.71.3 | 0 | 1 | 345808 | 11 | 97 | Story of Cupid and Psyche as told by Apuleius | 276 | 1786 | Formerly published by|After | Master of the Die|Agostino Veneziano (Agostino dei Musi)|Antonio Salamanca|Matteo Gregorio Rossi|Michiel Coxie (I) | Italian, active Rome, ca. 1530–60|Italian, Venice ca. 1490–after 1536 Rome|Salamanca 1478–1562 Rome|Italian, 1638–1702|Netherlandish, Mechelen ca. 1499–1592 Mechelen | 21747 | 145 | 1525 |1490 |1478 |1638 |1494 | 1560 |1536 |1562 |1702 |1592 | 1530–60 | 1530 | 1560 | 7208 | 10 1/2 × 16 1/8 × 9/16 in. (26.7 × 41 × 1.5 cm) | Rogers Fund, Transferred from the Library, 1941 | 442 | http://www.metmuseum.org/art/collection/search/345808 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 248842 | 17.3.887-64 | 0 | 0 | 377253 | 11 | 731 | The Death of Captain Cook | 1786 | Figures engraved by|After|Published by|Published by|Landscape engraved by | Francesco Bartolozzi|John Webber|William Byrne|John Webber|William Byrne | Italian, Florence 1728–1815 Lisbon|British, 1751–1793 London|British, 1743–1805|British, 1751–1793 London|British, 1743–1805 | , London|, London | 35376 | 1841 | 1728 |1751 |1743 |1751 |1743 | 1815 |1793 |1805 |1793 |1805 | 1785 | 1785 | 1785 | 30755 | Sheet: 11 1/4 × 15 5/8 in. (28.6 × 39.7 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/377253 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 278786 | 41.71.1.23(61) | 0 | 0 | 407976 | 11 | 731 | Aeolus or winter sitting on the clouds: the threatening north winds surround him (Eole ou l'Hiver assis sur des nuages: les Aquilons se lancent autour de lui), from Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli. faisant partie de la Calcographie Piranesi (1807) (Paintings from the Villa Altoviti in Rome, designed by Michelangelo, painted by Giorgio Vasari, and engraved by Thomas Piroli, made part of the Calcography of Piranesi), plate 1 | 1778 | 1786 | After|After | Tommaso Piroli|Michelangelo Buonarroti|Pietro Piranesi|Francesco Piranesi|Giorgio Vasari | Italian, Rome 1752–1824 Rome|Italian, Caprese 1475–1564 Rome|Italian, born 1758/9|Italian, Rome 1758–1810 Paris|Italian, Arezzo 1511–1574 Florence | 40873 | 836 | 1752 |1475 |1758 |1758 |1511 | 1824 |1564 |1810 |1574 | 1807 | 1807 | 1807 | 7208 | Sheet: 21 7/16 x 15 3/8 in. (54.5 x 39 cm) Plate: 10 5/8 x 8 11/16 in. (27 x 22 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/407976 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 278787 | 41.71.1.23(62) | 0 | 0 | 407977 | 11 | 731 | Flora, the Spring: the goddess at her toilette; braiding her hair with a garland of flowers (Flore, le Printemps: la Déesse est à sa toillette; / elle tresse ses cheveux d'un guirlande de fleurs), from Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli. faisant partie de la Calcographie Piranesi (1807) (Paintings from the Villa Altoviti in Rome, designed by Michelangelo, painted by Giorgio Vasari, and engraved by Thomas Piroli, made part of the Calcography of Piranesi), plate 2 | 1778 | 1786 | After|After | Tommaso Piroli|Michelangelo Buonarroti|Pietro Piranesi|Francesco Piranesi|Giorgio Vasari | Italian, Rome 1752–1824 Rome|Italian, Caprese 1475–1564 Rome|Italian, born 1758/9|Italian, Rome 1758–1810 Paris|Italian, Arezzo 1511–1574 Florence | 40873 | 836 | 1752 |1475 |1758 |1758 |1511 | 1824 |1564 |1810 |1574 | 1807 | 1807 | 1807 | 7208 | Sheet: 21 7/16 x 15 3/8 in. (54.5 x 39 cm) Plate: 10 5/8 x 8 7/8 in. (27 x 22.5 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/407977 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 278788 | 41.71.1.23(63) | 0 | 0 | 407978 | 11 | 731 | Ceres or Summer: her head is crowned with ears of corn: she has a cornucopia (Cérès ou l'Eté: sa tête est couronnée d'épis: elle tient une conre d'abondance), from Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli. faisant partie de la Calcographie Piranesi (1807) (Paintings from the Villa Altoviti in Rome, designed by Michelangelo, painted by Giorgio Vasari, and engraved by Thomas Piroli, made part of the Calcography of Piranesi), plate 3 | 1778 | 1786 | After|After | Tommaso Piroli|Michelangelo Buonarroti|Pietro Piranesi|Francesco Piranesi|Giorgio Vasari | Italian, Rome 1752–1824 Rome|Italian, Caprese 1475–1564 Rome|Italian, born 1758/9|Italian, Rome 1758–1810 Paris|Italian, Arezzo 1511–1574 Florence | 40873 | 836 | 1752 |1475 |1758 |1758 |1511 | 1824 |1564 |1810 |1574 | 1807 | 1807 | 1807 | 7208 | Sheet: 21 7/16 x 15 3/8 in. (54.5 x 39 cm) Plate: 10 13/16 x 8 7/8 in. (27.4 x 22.5 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/407978 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 278789 | 41.71.1.23(64) | 0 | 0 | 407979 | 11 | 731 | Bacchus or Autumn: he empties his cup; he gazes with delight; a Satyr is by the God of the harvest (Bacchus ou l'Automne: il vide la coupe; il la contemple avec délices; un Satyre est auprés du Dieu des vendeges), from Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli. faisant partie de la Calcographie Piranesi (1807) (Paintings from the Villa Altoviti in Rome, designed by Michelangelo, painted by Giorgio Vasari, and engraved by Thomas Piroli, made part of the Calcography of Piranesi), plate 4 | 1778 | 1786 | After|After | Tommaso Piroli|Michelangelo Buonarroti|Pietro Piranesi|Francesco Piranesi|Giorgio Vasari | Italian, Rome 1752–1824 Rome|Italian, Caprese 1475–1564 Rome|Italian, born 1758/9|Italian, Rome 1758–1810 Paris|Italian, Arezzo 1511–1574 Florence | 40873 | 836 | 1752 |1475 |1758 |1758 |1511 | 1824 |1564 |1810 |1574 | 1807 | 1807 | 1807 | 7208 | Sheet: 21 7/16 x 15 3/8 in. (54.5 x 39 cm) Plate: 10 13/16 x 8 7/8 in. (27.5 x 22.5 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/407979 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 278796 | 41.71.1.23(65) | 0 | 0 | 407986 | 11 | 731 | Apollo prepared to shoot an arrow which must annihilate the serpent Python (Apollon prêt à lancer la flèche qui doit anéantir le serpent Python), from Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli. faisant partie de la Calcographie Piranesi (1807) (Paintings from the Villa Altoviti in Rome, designed by Michelangelo, painted by Giorgio Vasari, and engraved by Thomas Piroli, made part of the Calcography of Piranesi), plate 5 | 1778 | 1786 | After|After | Tommaso Piroli|Michelangelo Buonarroti|Pietro Piranesi|Francesco Piranesi|Giorgio Vasari | Italian, Rome 1752–1824 Rome|Italian, Caprese 1475–1564 Rome|Italian, born 1758/9|Italian, Rome 1758–1810 Paris|Italian, Arezzo 1511–1574 Florence | 40873 | 836 | 1752 |1475 |1758 |1758 |1511 | 1824 |1564 |1810 |1574 | 1807 | 1807 | 1807 | 7208 | Sheet: 21 7/16 x 15 3/8 in. (54.5 x 39 cm) Plate: 10 3/16 x 7 5/8 in. (25.8 x 19.4 cm) printed horizontally | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/407986 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 278797 | 41.71.1.23(66) | 0 | 0 | 407987 | 11 | 731 | Diana shot an arrow from her bow (Diane décoche un trait de son arc), from Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli. faisant partie de la Calcographie Piranesi (1807) (Paintings from the Villa Altoviti in Rome, designed by Michelangelo, painted by Giorgio Vasari, and engraved by Thomas Piroli, made part of the Calcography of Piranesi), plate 6 | 1778 | 1786 | After|After | Tommaso Piroli|Michelangelo Buonarroti|Pietro Piranesi|Francesco Piranesi|Giorgio Vasari | Italian, Rome 1752–1824 Rome|Italian, Caprese 1475–1564 Rome|Italian, born 1758/9|Italian, Rome 1758–1810 Paris|Italian, Arezzo 1511–1574 Florence | 40873 | 836 | 1752 |1475 |1758 |1758 |1511 | 1824 |1564 |1810 |1574 | 1807 | 1807 | 1807 | 7208 | Sheet: 21 7/16 x 15 3/8 in. (54.5 x 39 cm) Plate: 10 3/16 x 7 5/8 in. (25.8 x 19.4 cm) printed horizontally | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/407987 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 278798 | 41.71.1.23(67) | 0 | 0 | 407988 | 11 | 731 | Mars sitting on clouds: his blade rests on his lap (Mars assis sur des nuages: son glaive repose sur ses genoux), from Peintures de la Ville Altoviti à Rome, inventées par Michelange, Peintes par Giorgio Vasari et Gravées par Thomas Piroli. faisant partie de la Calcographie Piranesi (1807) (Paintings from the Villa Altoviti in Rome, designed by Michelangelo, painted by Giorgio Vasari, and engraved by Thomas Piroli, made part of the Calcography of Piranesi), plate 7 | 1778 | 1786 | After|After | Tommaso Piroli|Michelangelo Buonarroti|Pietro Piranesi|Francesco Piranesi|Giorgio Vasari | Italian, Rome 1752–1824 Rome|Italian, Caprese 1475–1564 Rome|Italian, born 1758/9|Italian, Rome 1758–1810 Paris|Italian, Arezzo 1511–1574 Florence | 40873 | 836 | 1752 |1475 |1758 |1758 |1511 | 1824 |1564 |1810 |1574 | 1807 | 1807 | 1807 | 7208 | Sheet: 21 7/16 x 15 3/8 in. (54.5 x 39 cm) Plate: 9 1/16 x 7 3/16 in. (23 x 18.2 cm) printed horizontally | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/407988 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 458658 | 59.570.67 | 0 | 0 | 775291 | 11 | 731 | The Three Ages of Man | 1786 | Intermediary draftsman|After | Valentin Lefebvre|Titian (Tiziano Vecellio)|Innocente Alessandri|Pietro Scattaglia|Johann Gottfried Seuter | Flemish, Brussels ca. 1642–1682 England|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice|Italian, 1741–1803|Italian, active second half 18th century|German, Augsburg 1717–1809 | 58885 | 1642 |1485 |1741 |1739 |1717 | 1682 |1576 |1803 |1810 |1809 | ca. 1729–42 | 1724 | 1747 | 6712 | Sheet (Trimmed): 9 1/2 × 13 11/16 in. (24.2 × 34.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775291 | 4/23/2018 8:00:01 AM | 1 |