Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 429108 | 59.648.109 | 0 | 0 | 712200 | 11 | 731 | First plate with scenes from the Bayeaux Tapestry, illustration for "Les Monuments de la Monarchie française, vol. II" | 162 | Abbé Bernard de Montfaucon|Antoine Benoît | French, Soulatgé 1655–1741 Saint-Germaine-des-Prés|French, active ca. 1720–30 | 54708 | 1655 |1715 | 1741 |1730 | 1730 | 1730 | 1730 | 7208 | Plate: 9 3/16 × 11 5/16 in. (23.4 × 28.7 cm) | Gift of George Selz, 1959 | 13 | http://www.metmuseum.org/art/collection/search/712200 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 429109 | 59.648.110 | 0 | 0 | 712201 | 11 | 731 | Second plate with scenes from the Bayeaux Tapestry, illustration for "Les Monuments de la Monarchie française, vol. II" | 162 | Abbé Bernard de Montfaucon|Antoine Benoît | French, Soulatgé 1655–1741 Saint-Germaine-des-Prés|French, active ca. 1720–30 | 54708 | 1655 |1715 | 1741 |1730 | 1730 | 1730 | 1730 | 7208 | Plate: 9 5/16 × 11 1/4 in. (23.7 × 28.6 cm) | Gift of George Selz, 1959 | 13 | http://www.metmuseum.org/art/collection/search/712201 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 429110 | 59.648.111 | 0 | 0 | 712202 | 11 | 731 | Fifth plate with scenes from the Bayeaux Tapestry, illustration for "Les Monuments de la Monarchie française, vol. II" | 162 | Abbé Bernard de Montfaucon|Antoine Benoît | French, Soulatgé 1655–1741 Saint-Germaine-des-Prés|French, active ca. 1720–30 | 54708 | 1655 |1715 | 1741 |1730 | 1730 | 1730 | 1730 | 7208 | Plate: 9 7/16 × 11 11/16 in. (24 × 29.7 cm) | Gift of George Selz, 1959 | 13 | http://www.metmuseum.org/art/collection/search/712202 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 429112 | 59.648.113 | 0 | 0 | 712204 | 11 | 731 | Third plate with scenes from the Bayeaux Tapestry, illustration for "Les Monuments de la Monarchie française, vol. II" | 162 | Abbé Bernard de Montfaucon|Antoine Benoît | French, Soulatgé 1655–1741 Saint-Germaine-des-Prés|French, active ca. 1720–30 | 54708 | 1655 |1715 | 1741 |1730 | 1730 | 1730 | 1730 | 7208 | Plate: 9 1/4 × 11 5/8 in. (23.5 × 29.5 cm) | Gift of George Selz, 1959 | 13 | http://www.metmuseum.org/art/collection/search/712204 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 223000 | 63.609.6 | 0 | 1 | 350570 | 11 | 97 | Advis Fidelle Aux Vertables Hollandois . . . | 162 | Abraham de Wicquefort|Romeyn de Hooghe | Dutch|Dutch, Amsterdam 1645–1708 Haarlem | 25122 | 290 | 1645 | 1708 | 1673 | 1673 | 1673 | 35173 | Overall: 9 1/16 x 7 1/2 x 1 9/16 in. (23 x 19 x 4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963 | 442 | http://www.metmuseum.org/art/collection/search/350570 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 317333 | 1970.301.6 | 0 | 1 | 452115 | 9 | 14202 | "Rudaba's Maids Return to the Palace", Folio 71v from the Shahnama (Book of Kings) of Shah Tahmasp | 162 | Painting attributed to | Abu'l Qasim Firdausi|'Abd al-'Aziz | 935–1020|active first half 16th century | , with Qadimi and Qasim ibn 'Ali | 44184 | 0935 |1550 | 1020 |1599 | ca. 1525 | 1500 | 1550 | 7523 | Painting: H. 12 5/16 x W. 9 7/16 in. (H. 31.3 x W. 23.9 cm) Entire Page: H. 18 1/2 x W. 12 1/2 in. (H. 47 x W. 31.8 cm) | Gift of Arthur A. Houghton Jr., 1970 | 1 | 1534 | 59 | 779 | http://www.metmuseum.org/art/collection/search/452115 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||
| 317369 | 1970.301.42 | 0 | 1 | 452151 | 9 | 14202 | "Bizhan Receives an Invitation through Manizha's Nurse", Folio 300v from the Shahnama (Book of Kings) of Shah Tahmasp | 162 | Painting attributed to | Abu'l Qasim Firdausi|'Abd al-Vahhab | 935–1020 | assisted by Mir Musavvir | 44203 | 0935 | 1020 | ca. 1525–30 | 1500 | 1555 | 7523 | Painting: H. 12 5/8 x W. 7 1/4 in. (H. 32.1 x W. 18.4 cm) Entire Page: H. 18 11/16 x W. 10 5/8 in. (H. 47.5 x W. 27 cm) | Gift of Arthur A. Houghton Jr., 1970 | 1 | 1534 | 59 | 779 | http://www.metmuseum.org/art/collection/search/452151 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||
| 317886 | 1974.290.43 | 0 | 1 | 452668 | 9 | 14151 | Shahnama (Book of Kings) of Firdausi | 162 | Painting by | Abu'l Qasim Firdausi|Mu'in Musavvir | 935–1020|active ca. 1630–97 | 44216 | 0935 |1605 | 1020 |1722 | 1660s | 1635 | 1685 | 46800 | Painting (folio 158v): H. 9 15/16 in. (25.2 cm) W. 5 5/8 in. (14.3 cm) Text block: H. 14 5/16 in. (36.4 cm) W. 8 9/16 in. (21.7 cm) Binding: H. 14 1/2 in. (36.8 cm) W. 9 1/16 in. (23 cm) D. 2 in. (5.1 cm) | Bequest of Monroe C. Gutman, 1974 | 20 | 1521 | 59 | 779 | http://www.metmuseum.org/art/collection/search/452668 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 317983 | 1975.192.24 | 0 | 1 | 452765 | 9 | 14202 | "Rustam's First Encounter with Afrasiyab", Folio from a Shahnama (Book of Kings) | 162 | Attributed to | Abu'l Qasim Firdausi|Mu'in Musavvir | 935–1020|active ca. 1630–97 | 44216 | 0935 |1605 | 1020 |1722 | dated A.H. 1077/ A.D. 1666–67 | 1641 | 1692 | 7525 | H. 13 5/8 in. (34.6 cm) W. 8 5/8 in. (21.9 cm) | Gift of Richard Ettinghausen, 1975 | 20 | 1558 | 59 | 779 | http://www.metmuseum.org/art/collection/search/452765 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 317984 | 1975.192.25 | 0 | 1 | 452766 | 9 | 14202 | "Rustam's Seventh Course: He Kills the White Div", Folio from a Shahnama (Book of Kings) | 162 | Attributed to | Abu'l Qasim Firdausi|Mu'in Musavvir | 935–1020|active ca. 1630–97 | 44216 | 0935 |1605 | 1020 |1722 | 1666–67 | 1641 | 1692 | 7525 | 13.56 in. high 8.75 in. wide (34.5 cm high 22.2 cm wide) | Gift of Richard Ettinghausen, 1975 | 20 | 1558 | 59 | 779 | http://www.metmuseum.org/art/collection/search/452766 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 317985 | 1975.192.26 | 0 | 1 | 452767 | 9 | 14202 | "Rustam Slays Esfandiyar", Folio from a Shahnama (Book of Kings) | 162 | Attributed to | Abu'l Qasim Firdausi|Mu'in Musavvir | 935–1020|active ca. 1630–97 | 44216 | 0935 |1605 | 1020 |1722 | 1666–67 | 1641 | 1692 | 7525 | 13.5 in. high 8.75 in. wide (34.3 cm high 22.2 cm wide) | Gift of Richard Ettinghausen, 1975 | 20 | 1558 | 59 | 779 | http://www.metmuseum.org/art/collection/search/452767 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 317400 | 1970.301.73 | 0 | 1 | 452182 | 9 | 14202 | "The Angel Surush Rescues Khusrau Parviz from a Cul-de-sac", Folio 708v from the Shahnama (Book of Kings) of Shah Tahmasp | 162 | Painting attributed to | Abu'l Qasim Firdausi|Muzaffar 'Ali | 935–1020|active late 1520s–70s; d. ca. 1576 | 44211 | 0935 |1500 | 1020 |1599 | ca. 1530–35 | 1505 | 1560 | 7523 | Painting: H. 13 1/2 in. (34.3 cm) W. 11 in. (27.9 cm) Page: H. 18 5/8 in. (47.3 cm) W. 12 3/8 in. (31.4 cm) Mat: H. 22 in. (55.9 cm) W. 16 in. (40.6 cm) | Gift of Arthur A. Houghton Jr., 1970 | 1 | 1534 | 59 | 779 | http://www.metmuseum.org/art/collection/search/452182 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 317359 | 1970.301.32 | 0 | 1 | 452141 | 9 | 14202 | "Kai Khusrau is Discovered by Giv", Folio 210v from the Shahnama (Book of Kings) of Shah Tahmasp | 162 | Painting attributed to | Abu'l Qasim Firdausi|Qadimi | 935–1020|active ca. 1525–65 | , and 'Abd al-Vahhab | 44199 | 0935 |1500 | 1020 |1590 | ca. 1525–30 | 1500 | 1555 | 7523 | Painting: H. 11 1/8 in. (28.3 cm) W. 7 7/16 in. (18.9 cm) Page: H. 18 9/16 in. (47.1 cm) W. 12 1/8 in. (30.8 cm) Mat: H. 22 in. (55.9 cm) W. 16 in. (40.6 cm) | Gift of Arthur A. Houghton Jr., 1970 | 1 | 1534 | 59 | 779 | http://www.metmuseum.org/art/collection/search/452141 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||
| 217061 | 53.548.1 | 0 | 0 | 344551 | 11 | 731 | Dog and the Crocodile | 162 | Written by | Aesop|Antonio Frasconi | Greek, ca. 620–560 B.C.|Uruguayan-American (born Argentina), Buenos Aires 1919–2013, New York | 20917 | 1092 | -0620 |1919 | -0560 |2013 | 1952 | 1952 | 1952 | 26552 | 16 x 11 3/8 in. (40.6 x 28.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/344551 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 217068 | 63.647.1 | 0 | 0 | 344558 | 11 | 731 | Lion in Love, from Aesop's Fables | 162 | Written by | Aesop|Joseph Low | Greek, ca. 620–560 B.C.|American, Coraopolis, Pennsylvania 1911–2007 Edgartown, Massachusetts | 20922 | 1096 | -0620 |1911 | -0560 |2007 | ca. 1954 | 1949 | 1959 | 31059 | 8 5/8 x 7 in. (21.9 x 17.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963 | 13 | http://www.metmuseum.org/art/collection/search/344558 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 445336 | 1981.1208.5 | 0 | 0 | 744884 | 11 | 13932 | Trachten der Völker (Historical Costume) | 162 | Albert Kretschmer|Carl Rohrbach | German, 1825–1891|German, 1861–1932 | 56797 | 1825 |1861 | 1891 |1932 | ca. 1882 | 1877 | 1887 | 34810 | 13 3/8 × 10 9/16 × 11/16 in. (34 × 26.8 × 1.8 cm) | Gift of Madame Lilliana Teruzzi, 1981 | 455 | http://www.metmuseum.org/art/collection/search/744884 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 384220 | 2013.965.1 | 0 | 0 | 633753 | 11 | 97 | An Essay on Man | 162 | Alexander Pope|William Kent | 1849–1924|1685–1748 | 49432 | 1849 |1685 | 1924 |1748 | 1734 | 1734 | 1734 | 28943 | 9 13/16 × 7 11/16 × 3/8 in. (25 × 19.5 × 1 cm) | Gift of Morrison Heckscher, 2013 | 442 | http://www.metmuseum.org/art/collection/search/633753 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 186222 | 2007.454.2.3 | 0 | 1 | 291457 | 13 | 997 | Neuilly Bombarded. General View of the rue de Chezy | 162 | Alfred d'Aunay|Alphonse J. Liébert | French|French, 1827–1913 | 16597 | 21 | 1827 | 1913 | 1871 | 1871 | 1871 | 26061 | Images approx.: 19 x 25 cm (7 1/2 x 9 13/16 in.), or the reverse Mounts: 32.8 x 41.3 cm (12 15/16 x 16 1/4 in.), or the reverse | Joyce F. Menschel Photography Library Fund, 2007 | 21 | http://www.metmuseum.org/art/collection/search/291457 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 236056 | 67.803.10 | 0 | 0 | 363901 | 11 | 23 | "While he was talking of every-day matters, her mind was in a reverie far away," The Red Lily | 162 | Anatole France|Donia Nachshen | French, Paris 1884–1924 Saint-Cyr-sur-Loire|British, Ghitomar, Ukraine 1903–after 1963 London | 32178 | 229 | 1884 |1903 | 1924 |1963 | ca. 1930 | 1925 | 1935 | 37500 | sheet: 9 5/8 x 7 in. (24.4 x 17.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | 9 | http://www.metmuseum.org/art/collection/search/363901 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 158167 | 1971.618 | 0 | 0 | 259962 | 13 | 723 | La Photographie n'est pas L'Art | 162 | André Breton|Man Ray | French, Tinchebray 1896–1966 Paris|American, Philadelphia, Pennsylvania 1890–1976 Paris | 13544 | 153 | 1896 |1890 | 1966 |1976 | 1930s | 1930 | 1939 | 26071 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1971 | 443 | © 2018 Artists Rights Society (ARS), New York | http://www.metmuseum.org/art/collection/search/259962 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 160087 | 1978.574 | 0 | 0 | 262230 | 13 | 4693 | La Photographie N'est Pas L'Art | 162 | André Breton|Man Ray | French, Tinchebray 1896–1966 Paris|American, Philadelphia, Pennsylvania 1890–1976 Paris | 13544 | 153 | 1896 |1890 | 1966 |1976 | 1937 | 1937 | 1937 | 26100 | Warner Communications Inc. Purchase Fund, 1978 | 448 | http://www.metmuseum.org/art/collection/search/262230 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 254307 | 2008.195.4 | 0 | 0 | 382901 | 11 | 97 | Frauenreiz, Licht und Schattenbilder auf dem Moderner Frauenleben | 162 | Written by | Armand von Schweiger-Lerchenfeld|Anonymous, Austrian or German, late 19th to early 20th century | Austrian, 1846–1910 | 36386 | 2904 | 1846 |1880 | 1910 |1920 | 1900 | 1900 | 1900 | 40747 | 11 11/16 x 8 11/16 x 1 3/4 in. (29.7 x 22 x 4.5 cm) | Gift of Lev Tsitrin, 2008 | 442 | http://www.metmuseum.org/art/collection/search/382901 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 316530 | 55.121.11 | 0 | 1 | 451298 | 9 | 14202 | "Design on Each Side for Waterwheel Worked by Donkey Power", Folio from a Book of the Knowledge of Ingenious Mechanical Devices by al-Jazari | 162 | Copy by | Badi' al-Zaman ibn al-Razzaz al-Jazari|Farrukh ibn `Abd al-Latif | 1136–1206 | 44157 | 1136 | 1136 | dated A.H. 715/ A.D. 1315 | 1290 | 1340 | 7497 | H. 11 5/8 in. (29. 5 cm) W. 8 3/8 in. (21.3 cm) Mat size: H. 19 in. (48.3 cm) W. 14 1/4 in. (36.2 cm) Frame: H. 21 5/8 in. (54.9 cm) W. 16 3/4 in. (42.5 cm) | Rogers Fund, 1955 | 20 | 109 | 779 | http://www.metmuseum.org/art/collection/search/451298 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 295593 | 64.639(1) | 0 | 0 | 425148 | 11 | 731 | Title Page, from Le Jugement de Paris Poëme en IV. Chants Suivi d'Oevres mêlées.. Nouvelle édition corrigée et augmentée par Mr. Imbert. Amsterdam MDCCLXXIV. | 2079 | 162 | Barthélemy Imbert|Jean Michel Moreau the Younger | French, 1747–1790|French, Paris 1741–1814 Paris | 42252 | 21 | 1747 |1741 | 1790 |1814 | 1772 | 1772 | 1772 | 43953 | Sheet: 8 3/16 × 5 5/16 in. (20.8 × 13.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1964 | 13 | http://www.metmuseum.org/art/collection/search/425148 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 295607 | 64.639(3) | 0 | 0 | 425165 | 11 | 731 | Vignette, headpiece for first canto, depicting the Apple of Discord surrounded by snakes, from Le Jugement de Paris Poëme en IV. Chants Suivi d'Oevres mêlées.. Nouvelle édition corrigée et augmentée par Mr. Imbert. Amsterdam MDCCLXXIV. | 2079 | 162 | Barthélemy Imbert|Pierre Philippe Choffard | French, 1747–1790|French, Paris 1730–1809 Paris | 42254 | 21 | 1747 |1730 | 1790 |1809 | 1772 | 1772 | 1772 | 6712 | Sheet: 8 3/16 × 5 5/16 in. (20.8 × 13.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1964 | 13 | http://www.metmuseum.org/art/collection/search/425165 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 295608 | 64.639(5) | 0 | 0 | 425166 | 11 | 731 | Vignette, headpeace of the second canto, depicting a peacock perched on a throne with treasures below, from Le Jugement de Paris Poëme en IV. Chants Suivi d'Oevres mêlées.. Nouvelle édition corrigée et augmentée par Mr. Imbert. Amsterdam MDCCLXXIV. | 2079 | 162 | Barthélemy Imbert|Pierre Philippe Choffard | French, 1747–1790|French, Paris 1730–1809 Paris | 42254 | 21 | 1747 |1730 | 1790 |1809 | 1772 | 1772 | 1772 | 6712 | Sheet: 8 3/16 × 5 5/16 in. (20.8 × 13.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1964 | 13 | http://www.metmuseum.org/art/collection/search/425166 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 295616 | 64.639(7) | 0 | 0 | 425178 | 11 | 731 | Vignette, headpeace of the third canto, depicting attributes at the foreground of a temple: a sculpted bust, lyre, a book, a helmet and shield with Medusa, from Le Jugement de Paris Poëme en IV. Chants Suivi d'Oevres mêlées.. Nouvelle édition corrigée et augmentée par Mr. Imbert. Amsterdam MDCCLXXIV. | 2079 | 162 | Barthélemy Imbert|Pierre Philippe Choffard | French, 1747–1790|French, Paris 1730–1809 Paris | 42254 | 21 | 1747 |1730 | 1790 |1809 | 1772 | 1772 | 1772 | 6712 | Sheet: 8 3/16 × 5 5/16 in. (20.8 × 13.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1964 | 13 | http://www.metmuseum.org/art/collection/search/425178 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 295618 | 64.639(9) | 0 | 0 | 425180 | 11 | 731 | Vignette, headpeace of the fourth canto, depicting a couple kissing in the bushes, partially hidden by clouds; doves fly above and a quiver lays in the foreground, from Le Jugement de Paris Poëme en IV. Chants Suivi d'Oevres mêlées.. Nouvelle édition corrigée et augmentée par Mr. Imbert. Amsterdam MDCCLXXIV. | 2079 | 162 | Barthélemy Imbert|Pierre Philippe Choffard | French, 1747–1790|French, Paris 1730–1809 Paris | 42254 | 21 | 1747 |1730 | 1790 |1809 | 1772 | 1772 | 1772 | 6712 | Sheet: 8 3/16 × 5 5/16 in. (20.8 × 13.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1964 | 13 | http://www.metmuseum.org/art/collection/search/425180 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 445366 | 2016.768 | 0 | 0 | 744930 | 11 | 97 | Not an Exit | 162 | Bill Berkson|Léonie Guyer | American, 1939–2016|American, born 1955 | 56801 | 1939 |1955 | 2016 |2075 | 2010 | 2010 | 2010 | 11174 | 10 1/4 × 7 × 11/16 in. (26.1 × 17.8 × 1.8 cm) | Gift of the artist, in memory of Bill Berkson, 2016 | 442 | http://www.metmuseum.org/art/collection/search/744930 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 216752 | 49.67.2 | 0 | 0 | 344235 | 11 | 97 | Historische en Ontledende Verhandeling over de meest in gebruik zijnde Lamp-Soorten; Dienende ter nadere kennisse der Spaar-Lampen etc. | 162 | C. F. Schmidt|J. von Hiltrop | 20796 | 327 | 1813 | 1813 | 1813 | 30233 | 8 7/8 × 5 7/8 × 11/16 in. (22.5 × 15 × 1.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 201 | 442 | http://www.metmuseum.org/art/collection/search/344235 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 219184 | 67.624.2 | 0 | 0 | 346699 | 11 | 97 | Jane Eyre | 162 | Written by|Frontispiece (woodcut) by | Charlotte Brontë|Fritz Eichenberg | British, 1816–1855|American, Cologne, Germany 1901–1990 Peace Dale, Rhode Island | 22360 | 33 | 1816 |1901 | 1855 |1990 | 20th century | 1915 | 1967 | John B. Turner Fund, 1967 | 442 | http://www.metmuseum.org/art/collection/search/346699 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 255648 | 2008.519 | 0 | 0 | 384307 | 11 | 97 | Linearperspectiven, anvendt paa Malerkundten en Række af perspectiviske Studier, Copenhagen, C.A. Reitzel, 1841. | 162 | Christoffer Wilhelm Eckersberg|Christoffer Wilhelm Eckersberg | Danish, Blåkrog 1783–1853 Copenhagen|Danish, Blåkrog 1783–1853 Copenhagen | 36737 | 349 | 1783 |1783 | 1853 |1853 | 1841 | 1841 | 1841 | 41070 | 13 7/8 × 20 11/16 × 1/2 in. (35.2 × 52.6 × 1.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2008 | 442 | http://www.metmuseum.org/art/collection/search/384307 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 236188 | 67.800.2 | 0 | 0 | 364057 | 11 | 23 | Jack and His Wondeful Hen: Canadian Wonder Tales | 162 | Cyrus Macmillan|George Sheringham | Canadian, Prince Edward Island 1882–1953|British, London 1884–1937 London | 32215 | 2505 | 1882 |1884 | 1953 |1937 | ca. 1918 | 1913 | 1923 | 32885 | sheet: 10 1/4 x 7 3/8 in. (26 x 18.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | 9 | http://www.metmuseum.org/art/collection/search/364057 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 239300 | 17.65.1 | 0 | 1 | 367367 | 11 | 731 | The Circle of the Lustful: Paolo and Francesca, from Dante's Inferno, Canto V | 162 | Illustrates | Dante Alighieri|William Blake | Italian, Florence ca. 1265–1321 Ravenna|British, London 1757–1827 London | 33070 | 234 | 1265 |1757 | 1321 |1827 | ca. 1825–27 | 1820 | 1832 | 7208 | plate: 9 7/16 x 13 1/4 in. (24 x 33.7 cm) sheet: 10 3/4 x 13 13/16 in. (27.3 x 35.1 cm) frame: 18 x 24 in. (45.7 x 61 cm) | Rogers Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/367367 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 254901 | 17.65.2 | 0 | 1 | 383529 | 11 | 731 | The Circle of Corrupt Officials: The Devils Tormenting Ciampolo, from Dante's Inferno, Canto XXII | 162 | Illustrates | Dante Alighieri|William Blake | Italian, Florence ca. 1265–1321 Ravenna|British, London 1757–1827 London | 33070 | 234 | 1265 |1757 | 1321 |1827 | ca. 1825–27 | 1820 | 1832 | 7208 | plate: 9 3/8 x 13 1/4 in. (23.8 x 33.7 cm) sheet: 10 9/16 x 13 9/16 in. (26.8 x 34.4 cm) | Rogers Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/383529 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 413844 | 1972.585.28 | 0 | 0 | 682940 | 13 | 1119 | [Blank Page] | 162 | Edwin Denby|Rudy Burckhardt | American, 1903–1983|American (born Switzerland), Basel 1914–1999 Searsmont, Maine | 52179 | 698 | 1903 |1914 | 1983 |1999 | ca. 1939 | 1939 | 1939 | 10 | 28.9 x 32.6 cm (11 3/8 x 12 13/16 in.) | Purchase, Florance Waterbury Bequest, 1972 | 341 | © 2018 Artists Rights Society (ARS), New York | http://www.metmuseum.org/art/collection/search/682940 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 187051 | JFMPL.30620000113133 | 0 | 0 | 296282 | 13 | 4693 | Trick Photography | 162 | Edwin T. Hamilton|Ralph Sommer | 16717 | 1938 | 1938 | 1938 | Case | Joyce F. Menschel Photography Library | 442 | http://www.metmuseum.org/art/collection/search/296282 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||||
| 226736 | 34.8.1 | 0 | 0 | 354350 | 11 | 97 | Habitations Ouvrières et Agricoles... | 162 | Written by | Emile Muller|Librairie Scientifique-Industrielle et Agricole | 27916 | 21 | 1856 | 1856 | 1856 | 35701 | 18 3/4 × 12 5/16 × 11/16 in. (47.7 × 31.3 × 1.7 cm) | Harris Brisbane Dick Fund, 1934 | 442 | http://www.metmuseum.org/art/collection/search/354350 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 231143 | 1987.1078 | 0 | 0 | 358858 | 11 | 97 | 'El diletante y eclectico desastre Africa' by Enrique de Pedro | 162 | Enrique de Pedro|Borja de Pedro | Spanish|Spanish, born 1945 | 30736 | 85 | 1900 |1945 | 2050 | ca. 1986 | 1981 | 1991 | 30622 | 7 11/16 × 6 × 3/8 in. (19.5 × 15.2 × 1 cm) | Purchase, Max G. Wildnauer Fund, 1987 | 442 | http://www.metmuseum.org/art/collection/search/358858 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 225804 | 53.600.1658 | 0 | 0 | 353406 | 11 | 731 | L'Onde tranquille | 162 | Written by|After | F. de Lorraine|Joseph Vernet | French, Avignon 1714–1789 Paris | 27223 | 21 | 1714 | 1789 | n.d. | 1725 | 1953 | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/353406 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 316945 | 63.210.11 | 1 | 1 | 451725 | 9 | 14202 | "The Concourse of the Birds", Folio 11r from a Mantiq al-tair (Language of the Birds) | 162 | Painting by | Farid al-Din `Attar|Habiballah of Sava | ca. 1142–1220|active ca. 1590–1610 | 44172 | 1142 |1565 | 1220 |1635 | ca. 1600 | 1575 | 1625 | 46800 | Painting: H. 10 in. (25.4 cm) W. 4 1/2in. (11.4cm) Page: H. 13 in. (33 cm) W. 8 3/16 in. (20.8 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm) | Fletcher Fund, 1963 | 20 | 1558 | 59 | 779 | http://www.metmuseum.org/art/collection/search/451725 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 223692 | 68.626.22 | 0 | 0 | 351275 | 11 | 97 | Le Stagione, con altre poesie | 162 | Written by | Gaetano Guttierez|Giammaria Rizzardi | , Brescia | 25657 | 93 | 1760 | 1760 | 1760 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund | 442 | http://www.metmuseum.org/art/collection/search/351275 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||
| 267241 | 32.35(178) | 0 | 1 | 396282 | 11 | 731 | Cassandra, Frontispiece, Vol. 1 | 162 | Illustrates | Gautier de Coste de La Calprenède|William Hogarth | French, 1609–1663|British, London 1697–1764 London | 39440 | 229 | 1609 |1697 | 1663 |1764 | 1725 | 1725 | 1725 | 6712 | sheet: 5 5/16 x 2 15/16 in. (13.5 x 7.5 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/396282 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 267242 | 32.35(179) | 0 | 1 | 396283 | 11 | 731 | Cassandra, Frontispiece, Vol. 2: | 162 | Illustrates | Gautier de Coste de La Calprenède|William Hogarth | French, 1609–1663|British, London 1697–1764 London | 39440 | 229 | 1609 |1697 | 1663 |1764 | 1725 | 1725 | 1725 | 6712 | sheet: 5 3/8 x 2 15/16 in. (13.6 x 7.5 cm) | Harris Brisbane Dick Fund, 1932 | 13 | http://www.metmuseum.org/art/collection/search/396283 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 225640 | 54.505.3 | 0 | 0 | 353242 | 11 | 97 | Die aus der Arithmetic und Geometrie heraus geholten Gründe der menschlichen Proportion | 162 | Georg Lichtensteger|Georg Lichtensteger | German, Nuremberg, 1700–1781|German, Nuremberg, 1700–1781 | 27105 | 79 | 1700 |1700 | 1781 |1781 | 1746 | 1746 | 1746 | 29296 | 14 5/8 × 9 3/8 × 1/4 in. (37.1 × 23.8 × 0.7 cm) | Gift of Lincoln Kirstein, 1954 | 442 | http://www.metmuseum.org/art/collection/search/353242 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 174205 | 1994.265.318 | 0 | 0 | 276533 | 13 | 4693 | The Acropolis | 162 | Gerhart Rodenwaldt|Walter Hege | German, 1893–1985 | 15442 | 10 | 1893 | 1985 | 1957 | 1957 | 1957 | Walker Evans Archive, 1994 | 442 | http://www.metmuseum.org/art/collection/search/276533 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 424958 | 1993.1053 | 0 | 0 | 705839 | 11 | Le vite de pittori de Giorgio Vasari (The Lives of the Painters Sculptors and Architects), Bologna 1681 | 162 | Frontispiece engraved by | Giorgio Vasari|Cornelis Bloemaert | Italian, Arezzo 1511–1574 Florence|Dutch, Utrecht 1603–?1684 Rome | 54220 | 1511 |1603 | 1574 |1684 | 1681 | 1681 | 1681 | 60857 | Overall for all volumes: 10 1/16 × 7 1/16 in. (25.5 × 18 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1993 | 442 | http://www.metmuseum.org/art/collection/search/705839 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 222202 | 67.800.5 | 0 | 0 | 349762 | 11 | 23 | Emma: Madame Bovary | 162 | Gustave Flaubert|John Archibald Austen | French, Rouen 1821–1880 Croisset|British, Kent 1886–1948 Kent | 24489 | 229 | 1821 |1886 | 1880 |1948 | ca. 1928 | 1923 | 1933 | 35043 | sheet: 4 3/8 x 4 3/8 in. (11.1 x 11.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | 9 | http://www.metmuseum.org/art/collection/search/349762 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 289164 | 41.139.7 | 0 | 0 | 418491 | 11 | 731 | Entrée de Monseigneur Henry de Lorraine (Entrance of Henry de Lorraine), from Le Combat a la Barrière in the Palace at Nancy by Henri Humbert, printed by Sebastien Phillipe | 1997 | 162 | Henri Humbert|Jacques Callot | French, active early 17th century|French, Nancy 1592–1635 Nancy | 41664 | 21 | 1600 |1592 | 1650 |1635 | 1627 | 1627 | 1627 | 26137 | Sheet: 7 5/16 x 10 7/16 in. (18.5 x 26.5 cm) Plate: 6 x 9 7/16 in. (15.2 x 24 cm) | Gift of Edwin De T. Bechtel, 1941 | 13 | http://www.metmuseum.org/art/collection/search/418491 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 289166 | 41.139.10 | 0 | 0 | 418493 | 11 | 731 | Le Combat (The Combat), from Le Combat a la Barrière in the Palace at Nancy by Henri Humbert, printed by Sebastien Phillipe | 1997 | 162 | Henri Humbert|Jacques Callot | French, active early 17th century|French, Nancy 1592–1635 Nancy | 41664 | 21 | 1600 |1592 | 1650 |1635 | 1627 | 1627 | 1627 | 26137 | Sheet: 7 7/8 x 10 1/2 in. (20 x 26.6 cm) Plate: 5 15/16 x 9 1/2 in. (15.1 x 24.2 cm) | Gift of Edwin De T. Bechtel, 1941 | 13 | http://www.metmuseum.org/art/collection/search/418493 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 289167 | 41.139.9 | 0 | 0 | 418494 | 11 | 731 | La Défilé a Pied (The Parade on Foot), from Le Combat a la Barrière in the Palace at Nancy by Henri Humbert, printed by Sebastien Phillipe | 1997 | 162 | Henri Humbert|Jacques Callot | French, active early 17th century|French, Nancy 1592–1635 Nancy | 41664 | 21 | 1600 |1592 | 1650 |1635 | 1627 | 1627 | 1627 | 37371 | Sheet: 72 13/16 x 11 7/16 in. (185 x 29 cm) Plate: 6 1/16 x 9 9/16 in. (15.4 x 24.3 cm) | Gift of Edwin De T. Bechtel, 1941 | 13 | http://www.metmuseum.org/art/collection/search/418494 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 292396 | 41.139.3 | 0 | 0 | 421729 | 11 | 731 | Entrée de M. de Macey (Entrance of Monsieur de Macey), from Le Combat a la Barrière in the Palace at Nancy by Henri Humbert, printed by Sebastien Phillipe | 1997 | 162 | Henri Humbert|Jacques Callot | French, active early 17th century|French, Nancy 1592–1635 Nancy | 41664 | 21 | 1600 |1592 | 1650 |1635 | 1627 | 1627 | 1627 | 26137 | Sheet: 7 3/8 x 10 3/8 in. (18.7 x 26.3 cm) Plate: 5 7/8 x 8 11/16 in. (14.9 x 22.1 cm) | Gift of Edwin De T. Bechtel, 1941 | 13 | http://www.metmuseum.org/art/collection/search/421729 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 442079 | 59.533.560(1) | 0 | 1 | 738868 | 11 | 731 | The infant Jones found in the bed of Mr. Allworthy..., illustration to Henry Fielding's "The History of Tom Jones, a Foundling" (Edinburgh, 1791), Vol. I (Book I, chapter 3) | 2896 | 162 | Henry Fielding|Thomas Rowlandson | British, 1707–1754|British, London 1757–1827 London | 56371 | 1707 |1757 | 1754 |1827 | 1792 | 1792 | 1792 | 26137 | Sheet: 4 15/16 × 7 1/8 in. (12.5 × 18.1 cm) Plate: 4 3/4 × 6 15/16 in. (12.1 × 17.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/738868 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 442081 | 59.533.560(2) | 0 | 1 | 738870 | 11 | 731 | Partridge cruelly accused and maltreated by his Wife &..., illustration to Henry Fielding's "The History of Tom Jones, a Foundling" (Edinburgh, 1791), Vol. I (Book I, chapter 4) | 2896 | 162 | Henry Fielding|Thomas Rowlandson | British, 1707–1754|British, London 1757–1827 London | 56371 | 1707 |1757 | 1754 |1827 | 1792 | 1792 | 1792 | 26137 | Sheet: 4 15/16 × 7 1/8 in. (12.5 × 18.1 cm) Plate: 4 3/4 × 6 15/16 in. (12.1 × 17.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/738870 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 442082 | 59.533.560(3) | 0 | 1 | 738871 | 11 | 731 | Tom Jones detects the Philsopher in Black Molls Bed Chamber..., illustration to Henry Fielding's "The History of Tom Jones, a Foundling" (Edinburgh, 1791), Vol. I (Book I, chapter 5) | 2896 | 162 | Henry Fielding|Thomas Rowlandson | British, 1707–1754|British, London 1757–1827 London | 56371 | 1707 |1757 | 1754 |1827 | 1792 | 1792 | 1792 | 26137 | Sheet: 4 9/16 × 6 11/16 in. (11.6 × 17 cm) Plate: 4 7/16 × 6 7/16 in. (11.2 × 16.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/738871 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 442083 | 59.533.560(4) | 0 | 1 | 738872 | 11 | 731 | The constancy of Tom Jones subdued by the charms of Black Moll..., illustration to Henry Fielding's "The History of Tom Jones, a Foundling" (Edinburgh, 1791), Vol. I (Book V, chapter 10) | 2896 | 162 | Henry Fielding|Thomas Rowlandson | British, 1707–1754|British, London 1757–1827 London | 56371 | 1707 |1757 | 1754 |1827 | 1792 | 1792 | 1792 | 26137 | Sheet: 4 1/2 × 6 15/16 in. (11.5 × 17.6 cm) Plate: 4 3/8 × 6 3/4 in. (11.1 × 17.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/738872 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 442085 | 59.533.560(5) | 0 | 1 | 738874 | 11 | 731 | The Sentinel Mistakes Tom Jones for an Apparition, from "The History of Tom Jones, a Foundling" by Henry Fielding | 2896 | 162 | Henry Fielding|Thomas Rowlandson | British, 1707–1754|British, London 1757–1827 London | 56371 | 1707 |1757 | 1754 |1827 | 1792 | 1792 | 1792 | 26137 | Sheet: 4 5/8 × 6 5/8 in. (11.8 × 16.8 cm) Plate: 4 1/2 × 6 3/8 in. (11.5 × 16.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/738874 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 445541 | 59.533.560(6) | 0 | 1 | 745898 | 11 | 731 | Tom Jones Rescues Mrs Waters from the Violence of Northerton, from "The History of Tom Jones, a Foundling" by Henry Fielding | 2896 | 162 | Henry Fielding|Thomas Rowlandson | British, 1707–1754|British, London 1757–1827 London | 56371 | 1707 |1757 | 1754 |1827 | 1792 | 1792 | 1792 | 26137 | Sheet: 4 5/8 × 6 5/8 in. (11.8 × 16.8 cm) Plate: 4 1/2 × 6 3/8 in. (11.5 × 16.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/745898 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 445544 | 59.533.560(7) | 0 | 1 | 745901 | 11 | 731 | Tom Jones & the Landlord, Partridge & Susan, Mrs Waters & the Landlady, from "The History of Tom Jones, a Foundling" by Henry Fielding | 2896 | 162 | Henry Fielding|Thomas Rowlandson | British, 1707–1754|British, London 1757–1827 London | 56371 | 1707 |1757 | 1754 |1827 | 1792 | 1792 | 1792 | 26137 | Sheet: 4 5/8 × 7 1/16 in. (11.7 × 17.9 cm) Plate: 4 7/16 × 6 7/8 in. (11.3 × 17.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/745901 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 445545 | 59.533.560(8) | 0 | 1 | 745902 | 11 | 731 | Sophia's Modesty Shocked by a Fall from her Horse, from "The History of Tom Jones, a Foundling" by Henry Fielding | 2896 | 162 | Henry Fielding|Thomas Rowlandson | British, 1707–1754|British, London 1757–1827 London | 56371 | 1707 |1757 | 1754 |1827 | 1792 | 1792 | 1792 | 26137 | Sheet: 4 5/8 × 7 1/16 in. (11.7 × 17.9 cm) Plate: 4 7/16 × 6 7/8 in. (11.3 × 17.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/745902 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 445547 | 59.533.560(9) | 0 | 1 | 745904 | 11 | 731 | Tom Jones Refused Admittance by the Nobleman's Porter, from "The History of Tom Jones, a Foundling" by Henry Fielding | 2896 | 162 | Henry Fielding|Thomas Rowlandson | British, 1707–1754|British, London 1757–1827 London | 56371 | 1707 |1757 | 1754 |1827 | 1792 | 1792 | 1792 | 26137 | Sheet: 4 5/8 × 7 1/8 in. (11.7 × 18.1 cm) Plate: 4 3/8 × 6 15/16 in. (11.1 × 17.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/745904 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 445548 | 59.533.560(10) | 0 | 1 | 745906 | 11 | 731 | T. Jones & Sophia interrupted in a tete a tete by Lady Bellaston, from "The History of Tom Jones, a Foundling" by Henry Fielding | 2896 | 162 | Henry Fielding|Thomas Rowlandson | British, 1707–1754|British, London 1757–1827 London | 56371 | 1707 |1757 | 1754 |1827 | 1792 | 1792 | 1792 | 26137 | Sheet: 4 5/8 × 6 15/16 in. (11.8 × 17.7 cm) Plate: 4 1/2 × 6 13/16 in. (11.5 × 17.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/745906 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 445550 | 59.533.560(11) | 0 | 1 | 745909 | 11 | 731 | Partridge Interrupts Tom Jones in his Protestations to Lady Bellaston, from "The History of Tom Jones, a Foundling" by Henry Fielding | 2896 | 162 | Henry Fielding|Thomas Rowlandson | British, 1707–1754|British, London 1757–1827 London | 56371 | 1707 |1757 | 1754 |1827 | 1792 | 1792 | 1792 | 26137 | Sheet: 4 7/8 × 6 7/8 in. (12.4 × 17.5 cm) Plate: 4 3/4 × 6 13/16 in. (12.1 × 17.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/745909 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 445552 | 59.533.560(12) | 0 | 1 | 745911 | 11 | 731 | Lord Tellamar Rudely Dismissed by Squire Western, from "The History of Tom Jones, a Foundling" by Henry Fielding | 2896 | 162 | Henry Fielding|Thomas Rowlandson | British, 1707–1754|British, London 1757–1827 London | 56371 | 1707 |1757 | 1754 |1827 | 1792 | 1792 | 1792 | 26137 | Sheet: 4 7/8 × 6 7/8 in. (12.4 × 17.5 cm) Plate: 4 3/4 × 6 13/16 in. (12.1 × 17.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/745911 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 174172 | 1994.265.289 | 0 | 0 | 276500 | 13 | 4693 | The Ambassadors | 162 | Illustrated by | Henry James|Leslie Saalburg | American, 1843–1916 | 15421 | 1 | 1843 | 1916 | 1963 | 1963 | 1963 | Walker Evans Archive, 1994 | 442 | http://www.metmuseum.org/art/collection/search/276500 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 187536 | 2012.267.1, .2 | 0 | 0 | 302450 | 13 | 97 | The Compleat Angler | 162 | Isaak Walton|Peter Henry Emerson | British, born Cuba, 1856–1936 | 16818 | 485 | 1593 |1856 | 1683 |1936 | 1888 | 1888 | 1888 | 25196 | Joyce F. Menschel Photography Library Fund, transferred from the Joyce F. Menschel Photography Library, 2012 | 442 | http://www.metmuseum.org/art/collection/search/302450 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 229684 | 63.625.68 | 0 | 0 | 357352 | 11 | 731 | Sonnets et Eaux-fortes | 162 | Written by | J. Bouilhet|Célestin Nanteuil | French (born Italy), Rome 1813–1873 Bourron-Marlotte | 29927 | 21 | 1813 | 1873 | 1869 | 1869 | 1869 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963 | 13 | http://www.metmuseum.org/art/collection/search/357352 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436673 | 53.601.9(68) | 0 | 0 | 726716 | 11 | 731 | Host and Chalice with Holy Spirit from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 3/16 × 5 5/16 in. (23.4 × 13.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726716 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436677 | 53.601.9(67) | 0 | 0 | 726723 | 11 | 731 | Page with Ornamental Border from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 44457 | Sheet (trimmed): 8 1/2 × 5 1/2 in. (21.6 × 14 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726723 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436683 | 53.601.9(83) | 0 | 0 | 726735 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 1/4 in. (23.5 × 13.3 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726735 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436685 | 53.601.9(84) | 0 | 0 | 726739 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 1/4 in. (23.5 × 13.3 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726739 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436687 | 53.601.9(89) | 0 | 0 | 726741 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 1/4 in. (23.5 × 13.3 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726741 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436693 | 53.601.9(92) | 0 | 0 | 726748 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 5/16 in. (23.5 × 13.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726748 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436694 | 53.601.9(77) | 0 | 0 | 726754 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 5/16 in. (23.5 × 13.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726754 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436702 | 53.601.9(105) | 0 | 0 | 726763 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 5/16 in. (23.5 × 13.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726763 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436710 | 53.601.9(87) | 0 | 0 | 726773 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 5/16 in. (23.5 × 13.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726773 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436712 | 53.601.9(88) | 0 | 0 | 726775 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 5/16 in. (23.5 × 13.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726775 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436716 | 53.601.9(124) | 0 | 0 | 726781 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 5/16 in. (23.5 × 13.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726781 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436719 | 53.601.9(127) | 0 | 0 | 726784 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 5/16 in. (23.5 × 13.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726784 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436721 | 53.601.9(128) | 0 | 0 | 726786 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 5/16 in. (23.5 × 13.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726786 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436724 | 53.601.9(114) | 0 | 0 | 726789 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 5/16 in. (23.5 × 13.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726789 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436726 | 53.601.9(115) | 0 | 0 | 726791 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 5/16 in. (23.5 × 13.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726791 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436734 | 53.601.9(112) | 0 | 0 | 726799 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 5/16 in. (23.5 × 13.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726799 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436736 | 53.601.9(118) | 0 | 0 | 726801 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 5/16 in. (23.5 × 13.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726801 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436739 | 53.601.9(120) | 0 | 0 | 726804 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 5/16 in. (23.5 × 13.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726804 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436742 | 53.601.9(102) | 0 | 0 | 726807 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 5/16 in. (23.5 × 13.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726807 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436743 | 53.601.9(103) | 0 | 0 | 726808 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 5/16 in. (23.5 × 13.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726808 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436751 | 53.601.9(94) | 0 | 0 | 726816 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 5/16 in. (23.5 × 13.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726816 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436754 | 53.601.9(69) | 0 | 0 | 726819 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 5/16 in. (23.5 × 13.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726819 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436756 | 53.601.9(70) | 0 | 0 | 726821 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 5/16 in. (23.5 × 13.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726821 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 436763 | 53.601.9(76) | 0 | 0 | 726828 | 11 | 731 | Page from Symbola Divina et Humana Pontificum, Imperatorum, Regum, Vol. 1 | 162 | Jacob Typot|Aegidius Sadeler II | ca. 1540–ca. 1600|Netherlandish, Antwerp 1568–1629 Prague | 30443 | 1540 |1568 | 1600 |1629 | 1601 | 1601 | 1601 | 7208 | Sheet (trimmed): 9 1/4 × 5 5/16 in. (23.5 × 13.5 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/726828 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 222519 | 31.67.8 | 0 | 1 | 350080 | 11 | 13811 | Premier Livre D'Architecture de Jacques Francart. Contenant diverses inventions de portes En Trois Langues | 162 | Jacques Francquart|Jacques Francquart | French, Brussels 1577–1651 Brussels|French, Brussels 1577–1651 Brussels | 24711 | 21 | 1577 |1577 | 1651 |1651 | 1617 | 1617 | 1617 | 29323 | 14 1/2 × 10 5/16 × 5/16 in. (36.9 × 26.2 × 0.8 cm) | Harris Brisbane Dick Fund, 1931 | 1150 | 665 | http://www.metmuseum.org/art/collection/search/350080 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 429453 | 2016.520.24.1–.9 | 0 | 0 | 712593 | 11 | 26869 | Untitled (Henry Pearson) | 162 | James Rosenquist|Henry Pearson | American, Grand Forks, North Dakota 1933–2017 New York|American, Kinston, North Carolina 1914–2006 New York | 54761 | 1933 |1914 | 2017 |2006 | 1977 | 1977 | 1977 | 61132 | 15 1/4 × 11 in. (38.7 × 27.9 cm) | Gift of Dr. Lawrence and Regina Dubin, 2016 | 13 | http://www.metmuseum.org/art/collection/search/712593 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 221895 | 59.505.1 | 0 | 0 | 349455 | 11 | 97 | Set of vignettes for Audin: Fables heroiques | 162 | Written by | Jean de La Fontaine|François Chauveau | French, Château-Thierry 1621–1695 Paris|French, Paris 1613–1676 Paris | 24243 | 21 | 1621 |1613 | 1695 |1676 | 1660, 1668 | 1660 | 1668 | Overall: 21 1/4 x 15 1/2 x 2 5/16 in. (54 x 39.4 x 5.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 27 | 442 | http://www.metmuseum.org/art/collection/search/349455 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 432274 | 53.601.10(62) | 0 | 0 | 717649 | 11 | 731 | Skull, from Zodiacus Christianus | 162 | Jeremias Drexel|Johann Sadeler II | German, Augsburg 1581–1638 Munich|German, Frankfurt 1588–1665 Munich | 55164 | 1581 |1588 | 1638 |1665 | 1622–1640 | 1622 | 1640 | 7208 | Sheet (trimmed): 3 9/16 × 2 1/16 in. (9 × 5.3 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/717649 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 224597 | 65.506.1 | 0 | 0 | 352191 | 11 | 97 | Jasio Swiszczypala | 162 | Written by | Jerzy Jesionowski|Wydawnictwo Literackie | 26381 | 1332 | 1963 | 1963 | 1963 | Gift of Mrs. Joseph Y. Smith | 442 | http://www.metmuseum.org/art/collection/search/352191 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 22657 | 57.118 | 0 | 1 | 27568 | 5 | 2769 | Gründtliche Beschreibung der freyen ritterlichen unnd adelichen Kunst des Fechtens in allerley gebreuchlichen Wehren mit vil schönen und nützlichen Figuren gezieret und fürgestellet (A Thorough Description of the Free Knightly and Noble Art of Fencing, in All the Typical Guards, Adorned and Arranged with Many Beautiful and Useful Figures) | 633 | 162 | Woodcuts by | Joachim Meyer|Tobias Stimmer | German, active 16th–17th century|German, active 16th–17th century | 3024 | 79 | 1550 |1550 | 1650 |1650 | dated 1570 | 1570 | 1570 | 4562 | Gift of Christian A. Zabriskie, 1957 | 586 | 128 | http://www.metmuseum.org/art/collection/search/27568 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 228598 | 31.91.2 | 0 | 0 | 356234 | 11 | 97 | Tragic play 'Cuauhtémoc' with illustrations by Rivera | 162 | Joaquin Méndez Rivas|Diego Rivera | Mexican, Guanajuato 1886–1957 Mexico City | 29134 | 1886 | 1957 | 1925 | 1925 | 1925 | 7 1/16 × 5 11/16 in. (18 × 14.5 cm) | Gift of Jean Charlot, 1931 | 442 | http://www.metmuseum.org/art/collection/search/356234 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 216877 | 1980.1080 | 0 | 0 | 344361 | 11 | 97 | Centi-folium stultorum in quarto | 162 | Possibly by | Johann Carl Megerle|Christoph Weigel | Austrian, Kreenheinstetten 1644–1709 Vienna|German, Redwitz 1654–1725 Nuremberg | 20825 | 66 | 1644 |1654 | 1709 |1725 | 1709 | 1709 | 1709 | 33883 | 8 1/8 × 6 7/16 × 2 1/8 in. (20.6 × 16.4 × 5.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1980 | 442 | http://www.metmuseum.org/art/collection/search/344361 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 422558 | 64.682.336 | 0 | 0 | 700884 | 11 | 731 | "Vita sine litteris Mors est" | 162 | Johann Jakob Brunner|Carl Gottlieb Guttenberg | Swiss, active 18th century|German, 1743–1790 | 53871 | 1700 |1743 | 1820 |1790 | 18th century | 1743 | 1790 | 7208 | Sheet: 9 1/2 × 15 3/16 in. (24.2 × 38.6 cm) | Harry G. Friedman Bequest, 1964 | 673 | http://www.metmuseum.org/art/collection/search/700884 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 422559 | 64.682.330 | 0 | 0 | 700885 | 11 | 731 | Calligraphic Putti | 162 | Johann Jakob Brunner|Carl Gottlieb Guttenberg | Swiss, active 18th century|German, 1743–1790 | 53871 | 1700 |1743 | 1820 |1790 | 1706 | 1706 | 1706 | 7208 | Sheet: 9 3/16 × 13 1/8 in. (23.3 × 33.4 cm) | Harry G. Friedman Bequest, 1964 | 673 | http://www.metmuseum.org/art/collection/search/700885 | 4/23/2018 8:00:01 AM | 1 |