Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 17468 | 04.3.183 | 0 | 1 | 21970 | 5 | 1344 | Wheellock Spanner with Priming Flask and Screwdriver | 128 | 107 | Workshop of | Daniel Sadeler | German, Munich, recorded 1602–1632 | 2693 | 10 | 1602 | 1632 | ca. 1610–30 | 1585 | 1655 | 3497 | L. 9 in. (22.9 cm); W. 2 3/4 in. (7 cm) | Rogers Fund, 1904 | 426 | 53 | http://www.metmuseum.org/art/collection/search/21970 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 17884 | 14.25.1527 | 0 | 0 | 22395 | 5 | 1535 | Wheellock Spanner with Screwdriver | 128 | 107 | Workshop of | Daniel Sadeler | German, Munich, recorded 1602–1632 | 2693 | 10 | 1602 | 1632 | ca. 1610–30 | 1585 | 1655 | 3497 | L. 8 in. (20.3 cm); W. 2 3/4 in. (7 cm) | Gift of William H. Riggs, 1913 | 426 | 92 | http://www.metmuseum.org/art/collection/search/22395 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 28639 | 14.25.1314a, b | 0 | 0 | 33831 | 5 | 3616 | Parrying Dagger with Sheath | 128 | 95 | Attributed to | Daniel Sadeler | German, Munich, recorded 1602–1632 | 2693 | 10 | 1602 | 1632 | 1610 | 1610 | 1610 | 5981 | L. with sheath 17 1/2 in. (44.5) cm); L. without sheath 16 1/2 in. (41.9 cm); W. 6 1/2 in. (16.5 cm); Wt. 11.3 oz. (320.3 g); Wt. of sheath 2.8 oz. (69.4 g) | Gift of William H. Riggs, 1913 | 426 | 33 | http://www.metmuseum.org/art/collection/search/33831 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 38185 | 1996.464.1 | 0 | 1 | 44297 | 7 | 3882 | 46 | Edo period (1615–1868) | 2 | Kano artist After | Kano Tan'yū | Japanese, 1602–1674 | 3731 | 74 | 1602 | 1674 | dated 1666 | 1666 | 1666 | 9070 | Image: 33 1/8 x 16 1/4 in. (84.1 x 41.3 cm) Overall with mounting: 36 1/2 x 18 7/8 in. (92.7 x 47.9 cm) Framed: 37 3/4 x 19 7/8 in. (95.9 x 50.5 cm) | Gift of John and Lili Bussel, 1996 | 11 | http://www.metmuseum.org/art/collection/search/44297 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 39169 | 1975.268.49 | 0 | 1 | 45418 | 7 | 3882 | 狩野探幽筆 月夜山水図|Landscape in Moonlight | 46 | Edo period (1615–1868) | 2 | Kano Tan'yū | Japanese, 1602–1674 | 3731 | 74 | 1602 | 1674 | after 1662 | 1663 | 1674 | 9396 | Image: 39 5/8 x 16 3/4 in. (100.6 x 42.5 cm) Overall: 75 3/8 x 23 1/2 in. (191.5 x 59.7 cm) | The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975 | 11 | http://www.metmuseum.org/art/collection/search/45418 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 39170 | 1975.268.50 | 0 | 1 | 45419 | 7 | 3882 | 狩野探幽筆 月夜山水図|Landscape in Moonlight | 46 | Edo period (1615–1868) | 2 | Kano Tan'yū | Japanese, 1602–1674 | 3731 | 74 | 1602 | 1674 | after 1662 | 1663 | 1674 | 9396 | Image: 39 5/8 x 16 3/4 in. (100.6 x 42.5 cm) Overall: 75 1/4 x 23 1/2 in. (191.1 x 59.7 cm) | The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975 | 11 | http://www.metmuseum.org/art/collection/search/45419 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 39171 | 1975.268.51 | 0 | 1 | 45420 | 7 | 3882 | 狩野探幽筆 月夜山水図|Landscape in Moonlight | 46 | Edo period (1615–1868) | 2 | Kano Tan'yū | Japanese, 1602–1674 | 3731 | 74 | 1602 | 1674 | after 1662 | 1663 | 1674 | 9396 | Image: 39 5/8 x 16 3/4 in. (100.6 x 42.5 cm) Overall: 75 1/4 x 23 1/2 in. (191.1 x 59.7 cm) | The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975 | 11 | http://www.metmuseum.org/art/collection/search/45420 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 39443 | 14.76.26 | 0 | 1 | 45698 | 7 | 3882 | 神農・夏冬山水図|Winter Landscape | 46 | Edo period (1615–1868) | 2 | Kano Tan'yū | Japanese, 1602–1674 | 3731 | 74 | 1602 | 1674 | 1662 | 1662 | 1662 | 9523 | 44 1/2 x 15 1/2 in. (113 x 39.4 cm) | Charles Stewart Smith Collection, Gift of Mrs. Charles Stewart Smith, Charles Stewart Smith Jr., and Howard Caswell Smith, in memory of Charles Stewart Smith, 1914 | 11 | http://www.metmuseum.org/art/collection/search/45698 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 39444 | 14.76.27 | 0 | 1 | 45699 | 7 | 3882 | 神農・夏冬山水図|Portrait of Emperor Shennong | 46 | Edo period (1615–1868) | 2 | Kano Tan'yū | Japanese, 1602–1674 | 3731 | 74 | 1602 | 1674 | 1665 | 1665 | 1665 | 9523 | 41 1/2 x 18 3/16 in. (105.4 x 46.2 cm) | Charles Stewart Smith Collection, Gift of Mrs. Charles Stewart Smith, Charles Stewart Smith Jr., and Howard Caswell Smith, in memory of Charles Stewart Smith, 1914 | 11 | http://www.metmuseum.org/art/collection/search/45699 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 39445 | 14.76.28 | 0 | 1 | 45700 | 7 | 3882 | 神農・夏冬山水図|Summer Landscape | 46 | Edo period (1615–1868) | 2 | Kano Tan'yū | Japanese, 1602–1674 | 3731 | 74 | 1602 | 1674 | 1662 | 1662 | 1662 | 9523 | 44 1/2 x 15 1/2 in. (113 x 39.4 cm) | Charles Stewart Smith Collection, Gift of Mrs. Charles Stewart Smith, Charles Stewart Smith Jr., and Howard Caswell Smith, in memory of Charles Stewart Smith, 1914 | 11 | http://www.metmuseum.org/art/collection/search/45700 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 42226 | 1975.268.52 | 0 | 1 | 49098 | 7 | 3886 | 狩野探幽筆 『画苑』|Famous Themes for Painting Study Known as “The Garden of Painting” (Gaen) | 46 | Edo period (1615–1868) | 2 | Kano Tan'yū | Japanese, 1602–1674 | 3731 | 74 | 1602 | 1674 | 1670 | 1600 | 1670 | 10616 | 10 7/8 in. x 10 ft. 7 5/8 in. (27.6 x 324.2 cm) | The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975 | 11 | http://www.metmuseum.org/art/collection/search/49098 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 42227 | 1975.268.53 | 0 | 1 | 49099 | 7 | 3886 | 狩野探幽筆 『画苑』|Famous Themes for Painting Study Known as “The Garden of Painting” (Gaen) | 46 | Edo period (1615–1868) | 2 | Kano Tan'yū | Japanese, 1602–1674 | 3731 | 74 | 1602 | 1674 | 1670 | 1670 | 1670 | 7254 | 10 7/8 in. x 11 ft. 7 7/16 in. (27.6 x 354.2 cm) | The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975 | 11 | http://www.metmuseum.org/art/collection/search/49099 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 45604 | 2015.300.77.1, .2 | 0 | 1 | 53009 | 7 | 4613 | 四季山水図屏風|Landscapes of the Four Seasons | 46 | Edo period (1615–1868) | 2 | Kano Tan'yū | Japanese, 1602–1674 | 3731 | 1602 | 1674 | 1630s | 1600 | 1700 | 9166 | Image (each): 60 3/8 in. × 11 ft. 6 7/8 in. (153.4 × 352.7 cm) | Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 | 190 | http://www.metmuseum.org/art/collection/search/53009 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 45605 | 2015.300.78 | 0 | 1 | 53010 | 7 | 3882 | 笛吹地蔵図|Jizō Bosatsu Playing a Flute | 46 | Edo period (1615–1868) | 2 | Kano Tan'yū | Japanese, 1602–1674 | 3731 | 1602 | 1674 | mid- 17th century | 1634 | 1666 | 7241 | Image: 38 3/4 in. × 15 in. (98.5 × 38.1 cm) Overall with mounting: 80 1/2 × 21 7/16 in. (204.5 × 54.5 cm) Overall with knobs: 80 1/2 × 23 5/8 in. (204.5 × 60 cm) | Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 | 11 | http://www.metmuseum.org/art/collection/search/53010 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 46966 | 14.76.35 | 0 | 1 | 54594 | 7 | 3882 | 46 | 2 | Attributed to | Kano Tan'yū | Japanese, 1602–1674 | 3731 | 74 | 1602 | 1674 | 17th century | 1600 | 1699 | 11699 | 48 x 21 1/8 in. (121.9 x 53.7 cm) | Charles Stewart Smith Collection, Gift of Mrs. Charles Stewart Smith, Charles Stewart Smith Jr., and Howard Caswell Smith, in memory of Charles Stewart Smith, 1914 | 11 | http://www.metmuseum.org/art/collection/search/54594 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 47076 | 14.76.61.61 | 0 | 1 | 54704 | 7 | 3885 | 46 | Edo period (1615–1868) | 2 | Kano Tan'yū | Japanese, 1602–1674 | 3731 | 74 | 1602 | 1674 | ca. 1650 | 1640 | 1650 | 7325 | 8 3/8 x 10 3/4 in. (21.3 x 27.3 cm) | Charles Stewart Smith Collection, Gift of Mrs. Charles Stewart Smith, Charles Stewart Smith Jr., and Howard Caswell Smith, in memory of Charles Stewart Smith, 1914 | 11 | http://www.metmuseum.org/art/collection/search/54704 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 47079 | 14.76.61.64 | 0 | 1 | 54707 | 7 | 3885 | 46 | Edo period (1615–1868) | 2 | Kano Tan'yū | Japanese, 1602–1674 | 3731 | 74 | 1602 | 1674 | ca. 1650 | 1640 | 1660 | 7256 | 10 x 14 in. (25.4 x 35.6 cm) | Charles Stewart Smith Collection, Gift of Mrs. Charles Stewart Smith, Charles Stewart Smith Jr., and Howard Caswell Smith, in memory of Charles Stewart Smith, 1914 | 11 | http://www.metmuseum.org/art/collection/search/54707 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 48427 | 1996.464.2 | 0 | 1 | 56098 | 7 | 3882 | 46 | Edo period (1615–1868) | 2 | Kano artist after | Kano Tan'yū | Japanese, 1602–1674 | 3731 | 74 | 1602 | 1674 | dated 1666 | 1666 | 1666 | 9070 | Image: 33 1/8 x 16 in. (84.1 x 40.6 cm) Overall with mounting: 36 1/2 x 18 5/8 in. (92.7 x 47.3 cm) Framed: 37 7/16 x 19 7/8 in. (95.1 x 50.5 cm) | Gift of John and Lili Bussel, 1996 | 11 | http://www.metmuseum.org/art/collection/search/56098 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 49321 | 36.100.81 | 0 | 1 | 57182 | 7 | 3882 | 46 | Edo period (1615–1868) | 13 | Attributed to | Kano Tan'yū|Kano School | Japanese, 1602–1674 | 4505 | 1602 | 1674 | probably 17th or 18th century | 1615 | 1799 | 7253 | 45 3/8 x 18 1/2 in. (115.3 x 47 cm) | The Howard Mansfield Collection, Purchase, Rogers Fund, 1936 | 11 | http://www.metmuseum.org/art/collection/search/57182 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 49367 | 60.47 | 0 | 1 | 57228 | 7 | 3882 | 46 | 2 | Kano Tan'yū | Japanese, 1602–1674 | 3731 | 74 | 1602 | 1674 | 17th century | 1602 | 1674 | 7253 | 5 1/4 x 19 3/8 in. (13.3 x 49.2 cm) | Rogers Fund, 1960 | 11 | http://www.metmuseum.org/art/collection/search/57228 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 49481 | 53.156.1, .2 | 0 | 1 | 57346 | 7 | 256 | 46 | 2 | Attributed to | Kano Tan'yū | Japanese, 1602–1674 | 3731 | 74 | 1602 | 1674 | 17th century | 1600 | 1699 | 11905 | Overall (each screen): 70 1/4 x 77 1/4 in. (178.4 x 196.2 cm) | Gift of Major General R. B. Woodruff, 1953 | 190 | http://www.metmuseum.org/art/collection/search/57346 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 49906 | JIB149 | 0 | 1 | 57840 | 7 | 3906 | 46 | Edo period (1615–1868) | 2 | After | Kano Tan'yū | Japanese, 1602–1674 | 3731 | 74 | 1602 | 1674 | 1615 | 1868 | 7389 | 10 x 7 1/2 in. (25.4 x 19.1 cm) | Bequest of W. Gedney Beatty, 1941 | 180 | http://www.metmuseum.org/art/collection/search/57840 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 63364 | 2006.174 | 0 | 1 | 73193 | 7 | 3882 | 46 | Edo period (1615–1868) | 2 | Kano Tan'yū | Japanese, 1602–1674 | 3731 | 74 | 1602 | 1674 | 1635–45 | 1635 | 1645 | 7253 | Image: 40 x 9 1/2 in. (101.6 x 24.1 cm) Overall with mounting: 70 1/2 x 10 in. (179.1 x 25.4 cm) Overall with rollers: W. 12 in. (30.5 cm) | The Miriam and Ira D. Wallach Foundation Fund, 2006 | 11 | http://www.metmuseum.org/art/collection/search/73193 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 65870 | 2015.500.9.52 | 0 | 1 | 78063 | 7 | 3882 | 碧鱗|“Bluish-Green Fish Scales” (Hekirin) | 46 | Edo period (1615–1868) | 2 | Kano Tan'yū | Japanese, 1602–1674 | 3731 | 1602 | 1674 | mid-17th century | 1634 | 1666 | 7253 | Image: 44 1/2 × 10 5/8 in. (113 × 27 cm) Overall with mounting: 73 × 11 3/8 in. (185.4 × 28.9 cm) | Gift of Florence and Herbert Irving, 2015 | 173 | http://www.metmuseum.org/art/collection/search/78063 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 106221 | 17.190.1467a, b | 0 | 1 | 194059 | 3 | 7045 | Clock-watch | 222 | 1 | Watchmaker: | Edward East | British, 1602–1697 | 9226 | 1602 | 1697 | 17th century | 1600 | 1699 | 21530 | Diameter: 2 1/8 in. (5.4 cm) | Gift of J. Pierpont Morgan, 1917 | 316 | http://www.metmuseum.org/art/collection/search/194059 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 106222 | 17.190.1468a, b | 0 | 1 | 194060 | 3 | 557 | Watch | 222 | 1 | Watchmaker: | Edward East | British, 1602–1697 | 9226 | 1602 | 1697 | ca. 1640 | 1635 | 1645 | 21531 | Overall: 1 3/4 × 1 1/2 in. (4.4 × 3.8 cm) | Gift of J. Pierpont Morgan, 1917 | 316 | http://www.metmuseum.org/art/collection/search/194060 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 106237 | 17.190.1483a, b | 0 | 1 | 194075 | 3 | 7629 | Watch and key | 222 | 1 | Watchmaker: | Edward East | British, 1602–1697 | 9226 | 1602 | 1697 | ca. 1640 | 1635 | 1645 | 21542 | Diameter: 1 5/16 in. (3.3 cm) | Gift of J. Pierpont Morgan, 1917 | 316 | http://www.metmuseum.org/art/collection/search/194075 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 106308 | 17.190.1555 | 0 | 1 | 194146 | 3 | 557 | Watch | 222 | 1 | Watchmaker: | Edward East | British, 1602–1697 | 9226 | 1602 | 1697 | ca. 1640–50 | 1635 | 1655 | 9203 | Overall: 2 × 1 5/8 × 7/8 in. (5.1 × 4.1 × 2.2 cm) | Gift of J. Pierpont Morgan, 1917 | 316 | http://www.metmuseum.org/art/collection/search/194146 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 115184 | 64.101.860 | 0 | 1 | 203669 | 3 | 8208 | Table or bracket clock | 222 | 1 | Clockmaker: | Edward East | British, 1602–1697 | 9226 | 1602 | 1697 | ca. 1665 | 1660 | 1670 | 22830 | Overall: 14 9/16 × 11 11/16 × 6 1/4 in. (37 × 29.7 × 15.9 cm); Overall (dial plate): 8 5/8 × 8 in. (21.9 × 20.3 cm) | Gift of Irwin Untermyer, 1964 | 316 | http://www.metmuseum.org/art/collection/search/203669 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 208985 | 30.48.9 | 0 | 0 | 336361 | 11 | 97 | Traicté des manières de graver en taille-douce sur l'airin | 1049 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1645 | 1645 | 1645 | 28943 | 8 1/4 x 5 1/2 x 9/16 in. (21 x 14 x 1.5 cm) | Purchase, Harris Brisbane Dick Fund, 1930 | 442 | http://www.metmuseum.org/art/collection/search/336361 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 209084 | 1994.7 | 0 | 1 | 336461 | 11 | 23 | Portrait of Charlotte Duchesne | 2 | Philippe de Champaigne | French, Brussels 1602–1674 Paris | 18447 | 2 | 1602 | 1674 | ca. 1628 | 1628 | 1628 | 30487 | 8 11/16 x 7 11/16 in. (22 x 19.6 cm.) | Purchase, Lila Acheson Wallace Gift; Gifts in memory of Jacob Bean, Lawrence Turcic, and Howard J. Barnet; and The Schiff Foundation, David L. Klein Jr. Memorial Foundation Inc. and Harry Liebovitz Gifts, 1994 | 9 | http://www.metmuseum.org/art/collection/search/336461 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 210936 | 65.137 | 0 | 1 | 338324 | 11 | 23 | Saint Sebastian Clubbed to Death | 2 | Andrea Camassei | Italian, Bevagna near Foligno 1602–1649 Rome | 19057 | 6 | 1602 | 1649 | 1602–49 | 1602 | 1649 | 31479 | 18-1/8 x 12 in. (46.0 x 30.5 cm) | Rogers Fund, 1965 | 9 | http://www.metmuseum.org/art/collection/search/338324 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 211065 | 1975.190 | 0 | 1 | 338453 | 11 | 23 | Four Boats | 2 | attributed to | Michelangelo Cerquozzi (Michelangelo delle Battaglie) | Italian, Rome 1602–1660 Rome | 19101 | 6 | 1602 | 1660 | 1602–60 | 1602 | 1660 | 30149 | 7 9/16 x 10 5/8in. (19.2 x 27cm) | Rogers Fund, 1975 | 9 | http://www.metmuseum.org/art/collection/search/338453 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211141 | 1975.131.22 | 0 | 1 | 338529 | 11 | 23 | Figure of a Cleric in Half-Length. | 2 | Jacopo Confortini | Italian, Florence 1602–1672 Florence | 19133 | 6 | 1602 | 1672 | 1600–1699 | 1600 | 1699 | 31581 | Overall: 9 x 7 1/2 in. (22.9 x 19.1 cm) | Bequest of Harry G. Sperling, 1971 | 9 | http://www.metmuseum.org/art/collection/search/338529 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 211142 | 1975.131.21 | 0 | 1 | 338530 | 11 | 23 | Alternate Study for the Head of a Youth (Formerly a Pentimento Pasted to 1975.131.21). | 2 | Jacopo Confortini | Italian, Florence 1602–1672 Florence | 19133 | 6 | 1602 | 1672 | 1600–1699 | 1600 | 1699 | 31582 | 3-5/8 x 2-3/8 in. (9.2 x 6.0 cm) | Bequest of Harry G. Sperling, 1971 | 9 | http://www.metmuseum.org/art/collection/search/338530 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 211426 | 87.12.65 | 0 | 1 | 338816 | 11 | 23 | Alexander in His Tent (?) | 2 | attributed to | Antonio Gandini | Italian, documented Trento 1602–1630 Ronchi | 19257 | 6 | 1602 | 1630 | 1602–30 | 1602 | 1630 | 29439 | 7-3/4 x 5-3/4 in. (19.7 x 14.6 cm) | Gift of Cephas G. Thompson, 1887 | 9 | http://www.metmuseum.org/art/collection/search/338816 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 211427 | 87.12.67 | 0 | 1 | 338817 | 11 | 23 | Mythological Scene | 2 | attributed to | Antonio Gandini | Italian, documented Trento 1602–1630 Ronchi | 19257 | 6 | 1602 | 1630 | 1602–30 | 1602 | 1630 | 29736 | 7-3/4 x 5-3/4 in. (19.7 x 14.6 cm) | Gift of Cephas G. Thompson, 1887 | 9 | http://www.metmuseum.org/art/collection/search/338817 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 218961 | 60.633.27(b) | 0 | 0 | 346471 | 11 | 97 | Des Ordres de colones en l'architecture et plusieurs aues dependence dicelle | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | [after 1684] | 1684 | 1688 | 29332 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 442 | http://www.metmuseum.org/art/collection/search/346471 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 218965 | 46.138.1 | 0 | 0 | 346475 | 11 | 97 | Diverses Figures a l'eau forte de petits amours | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1644 | 1644 | 1644 | Harris Brisbane Dick Fund, 1946 | 27 | 442 | http://www.metmuseum.org/art/collection/search/346475 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 218966 | 60.633.27(c) | 0 | 0 | 346476 | 11 | 97 | Representations geometrales | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1688 | 1688 | 1688 | 29332 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 27 | 442 | http://www.metmuseum.org/art/collection/search/346476 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 218967 | 60.633.27(a) | 0 | 0 | 346477 | 11 | 97 | Traité des manières de dessiner les ordres de l'architecture antique en toutes leur parties | 715 | Printed by | Abraham Bosse|P. Aubouin, P. Emery et C. Clousier | French, Tours 1602/1604–1676 Paris | , Paris | 22188 | 21 | 1602 | 1676 | [after 1664] | 1664 | 1688 | 29332 | 16 15/16 × 11 1/4 × 1 in. (43 × 28.6 × 2.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 442 | http://www.metmuseum.org/art/collection/search/346477 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 218968 | 18.40 | 0 | 0 | 346478 | 11 | 97 | Traicté des manières de graver en taille-douce sur l'airin | 1049 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1645 | 1645 | 1645 | 26137 | 6 3/4 x 4 5/16 x 3/8 in. (17.2 x 10.9 x 1 cm) | Purchase, Rogers Fund, 1918 | 27 | 442 | http://www.metmuseum.org/art/collection/search/346478 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 220759 | 22.67.15 | 0 | 1 | 348296 | 11 | 731 | The Intaglio Printers | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1642 | 1642 | 1642 | 26137 | Sheet: 10 11/16 x 13 3/8 in. (27.2 x 34 cm) Plate: 10 1/4 x 12 13/16 in. (26 x 32.6 cm) | Purchase, Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/348296 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 221367 | 46.47.1.1-.3 | 0 | 1 | 348915 | 11 | 97 | La Perspective Pratique. Seconde Edition. Part I, II, and III | 41 | Written by | Jean DuBreuil | French, 1602–1670 | 23901 | 2 | 1602 | 1670 | 1679 | 1679 | 1679 | Harris Brisbane Dick Fund, 1946 | 27 | 442 | http://www.metmuseum.org/art/collection/search/348915 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 223223 | 26.49.23 | 0 | 1 | 350799 | 11 | 731 | Sight | 333 | 710 | Abraham Bosse|Melchior Tavernier and François Langlois, Paris | French, Tours 1602/1604–1676 Paris | 25294 | 21 | 1602 | 1676 | 1635–38 | 1635 | 1638 | 26137 | Sheet: 10 1/2 × 13 5/16 in. (26.7 × 33.8 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/350799 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 223224 | 26.49.24 | 0 | 1 | 350800 | 11 | 731 | Smell | 334 | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | ca. 1638 | 1633 | 1643 | 26137 | Sheet: 10 5/16 × 12 15/16 in. (26.2 × 32.8 cm) Plate: 10 3/16 × 12 13/16 in. (25.8 × 32.5 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/350800 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 223229 | 26.49.55 | 0 | 1 | 350805 | 11 | 731 | The Surgeon | 335 | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1632 | 1632 | 1632 | 32458 | Sheet: 11 1/2 × 14 9/16 in. (29.2 × 37 cm) Plate: 10 5/16 × 13 1/2 in. (26.2 × 34.3 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/350805 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 224893 | 2001.647.71 | 0 | 1 | 352487 | 11 | 731 | L'Abbé de Saint Cyran | 13 | After | Philippe de Champaigne|Anonymous | French, Brussels 1602–1674 Paris | 26566 | 2 | 1602 | 1674 | 1615 | 1700 | 7208 | sheet: 10 3/8 x 7 5/16 in. (26.3 x 18.5 cm) | Gift of Mr. Lev Tsitrin, 2001 | 13 | http://www.metmuseum.org/art/collection/search/352487 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 227025 | 26.49.64 | 0 | 1 | 354640 | 11 | 731 | The Ball | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | ca. 1634–35 | 1629 | 1640 | 35741 | Sheet (trimmed): 10 3/8 × 13 3/8 in. (26.3 × 34 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/354640 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 227027 | 30.54.30 | 0 | 0 | 354642 | 11 | 731 | Theâtre de l'Hôtel de Bourgogne (Actors at the Hôtel de Burgogne) | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1633–34 | 1633 | 1634 | 26137 | image: 10 x 13 in. (25.4 x 33 cm) (trimmed to picture line) | Harris Brisbane Dick Fund, 1930 | 13 | http://www.metmuseum.org/art/collection/search/354642 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 227651 | 1970.565.104 | 0 | 0 | 355271 | 11 | 97 | La Perspective Practique. Necessaire a Tous Peintres,...Premiere Partie, Seconde Edition | 45 | Published by|Written by | Jean Du Puis|Jean DuBreuil | French, 1602–1670 | , Paris | 28530 | 2 | 1602 | 1670 | 1663 | 1663 | 1663 | 29332 | Gift of Lincoln Kirstein, 1970 | 27 | 442 | http://www.metmuseum.org/art/collection/search/355271 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 231071 | 26.49.41 | 0 | 1 | 358772 | 11 | 731 | Return from the Christening | 414 | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1633 | 1633 | 1633 | 29408 | Sheet: 11 5/8 × 14 15/16 in. (29.5 × 37.9 cm) Plate: 10 7/16 × 13 7/16 in. (26.5 × 34.1 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/358772 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 231334 | 2002.467 | 0 | 0 | 359068 | 11 | 731 | The Temptation of Christ | 2 | Domenico Peruzzini | Italian, 1602–active until 1673 | 30816 | 6 | 1602 | 1673 | 1642 | 1642 | 1642 | 26137 | plate: 12 3/16 x 9 5/8 in. (31 x 24.5 cm.) sheet: 12 5/16 x 9 5/8 in. (31.3 x 24.4 cm) image: 11 3/4 x 9 5/16 in. (29.8 x 23.7 cm) | A. Hyatt Mayor Purchase Fund, Marjorie Phelps Starr Bequest, 2002 | 13 | http://www.metmuseum.org/art/collection/search/359068 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 231482 | 1996.514 | 0 | 0 | 359219 | 11 | 97 | Traité des manières de graver en taille-douce | 137 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1645 | 1645 | 1645 | Gift of Leo Steinberg, 1996 | 442 | http://www.metmuseum.org/art/collection/search/359219 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 231702 | 2003.88 | 0 | 1 | 359441 | 11 | 23 | Allegorical Portrait of a Commander and His Wife | 2 | Pieter Jansz. | Dutch, Amsterdam ca. 1602–1672 Amsterdam | 30990 | 11 | 1602 | 1672 | 17th century | 1620 | 1672 | 30014 | sheet: 5 1/16 x 7 5/8 in. (12.8 x 19.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2003 | 9 | http://www.metmuseum.org/art/collection/search/359441 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 232257 | 26.49.12 | 0 | 1 | 360005 | 11 | 731 | Foolish Virgins Sleeping | 472 | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | ca. 1635 | 1630 | 1640 | 29408 | Sheet: 13 x 15 15/16 in. (33 x 40.5 cm) Plate: 10 1/16 × 12 3/4 in. (25.6 × 32.4 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/360005 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 232273 | 26.49.51 | 0 | 0 | 360021 | 11 | 731 | The Etcher and The Engraver | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1643 | 1643 | 1643 | 26137 | Sheet: 10 1/8 x 12 1/2 in. (25.7 x 31.8 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/360021 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 232598 | 26.49.48 | 0 | 1 | 360349 | 11 | 731 | The Husband-Beater | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | ca. 1633 | 1628 | 1638 | 30388 | Sheet (trimmed): 10 1/2 × 13 1/4 in. (26.6 × 33.6 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/360349 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 232643 | 60.634.53 | 0 | 1 | 360394 | 11 | 731 | The Ratcatcher | 488 | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | mid to late 17th century | 1630 | 1676 | 29783 | Sheet: 8 9/16 × 5 7/8 in. (21.8 × 14.9 cm) Plate: 8 3/8 x 5 11/16 in. (21.3 x 14.4 cm) | Purchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 13 | http://www.metmuseum.org/art/collection/search/360394 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 235011 | 2003.507 | 0 | 1 | 362770 | 11 | 23 | Susanna and the Elders | 2 | Augustin Medow | German, active 1602, recorded after 1622–1660, Lübeck | 31933 | 10 | 1602 | 1660 | 1622–60 | 1622 | 1660 | 37196 | 7 x 5 1/2 in. (17.8 x 14 cm) | Harry G. Sperling Fund, 2003 | 9 | http://www.metmuseum.org/art/collection/search/362770 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 236618 | 2004.138 | 0 | 1 | 364540 | 11 | 23 | View of Jerusalem with the Temple of Solomon | 2 | Philippe de Champaigne | French, Brussels 1602–1674 Paris | 18447 | 2 | 1602 | 1674 | 17th century | 1610 | 1674 | 37644 | 13 1/16 x 23 3/4 in. (33.1 x 60.3 cm) | Purchase, 2002 Benefit Fund and Gift of Dr. Mortimer D. Sackler, Theresa Sackler and Family, 2004 | 9 | http://www.metmuseum.org/art/collection/search/364540 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 243362 | 2006.219.1 | 0 | 1 | 371558 | 11 | 23 | Deacon Saint (Stephen or Lawrence) | 2 | Jacopo Confortini | Italian, Florence 1602–1672 Florence | 19133 | 6 | 1602 | 1672 | ca. 1640–50 | 1635 | 1655 | 29392 | sheet: 9 x 6 15/16 in. (22.8 x 17.6 cm) | Gift of Thomas and Gianna le Claire, 2006 | 9 | http://www.metmuseum.org/art/collection/search/371558 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 243390 | 26.49.31 | 0 | 1 | 371588 | 11 | 731 | Spring | 918 | 710 | Abraham Bosse|Le Blond | French, Tours 1602/1604–1676 Paris|Paris | 34158 | 21 | 1602 | 1676 | ca. 1637 | 1632 | 1642 | 29408 | Sheet (trimmed): 10 3/16 in. × 13 in. (25.8 × 33 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/371588 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 243392 | 57.569.1 | 0 | 1 | 371590 | 11 | 731 | The Four Seasons | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | mid to late 17th century | 1630 | 1676 | 6712 | Sheet (Roundel): 11 3/4 × 11 13/16 in. (29.8 × 30 cm) | Purchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1957 | 13 | http://www.metmuseum.org/art/collection/search/371590 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 249516 | 1994.610(1–92) | 0 | 0 | 377959 | 11 | 1119 | An Album With Portraits of Women | 2 | Philippe de Champaigne | French, Brussels 1602–1674 Paris | 18447 | 2 | 1602 | 1674 | 17th century | 1615 | 1674 | Other: 15 11/16 × 11 7/16 × 1 5/16 in. (39.8 × 29 × 3.4 cm) | Purchase, Lila Acheson Wallace Gift, Gifts in Memory of Jacob Bean, and various donors, 1994 | 462 | http://www.metmuseum.org/art/collection/search/377959 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 249549 | 60.633.27(a-c) | 0 | 0 | 377994 | 11 | 13811 | Traité des manières de dessiner les ordres de l'architecture antique en toutes leur parties | 41 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | [after 1664], [after 1684], 1688 | 1664 | 1688 | 34301 | 17 x 11 1/2 x 1 in. (43.2 x 29.2 x 2.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 665 | http://www.metmuseum.org/art/collection/search/377994 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 252161 | 30.54.32 | 0 | 1 | 380659 | 11 | 731 | Ceremony of the Contract of Marriage between Władysław IV, King of Poland, and Marie Louise Gonzaga, Princess of Mantua, at Fontainebleau | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1645 | 1645 | 1645 | 29783 | Sheet: 10 13/16 × 13 1/8 in. (27.4 × 33.3 cm) | Purchase, Harris Brisbane Dick Fund, 1930 | 13 | http://www.metmuseum.org/art/collection/search/380659 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 253443 | 2008.93 | 0 | 1 | 381975 | 11 | 23 | The Presentation of the Virgin | 2 | Philippe de Champaigne | French, Brussels 1602–1674 Paris | 18447 | 2 | 1602 | 1674 | 17th century | 1610 | 1674 | 40575 | sheet: 10 1/2 x 16 5/16 in. (26.7 x 41.4 cm) | Purchase, David T. Schiff Gift, 2008 | 9 | http://www.metmuseum.org/art/collection/search/381975 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 253987 | 52.527(23) | 0 | 0 | 382568 | 11 | 731 | Saint John Preaching in the Wilderness | 2 | Henri Mauperché | French, Paris (?) ca. 1602–1686 Paris | 36300 | 2 | 1602 | 1686 | 17th century | 1598 | 1686 | 6712 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1952 | 13 | http://www.metmuseum.org/art/collection/search/382568 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 256065 | 30.54.31 | 0 | 1 | 384736 | 11 | 731 | The Siege of the La Motte, in Lorraine | 710 | Abraham Bosse|A. Boudan | French, Tours 1602/1604–1676 Paris|French | 36822 | 21 | 1602 | 1676 | 1636–38 | 1636 | 1638 | 26137 | Sheet (trimmed): 7 5/16 × 16 3/8 in. (18.6 × 41.6 cm) | Purchase, Harris Brisbane Dick Fund, 1930 | 13 | http://www.metmuseum.org/art/collection/search/384736 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 257004 | 51.501.2269 | 0 | 1 | 385682 | 11 | 731 | The Nativity with Scenes of The Annunciation, The Adoration of the Shepherds, The Crucifixion and The Resurrection | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1620–76 | 1620 | 1676 | 26137 | Sheet (trimmed): 10 13/16 × 13 1/16 in. (27.5 × 33.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/385682 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 257014 | 25.2.41 | 0 | 1 | 385692 | 11 | 731 | The Wise Virgins Conversing | 1343 | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | ca. 1635 | 1630 | 1640 | 26137 | Sheet (trimmed): 9 in. × 12 13/16 in. (22.8 × 32.6 cm) | Purchase, Harris Brisbane Dick Fund, 1925 | 13 | http://www.metmuseum.org/art/collection/search/385692 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 257018 | 51.501.2296 | 0 | 1 | 385696 | 11 | 731 | The Wise Virgins before Christ | 1344 | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | ca. 1635 | 1630 | 1640 | 30388 | Sheet (trimmed): 9 5/16 × 12 5/8 in. (23.6 × 32.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/385696 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 257020 | 25.2.46 | 0 | 1 | 385698 | 11 | 731 | The Foolish Virgins Rejected | 1341 | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | ca. 1635 | 1630 | 1640 | 26137 | Sheet: 8 3/4 × 12 11/16 in. (22.2 × 32.2 cm) | Purchase, Harris Brisbane Dick Fund, 1925 | 13 | http://www.metmuseum.org/art/collection/search/385698 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 257026 | 25.2.47 | 0 | 1 | 385704 | 11 | 731 | The Wise Virgins Refuse Oil to the Foolish Virgins | 1343 | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | ca. 1635 | 1630 | 1640 | 6712 | Sheet (trimmed): 8 11/16 × 12 1/2 in. (22 × 31.8 cm) | Purchase, Harris Brisbane Dick Fund, 1925 | 13 | http://www.metmuseum.org/art/collection/search/385704 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 257032 | 25.2.44 | 0 | 1 | 385710 | 11 | 731 | The Foolish Virgins Conversing | 1344 | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | ca. 1635 | 1630 | 1640 | 26137 | Sheet (trimmed): 9 in. × 13 1/16 in. (22.8 × 33.1 cm) | Purchase, Harris Brisbane Dick Fund, 1925 | 13 | http://www.metmuseum.org/art/collection/search/385710 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 257280 | 17.50.15-144 | 0 | 1 | 385962 | 11 | 731 | David with the Head of Goliath | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1651 | 1651 | 1651 | 26137 | Sheet (trimmed): 7 1/2 × 5 3/8 in. (19 × 13.7 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/385962 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 257287 | 51.501.2295 | 0 | 1 | 385969 | 11 | 731 | Visiting the Sick | 1353 | 13 | After | Abraham Bosse|Anonymous | French, Tours 1602/1604–1676 Paris | 37171 | 2 | 1602 | 1676 | after 1635 | 1635 | 1700 | 7208 | Sheet (trimmed): 8 9/16 × 11 7/8 in. (21.7 × 30.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/385969 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 257292 | 51.501.2291 | 0 | 1 | 385974 | 11 | 731 | The Prodigal Son Leaves Home | 1350 | 13 | After | Anonymous|Abraham Bosse | French, Tours 1602/1604–1676 Paris | 37173 | 2 | 1602 | 1676 | ca. 1636 | 1631 | 1641 | 6712 | Sheet: 11 7/8 × 14 1/16 in. (30.1 × 35.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/385974 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 257408 | 66.555.41 | 0 | 1 | 386093 | 11 | 731 | The Foolish Virgins Conversing | 1344 | 13 | After | Abraham Aubry|Abraham Bosse | French, died 1682|French, Tours 1602/1604–1676 Paris | 37192 | 21 | 1602 | 1682 |1676 | mid to late 17th century | 1630 | 1682 | 6712 | Sheet: 11 3/16 x 13 3/4 in. (28.4 x 35 cm) Plate: 10 3/4 in. × 13 in. (27.3 × 33 cm) | Purchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1966 | 13 | http://www.metmuseum.org/art/collection/search/386093 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 257509 | 57.581.6 | 0 | 1 | 386194 | 11 | 731 | Frieze of Ornament with Clasped Hands and Anchor | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1625–76 | 1625 | 1676 | 26137 | Sheet (trimmed): 2 1/2 × 6 15/16 in. (6.3 × 17.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1957 | 13 | http://www.metmuseum.org/art/collection/search/386194 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 257510 | 51.501.2220 | 0 | 1 | 386195 | 11 | 731 | Sight | 333 | 710 | Abraham Bosse|Melchior Tavernier and François Langlois, Paris | French, Tours 1602/1604–1676 Paris | 25294 | 21 | 1602 | 1676 | 1635–38 | 1635 | 1638 | 26137 | Sheet: 10 3/16 × 12 13/16 in. (25.9 × 32.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/386195 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 257764 | 51.501.2282 | 0 | 1 | 386455 | 11 | 731 | Almanach for 1639: Louis XIII and Anne of Austria entrusting the Kingdom and the Heir Apparent to the Virgin | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1638 | 1638 | 1638 | 26137 | Sheet (trimmed): 14 1/16 × 10 1/2 in. (35.7 × 26.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/386455 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 257767 | 26.86.457 | 0 | 1 | 386458 | 11 | 731 | Title Page: Comedies of Terence (Publii Terentii Comoediae) | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1642 | 1642 | 1642 | 26137 | Sheet: 14 in. × 9 3/8 in. (35.6 × 23.8 cm) Plate: 12 7/16 × 8 7/8 in. (31.6 × 22.5 cm) | Gift of Junius S. Morgan, 1926 | 13 | http://www.metmuseum.org/art/collection/search/386458 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 257768 | 51.501.2283 | 0 | 1 | 386459 | 11 | 731 | Almanach for 1639: Louis XIII and Anne of Austria Entrusting the Kingdom and the Prince under the Protection of the Virgin | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1639 | 1639 | 1639 | 26137 | Sheet (trimmed): 7 7/8 × 16 3/8 in. (20 × 41.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/386459 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 258201 | 51.501.2279 | 0 | 1 | 386895 | 11 | 731 | Earth | 1377 | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1630 | 1630 | 1630 | 26137 | Sheet: 5 13/16 × 4 5/16 in. (14.8 × 10.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/386895 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 258211 | 51.501.2280 | 0 | 1 | 386905 | 11 | 731 | Fire | 1378 | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | ca. 1630 | 1625 | 1635 | 26137 | Sheet: 5 13/16 × 4 5/16 in. (14.8 × 11 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/386905 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 258213 | 51.501.2281 | 0 | 1 | 386907 | 11 | 731 | Water | 1377 | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | ca. 1630 | 1625 | 1635 | 26137 | Sheet (trimmed): 5 15/16 × 4 5/16 in. (15.1 × 11 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/386907 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 258232 | 51.501.2278 | 0 | 1 | 386926 | 11 | 731 | Air | 1377 | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1630 | 1630 | 1630 | 26137 | Sheet: 5 13/16 × 4 5/16 in. (14.7 × 10.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/386926 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 258755 | 62.600.86 | 0 | 1 | 387450 | 11 | 731 | A Man Seen from the Back Leaning on a Croquet Mallet | 1387 | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1629 | 1629 | 1629 | 29408 | Sheet: 5 3/8 × 3 11/16 in. (13.7 × 9.3 cm) | Purchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/387450 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 258865 | 60.634.18 | 0 | 1 | 387560 | 11 | 731 | Two Marauders | 1388 | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | mid to late 17th century | 1630 | 1676 | 26137 | Sheet: 7 5/16 x 4 1/2 in. (18.5 x 11.4 cm) Plate: 7 1/8 x 4 3/8 in. (18.1 x 11.1 cm) | Purchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 13 | http://www.metmuseum.org/art/collection/search/387560 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 258866 | 60.634.17 | 0 | 1 | 387561 | 11 | 731 | A Soldier on Duty | 1388 | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | mid to late 17th century | 1630 | 1676 | 26137 | Sheet: 7 3/8 x 4 7/16 in. (18.8 x 11.3 cm) Plate: 7 1/4 x 4 5/16 in. (18.4 x 10.9 cm) | Purchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 13 | http://www.metmuseum.org/art/collection/search/387561 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 258867 | 57.584.2 | 0 | 1 | 387562 | 11 | 731 | Frontispiece to Les Gardes Françaises | 1389 | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1632 | 1632 | 1632 | 41778 | Sheet (trimmed): 7 7/16 × 4 1/2 in. (18.9 × 11.5 cm) | Purchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1957 | 13 | http://www.metmuseum.org/art/collection/search/387562 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 258871 | 51.501.2284 | 0 | 1 | 387566 | 11 | 731 | The Joy of France | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1638 | 1638 | 1638 | 29783 | Sheet (trimmed): 10 13/16 × 13 1/8 in. (27.5 × 33.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387566 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 258881 | 57.584.1 | 0 | 1 | 387576 | 11 | 731 | Woman Holding a Fan | 1387 | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1629 | 1629 | 1629 | 29408 | Sheet (trimmed): 5 1/2 × 3 13/16 in. (14 × 9.7 cm) | Purchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1957 | 13 | http://www.metmuseum.org/art/collection/search/387576 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 258909 | 57.581.5 | 0 | 1 | 387604 | 11 | 731 | Minerva and the Arms of François Sublet de Noyers Painted by the Genius of Painting | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | mid to late 17th century | 1630 | 1676 | 29408 | Sheet (trimmed): 2 13/16 × 6 7/16 in. (7.2 × 16.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1957 | 13 | http://www.metmuseum.org/art/collection/search/387604 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 259041 | 51.501.2289 | 0 | 1 | 387738 | 11 | 731 | Return from the Christening | 414 | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1633 | 1633 | 1633 | 29408 | Sheet (trimmed): 10 5/16 × 13 1/4 in. (26.2 × 33.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/387738 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 259192 | 26.49.50 | 0 | 1 | 387890 | 11 | 731 | The Sculptor | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1642 | 1642 | 1642 | 26137 | Sheet (trimmed): 9 9/16 × 12 1/2 in. (24.3 × 31.7 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/387890 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 261166 | 26.49.52 | 0 | 1 | 389891 | 11 | 731 | The Intaglio Printers | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1642 | 1642 | 1642 | 26137 | Sheet (trimmed): 10 3/16 in. × 13 in. (25.8 × 33 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/389891 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 261167 | 51.501.2265 | 0 | 0 | 389892 | 11 | 731 | The Intaglio Printers | 2 | Abraham Bosse | French, Tours 1602/1604–1676 Paris | 18406 | 2 | 1602 | 1676 | 1642 | 1642 | 1642 | 26137 | Sheet (trimmed): 10 1/16 × 12 11/16 in. (25.5 × 32.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/389892 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 261453 | 51.501.2253 | 0 | 1 | 390180 | 11 | 731 | The Benediction at Table | 710 | Abraham Bosse|Jean Boisseau | French, Tours 1602/1604–1676 Paris | 38037 | 21 | 1602 | 1676 | ca. 1635 | 1630 | 1640 | 26137 | Sheet: 6 13/16 x 15 3/4 in. (17.3 x 40 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/390180 | 4/23/2018 8:00:01 AM | 1 |