Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 220527 | 1975.131.184 | 0 | 1 | 348061 | 11 | 23 | King Midas Feasting At The Arrival of Silenus | 1187 | Circle of|After | Peter Paul Rubens|Bernard Picart|Guglielmo della Porta | Flemish, Siegen 1577–1640 Antwerp|French, Paris 1673–1733 Amsterdam|Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome | (?) | 23326 | 1454 | 1577 |1673 |1500 | 1640 |1733 |1577 | late 17th–early 18th century | 1693 | 1733 | 34710 | sheet: 6 5/16 x 10 13/16 in. (16 x 27.5 cm) | Bequest of Harry G. Sperling, 1971 | 9 | http://www.metmuseum.org/art/collection/search/348061 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 220529 | 1975.131.185 | 0 | 1 | 348063 | 11 | 23 | Nymphs And Satyrs | 1187 | Circle of|After | Peter Paul Rubens|Bernard Picart|Guglielmo della Porta | Flemish, Siegen 1577–1640 Antwerp|French, Paris 1673–1733 Amsterdam|Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome | (?) | 23326 | 1454 | 1577 |1673 |1500 | 1640 |1733 |1577 | late 17th–early 18th century | 1693 | 1733 | 34710 | sheet: 6 5/16 x 10 13/16 in. (16.1 x 27.5 cm) | Bequest of Harry G. Sperling, 1971 | 9 | http://www.metmuseum.org/art/collection/search/348063 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 220544 | 1975.131.186 | 0 | 1 | 348079 | 11 | 23 | Dancing Nymphs in a Glade | 1187 | Circle of|After | Peter Paul Rubens|Bernard Picart|Guglielmo della Porta | Flemish, Siegen 1577–1640 Antwerp|French, Paris 1673–1733 Amsterdam|Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome | (?) | 23326 | 1454 | 1577 |1673 |1500 | 1640 |1733 |1577 | late 17th–early 18th century | 1693 | 1733 | 34713 | sheet: 6 5/16 x 10 13/16 in. (16.1 x 27.5 cm) | Bequest of Harry G. Sperling, 1971 | 9 | http://www.metmuseum.org/art/collection/search/348079 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 220546 | 1975.131.187 | 0 | 1 | 348081 | 11 | 23 | Feast of the Gods | 1187 | Circle of|After | Peter Paul Rubens|Bernard Picart|Guglielmo della Porta | Flemish, Siegen 1577–1640 Antwerp|French, Paris 1673–1733 Amsterdam|Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome | (?) | 23326 | 1454 | 1577 |1673 |1500 | 1640 |1733 |1577 | late 17th–early 18th century | 1693 | 1733 | 34714 | sheet: 6 5/16 x 10 3/4 in. (16 x 27.3 cm) | Bequest of Harry G. Sperling, 1971 | 9 | http://www.metmuseum.org/art/collection/search/348081 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 220548 | 1975.131.188 | 0 | 1 | 348083 | 11 | 23 | Fall of the Giants | 53 | Attributed to|Circle of|After | Peter Paul Rubens|Bernard Picart|Guglielmo della Porta | Flemish, Siegen 1577–1640 Antwerp|French, Paris 1673–1733 Amsterdam|Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome | (?) | 23326 | 1454 | 1577 |1673 |1500 | 1640 |1733 |1577 | late 17th–early 18th century | 1693 | 1733 | 34714 | sheet: 6 7/16 x 10 13/16 in. (16.4 x 27.5 cm) | Bequest of Harry G. Sperling, 1971 | 9 | http://www.metmuseum.org/art/collection/search/348083 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 220549 | 1975.131.189 | 0 | 1 | 348084 | 11 | 23 | Hunt of the Calydonian Boar | 1187 | Circle of|After | Peter Paul Rubens|Bernard Picart|Guglielmo della Porta | Flemish, Siegen 1577–1640 Antwerp|French, Paris 1673–1733 Amsterdam|Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome | (?) | 23326 | 1454 | 1577 |1673 |1500 | 1640 |1733 |1577 | late 17th–early 18th century | 1693 | 1733 | 34715 | sheet: 6 5/16 x 10 13/16 in. (16.1 x 27.5 cm) | Bequest of Harry G. Sperling, 1971 | 9 | http://www.metmuseum.org/art/collection/search/348084 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 220552 | 1975.131.190 | 0 | 1 | 348087 | 11 | 23 | Death of Niobe and Her Children | 1187 | Circle of|After | Peter Paul Rubens|Bernard Picart|Guglielmo della Porta | Flemish, Siegen 1577–1640 Antwerp|French, Paris 1673–1733 Amsterdam|Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome | (?) | 23326 | 1454 | 1577 |1673 |1500 | 1640 |1733 |1577 | late 17th–early 18th century | 1693 | 1733 | 34716 | sheet: 6 3/8 x 10 13/16 in. (16.2 x 27.5 cm) | Bequest of Harry G. Sperling, 1971 | 9 | http://www.metmuseum.org/art/collection/search/348087 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 220554 | 1975.131.191 | 0 | 1 | 348089 | 11 | 23 | Fight Between Perseus And Phineus in the Palace of Cephus | 1187 | Circle of|After | Peter Paul Rubens|Bernard Picart|Guglielmo della Porta | Flemish, Siegen 1577–1640 Antwerp|French, Paris 1673–1733 Amsterdam|Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome | (?) | 23326 | 1454 | 1577 |1673 |1500 | 1640 |1733 |1577 | late 17th–early 18th century | 1693 | 1733 | 34717 | sheet: 6 1/4 x 10 13/16 in. (15.9 x 27.5 cm) | Bequest of Harry G. Sperling, 1971 | 9 | http://www.metmuseum.org/art/collection/search/348089 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 271528 | 51.501.2600 | 0 | 1 | 400689 | 11 | 731 | Crucifixion | 867 | After | Robert van Audenaerde|François Collignon|Carlo Maratti | Flemish, Ghent 1663–1743 Ghent|French, Nancy ca. 1610–1687 Rome|Italian, Camerano 1625–1713 Rome | 40357 | 1454 | 1663 |1605 |1625 | 1743 |1687 |1713 | 1670–90 | 1670 | 1690 | 6712 | sheet: 21 7/8 x 15 15/16 in. (55.5 x 40.5 cm) plate: 10 3/16 x 6 11/16 in. (25.8 x 17 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/400689 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 297891 | 64.542.222 | 0 | 0 | 427615 | 11 | 731 | Vignette, Canto XVI, Stanza IX, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII. | 2086 | 723 | After | Emmanuel Jean de Ghendt|Charles Dominique Joseph Eisen|Ludovico Ariosto | Flemish, Saint Niklaas 1738–1815 Paris|French, Valenciennes 1720–1778 Brussels|Italian, Reggio Emilia 1474–1533 Ferrara | 42643 | 1454 | 1738 |1720 |1474 | 1815 |1778 |1533 | 1773–74 | 1773 | 1774 | 6712 | Sheet: 8 1/8 × 5 1/16 in. (20.6 × 12.8 cm) | Gift of Joseph Verner Reed, 1964 | 13 | http://www.metmuseum.org/art/collection/search/427615 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 297923 | 64.542.236 | 0 | 0 | 427647 | 11 | 731 | Vignette, Canto XXXII, Stanza LXVIII, from Orlando furioso di Ludovico Ariosto. Birmingham d'a Torchj. di G. Baskerville Per P. Molini Librajo dell. Academia. Reale è G. Molini. MDCCLXXIII. | 2086 | 723 | After | Emmanuel Jean de Ghendt|Charles Monnet|Ludovico Ariosto | Flemish, Saint Niklaas 1738–1815 Paris|French, Paris 1732–after 1808|Italian, Reggio Emilia 1474–1533 Ferrara | 42651 | 1454 | 1738 |1732 |1474 | 1815 |1832 |1533 | 1773–74 | 1773 | 1774 | 6712 | Sheet: 8 1/8 × 5 1/8 in. (20.6 × 13 cm) | Gift of Joseph Verner Reed, 1964 | 13 | http://www.metmuseum.org/art/collection/search/427647 | 4/23/2018 8:00:01 AM | 1 |