Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 208409 | 57.658.284 | 0 | 1 | 335772 | 11 | 23 | Pieta | 1187 | Formerly attributed to | Anonymous, German, 19th century|Anonymous, German, 17th century|Anonymous, German, 18th century | (?)|(?) | 18219 | 80 | 1800 |1600 |1700 | 1899 |1700 |1800 | 17th–18th century | 1600 | 1800 | 30074 | 5 1/2 x 4 1/8 in. (13.9 x 10.4 cm) | Gift of Harry G. Friedman, 1957 | 9 | http://www.metmuseum.org/art/collection/search/335772 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 208715 | 1998.264 | 0 | 1 | 336087 | 11 | 23 | Christ in Gethsemane | 1187 | After | Master of the Drapery Studies|Anonymous, German, 16th century|Hans Pleydenwurff | German, Strasbourg, ca. 1470–1500|German, died 1472 | 18335 | 80 | 1470 |1500 |1472 | 1500 |1600 |1472 | ca. 1490 | 1480 | 1500 | 25596 | 10 x 11 in. (25.4 x 27.9 cm) [margin irregular at top] | Purchase, Anne and Jean Bonna Gift, 1998 | 9 | http://www.metmuseum.org/art/collection/search/336087 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 210492 | 1989.41 | 0 | 1 | 337875 | 11 | 23 | The Body of Saint Catherine of Siena carried in Procession, after Francesco Vanni | 1187 | Formerly attributed to|After | Charles Joseph Natoire|Anonymous, French, 18th century|Ventura Salimbeni | French, Nîmes 1700–1777 Castel Gandolfo|Italian, Siena 1568–1613 Siena | 18858 | 891 | 1700 |1700 |1568 | 1777 |1800 |1613 | 18th century | 1700 | 1799 | 31251 | 12 11/16 x 9 9/16 in. (32.3 x 24.3 cm) | Gift of Carlos van Hasselt and Andrej Niewglowski, in memory of Lawrence Turcic, 1989 | 9 | http://www.metmuseum.org/art/collection/search/337875 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 220527 | 1975.131.184 | 0 | 1 | 348061 | 11 | 23 | King Midas Feasting At The Arrival of Silenus | 1187 | Circle of|After | Peter Paul Rubens|Bernard Picart|Guglielmo della Porta | Flemish, Siegen 1577–1640 Antwerp|French, Paris 1673–1733 Amsterdam|Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome | (?) | 23326 | 1454 | 1577 |1673 |1500 | 1640 |1733 |1577 | late 17th–early 18th century | 1693 | 1733 | 34710 | sheet: 6 5/16 x 10 13/16 in. (16 x 27.5 cm) | Bequest of Harry G. Sperling, 1971 | 9 | http://www.metmuseum.org/art/collection/search/348061 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 220529 | 1975.131.185 | 0 | 1 | 348063 | 11 | 23 | Nymphs And Satyrs | 1187 | Circle of|After | Peter Paul Rubens|Bernard Picart|Guglielmo della Porta | Flemish, Siegen 1577–1640 Antwerp|French, Paris 1673–1733 Amsterdam|Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome | (?) | 23326 | 1454 | 1577 |1673 |1500 | 1640 |1733 |1577 | late 17th–early 18th century | 1693 | 1733 | 34710 | sheet: 6 5/16 x 10 13/16 in. (16.1 x 27.5 cm) | Bequest of Harry G. Sperling, 1971 | 9 | http://www.metmuseum.org/art/collection/search/348063 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 220544 | 1975.131.186 | 0 | 1 | 348079 | 11 | 23 | Dancing Nymphs in a Glade | 1187 | Circle of|After | Peter Paul Rubens|Bernard Picart|Guglielmo della Porta | Flemish, Siegen 1577–1640 Antwerp|French, Paris 1673–1733 Amsterdam|Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome | (?) | 23326 | 1454 | 1577 |1673 |1500 | 1640 |1733 |1577 | late 17th–early 18th century | 1693 | 1733 | 34713 | sheet: 6 5/16 x 10 13/16 in. (16.1 x 27.5 cm) | Bequest of Harry G. Sperling, 1971 | 9 | http://www.metmuseum.org/art/collection/search/348079 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 220546 | 1975.131.187 | 0 | 1 | 348081 | 11 | 23 | Feast of the Gods | 1187 | Circle of|After | Peter Paul Rubens|Bernard Picart|Guglielmo della Porta | Flemish, Siegen 1577–1640 Antwerp|French, Paris 1673–1733 Amsterdam|Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome | (?) | 23326 | 1454 | 1577 |1673 |1500 | 1640 |1733 |1577 | late 17th–early 18th century | 1693 | 1733 | 34714 | sheet: 6 5/16 x 10 3/4 in. (16 x 27.3 cm) | Bequest of Harry G. Sperling, 1971 | 9 | http://www.metmuseum.org/art/collection/search/348081 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 220549 | 1975.131.189 | 0 | 1 | 348084 | 11 | 23 | Hunt of the Calydonian Boar | 1187 | Circle of|After | Peter Paul Rubens|Bernard Picart|Guglielmo della Porta | Flemish, Siegen 1577–1640 Antwerp|French, Paris 1673–1733 Amsterdam|Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome | (?) | 23326 | 1454 | 1577 |1673 |1500 | 1640 |1733 |1577 | late 17th–early 18th century | 1693 | 1733 | 34715 | sheet: 6 5/16 x 10 13/16 in. (16.1 x 27.5 cm) | Bequest of Harry G. Sperling, 1971 | 9 | http://www.metmuseum.org/art/collection/search/348084 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 220552 | 1975.131.190 | 0 | 1 | 348087 | 11 | 23 | Death of Niobe and Her Children | 1187 | Circle of|After | Peter Paul Rubens|Bernard Picart|Guglielmo della Porta | Flemish, Siegen 1577–1640 Antwerp|French, Paris 1673–1733 Amsterdam|Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome | (?) | 23326 | 1454 | 1577 |1673 |1500 | 1640 |1733 |1577 | late 17th–early 18th century | 1693 | 1733 | 34716 | sheet: 6 3/8 x 10 13/16 in. (16.2 x 27.5 cm) | Bequest of Harry G. Sperling, 1971 | 9 | http://www.metmuseum.org/art/collection/search/348087 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 220554 | 1975.131.191 | 0 | 1 | 348089 | 11 | 23 | Fight Between Perseus And Phineus in the Palace of Cephus | 1187 | Circle of|After | Peter Paul Rubens|Bernard Picart|Guglielmo della Porta | Flemish, Siegen 1577–1640 Antwerp|French, Paris 1673–1733 Amsterdam|Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome | (?) | 23326 | 1454 | 1577 |1673 |1500 | 1640 |1733 |1577 | late 17th–early 18th century | 1693 | 1733 | 34717 | sheet: 6 1/4 x 10 13/16 in. (15.9 x 27.5 cm) | Bequest of Harry G. Sperling, 1971 | 9 | http://www.metmuseum.org/art/collection/search/348089 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 234727 | 27.70.1 | 0 | 1 | 362485 | 11 | 23 | Vase of Flowers | 1187 | Formerly attributed to|After | Jean François Bony|Anonymous, French, 19th century|Jean-Baptiste Monnoyer | French, Givors 1760–1825 Paris|French, Lille 1636–1699 London | 31868 | 103 | 1760 |1800 |1636 | 1825 |1900 |1699 | 19th century | 1800 | 1899 | 37144 | 21 1/4 x 15 7/8 in. (54 x 40.4 cm) | Gift of H.A. Elsberg, 1927 | 9 | http://www.metmuseum.org/art/collection/search/362485 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239400 | 47.100.1287 | 0 | 1 | 367470 | 11 | 731 | Thetis Seated with a Triton | 1187 | Formerly attributed to|After | Giorgio Ghisi|Perino del Vaga (Pietro Buonaccorsi)|Anonymous, Italian?, 16th century | Italian, Mantua ca. 1520–1582 Mantua|Italian, Florence 1501–1547 Rome | 33113 | 145 | 1515 |1501 |1500 | 1582 |1547 |1600 | 1520 | 1582 | 7208 | sheet: 9 3/16 x 6 1/8 in. (23.3 x 15.5 cm) borderline | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/367470 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 239689 | 26.50.1(76) | 0 | 1 | 367769 | 11 | 731 | Thetis Seated with a Triton | 1187 | Formerly attributed to|After | Giorgio Ghisi|Perino del Vaga (Pietro Buonaccorsi)|Anonymous, Italian?, 16th century | Italian, Mantua ca. 1520–1582 Mantua|Italian, Florence 1501–1547 Rome | 33113 | 145 | 1515 |1501 |1500 | 1582 |1547 |1600 | 16th century | 1500 | 1599 | 7208 | plate: 9 13/16 x 6 1/2 in. (25 x 16.5 cm) platemark sheet: 16 x 10 3/4 in. (40.7 x 27.3 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/367769 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239690 | 26.50.1(77) | 0 | 1 | 367770 | 11 | 731 | Thetis Standing with Two Tritons | 1187 | Formerly attributed to|After | Giorgio Ghisi|Perino del Vaga (Pietro Buonaccorsi)|Anonymous, Italian?, 16th century | Italian, Mantua ca. 1520–1582 Mantua|Italian, Florence 1501–1547 Rome | 33113 | 145 | 1515 |1501 |1500 | 1582 |1547 |1600 | 1550 | 1600 | 7208 | plate: 9 5/16 x 6 3/8 in. (23.7 x 16.2 cm) platemark sheet: 16 x 10 7/8 in. (40.7 x 27.6 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/367770 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 239691 | 47.100.712 | 0 | 1 | 367771 | 11 | 731 | Thetis Standing with Two Tritons | 1187 | Formerly attributed to|After | Giorgio Ghisi|Perino del Vaga (Pietro Buonaccorsi)|Anonymous, Italian?, 16th century | Italian, Mantua ca. 1520–1582 Mantua|Italian, Florence 1501–1547 Rome | 33113 | 145 | 1515 |1501 |1500 | 1582 |1547 |1600 | 1550 | 1600 | 7208 | sheet: 8 7/8 x 6 1/16 in. (22.5 x 15.4 cm) borderline | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/367771 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 239692 | 26.50.1(78) | 0 | 1 | 367772 | 11 | 731 | Neptune Seated Blowing a Conch Shell | 1187 | Formerly attributed to|After | Giorgio Ghisi|Perino del Vaga (Pietro Buonaccorsi)|Anonymous, 16th century | Italian, Mantua ca. 1520–1582 Mantua|Italian, Florence 1501–1547 Rome | 33187 | 93 | 1515 |1501 |1500 | 1582 |1547 |1600 | 16th century | 1500 | 1599 | 7208 | plate: 9 3/16 x 6 3/8 in. (23.4 x 16.2 cm) platemark sheet: 16 1/16 x 10 7/8 in. (40.8 x 27.6 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/367772 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239693 | 26.50.1(79) | 0 | 1 | 367773 | 11 | 731 | Neptune Between Two Sea Horses | 1187 | After | Giorgio Ghisi|Perino del Vaga (Pietro Buonaccorsi)|Anonymous, Italian?, 16th century | Italian, Mantua ca. 1520–1582 Mantua|Italian, Florence 1501–1547 Rome | 33113 | 145 | 1515 |1501 |1500 | 1582 |1547 |1600 | ca. 1560–80 | 1560 | 1580 | 7208 | plate: 9 9/16 x 6 1/4 in. (24.3 x 15.9 cm) platemark sheet: 16 1/16 x 10 7/8 in. (40.8 x 27.6 cm) | Harris Brisbane Dick Fund, 1926 | 13 | http://www.metmuseum.org/art/collection/search/367773 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239694 | 49.97.470 | 0 | 1 | 367774 | 11 | 731 | The Triumph of Bacchus | 1187 | Formerly attributed to|After | Giorgio Ghisi|Perino del Vaga (Pietro Buonaccorsi)|Anonymous, Italian?, 16th century | Italian, Mantua ca. 1520–1582 Mantua|Italian, Florence 1501–1547 Rome | 33113 | 145 | 1515 |1501 |1500 | 1582 |1547 |1600 | 16th century | 1500 | 1599 | 7208 | sheet: 7 3/4 x 10 1/8 in. (19.7 x 25.7 cm) trimmed to oval | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/367774 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239695 | 51.501.620 | 0 | 1 | 367775 | 11 | 731 | The Triumph of Bacchus | 1187 | Formerly attributed to|After | Giorgio Ghisi|Perino del Vaga (Pietro Buonaccorsi)|Anonymous, Italian?, 16th century | Italian, Mantua ca. 1520–1582 Mantua|Italian, Florence 1501–1547 Rome | 33113 | 145 | 1515 |1501 |1500 | 1582 |1547 |1600 | 16th century | 1550 | 1600 | 7208 | sheet: 7 3/4 x 10 3/8 in. (19.7 x 26.4 cm) trimmed to oval | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/367775 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239736 | 24.63.1107 | 0 | 1 | 367818 | 11 | 731 | The Prison | 1187 | Formerly attributed to|After | Giorgio Ghisi|Giulio Romano|Anonymous, Italian, 16th century | Italian, Mantua ca. 1520–1582 Mantua|Italian, Rome 1499?–1546 Mantua | 33203 | 145 | 1515 |1499 |1500 | 1582 |1546 |1600 | 16th century | 1500 | 1599 | 7208 | sheet: 10 5/8 x 16 5/16 in. (27 x 41.5 cm) borderline | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/367818 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 239737 | 17.50.16-112 | 0 | 1 | 367819 | 11 | 731 | The Prison | 1187 | Formerly attributed to|After | Giorgio Ghisi|Giulio Romano|Anonymous | Italian, Mantua ca. 1520–1582 Mantua|Italian, Rome 1499?–1546 Mantua | 33204 | 93 | 1515 |1499 | 1582 |1546 | n.d. | 1500 | 1700 | 7208 | sheet: 10 11/16 x 16 3/8 in. (27.1 x 41.6 cm) borderline | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/367819 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 242610 | 41.72(2.81) | 0 | 1 | 370774 | 11 | 731 | Speculum Romanae Magnificentiae: Pan Teaching the Young Olympus to Play the Flute | 159 | 1187 | Formerly attributed to|After | Enea Vico|Battista Franco|Anonymous | Italian, Parma 1523–1567 Ferrara|Italian, Venice ca. 1510–1561 Venice | 33906 | 93 | 1523 |1510 | 1567 |1561 | ca. 1540–80 | 1535 | 1585 | 7208 | mount: 17 5/16 x 12 5/8 in. (44 x 32 cm) sheet: 14 x 9 13/16 in. (35.5 x 25 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/370774 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 242611 | 41.72(2.59) | 0 | 1 | 370775 | 11 | 731 | Speculum Romanae Magnificentiae: Venus and Eros | 159 | 1187 | Formerly attributed to|After (?) | Enea Vico|Battista Franco|Anonymous, Italian, 16th century | Italian, Parma 1523–1567 Ferrara|Italian, Venice ca. 1510–1561 Venice | 33907 | 145 | 1523 |1510 |1500 | 1567 |1561 |1600 | 1561 | 1561 | 1561 | 7208 | plate: 16 9/16 x 11 1/4 in. (42 x 28.6 cm) sheet: 19 5/16 x 13 9/16 in. (49 x 34.5 cm) | Rogers Fund, Transferred from the Library, 1941 | 13 | http://www.metmuseum.org/art/collection/search/370775 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 243459 | 17.50.16-163 | 0 | 1 | 371659 | 11 | 731 | John the Baptist in the Wilderness | 1187 | Formerly attributed to|Principal figure after fresco by | Battista Franco|Giulio Sanuto|Daniele da Volterra (Daniele Ricciarelli) | Italian, Venice ca. 1510–1561 Venice|Italian, active 1540–88|Italian, Volterra 1509–1566 Rome | 34175 | 145 | 1510 |1540 |1509 | 1561 |1588 |1566 | ca. 1545–55 | 1540 | 1560 | 7208 | sheet: 15 3/16 x 12 1/16 in. (38.5 x 30.7 cm) trimmed to platemark | Purchase, Joseph Pulitzer Bequest, 1917 | 13 | http://www.metmuseum.org/art/collection/search/371659 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 253937 | 2008.495 | 0 | 1 | 382518 | 11 | 23 | 'The law of the leper in the day of his cleansing' | 1187 | Border design attributed to | Matthias Scheits|Johann Melchior Füssli|Johann Daniel Preissler | German, Hamburg ca. 1625–ca. 1700 Hamburg|Swiss, Zurich 1677–1736 Zurich|German, Nuremberg 1666–1737 Nuremberg | 36282 | 993 | 1625 |1677 |1666 | 1700 |1677 |1737 | ca. 1730 | 1730 | 1730 | 40679 | sheet: 11 1/2 x 7 7/8 in. (29.2 x 20 cm) | Harry G. Sperling Fund, 2008 | 9 | http://www.metmuseum.org/art/collection/search/382518 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 255945 | 49.19.18 | 0 | 1 | 384616 | 11 | 23 | Design for the Tomb of Christophe de Thou (d. 1582) | 1187 | Formerly attributed to workshop of | Jacques Androuet Du Cerceau|Anonymous, French, 16th century|Barthélemy Prieur | French, Paris 1510/12–1585 Annecy|French, Berzieux ca. 1536–1611 Paris | 36801 | 103 | 1510 |1500 |1536 | 1585 |1600 |1611 | 16th century | 1500 | 1599 | 28967 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 9 | http://www.metmuseum.org/art/collection/search/384616 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 259538 | 53.601.339(26) | 0 | 1 | 388237 | 11 | 731 | A Peasant Yawning | 1187 | Formerly attributed to|After | Lucas Vorsterman I|Pieter Bruegel the Elder|Anonymous, Flemish, 17th century | Flemish, Zaltbommel 1595–1675 Antwerp|Netherlandish, Breda (?) ca. 1525–1569 Brussels | 37520 | 1737 | 1595 |1525 |1600 | 1675 |1569 |1700 | 1600 | 1700 | 7208 | sheet: 7 11/16 x 8 1/16 in. (19.5 x 20.4 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/388237 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 265517 | 2010.526 | 0 | 1 | 394484 | 11 | 23 | The Arch of Septimius Severus Seen from the East | 1187 | Formerly attributed to|After | Bartholomeus Breenbergh|Jan Brueghel the Elder|Matthijs Bril the Younger | Dutch, Deventer 1598–1657 Amsterdam|Netherlandish, Brussels 1568–1625 Antwerp|Netherlandish, Antwerp 1550–1583 Rome | 38938 | 1687 | 1598 |1568 |1550 | 1657 |1625 |1550 | ca. 1594 | 1594 | 1594 | 25596 | sheet: 7 3/4 x 10 9/16 in. (19.7 x 26.8 cm) | Frits and Rita Markus Fund, 2010 | 9 | http://www.metmuseum.org/art/collection/search/394484 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 275348 | 59.600.243 | 0 | 1 | 404523 | 11 | 731 | Thetis Standing with Two Tritons | 1187 | Formerly attributed to|After | Giorgio Ghisi|Perino del Vaga (Pietro Buonaccorsi)|Anonymous, Italian?, 16th century | Italian, Mantua ca. 1520–1582 Mantua|Italian, Florence 1501–1547 Rome | 33113 | 145 | 1515 |1501 |1500 | 1582 |1547 |1600 | 1550 | 1600 | 7208 | plate: 9 5/16 x 6 3/8 in. (23.7 x 16.2 cm); trimmed to plate | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/404523 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 293100 | 67.797.34 | 0 | 0 | 422435 | 11 | 731 | Adam and Eve (Labour: When Adam Delved and Eve Span, Who Was Then the Gentleman?) | 1187 | After | Walter Crane|Sir Edward Burne-Jones|Carl Hentschel | British, Liverpool 1845–1915 Horsham|British, Birmingham 1833–1898 Fulham|British, active 1890s | 41905 | 178 | 1845 |1833 |1850 | 1915 |1898 |1920 | 1895 or later | 1895 | 1895 | 43923 | Image: 13 3/8 × 11 7/16 in. (34 × 29 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | 13 | http://www.metmuseum.org/art/collection/search/422435 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 298872 | 2014.103 | 0 | 1 | 428608 | 11 | 23 | A Personification of Charity Seated on a Cloud, Surrounded by Putti | 1187 | Attributed to | Friedrich Sustris|Monogrammist HSK|Hans Krumpper | Netherlandish (possibly born Italy), Venice (?) ca. 1540–1599 Munich|German, active ca. 1590–1600|German, Weilheim ca. 1570–1643 Munich | 42789 | 3325 | 1535 |1590 |1570 | 1599 |1600 |1643 | ca. 1590–1600 | 1585 | 1605 | 44161 | Sheet: 7 1/4 × 9 1/4 in. (18.4 × 23.5 cm) | Purchase, Daniel Ergmann Gift, 2014 | 9 | http://www.metmuseum.org/art/collection/search/428608 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 321436 | 1975.1.315 | 0 | 1 | 459405 | 16 | 23 | Female Nude (Danaë) | 1187 | Probably|or | Annibale Carracci|French|Unknown | Italian, Bologna 1560–1609 Rome|Italian, Ferrara | 44438 | 148 | 1560 | 1609 | late 17th century | 1670 | 1699 | 29155 | 11 15/16 x 8 9/16 in. (30.4 x 21.7 cm) | Robert Lehman Collection, 1975 | 9 | http://www.metmuseum.org/art/collection/search/459405 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458356 | 47.100.320 | 0 | 0 | 774515 | 11 | 731 | Ganymede riding on the back of Jupiter as an eagle | 1187 | After|After | Titian (Tiziano Vecellio)|Domenico Cunego|Damiano Mazza | Italian, Pieve di Cadore ca. 1485/90?–1576 Venice|Italian, Verona 1727–1803 Rome|Italian, active Venice, ca. 1573 | 58820 | 1485 |1727 |1550 | 1576 |1803 |1600 | 1770 | 1770 | 1770 | 7208 | Plate: 9 3/8 × 8 11/16 in. (23.8 × 22 cm) Sheet: 15 3/8 × 11 1/4 in. (39.1 × 28.5 cm) | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/774515 | 4/23/2018 8:00:01 AM | 1 |