Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 464360 | 1970.541.119 | 0 | 0 | 786821 | 11 | 731 | The Arch Duchess Maria Louisa Going to Take Her Nap | 3044 | 6090 | Thomas Tegg|Napoléon Bonaparte|Thomas Rowlandson|Empress Marie Louise of France | British, 1776–1846|French, Ajaccio 1769–1821 St. Helena|British, London 1757–1827 London|1791–1847 | ? | 59247 | 1776 |1769 |1757 |1791 | 1846 |1821 |1827 |1847 | April 12, 1810 | 1810 | 1810 | 34862 | Plate: 13 11/16 × 9 5/8 in. (34.8 × 24.5 cm) Sheet: 16 1/8 × 10 3/8 in. (41 × 26.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | 13 | http://www.metmuseum.org/art/collection/search/786821 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 464359 | 59.533.1352 | 0 | 0 | 786815 | 11 | 731 | The Rising Sun; Or, A View of the Continent | 6089 | After | Francis II, Holy Roman Emperor|Thomas Rowlandson|Tsar Alexander I|Napoléon Bonaparte|Frederick William III, King of Prussia|G. Sauley [Farnham]|Gustav IV Adolf, King of Sweden|Rudolph Ackermann, London | Austrian, Florence 1768–1835 Vienna|British, London 1757–1827 London|Russian, 1777–1825|French, Ajaccio 1769–1821 St. Helena|British, active 1805–8|Swedish, Stockholm 1792–1837 St. Gallen|active 1794–1829 | 59246 | 1768 |1757 |1777 |1769 |1797 |1750 |1792 |1764 | 1835 |1827 |1825 |1821 |1840 |1850 |1837 |1834 | August 28, 1810 | 1810 | 1810 | 34862 | Sheet: 12 in. × 13 3/8 in. (30.5 × 34 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 14 | 13 | http://www.metmuseum.org/art/collection/search/786815 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 464143 | 59.533.1291 | 0 | 0 | 786160 | 11 | 731 | Boneys Broken Bridge | 6086 | Archduke Karl Duke of Teschen|Rudolph Ackermann, London|Napoléon Bonaparte|Thomas Rowlandson | Austrian, 1771–1847|active 1794–1829|French, Ajaccio 1769–1821 St. Helena|British, London 1757–1827 London | 59219 | 1771 |1764 |1769 |1757 | 1847 |1834 |1821 |1827 | June 12, 1809 | 1809 | 1809 | 34862 | Sheet: 10 in. × 14 1/8 in. (25.4 × 35.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 14 | 13 | http://www.metmuseum.org/art/collection/search/786160 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 464049 | 38.145.401 | 0 | 0 | 785977 | 11 | 27084 | Letter to Miss Catherine Hutton with a self-portrait silhouette | 6085 | Catherine Hutton|Auguste Edouart | British, Birmingham 1756–1846 Birmingham|French, 1789–1861 | 59212 | 1756 |1789 | 1846 |1861 | 1838 | 1838 | 1838 | 63869 | Image: 6 3/8 × 6 1/8 in. (16.2 × 15.5 cm) Sheet (Folded): 9 1/2 × 8 3/8 in. (24.2 × 21.3 cm) Sheet (Open): 9 1/2 × 15 7/8 in. (24.2 × 40.3 cm) | Bequest of Mary Martin, 1938 | 676 | http://www.metmuseum.org/art/collection/search/785977 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 463776 | 53.600.158(2) | 0 | 0 | 784928 | 11 | 731 | Faith | 6084 | After|After a drawing by | John Boydell|Sir Joshua Reynolds|John Oglander|Georg Siegmund Facius|Josiah Boydell|Johann Gottlieb Facius | British, Shropshire 1720–1804 London|British, Plympton 1723–1792 London|British, ca. 1737–1794|German, Regensburg, ca. 1750–ca. 1813 (active London)|British, Hawarden, Flintshire 1752–1817 Middlesex|German, 1750–1802 | 59207 | 1720 |1723 |1737 |1745 |1752 |1750 | 1804 |1792 |1794 |1813 |1817 |1802 | November 1, 1781 | 1781 | 1781 | 37906 | Sheet (trimmed to plate): 19 3/16 × 11 13/16 in. (48.8 × 30 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/784928 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 463775 | 53.600.158(7) | 0 | 0 | 784927 | 11 | 731 | Prudence | 6083 | After a drawing by|After | John Boydell|Johann Gottlieb Facius|Josiah Boydell|John Oglander|Georg Siegmund Facius|Sir Joshua Reynolds | British, Shropshire 1720–1804 London|German, 1750–1802|British, Hawarden, Flintshire 1752–1817 Middlesex|British, ca. 1737–1794|German, Regensburg, ca. 1750–ca. 1813 (active London)|British, Plympton 1723–1792 London | 59206 | 1720 |1750 |1752 |1737 |1745 |1723 | 1804 |1802 |1817 |1794 |1813 |1792 | June 1, 1782 | 1782 | 1782 | 37906 | Sheet (trimmed to plate): 19 5/16 × 11 3/4 in. (49 × 29.8 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/784927 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 463774 | 53.600.158(6) | 0 | 0 | 784926 | 11 | 731 | Justice | 6082 | After a drawing by|After | Josiah Boydell|Sir Joshua Reynolds|Georg Siegmund Facius|Johann Gottlieb Facius|John Oglander|John Boydell | British, Hawarden, Flintshire 1752–1817 Middlesex|British, Plympton 1723–1792 London|German, Regensburg, ca. 1750–ca. 1813 (active London)|German, 1750–1802|British, ca. 1737–1794|British, Shropshire 1720–1804 London | 59205 | 1752 |1723 |1745 |1750 |1737 |1720 | 1817 |1792 |1813 |1802 |1794 |1804 | June 1, 1782 | 1782 | 1782 | 37906 | Sheet (trimmed to plate): 19 3/16 × 11 11/16 in. (48.8 × 29.7 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/784926 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 463773 | 53.600.158(4) | 0 | 0 | 784925 | 11 | 731 | Fortitude | 6081 | After|After a drawing by | John Oglander|Sir Joshua Reynolds|Josiah Boydell|Johann Gottlieb Facius|Georg Siegmund Facius|John Boydell | British, ca. 1737–1794|British, Plympton 1723–1792 London|British, Hawarden, Flintshire 1752–1817 Middlesex|German, 1750–1802|German, Regensburg, ca. 1750–ca. 1813 (active London)|British, Shropshire 1720–1804 London | 59204 | 1737 |1723 |1752 |1750 |1745 |1720 | 1794 |1792 |1817 |1802 |1813 |1804 | June 1, 1782 | 1782 | 1782 | 37906 | Sheet (trimmed to plate): 19 7/16 × 11 3/4 in. (49.4 × 29.8 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/784925 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 463771 | 53.600.158(5) | 0 | 0 | 784923 | 11 | 731 | Temperance | 6080 | After a drawing by|After | John Boydell|Josiah Boydell|Johann Gottlieb Facius|Georg Siegmund Facius|John Oglander|Sir Joshua Reynolds | British, Shropshire 1720–1804 London|British, Hawarden, Flintshire 1752–1817 Middlesex|German, 1750–1802|German, Regensburg, ca. 1750–ca. 1813 (active London)|British, ca. 1737–1794|British, Plympton 1723–1792 London | 59203 | 1720 |1752 |1750 |1745 |1737 |1723 | 1804 |1817 |1802 |1813 |1794 |1792 | June 1, 1782 | 1782 | 1782 | 37906 | Sheet (trimmed to plate): 19 3/16 × 11 3/4 in. (48.8 × 29.8 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/784923 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 463768 | 53.600.158(3) | 0 | 0 | 784920 | 11 | 731 | Hope | 6079 | After|After a drawing by | John Boydell|John Oglander|Sir Joshua Reynolds|Georg Siegmund Facius|Johann Gottlieb Facius|Josiah Boydell | British, Shropshire 1720–1804 London|British, ca. 1737–1794|British, Plympton 1723–1792 London|German, Regensburg, ca. 1750–ca. 1813 (active London)|German, 1750–1802|British, Hawarden, Flintshire 1752–1817 Middlesex | 59202 | 1720 |1737 |1723 |1745 |1750 |1752 | 1804 |1794 |1792 |1813 |1802 |1817 | November 1, 1781 | 1781 | 1781 | 37906 | Sheet (trimmed to plate): 19 5/16 × 11 15/16 in. (49 × 30.4 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/784920 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 461983 | 63.550.300 | 0 | 0 | 779646 | 11 | 731 | View of the Houses of Parliament and Government Offices, City of Toronto, U.C. [Upper Canada] | 6078 | Drawn on stone by|Printed and published by|After | William K. Hewitt|Nathaniel Currier|Thomas Young | American, 19th century|American, Roxbury, Massachusetts 1813–1888 New York | 59048 | 1850 |1813 |1805 | 1950 |1888 |1860 | 1836 | 1836 | 1836 | 3394 | Image: 11 3/4 × 17 13/16 in. (29.8 × 45.2 cm) Image with text: 14 9/16 × 17 13/16 in. (37 × 45.2 cm) Sheet: 17 15/16 × 23 7/16 in. (45.5 × 59.6 cm) | Bequest of Adele S. Colgate, 1962 | 13 | http://www.metmuseum.org/art/collection/search/779646 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 461557 | 47.91.9 | 0 | 0 | 779184 | 11 | 731 | Trade card of Charles Legg, Coach, House and Sign Painting, Bishopsgate London | 6077 | Charles Legg|Jeremiah Evans | British, active London, ca. 1740–1760|British, active London and Liverpool, 1753-85 | 59037 | 1750 | 1790 | before 1757 | 1750 | 1757 | 7208 | Sheet: 5 1/2 × 7 5/16 in. (14 × 18.6 cm) | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/779184 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 461559 | 47.91.4 | 0 | 0 | 779188 | 11 | 731 | Trade card of James Lambert, Coach and Sign Painting, Lewes (near Brighton) | 6077 | James Lambert Jr|Butler Clowes | British, Lewes 1741–1799 Lewes|British, active London ca. 1760–1782 | 59039 | 1682 | 1782 | ca. 1760–70 | 1755 | 1765 | 26137 | Sheet: 6 3/8 × 6 9/16 in. (16.2 × 16.7 cm) Plate: 5 9/16 × 5 3/4 in. (14.2 × 14.6 cm) | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/779188 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 460804 | 58.549.13 | 0 | 0 | 778177 | 11 | 731 | Henry Stuart, Lord Darnley, King of Scotland, ob. 1567 | 6075 | Related author|After | Henry Stuart, Lord Darnley|Edmund Lodge|Hans Eworth|John Henry Robinson | British, Yorkshire 1545/46–1567 Edinburgh|British, London 1756–1839 London|Flemish, ca. 1520–1574|British, Bolton, Lancashire 1796–1871 Petworth, Sussex | 59026 | 1545 |1756 |1520 |1796 | 1567 |1839 |1574 |1871 | 1830 | 1830 | 1830 | 37022 | Sheet: 6 15/16 × 3 7/8 in. (17.7 × 9.9 cm) | Gift of Susan Dwight Bliss, 1958 | 13 | http://www.metmuseum.org/art/collection/search/778177 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 460797 | 17.3.756–1273(2) | 0 | 0 | 778168 | 11 | 731 | Patronized by the Royal Family, The Smallest Man & Woman in the World! Are Just Arrived, and to be Seen at 125, opposite Exeter-Change, Strand | 6074 | Nannette Stocker|T. Romney, London|Jean Hauptmann | Austrian, Kammer 1781–1819 Birmingham|German, born Ringendorff, Bas-Rhin 1782 (?), active to 1819 | 59022 | 1781 |1815 |1782 | 1819 |1818 |1819 | 1817–18 | 1817 | 1818 | 26071 | Sheet: 8 11/16 × 5 1/2 in. (22 × 14 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/778168 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 460796 | 17.3.756–1273(1) | 0 | 0 | 778167 | 11 | 731 | Nannette Stocker and Jean Hauptmann | 6073 | Nannette Stocker|Anonymous, German, 19th century|Jean Hauptmann | Austrian, Kammer 1781–1819 Birmingham|German, born Ringendorff, Bas-Rhin 1782 (?), active to 1819 | 59021 | 1781 |1800 |1782 | 1819 |1899 |1819 | ca. 1802 | 1797 | 1807 | 28935 | Sheet (trimmed): 6 7/16 × 4 1/4 in. (16.4 × 10.8 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/778167 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 460791 | 17.3.756–1376 | 0 | 0 | 778162 | 11 | 731 | Christopher Lee Sugg, Professor of Internal Elocution | 6072 | Christopher Lee Sugg|William Mathews | British, 1746–1831 Newport, Isle of Wight|British, ca. 1746–1830 | 59016 | 1746 |1746 | 1831 |1830 | before 1830 | 1800 | 1830 | 28935 | Sheet: 10 3/8 in. × 8 in. (26.4 × 20.3 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/778162 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 460634 | 49.50.407(24) | 0 | 0 | 777871 | 11 | 731 | Castle and Farm on either side of a Sluice | 6071 | Claes Jansz. Visscher|Jan van de Velde II | Dutch, Amsterdam 1586–1652 Amsterdam|Dutch, Rotterdam or Delft ca. 1593–1641 Enkhuizen | 58986 | 1586 |1593 | 1652 |1641 | 1613–41 | 1613 | 1641 | 6712 | Sheet: 6 9/16 × 9 1/8 in. (16.7 × 23.2 cm) Plate: 4 7/16 × 8 11/16 in. (11.3 × 22 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/777871 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 460635 | 49.50.407(25) | 0 | 0 | 777872 | 11 | 731 | Road along a Country Road | 6071 | Claes Jansz. Visscher|Jan van de Velde II | Dutch, Amsterdam 1586–1652 Amsterdam|Dutch, Rotterdam or Delft ca. 1593–1641 Enkhuizen | 58986 | 1586 |1593 | 1652 |1641 | 1613–41 | 1613 | 1641 | 6712 | Sheet: 6 9/16 × 9 3/16 in. (16.7 × 23.3 cm) Plate: 4 1/2 × 8 3/4 in. (11.5 × 22.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 13 | http://www.metmuseum.org/art/collection/search/777872 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 460540 | 24.66.367(9) | 0 | 0 | 777758 | 11 | 13880 | Transactions of the Horticultural Society, London, Second Series, Vol. 2 | 6070 | After|After|Sold by | William Say|Augusta Innes Withers|W. Nichol|Sarah Anne Drake|Horticultural Society of London|Hatchard|George Barclay | British, Lakenham, near Norwich 1768–1834 London|British, Gloucestershire 1792–1877 London|London|British, Skeyton, Norfolk 1803–1857|London|British, active 1830–72 | 58972 | 1768 |1792 |1800 |1803 |1861 |1797 |1830 | 1834 |1877 |1900 |1857 |2100 |2050 |1872 | 1842 | 1842 | 1842 | 63780 | 12 3/16 x 9 1/4 in. (31 x 23.5 cm) | Harris Brisbane Dick Fund, 1924 | 698 | http://www.metmuseum.org/art/collection/search/777758 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 460539 | 24.66.367(8a-g) | 0 | 0 | 777757 | 11 | 13880 | Transactions of the Horticultural Society, London, Second Series, vol. 1 | 6069 | After|Sold by|After|After|After|After | Augusta Innes Withers|W. Nichol|Horticultural Society of London|Hatchard|Joseph Wilson Lowry|Lady Charlotte Rouse-Boughton|J. Clark|S. Watts|William Beattie Booth|Sarah Anne Drake|William Jackson Hooker | British, Gloucestershire 1792–1877 London|London|London|British, Middlesex 1803–1879 London|British, ca. 1801–1843|British, active 1825–35|British, active 1825–35|British, 1804?–1874|British, Skeyton, Norfolk 1803–1857|British, London 1779–1832 Kew | 58971 | 1792 |1800 |1861 |1797 |1803 |1801 |1825 |1825 |1804 |1803 |1779 | 1877 |1900 |2100 |2050 |1879 |1843 |1835 |1835 |1874 |1857 |1832 | 1835 | 1835 | 1835 | 63779 | 12 3/16 x 9 1/4 in. (31 x 23.5 cm) | Harris Brisbane Dick Fund, 1924 | 698 | http://www.metmuseum.org/art/collection/search/777757 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 460538 | 24.66.367(7a-e) | 0 | 0 | 777756 | 11 | 13880 | Transactions of the Horticultural Society, London, vol. 7 | 6068 | After|After|Text and design by|Text and design by|Sold by | W. Nichol|Augusta Innes Withers|Charles John Robertson|William Clark|William Beattie Booth|Joseph Wilson Lowry|Thomas Tredgold|Horticultural Society of London|Hatchard|J. Clark | London|British, Gloucestershire 1792–1877 London|British, 1798–1830|British, active 1820–40|British, 1804?–1874|British, Middlesex 1803–1879 London|British, Brandon, County Durham 1788–1829 London|London|British, active 1825–35 | , and other bookseller | 58970 | 1800 |1792 |1798 |1820 |1804 |1803 |1788 |1861 |1797 |1825 | 1900 |1877 |1830 |1840 |1874 |1879 |1829 |2100 |2050 |1835 | 1830 | 1830 | 1830 | 63778 | 12 3/16 x 9 1/4 in. (31 x 23.5 cm) | Harris Brisbane Dick Fund, 1924 | 698 | http://www.metmuseum.org/art/collection/search/777756 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 460537 | 24.66.367(6) | 0 | 1 | 777755 | 11 | 13880 | Transactions of the Horticultural Society, London, vol. 6 | 6067 | After|After|After | W. Nichol|William Clark|William Say|Augusta Innes Withers|Joseph Wilson Lowry|Frederick James Havell|Charles John Robertson|Horticultural Society of London | London|British, active 1820–40|British, Lakenham, near Norwich 1768–1834 London|British, Gloucestershire 1792–1877 London|British, Middlesex 1803–1879 London|British, 1801–1840|British, 1798–1830 | 58969 | 1800 |1820 |1768 |1792 |1803 |1801 |1798 |1861 | 1900 |1840 |1834 |1877 |1879 |1840 |1830 |2100 | 1826 | 1826 | 1826 | 43192 | 12 3/16 x 9 1/4 in. (31 x 23.5 cm) | Harris Brisbane Dick Fund, 1924 | 698 | http://www.metmuseum.org/art/collection/search/777755 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 460536 | 24.66.367(5) | 0 | 1 | 777754 | 11 | 13880 | Transactions of the Horticultural Society, London, vol. 5 | 6066 | After|After|Author and designer|After | W. Nichol|William Say|Augusta Innes Withers|William Jackson Hooker|E. D. Smith|Wilson Lowry|Thomas Tredgold|Horticultural Society of London|Charles Fox|Barbara Cotton|Charles John Robertson | London|British, Lakenham, near Norwich 1768–1834 London|British, Gloucestershire 1792–1877 London|British, London 1779–1832 Kew|British, active 1820s|British, Whitehaven, Cumbria 1762–1824 London|British, Brandon, County Durham 1788–1829 London|British, Costessey Park, near Norwich 1795–1849 Leyton, Essex|British, active ca. 1810–30|British, 1798–1830 | (successor to W. Bulmer) | 58968 | 1800 |1768 |1792 |1779 |1820 |1762 |1788 |1861 |1795 |1810 |1798 | 1900 |1834 |1877 |1832 |1830 |1824 |1829 |2100 |1849 |1830 |1830 | 1824 | 1824 | 1824 | 63777 | 12 3/16 x 9 1/4 in. (31 x 23.5 cm) | Harris Brisbane Dick Fund, 1924 | 698 | http://www.metmuseum.org/art/collection/search/777754 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 460535 | 24.66.367(4) | 0 | 1 | 777753 | 11 | 13880 | Transactions of the Horticultural Society, London, vol. 4 | 6065 | After|After | W. Nichol|William Jackson Hooker|Thomas Andrew Knight|Horticultural Society of London|J. B. Taylor|Joseph Sabine|George Gutch|William Buck | London|British, London 1779–1832 Kew|British, active from 1818|British, 1770–1837|British, active 1820–50|British, 1815–25 | (successor to W. Bulmer)|(President of the Society)|(Secretary-Treasurer to the Society) | 58967 | 1800 |1779 |1759 |1861 |1818 |1770 |1820 |1815 | 1900 |1832 |1838 |2100 |1850 |1837 |1850 |1825 | 1822 | 1820 | 1822 | 63777 | 12 3/16 x 9 1/4 in. (31 x 23.5 cm) | Harris Brisbane Dick Fund, 1924 | 698 | http://www.metmuseum.org/art/collection/search/777753 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 460534 | 24.66.367(3) | 0 | 1 | 777752 | 11 | 13880 | Transactions of the Horticultural Society, London, vol. 3 (2nd edition) | 6064 | Draftsman on stone (lithographer) | W. Nichol|Richard Anthony Salisbury|William Jackson Hooker|B. King|J. B. Taylor|Thomas Andrew Knight|Horticultural Society of London | London|British, 1761–1829|British, London 1779–1832 Kew|British, active 1820–25|British, active from 1818 | (successor to W. Bulmer)|(Secretary of the Society)|(President of the Society) | 58966 | 1800 |1761 |1779 |1820 |1818 |1759 |1861 | 1900 |1829 |1832 |1825 |1850 |1838 |2100 | 1822 | 1820 | 1822 | 63777 | 12 3/16 x 9 1/4 in. (31 x 23.5 cm) | Harris Brisbane Dick Fund, 1924 | 698 | http://www.metmuseum.org/art/collection/search/777752 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 460533 | 24.66.367(2) | 0 | 1 | 777751 | 11 | 13880 | Transactions of the Horticultural Society, London, vol. 2 | 6063 | Author and artist|After|Draftsman on stone (lithographer)|Sold by | William Jackson Hooker|F. Redman|William Bulmer & Co.|J. B. Taylor|Richard Anthony Salisbury|Francis Bauer|B. King|Benjamin Taylor|Horticultural Society of London|J. Hatchard|Thomas Andrew Knight | British, London 1779–1832 Kew|British, active 1815–20|London|British, active from 1818|British, 1761–1829|Austrian, Feldsberg, Moravia 1758–1840 Kew, England|British, active 1820–25|British, active 1815–20|London | (Secretary of the Society)|(President of the Society) | 58965 | 1779 |1815 |1750 |1818 |1761 |1758 |1820 |1815 |1861 |1797 |1759 | 1832 |1820 |1899 |1850 |1829 |1840 |1825 |1820 |2100 |2050 |1838 | 1818 (2nd ed.) | 1818 | 1818 | 63777 | 12 3/16 x 9 1/4 in. (31 x 23.5 cm) | Harris Brisbane Dick Fund, 1924 | 698 | http://www.metmuseum.org/art/collection/search/777751 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 460532 | 24.66.367(1) | 0 | 0 | 777750 | 11 | 13880 | Transactions of the Horticultural Society, London, vol. 1 | 6062 | Sold by | Sir Joseph Banks|Horticultural Society of London|William Bulmer & Co.|J. Hatchard|William Jackson Hooker|Thomas Andrew Knight|Richard Anthony Salisbury|Thomas Charles Wageman | British, London 1743–1820 London|London|London|British, London 1779–1832 Kew|British, 1759–1838|British, 1761–1829|British, 1787–1868 | (President of the Society)|(Secretary of the Society) | 58964 | 1743 |1861 |1750 |1797 |1779 |1759 |1761 |1787 | 1820 |2100 |1899 |2050 |1832 |1838 |1829 |1868 | 1815 (2nd ed.) | 1815 | 0 | 63777 | 12 3/16 x 9 1/4 in. (31 x 23.5 cm) | Harris Brisbane Dick Fund, 1924 | 698 | http://www.metmuseum.org/art/collection/search/777750 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 459483 | 69.502.8 | 0 | 0 | 776421 | 11 | 731 | Boston | 6061 | After | P. & D. Colnaghi & Co.|Benjamin F. Smith|Charles Mottram|Smith Brothers, & Co.|François Delarue|John William Hill | American, South Freedom, Maine 1830–1927 Glen Cove, Maine|British, 1807–1876|New York, NY|French, active 1850–70|American (born England), London 1812–1879 West Nyack, New York | 58956 | 1760 |1830 |1807 |1830 |1850 |1812 | 9999 |1927 |1876 |1927 |1870 |1879 | 1857 | 1857 | 1857 | 6712 | Plate: 28 3/4 × 41 7/8 in. (73 × 106.3 cm) Sheet: 31 7/8 × 45 1/16 in. (81 × 114.4 cm) | Gift of Richard Button, 1969 | 13 | http://www.metmuseum.org/art/collection/search/776421 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 459480 | 54.90.979 | 0 | 0 | 776418 | 11 | 731 | New-York | 6060 | After|After | Sigismond Himely|Goupil & Co.|Wilhelm Heine|William Schaus|Julius Hermann Kummer | Swiss (naturalized French), Neuveville 1801–1872 Paris|German, Dresden 1827–1885|German, 1817–1869 | 58953 | 1801 |1850 |1827 |1821 |1817 | 1872 |1950 |1827 |1892 |1869 | 1851 | 1851 | 1851 | 29347 | Plate: 28 3/4 × 42 11/16 in. (73 × 108.4 cm) Sheet: 29 1/2 × 43 5/16 in. (75 × 110 cm) | The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954 | 13 | http://www.metmuseum.org/art/collection/search/776418 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458854 | 59.533.1746 | 0 | 1 | 775500 | 11 | 731 | The Damnation of Obadiah (Tristram Shandy) | 6058 | (?)|(?)|Related author|After | Thomas Rowlandson|Rudolph Ackermann, London|Laurence Sterne|Henry William Bunbury | British, London 1757–1827 London|active 1794–1829|British, 1713–1768|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 58910 | 1757 |1764 |1713 |1750 | 1827 |1834 |1768 |1811 | 1803 (?) | 1803 | 1803 | 34862 | Sheet: 5 1/8 × 7 3/8 in. (13 × 18.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775500 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458847 | 59.533.1750 | 0 | 1 | 775490 | 11 | 731 | The Overthrow of Dr. Slop (Tristram Shandy) | 6057 | (?)|After|Related author|(?) | Thomas Rowlandson|Henry William Bunbury|Laurence Sterne|Rudolph Ackermann, London | British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, 1713–1768|active 1794–1829 | 58908 | 1757 |1750 |1713 |1764 | 1827 |1811 |1768 |1834 | 1803 (?) | 1803 | 1803 | 34862 | Sheet: 5 11/16 × 8 1/8 in. (14.5 × 20.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775490 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458670 | 60.718.4 | 0 | 1 | 775303 | 11 | 731 | Henry William Bunbury Drawing his "Long Minuet" | 6055 | After | Thomas Ryder I|Henry William Bunbury|Thomas Ryder I|Simon Watts|Sir Thomas Lawrence | British, 1746–1810|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, 1746–1810|British, active London 1767–87|British, Bristol 1769–1830 London | 58887 | 1746 |1750 |1746 |1767 |1769 | 1810 |1811 |1810 |1787 |1830 | 1789 | 1789 | 1789 | 63745 | Sheet (trimmed): 17 1/8 × 11 7/8 in. (43.5 × 30.2 cm) | Gift of the Guild of Book Workers, 1960 | 13 | http://www.metmuseum.org/art/collection/search/775303 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458657 | 59.570.62 | 0 | 0 | 775290 | 11 | 731 | A baby boy sitting on a ledge with a tambourine, an hourglass entwined by a snake below him | 6054 | After|After | Jacob Matham|Gerard Valck|Anonymous|Titian (Tiziano Vecellio) | Netherlandish, Haarlem 1571–1631 Haarlem|Dutch, Amsterdam 1651/52–1726 Amsterdam|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice | 58884 | 1571 |1651 |1485 | 1631 |1726 |1576 | ca. 1680–1726 | 1675 | 1726 | 7208 | Sheet (Trimmed): 10 3/8 × 8 1/8 in. (26.3 × 20.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775290 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458580 | 67.749.41(9) | 0 | 0 | 774832 | 11 | 731 | Falstaff and Bardolph | 6053 | After | William Shakespeare|Henry Liverseege|James Bromley|J. C. Grundy|Moon, Boys & Graves | British, Stratford-upon-Avon 1564–1616 Stratford-upon-Avon|British, 1803–1832|British, 1800–1838|British, 19th century|London | 58872 | 1564 |1803 |1800 |1830 |1800 | 1616 |1832 |1838 |1840 |1899 | 1833 | 1833 | 1833 | 41960 | Plate: 10 × 7 7/8 in. (25.4 × 20 cm) Sheet: 16 9/16 × 11 5/16 in. (42 × 28.8 cm) | Gift of Walter Smith, 1967 | 13 | http://www.metmuseum.org/art/collection/search/774832 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458521 | 59.533.1738 | 0 | 1 | 774764 | 11 | 731 | Concerto Spirituale | 6052 | Probably represents|May represent|After | Johann Christian Fisher|Carl Friedrich Abel|Johann Christian Bach|Henry William Bunbury|Giovanni Punto | German, ca. 1733–1800|German, Cöthen 1723–1787 London|German, 1735–1782|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|Bohemian, 1746–1803 | 58864 | 1733 |1723 |1735 |1750 |1746 | 1800 |1787 |1782 |1811 |1803 | ca. 1803 (?) | 1798 | 1808 | 34862 | Sheet (trimmed within plate): 5 3/16 × 4 3/16 in. (13.2 × 10.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/774764 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458469 | 1976.602.16 | 0 | 1 | 774706 | 11 | 731 | Known Characters in a Chop House | 6051 | After | James Boswell|Anonymous, British, 19th century|Samuel Johnson|Henry William Bunbury | British, Edinburgh, Scotland 1740–1795|British, Lichfield, Staffordshire 1709–1784 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 58848 | 1740 |1800 |1709 |1750 | 1795 |1900 |1784 |1811 | 1800–1820 | 1800 | 1820 | 3394 | Sheet (trimmed within plate): 8 13/16 × 11 5/16 in. (22.4 × 28.8 cm) | Gift of Adele S. Gollin, 1976 | 13 | http://www.metmuseum.org/art/collection/search/774706 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458385 | 24.63.1383 | 0 | 0 | 774546 | 11 | 731 | Rocky landscape with buildings at center and a watermill at right | 6050 | After|After | Domenico Campagnola|Anne Claude Philippe de Tubières, comte de Caylus|Giorgione|Chalcographie du Louvre | Italian, Venice (?) 1500–1564 Padua|French, Paris 1692–1765 Paris|Italian, Castelfranco Veneto 1477/78–1510 Venice | 58837 | 1500 |1692 |1477 | 1564 |1765 |1510 | 1720–65 | 1720 | 1765 | 40834 | Plate: 9 7/16 × 13 5/16 in. (24 × 33.8 cm) Sheet: 15 1/4 × 19 1/2 in. (38.8 × 49.5 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 13 | http://www.metmuseum.org/art/collection/search/774546 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458333 | 42.119.304(38) | 0 | 0 | 774491 | 11 | 731 | Diana and Callisto | 2416 | 6040 | Intermediary draftsman|After | Jacques Aliamet|Antoine Jean Duclos|Antoine Borel|Titian (Tiziano Vecellio) | French, Abbeville 1726–1788 Paris|French, Paris 1742–1795 Paris|French, Paris 1743–after 1810|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice | 58811 | 1726 |1742 |1743 |1485 | 1788 |1795 |1843 |1576 | 1788 | 1788 | 1788 | 6712 | Image: 6 1/8 × 7 1/2 in. (15.6 × 19.1 cm) Sheet (Trimmed): 7 5/8 × 8 3/8 in. (19.3 × 21.2 cm) | Gertrude and Thomas Jefferson Mumford Collection, Gift of Dorothy Quick Mayer, 1942 | 13 | http://www.metmuseum.org/art/collection/search/774491 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458198 | 2018.132 | 0 | 0 | 774316 | 11 | 731 | Rosalind, Celia & Touchstone (Shakespeare, As You Like It, Act 2, Scene 2) | 3016 | 6039 | After | John Chapman|Thomas Macklin|Princess Frederica Charlotte|William Shakespeare|Henry William Bunbury | British, active 1792–1823|British, 1752/53–1800 London|1767–1820|British, Stratford-upon-Avon 1564–1616 Stratford-upon-Avon|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 58786 | 1792 |1752 |1767 |1564 |1750 | 1823 |1800 |1820 |1616 |1811 | June 1, 1792 | 1792 | 1792 | 37906 | Plate: 16 5/16 × 19 in. (41.5 × 48.2 cm) Sheet: 17 1/8 × 21 1/4 in. (43.5 × 54 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/774316 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458196 | 2018.131 | 0 | 0 | 774314 | 11 | 731 | Falstaff at Herne's Oak (Shakespeare, Merry Wives of Windsor, Act 5, Scene 5) | 3016 | 6038 | After | Thomas Macklin|Henry William Bunbury|Princess Frederica Charlotte|William Shakespeare|Michele Beneditti | British, 1752/53–1800 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|1767–1820|British, Stratford-upon-Avon 1564–1616 Stratford-upon-Avon|British, 1745–1810 Vienna | 58785 | 1752 |1750 |1767 |1564 |1745 | 1800 |1811 |1820 |1616 |1810 | May 30, 1793 | 1793 | 1793 | 37906 | Plate: 16 5/16 × 19 1/8 in. (41.4 × 48.5 cm) Sheet: 17 1/8 × 21 7/16 in. (43.5 × 54.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/774314 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458188 | 2018.129 | 0 | 0 | 774305 | 11 | 731 | Falstaff at Justice Shallow's Mustering His Recruits (Shakespeare, Henry IV, Part II, Act 3, Scene 2) | 3016 | 6037 | After | Thomas Macklin|Princess Frederica Charlotte|Henry William Bunbury|William Nelson Gardiner|William Shakespeare | British, 1752/53–1800 London|1767–1820|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, Dublin 1766–1814 London|British, Stratford-upon-Avon 1564–1616 Stratford-upon-Avon | 58783 | 1752 |1767 |1750 |1766 |1564 | 1800 |1820 |1811 |1814 |1616 | June 1, 1792 | 1792 | 1792 | 37906 | Plate: 16 1/4 × 18 7/8 in. (41.2 × 48 cm) Sheet: 17 1/16 in. (43.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/774305 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458108 | 41.52.148 | 0 | 0 | 773697 | 11 | 997 | Brewster & Co. Factory Building Long Island City | 6036 | Rolls-Royce Limited|Brewster & Co. | British, 20th century|American, New York | 58775 | 1900 | 2050 | ca. 1925–1934 | 1920 | 1930 | 63724 | 3 × 4 3/8 in. (7.6 × 11.1 cm) | Gift of William Brewster, 1941 | 21 | http://www.metmuseum.org/art/collection/search/773697 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458101 | 1991.1073.64(25) | 0 | 0 | 773688 | 11 | 731 | The Library | 3014 | 6035 | Probably represents|After|Probably represents | Queen Victoria|Joseph Nash|Prince Albert of Saxe-Coburg and Gotha|Thomas McLean | British, London 1819–1901 Isle of Wight|British, Buckinghamshire 1809–1878 Kensington|Coburg, Germany 1819–1861 Windsor|British, active London 1788-1885 | 58773 | 1819 |1809 |1819 |1800 | 1901 |1878 |1861 |1899 | 1852 | 1852 | 1852 | 29322 | Image: 12 15/16 × 17 5/8 in. (32.8 × 44.7 cm) Sheet: 14 3/16 × 21 5/8 in. (36 × 55 cm) | Rogers Fund, 1911, transferred from the Library (1991.1073.64) | 13 | http://www.metmuseum.org/art/collection/search/773688 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458103 | 1991.1073.64(26) | 0 | 0 | 773690 | 11 | 731 | Interior of St. George's Chapel | 3014 | 6035 | After | Prince Albert of Saxe-Coburg and Gotha|Joseph Nash|Queen Victoria|Thomas McLean | Coburg, Germany 1819–1861 Windsor|British, Buckinghamshire 1809–1878 Kensington|British, London 1819–1901 Isle of Wight|British, active London 1788-1885 | 58774 | 1819 |1809 |1819 |1800 | 1861 |1878 |1901 |1899 | 1852 | 1852 | 1852 | 29322 | Image: 18 15/16 × 13 3/16 in. (48.1 × 33.5 cm) Sheet: 21 5/8 × 14 3/16 in. (55 × 36 cm) | Rogers Fund, 1911, transferred from the Library (1991.1073.64) | 13 | http://www.metmuseum.org/art/collection/search/773690 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458092 | 1991.1073.64(21) | 0 | 0 | 773679 | 11 | 731 | The Crimson Drawing Room | 3014 | 6034 | Probably represents|After | Thomas McLean|Queen Victoria|Prince Albert of Saxe-Coburg and Gotha|Joseph Nash | British, active London 1788-1885|British, London 1819–1901 Isle of Wight|Coburg, Germany 1819–1861 Windsor|British, Buckinghamshire 1809–1878 Kensington | 58771 | 1800 |1819 |1819 |1809 | 1899 |1901 |1861 |1878 | 1852 | 1852 | 1852 | 29322 | Image: 12 5/8 × 18 7/16 in. (32 × 46.8 cm) Sheet: 14 3/16 × 21 5/8 in. (36 × 55 cm) | Rogers Fund, 1911, transferred from the Library (1991.1073.64) | 13 | http://www.metmuseum.org/art/collection/search/773679 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458081 | 1991.1073.64(15) | 0 | 0 | 773668 | 11 | 731 | Angle of the Corridor | 3014 | 6033 | After|Possibly represents|Possibly represents | Thomas McLean|Joseph Nash|Princess Alice Maud Mary|Queen Victoria | British, active London 1788-1885|British, Buckinghamshire 1809–1878 Kensington|London 1843–1878|British, London 1819–1901 Isle of Wight | 58768 | 1800 |1809 |1843 |1819 | 1899 |1878 |1878 |1901 | 1852 | 1852 | 1852 | 29322 | Image: 12 3/4 × 16 1/4 in. (32.4 × 41.3 cm) Sheet: 14 3/16 × 21 5/8 in. (36 × 55 cm) | Rogers Fund, 1911, transferred from the Library (1991.1073.64) | 13 | http://www.metmuseum.org/art/collection/search/773668 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458088 | 1991.1073.64(19) | 0 | 0 | 773675 | 11 | 731 | The White Drawing Room | 3014 | 6033 | After | Thomas McLean|Joseph Nash|Prince Albert of Saxe-Coburg and Gotha|Queen Victoria | British, active London 1788-1885|British, Buckinghamshire 1809–1878 Kensington|Coburg, Germany 1819–1861 Windsor|British, London 1819–1901 Isle of Wight | 58770 | 1800 |1809 |1819 |1819 | 1899 |1878 |1861 |1901 | 1852 | 1852 | 1852 | 29322 | Image: 12 3/4 × 18 7/16 in. (32.4 × 46.8 cm) Sheet: 14 3/16 × 21 5/8 in. (36 × 55 cm) | Rogers Fund, 1911, transferred from the Library (1991.1073.64) | 13 | http://www.metmuseum.org/art/collection/search/773675 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458079 | 1991.1073.64(14) | 0 | 0 | 773666 | 11 | 731 | The South Corridor | 3014 | 6032 | Possibly represents|After | Queen Victoria|Thomas McLean|Joseph Nash | British, London 1819–1901 Isle of Wight|British, active London 1788-1885|British, Buckinghamshire 1809–1878 Kensington | 58767 | 1819 |1800 |1809 | 1901 |1899 |1878 | 1852 | 1852 | 1852 | 29322 | Image: 12 3/4 × 16 5/8 in. (32.4 × 42.2 cm) Sheet: 14 3/16 × 21 5/8 in. (36 × 55 cm) | Rogers Fund, 1911, transferred from the Library (1991.1073.64) | 13 | http://www.metmuseum.org/art/collection/search/773666 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458075 | 1991.1073.64(13) | 0 | 0 | 773662 | 11 | 731 | The Quadrangle Looking West | 3014 | 6031 | After | Prince Albert of Saxe-Coburg and Gotha|Thomas McLean|Joseph Nash|Arthur Wellesley, 1st Duke of Wellington | Coburg, Germany 1819–1861 Windsor|British, active London 1788-1885|British, Buckinghamshire 1809–1878 Kensington|British, 1769–1852 | 58765 | 1819 |1800 |1809 |1769 | 1861 |1899 |1878 |1852 | 1852 | 1852 | 1852 | 29322 | Image: 12 5/8 × 18 5/8 in. (32 × 47.3 cm) Sheet: 14 3/16 × 21 5/8 in. (36 × 55 cm) | Rogers Fund, 1911, transferred from the Library (1991.1073.64) | 13 | http://www.metmuseum.org/art/collection/search/773662 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458072 | 1991.1073.64(12) | 0 | 0 | 773659 | 11 | 731 | The State Reception Room: An Evening Party | 3014 | 6030 | After | Louis Philippe, King of France|Queen Victoria|Prince Albert of Saxe-Coburg and Gotha|Joseph Nash|Thomas McLean | French, Paris 1773–1850 Claremont, Surrey|British, London 1819–1901 Isle of Wight|Coburg, Germany 1819–1861 Windsor|British, Buckinghamshire 1809–1878 Kensington|British, active London 1788-1885 | 58764 | 1773 |1819 |1819 |1809 |1800 | 1850 |1901 |1861 |1878 |1899 | 1852 | 1852 | 1852 | 29322 | Image: 12 3/4 × 18 9/16 in. (32.4 × 47.2 cm) Sheet: 14 3/16 × 21 5/8 in. (36 × 55 cm) | Rogers Fund, 1911, transferred from the Library (1991.1073.64) | 13 | http://www.metmuseum.org/art/collection/search/773659 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458059 | 1991.1073.64(10) | 0 | 0 | 773645 | 11 | 731 | St. George's Hall, The Garter Banquet | 3014 | 6029 | After | Prince Albert of Saxe-Coburg and Gotha|Thomas McLean|Antoine d'Orléans, Duc de Montpensier|Queen Victoria|Louis Philippe, King of France|Joseph Nash | Coburg, Germany 1819–1861 Windsor|British, active London 1788-1885|British, London 1819–1901 Isle of Wight|French, Paris 1773–1850 Claremont, Surrey|British, Buckinghamshire 1809–1878 Kensington | 58759 | 1819 |1800 |1819 |1773 |1809 | 1861 |1899 |1901 |1850 |1878 | 1852 | 1852 | 1852 | 29322 | Image: 16 9/16 × 12 7/16 in. (42 × 31.6 cm) Sheet: 14 3/16 × 21 5/8 in. (36 × 55 cm) | Rogers Fund, 1911, transferred from the Library (1991.1073.64) | 13 | http://www.metmuseum.org/art/collection/search/773645 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458053 | 1991.1073.64(9) | 0 | 0 | 773639 | 11 | 731 | The Waterloo Gallery | 3014 | 6028 | After | Joseph Nash|Prince Albert of Saxe-Coburg and Gotha|Queen Victoria|Thomas McLean|Nicholas I, Emperor of Russia | British, Buckinghamshire 1809–1878 Kensington|Coburg, Germany 1819–1861 Windsor|British, London 1819–1901 Isle of Wight|British, active London 1788-1885|1796–1855 | 58758 | 1809 |1819 |1819 |1800 |1796 | 1878 |1861 |1901 |1899 |1855 | 1852 | 1852 | 1852 | 29322 | Image: 13 3/8 × 17 7/8 in. (34 × 45.4 cm) Sheet: 14 3/16 × 21 5/8 in. (36 × 55 cm) | Rogers Fund, 1911, transferred from the Library (1991.1073.64) | 13 | http://www.metmuseum.org/art/collection/search/773639 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458052 | 1991.1073.64(8) | 0 | 0 | 773638 | 11 | 731 | The Throne-Room | 3014 | 6027 | After | Queen Victoria|Thomas McLean|Louis Philippe, King of France|Joseph Nash | British, London 1819–1901 Isle of Wight|British, active London 1788-1885|French, Paris 1773–1850 Claremont, Surrey|British, Buckinghamshire 1809–1878 Kensington | 58757 | 1819 |1800 |1773 |1809 | 1901 |1899 |1850 |1878 | 1852 | 1852 | 1852 | 29322 | Image: 12 11/16 × 18 7/16 in. (32.3 × 46.8 cm) Sheet: 14 3/16 × 21 5/8 in. (36 × 55 cm) | Rogers Fund, 1911, transferred from the Library (1991.1073.64) | 13 | http://www.metmuseum.org/art/collection/search/773638 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458049 | 1991.1073.64(6) | 0 | 0 | 773634 | 11 | 731 | The Rubens Room | 3014 | 6026 | After | Thomas McLean|Louis Philippe, King of France|Joseph Nash | British, active London 1788-1885|French, Paris 1773–1850 Claremont, Surrey|British, Buckinghamshire 1809–1878 Kensington | 58756 | 1800 |1773 |1809 | 1899 |1850 |1878 | 1852 | 1852 | 1852 | 29322 | Image: 12 13/16 × 18 1/2 in. (32.5 × 47 cm) Sheet: 14 3/16 × 21 5/8 in. (36 × 55 cm) | Rogers Fund, 1911, transferred from the Library (1991.1073.64) | 13 | http://www.metmuseum.org/art/collection/search/773634 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458035 | 1991.1073.64(1) | 0 | 0 | 773620 | 11 | 731 | Title Page Vignette: Royal Entrance to the Quadrangle | 3014 | 6025 | After | Queen Victoria|Queen Victoria|Louis Philippe, King of France|Nicholas I, Emperor of Russia|Thomas McLean|Joseph Nash|Prince Albert of Saxe-Coburg and Gotha | British, London 1819–1901 Isle of Wight|British, London 1819–1901 Isle of Wight|French, Paris 1773–1850 Claremont, Surrey|1796–1855|British, active London 1788-1885|British, Buckinghamshire 1809–1878 Kensington|Coburg, Germany 1819–1861 Windsor | 58753 | 1819 |1819 |1773 |1796 |1800 |1809 |1819 | 1901 |1901 |1850 |1855 |1899 |1878 |1861 | 1852 | 1852 | 1852 | 29322 | Image: 20 3/16 × 12 7/8 in. (51.2 × 32.7 cm) Sheet: 21 5/8 × 14 3/16 in. (55 × 36 cm) | Rogers Fund, 1911, transferred from the Library (1991.1073.64) | 13 | http://www.metmuseum.org/art/collection/search/773620 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457979 | 41.102.160(25) | 0 | 0 | 773545 | 11 | 731 | Réunion du Roi et de la Reine Français (Reuinion of the French King and Queen) | 3013 | 6024 | After | Lemercier & Cie.|Victor Adam|Édouard Pingret|Chaillou, Paris|Louis Philippe, King of France|Louis Pierre Alphonse Bichebois|Marie Amalie, Queen of France | French, Paris|French, 1801–1866|French, Saint-Quentin 1788–1875 Saint-Quentin|French, Paris 1773–1850 Claremont, Surrey|French, 1801–1850|1782–1866 | 58745 | 1801 |1788 |1840 |1773 |1801 |1782 | 1866 |1875 |1850 |1850 |1850 |1866 | 1846 | 1846 | 1846 | 34961 | Image: 13 in. × 16 7/8 in. (33 × 42.8 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773545 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457978 | 41.102.160(24) | 0 | 0 | 773544 | 11 | 731 | Débarquement du Roi au Calais (Debarkation of the King at Calais) | 3013 | 6023 | Ackermann & Co., London|Louis Philippe, King of France|A. Mayer|Lemercier & Cie.|Édouard Pingret|Victor Adam|Chaillou, Paris | British, active 1829–55|French, Paris 1773–1850 Claremont, Surrey|French, active 1840s|French, Paris|French, Saint-Quentin 1788–1875 Saint-Quentin|French, 1801–1866 | 58744 | 1829 |1773 |1840 |1788 |1801 |1840 | 1855 |1850 |1850 |1875 |1866 |1850 | 1846 | 1846 | 1846 | 34961 | Image: 12 15/16 × 16 7/8 in. (32.8 × 42.8 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773544 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 457977 | 41.102.160(23) | 0 | 0 | 773543 | 11 | 731 | Adieu de la Reine d'Angleterre à la Marine Française (Queen Victoria Bids Farewell to the French Marines) | 3013 | 6022 | After | Queen Victoria|Chaillou, Paris|Prince Albert of Saxe-Coburg and Gotha|Victor Adam|Lemercier & Cie.|Auguste François Biard | British, London 1819–1901 Isle of Wight|Coburg, Germany 1819–1861 Windsor|French, 1801–1866|French, Paris|French, 1799–1882 | 58743 | 1819 |1840 |1819 |1801 |1799 | 1901 |1850 |1861 |1866 |1882 | 1846 | 1846 | 1846 | 34961 | Image: 10 13/16 × 15 1/4 in. (27.4 × 38.8 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773543 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457976 | 41.102.160(22) | 0 | 0 | 773542 | 11 | 731 | Embarquement à Douvres (Embarkation at Dover) | 3013 | 6021 | After|After (?) | Édouard Pingret|Chaillou, Paris|Louis Philippe, King of France|Durand-Brager|Louis Pierre Alphonse Bichebois|Victor Adam|Jean Baptiste Henri Durand-Brager|Lemercier & Cie. | French, Saint-Quentin 1788–1875 Saint-Quentin|French, Paris 1773–1850 Claremont, Surrey|French, 1801–1850|French, 1801–1866|French, Dol 1814–1879 Crimea|French, Paris | 58742 | 1788 |1840 |1773 |1801 |1801 |1814 | 1875 |1850 |1850 |1850 |1866 |1879 | 1846 | 1846 | 1846 | 34961 | Image: 13 1/8 × 17 3/16 in. (33.3 × 43.7 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773542 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457975 | 41.102.160(21) | 0 | 0 | 773541 | 11 | 731 | Le Roi à la Station de New-Cross (The King at New Cross Station) | 3013 | 6020 | After | Édouard Pingret|Louis Philippe, King of France|Chaillou, Paris|Adolphe Jean Baptiste Bayot|Armand Cuvillier|Lemercier & Cie. | French, Saint-Quentin 1788–1875 Saint-Quentin|French, Paris 1773–1850 Claremont, Surrey|French, 1810–1866|French, active mid-19th century|French, Paris | 58741 | 1788 |1773 |1840 |1810 |1830 | 1875 |1850 |1850 |1866 |1890 | 1846 | 1846 | 1846 | 34961 | Image: 12 1/2 × 16 9/16 in. (31.8 × 42 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773541 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457974 | 41.102.160(20) | 0 | 0 | 773540 | 11 | 731 | Honneurs Militaires Rendu au Roi à Gosport (Military Honors Given to the King at Gosport) | 3013 | 6019 | After | Louis Philippe, King of France|Édouard Pingret|Queen Victoria|Jules Arnout|Victor Adam|Lemercier & Cie.|Chaillou, Paris | French, Paris 1773–1850 Claremont, Surrey|French, Saint-Quentin 1788–1875 Saint-Quentin|British, London 1819–1901 Isle of Wight|French, 1814–1868|French, 1801–1866|French, Paris | 58740 | 1773 |1788 |1819 |1814 |1801 |1840 | 1850 |1875 |1901 |1868 |1866 |1850 | 1846 | 1846 | 1846 | 34961 | Image: 13 1/8 × 16 7/16 in. (33.3 × 41.7 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773540 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457973 | 41.102.160(19) | 0 | 0 | 773539 | 11 | 731 | Le Retour du Roi à la Station de Gosport (The King's Return to Gosport Station) | 3013 | 6018 | After | Ackermann & Co., London|Louis Philippe, King of France|Chaillou, Paris|Édouard Pingret|Adolphe Jean Baptiste Bayot|Armand Cuvillier|Lemercier & Cie.|Queen Victoria|Prince Albert of Saxe-Coburg and Gotha | British, active 1829–55|French, Paris 1773–1850 Claremont, Surrey|French, Saint-Quentin 1788–1875 Saint-Quentin|French, 1810–1866|French, active mid-19th century|French, Paris|British, London 1819–1901 Isle of Wight|Coburg, Germany 1819–1861 Windsor | 58739 | 1829 |1773 |1840 |1788 |1810 |1830 |1819 |1819 | 1855 |1850 |1850 |1875 |1866 |1890 |1901 |1861 | 1846 | 1846 | 1846 | 34961 | Image: 12 1/2 × 16 15/16 in. (31.7 × 43 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773539 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457972 | 41.102.160(18) | 0 | 0 | 773538 | 11 | 731 | Intérieur du Carrosse de la Reine (Interior of the Queen's Private Railway Carriage) | 3013 | 6017 | After | Queen Victoria|Ackermann & Co., London|Chaillou, Paris|Louis Philippe, King of France|Édouard Pingret|Lemercier & Cie.|Jules David | British, London 1819–1901 Isle of Wight|British, active 1829–55|French, Paris 1773–1850 Claremont, Surrey|French, Saint-Quentin 1788–1875 Saint-Quentin|French, Paris|French, 1808–1892 | 58738 | 1819 |1829 |1840 |1773 |1788 |1808 | 1901 |1855 |1850 |1850 |1875 |1892 | 1846 | 1846 | 1846 | 34961 | Image: 11 3/8 × 14 1/8 in. (28.9 × 35.9 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773538 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457971 | 41.102.160(17) | 0 | 0 | 773537 | 11 | 731 | Le Duc de Montpensier à L'Arsenal de Woolwich (The Duke of Montpensier at the Woolwich Arsenal) | 3013 | 6016 | After | Édouard Pingret|Chaillou, Paris|Antoine d'Orléans, Duc de Montpensier|Jean Baptiste Arnout|Lemercier & Cie.|Victor Adam | French, Saint-Quentin 1788–1875 Saint-Quentin|French, 1824–1890|French, 1788–after 1865|French, Paris|French, 1801–1866 | 58737 | 1788 |1840 |1788 |1801 | 1875 |1850 |1865 |1866 | 1846 | 1846 | 1846 | 34961 | Image: 13 1/16 × 16 13/16 in. (33.1 × 42.7 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773537 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457970 | 41.102.160(16) | 0 | 0 | 773536 | 11 | 731 | Le Roi au Collège d'Éton (The King at Eton College) | 3013 | 6015 | After | Édouard Pingret|Louis Philippe, King of France|Chaillou, Paris|Lemercier & Cie.|Michel Charles Fichot|Antoine Maurin, dit l'aîné|Prince Albert of Saxe-Coburg and Gotha|Arthur Wellesley, 1st Duke of Wellington | French, Saint-Quentin 1788–1875 Saint-Quentin|French, Paris 1773–1850 Claremont, Surrey|French, Paris|French, Troyes 1817–1903 Paris|French, 1793–1860|Coburg, Germany 1819–1861 Windsor|British, 1769–1852 | 58736 | 1788 |1773 |1840 |1817 |1793 |1819 |1769 | 1875 |1850 |1850 |1903 |1860 |1861 |1852 | 1846 | 1846 | 1846 | 34961 | Image: 12 5/8 × 16 11/16 in. (32 × 42.4 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773536 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457969 | 41.102.160(15) | 0 | 0 | 773535 | 11 | 731 | To His Majesty Louis Philippe, King of the French, The Address of the Lord Mayor, Aldermen and Commons of the City of London in Common Council, Assembled, October 10th, 1844 | 3013 | 6014 | Border designed by | Ackermann & Co., London|Chaillou, Paris|Louis Philippe, King of France|Jules Méa|Lemercier & Cie.|Henrietta Dowse | British, active 1829–55|French, Paris 1773–1850 Claremont, Surrey|French, active 1840s|French, Paris|British, active 1844–51 | 58735 | 1829 |1840 |1773 |1840 |1844 | 1855 |1850 |1850 |1850 |1851 | 1846 | 1846 | 1846 | 30750 | Image: 15 13/16 × 11 3/16 in. (40.2 × 28.4 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773535 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457968 | 41.102.160(14) | 0 | 0 | 773534 | 11 | 731 | Présentation et Lecture de l'Addresse de la Cité de Londres (Presentation and Speech by the Lord Mayor, Sir William Magnay, and other representatives of the City of London) | 3013 | 6013 | After | Sir William Magnay|Louis Philippe, King of France|Chaillou, Paris|Édouard Pingret|Jacques François Gaudérique Llanta|Lemercier & Cie. | British, 1795–1871|French, Paris 1773–1850 Claremont, Surrey|French, Saint-Quentin 1788–1875 Saint-Quentin|French, Paris 1807–1864 Perpignan|French, Paris | 58734 | 1795 |1773 |1840 |1788 |1807 | 1871 |1850 |1850 |1875 |1807 | 1846 | 1846 | 1846 | 34961 | Image: 16 13/16 × 17 1/4 in. (42.7 × 43.8 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773534 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457967 | 41.102.160(13) | 0 | 0 | 773533 | 11 | 731 | Cérémonie de l'Investiture (Investiture Ceremony of the Order of the Garter) | 3013 | 6012 | After | Ackermann & Co., London|Louis Philippe, King of France|Chaillou, Paris|Édouard Pingret|Queen Victoria|Michel Charles Fichot|Antoine Maurin, dit l'aîné|Lemercier & Cie.|Arthur Wellesley, 1st Duke of Wellington|Prince Albert of Saxe-Coburg and Gotha | British, active 1829–55|French, Paris 1773–1850 Claremont, Surrey|French, Saint-Quentin 1788–1875 Saint-Quentin|British, London 1819–1901 Isle of Wight|French, Troyes 1817–1903 Paris|French, 1793–1860|French, Paris|British, 1769–1852|Coburg, Germany 1819–1861 Windsor | 58733 | 1829 |1773 |1840 |1788 |1819 |1817 |1793 |1769 |1819 | 1855 |1850 |1850 |1875 |1901 |1903 |1860 |1852 |1861 | 1846 | 1846 | 1846 | 34961 | Image: 12 15/16 × 16 5/8 in. (32.8 × 42.2 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773533 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457966 | 41.102.160(12) | 0 | 0 | 773532 | 11 | 731 | Visite à Claremont House (Visit to Claremont House) | 3013 | 6011 | After | Édouard Pingret|Louis Philippe, King of France|Chaillou, Paris|Victor Adam|Michel Charles Fichot|Lemercier & Cie.|Louis Pierre Alphonse Bichebois | French, Saint-Quentin 1788–1875 Saint-Quentin|French, Paris 1773–1850 Claremont, Surrey|French, 1801–1866|French, Troyes 1817–1903 Paris|French, Paris|French, 1801–1850 | 58732 | 1788 |1773 |1840 |1801 |1817 |1801 | 1875 |1850 |1850 |1866 |1903 |1850 | 1846 | 1846 | 1846 | 34961 | Image: 12 11/16 × 16 3/4 in. (32.2 × 42.6 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773532 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457965 | 41.102.160(11) | 0 | 0 | 773531 | 11 | 731 | Maison D'Orléans à Twickenham (Orleans House at Twickenham) | 3013 | 6010 | After | Édouard Pingret|Chaillou, Paris|Louis Philippe, King of France|Adolphe Jean Baptiste Bayot|Louis Pierre Alphonse Bichebois|Lemercier & Cie.|Michel Charles Fichot | French, Saint-Quentin 1788–1875 Saint-Quentin|French, Paris 1773–1850 Claremont, Surrey|French, 1810–1866|French, 1801–1850|French, Paris|French, Troyes 1817–1903 Paris | 58731 | 1788 |1840 |1773 |1810 |1801 |1817 | 1875 |1850 |1850 |1866 |1850 |1903 | 1846 | 1846 | 1846 | 34961 | Image: 12 11/16 × 16 7/8 in. (32.2 × 42.8 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773531 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457964 | 41.102.160(10) | 0 | 0 | 773530 | 11 | 731 | Le Roi Visite la Chapelle St. Georges (Monument de la Princesse Charlotte) / (The King's Visit to the Monument of Princess Charlotte in St. George's Chapel) | 3013 | 6009 | Arter | Édouard Pingret|Louis Philippe, King of France|Chaillou, Paris|Adolphe Jean Baptiste Bayot|Lemercier & Cie.|Prince Albert of Saxe-Coburg and Gotha|Queen Victoria | French, Saint-Quentin 1788–1875 Saint-Quentin|French, Paris 1773–1850 Claremont, Surrey|French, 1810–1866|French, Paris|Coburg, Germany 1819–1861 Windsor|British, London 1819–1901 Isle of Wight | 58730 | 1788 |1773 |1840 |1810 |1819 |1819 | 1875 |1850 |1850 |1866 |1861 |1901 | 1846 | 1846 | 1846 | 34961 | Image: 16 7/8 × 12 3/8 in. (42.8 × 31.4 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773530 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457962 | 41.102.160(8) | 0 | 0 | 773528 | 11 | 731 | Chambre à Coucher du Roi (The King's Bedroom) | 3013 | 6008 | After | Louis Philippe, King of France|Édouard Pingret|Chaillou, Paris|Lemercier & Cie.|Adolphe Rouargue|Jules David | French, Paris 1773–1850 Claremont, Surrey|French, Saint-Quentin 1788–1875 Saint-Quentin|French, Paris|French, Paris, 1810–after 1870 Paris|French, 1808–1892 | 58728 | 1773 |1788 |1840 |1810 |1808 | 1850 |1875 |1850 |1892 | 1846 | 1846 | 1846 | 34961 | Image: 12 in. × 16 9/16 in. (30.5 × 42 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773528 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457961 | 41.102.160(7) | 0 | 0 | 773527 | 11 | 731 | Présentation au Roi des Enfants de la Reine (Presentation to the King of the Queen's Children) | 3013 | 6007 | After | Queen Victoria|Chaillou, Paris|Louis Philippe, King of France|Édouard Pingret|Adolphe Jean Baptiste Bayot|Lemercier & Cie.|Princess Alice Maud Mary|Victoria, Princess Royal|Albert Edward, Prince of Wales | British, London 1819–1901 Isle of Wight|French, Paris 1773–1850 Claremont, Surrey|French, Saint-Quentin 1788–1875 Saint-Quentin|French, 1810–1866|French, Paris|London 1843–1878|British, London 1840–1901 Friedrichshof|British, London 1841–1910 London | 58727 | 1819 |1840 |1773 |1788 |1810 |1843 |1840 |1841 | 1901 |1850 |1850 |1875 |1866 |1878 |1901 |1910 | 1846 | 1846 | 1846 | 34961 | Image: 12 15/16 × 17 1/16 in. (32.8 × 43.4 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773527 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457960 | 41.102.160(6) | 0 | 0 | 773526 | 11 | 731 | Réception du Roi Sous Le Péristyle (Reception of the King Under the Peristyle at Windsor Castle) | 3013 | 6006 | After | Queen Victoria|Édouard Pingret|Ackermann & Co., London|Chaillou, Paris|Louis Philippe, King of France|Michel Charles Fichot|Lemercier & Cie.|Prince Albert of Saxe-Coburg and Gotha|Jacques François Gaudérique Llanta | British, London 1819–1901 Isle of Wight|French, Saint-Quentin 1788–1875 Saint-Quentin|British, active 1829–55|French, Paris 1773–1850 Claremont, Surrey|French, Troyes 1817–1903 Paris|French, Paris|Coburg, Germany 1819–1861 Windsor|French, Paris 1807–1864 Perpignan | 58726 | 1819 |1788 |1829 |1840 |1773 |1817 |1819 |1807 | 1901 |1875 |1855 |1850 |1850 |1903 |1861 |1807 | 1846 | 1846 | 1846 | 34961 | Image: 12 15/16 × 16 13/16 in. (32.8 × 42.7 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773526 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457959 | 41.102.160(5) | 0 | 0 | 773525 | 11 | 731 | Arrivée du Roi à Windsor (Arrival of the King at Windsor) | 3013 | 6005 | After | Édouard Pingret|Chaillou, Paris|Louis Philippe, King of France|Lemercier & Cie.|Jules Arnout|Victor Adam | French, Saint-Quentin 1788–1875 Saint-Quentin|French, Paris 1773–1850 Claremont, Surrey|French, Paris|French, 1814–1868|French, 1801–1866 | 58725 | 1788 |1840 |1773 |1814 |1801 | 1875 |1850 |1850 |1868 |1866 | 1846 | 1846 | 1846 | 34961 | Image: 12 1/2 in. × 17 in. (31.7 × 43.2 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773525 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457958 | 41.102.160(4) | 0 | 0 | 773524 | 11 | 731 | Débarquement à Gosport (Debarkation at Gosport) | 3013 | 6004 | After | Édouard Pingret|Victor Adam|Jean Baptiste Arnout|Lemercier & Cie.|Louis Philippe, King of France|Chaillou, Paris|Félix Achille Saint-Aulaire | French, Saint-Quentin 1788–1875 Saint-Quentin|French, 1801–1866|French, 1788–after 1865|French, Paris|French, Paris 1773–1850 Claremont, Surrey|French, Vercelli 1801–1889 Paris | 58724 | 1788 |1801 |1788 |1773 |1840 |1801 | 1875 |1866 |1865 |1850 |1850 |1889 | 1846 | 1846 | 1846 | 34961 | Image: 12 9/16 × 16 13/16 in. (31.9 × 42.7 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773524 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457957 | 41.102.160(3) | 0 | 0 | 773523 | 11 | 731 | "Le Gomer" dans le Port de Portsmouth ("Le Gomer" in Portsmouth Harbor) | 3013 | 6003 | Louis Philippe, King of France|Lemercier & Cie.|Chaillou, Paris | French, Paris 1773–1850 Claremont, Surrey|French, Paris | 58723 | 1773 |1840 | 1850 |1850 | 1846 | 1846 | 1846 | 34961 | Image: 12 15/16 × 16 3/4 in. (32.9 × 42.5 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773523 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 457956 | 41.102.160(2) | 0 | 0 | 773522 | 11 | 731 | Arrivée Devant Portsmouth (Arrival Off Portsmouth) | 3013 | 6002 | Chaillou, Paris|Lemercier & Cie.|Louis Philippe, King of France|Thomas Sewell Robins|Jean Baptiste Henri Durand-Brager | French, Paris|French, Paris 1773–1850 Claremont, Surrey|British, Devonport 1810–1880 London|French, Dol 1814–1879 Crimea | 58722 | 1840 |1773 |1810 |1814 | 1850 |1850 |1880 |1879 | 1846 | 1846 | 1846 | 34961 | Image: 12 1/2 × 16 9/16 in. (31.8 × 42 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773522 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 457955 | 41.102.160(1) | 0 | 0 | 773521 | 11 | 731 | Depart de Tréport (Departure from Le Tréport) | 3013 | 6001 | After | Léon Jean-Baptiste Sabatier|Lemercier & Cie.|Auguste Jean Marie Jugelet|Chaillou, Paris|Adolphe Jean Baptiste Bayot|Louis Philippe, King of France | French, active 1820–27, died 1887|French, Paris|French, Brest 1800–1875 Versailles|French, 1810–1866|French, Paris 1773–1850 Claremont, Surrey | 58721 | 1887 |1800 |1840 |1810 |1773 | 1887 |1875 |1850 |1866 |1850 | 1846 | 1846 | 1846 | 31088 | Image: 12 in. × 16 7/8 in. (30.5 × 42.9 cm) Sheet: 22 9/16 × 15 7/8 in. (57.3 × 40.4 cm) | Anonymous Gift, 1941 | 13 | http://www.metmuseum.org/art/collection/search/773521 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457503 | 51.501.7547 | 0 | 1 | 772849 | 11 | 731 | Portrait of Rubens' sons, Albert and Nikolaus | 6000 | After|Intermediary draftsman | Peter Paul Rubens|Charles Hutin|Nikolaus Rubens|Albert Rubens|Jean Daullé | Flemish, Siegen 1577–1640 Antwerp|French, Paris 1715–1776 Dresden|Belgian, 1618–1655|Flemish, 1614–1657|French, Abbeville 1703–1763 Paris | 58673 | 1577 |1715 |1618 |1614 |1703 | 1640 |1776 |1655 |1657 |1763 | 1752 | 1752 | 1752 | 7208 | Sheet (Trimmed): 15 3/8 × 8 3/8 in. (39.1 × 21.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/772849 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 457500 | 51.501.7540 | 0 | 1 | 772846 | 11 | 731 | Portrait of Helena Fourment, with a young page behind her | 5999 | After|Intermediary draftsman | John Boydell|Helena Fourment|Peter Paul Rubens|Josiah Boydell|Richard Earlom | British, Shropshire 1720–1804 London|Flemish, Antwerp 1614–1673 Brussels|Flemish, Siegen 1577–1640 Antwerp|British, Hawarden, Flintshire 1752–1817 Middlesex|British, London 1743–1822 London | 58672 | 1720 |1614 |1577 |1752 |1743 | 1804 |1673 |1640 |1817 |1822 | 1782 | 1782 | 1782 | 63691 | Sheet (Trimmed): 19 13/16 in. × 14 in. (50.4 × 35.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 14 | 13 | http://www.metmuseum.org/art/collection/search/772846 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457493 | 68.542.18 | 0 | 0 | 772839 | 11 | 731 | Portrait of Susanna Lunden, wearing wide-brimmed hat with feathers | 5998 | After | Aumont|Susanna Lunden|Louis Philibert Debucourt|Peter Paul Rubens | Paris|Flemish, 1599–1628|French, Paris 1755–1832 Paris|Flemish, Siegen 1577–1640 Antwerp | 58669 | 1599 |1755 |1577 | 1628 |1832 |1640 | ca. 1809–35 | 1804 | 1839 | 63690 | Plate: 18 3/8 × 13 3/8 in. (46.7 × 33.9 cm) Sheet: 20 15/16 × 15 5/16 in. (53.2 × 38.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1968 | 13 | http://www.metmuseum.org/art/collection/search/772839 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 457460 | 24.63.885 | 0 | 1 | 772797 | 11 | 731 | The Straw Hat (Le Chapeau de Paille), Portrait of Susanna Lunden | 5997 | After | McQueen & Co.|Susanna Lunden|Robert Cooper|Peter Paul Rubens|Hurst, Robinson & Co. | London|Flemish, 1599–1628|British, active London, by 1795–died 1836|Flemish, Siegen 1577–1640 Antwerp|London | 58664 | 1819 |1599 |1736 |1577 |1775 | 1956 |1628 |1836 |1640 |1850 | 1823 | 1823 | 1823 | 7208 | Image: 10 3/8 × 7 5/16 in. (26.3 × 18.6 cm) Sheet (Trimmed): 16 1/16 × 11 5/8 in. (40.8 × 29.6 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 27 | 13 | http://www.metmuseum.org/art/collection/search/772797 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457446 | 37.17.70 | 0 | 1 | 772770 | 11 | 731 | Portrait of one of Cornelis de Vos' children (probably), seated in a baby chair | 5996 | After | Denis Charles Buldet|Peter Paul Rubens|Cornelis de Vos|Manuel Salvador Carmona | French, active Paris, 1745–81|Flemish, Siegen 1577–1640 Antwerp|Flemish, Hulst 1584/85–1651 Antwerp|Spanish, 1734–1820 | 58662 | 1697 |1577 |1584 |1734 | 1797 |1640 |1651 |1820 | 1762 | 1762 | 1762 | 7208 | Plate: 13 7/16 × 8 3/8 in. (34.2 × 21.2 cm) Sheet: 18 3/4 in. × 13 in. (47.6 × 33 cm) | Gift of Edward W. Root, Elihu Root Jr. and Mrs. Ulysses S. Grant III, 1937 | 14 | 13 | http://www.metmuseum.org/art/collection/search/772770 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457393 | 51.501.7546 | 0 | 1 | 772126 | 11 | 731 | Portrait of one of Cornelis de Vos' children (probably), seated in a baby chair | 5995 | After | Cornelis de Vos|Denis Charles Buldet|Peter Paul Rubens|Manuel Salvador Carmona | Flemish, Hulst 1584/85–1651 Antwerp|French, active Paris, 1745–81|Flemish, Siegen 1577–1640 Antwerp|Spanish, 1734–1820 | 58656 | 1584 |1697 |1577 |1734 | 1651 |1797 |1640 |1820 | 1762 | 1762 | 1762 | 7208 | Sheet (Trimmed): 13 3/16 × 7 15/16 in. (33.5 × 20.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 14 | 13 | http://www.metmuseum.org/art/collection/search/772126 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458386 | 58.559.169 | 0 | 0 | 774548 | 11 | 731 | Study of a man with a poleax | 5995 | After | Giulio Campi|Chalcographie du Louvre|Titian (Tiziano Vecellio)|Alphonse Leroy | Italian, Cremona 1502–1572|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice|French, Lille 1820–1902 | 58838 | 1502 |1485 |1820 | 1572 |1576 |1902 | 1849 | 1849 | 1849 | 63738 | Plate: 15 1/16 × 10 9/16 in. (38.3 × 26.8 cm) Sheet: 19 1/4 × 14 9/16 in. (48.9 × 37 cm) | Gift of Mrs. Hermann Warner Williams Jr., 1958 | 13 | http://www.metmuseum.org/art/collection/search/774548 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 457391 | 51.501.7539 | 0 | 1 | 772118 | 11 | 731 | Portrait of Helena Fourment, Rubens' second wife, wearing a fur coat over her shoulders | 5994 | Intermediary draftsman|After | Thomas Chambars|Helena Fourment|Richard Earlom|John Boydell|Peter Paul Rubens | British, London ca. 1724–1789 London|Flemish, Antwerp 1614–1673 Brussels|British, London 1743–1822 London|British, Shropshire 1720–1804 London|Flemish, Siegen 1577–1640 Antwerp | 58654 | 1724 |1614 |1743 |1720 |1577 | 1789 |1673 |1822 |1804 |1640 | 1767 | 1767 | 1767 | 26137 | Sheet (Trimmed): 19 3/4 × 14 3/16 in. (50.2 × 36.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/772118 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 457354 | 51.501.7560 | 0 | 1 | 772013 | 11 | 731 | Portrait of Albert VII, Archduke of Austria | 5993 | Intermediary draftsman|After | Pieter Soutman|Pieter Soutman|Infanta Isabella Clara Eugenia|Peter Paul Rubens|Pieter Soutman|Jonas Suyderhoef | Dutch, ca. 1580–1657|Dutch, ca. 1580–1657|Spanish, Segovia 1566–1633 Brussels|Flemish, Siegen 1577–1640 Antwerp|Dutch, ca. 1580–1657|Dutch, Haarlem ca. 1613–1686 Haarlem | (border)|(portrait) | 58641 | 1580 |1580 |1566 |1577 |1580 |1613 | 1657 |1657 |1633 |1640 |1657 |1686 | ca. 1650 | 1645 | 1655 | 32458 | Sheet (Trimmed): 16 3/8 in. × 11 in. (41.6 × 28 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/772013 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457337 | 17.3.756-1438 | 0 | 1 | 771991 | 11 | 5018 | Portrait of Nicholaes Rockox | 5992 | After | Paulus Pontius|Anthony van Dyck|Nicholaes Rockox|Peter Paul Rubens|Herman de Neyt | Flemish, Antwerp 1603–1658 Antwerp|Flemish, Antwerp 1599–1641 London|Flemish, Antwerp 1560–1640 Antwerp|Flemish, Siegen 1577–1640 Antwerp|Flemish, Antwerp 1588–1642 Delft | 58635 | 1603 |1599 |1560 |1577 |1588 | 1658 |1641 |1640 |1640 |1642 | 1639 | 1639 | 1639 | 63683 | Sheet (Trimmed): 10 7/16 × 7 3/16 in. (26.5 × 18.3 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/771991 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 457329 | 51.501.7541 | 0 | 1 | 771944 | 11 | 731 | Portrait of Helena Fourment, Rubens' second wife, wearing a fur coat over her shoulders | 5991 | After | F. X. Stöckl|Peter Paul Rubens|Helena Fourment|Jakob Mettenleiter | Austrian, active Vienna, 1763–1815|Flemish, Siegen 1577–1640 Antwerp|Flemish, Antwerp 1614–1673 Brussels|German, Grosskuchen 1750–1825 St. Petersburg | 58631 | 1763 |1577 |1614 |1750 | 1815 |1640 |1673 |1825 | ca. 1786–1815 | 1781 | 1820 | 37370 | Sheet (Trimmed): 12 15/16 × 8 15/16 in. (32.8 × 22.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 511 | 13 | http://www.metmuseum.org/art/collection/search/771944 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457497 | 47.100.1082 | 0 | 0 | 772843 | 11 | 731 | Portrait of Helena Fourment | 5991 | After | Alfred Salmon|Peter Paul Rubens|Helena Fourment|Nikolaj Mossoloff | French, Paris 1825–?1894|Flemish, Siegen 1577–1640 Antwerp|Flemish, Antwerp 1614–1673 Brussels | 58671 | 1825 |1577 |1614 | 1925 |1640 |1673 | ca. 1863–94 | 1858 | 1899 | 26137 | Plate: 9 1/2 × 6 3/4 in. (24.2 × 17.2 cm) Sheet: 17 5/8 × 12 1/2 in. (44.8 × 31.7 cm) | Harris Brisbane Dick Fund, 1947 | 13 | http://www.metmuseum.org/art/collection/search/772843 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 457328 | 51.501.7545 | 0 | 1 | 771943 | 11 | 731 | Portrait of Helena Fourment | 5990 | After | William Dickinson|Helena Fourment|Peter Paul Rubens | British, 1746–1823|Flemish, Antwerp 1614–1673 Brussels|Flemish, Siegen 1577–1640 Antwerp | 58630 | 1746 |1614 |1577 | 1823 |1673 |1640 | 1780 | 1780 | 1780 | 29072 | Sheet (Trimmed): 14 × 10 in. (35.6 × 25.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 14 | 13 | http://www.metmuseum.org/art/collection/search/771943 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457729 | 17.3.756-2453 | 0 | 0 | 773258 | 11 | 731 | Portrait of Christiane Henriette Koch as Pelopia | 5990 | After | Johann Friedrich Bause|Christiane Henriette Koch|Anton Graff | German, Halle (Saale) 1738–1814 Weimar|German, 1731–1804|Swiss, Winterthur 1736–1813 Dresden | 58713 | 1738 |1731 |1736 | 1814 |1804 |1813 | 1770 | 1770 | 1770 | 32759 | Sheet (Trimmed): 12 5/8 in. × 9 in. (32 × 22.8 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/773258 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 457327 | 59.508.100 | 0 | 1 | 771938 | 11 | 731 | Raffle Ticket for the Painting of Venus and Cupid after Michelangelo | 5989 | After|After|Associated with | Giorgio Vasari|Gerard Vandergucht|Michelangelo Buonarroti|Jacopo da Pontormo (Jacopo Carucci) | Italian, Arezzo 1511–1574 Florence|British, London 1696–1776 London|Italian, Caprese 1475–1564 Rome|Italian, Pontormo 1494–1556 Florence | 58629 | 1511 |1696 |1475 |1494 | 1574 |1776 |1564 |1556 | 1734 | 1734 | 1734 | 63682 | Sheet: 13 3/4 × 8 11/16 in. (35 × 22 cm) | The Elisha Whittelsey Fund, The Elisha Whittelsey Collection, 1959 | 13 | http://www.metmuseum.org/art/collection/search/771938 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 457326 | 51.501.7543 | 0 | 1 | 771936 | 11 | 731 | Portrait of Susanna Lunden, sister of Helena Fourment | 5988 | Misattributed to|After | William Pether|Susanna Lunden|Helena Fourment|Peter Paul Rubens | British, Carlisle ca. 1738–1821 Bristol|Flemish, 1599–1628|Flemish, Antwerp 1614–1673 Brussels|Flemish, Siegen 1577–1640 Antwerp | 58628 | 1733 |1599 |1614 |1577 | 1821 |1628 |1673 |1640 | 1769 | 1769 | 1769 | 29072 | Sheet (Trimmed): 20 in. × 14 1/8 in. (50.8 × 35.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/771936 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 457324 | 51.501.7544 | 0 | 1 | 771912 | 11 | 731 | Portrait of Susanna Lunden, sister of Helena Fourment | 5987 | Misattributed to|After | Helena Fourment|Thomas Bradford|Peter Paul Rubens|Susanna Lunden|William Elliot | Flemish, Antwerp 1614–1673 Brussels|British, active London, 1763–73|Flemish, Siegen 1577–1640 Antwerp|Flemish, 1599–1628|British, active London, 1727–66 | 58626 | 1614 |1673 |1577 |1599 |1727 | 1673 |1773 |1640 |1628 |1766 | 1763–66 | 1763 | 1766 | 7208 | Sheet (Trimmed): 9 5/16 × 6 9/16 in. (23.7 × 16.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/771912 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 457319 | 51.501.7538 | 0 | 1 | 771897 | 11 | 731 | Rubens, his wife, Helena Fourment, and their son, Frans | 5986 | After | James McArdell|Helena Fourment|Frans Rubens|Peter Paul Rubens|Peter Paul Rubens | Irish, Dublin 1729–1765 London|Flemish, Antwerp 1614–1673 Brussels|Flemish, Antwerp 1633–1678|Flemish, Siegen 1577–1640 Antwerp|Flemish, Siegen 1577–1640 Antwerp | 58621 | 1729 |1614 |1633 |1577 |1577 | 1765 |1673 |1678 |1640 |1640 | ca. 1740–65 | 1735 | 1770 | 29072 | Sheet (Trimmed): 20 1/16 × 14 3/16 in. (51 × 36 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/771897 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 457317 | 24.63.107 | 0 | 1 | 771892 | 11 | 731 | Rubens, his wife, Helena Fourment, and their son, Frans | 5985 | After | Helena Fourment|Frans Rubens|Peter Paul Rubens|James McArdell|Peter Paul Rubens | Flemish, Antwerp 1614–1673 Brussels|Flemish, Antwerp 1633–1678|Flemish, Siegen 1577–1640 Antwerp|Irish, Dublin 1729–1765 London|Flemish, Siegen 1577–1640 Antwerp | 58620 | 1614 |1633 |1577 |1729 |1577 | 1673 |1678 |1640 |1765 |1640 | ca. 1740–65 | 1735 | 1770 | 29072 | Plate: 20 1/8 × 14 1/8 in. (51.1 × 35.8 cm) Sheet: 21 3/16 × 15 3/16 in. (53.8 × 38.5 cm) | Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924 | 27 | 13 | http://www.metmuseum.org/art/collection/search/771892 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 457256 | 51.501.7574 | 0 | 1 | 771716 | 11 | 731 | The Four Philosophers: Justus Lipsius, Hugo Grotius, Peter Paul Rubens, and Philip Rubens | 5984 | After|After | Hugo Grotius|Peter Paul Rubens|Philip Rubens|Justus Lipsius|Ferdinando Gregori|Giuseppe Vanni|Peter Paul Rubens | Dutch, 1583–1645|Flemish, Siegen 1577–1640 Antwerp|Flemish, Siegen 1574–1611|Netherlands, Overijse 1547–1606 Louvain, Brabant|Italian, 1743(?)–1804|Italian, active Florence, 1770–82|Flemish, Siegen 1577–1640 Antwerp | 58597 | 1583 |1577 |1574 |1547 |1743 |1720 |1577 | 1645 |1640 |1611 |1606 |1804 |1820 |1640 | 1770–82 | 1770 | 1782 | 6712 | Sheet (Trimmed): 15 13/16 × 11 3/4 in. (40.2 × 29.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | 13 | http://www.metmuseum.org/art/collection/search/771716 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 457223 | 28.7.4 | 0 | 1 | 771624 | 11 | 731 | Portrait of Theophrastus Paracelsus | 5983 | Intermediary draftsman|After | Pieter Van Sompel|Pieter Soutman|Pieter Soutman|Peter Paul Rubens|Paracelsus | Dutch, ca. 1600–ca. 1643|Dutch, ca. 1580–1657|Dutch, ca. 1580–1657|Flemish, Siegen 1577–1640 Antwerp|Swiss, Einsiedeln 1493 or 1494–1541 Salzburg | 58592 | 1600 |1580 |1580 |1577 |1493 | 1643 |1657 |1657 |1640 |1541 | 1615–43 | 1615 | 1643 | 41791 | Plate: 12 1/16 × 8 11/16 in. (30.7 × 22 cm) Sheet: 13 7/16 × 9 13/16 in. (34.2 × 24.9 cm) | Harris Brisbane Dick Fund, 1928 | 13 | http://www.metmuseum.org/art/collection/search/771624 | 4/23/2018 8:00:01 AM | 1 |