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Link | rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date ▼ | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
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184183 | 184183 | 1982.1182.824–.826 | 0 | 0 | 288239 | Photographs 13 | Stereographs 13055 | [Group of 3 Early Stereograph Views of British Public Buildings] | Artist|Artist|Publisher 895 | Unknown|F. G. O. Stuart|John Browning | British|British|British | Unknown|Stuart, F. G. O.|Browning, John 16292 | British|British 9 | 1850s–1910s | 1850 | 1919 | Albumen silver prints 26067 | Mounts approximately: 8.4 x 16.9 cm (3 5/16 x 6 5/8 in.) to 8.6 x 17.5 cm (3 3/8 x 6 7/8 in.) | Gift of Weston J. Naef, in memory of Kathleen W. Naef and Weston J. Naef Sr., 1982 | Photographs 21 | http://www.metmuseum.org/art/collection/search/288239 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||||
219345 | 219345 | 1991.1073.38 | 0 | 0 | 346865 | Drawings and Prints 11 | Book Prints Ornament & Architecture 13868 | Collection "Décors et Couleurs" Album No. 2: Soixante-Dix Motifs Décoratifs en Dix-Huit Planches | Artist|Artist|Publisher 895 | Rep. artist|Published by | Jean Burkhalter|Jean Saudé|Éditions Albert Lévy | French | , Paris | Burkhalter, Jean|Saudé, Jean|Lévy, Albert, Éditions 22501 | French|French 21 | [ca. 1930] | 1925 | 1935 | Pochoir 30782 | Overall: 16 x 13 1/4 x 9/16 in. (40.7 x 33.6 x 1.4 cm) | Rogers Fund, 1931, transferred from the Library (1991.1073.38) | Paris 27 | Books|Prints|Ornament & Architecture 679 | http://www.metmuseum.org/art/collection/search/346865 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
402785 | 402785 | 58.580.49–.50 | 0 | 0 | 658446 | Photographs 13 | Albums 5037 | Dans l'Intimité de Personnages Illustres (title); Album de Photographies (cover title) | Artist|Artist|Publisher 895 | Pierre-Marie Lizerolles|J. M. Dufrénoy|Éditions Maurice Devries | French, active 19th century|French, active 19th century|French, active mid-20th century | Lizerolles, Pierre-Marie|Dufrénoy, J. M.|Éditions Maurice Devries 51120 | French|French|French 103 | 1945 (?) | 1945 | 1945 | Collotypes 26072 | Gift of Louise Bechtel, 1958 | Books 442 | http://www.metmuseum.org/art/collection/search/658446 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||||
402993 | 402993 | 2014.426 | 0 | 0 | 658672 | Photographs 13 | Photographically Illustrated Book 13109 | Dans l'Intimité de Personnages Illustres (title); Album de Photographies (cover title) | Artist|Artist|Publisher 895 | Pierre-Marie Lizerolles|J. M. Dufrénoy|Éditions Maurice Devries | French, active 19th century|French, active 19th century|French, active mid-20th century | Lizerolles, Pierre-Marie|Dufrénoy, J. M.|Éditions Maurice Devries 51120 | French|French|French 103 | 1945 (?) | 1945 | 1945 | Collotypes 26072 | McAlpin Fund, 1952 | Books 442 | http://www.metmuseum.org/art/collection/search/658672 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||||
437026 | 437026 | 1991.1073.38(2) | 0 | 0 | 727102 | Drawings and Prints 11 | Book Prints Ornament & Architecture 13868 | Collection "Décors et Couleurs" Album No. 2, Planche 2 | Artist|Artist|Publisher 895 | Rep. artist|Published by | Jean Burkhalter|Jean Saudé|Éditions Albert Lévy | French | , Paris | Burkhalter, Jean|Saudé, Jean|Lévy, Albert, Éditions 22501 | [ca. 1930] | 1925 | 1935 | Pochoir 30782 | Sheet: 15 1/2 × 12 1/8 in. (39.4 × 30.8 cm) Album: 16 in. × 13 1/4 in. × 9/16 in. (40.7 × 33.6 × 1.4 cm) | Rogers Fund, 1931, transferred from the Library (1991.1073.38) | Paris 27 | Books|Prints|Ornament & Architecture 679 | http://www.metmuseum.org/art/collection/search/727102 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
437027 | 437027 | 1991.1073.38(3) | 0 | 0 | 727103 | Drawings and Prints 11 | Book Prints Ornament & Architecture 13868 | Collection "Décors et Couleurs" Album No. 2, Planche 3 | Artist|Artist|Publisher 895 | Rep. artist|Published by | Jean Burkhalter|Jean Saudé|Éditions Albert Lévy | French | , Paris | Burkhalter, Jean|Saudé, Jean|Lévy, Albert, Éditions 22501 | [ca. 1930] | 1925 | 1935 | Pochoir 30782 | Sheet: 15 1/2 × 12 1/8 in. (39.4 × 30.8 cm) Album: 16 in. × 13 1/4 in. × 9/16 in. (40.7 × 33.6 × 1.4 cm) | Rogers Fund, 1931, transferred from the Library (1991.1073.38) | Paris 27 | Books|Prints|Ornament & Architecture 679 | http://www.metmuseum.org/art/collection/search/727103 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
437028 | 437028 | 1991.1073.38(4) | 0 | 0 | 727104 | Drawings and Prints 11 | Book Prints Ornament & Architecture 13868 | Collection "Décors et Couleurs" Album No. 2, Planche 4 | Artist|Artist|Publisher 895 | Rep. artist|Published by | Jean Saudé|Jean Burkhalter|Éditions Albert Lévy | French | , Paris | Saudé, Jean|Burkhalter, Jean|Lévy, Albert, Éditions 55573 | [ca. 1930] | 1925 | 1935 | Pochoir 30782 | Sheet: 15 1/2 × 12 1/8 in. (39.4 × 30.8 cm) Album: 16 in. × 13 1/4 in. × 9/16 in. (40.7 × 33.6 × 1.4 cm) | Rogers Fund, 1931, transferred from the Library (1991.1073.38) | Paris 27 | Books|Prints|Ornament & Architecture 679 | http://www.metmuseum.org/art/collection/search/727104 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
437029 | 437029 | 1991.1073.38(5) | 0 | 0 | 727105 | Drawings and Prints 11 | Book Prints Ornament & Architecture 13868 | Collection "Décors et Couleurs" Album No. 2, Planche 5 | Artist|Artist|Publisher 895 | Rep. artist|Published by | Jean Burkhalter|Jean Saudé|Éditions Albert Lévy | French | , Paris | Burkhalter, Jean|Saudé, Jean|Lévy, Albert, Éditions 22501 | [ca. 1930] | 1925 | 1935 | Pochoir 30782 | Sheet: 15 1/2 × 12 1/8 in. (39.4 × 30.8 cm) Album: 16 in. × 13 1/4 in. × 9/16 in. (40.7 × 33.6 × 1.4 cm) | Rogers Fund, 1931, transferred from the Library (1991.1073.38) | Paris 27 | Books|Prints|Ornament & Architecture 679 | http://www.metmuseum.org/art/collection/search/727105 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
437042 | 437042 | 1991.1073.38(14) | 0 | 0 | 727118 | Drawings and Prints 11 | Book Prints Ornament & Architecture 13868 | Collection "Décors et Couleurs" Album No. 2, Planche 14 | Artist|Artist|Publisher 895 | Rep. artist|Published by | Jean Saudé|Jean Burkhalter|Éditions Albert Lévy | French | , Paris | Saudé, Jean|Burkhalter, Jean|Lévy, Albert, Éditions 55573 | [ca. 1930] | 1925 | 1935 | Pochoir 30782 | Sheet: 15 9/16 × 12 1/8 in. (39.5 × 30.8 cm) Album: 16 in. × 13 1/4 in. × 9/16 in. (40.7 × 33.6 × 1.4 cm) | Rogers Fund, 1931, transferred from the Library (1991.1073.38) | Paris 27 | Books|Prints|Ornament & Architecture 679 | http://www.metmuseum.org/art/collection/search/727118 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
437045 | 437045 | 1991.1073.38(15) | 0 | 0 | 727121 | Drawings and Prints 11 | Book Prints Ornament & Architecture 13868 | Collection "Décors et Couleurs" Album No. 2, Planche 15 | Artist|Artist|Publisher 895 | Rep. artist|Published by | Jean Burkhalter|Jean Saudé|Éditions Albert Lévy | French | , Paris | Burkhalter, Jean|Saudé, Jean|Lévy, Albert, Éditions 22501 | [ca. 1930] | 1925 | 1935 | Pochoir 30782 | Sheet: 15 9/16 × 12 1/8 in. (39.5 × 30.8 cm) Album: 16 in. × 13 1/4 in. × 9/16 in. (40.7 × 33.6 × 1.4 cm) | Rogers Fund, 1931, transferred from the Library (1991.1073.38) | Paris 27 | Books|Prints|Ornament & Architecture 679 | http://www.metmuseum.org/art/collection/search/727121 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
285957 | 285957 | 26.72.26 | 0 | 1 | 415267 | Drawings and Prints 11 | Print 731 | River Landscape with Daedalus and Icarus | Artist|Artist|Publisher 895 | Attributed to|After | Simon Novellanus|Pieter Bruegel the Elder|Joris Hoefnagel | 16th century|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp 1542–1601 Vienna | Novellanus, Simon|Bruegel, Pieter, the Elder|Hoefnagel, Joris 41310 | Netherlandish|Netherlandish 327 | 0016 |1525 |1542 | 0016 |1569 |1601 | ca. 1595 | 1590 | 1600 | Etching; first state of two 29408 | Sheet: 10 7/16 x 13 1/4 in. (26.5 x 33.7 cm) | Harris Brisbane Dick Fund, 1926 | Prints 13 | http://www.metmuseum.org/art/collection/search/415267 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
285960 | 285960 | 46.110.2 | 0 | 1 | 415270 | Drawings and Prints 11 | Print 731 | River Landscape with Mercury Abducting Psyche | Artist|Artist|Publisher 895 | After | Simon Novellanus|Pieter Bruegel the Elder|Joris Hoefnagel | 16th century|Netherlandish, Breda (?) ca. 1525–1569 Brussels|Netherlandish, Antwerp 1542–1601 Vienna | Novellanus, Simon|Bruegel, Pieter, the Elder|Hoefnagel, Joris 41310 | Netherlandish|Netherlandish 327 | 0016 |1525 |1542 | 0016 |1569 |1601 | ca. 1595 | 1590 | 1600 | Etching; first state of two 29408 | Sheet: 10 11/16 x 13 3/8 in. (27.2 x 34 cm) | Harris Brisbane Dick Fund, 1946 | Prints 13 | http://www.metmuseum.org/art/collection/search/415270 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
217286 | 217286 | 51.540.4 | 0 | 0 | 344777 | Drawings and Prints 11 | Book 97 | Cinquieme Suite de Vases | Artist|Artist|Publisher 895 | Published by | Adélaide Allou|P. Nicolet|Chez Basan | French|French, 18th century | Allou, Adélaide|Nicolet, P.|Chez Basan 21072 | French|French|French 103 | 0018 | 0018 | [about 1771] | 1771 | 1771 | Etching 26137 | Overall: 14 1/8 x 10 9/16 x 5/16 in. (35.8 x 26.8 x 0.8 cm) | Harris Brisbane Dick Fund, 1951 | Paris 27 | Books 442 | http://www.metmuseum.org/art/collection/search/344777 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
237336 | 237336 | 17.3.756–1726 | 0 | 0 | 365318 | Drawings and Prints 11 | Print 731 | Lord Byron, as he appeared after his daily ride at Pisa and Genoa | Artist|Artist|Publisher 895 | After|Published by | Mrs. Leigh Hunt|Samuel Freeman|Henry Colburn | British, 19th century|British, 1773/74–1857 London|British, died 1855 London | , London | Hunt, Leigh Mrs.|Freeman, Samuel|Colburn, Henry 32463 | British|British|British 178 | 0019 |1773 |1755 | 0019 |1857 |1855 | 1828 | 1828 | 1828 | Etching 26137 | sheet: 9 15/16 x 8 1/8 in. (25.2 x 20.7 cm) | Harris Brisbane Dick Fund, 1917 | Prints 13 | http://www.metmuseum.org/art/collection/search/365318 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
426393 | 426393 | Ref.110 | 0 | 0 | 708078 | Drawings and Prints 11 | Print 731 | Plate 4: the story of the Pisan saints, here combat with saint Ephesus, after the frescoes by Spinello Aretino in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812) | Artist|Artist|Publisher 895 | After | Spinello Aretino (Spinello di Luca Spinelli)|Carlo Lasinio|Molini Publishing House | Italian, born Arezzo 1345–52, died 1410 Arezzo|Italian, Treviso 1759–1838 Pisa|Florence | Spinello Aretino (Spinello di Luca Spinelli)|Lasinio, Carlo|Molini 54428 | 1345 |1759 | 1410 |1838 | 1810 | 1810 | 1810 | Etching 26137 | Plate: 18 1/2 × 32 5/16 in. (47 × 82 cm) | Prints 13 | http://www.metmuseum.org/art/collection/search/708078 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
426552 | 426552 | Ref.125 | 0 | 0 | 708310 | Drawings and Prints 11 | Print 731 | Plate 22: Abraham and others adoring false gods after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812) | Artist|Artist|Publisher 895 | After | Benozzo Gozzoli (Benozzo di Lese di Sandro)|Carlo Lasinio|Molini Publishing House | Italian, Florence ca. 1420–1497 Pistoia|Italian, Treviso 1759–1838 Pisa|Florence | Gozzoli, Benozzo (Benozzo di Lese di Sandro)|Lasinio, Carlo|Molini 54445 | 1420 |1759 | 1497 |1838 | ca. 1808–12 | 1803 | 1813 | Etching 26137 | Plate: 19 1/8 × 31 7/8 in. (48.5 × 81 cm) | Prints 13 | http://www.metmuseum.org/art/collection/search/708310 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
426690 | 426690 | Ref.134 | 0 | 0 | 708449 | Drawings and Prints 11 | Print 731 | Plate 32: The innocence of Joseph after the frescoes by Benozzo Gozzoli in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812) | Artist|Artist|Publisher 895 | After | Benozzo Gozzoli (Benozzo di Lese di Sandro)|Carlo Lasinio|Molini Publishing House | Italian, Florence ca. 1420–1497 Pistoia|Italian, Treviso 1759–1838 Pisa|Florence | Gozzoli, Benozzo (Benozzo di Lese di Sandro)|Lasinio, Carlo|Molini 54445 | 1420 |1759 | 1497 |1838 | ca. 1808–12 | 1803 | 1813 | Etching 26137 | Plate: 16 5/16 × 31 7/8 in. (41.5 × 81 cm) | Prints 13 | http://www.metmuseum.org/art/collection/search/708449 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
454669 | 454669 | 41.97.402 | 0 | 0 | 765294 | Drawings and Prints 11 | Print 731 | Plate 5: a procession of youths, followed by elephants at right, a Corinthian column at right decorated with grotesque motifs and war symbols, from 'The Triumph of Caesar' (Trionfo di Cesare) | 'The Triumph of Caesar' (Trionfo di Cesare) 2995 | Artist|Artist|Publisher 895 | After | Andrea Mantegna|Robert van Audenaerde|Domenico de Rossi | Italian, Isola di Carturo 1430/31–1506 Mantua|Flemish, Ghent 1663–1743 Ghent|Italian, Rome 1647–1729 Rome | Mantegna, Andrea|Audenaerde, Robert van|de Rossi, Domenico 58052 | 1430 |1663 |1647 | 1506 |1743 |1729 | 1692 | 1692 | 1692 | Etching and engraving 6712 | Plate: 15 9/16 × 17 7/16 in. (39.5 × 44.3 cm) Sheet: 18 13/16 × 26 7/16 in. (47.8 × 67.2 cm) | Gift of Harry S. Newman, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/765294 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
278290 | 278290 | 41.71.1.21(34) | 0 | 0 | 407476 | Drawings and Prints 11 | Print 731 | Presentation in the Temple, from Schola Italica Picturae, plate 6 | Artist|Artist|Publisher 895 | After | Fra Bartolomeo (Bartolomeo di Paolo del Fattorino)|Angelo Campanella|Gavin Hamilton | Italian, Florence 1473–1517 Florence|Italian, 1746–1811|British, Murdieston, Lothian, Scotland 1723–1798 Rome | Bartolomeo, Fra (Bartolomeo di Paolo del Fattorino)|Campanella, Angelo|Hamilton, Gavin 40814 | Italian|Italian|British, Scottish 3172 | 1473 |1746 |1723 | 1517 |1811 |1798 | 1771 | 1771 | 1771 | Etching 26137 | Sheet: 21 5/8 x 15 9/16 in. (55 x 39.5 cm) Plate: 11 7/16 x 10 13/16 in. (29 x 27.4 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/407476 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
282616 | 282616 | 53.600.3184 | 0 | 1 | 411920 | Drawings and Prints 11 | Print 731 | Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum) | Artist|Artist|Publisher 895 | After|After|Published London by | Leonardo da Vinci|Wenceslaus Hollar|John Clarke | Italian, Vinci 1452–1519 Amboise|Bohemian, Prague 1607–1677 London|British, active 1788–91 | Leonardo da Vinci|Hollar, Wenceslaus|Clarke, John 41102 | Italian|Bohemian|British 3190 | 1452 |1607 |1760 | 1519 |1677 |1820 | 1786 | 1786 | 1786 | Etching 26137 | Plate: 7 11/16 x 6 5/16 in. (19.5 x 16 cm) Sheet: 7 7/8 x 6 9/16 in. (20 x 16.7 cm) | Harris Brisbane Dick Fund, 1953 | Prints 13 | http://www.metmuseum.org/art/collection/search/411920 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
282617 | 282617 | 53.600.3185 | 0 | 1 | 411921 | Drawings and Prints 11 | Print 731 | Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum) | Artist|Artist|Publisher 895 | After|After|Published London by | Leonardo da Vinci|Wenceslaus Hollar|John Clarke | Italian, Vinci 1452–1519 Amboise|Bohemian, Prague 1607–1677 London|British, active 1788–91 | Leonardo da Vinci|Hollar, Wenceslaus|Clarke, John 41102 | Italian|Bohemian|British 3190 | 1452 |1607 |1760 | 1519 |1677 |1820 | 1786 | 1786 | 1786 | Etching 26137 | Plate: 7 5/8 x 6 1/4 in. (19.4 x 15.9 cm) Sheet: 7 7/8 x 6 7/16 in. (20 x 16.4 cm) | Harris Brisbane Dick Fund, 1953 | Prints 13 | http://www.metmuseum.org/art/collection/search/411921 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
282618 | 282618 | 53.600.3186 | 0 | 1 | 411922 | Drawings and Prints 11 | Print 731 | Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum) | Artist|Artist|Publisher 895 | After|After|Published London by | Leonardo da Vinci|Wenceslaus Hollar|John Clarke | Italian, Vinci 1452–1519 Amboise|Bohemian, Prague 1607–1677 London|British, active 1788–91 | Leonardo da Vinci|Hollar, Wenceslaus|Clarke, John 41102 | Italian|Bohemian|British 3190 | 1452 |1607 |1760 | 1519 |1677 |1820 | 1786 | 1786 | 1786 | Etching 26137 | Plate: 7 13/16 x 6 5/16 in. (19.8 x 16.1 cm) Sheet: 8 1/16 x 6 9/16 in. (20.4 x 16.7 cm) | Harris Brisbane Dick Fund, 1953 | Prints 13 | http://www.metmuseum.org/art/collection/search/411922 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
282619 | 282619 | 53.600.3187 | 0 | 1 | 411923 | Drawings and Prints 11 | Print 731 | Four Heads (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum) | Artist|Artist|Publisher 895 | After|After|Published London by | Leonardo da Vinci|Wenceslaus Hollar|John Clarke | Italian, Vinci 1452–1519 Amboise|Bohemian, Prague 1607–1677 London|British, active 1788–91 | Leonardo da Vinci|Hollar, Wenceslaus|Clarke, John 41102 | Italian|Bohemian|British 3190 | 1452 |1607 |1760 | 1519 |1677 |1820 | 1786 | 1786 | 1786 | Etching 26137 | Plate: 7 11/16 x 6 5/16 in. (19.6 x 16 cm) Sheet: 7 7/8 x 6 1/2 in. (20 x 16.5 cm) | Harris Brisbane Dick Fund, 1953 | Prints 13 | http://www.metmuseum.org/art/collection/search/411923 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
268630 | 268630 | 2012.136.278 | 0 | 1 | 397693 | Drawings and Prints 11 | Print 731 | Plate 30: Cupid and Psyche plead their cases before the Gods, from the 'Fable of Cupd and Psyche' | Artist|Artist|Publisher 895 | After | Raphael (Raffaello Sanzio or Santi)|Master of the Die|Antonio Salamanca | Italian, Urbino 1483–1520 Rome|Italian, active Rome, ca. 1530–60|Salamanca 1478–1562 Rome | Raphael (Raffaello Sanzio or Santi)|Master of the Die|Salamanca, Antonio 39726 | Italian|Italian 93 | 1483 |1525 |1478 | 1520 |1560 |1562 | 1530–60 | 1530 | 1560 | Engraving 7208 | plate: 7 11/16 x 8 7/8 in. (19.6 x 22.6 cm) | Bequest of Phyllis Massar, 2011 | Prints 13 | http://www.metmuseum.org/art/collection/search/397693 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
421594 | 421594 | 21.36.12(7) | 0 | 0 | 698430 | Drawings and Prints 11 | Book 97 | Plate 5: God the Father creating Adam and Eve; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael | Artist|Artist|Publisher 895 | After | Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti|Giovanni Giacomo De Rossi | Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675|Italian, Rome 1627–1691 Rome | Raphael (Raffaello Sanzio or Santi)|Fantetti, Cesare|Rossi, Giovanni Giacomo De 53659 | 1483 |1660 |1627 | 1520 |1675 |1691 | 1675 | 1675 | 1675 | Etching 26137 | Plate: 9 5/16 × 10 1/8 in. (23.7 × 25.7 cm) | Museum Accession, transferred from the Library, 1921 | Rome 571 | Books 442 | http://www.metmuseum.org/art/collection/search/698430 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
421597 | 421597 | 21.36.12(9) | 0 | 0 | 698434 | Drawings and Prints 11 | Book 97 | Plate 7: The expulsion of Adam and Eve from the Garden of Paradise; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael | Artist|Artist|Publisher 895 | After | Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti|Giovanni Giacomo De Rossi | Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675|Italian, Rome 1627–1691 Rome | Raphael (Raffaello Sanzio or Santi)|Fantetti, Cesare|Rossi, Giovanni Giacomo De 53659 | 1483 |1660 |1627 | 1520 |1675 |1691 | 1675 | 1675 | 1675 | Etching 26137 | Plate: 9 7/16 × 10 1/8 in. (23.9 × 25.7 cm) | Museum Accession, transferred from the Library, 1921 | Rome 571 | Books 442 | http://www.metmuseum.org/art/collection/search/698434 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
421694 | 421694 | 21.36.12(45) | 0 | 0 | 698551 | Drawings and Prints 11 | Book 97 | Plate 44: David watching Bathsheba bathing on the roof of the palace while soldiers march below; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael | Artist|Artist|Publisher 895 | After | Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti|Giovanni Giacomo De Rossi | Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675|Italian, Rome 1627–1691 Rome | Raphael (Raffaello Sanzio or Santi)|Fantetti, Cesare|Rossi, Giovanni Giacomo De 53659 | 1483 |1660 |1627 | 1520 |1675 |1691 | 1675 | 1675 | 1675 | Etching 26137 | Plate: 9 5/8 × 11 1/8 in. (24.4 × 28.3 cm) | Museum Accession, transferred from the Library, 1921 | Rome 571 | Books 442 | http://www.metmuseum.org/art/collection/search/698551 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
421678 | 421678 | 21.36.12(38) | 0 | 0 | 698530 | Drawings and Prints 11 | Book 97 | Plate 37: The crossing of the Jordan; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael | Artist|Artist|Publisher 895 | After | Raphael (Raffaello Sanzio or Santi)|Pietro Aquila|Giovanni Giacomo De Rossi | Italian, Urbino 1483–1520 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Rome 1627–1691 Rome | Raphael (Raffaello Sanzio or Santi)|Aquila, Pietro|Rossi, Giovanni Giacomo De 53682 | 1483 |1650 |1627 | 1520 |1700 |1691 | 1675 | 1675 | 1675 | Etching 26137 | Plate: 9 3/4 × 11 7/16 in. (24.8 × 29.1 cm) | Museum Accession, transferred from the Library, 1921 | Rome 571 | Books 442 | http://www.metmuseum.org/art/collection/search/698530 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
421680 | 421680 | 21.36.12(39) | 0 | 0 | 698532 | Drawings and Prints 11 | Book 97 | Plate 38: The storming of Jericho; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael | Artist|Artist|Publisher 895 | After | Raphael (Raffaello Sanzio or Santi)|Pietro Aquila|Giovanni Giacomo De Rossi | Italian, Urbino 1483–1520 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Rome 1627–1691 Rome | Raphael (Raffaello Sanzio or Santi)|Aquila, Pietro|Rossi, Giovanni Giacomo De 53682 | 1483 |1650 |1627 | 1520 |1700 |1691 | 1675 | 1675 | 1675 | Etching 26137 | Plate: 9 1/2 × 11 5/16 in. (24.2 × 28.8 cm) | Museum Accession, transferred from the Library, 1921 | Rome 571 | Books 442 | http://www.metmuseum.org/art/collection/search/698532 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
421684 | 421684 | 21.36.12(42) | 0 | 0 | 698538 | Drawings and Prints 11 | Book 97 | Plate 41: Samuel anointing David; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael | Artist|Artist|Publisher 895 | After | Raphael (Raffaello Sanzio or Santi)|Pietro Aquila|Giovanni Giacomo De Rossi | Italian, Urbino 1483–1520 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Rome 1627–1691 Rome | Raphael (Raffaello Sanzio or Santi)|Aquila, Pietro|Rossi, Giovanni Giacomo De 53682 | 1483 |1650 |1627 | 1520 |1700 |1691 | 1675 | 1675 | 1675 | Etching 26137 | Plate: 9 15/16 × 11 1/4 in. (25.3 × 28.5 cm) | Museum Accession, transferred from the Library, 1921 | Rome 571 | Books 442 | http://www.metmuseum.org/art/collection/search/698538 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
421686 | 421686 | 21.36.12(44) | 0 | 0 | 698540 | Drawings and Prints 11 | Book 97 | Plate 43: David returning in triumph after defeating the Syrians; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael | Artist|Artist|Publisher 895 | After | Raphael (Raffaello Sanzio or Santi)|Pietro Aquila|Giovanni Giacomo De Rossi | Italian, Urbino 1483–1520 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Rome 1627–1691 Rome | Raphael (Raffaello Sanzio or Santi)|Aquila, Pietro|Rossi, Giovanni Giacomo De 53682 | 1483 |1650 |1627 | 1520 |1700 |1691 | 1675 | 1675 | 1675 | Etching 26137 | Plate: 9 15/16 × 11 3/8 in. (25.3 × 28.9 cm) | Museum Accession, transferred from the Library, 1921 | Rome 571 | Books 442 | http://www.metmuseum.org/art/collection/search/698540 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
455057 | 455057 | 1993.1102(3) | 0 | 0 | 766388 | Drawings and Prints 11 | Print 731 | Plate 4: Psyche with Juno and Ceres at left with a peacock below, a putto with a sword and a shield at center, and Venus on her chariot drawn by doves at right, after lunettes by Raphael from the Loggia di Psyche in the Villa Farnesina | Artist|Artist|Publisher 895 | After | Raphael (Raffaello Sanzio or Santi)|Sir Nicolas Dorigny|Domenico de Rossi | Italian, Urbino 1483–1520 Rome|French, baptized Paris, 1658–1746 Paris|Italian, Rome 1647–1729 Rome | Raphael (Raffaello Sanzio or Santi)|Dorigny, Nicolas Sir|de Rossi, Domenico 58165 | 1483 |1655 |1647 | 1520 |1746 |1729 | 1693 | 1693 | 1693 | Etching in brown ink 40834 | Sheet: 17 15/16 in. × 26 in. (45.6 × 66 cm) | Prints 13 | http://www.metmuseum.org/art/collection/search/766388 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
455058 | 455058 | 1993.1102(4) | 0 | 0 | 766389 | Drawings and Prints 11 | Print 731 | Plate 5: a putto with a griffin at left, Jupiter and Venus seated at center, with doves flying at left, a putto at right with Mercury's caduceus, after lunettes by Raphael from the Loggia di Psyche in the Villa Farnesina | Artist|Artist|Publisher 895 | After | Raphael (Raffaello Sanzio or Santi)|Sir Nicolas Dorigny|Domenico de Rossi | Italian, Urbino 1483–1520 Rome|French, baptized Paris, 1658–1746 Paris|Italian, Rome 1647–1729 Rome | Raphael (Raffaello Sanzio or Santi)|Dorigny, Nicolas Sir|de Rossi, Domenico 58165 | 1483 |1655 |1647 | 1520 |1746 |1729 | 1693 | 1693 | 1693 | Etching in brown ink 40834 | Sheet: 17 15/16 × 26 1/8 in. (45.6 × 66.3 cm) | Prints 13 | http://www.metmuseum.org/art/collection/search/766389 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
455071 | 455071 | 1993.1102(7) | 0 | 0 | 766413 | Drawings and Prints 11 | Print 731 | Plate 8: Psyche presenting Venus with the vase containing water from the Styx at left, two putti and an harpy at center, Jupiter seizing Cupid's chin at right, after lunettes by Raphael from the Loggia di Psyche in the Villa Farnesina | Artist|Artist|Publisher 895 | After | Raphael (Raffaello Sanzio or Santi)|Sir Nicolas Dorigny|Domenico de Rossi | Italian, Urbino 1483–1520 Rome|French, baptized Paris, 1658–1746 Paris|Italian, Rome 1647–1729 Rome | Raphael (Raffaello Sanzio or Santi)|Dorigny, Nicolas Sir|de Rossi, Domenico 58165 | 1483 |1655 |1647 | 1520 |1746 |1729 | 1693 | 1693 | 1693 | Etching in brown ink 40834 | Sheet: 17 15/16 × 26 3/16 in. (45.6 × 66.5 cm) | Prints 13 | http://www.metmuseum.org/art/collection/search/766413 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
455073 | 455073 | 1993.1102(8) | 0 | 0 | 766416 | Drawings and Prints 11 | Print 731 | Plate 9: a putto with animals, including a giant salamander, at left, Mercury carrying Psyche to Olympus at center, a putto with lion and a seahorse at right, after lunettes by Raphael from the Loggia di Psyche in the Villa Farnesina | Artist|Artist|Publisher 895 | After | Raphael (Raffaello Sanzio or Santi)|Sir Nicolas Dorigny|Domenico de Rossi | Italian, Urbino 1483–1520 Rome|French, baptized Paris, 1658–1746 Paris|Italian, Rome 1647–1729 Rome | Raphael (Raffaello Sanzio or Santi)|Dorigny, Nicolas Sir|de Rossi, Domenico 58165 | 1483 |1655 |1647 | 1520 |1746 |1729 | 1693 | 1693 | 1693 | Etching in brown ink 40834 | Sheet: 17 15/16 × 26 3/16 in. (45.6 × 66.5 cm) | Prints 13 | http://www.metmuseum.org/art/collection/search/766416 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
214045 | 214045 | 26.50.1(140) | 0 | 1 | 341464 | Drawings and Prints 11 | Print 731 | Eros Escaping by Sea; Cupid using his bow to propel a boat made from his quiver with an arrow as the mast and his blindfold as the sail, a banderole above | Artist|Artist|Publisher 895 | After | Marco Dente|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | Dente, Marco|Raphael (Raffaello Sanzio or Santi)|Salamanca, Antonio 19966 | Italian|Italian 93 | 1515 |1483 |1478 | 1527 |1520 |1562 | ca. 1515–27 | 1510 | 1532 | Engraving 7208 | Sheet: 5 1/16 × 6 13/16 in. (12.9 × 17.3 cm) Plate: 4 15/16 × 6 5/8 in. (12.5 × 16.9 cm) | Harris Brisbane Dick Fund, 1926 | Prints 13 | http://www.metmuseum.org/art/collection/search/341464 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
224602 | 224602 | 41.72(2.151) | 0 | 1 | 352196 | Drawings and Prints 11 | Print 731 | Speculum Romanae Magnificentiae: A Triton Carrying off a Nymph | Speculum Romanae Magnificentiae 159 | Artist|Artist|Publisher 895 | After | Marco Dente|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | Dente, Marco|Raphael (Raffaello Sanzio or Santi)|Salamanca, Antonio 19966 | Italian|Italian 93 | 1515 |1483 |1478 | 1527 |1520 |1562 | 16th century | 1515 | 1527 | Engraving 7208 | sheet: 4 1/2 x 6 7/8 in. (11.4 x 17.4 cm) trimmed to platemark mount: 17 5/16 x 10 5/8 in. (44 x 27 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/352196 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
216172 | 216172 | 41.72(2.145) | 0 | 1 | 343603 | Drawings and Prints 11 | Print 731 | Speculum Romanae Magnificentiae: Bas-Relief with Three Cupids | Speculum Romanae Magnificentiae 159 | Artist|Artist|Publisher 895 | After | Marco Dente|Raphael (Raffaello Sanzio or Santi)|Claudio Duchetti | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Italian, active Venice and Rome, ca. 1565–died ca. 1585 | Dente, Marco|Raphael (Raffaello Sanzio or Santi)|Duchetti, Claudio 20467 | Italian|Italian|Italian 145 | 1515 |1483 |1565 | 1527 |1520 |1585 | 1519 | 1519 | 1519 | Engraving 7208 | sheet: 7 3/16 x 14 in. (18.3 x 35.5 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/343603 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
268627 | 268627 | 2012.136.275 | 0 | 1 | 397690 | Drawings and Prints 11 | Print 731 | Venus removing a thorn from her left foot while seated on a cloth beside trees and foliage, a hare eating grass before her | Artist|Artist|Publisher 895 | After | Marco Dente|Raphael (Raffaello Sanzio or Santi)|Giovanni Marco Paluzzi | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Italian, active 1600–1610 | Dente, Marco|Raphael (Raffaello Sanzio or Santi)|Paluzzi, Giovanni Marco 39725 | Italian|Italian|Italian 145 | 1515 |1483 |1600 | 1527 |1520 |1610 | ca. 1516 | 1516 | 1516 | Engraving 7208 | Sheet (Trimmed): 10 1/2 × 6 7/8 in. (26.7 × 17.5 cm) | Bequest of Phyllis Massar, 2011 | Prints 13 | http://www.metmuseum.org/art/collection/search/397690 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
268629 | 268629 | 2012.136.277 | 0 | 1 | 397692 | Drawings and Prints 11 | Print 731 | Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above | Artist|Artist|Publisher 895 | After | Marco Dente|Raphael (Raffaello Sanzio or Santi)|Giovanni Marco Paluzzi | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Urbino 1483–1520 Rome|Italian, active 1600–1610 | Dente, Marco|Raphael (Raffaello Sanzio or Santi)|Paluzzi, Giovanni Marco 39725 | Italian|Italian|Italian 145 | 1515 |1483 |1600 | 1527 |1520 |1610 | ca. 1515–27 | 1510 | 1532 | Engraving 7208 | Sheet (Trimmed): 10 5/8 × 6 15/16 in. (27 × 17.7 cm) | Bequest of Phyllis Massar, 2011 | Prints 13 | http://www.metmuseum.org/art/collection/search/397692 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
216163 | 216163 | 66.747.47 | 0 | 1 | 343594 | Drawings and Prints 11 | Print 731 | A group of emaciated men and women gathered around a skeleton laid on the ground and a figure of Death as a winged skeleton standing above it holding an open book | Artist|Artist|Publisher 895 | After | Marco Dente|Baccio Bandinelli|Antonio Salamanca | Italian, Ravenna, active by 1515–died 1527 Rome|Italian, Gaiole in Chianti 1493–1560 Florence|Salamanca 1478–1562 Rome | Dente, Marco|Bandinelli, Baccio|Salamanca, Antonio 20465 | Italian|Italian 93 | 1515 |1493 |1478 | 1527 |1560 |1562 | ca. 1515–27 | 1510 | 1532 | Engraving 7208 | Sheet (Trimmed): 11 1/4 × 17 1/8 in. (28.5 × 43.5 cm) | Gift of Mrs. John H. Sichel, 1966 | Prints 13 | http://www.metmuseum.org/art/collection/search/343594 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
286712 | 286712 | 2012.136.861 | 0 | 1 | 416022 | Drawings and Prints 11 | Print 731 | Judgment of Paris: Paris extends his hand toward Venus, who stands between Juno and Minerva, surrounded by reclining and seated figures; above are a winged figure carrying a laurel wreath, a charioteer driving four horses, Castor and Pollux, and Jupiter accompanied by Ganymede, an eagle, Diana, and two other female figures | Artist|Artist|Publisher 895 | After|After | Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Argini (?) ca. 1480–before 1534 Bologna (?)|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | Raimondi, Marcantonio|Raphael (Raffaello Sanzio or Santi)|Salamanca, Antonio 41426 | Italian|Italian 93 | 1475 |1483 |1478 | 1534 |1520 |1562 | ca. 1520–50 | 1515 | 1525 | Engraving 7208 | Sheet: 11 1/2 x 17 3/16 in. (29.2 x 43.7 cm) | Bequest of Phyllis Massar, 2011 | Prints 13 | http://www.metmuseum.org/art/collection/search/416022 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
218191 | 218191 | 41.72(2.119) | 0 | 1 | 345693 | Drawings and Prints 11 | Print 731 | Speculum Romanae Magnificentiae: Trajan Between City of Victory and Rome | Speculum Romanae Magnificentiae 159 | Artist|Artist|Publisher 895 | After | Marcantonio Raimondi|Anonymous, Italian, 16th century|Antonio Salamanca | Italian, Argini (?) ca. 1480–before 1534 Bologna (?)|Italian, active Central Italy, ca. 1550–1580|Salamanca 1478–1562 Rome | Raimondi, Marcantonio|Anonymous, Italian, 16th century|Salamanca, Antonio 21675 | Italian|Italian 93 | 1475 |1550 |1478 | 1534 |1600 |1562 | ca. 1500–34 | 1500 | 1540 | Engraving 7208 | sheet: 11 1/4 x 16 3/4 in. (28.6 x 42.6 cm) mount: 13 7/8 x 16 15/16 in. (35.3 x 43 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/345693 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
217967 | 217967 | 41.72(1.26) | 0 | 1 | 345467 | Drawings and Prints 11 | Print 731 | Speculum Romanae Magnificentiae: The Altar of Eros | Speculum Romanae Magnificentiae 159 | Artist|Artist|Publisher 895 | Attributed to|After (?) | Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Venice ca. 1490–after 1536 Rome|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | Veneziano, Agostino|Raphael (Raffaello Sanzio or Santi)|Salamanca, Antonio 21580 | Italian|Italian 93 | 1490 |1483 |1478 | 1536 |1520 |1562 | ca. 1514–36 | 1514 | 1536 | Engraving 7208 | mount: 17 15/16 x 11 13/16 in. (45.5 x 30 cm) sheet: 11 5/8 x 8 11/16 in. (29.5 x 22 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/345467 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
217969 | 217969 | 41.72(1.27) | 0 | 1 | 345469 | Drawings and Prints 11 | Print 731 | Speculum Romanae Magnificentiae: The Altar of Jupiter in the Oldest Temple on the Capitol | Speculum Romanae Magnificentiae 159 | Artist|Artist|Publisher 895 | Attributed to|After (?) | Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, Venice ca. 1490–after 1536 Rome|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | Veneziano, Agostino|Raphael (Raffaello Sanzio or Santi)|Salamanca, Antonio 21580 | Italian|Italian 93 | 1490 |1483 |1478 | 1536 |1520 |1562 | ca. 1514–36 | 1514 | 1536 | Engraving 7208 | mount: 18 1/8 x 10 5/8 in. (46 x 27 cm) sheet: 11 5/8 x 8 3/8 in. (29.5 x 21.2 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/345469 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
242664 | 242664 | 53.600.47 | 0 | 0 | 370829 | Drawings and Prints 11 | Album Print Ornament & Architecture 13884 | Copy in Reverse of an Antique Urn Decorated with a Motif of Diamond Rings and Lions, Plate 1 from a Series of Vases after the Antique | Artist|Artist|Publisher 895 | Anonymous copy in reverse after|Formerly attributed to | Agostino Veneziano (Agostino dei Musi)|Enea Vico|Antonio Lafreri | Italian, Venice ca. 1490–after 1536 Rome|Italian, Parma 1523–1567 Ferrara|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | Veneziano, Agostino|Vico, Enea|Lafreri, Antonio 33934 | Italian|Italian 93 | 1490 |1523 |1507 | 1536 |1567 |1577 | mid-16th century | 1540 | 1560 | Engraving (2nd state) 38605 | Sheet: 10 3/4 × 7 7/8 in. (27.3 × 20 cm) [cropped within plate margins on all sides] | Harris Brisbane Dick Fund, 1953 | Prints|Albums|Ornament & Architecture 678 | http://www.metmuseum.org/art/collection/search/370829 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
234191 | 234191 | 22.73.3-100 | 0 | 0 | 361944 | Drawings and Prints 11 | Print 731 | Nymphs Bathing | Artist|Artist|Publisher 895 | After|? | Parmigianino (Girolamo Francesco Maria Mazzola)|Ugo da Carpi|Andrea Andreani | Italian, Parma 1503–1540 Casalmaggiore|Italian, Carpi ca. 1480–1532 Bologna|Mantua, 1558/1559–1629 | Parmigianino (Girolamo Francesco Maria Mazzola)|Carpi, Ugo da|Andreani, Andrea 31687 | Italian|Italian|Italian 145 | 1503 |1480 |1558 | 1540 |1532 |1629 | ca. 1500–1532 | 1495 | 1505 | Chiaroscuro woodcut from two blocks in brown; first state of two 37008 | Sheet: 11 9/16 × 7 13/16 in. (29.3 × 19.9 cm) | Rogers Fund, 1922 | Prints 13 | http://www.metmuseum.org/art/collection/search/361944 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
382568 | 382568 | 22.73.3-101 | 0 | 0 | 631610 | Drawings and Prints 11 | Print 731 | Nymphs Bathing | Artist|Artist|Publisher 895 | After|? | Parmigianino (Girolamo Francesco Maria Mazzola)|Ugo da Carpi|Andrea Andreani | Italian, Parma 1503–1540 Casalmaggiore|Italian, Carpi ca. 1480–1532 Bologna|Mantua, 1558/1559–1629 | Parmigianino (Girolamo Francesco Maria Mazzola)|Carpi, Ugo da|Andreani, Andrea 31687 | Italian|Italian|Italian 145 | 1503 |1480 |1558 | 1540 |1532 |1629 | ca. 1500–1532 | 1495 | 1505 | Chiaroscuro woodcut from two blocks in brown (second state of two) 58005 | Sheet: 12 5/8 × 8 15/16 in. (32.1 × 22.7 cm) Image: 11 5/8 × 7 15/16 in. (29.5 × 20.2 cm) | Rogers Fund, 1922 | Prints 13 | http://www.metmuseum.org/art/collection/search/631610 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
382606 | 382606 | 22.67.38 | 0 | 0 | 631709 | Drawings and Prints 11 | Print 731 | Saint Cecilia, a circular composition | Artist|Artist|Publisher 895 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Antonio da Trento|Andrea Andreani | Italian, Parma 1503–1540 Casalmaggiore|Italian, 1520–1550|Mantua, 1558/1559–1629 | Parmigianino (Girolamo Francesco Maria Mazzola)|Trento, Antonio da|Andreani, Andrea 49195 | Italian|Italian|Italian 145 | 1503 |1520 |1558 | 1540 |1550 |1629 | ca. 1520–50 | 1515 | 1525 | Chiaroscuro woodcut from two blocks in green ink; second state of two (Bartsch) 58009 | Sheet: 9 1/4 × 8 11/16 in. (23.5 × 22 cm) Image: 9 1/16 × 8 9/16 in. (23 × 21.7 cm) | Rogers Fund, 1922 | Prints 13 | http://www.metmuseum.org/art/collection/search/631709 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
382674 | 382674 | 18.17.2-21 | 0 | 0 | 631785 | Drawings and Prints 11 | Print 731 | Circe giving the potion to turn the men of Odysseus into swine, an oval composition | Artist|Artist|Publisher 895 | After|Possibly by | Parmigianino (Girolamo Francesco Maria Mazzola)|Antonio da Trento|Andrea Andreani | Italian, Parma 1503–1540 Casalmaggiore|Italian, 1520–1550|Mantua, 1558/1559–1629 | Parmigianino (Girolamo Francesco Maria Mazzola)|Trento, Antonio da|Andreani, Andrea 49195 | Italian|Italian 93 | 1503 |1520 |1558 | 1540 |1550 |1629 | Published 1602 | 1602 | 1602 | Chiaroscuro woodcut from two blocks in light brown 58008 | Sheet: 9 3/16 × 8 3/8 in. (23.4 × 21.2 cm) | Rogers Fund, 1918 | Prints 13 | http://www.metmuseum.org/art/collection/search/631785 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
383423 | 383423 | 22.73.3-33 | 0 | 0 | 632810 | Drawings and Prints 11 | Print 731 | The Surprise | Artist|Artist|Publisher 895 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Niccolò Vicentino|Andrea Andreani | Italian, Parma 1503–1540 Casalmaggiore|Italian, active ca. 1510–ca. 1550|Mantua, 1558/1559–1629 | Parmigianino (Girolamo Francesco Maria Mazzola)|Vicentino, Niccolò|Andreani, Andrea 49296 | Italian|Italian|Italian 145 | 1503 |1510 |1558 | 1540 |1550 |1629 | 1515–30 | 1515 | 1530 | Chiaroscuro woodcut from three blocks in brown ink; third state of three (Bartsch) 58121 | Sheet: 10 1/2 × 7 5/16 in. (26.7 × 18.6 cm) | Rogers Fund, 1922 | Prints 13 | http://www.metmuseum.org/art/collection/search/632810 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
383430 | 383430 | 22.67.40 | 0 | 0 | 632817 | Drawings and Prints 11 | Print 731 | The Surprise | Artist|Artist|Publisher 895 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Niccolò Vicentino|Andrea Andreani | Italian, Parma 1503–1540 Casalmaggiore|Italian, active ca. 1510–ca. 1550|Mantua, 1558/1559–1629 | Parmigianino (Girolamo Francesco Maria Mazzola)|Vicentino, Niccolò|Andreani, Andrea 49296 | Italian|Italian|Italian 145 | 1503 |1510 |1558 | 1540 |1550 |1629 | 1515–30 | 1515 | 1530 | Chiaroscuro woodcut printed from three blocks in brown ink; third state of three (Bartsch) 58122 | Sheet: 10 13/16 × 7 9/16 in. (27.5 × 19.2 cm) | Rogers Fund, 1922 | Prints 13 | http://www.metmuseum.org/art/collection/search/632817 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
378709 | 378709 | 62.602.284(4) | 0 | 0 | 624543 | Drawings and Prints 11 | Print 731 | Ganymede and Hebe | Artist|Artist|Publisher 895 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Giovanni Antonio Faldoni|Anton Maria Zanetti the Elder | Italian, Parma 1503–1540 Casalmaggiore|Italian, ca. 1690–ca. 1770|Italian, Venice 1680–1767 Venice | Parmigianino (Girolamo Francesco Maria Mazzola)|Faldoni, Giovanni Antonio|Zanetti, Anton Maria, the Elder 48638 | Italian|Italian|Italian 145 | 1503 |1690 |1680 | 1540 |1770 |1767 | 1726 | 1726 | 1726 | Etching and engraving 6712 | Mount: 9 1/16 × 8 in. (23 × 20.3 cm) Sheet: 7 1/16 × 4 1/8 in. (18 × 10.4 cm) | Rogers Fund, 1962 | Prints 13 | http://www.metmuseum.org/art/collection/search/624543 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
378712 | 378712 | 62.602.284(5) | 0 | 0 | 624546 | Drawings and Prints 11 | Print 731 | Ganymede Serving the Nectar of the Gods | Artist|Artist|Publisher 895 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Giovanni Antonio Faldoni|Anton Maria Zanetti the Elder | Italian, Parma 1503–1540 Casalmaggiore|Italian, ca. 1690–ca. 1770|Italian, Venice 1680–1767 Venice | Parmigianino (Girolamo Francesco Maria Mazzola)|Faldoni, Giovanni Antonio|Zanetti, Anton Maria, the Elder 48638 | Italian|Italian|Italian 145 | 1503 |1690 |1680 | 1540 |1770 |1767 | 1724 | 1724 | 1724 | Etching and engraving 6712 | Mount: 10 9/16 × 9 7/16 in. (26.9 × 24 cm) Sheet: 8 1/4 × 5 13/16 in. (21 × 14.8 cm) | Rogers Fund, 1962 | Prints 13 | http://www.metmuseum.org/art/collection/search/624546 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
378713 | 378713 | 62.602.284(3) | 0 | 0 | 624547 | Drawings and Prints 11 | Print 731 | Canefora | Artist|Artist|Publisher 895 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Giovanni Antonio Faldoni|Anton Maria Zanetti the Elder | Italian, Parma 1503–1540 Casalmaggiore|Italian, ca. 1690–ca. 1770|Italian, Venice 1680–1767 Venice | Parmigianino (Girolamo Francesco Maria Mazzola)|Faldoni, Giovanni Antonio|Zanetti, Anton Maria, the Elder 48638 | Italian|Italian|Italian 145 | 1503 |1690 |1680 | 1540 |1770 |1767 | 1724 | 1724 | 1724 | Etching and engraving; second state of two (Mussini and De Rubeis) 57724 | Mount: 10 1/2 × 15 7/8 in. (26.7 × 40.4 cm) Sheet: 7 3/16 × 4 7/16 in. (18.3 × 11.3 cm) | Rogers Fund, 1962 | Prints 13 | http://www.metmuseum.org/art/collection/search/624547 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
378715 | 378715 | 62.602.284(2) | 0 | 0 | 624549 | Drawings and Prints 11 | Print 731 | The Virgin and Child Enthroned Flanked by St. Jerome and St. Francis | Artist|Artist|Publisher 895 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Giovanni Antonio Faldoni|Anton Maria Zanetti the Elder | Italian, Parma 1503–1540 Casalmaggiore|Italian, ca. 1690–ca. 1770|Italian, Venice 1680–1767 Venice | Parmigianino (Girolamo Francesco Maria Mazzola)|Faldoni, Giovanni Antonio|Zanetti, Anton Maria, the Elder 48638 | Italian|Italian|Italian 145 | 1503 |1690 |1680 | 1540 |1770 |1767 | 1724 | 1724 | 1724 | Etching and engraving 6712 | Mount: 11 1/8 × 19 1/8 in. (28.3 × 48.5 cm) Sheet: 8 3/16 × 4 1/8 in. (20.8 × 10.5 cm) | Rogers Fund, 1962 | Prints 13 | http://www.metmuseum.org/art/collection/search/624549 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
388291 | 388291 | 32.12.1(38) | 0 | 0 | 638347 | Drawings and Prints 11 | Print 731 | Vulcan in his Forge with Venus and Cupid on the Bed at Right, from Diversarum Iconum...Series Secunda | Diversarum Iconum...Series Secunda 1356 | Artist|Artist|Publisher 895 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Giovanni Antonio Faldoni|Anton Maria Zanetti the Elder | Italian, Parma 1503–1540 Casalmaggiore|Italian, ca. 1690–ca. 1770|Italian, Venice 1680–1767 Venice | Parmigianino (Girolamo Francesco Maria Mazzola)|Faldoni, Giovanni Antonio|Zanetti, Anton Maria, the Elder 48638 | Italian|Italian|Italian 145 | 1503 |1690 |1680 | 1540 |1770 |1767 | 1735 | 1735 | 1735 | Engraving 7208 | Sheet: 8 1/8 × 5 7/8 in. (20.7 × 15 cm) | Harris Brisbane Dick Fund, 1932 | Prints 13 | http://www.metmuseum.org/art/collection/search/638347 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
388293 | 388293 | 32.12.1(39) | 0 | 0 | 638349 | Drawings and Prints 11 | Print 731 | The Adoration of the Shepherds, from Diversarum Iconum...Series Secunda | Diversarum Iconum...Series Secunda 1356 | Artist|Artist|Publisher 895 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Giovanni Antonio Faldoni|Anton Maria Zanetti the Elder | Italian, Parma 1503–1540 Casalmaggiore|Italian, ca. 1690–ca. 1770|Italian, Venice 1680–1767 Venice | Parmigianino (Girolamo Francesco Maria Mazzola)|Faldoni, Giovanni Antonio|Zanetti, Anton Maria, the Elder 48638 | Italian|Italian|Italian 145 | 1503 |1690 |1680 | 1540 |1770 |1767 | 1735 | 1735 | 1735 | Engraving 7208 | Sheet: 9 1/16 × 10 3/8 in. (23 × 26.3 cm) | Harris Brisbane Dick Fund, 1932 | Prints 13 | http://www.metmuseum.org/art/collection/search/638349 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
388295 | 388295 | 32.12.1(40) | 0 | 0 | 638351 | Drawings and Prints 11 | Print 731 | Huntsman Sounding a Horn with a Stag in the Distance, from Diversarum Iconum...Series Secunda | Diversarum Iconum...Series Secunda 1356 | Artist|Artist|Publisher 895 | After | Parmigianino (Girolamo Francesco Maria Mazzola)|Giovanni Antonio Faldoni|Anton Maria Zanetti the Elder | Italian, Parma 1503–1540 Casalmaggiore|Italian, ca. 1690–ca. 1770|Italian, Venice 1680–1767 Venice | Parmigianino (Girolamo Francesco Maria Mazzola)|Faldoni, Giovanni Antonio|Zanetti, Anton Maria, the Elder 48638 | Italian|Italian|Italian 145 | 1503 |1690 |1680 | 1540 |1770 |1767 | 1735 | 1735 | 1735 | Engraving 7208 | Sheet: 9 1/16 × 10 3/8 in. (23 × 26.3 cm) | Harris Brisbane Dick Fund, 1932 | Prints 13 | http://www.metmuseum.org/art/collection/search/638351 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
378738 | 378738 | 62.602.281 | 0 | 0 | 624584 | Drawings and Prints 11 | Print 731 | Figure Studies with Studies of Heads | Artist|Artist|Publisher 895 | After|(?) | Parmigianino (Girolamo Francesco Maria Mazzola)|Francesco Rosaspina|Giovanni Antonio Armano | Italian, Parma 1503–1540 Casalmaggiore|Italian, Montescudo 1762–1841 Bologna | Parmigianino (Girolamo Francesco Maria Mazzola)|Rosaspina, Francesco|Armano, Giovanni Antonio 48642 | Italian|Italian 93 | 1503 |1762 |1782 | 1540 |1841 |1800 | 1734 | 1734 | 1734 | Etching with aquatint 35408 | Mount: 16 × 10 9/16 in. (40.6 × 26.8 cm) Sheet: 8 7/16 × 5 7/8 in. (21.5 × 15 cm) | Rogers Fund, 1962 | Prints 13 | http://www.metmuseum.org/art/collection/search/624584 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
248780 | 248780 | 42.66.57 | 0 | 0 | 377191 | Drawings and Prints 11 | Print 731 | John Poines | Artist|Artist|Publisher 895 | After | Hans Holbein the Younger|Francesco Bartolozzi|John Chamberlaine | German, Augsburg 1497/98–1543 London|Italian, Florence 1728–1815 Lisbon|British, ca. 1745–1812 London | Holbein, Hans, the Younger|Bartolozzi, Francesco|Chamberlaine, John 35352 | German|Italian|British 2828 | 1497 |1728 |1740 | 1543 |1815 |1812 | March 1792 | 1792 | 1792 | Etching and stipple engraving, printed in color on pink paper 39794 | plate: 12 7/8 x 9 7/8 in. (32.7 x 25.1 cm) sheet: 15 7/8 x 11 3/4 in. (40.3 x 29.8 cm) | Gift of Mrs. Thomas T. Gaunt, 1942 | Prints 13 | http://www.metmuseum.org/art/collection/search/377191 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
248782 | 248782 | 42.66.59 | 0 | 0 | 377193 | Drawings and Prints 11 | Print 731 | William Reskimer | Artist|Artist|Publisher 895 | After | Hans Holbein the Younger|Francesco Bartolozzi|John Chamberlaine | German, Augsburg 1497/98–1543 London|Italian, Florence 1728–1815 Lisbon|British, ca. 1745–1812 London | Holbein, Hans, the Younger|Bartolozzi, Francesco|Chamberlaine, John 35352 | German|Italian|British 2828 | 1497 |1728 |1740 | 1543 |1815 |1812 | March 1, 1793 | 1793 | 1793 | Etching and stipple engraving, printed in color on pink paper 39794 | plate: 12 3/4 x 8 7/8 in. (32.4 x 22.5 cm) sheet: 15 5/8 x 11 5/8 in. (39.7 x 29.5 cm) | Gift of Mrs. Thomas T. Gaunt, 1942 | Prints 13 | http://www.metmuseum.org/art/collection/search/377193 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
248756 | 248756 | 42.66.33 | 0 | 0 | 377167 | Drawings and Prints 11 | Print 731 | Margaret a Barow, Lady Elyot | Artist|Artist|Publisher 895 | After | Hans Holbein the Younger|Conrad Martin Metz|John Chamberlaine | German, Augsburg 1497/98–1543 London|German, Bonn 1749–1827 Rome|British, ca. 1745–1812 London | Holbein, Hans, the Younger|Metz, Conrad Martin|Chamberlaine, John 35349 | German|German|British 1011 | 1497 |1749 |1740 | 1543 |1827 |1812 | May 1, 1792 | 1792 | 1792 | Etching and stipple engraving, printed in color on pink paper 39794 | plate: 11 3/4 x 8 3/4 in. (29.8 x 22.2 cm) sheet: 15 5/8 x 11 3/4 in. (39.7 x 29.8 cm) | Gift of Mrs. Thomas T. Gaunt, 1942 | Prints 13 | http://www.metmuseum.org/art/collection/search/377167 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
274466 | 274466 | 41.72(3.22) | 0 | 1 | 403638 | Drawings and Prints 11 | Print 731 | Speculum Romanae Magnificentiae: Design for the Basilica of St. Peter's in the Vatican | Speculum Romanae Magnificentiae 159 | Artist|Artist|Publisher 895 | After|After | Antonio da Sangallo, the Younger|Antonio da Labacco|Antonio Salamanca | Italian, Florence 1484–1546 Terni|Italian, near Vigevano ca. 1495–after 1567|Salamanca 1478–1562 Rome | Sangallo Antonio da, the Younger|Labacco, Antoino da|Salamanca, Antonio 40540 | Italian|Italian 93 | 1484 |1495 |1478 | 1546 |1567 |1562 | 1514 | 1514 | 1514 | Engraving 7208 | sheet: 17 5/8 x 22 1/16 in. (44.8 x 56 cm) plate: 13 x 19 13/16 in. (33 x 50.4 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/403638 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
274510 | 274510 | 41.72(3.28) | 0 | 1 | 403682 | Drawings and Prints 11 | Print 731 | Speculum Romanae Magnificentiae: Plan of St. Peter's | Speculum Romanae Magnificentiae 159 | Artist|Artist|Publisher 895 | After|After | Antonio da Sangallo, the Younger|Antonio da Labacco|Antonio Salamanca | Italian, Florence 1484–1546 Terni|Italian, near Vigevano ca. 1495–after 1567|Salamanca 1478–1562 Rome | Sangallo Antonio da, the Younger|Labacco, Antoino da|Salamanca, Antonio 40540 | Italian|Italian 93 | 1484 |1495 |1478 | 1546 |1567 |1562 | 1549 | 1549 | 1549 | Engraving 7208 | sheet: 22 5/8 x 16 13/16 in. (57.5 x 42.7 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/403682 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
274523 | 274523 | 41.72(3.21) | 0 | 1 | 403695 | Drawings and Prints 11 | Print 731 | Speculum Romanae Magnificentiae: Design for the Basilica of St. Peter's in the Vatican | Speculum Romanae Magnificentiae 159 | Artist|Artist|Publisher 895 | After|After | Antonio da Sangallo, the Younger|Antonio da Labacco|Antonio Salamanca | Italian, Florence 1484–1546 Terni|Italian, near Vigevano ca. 1495–after 1567|Salamanca 1478–1562 Rome | Sangallo Antonio da, the Younger|Labacco, Antoino da|Salamanca, Antonio 40540 | Italian|Italian 93 | 1484 |1495 |1478 | 1546 |1567 |1562 | 16th century | 1530 | 1580 | Engraving 7208 | sheet: 17 1/2 x 22 1/16 in. (44.5 x 56 cm) plate: 13 x 20 1/16 in. (33 x 51 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/403695 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
399768 | 399768 | 17.50.8 | 0 | 0 | 654267 | Drawings and Prints 11 | Print 731 | Ajax, lunging at lower left holding a shield aloft in his left hand, with Agamemnon surrounded by his soldiers at right | Artist|Artist|Publisher 895 | After | Polidoro da Caravaggio|Niccolò Vicentino|Andrea Andreani | Italian, Caravaggio ca. 1499–ca. 1543 Messina|Italian, active ca. 1510–ca. 1550|Mantua, 1558/1559–1629 | Caravaggio, Polidoro da|Vicentino, Niccolò|Andreani, Andrea 50839 | Italian|Italian|Italian 145 | 1494 |1510 |1558 | 1548 |1550 |1629 | 1608 | 1608 | 1608 | Chiaroscuro woodcut printed from three blocks in grey ink 58920 | Sheet: 12 5/8 × 16 3/4 in. (32.1 × 42.5 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | Prints 13 | http://www.metmuseum.org/art/collection/search/654267 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
278315 | 278315 | 41.71.1.21(41) | 0 | 0 | 407501 | Drawings and Prints 11 | Print 731 | Perseus and Andromeda, from Schola Italica Picturae, plate 13 | Artist|Artist|Publisher 895 | After | Polidoro da Caravaggio|Giovanni Volpato|Gavin Hamilton | Italian, Caravaggio ca. 1499–ca. 1543 Messina|Italian, Bassano 1732–1803 Rome|British, Murdieston, Lothian, Scotland 1723–1798 Rome | Caravaggio, Polidoro da|Volpato, Giovanni|Hamilton, Gavin 40821 | Italian|Italian|British, Scottish 3172 | 1494 |1732 |1723 | 1548 |1803 |1798 | 1772 | 1772 | 1772 | Etching and engraving 6712 | Sheet: 21 5/8 x 15 9/16 in. (55 x 39.5 cm) Plate: 9 5/8 x 12 3/8 in. (24.5 x 31.5 cm) printed horizontally | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/407501 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
383268 | 383268 | 22.73.3-64 | 0 | 0 | 632583 | Drawings and Prints 11 | Print 731 | Hercules strangling the Nemean Lion | Artist|Artist|Publisher 895 | After | Niccolò Vicentino|Raphael (Raffaello Sanzio or Santi)|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, Urbino 1483–1520 Rome|Mantua, 1558/1559–1629 | Vicentino, Niccolò|Raphael (Raffaello Sanzio or Santi)|Andreani, Andrea 49282 | Italian|Italian|Italian 145 | 1510 |1483 |1558 | 1550 |1520 |1629 | 1540–50 | 1540 | 1550 | Chiaroscuro woodcut from two blocks in green 31130 | Sheet: 9 13/16 × 7 5/8 in. (25 × 19.4 cm) | Rogers Fund, 1922 | Prints 13 | http://www.metmuseum.org/art/collection/search/632583 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
383269 | 383269 | 17.50.28 | 0 | 0 | 632584 | Drawings and Prints 11 | Print 731 | Hercules strangling the Nemean Lion | Artist|Artist|Publisher 895 | After | Niccolò Vicentino|Raphael (Raffaello Sanzio or Santi)|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, Urbino 1483–1520 Rome|Mantua, 1558/1559–1629 | Vicentino, Niccolò|Raphael (Raffaello Sanzio or Santi)|Andreani, Andrea 49282 | Italian|Italian|Italian 145 | 1510 |1483 |1558 | 1550 |1520 |1629 | 1540–50 | 1540 | 1550 | Chiaroscuro woodcut from two blocks in green 31130 | Sheet: 9 13/16 × 7 1/2 in. (25 × 19 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | Prints 13 | http://www.metmuseum.org/art/collection/search/632584 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
383393 | 383393 | 1986.1180.241 | 0 | 0 | 632773 | Drawings and Prints 11 | Print 731 | The Miraculous Draught of the Fishes | Artist|Artist|Publisher 895 | After | Niccolò Vicentino|Raphael (Raffaello Sanzio or Santi)|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, Urbino 1483–1520 Rome|Mantua, 1558/1559–1629 | Vicentino, Niccolò|Raphael (Raffaello Sanzio or Santi)|Andreani, Andrea 49282 | Italian|Italian|Italian 145 | 1510 |1483 |1558 | 1550 |1520 |1629 | 1510–1550 (republished 1609) | 1510 | 1550 | Chiaroscuro woodcut from three blocks in pale green 58114 | Sheet: 9 5/16 × 13 3/16 in. (23.7 × 33.5 cm) | Bequest of Grace M. Pugh, 1985 | Prints 13 | http://www.metmuseum.org/art/collection/search/632773 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
383394 | 383394 | 23.108.11 | 0 | 0 | 632774 | Drawings and Prints 11 | Print 731 | The Miraculous Draught of the Fishes | Artist|Artist|Publisher 895 | After | Niccolò Vicentino|Raphael (Raffaello Sanzio or Santi)|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, Urbino 1483–1520 Rome|Mantua, 1558/1559–1629 | Vicentino, Niccolò|Raphael (Raffaello Sanzio or Santi)|Andreani, Andrea 49282 | Italian|Italian|Italian 145 | 1510 |1483 |1558 | 1550 |1520 |1629 | 1520–1550 (republished 1609) | 1520 | 1550 | Chiaroscuro woodcut from three blocks in pale green 58114 | Sheet: 9 7/16 × 13 11/16 in. (24 × 34.7 cm) | Gift of W. G. Russell Allen, 1923 | Prints 13 | http://www.metmuseum.org/art/collection/search/632774 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
384165 | 384165 | 17.50.23 | 0 | 0 | 633698 | Drawings and Prints 11 | Print 731 | The escape of Cloelia | Artist|Artist|Publisher 895 | After | Niccolò Vicentino|Maturino da Firenze|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, active ca. 1528|Mantua, 1558/1559–1629 | Vicentino, Niccolò|da Firenze, Maturino|Andreani, Andrea 49429 | Italian|Italian|Italian 145 | 1510 |1523 |1558 | 1550 |1533 |1629 | 1540–1550 (republished by Andreani in 1608) | 1540 | 1550 | Chiaroscuro woodcut from three blocks in green 43408 | Sheet: 11 in. × 15 3/16 in. (28 × 38.6 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | Prints 13 | http://www.metmuseum.org/art/collection/search/633698 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
382670 | 382670 | 22.73.3-43 | 0 | 0 | 631781 | Drawings and Prints 11 | Print 731 | Circe drinking from a cup, the companions of Ulysses in a boat at right | Artist|Artist|Publisher 895 | Attributed to|After|Impression on verso published by | Antonio da Trento|Parmigianino (Girolamo Francesco Maria Mazzola)|Andrea Andreani | Italian, 1520–1550|Italian, Parma 1503–1540 Casalmaggiore|Mantua, 1558/1559–1629 | Trento, Antonio da|Parmigianino (Girolamo Francesco Maria Mazzola)|Andreani, Andrea 49200 | Italian|Italian|Italian 145 | 1520 |1503 |1558 | 1550 |1540 |1629 | ca. 1520–50 | 1515 | 1525 | Chiaroscuro woodcut from two blocks in light brown (recto); first state of two (Bartsch) Chiaroscuro woodcut from three blocks in brown (verso); second state of two (Bartsch) 58022 | Sheet: 8 3/8 × 7 1/4 in. (21.3 × 18.4 cm) trimmed | Rogers Fund, 1922 | Prints 13 | http://www.metmuseum.org/art/collection/search/631781 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
382678 | 382678 | 22.73.3-57 | 0 | 0 | 631791 | Drawings and Prints 11 | Print 731 | Circe Giving a Drink to the Companions of Ulysses | Artist|Artist|Publisher 895 | Possibly by|After | Antonio da Trento|Parmigianino (Girolamo Francesco Maria Mazzola)|Andrea Andreani | Italian, 1520–1550|Italian, Parma 1503–1540 Casalmaggiore|Mantua, 1558/1559–1629 | Trento, Antonio da|Parmigianino (Girolamo Francesco Maria Mazzola)|Andreani, Andrea 49200 | Italian|Italian|Italian 145 | 1520 |1503 |1558 | 1550 |1540 |1629 | Published 1602 | 1602 | 1602 | Chiaroscuro woodcut from two blocks in green-brown ink 58024 | Sheet: 9 5/8 × 8 7/16 in. (24.4 × 21.5 cm) | Rogers Fund, 1922 | Prints 13 | http://www.metmuseum.org/art/collection/search/631791 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
382681 | 382681 | 28.15.5 | 0 | 0 | 631795 | Drawings and Prints 11 | Print 731 | Circe giving the potion to turn the men of Odysseus into swine, an oval composition | Artist|Artist|Publisher 895 | Possibly by|After | Antonio da Trento|Parmigianino (Girolamo Francesco Maria Mazzola)|Andrea Andreani | Italian, 1520–1550|Italian, Parma 1503–1540 Casalmaggiore|Mantua, 1558/1559–1629 | Trento, Antonio da|Parmigianino (Girolamo Francesco Maria Mazzola)|Andreani, Andrea 49200 | Italian|Italian|Italian 145 | 1520 |1503 |1558 | 1550 |1540 |1629 | published 1602 | 1602 | 1602 | Chiaroscuro woodcut from two blocks in green (first state of two) 58025 | Sheet: 9 1/4 × 8 1/8 in. (23.5 × 20.7 cm) | Harris Brisbane Dick Fund, by exchange, 1928 | Prints 13 | http://www.metmuseum.org/art/collection/search/631795 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
383223 | 383223 | 33.13(23) | 0 | 0 | 632533 | Drawings and Prints 11 | Print 731 | The Adoration of the Magi | Artist|Artist|Publisher 895 | Attributed to|After | Niccolò Vicentino|Parmigianino (Girolamo Francesco Maria Mazzola)|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, Parma 1503–1540 Casalmaggiore|Mantua, 1558/1559–1629 | Vicentino, Niccolò|Parmigianino (Girolamo Francesco Maria Mazzola)|Andreani, Andrea 49281 | Italian|Italian|Italian 145 | 1510 |1503 |1558 | 1550 |1540 |1629 | 1605 (date published by Andreani) | 1605 | 1605 | Chiaroscuro woodcut from three blocks in green, second state of two (Bartsch) 58106 | Sheet: 6 1/8 × 9 7/16 in. (15.5 × 24 cm) | Harris Brisbane Dick Fund, 1933 | Prints 13 | http://www.metmuseum.org/art/collection/search/632533 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
383229 | 383229 | 22.73.3-61 | 0 | 0 | 632540 | Drawings and Prints 11 | Print 731 | The Adoration of the Magi | Artist|Artist|Publisher 895 | ?After|After | Niccolò Vicentino|Parmigianino (Girolamo Francesco Maria Mazzola)|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, Parma 1503–1540 Casalmaggiore|Mantua, 1558/1559–1629 | Vicentino, Niccolò|Parmigianino (Girolamo Francesco Maria Mazzola)|Andreani, Andrea 49281 | Italian|Italian|Italian 145 | 1510 |1503 |1558 | 1550 |1540 |1629 | 1605 (date published by Andreani) | 1605 | 1605 | Chiaroscuro woodcut from three blocks in green; second state of two (Bartsch) 58107 | Sheet: 6 1/2 × 9 5/16 in. (16.5 × 23.7 cm) | Rogers Fund, 1922 | Prints 13 | http://www.metmuseum.org/art/collection/search/632540 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
383278 | 383278 | 32.58.6 | 0 | 0 | 632600 | Drawings and Prints 11 | Print 731 | The Adoration of the Magi | Artist|Artist|Publisher 895 | ?After|After | Niccolò Vicentino|Parmigianino (Girolamo Francesco Maria Mazzola)|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, Parma 1503–1540 Casalmaggiore|Mantua, 1558/1559–1629 | Vicentino, Niccolò|Parmigianino (Girolamo Francesco Maria Mazzola)|Andreani, Andrea 49281 | Italian|Italian|Italian 145 | 1510 |1503 |1558 | 1550 |1540 |1629 | 1605 (date published by Andreani) | 1605 | 1605 | Woodcut printed in blue 58110 | Sheet: 6 7/16 × 9 1/2 in. (16.3 × 24.2 cm) | Purchase, Harris Brisbane Dick Fund, by exchange, 1932 | Prints 13 | http://www.metmuseum.org/art/collection/search/632600 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
384160 | 384160 | 22.73.3-58 | 0 | 0 | 633693 | Drawings and Prints 11 | Print 731 | Christ healing the Lepers | Artist|Artist|Publisher 895 | After | Niccolò Vicentino|Parmigianino (Girolamo Francesco Maria Mazzola)|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, Parma 1503–1540 Casalmaggiore|Mantua, 1558/1559–1629 | Vicentino, Niccolò|Parmigianino (Girolamo Francesco Maria Mazzola)|Andreani, Andrea 49281 | Italian|Italian|Italian 145 | 1510 |1503 |1558 | 1550 |1540 |1629 | 1540–1550 (published by Andreani 1608) | 1540 | 1550 | Chiaroscuro woodcut from three blocks in brown 43197 | Sheet: 11 9/16 × 16 5/16 in. (29.3 × 41.4 cm) | Rogers Fund, 1922 | Prints 13 | http://www.metmuseum.org/art/collection/search/633693 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
384548 | 384548 | 17.50.14 | 0 | 0 | 634103 | Drawings and Prints 11 | Print 731 | The Presentation in the Temple | Artist|Artist|Publisher 895 | Attributed to|After | Niccolò Vicentino|Parmigianino (Girolamo Francesco Maria Mazzola)|Andrea Andreani | Italian, active ca. 1510–ca. 1550|Italian, Parma 1503–1540 Casalmaggiore|Mantua, 1558/1559–1629 | Vicentino, Niccolò|Parmigianino (Girolamo Francesco Maria Mazzola)|Andreani, Andrea 49281 | Italian|Italian|Italian 145 | 1510 |1503 |1558 | 1550 |1540 |1629 | ca. 1520–60 (published 1608) | 1515 | 1525 | Chiaroscuro woodcut from four blocks in brown 58125 | Sheet: 16 1/8 × 11 3/4 in. (41 × 29.8 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | Prints 13 | http://www.metmuseum.org/art/collection/search/634103 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
247556 | 247556 | 2007.49.373 | 0 | 0 | 375845 | Drawings and Prints 11 | Print 731 | The Capture of Carthagena by Scipio and His Troops | Artist|Artist|Publisher 895 | After | Georg Pencz|Giulio Romano|Antonio Salamanca | German, Wroclaw ca. 1500–1550 Leipzig|Italian, Rome 1499?–1546 Mantua|Salamanca 1478–1562 Rome | Pencz, Georg|Giulio Romano|Salamanca, Antonio 34961 | German|Italian 348 | 1500 |1499 |1478 | 1550 |1546 |1562 | 1539 | 1539 | 1539 | Engraving; third state of seven (Hollstein) 39565 | sheet: 16 7/16 x 22 1/16 in. (41.8 x 56 cm) | Bequest of William S. Lieberman, 2005 | Prints 13 | http://www.metmuseum.org/art/collection/search/375845 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
228231 | 228231 | 53.544 | 0 | 1 | 355864 | Drawings and Prints 11 | Book 97 | Les Songes Drolatiques de Pantagruel ou sont contenues plusieurs figures de l'invention de maitre François Rabelais | Artist|Artist|Publisher 895 | Attributed to|Published by | François Rabelais|François Desprez|Richard Breton | French, 1494?–1553|French, active 16th century|French, 1525–1571 Paris | , Paris | Rabelais, François|Desprez, François|Richard Breton 28907 | French|French|French 103 | 1494 |1500 |1525 | 1553 |1600 |1571 | [1565] | 1565 | 1565 | Letterpress text with woodcut illustrations 35931 | Overall: 6 1/16 x 4 3/16 x 9/16 in. (15.4 x 10.6 x 1.5 cm) Double-page spread: 5 7/8 x 7 1/2 in. (15 x 19 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 | Books 442 | http://www.metmuseum.org/art/collection/search/355864 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
274776 | 274776 | 41.72(2.1) | 0 | 0 | 403949 | Drawings and Prints 11 | Print 731 | Speculum Romanae Magnificentiae: Birdseye View of the Port of Rome | Speculum Romanae Magnificentiae 159 | Artist|Artist|Publisher 895 | After | Giulio de Musi|Pirro Ligorio|Michele Tramezzino | Italian, active 1550–1555|Italian, Naples ca. 1512/13–1583 Ferrara|Italian, active Venice and Rome, 1526–died 1561 | Musi, Giulio de|Ligorio, Pirro|Tramezzino, Michele 40576 | Italian|Italian|Italian 145 | 1550 |1512 |1526 | 1555 |1583 |1561 | 1554 | 1554 | 1554 | Engraving 7208 | sheet: 16 1/8 x 26 15/16 in. (41 x 68.5 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/403949 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
267000 | 267000 | 49.97.327 | 0 | 1 | 396037 | Drawings and Prints 11 | Print 731 | Apollo in his horse-drawn chariot at the left, above him above Jupiter hurls a thunderbolt, Venus at right in her chariot drawn by animals | Artist|Artist|Publisher 895 | After | Master of the Die|Raphael (Raffaello Sanzio or Santi)|Antonio Salamanca | Italian, active Rome, ca. 1530–60|Italian, Urbino 1483–1520 Rome|Salamanca 1478–1562 Rome | Master of the Die|Raphael (Raffaello Sanzio or Santi)|Salamanca, Antonio 39402 | Italian|Italian 93 | 1525 |1483 |1478 | 1560 |1520 |1562 | 1530–60 | 1530 | 1560 | Engraving 7208 | sheet: 7 7/8 x 9 1/16 in. (20 x 23 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | Prints 13 | http://www.metmuseum.org/art/collection/search/396037 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
243253 | 243253 | 41.72(2.133) | 0 | 1 | 371432 | Drawings and Prints 11 | Print 731 | Speculum Romanae Magnificentiae: The Triumph of Scipio | Speculum Romanae Magnificentiae 159 | Artist|Artist|Publisher 895 | Aftter (?) | Master of the Die|Raphael (Raffaello Sanzio or Santi)|Antonio Lafreri | Italian, active Rome, ca. 1530–60|Italian, Urbino 1483–1520 Rome|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | in the first state | Master of the Die|Raphael (Raffaello Sanzio or Santi)|Lafreri, Antonio 34122 | Italian|Italian|French 114 | 1525 |1483 |1507 | 1560 |1520 |1577 | 16th century | 1520 | 1577 | Engraving; second state 29124 | plate: 8 9/16 x 10 1/16 in. (21.8 x 25.5 cm) sheet: 19 x 13 3/16 in. (48.3 x 33.5 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/371432 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||
243254 | 243254 | 41.72(2.134) | 0 | 1 | 371433 | Drawings and Prints 11 | Print 731 | Speculum Romanae Magnificentiae: The Victory of Scipio | Speculum Romanae Magnificentia 267 | Artist|Artist|Publisher 895 | After (?)|Published by | Master of the Die|Raphael (Raffaello Sanzio or Santi)|Antonio Lafreri | Italian, active Rome, ca. 1530–60|Italian, Urbino 1483–1520 Rome|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | in the first state | Master of the Die|Raphael (Raffaello Sanzio or Santi)|Lafreri, Antonio 34122 | Italian|Italian|French 114 | 1525 |1483 |1507 | 1560 |1520 |1577 | 16th century | 1520 | 1577 | Engraving; second state 29124 | plate: 8 9/16 x 10 in. (21.8 x 25.4 cm) sheet: 19 x 13 3/16 in. (48.3 x 33.5 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/371433 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||
267141 | 267141 | 49.97.316 | 0 | 1 | 396180 | Drawings and Prints 11 | Print 731 | The coronation of the Virgin, God the Father above, St Jerome lower right and St John the Baptist lower left | Artist|Artist|Publisher 895 | After | Master of the Die|Raphael (Raffaello Sanzio or Santi)|Antonio Lafreri | Italian, active Rome, ca. 1530–60|Italian, Urbino 1483–1520 Rome|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | Master of the Die|Raphael (Raffaello Sanzio or Santi)|Lafreri, Antonio 34122 | Italian|Italian|French 114 | 1525 |1483 |1507 | 1560 |1520 |1577 | 1530–60 | 1530 | 1560 | Engraving 7208 | sheet: 14 9/16 x 10 7/16 in. (37 x 26.5 cm) plate: 14 x 10 1/16 in. (35.5 x 25.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | Prints 13 | http://www.metmuseum.org/art/collection/search/396180 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
267391 | 267391 | 53.600.4219 | 0 | 1 | 396433 | Drawings and Prints 11 | Print 731 | Aeneas carrying Anchises on his shoulders while Troy burns in the background | Artist|Artist|Publisher 895 | After | Master of the Die|Raphael (Raffaello Sanzio or Santi)|Philippe Thomassin | Italian, active Rome, ca. 1530–60|Italian, Urbino 1483–1520 Rome|French, Troyes 1562–1622 Rome | Master of the Die|Raphael (Raffaello Sanzio or Santi)|Thomassin, Philippe 39481 | Italian|Italian|French 114 | 1525 |1483 |1562 | 1560 |1520 |1622 | 1530–60 | 1530 | 1560 | Engraving 7208 | sheet: 9 13/16 x 7 1/16 in. (25 x 18 cm) | Harris Brisbane Dick Fund, 1953 | Prints 13 | http://www.metmuseum.org/art/collection/search/396433 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
267132 | 267132 | 60.712.1 | 0 | 1 | 396171 | Drawings and Prints 11 | Print 731 | Cybele in her chariot drawn by two lions | Artist|Artist|Publisher 895 | After | Master of the Die|Baldassare Tommaso Peruzzi|Antonio Salamanca | Italian, active Rome, ca. 1530–60|Italian, Ancaiano 1481–1536 Rome|Salamanca 1478–1562 Rome | Master of the Die|Peruzzi, Baldassare Tommaso|Salamanca, Antonio 39417 | Italian|Italian 93 | 1525 |1481 |1478 | 1560 |1536 |1562 | 1530–60 | 1530 | 1560 | Engraving 7208 | sheet: 8 7/16 x 7 1/16 in. (21.5 x 18 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, | Prints 13 | http://www.metmuseum.org/art/collection/search/396171 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
286010 | 286010 | 2012.136.837 | 0 | 1 | 415320 | Drawings and Prints 11 | Print 731 | Cybele in her chariot drawn by two lions | Artist|Artist|Publisher 895 | After | Master of the Die|Baldassare Tommaso Peruzzi|Antonio Salamanca | Italian, active Rome, ca. 1530–60|Italian, Ancaiano 1481–1536 Rome|Salamanca 1478–1562 Rome | Master of the Die|Peruzzi, Baldassare Tommaso|Salamanca, Antonio 39417 | Italian|Italian 93 | 1525 |1481 |1478 | 1560 |1536 |1562 | 1530–60 | 1530 | 1560 | Engraving 7208 | Sheet: 9 7/8 x 7 1/4 in. (25.1 x 18.4 cm) | Bequest of Phyllis Massar, 2011 | Prints 13 | http://www.metmuseum.org/art/collection/search/415320 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
413552 | 413552 | 51.501.794 | 0 | 1 | 682104 | Drawings and Prints 11 | Print 731 | Five men fighting beasts, at lower left is a fallen boar | Artist|Artist|Publisher 895 | After | Master of the Die|Giulio Romano|Antonio Salamanca | Italian, active Rome, ca. 1530–60|Italian, Rome 1499?–1546 Mantua|Salamanca 1478–1562 Rome | Master of the Die|Giulio Romano|Salamanca, Antonio 52106 | Italian|Italian 93 | 1525 |1499 |1478 | 1560 |1546 |1562 | 1532 | 1532 | 1532 | Engraving 7208 | Sheet: 11 1/4 × 16 9/16 in. (28.5 × 42 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | Prints 13 | http://www.metmuseum.org/art/collection/search/682104 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
273665 | 273665 | 41.72(2.123) | 0 | 1 | 402831 | Drawings and Prints 11 | Print 731 | Speculum Romanae Magnificentiae: Naval Battle | Speculum Romanae Magnificentiae 159 | Artist|Artist|Publisher 895 | After(?) | Master of the Die|Giulio Romano|Claudio Duchetti | Italian, active Rome, ca. 1530–60|Italian, Rome 1499?–1546 Mantua|Italian, active Venice and Rome, ca. 1565–died ca. 1585 | Master of the Die|Giulio Romano|Duchetti, Claudio 40454 | Italian|Italian|Italian 145 | 1525 |1499 |1565 | 1560 |1546 |1585 | 16th century | 1525 | 1560 | Engraving 7208 | sheet: 9 7/16 x 15 3/8 in. (24 x 39 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/402831 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
267384 | 267384 | 49.97.340 | 0 | 1 | 396426 | Drawings and Prints 11 | Print 731 | A panel of ornament with putti and other figures | Artist|Artist|Publisher 895 | After | Master of the Die|Perino del Vaga (Pietro Buonaccorsi)|Antonio Salamanca | Italian, active Rome, ca. 1530–60|Italian, Florence 1501–1547 Rome|Salamanca 1478–1562 Rome | Master of the Die|Perino del Vaga (Pietro Buonaccorsi)|Salamanca, Antonio 39478 | Italian|Italian 93 | 1525 |1501 |1478 | 1560 |1547 |1562 | 1530–60 | 1530 | 1560 | Engraving 7208 | sheet: 8 7/16 x 5 11/16 in. (21.5 x 14.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | Prints 13 | http://www.metmuseum.org/art/collection/search/396426 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
267385 | 267385 | 49.97.342 | 0 | 1 | 396427 | Drawings and Prints 11 | Print 731 | A panel of ornamnet with putti, goat and other figures | Artist|Artist|Publisher 895 | After | Master of the Die|Perino del Vaga (Pietro Buonaccorsi)|Antonio Salamanca | Italian, active Rome, ca. 1530–60|Italian, Florence 1501–1547 Rome|Salamanca 1478–1562 Rome | Master of the Die|Perino del Vaga (Pietro Buonaccorsi)|Salamanca, Antonio 39478 | Italian|Italian 93 | 1525 |1501 |1478 | 1560 |1547 |1562 | 1530–60 | 1530 | 1560 | Engraving 7208 | sheet: 8 11/16 x 5 11/16 in. (22 x 14.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | Prints 13 | http://www.metmuseum.org/art/collection/search/396427 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
267388 | 267388 | 53.600.60 | 0 | 1 | 396430 | Drawings and Prints 11 | Print 731 | A panel of ornament with a large jar in centre, putti and other figures | Artist|Artist|Publisher 895 | After | Master of the Die|Perino del Vaga (Pietro Buonaccorsi)|Antonio Salamanca | Italian, active Rome, ca. 1530–60|Italian, Florence 1501–1547 Rome|Salamanca 1478–1562 Rome | Master of the Die|Perino del Vaga (Pietro Buonaccorsi)|Salamanca, Antonio 39478 | Italian|Italian 93 | 1525 |1501 |1478 | 1560 |1547 |1562 | 1530–60 | 1530 | 1560 | Engraving 7208 | sheet: 8 1/4 x 5 1/2 in. (21 x 14 cm) | Harris Brisbane Dick Fund, 1953 | Prints 13 | http://www.metmuseum.org/art/collection/search/396430 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
267392 | 267392 | 49.97.341 | 0 | 1 | 396434 | Drawings and Prints 11 | Print 731 | A panel of ornament, putti standing on cornucopia in lower section | Artist|Artist|Publisher 895 | After | Master of the Die|Perino del Vaga (Pietro Buonaccorsi)|Antonio Salamanca | Italian, active Rome, ca. 1530–60|Italian, Florence 1501–1547 Rome|Salamanca 1478–1562 Rome | Master of the Die|Perino del Vaga (Pietro Buonaccorsi)|Salamanca, Antonio 39478 | Italian|Italian 93 | 1525 |1501 |1478 | 1560 |1547 |1562 | 1530–60 | 1530 | 1560 | Engraving 7208 | sheet: 8 1/4 x 5 7/8 in. (21 x 15 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | Prints 13 | http://www.metmuseum.org/art/collection/search/396434 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
267146 | 267146 | 29.49.32 | 0 | 1 | 396185 | Drawings and Prints 11 | Print 731 | Venus in her dove-drawn chariot complaining to Jupiter who is accompanied by Mercury, from 'The Fable of Psyche' | Artist|Artist|Publisher 895 | After | Master of the Die|Michiel Coxie (I)|Antonio Salamanca | Italian, active Rome, ca. 1530–60|Netherlandish, Mechelen ca. 1499–1592 Mechelen|Salamanca 1478–1562 Rome | Master of the Die|Coxie, Michiel, (I)|Salamanca, Antonio 39422 | Italian 6 | 1525 |1494 |1478 | 1560 |1592 |1562 | 1530–60 | 1530 | 1560 | Engraving 7208 | sheet: 6 11/16 x 8 7/8 in. (17 x 22.5 cm) | Gift of Burton Emmet, 1929 | Prints 13 | http://www.metmuseum.org/art/collection/search/396185 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
267148 | 267148 | 62.635.908 | 0 | 1 | 396187 | Drawings and Prints 11 | Print 731 | Plate 5: Psyche carried on a litter to a mountain, from 'The Fable of Psyche' | Artist|Artist|Publisher 895 | After | Master of the Die|Michiel Coxie (I)|Antonio Salamanca | Italian, active Rome, ca. 1530–60|Netherlandish, Mechelen ca. 1499–1592 Mechelen|Salamanca 1478–1562 Rome | Master of the Die|Coxie, Michiel, (I)|Salamanca, Antonio 39422 | Italian 6 | 1525 |1494 |1478 | 1560 |1592 |1562 | 1530–60 | 1530 | 1560 | Engraving 7208 | sheet: 7 1/2 x 8 7/8 in. (19 x 22.5 cm) | Gift of Harry G. Friedman, 1962 | Prints 13 | http://www.metmuseum.org/art/collection/search/396187 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
267130 | 267130 | 49.97.313 | 0 | 1 | 396169 | Drawings and Prints 11 | Print 731 | The Descent from the Cross | Artist|Artist|Publisher 895 | After | Master of the Die|Antonio Circignano or Circignani|Antonio Lafreri | Italian, active Rome, ca. 1530–60|Italian, 1560–1620|French, Orgelet, Franche-Comte ca. 1512–1577 Rome | Master of the Die|Circignano, or Circignani Antonio|Lafreri, Antonio 39415 | Italian|Italian|French 114 | 1525 |1560 |1507 | 1560 |1620 |1577 | 1520 | 1570 | Engraving 7208 | sheet: 15 3/8 x 9 13/16 in. (39 x 25 cm) plate: 14 3/16 x 9 5/8 in. (36 x 24.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | Prints 13 | http://www.metmuseum.org/art/collection/search/396169 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 |
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