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192 rows where Artist Role = 55 sorted by Object End Date

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Link rowid Object Number Is Highlight Is Public Domain Object ID Department Object Name Title Culture Period Dynasty Reign Portfolio Artist Role Artist Prefix Artist Display Name Artist Display Bio Artist Suffix Artist Alpha Sort Artist Nationality Artist Begin Date Artist End Date Object Date Object Begin Date Object End Date ▼ Medium Dimensions Credit Line Geography Type City State County Country Region Subregion Locale Locus Excavation River Classification Rights and Reproduction Link Resource Repository
320987 1975.1.15 0 1 458955 Robert Lehman Collection 16 Painting 69 Saint Peter Italian, Siena 123         Former Attribution|Artist 55   Follower of Barna da Siena|Follower of Lippo Memmi (Italian, Sienese, active mid-14th century) Sienese, active mid-14th century   Siena, Barna da|Memmi, Lippo, Follower of (Italian, Sienese, active 44323 Sienese|Italian 3373 1350 |1329 1350 |1369 mid-14th century 1336 1370 Tempera on wood, gold ground 44477 Overall, with original side and bottom moldings, 17 5/8 x 10 7/8 in. (44.8 x 27.6 cm) Robert Lehman Collection, 1975                       Paintings 11   Metropolitan Museum of Art, New York, NY 1
321501 1975.1.409 0 1 459470 Robert Lehman Collection 16 Drawing 23 A Seated Saint Reading from a Book           Former Attribution|Artist 55 Attributed to Alesso Baldovinetti|Francesco Botticini (Francesco di Giovanni) Italian, Florence 1425–1499 Florence|Italian, Florentine, ca. 1446–1497   Baldovinetti, Alesso|Botticini, Francesco (Francesco di Giovanni) 44469 Italian 6 1425 |1446 1499 |1497 late 15th century 1471 1500 Brush and brown ink, brown wash, heightened with white (partly oxidized); horizontal lines in black chalk (?); pricked for transfer; outlines reinforced in brown ink, perhaps in the 15th or early 16th century. 47988 10 1/4 x 6 3/8 in. (26.1 x 16.2 cm) Robert Lehman Collection, 1975                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
207464 19.184 0 1 334818 Drawings and Prints 11 Drawing 23 Bittern's Wings: study showing both sides           Former Attribution|Artist 55 Formerly attributed to|In the manner of Albrecht Dürer|Albrecht Dürer German, Nuremberg 1471–1528 Nuremberg|German, Nuremberg 1471–1528 Nuremberg   Dürer, Albrecht|Dürer, Albrecht 17770 German|German 79 1471 |1471 1528 |1528 1515 1515 1515 Watercolor on vellum. 29504 4 1/2 x 5 1/8 in. (11.5 x 13.0 cm) Rogers Fund, 1919                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
208716 1998.263 0 1 336088 Drawings and Prints 11 Drawing 23 Orpheus Playing to the Animals           Former Attribution|Artist 55 Formerly attributed to Peter Vischer the Younger|Anonymous, German, 16th century German, Nuremberg 1487–1528 Nuremberg (Nuremberg) Vischer, Peter, the Younger |Anonymous, German, 16th century 18336 German|German 79 1487 |1500 1528 |1600 ca. 1520 1515 1525 Pen and black ink 29164 3-3/4 x 2-7/8 in. (9.5 x 7.3 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1998                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
210671 80.3.318 0 1 338055 Drawings and Prints 11 Drawing 23 Horses.           Former Attribution|Artist 55 Formerly attributed to Francesco Allegrini|Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Cantiano (?) 1615/20–after 1679 Gubbio (?)|Italian, Parma 1503–1540 Casalmaggiore   Allegrini, Francesco|Parmigianino (Girolamo Francesco Maria Mazzola) 18926 Italian|Italian 93 1615 |1503 1679 |1540 1530–40 1530 1540 Pen and brown ink. Framing outlines in pen and brown ink on mount 31353 5 3/4 x 7in. (14.6 x 17.8cm) Gift of Cornelius Vanderbilt, 1880                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
213428 80.3.443 0 1 340824 Drawings and Prints 11 Drawing 23 Haman begs Esther for his Life           Former Attribution|Artist 55 Formerly attributed to School of|? Circle of Lucas van Leyden|Pseudo-Aert Ortkens Netherlandish, Leiden ca. 1494–1533 Leiden|Flemish, 1510–1540   Leyden, Lucas van|Ortkens, Pseudo-Aert 19772 Netherlandish|Netherlandish 327 1494 |1510 1533 |1540 16th–mid 16th century ? 1500 1540 Pen and brown ink, with brush and black ink, highlighted with white gouache 32860 diameter: 9 1/4 in. (circular) Gift of Cornelius Vanderbilt, 1880                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
219833 80.3.435 0 1 347358 Drawings and Prints 11 Drawing 23 The Greatness of Mordecai           Former Attribution|Artist 55 Formerly attributed to School of|? Circle of Lucas van Leyden|Pseudo-Aert Ortkens Netherlandish, Leiden ca. 1494–1533 Leiden|Flemish, 1510–1540   Leyden, Lucas van|Ortkens, Pseudo-Aert 19772 Netherlandish|Netherlandish 327 1494 |1510 1533 |1540 16th–mid 16th century ? 1500 1540 Pen and brown ink, brush and black ink, highlighted with white 34564 sheet: 8 1/2in. (irregular shape, circular with top and bottom cut off). Gift of Cornelius Vanderbilt, 1880                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
219849 80.3.437 0 1 347375 Drawings and Prints 11 Drawing 23 Mordecai rides through the Streets in the Apparel the King has sent him.           Former Attribution|Artist 55 Formerly attributed to School of|? Circle of Lucas van Leyden|Pseudo-Aert Ortkens Netherlandish, Leiden ca. 1494–1533 Leiden|Flemish, 1510–1540   Leyden, Lucas van|Ortkens, Pseudo-Aert 19772 Netherlandish|Netherlandish 327 1494 |1510 1533 |1540 16th–mid 16th century ? 1500 1540 Pen and brown ink, brush and black ink, highlighted with white 34564 sheet: 7 7/8in. (irregular shape, circular with top and bottom cut off). Gift of Cornelius Vanderbilt, 1880                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
219853 80.3.438 0 1 347379 Drawings and Prints 11 Drawing 23 Queen Esther hears of the Decree against the Jews.           Former Attribution|Artist 55 Formerly attributed to School of|Circle of Lucas van Leyden|Pseudo-Aert Ortkens Netherlandish, Leiden ca. 1494–1533 Leiden|Flemish, 1510–1540   Leyden, Lucas van|Ortkens, Pseudo-Aert 19772 Netherlandish|Netherlandish 327 1494 |1510 1533 |1540 16th–mid 16th century ? 1500 1540 Pen and brown ink, brush and brown ink on greenish paper, highlighted with white 34568 sheet: 9 1/4in. circular. Gift of Cornelius Vanderbilt, 1880                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
219860 80.3.440 0 1 347386 Drawings and Prints 11 Drawing 23 King Ahasuerus in Council           Former Attribution|Artist 55 Formerly attributed to School of|? Circle of Lucas van Leyden|Pseudo-Aert Ortkens Netherlandish, Leiden ca. 1494–1533 Leiden|Flemish, 1510–1540   Leyden, Lucas van|Ortkens, Pseudo-Aert 19772 Netherlandish|Netherlandish 327 1494 |1510 1533 |1540 16th–mid 16th century ? 1500 1540 Pen and brown ink, brush and black ink on greenish paper, highlighted with white 34569 sheet: 8 3/8in. (Irregular shape: Circular with top and bottom cut off) Gift of Cornelius Vanderbilt, 1880                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
219864 80.3.441 0 1 347390 Drawings and Prints 11 Drawing 23 Mordecai overhears the two Conspirators plotting against the King.           Former Attribution|Artist 55 Formerly attributed to School of|? Circle of Lucas van Leyden|Pseudo-Aert Ortkens Netherlandish, Leiden ca. 1494–1533 Leiden|Flemish, 1510–1540   Leyden, Lucas van|Ortkens, Pseudo-Aert 19772 Netherlandish|Netherlandish 327 1494 |1510 1533 |1540 16th–mid 16th century ? 1500 1540 Pen and brown ink, brush and black ink on greenish paper, highlighted with white 34569 sheet: 9 1/16in. (irregular shape: circular with the sides cut off) Gift of Cornelius Vanderbilt, 1880                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
219873 80.3.439 0 1 347399 Drawings and Prints 11 Drawing 23 The King and Haman at Esther's Banquet of Wine           Former Attribution|Artist 55 Formerly attributed to School of|? Circle of Lucas van Leyden|Pseudo-Aert Ortkens Netherlandish, Leiden ca. 1494–1533 Leiden|Flemish, 1510–1540   Leyden, Lucas van|Ortkens, Pseudo-Aert 19772 Netherlandish|Netherlandish 327 1494 |1510 1533 |1540 16th–mid 16th century ? 1500 1540 Pen and brown ink, brush and black ink 34571 sheet: 8 1/8in. (irregular shape: circular with top and bottom cut off) Gift of Cornelius Vanderbilt, 1880                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
286214 2013.218 0 1 415524 Drawings and Prints 11 Drawing 23 Saint Ambrose Seated in an Interior           Former Attribution|Artist 55   Maerten de Vos|Anonymous, Netherlandish, 16th century Netherlandish, Antwerp 1532–1603 Antwerp   Vos, Maerten de|Anonymous, Netherlandish, 16th century 18724 Netherlandish|Netherlandish 327 1532 |1500 1603 |1600 ca. 1520–40 1520 1540 Pen and brown ink, brown wash, heightened with white gouache, on brown prepared paper; framing line in pen and brown ink, by the artist 43678 diameter: 8 7/16 in. (21.5 cm) Purchase, Brooke Russell Astor Bequest, 2013                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
248358 2008.45 0 1 376660 Drawings and Prints 11 Drawing 23 The Resurrection           Former Attribution|Artist 55 Formerly attributed to Master of Saint Michael|Bernard van Orley Netherlandish, active 1515–28|Netherlandish, Brussels ca. 1492–1541/42 Brussels   Master of Saint Michael|Orley, Bernard van 35220 Netherlandish|Netherlandish 327 1515 |1492 1528 |1542 early 16th century 1512 1542 Pen and black ink, grey wash. Framing line in pen and brown ink (by the artist) 39719 sheet: 9 7/16 x 7 11/16 in. (24 x 19.6 cm) Purchase, Guy Wildenstein Gift, 2008                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
409915 2015.48 0 1 675590 Drawings and Prints 11 Drawing 23 The Martyrdom of Saint Catherine           Former Attribution|Artist 55   Lucas Cranach the Elder|Anonymous, German, 16th century German, Kronach 1472–1553 Weimar   Cranach, Lucas, the Elder|Anonymous, German, 16th century 43247 German|German 79 1472 |1500 1553 |1600 early 16th century 1500 1550 Pen and black ink, gray wash; framing line in pen and black ink 59515 Sheet: 2 11/16 × 2 1/16 in. (6.8 × 5.2 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2015                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
248483 22.73.3-115 0 0 376787 Drawings and Prints 11 Print 731 Doge Francesco Donato kneeling before the Virgin and Child           Former Attribution|Artist 55 Formerly attributed to|After Nicolò Boldrini|Titian (Tiziano Vecellio) Italian, Vicenza ca. 1500–after 1566 Venice|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice   Boldrini, Nicolò|Titian (Tiziano Vecellio) 31392 Italian|Italian 93 1500 |1485 1566 |1576 ca. 1545–53 1540 1558 Woodcut 26552 Sheet: 17 1/2 × 30 13/16 in. (44.4 × 78.3 cm) Rogers Fund, 1922                       Prints 13   Metropolitan Museum of Art, New York, NY 1
209178 61.24 0 1 336555 Drawings and Prints 11 Drawing 23 The Adoration of the Shepherds           Former Attribution|Artist 55   Jean Cousin the Elder|Jean Cousin the Younger French, Souci (?) ca. 1490–ca. 1560 Paris (?)|French, Sens ca. 1522–1594 Paris   Cousin, Jean, the Elder|Cousin Jean, the Younger 18467 French|French 21 1485 |1522 1565 |1594 n.d. 1500 1565 Pen and brown ink, brown wash, heightened with white gouache, over black chalk 30556 9 15/16 x 15 5/16 in. (25.2 x 38.9 cm) Rogers Fund, 1961                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
321473 1975.1.544 0 1 459442 Robert Lehman Collection 16 Drawing 23 Head of a Bearded Man           Former Attribution|Artist 55   Paolo Veronese (Paolo Caliari)|School of Paolo Veronese Italian, Verona 1528–1588 Venice|Venice, ca. 1548–1588   Veronese, Paolo (Paolo Caliari)|Veronese, Paolo, School of 44456 Italian|Venice 3384 1528 |1548 1588 |1588 ca. 1565 1562 1568 Black chalk, heightened with white, on greenish blue paper. 47970 10 5/16 x 7 7/8 in. (26.2 x 20 cm) Robert Lehman Collection, 1975                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
396610 2014.762 0 0 650142 Drawings and Prints 11 Drawing 23 Allegory of the Course of Human Life (Choosing Virtue)           Former Attribution|Artist 55   Paolo Veronese (Paolo Caliari)|Jan van der Straet, called Stradanus Italian, Verona 1528–1588 Venice|Netherlandish, Bruges 1523–1605 Florence   Veronese, Paolo (Paolo Caliari)|Straet, Jan van der, called Stradanus 50562 Italian|Netherlandish 342 1528 |1523 1588 |1605 1570 or before 1570 1570 Pen and brown ink, brush and brown wash; framing line in pen and brown ink, by the artist 58777 Sheet: 8 1/2 × 11 3/4 in. (21.6 × 29.8 cm) Acquisitions Fund, 2014                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
276926 2013.211 0 1 406105 Drawings and Prints 11 Drawing 23 Niche Surrounded by a Decorative Frame Dedicated to the Theme of Music           Former Attribution|Artist 55   Bernardino Campi|Anonymous, Italian, Lombard, 16th century Italian, Cremona 1522–1591 Reggio Emilia   Campi, Bernardino|Anonymous, Italian, Lombard, 16th century 40700 Italian|Italian 93 1522 |1500 1591 |1600 ca. 1540–70 1535 1575 Pen and gold-brown ink, brush and white and silver washes on blue paper 43428 Sheet: 9 1/2 x 5 11/16 in. (24.1 x 14.4 cm) Purchase, Brooke Russell Astor Bequest, 2013                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
273635 41.72(2.9) 0 1 402801 Drawings and Prints 11 Print 731 Speculum Romanae Magnificentiae: Cornice         Speculum Romanae Magnificentiae 159 Former Attribution|Artist 55   Jacques Prevost de Gray|Anonymous French, 1535–1547   Prevost de Gray, Jacques|Anonymous 40446 French 2 1535 1547 16th century 1530 1580 Engraving 7208 sheet: 5 7/8 x 4 1/8 in. (15 x 10.5 cm) mount: 8 1/16 x 7 5/16 in. (20.5 x 18.5 cm) Rogers Fund, Transferred from the Library, 1941                       Prints 13   Metropolitan Museum of Art, New York, NY 1
266513 2012.98.2 0 1 395496 Drawings and Prints 11 Drawing 23 The Adoration of the Holy Trinity in the New Covenant           Former Attribution|Artist 55 Formerly attributed to Jacob de Backer|Friedrich Sustris Netherlandish, Antwerp ca. 1540/1545–before 1600 Antwerp|Netherlandish (possibly born Italy), Venice (?) ca. 1540–1599 Munich   Backer, Jacob de|Sustris, Friedrich 39271 Netherlandish|Central European 3060 1540 |1535 1600 |1599 1588 or before 1588 1588 Pen and grey ink, grey wash; laid down; framing line in pen and brown ink 42810 sheet: 14 3/4 x 9 9/16 in. (37.5 x 24.3 cm) Bequest of Anna Mont, in memory of Frederick Mont, 2010                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
207765 65.209 0 1 335122 Drawings and Prints 11 Drawing 23 View of the Temples of Venus and of Diana in Baia from the South           Former Attribution|Artist 55 circle of Jan Brueghel the Younger|Jan Brueghel the Elder Flemish, Antwerp 1601–1678 Antwerp|Netherlandish, Brussels 1568–1625 Antwerp   Brueghel, Jan, the Younger|Brueghel, Jan, the Elder 17929 Flemish|Netherlandish 378 1601 |1568 1678 |1625 ca. 1594 1594 1594 Pen and brown ink, brown and blue wash, over black chalk; framing lines in brown ink. 29694 10 5/16 x 7 5/8 in. (26.2 x 19.4 cm) Purchase, Mrs. Carl Seldon Gift, 1965                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
208450 55.586.6 0 1 335813 Drawings and Prints 11 Collection Ornament & Architecture 13829 Design for a Stove and Wall Fountain (?)           Former Attribution|Artist 55 Formerly attributed to|Workshop of Anonymous, German, 16th century|Friedrich Sustris Netherlandish (possibly born Italy), Venice (?) ca. 1540–1599 Munich   Anonymous, German, 16th century|Sustris, Friedrich 18230 German|Central European 865 1500 |1535 1600 |1599 1598 1598 1598 Pen and brown ink, brush and gray wash over black chalk. Laid paper. 30113 15 3/4 x 12 3/16 in. (40 x 30.9 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1955                       Drawings|Ornament & Architecture 671   Metropolitan Museum of Art, New York, NY 1
248013 49.19.20 0 1 376315 Drawings and Prints 11 Drawing 23 Tomb of Cecchino Bracci, S. Maria in Araceoli, Rome           Former Attribution|Artist 55 Formerly attributed to workshop of Jacques Androuet Du Cerceau|Anonymous, French, 16th century French, Paris 1510/12–1585 Annecy   Du Cerceau, Jacques Androuet|Anonymous, French, 16th century 35104 French|French 21 1510 |1500 1585 |1600 16th century 1500 1599 Black chalk, pen and brown ink 33812 sheet: 15 9/16 x 21 15/16 in. (39.5 x 55.8 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
207449 46.56 0 1 334803 Drawings and Prints 11 Collection Ornament & Architecture 13829 Design for a Powder Flask           Former Attribution|Artist 55 Formerly attributed to Wendel Dietterlin, the Elder|Anonymous, German, 16th century German, Pfullendorf 1550/51–ca. 1599 Strasbourg ? Dietterlin, Wendel the Elder|Anonymous, German, 16th century 17767 German|German 79 1550 |1500 1559 |1600 ca. 1540–90 1500 1600 Pen and brown ink, blue-green and pale brown wash 29495 7 5/16 x 10 9/16 in. (18.6 x 26.8 cm) Rogers Fund, 1946                       Drawings|Ornament & Architecture 671   Metropolitan Museum of Art, New York, NY 1
207753 26.169.3 0 1 335110 Drawings and Prints 11 Drawing 23 Imaginary Hilly Landscape with Ruins           Former Attribution|Artist 55 Formerly attributed to Paul Bril|Anonymous, Netherlandish, 16th century Netherlandish, Breda (?) 1553/54–1626 Rome   Bril, Paul|Anonymous, Netherlandish, 16th century 17923 Netherlandish|Netherlandish 327 1553 |1500 1626 |1600 16th century 1500 1600 Brush and brown wash over traces of black chalk, heightened with white 29684 10 x 10 3/4 in. (25.4 x 27.3 cm) Rogers Fund, 1926                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
208007 54.648.4 0 1 335365 Drawings and Prints 11 Drawing 23 The Sense of Hearing           Former Attribution|Artist 55 Formerly attributed to|Circle of Hans von Aachen|Joseph Heintz the Elder German, Cologne 1552–1616 Prague|Swiss, Basel 1564–1609 Prague   Aachen, Hans von|Heintz, Joseph the Elder 18048 German|Swiss 810 1552 |1564 1616 |1609 16th century 1500 1600 Pen and brown ink, brush and brown wash. Touches of gray wash. Framing lines in pen and brown. 29833 6 3/4 x 9 1/8 in. (17.1 x 23.1 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1954                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
208515 47.57.2 0 1 335878 Drawings and Prints 11 Drawing 23 Allegorical Scene           Former Attribution|Artist 55 Formerly attributed to Anonymous, Netherlandish, 16th century|Anonymous, German, 16th century     Anonymous, Netherlandish, 16th century|Anonymous, German, 16th century 18254 Netherlandish|German 835 1500 |1500 1600 |1600 16th century 1500 1600 Pen and brown ink, brush and brown wash. Pasted down on blue paper. 30153 6 3/16 x 3 7/8 in. (15.7 x 9.8 cm) Purchase, Dick Fund, 1947                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
209395 1972.118.201 0 1 336776 Drawings and Prints 11 Drawing 23 Portrait of La Val de Pramence           Former Attribution|Artist 55 Formerly attributed to|Studio of Anonymous, French, 16th century|François Clouet French, Tours (?), active by 1536–died 1572 Paris   Anonymous, French, 16th century|Clouet, François 18521 French|French 21 1500 |1536 1600 |1572 16th century 1522 1600 Black and red chalk 30662 12 13/16 x 8 9/16 in. (32.5 x 21.7 cm) Bequest of Walter C. Baker, 1971                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
214792 80.3.480 0 1 342215 Drawings and Prints 11 Drawing 23 St. Nicholas and the Three Daughters of the Poor Gentleman           Former Attribution|Artist 55 Formerly attributed to|Circle of Anonymous, Italian, 16th century|Jan Swart van Groningen Italian, active Central Italy, ca. 1550–1580|Netherlandish, Groningen ca. 1490/1500–1553 or later Antwerp   Anonymous, Italian, 16th century|van Groningen, Jan Swart 20161 Italian|Netherlandish 342 1550 |1490 1600 |1553 16th century 1500 1600 Pen and brown ink, washed 32891 8 x 9-5/8 in. (20.3 x 24.4 cm) Gift of Cornelius Vanderbilt, 1880                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
224428 2002.88 0 1 352021 Drawings and Prints 11 Drawing 23 Recto: Virgin and Child, and Saint John the Baptist; Verso: summary sketches, possibly the Virgin and Child           Former Attribution|Artist 55 Attributed to Pomarancio (Cristoforo Roncalli)|Jacob de Backer Italian, Pomarance ca. 1553–1626 Rome|Netherlandish, Antwerp ca. 1540/1545–before 1600 Antwerp   Roncalli, Cristoforo|Backer, Jacob de 26251 Netherlandish 179 1553 |1540 1626 |1600 late 16th century 1560 1600 Brown and black oil with white heightening; verso: black chalk 35395 11 5/8 x 9 1/16 in. (29.5 x 23 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2002                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
267608 2011.298 0 1 396651 Drawings and Prints 11 Drawing 23 Landscape with a Bridge and a Village Church           Former Attribution|Artist 55 Formerly attributed to Ferdinand Kobell|Anonymous, Flemish, 17th century German, Mannheim 1740–1799 Munich (?) Kobell, Ferdinand|Anonymous, Flemish, 17th century 39514 German|Flemish 1607 1740 |1600 1799 |1700 ca. 1600 (?) 1600 1600 Brush and grey ink, over black chalk; framing line in brush and grey ink 42966 sheet: 5 9/16 x 7 11/16 in. (14.1 x 19.5 cm) Harry G. Sperling Fund, 2011                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
421810 2015.626 0 1 698685 Drawings and Prints 11 Print 731 Joseph's Coat Brought to Jacob           Former Attribution|Artist 55   Aertgen Claesz. van Leyden|Anonymous, Dutch Netherlandish, Leiden 1498–1564 Leiden , Leiden School, early 16th century Claesz. van Leyden, Aertgen|Anonymous, Dutch 53706   1498 |1400 1564 |2050 16th century 1500 1600 Etching on blue laid paper 60273 Sheet: 6 1/4 × 5 1/4 in. (15.9 × 13.3 cm) Purchase, Barbara and Howard Fox Gift and Hyatt Mayor Purchase Fund, Marjorie Phelps Starr Bequest, 2015                       Prints 13   Metropolitan Museum of Art, New York, NY 1
220772 26.169.1 0 1 348309 Drawings and Prints 11 Drawing 23 Banquet in an Arbor           Former Attribution|Artist 55 formerly attributed to Maerten de Vos|Anonymous, Netherlandish, 16th century Netherlandish, Antwerp 1532–1603 Antwerp   Vos, Maerten de|Anonymous, Netherlandish, 16th century 18724 Netherlandish|Netherlandish 327 1532 |1500 1603 |1600 mid-16th–early 17th century 1550 1603 Pen and brown ink, graphite. Incised. Verso rubbed in red chalk 34770 Diameter: 23.9 cm Rogers Fund, 1926                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
238730 2004.498.1 0 1 366784 Drawings and Prints 11 Drawing 23 The Assumption of the Virgin with the Five Joyful Mysteries of the Rosary           Former Attribution|Artist 55 Formerly attributed to Caspar Fraisinger|Georg Pecham German, Ochsenhausen near Biberach ca. 1560–1599 Ingolstadt|German, Munich ca. 1568–1604 Munich   Fraisinger, Caspar|Pecham, Georg 32953 German|German 79 1560 |1568 1599 |1604 late 16th–early 17th century 1580 1604 Pen and black ink and gray wash 33537 sheet: 6 13/16 x 5 in. (17.3 x 12.7 cm) Gift of Lutz Riester, 2004                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
207504 80.3.139 0 1 334858 Drawings and Prints 11 Drawing 23 Christ in the Garden of Gethsemane (Matthew 26:36-46)           Former Attribution|Artist 55 Formerly attributed to Federico Zuccaro (Zuccari)|Anonymous, German, 16th century Italian, Sant'Angelo in Vado 1540/42–1609 Ancona   Zuccaro, Federico|Anonymous, German, 16th century 17784 Italian|German 309 1540 |1500 1609 |1600 ca. 1600 1595 1605 Pen and black ink over underdrawing in gray and brown ink, brush and gray wash 29522 7-5/8 x 10-5/16 in. (19.3 x 26.2 cm) Gift of Cornelius Vanderbilt, 1880                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
207816 61.241 0 1 335173 Drawings and Prints 11 Drawing 23 Venus Triumphant           Former Attribution|Artist 55 Formerly attributed to Peter Candid (Pieter de Witte, Pietro Candido)|Hans Werl Netherlandish, Bruges ca. 1548–1628 Munich|German, Munich ca. 1570–1608 Munich (?) Candid, Peter (Pieter de Witte, Pietro Candido)|Werl, Hans 17957 Netherlandish|German 835 1548 |1570 1628 |1608 n.d. 1580 1608 Pen and black ink, gray wash, squared red chalk 29714 8 9/16 x 5 1/4 in. (21.7 x 13.3 cm) Purchase, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1961                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
207364 1998.41.4 0 1 334717 Drawings and Prints 11 Drawing 23 Venus in the Forge of Vulcan           Former Attribution|Artist 55   Johann Matthias Kager|Anonymous, German, 17th century German, Munich 1575–1634 Augsburg   Kager, Johann Matthias|Anonymous, German, 17th century 17723 German|German 79 1575 |1600 1634 |1700 ca. 1605 1600 1610 Pen and black ink, gray wash, heightened with white (partially oxidized) 29446 9-5/8 x 6-3/8 in. (24.5 x 16.1 cm) Gift of Katrin Bellinger, 1998                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
286219 2013.549 0 1 415529 Drawings and Prints 11 Drawing 23 Diana and a Leering Satyr in a Forest           Former Attribution|Artist 55   Adam van Vianen I|Paulus Willemsz. van Vianen Dutch, Utrecht ca. 1568/69–1627 Utrecht|Netherlandish, Utrecht ca. 1570–ca. 1613/14 Prague   Vianen, Adam van, I|Vianen, Paulus Willemsz. van 41348 Netherlandish|Netherlandish 327 1563 |1565 1627 |1619 ca. 1600 1588 1613 Pen and brown ink, brown wash, over red and black chalk; framing line in pen and brown ink, by the artist 43682 Sheet: 5 1/4 × 4 in. (13.4 × 10.1 cm) Harry G. Sperling Fund, 2013                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
207537 1975.131.233 0 1 334891 Drawings and Prints 11 Drawing 23 The Standing Virgin Lamenting the Dead Christ at the Foot of the Cross           Former Attribution|Artist 55 Formerly attributed to Johann Matthias Kager|Anonymous, German, 17th century German, Munich 1575–1634 Augsburg   Kager, Johann Matthias|Anonymous, German, 17th century 17723 German|German 79 1575 |1600 1634 |1700 1614 1614 1614 Pen and black ink, pink, blue and gray wash. 29546 12 3/4 x 8 1/16 in. (32.4 x 20.5 cm) Bequest of Harry G. Sperling, 1971                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
242583 2005.418.18 0 1 370747 Drawings and Prints 11 Drawing 23 The Months: February and March           Former Attribution|Artist 55   Pieter Stevens|Joos de Momper the Younger Netherlandish, Mechelen ca. 1567–after 1624 Prague|Netherlandish, Antwerp 1564–1635 Antwerp   Stevens, Pieter|Momper the Younger, Joos II de 33898 Netherlandish|Netherlandish 327 1567 |1564 1624 |1635 late 16th–early 17th century 1587 1624 Pen and brown ink and watercolor 36871 sheet: 6 x 8 in. (15.2 x 20.3 cm) Anonymous Gift, 2005                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
207763 61.130.1 0 1 335120 Drawings and Prints 11 Drawing 23 Peasants and Hay Wagon on a Country Road           Former Attribution|Artist 55 Formerly attributed to|Circle of Jan Brueghel the Elder|Jan Brueghel the Elder Netherlandish, Brussels 1568–1625 Antwerp|Netherlandish, Brussels 1568–1625 Antwerp   Brueghel, Jan, the Elder|Brueghel, Jan, the Elder 17927 Netherlandish|Netherlandish 327 1568 |1568 1625 |1625 1580–1625 1580 1625 Pen and brown ink, gray wash 29693 5 13/16 x 6 7/8 in. (14.8 x 17.5 cm) Rogers Fund, 1961                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
213337 80.3.154 0 1 340733 Drawings and Prints 11 Drawing 23 The Martyrdom of Saint Lucy: Her Last Communion before Being Dragged by Oxen           Former Attribution|Artist 55   Alessandro Maganza|Giovanni Battista Maganza il Giovane Italian, Vicenza 1556–after 1630 Vicenza (?)|Italian, Calaone ca. 1509–1586 Vicenza (?) Maganza, Alessandro|Maganza, Giovanni Battista il Giovane 19744 Italian|Italian 93 1556 |1509 1630 |1586 1556–1630 1556 1630 Pen and brown ink, brush and brown wash, over black chalk 29736 10 7/16 x 5 11/16in. (26.5 x 14.4cm) Gift of Cornelius Vanderbilt, 1880                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
230492 2002.557 0 1 358181 Drawings and Prints 11 Drawing 23 Flying Putti, Surrounding Archangel Raphael           Former Attribution|Artist 55 Formerly attributed to Rudolf Meyer|Conrad Meyer Swiss, Zurich 1605–1638 Zurich|Swiss, Zürich 1618–1689 Zürich   Meyer, Rudolf|Meyer, Conrad 30430 Swiss|Swiss 294 1605 |1618 1638 |1689 1631–32 1631 1632 Pen and brown and black ink, gray and brown wash, heightened in white 36334 sheet: 8 5/8 x 6 7/16 in. (21.9 x 16.3 cm) Ian Woodner Family Collection Fund, 2002                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
207529 80.3.78 0 1 334883 Drawings and Prints 11 Drawing 23 Neptune in his Chariot           Former Attribution|Artist 55 Formerly attributed to|Attributed to Joseph Heintz the Elder|Pieter de Jode I Swiss, Basel 1564–1609 Prague|Netherlandish, Antwerp 1570–Antwerp 1634   Heintz, Joseph the Elder|Jode Pieter de, I 17799 Swiss|Netherlandish 811 1564 |1572 1609 |1634 late 16th–mid 17th century 1585 1634 Pen and brown ink, brown wash, over traces of black chalk 29540 Diameter 7-15/16 in. (20.2 cm) Gift of Cornelius Vanderbilt, 1880                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
238677 2005.26 0 1 366728 Drawings and Prints 11 Drawing 23 Ezekiel in the Valley of the Dry Bones           Former Attribution|Artist 55   Gotthard Ringgli|Georg Pecham Swiss, Zurich 1575–1635 Zurich|German, Munich ca. 1568–1604 Munich   Ringgli, Gotthard|Pecham, Georg 32935 Swiss|German 822 1575 |1568 1635 |1604 late 16th–mid-17th century 1590 1635 Pen and black ink, and brown, blue and pink wash 38108 diameter: 7 11/16 in. (19.6 cm) Van Day Truex Fund and The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2005                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
208467 47.100.1194 0 1 335830 Drawings and Prints 11 Drawing 23 Diana with Two Dogs           Former Attribution|Artist 55 Formerly attributed to Georges Lallemand|Anonymous, German, 17th century French, Nancy ca. 1580–1636 Paris   Lallemand, Georges|Anonymous, German, 17th century 18241 French|German 83 1575 |1600 1636 |1700   1580 1636 Pen and dark gray ink with brush and gray wash 30128 Overall: 6 5/16 x 5 1/4in. (16 x 13.3cm) Harris Brisbane Dick Fund, 1947                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
207540 1996.37 0 1 334894 Drawings and Prints 11 Collection Ornament & Architecture 13829 Design for an Ornamental Panel with the Figure of Astronomy           Former Attribution|Artist 55 Formerly attributed to Lucas Kilian|Johann Matthias Kager German, Augsburg 1579–1637 Augsburg|German, Munich 1575–1634 Augsburg   Kilian, Lucas|Kager, Johann Matthias 17807 German|German 79 1579 |1575 1637 |1634 1590–1637 1590 1637 Pen and black ink, brush and gray wash and ochre washes. 29547 8 3/8 x 6 9/16 in. (21.2 x 16.6 cm) Purchase, Bequest of Helen Hay Whitney, by exchange, Mr. and Mrs. E. Powis Jones Gift, and Harry G. Sperling Fund, 1996                       Drawings|Ornament & Architecture 671   Metropolitan Museum of Art, New York, NY 1
207576 39.12 0 1 334930 Drawings and Prints 11 Drawing 23 Studies of Fruits, Insects and Shells           Former Attribution|Artist 55 Formerly attributed to|Attributed to Maria Sibylla Merian|Georg Flegel German, 1647–1717 (active Holland)|German, Olomouc (Olmütz) 1566–1638 Frankfurt   Merian, Maria Sibylla|Flegel, Georg 17821 German|German 79 1647 |1566 1717 |1638 late 16th–mid-17th century 1586 1638 Watercolor on parchment 29568 3 5/8 x 4 7/16 in. (9.2 x 11.3 cm) Fletcher Fund, 1939                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
220498 1975.131.182 0 1 348032 Drawings and Prints 11 Drawing 23 Design for a Chimney Place and Study of a Nude Female Figure.           Former Attribution|Artist 55   Peter Paul Rubens|Anonymous, Flemish, 17th century Flemish, Siegen 1577–1640 Antwerp   Rubens, Peter Paul|Anonymous, Flemish, 17th century 23265 Flemish|Flemish 376 1577 |1600 1640 |1700 n.d. 1590 1640 Pen and brown ink. Framing line in pen and brown ink. 34706 sheet: 7 9/16 x 11 7/8 in. (19.2 x 30.2 cm) Bequest of Harry G. Sperling, 1971                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
208084 61.160.2 0 1 335442 Drawings and Prints 11 Drawing 23 A Young Acolyte Bearing a Staff           Former Attribution|Artist 55   Anthony van Dyck|Anonymous, Dutch, 17th century Flemish, Antwerp 1599–1641 London   Dyck, Anthony van|Anonymous, Dutch, 17th century 18084 Flemish 87 1599 |1600 1641 |1700 early 17th century 1610 1641 Black chalk heightened with white 29887 19 x 9 13/16 in. (48.3 x 24.9 cm) Rogers Fund, 1961                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
227915 26.169.4 0 1 355539 Drawings and Prints 11 Drawing 23 Portrait Study           Former Attribution|Artist 55   Sir Peter Lely (Pieter van der Faes)|Anthony van Dyck British, Soest 1618–1680 London|Flemish, Antwerp 1599–1641 London   Lely, Peter, Sir (Pieter van der Faes)|Dyck, Anthony van 28698 Dutch, British|Flemish 2133 1618 |1599 1680 |1641 1635–41 1635 1641 Black chalk 29155 sheet: 9 7/8 x 8 3/16 in. (25.1 x 20.8 cm) Rogers Fund, 1926                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
298880 2013.932 0 1 428616 Drawings and Prints 11 Drawing 23 View of a Bridge and Waterfalls in Tivoli; verso: View of a Waterfall in Tivoli From Within a Cave           Former Attribution|Artist 55   Karel Dujardin|Guilliam du Gardijn Dutch, Amsterdam 1622–1678 Venice|Dutch, Cologne ca. 1595/96–after 1647 Amsterdam (?)   Dujardin, Karel|Gardijn, Guilliam du 42795 Dutch|Dutch 290 1622 |1595 1678 |1647 ca. 1640–45 (?) 1640 1645 Black chalk, brush and brown and gray ink 44165 Sheet: 15 1/2 × 10 13/16 in. (39.4 × 27.4 cm) Purchase, Brooke Russell Astor Bequest, 2013                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
298881 2013.933 0 1 428617 Drawings and Prints 11 Drawing 23 View of the Ponte San Rocco at Tivoli; verso: Buildings on the River Aniene near Tivoli (?)           Former Attribution|Artist 55   Karel Dujardin|Guilliam du Gardijn Dutch, Amsterdam 1622–1678 Venice|Dutch, Cologne ca. 1595/96–after 1647 Amsterdam (?)   Dujardin, Karel|Gardijn, Guilliam du 42795 Dutch|Dutch 290 1622 |1595 1678 |1647 ca. 1640–45 (?) 1640 1645 Brush and gray ink, black chalk 44166 Sheet: 15 11/16 × 10 15/16 in. (39.8 × 27.8 cm) Purchase, Brooke Russell Astor Bequest, 2013                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
321393 1975.1.659 0 1 459362 Robert Lehman Collection 16 Drawing 23 Trees           Former Attribution|Artist 55 French artist in the circle of Claude Lorrain (Claude Gellée)|Giovanni Francesco Grimaldi French, Chamagne 1604/5?–1682 Rome|Italian, Bologna 1606–1680 Rome   Claude Lorrain (Claude Gellée)|Grimaldi, Giovanni Francesco 44430 French|Italian 247 1604 |1606 1682 |1680 ca. 1650 1650 1650 Pen, sepia ink and wash with white gouache heightening on blue paper 47915 7 7/8 x 10 1/4 in. (20 x 26 cm) Robert Lehman Collection, 1975                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
221311 1975.131.142 0 1 348859 Drawings and Prints 11 Drawing 23 A Farm Building; verso: Head of a Woman and Slight Sketch of Woman Holding a Child           Former Attribution|Artist 55 Formerly attributed to|In the manner of Abraham Bloemaert|Abraham Bloemaert Netherlandish, Gorinchem 1566–1651 Utrecht|Netherlandish, Gorinchem 1566–1651 Utrecht   Bloemaert, Abraham|Bloemaert, Abraham 23879 Netherlandish|Netherlandish 327 1566 |1566 1651 |1651 late 16th–mid-17th century 1580 1651 Pen and brown ink, and watercolour over black chalk; framing line in pen and brown ink; verso: red chalk 34885 5 3/16 x 6 1/4 in. (13.1 x 15.9 cm) Bequest of Harry G. Sperling, 1971                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
256815 2009.138 0 1 385493 Drawings and Prints 11 Drawing 23 Study of a Blasted Tree Trunk and Branches           Former Attribution|Artist 55 Formerly attributed to the circle of Anthonie Waterloo|Simon de Vlieger Dutch, Lille 1609–1690 Utrecht|Dutch, Rotterdam (?) ca. 1600/1601–1653 Weesp   Waterloo, Anthonie|Vlieger, Simon de 37047 Dutch|Dutch 290 1609 |1600 1690 |1653 1600–1653 1600 1653 Black chalk, brown wash, heightened with yellowish white chalk. Framing line in pen and black ink 41446 sheet: 11 1/8 x 8 3/8 in. (28.3 x 21.3 cm) Purchase, Alain and Marie-Christine van den Broek d'Obrenan Gift, 2009                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
298878 2013.930 0 0 428614 Drawings and Prints 11 Drawing 23 Study of a Group of Trees           Former Attribution|Artist 55 manner of|Circle of Claude Lorrain (Claude Gellée)|Nicolas Poussin French, Chamagne 1604/5?–1682 Rome|French, Les Andelys 1594–1665 Rome   Claude Lorrain (Claude Gellée)|Poussin, Nicolas 42794 French|French 21 1604 |1594 1682 |1665 ca.1625–50 1620 1655 Pen and brown ink 25596 Sheet: 9 3/16 in. × 8 in. (23.4 × 20.3 cm) Purchase, Brooke Russell Astor Bequest, 2013                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
298879 2013.931 0 0 428615 Drawings and Prints 11 Drawing 23 Study of a Group of Trees           Former Attribution|Artist 55 Manner of|Circle of Claude Lorrain (Claude Gellée)|Nicolas Poussin French, Chamagne 1604/5?–1682 Rome|French, Les Andelys 1594–1665 Rome   Claude Lorrain (Claude Gellée)|Poussin, Nicolas 42794 French|French 21 1604 |1594 1682 |1665 ca.1625–50 1620 1655 Pen and brown ink 25596 Sheet: 8 5/16 × 7 15/16 in. (21.1 × 20.2 cm) Purchase, Brooke Russell Astor Bequest, 2013                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
321353 1975.1.786 0 1 459322 Robert Lehman Collection 16 Drawing 23 Christ among the Doctors           Former Attribution|Artist 55   Nicolaes Maes|School of Rembrandt van Rijn Dutch, Dordrecht 1634–1693 Amsterdam|Dutch, 1606–1669   Maes, Nicolaes|Rembrandt, van Rijn, School of 44421 Dutch 11 1634 |1606 1693 |1669 ca. 1652 1649 1655 Pen and brush and brown ink. 47881 8 7/8 x 7 in. (22.6 x 17.8 cm) Robert Lehman Collection, 1975                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
211039 1972.118.245 0 1 338427 Drawings and Prints 11 Drawing 23 Study of an Old Man           Former Attribution|Artist 55 Formerly attributed to|attributed to Carracci School|Giacomo Cavedone Italian|Italian, Sassuolo 1577–1660 Bologna   Carracci School|Cavedone, Giacomo 19087 Italian|Italian 93 1577 1660 1577–1660 1577 1660 Charcoal, highlighted with white chalk, on blue-gray paper 31535 9 3/4 x 8 1/8in. (24.8 x 20.6cm) Bequest of Walter C. Baker, 1971                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
423996 2016.457 0 0 703198 Drawings and Prints 11 Drawing 23 Scene at a Village Inn           Former Attribution|Artist 55   Claes Moeyaert|Michael Herr Dutch, Amsterdam 1591–1655 Amsterdam|German, Metzingen bei Reutlingen 1591–1661 Nuremberg   Moeyaert, Claes|Herr, Michael 54111   1591 |1591 1655 |1661 early 17th–mid 17th century 1611 1661 Pen and black ink, brush and gray wash; framing line in pen and gray ink 60712 Sheet: 5 7/8 × 8 3/4 in. (15 × 22.2 cm) Frances and Claude Logan Fund, 2016                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
210392 1972.224.6 0 1 337775 Drawings and Prints 11 Drawing 23 Allegorical Figures for a Ceiling Decoration           Former Attribution|Artist 55 Formerly attributed to Pierre Mignard |Michel Corneille the Elder French, Troyes 1612–1695 Paris|French, Orléans 1602–1664 Paris   Mignard, Pierre|Corneille, Michel, the Elder 18828 French|French 21 1612 |1602 1695 |1664 17th century 1615 1664 Black chalk, heightened with white chalk, on beige paper. 31180 11 3/8 x 15 15/16 in. (28.9 x 40.5 cm) Fletcher Fund, 1972                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
460722 49.95.2546 0 0 778030 Drawings and Prints 11 Print 731 Landscape with five cows, two young men lying on a hill behind them           Former Attribution|Artist 55 After Jacopo Tintoretto (Jacopo Robusti)|Theodor van Kessel Italian, Venice 1518/19–1594 Venice|Dutch, 1620–1660   Tintoretto, Jacopo (Jacopo Robusti)|Kessel, Theodor van 58991   1518 |1620 1594 |1660 ca. 1656–60 1651 1665 Etching 26137 Sheet (Trimmed): 6 3/4 × 8 15/16 in. (17.2 × 22.7 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1945                       Prints 13   Metropolitan Museum of Art, New York, NY 1
213408 1975.131.37 0 1 340804 Drawings and Prints 11 Drawing 23 Group of Caricatured Figures with an Artist Drawing           Former Attribution|Artist 55 Formerly attributed to|Circle of Pier Francesco Mola|Guercino (Giovanni Francesco Barbieri) Italian, Coldrerio 1612–1666 Rome|Italian, Cento 1591–1666 Bologna   Mola, Pier Francesco|Guercino (Giovanni Francesco Barbieri) 19764 Italian|Italian 93 1612 |1591 1666 |1666 1612–66 1612 1666 Pen and brown ink, brush and gray wash 30014 7 11/16 x 10 3/8in. (19.6 x 26.4cm) Bequest of Harry G. Sperling, 1971                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
263130 17.3.853 0 1 392072 Drawings and Prints 11 Print 731 Cupid Resting (copy)           Former Attribution|Artist 55 Formerly attributed to|After Rembrandt (Rembrandt van Rijn)|Rembrandt (Rembrandt van Rijn) Dutch, Leiden 1606–1669 Amsterdam|Dutch, Leiden 1606–1669 Amsterdam School|School Rembrandt (Rembrandt van Rijn)|Rembrandt (Rembrandt van Rijn) 38283 Dutch|Dutch 290 1606 |1606 1669 |1669 n.d. 1620 1669 Etching and drypoint 28973 Sheet (Trimmed): 3 1/2 × 4 3/4 in. (8.9 × 12 cm) Harris Brisbane Dick Fund, 1917                       Prints 13   Metropolitan Museum of Art, New York, NY 1
321377 1975.1.809 0 1 459346 Robert Lehman Collection 16 Drawing 23 A Seated Huntsman           Former Attribution|Artist 55   Gesina ter Borch|Gerard ter Borch the Younger Dutch, Zwolle 1633–1690 Zwolle|Dutch, Zwolle 1617–1681 Deventer   Borch, Gesina ter|Borch, Gerard ter, the Younger 44424 Dutch|Dutch 290 1633 |1617 1690 |1681 1672 1672 1672 Black chalk 29155 10 9/16 x 7 3/16 in. (26.8 x 18.3 cm) Robert Lehman Collection, 1975                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
245503 51.501.1531 0 1 373731 Drawings and Prints 11 Print 731 Head of a Peasant           Former Attribution|Artist 55   Thomas Wijck|Anonymous, Dutch, 17th century Dutch, Beverwijck, near Haarlem 1616?–1677 Haarlem   Wijck, Thomas|Anonymous, Dutch, 17th century 34526 Dutch|Dutch 290 1616 |1600 1677 |1700 17th century 1610 1677 Etching 26137 6.0 x 4.5 cm The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951                       Prints 13   Metropolitan Museum of Art, New York, NY 1
217354 2001.511 0 1 344846 Drawings and Prints 11 Drawing 23 Dune Landscape with Trees           Former Attribution|Artist 55   Claes van Beresteyn|Adriaen Hendriksz. Verboom Dutch, Haarlem ca. 1627–1684 Haarlem|Dutch, Rotterdam ca. 1627–1673 Rotterdam   Beresteyn, Claes van|Verboom, Adriaen Hendriksz. 21120 Dutch 11 1627 |1627 1684 |1673 17th century 1640 1684 Pen and brown ink, framing line in brown ink 34021 5 9/16 x 7 3/8 in. (14.2 x 18.7 cm) Harry G. Sperling Fund, 2001                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
208517 57.658.285 0 1 335880 Drawings and Prints 11 Drawing 23 Allegorical Scene           Former Attribution|Artist 55 Formerly attributed to Anonymous, Flemish, 17th century|Theodoor van Thulden Flemish, 's-Hertogenbosch 1601–1609 's-Hertogenbosch   Anonymous, Flemish, 17th century|Thulden, Theodoor van 18255 Flemish|Flemish 376 1600 |1601 1700 |1609 1685 1685 1685 Pen and brown ink, brush and blue wash. 30155 4 15/16 x 7 5/16 in. (12.5 x 18.5 cm) Gift of Harry G. Friedman, 1957                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
207845 59.23.33 0 1 335202 Drawings and Prints 11 Drawing 23 Pastoral Landscape with Roman Ruins           Former Attribution|Artist 55 Formerly attributed to Simon van der Does|Johann Heinrich Roos Dutch, Amsterdam 1653–1717 Antwerp|German, Reipoltskirchen 1631–1685 Frankfurt am Main   Does, Simion van der|Roos, Johann Heinrich 17976 Dutch|German 837 1653 |1631 1717 |1685 1645–86 1645 1686 Pen and ink, grey wash. 29738 7 5/8 x 11 3/4 in. (19.3 x 29.8 cm) Bequest of Alexandrine Sinsheimer, 1958                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
236391 49.56.13 0 1 364270 Drawings and Prints 11 Drawing ; Ornament and Architecture 13851 Design for a Carved Mirror Frame (right side only)           Former Attribution|Artist 55 Formerly attributed to Grinling Gibbons|Anonymous, British, 17th century British (born The Netherlands), Rotterdam 1648–1721 London   Gibbons, Grinling|Anonymous, British, 17th century 32281 British, born The Netherlands|British 2508 1648 |1600 1721 |1700 ca. 1675–85 1670 1690 Pen and ink, wash 30554 sheet: 21 3/4 x 17 1/2 in. (55.2 x 44.5 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       Drawings|Ornament & Architecture 671   Metropolitan Museum of Art, New York, NY 1
208008 80.3.504 0 1 335366 Drawings and Prints 11 Drawing 23 Charles II of Spain on Horseback           Former Attribution|Artist 55   Claudio Coello|Matías de Torres Spanish, Madrid 1642–1693 Madrid|Spanish, Aguilar de Campóo (Palencia) 1635–1711 Madrid   Coello, Claudio|de Torres, Matías 18049 Spanish|Spanish 85 1642 |1635 1693 |1711 late 17th century 1655 1693 Pen and brown ink with brush and brown wash over slight traces of black chalk underdrawing. Corners cut off, composition outlined in hexagonal form with pen and brown ink. Contours of the seated figure and the saddle pricked. Lined 29834 7-5/16 x 6-7/16 in. (18.6 x 16.4 cm) Gift of Cornelius Vanderbilt, 1880                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
207970 50.605.5 0 1 335328 Drawings and Prints 11 Drawing 23 The Vision of St. Eustace           Former Attribution|Artist 55 Formerly attributed to Anonymous, Netherlandish, 16th century|Anonymous, Flemish, 17th century   (?) Anonymous, Netherlandish, 16th century|Anonymous, Flemish, 17th century 18033 Netherlandish|Flemish 390 1500 |1600 1600 |1700 17th century 1600 1699 Pen and brown ink, brush and brown wash. Framing lines in pen and brown. 29804 7 3/16 x 5 5/8 in. (18.3 x 14.3 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1950                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
208501 49.95.2813 0 1 335864 Drawings and Prints 11 Drawing 23 Portrait of Bartholomeo Ehrenfüller(?)           Former Attribution|Artist 55 Formerly attributed to Anonymous, Netherlandish, 16th century|Anonymous, Flemish, 17th century   (?) Anonymous, Netherlandish, 16th century|Anonymous, Flemish, 17th century 18033 Netherlandish|Flemish 390 1500 |1600 1600 |1700 17th century 1600 1699 Brush and brown wash, black chalk, tacked down to white board. 30142 6 1/8 x 5 3/16 in. (15.5 x 13.1 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
208502 49.95.2814 0 1 335865 Drawings and Prints 11 Drawing 23 Portrait of Rambaldo, graf von Collalto           Former Attribution|Artist 55 Formerly attributed to Anonymous, Netherlandish, 16th century|Anonymous, Flemish, 17th century   (?) Anonymous, Netherlandish, 16th century|Anonymous, Flemish, 17th century 18033 Netherlandish|Flemish 390 1500 |1600 1600 |1700 17th century 1600 1699 Black chalk, brush and gray ink. Tacked down on white board. Incised. 30143 6 x 5 3/16 in. (15.2 x 13.2 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
208503 49.95.2812 0 1 335866 Drawings and Prints 11 Drawing 23 Portrait of Christoph Mondragon           Former Attribution|Artist 55 Formerly attributed to Anonymous, Netherlandish, 16th century|Anonymous, Flemish, 17th century   (?) Anonymous, Netherlandish, 16th century|Anonymous, Flemish, 17th century 18033 Netherlandish|Flemish 390 1500 |1600 1600 |1700 17th century 1600 1699 Black chalk, brush and brown wash. Incised. Tacked down to white board. 30144 5 7/8 x 4 15/16 in. (15 x 12.5 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
209031 1975.131.92 0 1 336408 Drawings and Prints 11 Drawing 23 Christ and the Centurion           Former Attribution|Artist 55 Formerly attributed to Sébastien Bourdon|Anonymous, French, 17th century French, Montpellier 1616–1671 Paris   Bourdon, Sébastien|Anonymous, French, 17th century 18426 French|French 21 1616 |1600 1671 |1700 17th century 1600 1699 Pen and brown ink, brown wash, over red and black chalk, heightened with white 30453 7 15/16 x 10 1/16 in. (20.2 x 25.5 cm) Bequest of Harry G. Sperling, 1971                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
210314 64.270 0 1 337697 Drawings and Prints 11 Drawing 23 Figure Studies           Former Attribution|Artist 55 Formerly attributed to|Attributed to Eustache Le Sueur|Anonymous, French, 17th century French, Paris 1616–1655 Paris   Le Sueur, Eustache|Anonymous, French, 17th century 18797 French|French 21 1616 |1600 1655 |1700 17th century 1600 1699 Black chalk with traces of white chalk on brownish paper 31127 12 5/8 x 8 1/8 in. (32.1 x 20.6 cm) Gift of Harry G. Friedman, 1964                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
221958 10.45.10 0 1 349518 Drawings and Prints 11 Drawing 23 Landscape with River           Former Attribution|Artist 55 Formerly attributed to Allart van Everdingen|Anonymous, Dutch, 17th century Dutch, Alkmaar 1621–1675 Amsterdam   Everdingen, Allart van|Anonymous, Dutch, 17th century 18782 Dutch|Dutch 290 1621 |1600 1675 |1700 17th century 1600 1699 Black chalk, brush and gray wash, touched with red and yellow chalk. 35000 sheet: 7 1/16 x 11 9/16 in. (17.9 x 29.4 cm) Rogers Fund, 1909                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
207467 22.87 0 1 334821 Drawings and Prints 11 Drawing 23 Group of Men           Former Attribution|Artist 55 Formerly attributed to Adam Elsheimer|Master of the Large Figure Brush Drawings German, Frankfurt 1578–1610 Rome   Elsheimer, Adam|Master of the Large Figure Brush Drawings 17772 German 10 1578 1610 17th century 1600 1700 Brush and brown wash over traces of black chalk 29507 8 9/16 x 12 15/16 in. (21.8 x 32.8 cm) Rogers Fund, 1922                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
207762 42.186.1 0 1 335119 Drawings and Prints 11 Drawing 23 Dutch Landscape with Windmills           Former Attribution|Artist 55 Formerly attributed to|After Jan Brueghel the Elder|Jan Brueghel the Elder Netherlandish, Brussels 1568–1625 Antwerp|Netherlandish, Brussels 1568–1625 Antwerp (?) Brueghel, Jan, the Elder|Brueghel, Jan, the Elder 17927 Netherlandish|Netherlandish 327 1568 |1568 1625 |1625 17th century 1600 1700 Pen and brown ink, brush and brown, blue, and gray wash; framing lines in black ink 29692 7 3/4 x 12 3/16 in. (19.7 x 31 cm) Fletcher Fund 1942                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
208496 64.682.103 0 1 335859 Drawings and Prints 11 Drawing 23 Young Boy Disrobing           Former Attribution|Artist 55 Formerly attributed to Anonymous, Netherlandish, 16th century|Anonymous, Dutch, 17th century     Anonymous, Netherlandish, 16th century|Anonymous, Dutch, 17th century 18249 Netherlandish|Dutch 838 1500 |1600 1600 |1700 17th century 1600 1700 Pen and brown ink. 29673 2 7/16 x 1 1/4 in. (6.2 x 3.1 cm) Gift of Harry G. Friedman, 1964                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
208499 49.116.15 0 1 335862 Drawings and Prints 11 Drawing 23 Deathbed Scene           Former Attribution|Artist 55 Formerly attributed to Anonymous, Netherlandish, 16th century|Anonymous, Flemish, 17th century     Anonymous, Netherlandish, 16th century|Anonymous, Flemish, 17th century 18033 Netherlandish|Flemish 390 1500 |1600 1600 |1700 17th century 1600 1700 Brush and brown ink, brown wash, white heightening on brown prepared paper. 30140 9 1/4 x 6 11/16 in. (23.5 x 17 cm) Gift of Mrs. John H. Wright, 1949                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
218818 50.605.29 0 1 346326 Drawings and Prints 11 Collection Ornament & Architecture 13829 Panel of Shutter Decoration of Two Putti with Garlands           Former Attribution|Artist 55 Formerly attributed to Anonymous, Italian, 17th century|Anonymous, German, 17th century     Anonymous, Italian, 17th century|Anonymous, German, 17th century 22121 Italian|German 309 1600 |1600 1700 |1700 17th century (?) 1600 1700 Pen and black ink with grey wash 34348 sheet: 5 3/8 x 3 3/4 in. (13.7 x 9.5 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1950                       Drawings|Ornament & Architecture 671   Metropolitan Museum of Art, New York, NY 1
251933 2007.223.27 0 1 380400 Drawings and Prints 11 Drawing 23 Bust of a Man Looking Left           Former Attribution|Artist 55 Formerly attributed to Hans Rottenhammer the Younger|Anonymous, 17th century German, 1622–1668 Bamberg   Rottenhammer, Hans the Younger|Anonymous, 17th century 35586 German 10 1622 |1600 1668 |1700 17th century 1600 1700 Red chalk 29390 sheet: 3 5/8 x 2 13/16 in. (9.2 x 7.1 cm) Purchase, Jean A. Bonna Gift, 2007                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
254679 52.570.153 0 1 383303 Drawings and Prints 11 Collection Ornament & Architecture 13829 Coat of Arms (blank) with Two Putti Holding a Crown           Former Attribution|Artist 55 Formerly attributed to Anonymous, Netherlandish, 17th century|Anonymous, German, 17th century   (?) Anonymous, Netherlandish, 17th century|Anonymous, German, 17th century 36501 Netherlandish|German 835 1600 |1600 1700 |1700 17th century 1600 1700 Pen and brown ink, brush and brown wash, black chalk, laid 40850 sheet: 8 13/16 x 6 5/16 in. (22.4 x 16.1 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1952                       Drawings|Ornament & Architecture 671   Metropolitan Museum of Art, New York, NY 1
209285 1981.15.3 0 1 336666 Drawings and Prints 11 Drawing 23 The Assumption of the Virgin           Former Attribution|Artist 55 Formerly attributed to Noël Coypel|Nicolas de Plattemontagne French, Paris 1628–1707 Paris|French, Paris 1631–1706 Paris   Coypel, Noël|Plattemontagne, Nicolas de 18504 French|French 21 1628 |1631 1707 |1706 n.d. 1645 1706 Black chalk, heightened with white 29220 10 3/8 x 8 in. (26.3 x 20.3 cm) Harry G. Sperling Fund, 1981                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
207907 10.45.13 0 1 335264 Drawings and Prints 11 Drawing 23 Flushing from the Sea           Former Attribution|Artist 55 Attributed to Anonymous, Netherlandish, 17th century|Willem van de Velde II Dutch, Leiden 1633–1707 London   Anonymous, Netherlandish, 17th century|Velde, Willem van de, II 17998 Netherlandish|Dutch 838 1600 |1633 1700 |1707 mid-17th–early 18th century 1640 1707 Black graphite on buff paper. 29769 6 1/4 x 15 15/16 in. (15.8 x 40.5 cm) Rogers Fund, 1909                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
211044 08.227.23 0 1 338432 Drawings and Prints 11 Drawing 23 Pastoral Scene: Shepherds and Their Flock           Former Attribution|Artist 55 Formerly attributed to and circle of|Attributed to Giovanni Benedetto Castiglione (Il Grechetto)|Michel Corneille the Younger Italian, Genoa 1609–1664 Mantua|French, Paris 1642–1708 Paris   Castiglione, Giovanni Benedetto (Il Grechetto)|Corneille, Michele, the Younger 19088 Italian|French 148 1609 |1642 1664 |1708 n.d. 1655 1708 Brush, brown, red-brown, blue, green, and white paint 31540 10 3/4 x 16 1/16 in. (27.3 x 40.8 cm) Rogers Fund, 1908                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
211172 1995.254 0 1 338561 Drawings and Prints 11 Drawing 23 Studies for a Ceiling (recto and verso)           Former Attribution|Artist 55 Formerly attributed to Pietro da Cortona (Pietro Berrettini)|Michel Corneille the Younger Italian, Cortona 1596–1669 Rome|French, Paris 1642–1708 Paris   Cortona, Pietro da (Pietro Berrettini)|Corneille, Michele, the Younger 19144 Italian|French 148 1596 |1642 1669 |1708 n.d. 1650 1708 Pen and dark brown ink over traces of leadpoint (recto); pen and dark brown ink over leadpoint (verso) 31595 11 5/16 x 17 3/8 in. (28.8 x 44.1 cm) Edward Pearce Casey and Harry G. Sperling Funds, 1995                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
218871 52.570.3 0 1 346379 Drawings and Prints 11 Drawing Ornament & Architecture 13828 Design for a Funerary Monument           Former Attribution|Artist 55 Formerly attributed to|Circle of Anonymous, French, 18th century|Ignaz Günther German, Altmannstein 1725–1775 Munich (?) Anonymous, French, 18th century|Günther, Ignaz 22123 French|German 83 1700 |1725 1800 |1775 ca. 1710–40 1705 1715 Pen and brown ink, with grey wash; incised for transfer 34378 sheet: 16 7/16 x 10 1/8 in. (41.7 x 25.7 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1952                       Drawings|Ornament & Architecture 671   Metropolitan Museum of Art, New York, NY 1
268914 2011.469 0 1 397986 Drawings and Prints 11 Print 731 The Conversion of Saul           Former Attribution|Artist 55   Michael Lucas Leopold Willmann|H. Bem (?) German, 1630–1706|late 17th–early 18th c.   Willmann, Michael Lucas Leopold|Bem (?), H. 39792 German 10 1630 |1670 1706 |1750 ca. 1650–1725 1645 1730 Etching 26137 Plate: 8 1/8 × 5 1/8 in. (20.7 × 13 cm) Sheet (Trimmed): 8 7/16 × 5 1/4 in. (21.4 × 13.3 cm) Purchase, C. G. Boerner Gift, 2011                       Prints 13   Metropolitan Museum of Art, New York, NY 1
209495 1971.513.19 0 0 336876 Drawings and Prints 11 Drawing 23 Design for a Surtout, a large ornament in silver for the center of a table           Former Attribution|Artist 55 Formerly attributed to Juste Aurèle Meissonnier|Anonymous, German, 18th century French, Turin 1695–1750 Paris   Meissonnier, Juste-Aurèle|Anonymous, German, 18th century 18552 French|German 83 1695 |1700 1750 |1800 ca. 1730 1725 1735 Pen and black ink, brush and yellow and grey wash, over black chalk 30710 24 13/16 x 35 7/8 in. (63.0 x 91.1 cm) Purchase, Harris Brisbane Dick Fund and Joseph Pulitzer Bequest, 1971                       Drawings|Ornament & Architecture 671   Metropolitan Museum of Art, New York, NY 1
266765 2011.252 0 1 395793 Drawings and Prints 11 Drawing 23 An Angel holding a Lily           Former Attribution|Artist 55   Anonymous, Italian, Venetian, 18th century|Cosmas Damian Asam German, Benediktbeuern 1686–1739 Munich   Anonymous, Italian, Venetian, 18th century|Asam, Cosmas Damian 39350 Italian|German 309 1700 |1686 1800 |1739 early 18th century 1706 1739 Red chalk, brush and brown ink 42878 sheet: 9 13/16 x 8 9/16 in. (24.9 x 21.8 cm) Purchase, Charles and Jessie Price and PECO Foundation Gifts, 2011                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
208330 54.648.6 0 1 335690 Drawings and Prints 11 Drawing 23 Design for a Ceiling showing the Virgin, Catherine, and Agnes           Former Attribution|Artist 55 Formerly attributed to Matthias Wolf|Matthais Wolcker German, 1685–1716|German, active Schelklingen (?) 1730–42 Dillingen   Wolf, Matthias|Wolcker, Matthais 18182 German|German 79 1685 |1730 1716 |1742 early to mid-18th century 1730 1742 Pen and blue ink, brush and blue wash over traces of graphite. 30020 6 1/4 x 8 3/16 in. (15.9 x 20.8 cm) The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1954                       Drawings|Ornament & Architecture 671   Metropolitan Museum of Art, New York, NY 1
284939 2013.1131.6 0 1 414249 Drawings and Prints 11 Drawing 23 A Cowrie, and a Larger and Two Smaller Shells           Former Attribution|Artist 55   Herman Henstenburgh|Anonymous Dutch, 1667–1726   Henstenburgh, Herman|Anonymous 41254 Dutch 11 1667 1726 late 17th–mid 18th century 1680 1750 Watercolour, graphite, white gouache 43657 Sheet: 4 3/8 × 5 1/4 in. (11.1 × 13.4 cm) Bequest of Brooke Russell Astor, 2007                       Drawings 9   Metropolitan Museum of Art, New York, NY 1
268922 2011.457 0 1 397994 Drawings and Prints 11 Collection Ornament & Architecture 13829 Architectural Design for a Façade           Former Attribution|Artist 55   Felix Speth|Ferenc (Franz) Speth German, active 1751–1800 Freiburg|Hungarian or Austrian, active 1739–died 1769   Speth, Felix|Speth, Ferenc (Franz) 39793 German|Hungarian or Austrian 3088 1751 |1739 1800 |1769 1739–69 1739 1769 Watercolor and pen and black ink 40838 sheet: 8 1/16 x 7 5/8 in. (20.5 x 19.4 cm) Mary Oenslager Fund, 2011                       Drawings|Ornament & Architecture 671   Metropolitan Museum of Art, New York, NY 1
216593 60.692.1 0 1 344025 Drawings and Prints 11 Drawing Ornament & Architecture 13828 Design for a Candelabra           Former Attribution|Artist 55 Formerly attributed to Edme Bouchardon|Anonymous, French, 18th century French, Chaumont 1698–1762 Paris   Bouchardon, Edme|Anonymous, French, 18th century 20712 French|French 21 1698 |1700 1762 |1800 ca. 1760–70 1760 1770 Red chalk with partial black underdrawing 33799 Sheet: 19 in. × 12 1/4 in. (48.3 × 31.1 cm) Gift of Raphael Esmerian, 1960                       Drawings|Ornament & Architecture 671   Metropolitan Museum of Art, New York, NY 1

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CREATE INDEX metobjects_Locus ON MetObjects("Locus");
CREATE INDEX metobjects_Excavation ON MetObjects("Excavation");
CREATE INDEX metobjects_River ON MetObjects("River");
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