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Link | rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City ▼ | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
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110380 | 110380 | 39.153 | 1 | 1 | 198556 | European Sculpture and Decorative Arts 3 | Period room 7125 | Studiolo from the Ducal Palace in Gubbio | Italian, Gubbio 2119 | Maker|Designer|Maker|Maker 455 | Executed in the workshop of|Designed by|Executed under the supervision of|and | Giuliano da Maiano|Francesco di Giorgio Martini|Francesco di Giorgio Martini|Benedetto da Maiano | Italian, Maiano 1432–1490 Naples|Italian, Siena 1439–1501 Siena|Italian, Siena 1439–1501 Siena|Italian, Maiano 1442–1497 Florence | Maiano, Giuliano da|Francesco di Giorgio Martini|Francesco di Giorgio Martini|Benedetto da Maiano 10090 | Italian|Italian|Italian|Italian 315 | 1432 |1439 |1439 |1442 | 1490 |1501 |1501 |1497 | ca. 1478–82 | 1473 | 1487 | Walnut, beech, rosewood, oak and fruitwoods in walnut base 22207 | H. 15 ft. 10 15/16 in. (485 cm), W. 16 ft. 11 15/16 in. (518 cm), D. 12 ft. 7 3/16 in. (384 cm) | Rogers Fund, 1939 | Woodwork 185 | http://www.metmuseum.org/art/collection/search/198556 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
207799 | 207799 | 35.81.4 | 0 | 1 | 335156 | Drawings and Prints 11 | Book 97 | Poesie per l'ingresso solenne di sua eccellenza il signor Gio: Antonio Gabriel cavaliere, e cancellier grande | Artist|Publisher|Artist|Subject of book 1135 | Published by|About | Pietro Scattaglia|Alessandri e Scattaglia|Alessandro Allori|Giovanni Antonio Gabriel | Italian, active second half 18th century|Italian, active second half 18th century|Italian, Florence 1535–1607 Florence | Scattaglia, Pietro|Alessandri e Scattaglia|Allori, Alessandro|Gabriel, Giovanni Antonio 17953 | Italian|Italian|Italian|Italian 315 | 1739 |1750 |1535 | 1810 |1800 |1607 | ca. 1785 | 1780 | 1790 | Etching and engraving 6712 | 14 x 10 in. (35.6 x 25.4 cm) | Harris Brisbane Dick Fund, 1935 | Books 442 | http://www.metmuseum.org/art/collection/search/335156 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
207852 | 207852 | 43.90.1 | 0 | 0 | 335209 | Drawings and Prints 11 | Book 97 | Componimenti poetici per l'ingresso solenne alla dignita di proccuratore di S. Marco per merito di sua eccellenza il Signor Lodovico Manin | Artist|Publisher|Subject of book|Subject of book 1138 | Published by|About|About | Francesco Bartolozzi|Luigi Pavini|Lodovico Manin|Francesco Morosini | Italian, Florence 1728–1815 Lisbon|Italian, Venice 1726–1803 Venice | , Venice | Bartolozzi, Francesco|Pavini, Luigi|Manin, Lodovico|Morosini, Francesco 17981 | Italian|Italian|Italian|Italian 315 | 1728 |1726 | 1815 |1803 | 1763–64 | 1763 | 1764 | Etching 26137 | 15 x 10.5 in. (38.1 x 26.7 cm) | Harris Brisbane Dick Fund, 1943 | Books 442 | http://www.metmuseum.org/art/collection/search/335209 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
208213 | 208213 | 49.50.104 | 0 | 0 | 335572 | Drawings and Prints 11 | Book 97 | Beatae Mariae Virginis Officium | Engraver|Designer|Publisher|Engraver 1170 | Illustrations engraved by|Plates designed by|Published by|Text engraved by | Marco Alvise Pitteri|Giovanni Battista Piazzetta|Giambattista Pasquali|Angela Baroni | Italian, Venice 1702–1786 Venice|Italian, Venice 1682–1754 Venice|active 1730–90|Italian, 18th century | Pitteri, Marco Alvise|Piazzetta, Giovanni Battista|Pasquali, Giambattista|Baroni, Angela 18126 | Italian|Italian|Italian|Italian 315 | 1702 |1682 |1730 |1700 | 1786 |1754 |1790 |1800 | 1740 | 1740 | 1740 | Engraved text and engraved illustrations. 29968 | 5 1/8 x 3 3/8 in. (13 x 8.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | Books 442 | http://www.metmuseum.org/art/collection/search/335572 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
208226 | 208226 | 49.62.6 | 0 | 0 | 335585 | Drawings and Prints 11 | Book 97 | Studj di pittura gia dissegnati da Giambatista Piazzetta | Artist|Artist|Publisher|Artist 1172 | After|Published by | Marco Alvise Pitteri|Giovanni Battista Piazzetta|Giambattista Albrizzi|Francesco Bartolozzi | Italian, Venice 1702–1786 Venice|Italian, Venice 1682–1754 Venice|Italian, Florence 1728–1815 Lisbon | Pitteri, Marco Alvise|Piazzetta, Giovanni Battista|Albrizzi, Giambattista|Bartolozzi, Francesco 18132 | Italian|Italian|Italian|Italian 315 | 1702 |1682 |1728 | 1786 |1754 |1815 | 1760 | 1760 | 1760 | Engraving 7208 | 12 1/2 x 17 11/16 in. (31.8 x 44.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | Books 442 | http://www.metmuseum.org/art/collection/search/335585 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
208259 | 208259 | 1991.1206.6 | 0 | 0 | 335618 | Drawings and Prints 11 | Print 731 | Portraits of Canaletto and Visentini | Prospectus Magni Canalis Venetiarum 106 | Artist|Artist|Sitter|Sitter 1174 | After|portrait of|portrait of | Antonio Maria Visentini|Giovanni Battista Piazzetta|Canaletto (Giovanni Antonio Canal)|Antonio Maria Visentini | Italian, Venice 1688–1782 Venice|Italian, Venice 1682–1754 Venice|Italian, Venice 1697–1768 Venice|Italian, Venice 1688–1782 Venice | Visentini, Antonio Maria|Piazzetta, Giovanni Battista|Canaletto (Giovanni Antonio Canal)|Visentini, Antonio Maria 18147 | Italian|Italian|Italian|Italian 315 | 1688 |1682 |1697 |1688 | 1782 |1754 |1768 |1782 | 1735 | 1735 | 1735 | Etching 26137 | 10 5/8 x 16 13/16 in. (27 x 42.7 cm) | Gift of David and Elizabeth Tunick, 1991 | Prints 13 | http://www.metmuseum.org/art/collection/search/335618 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
208268 | 208268 | 23.61 | 0 | 1 | 335627 | Drawings and Prints 11 | Album 1119 | Diversarum Iconum... | Diversarum Iconum... 110 | Artist|Artist|Artist|Artist 189 | After | Anton Maria Zanetti the Elder|Parmigianino (Girolamo Francesco Maria Mazzola)|Giovanni Antonio Faldoni|Andrea Zucchi | Italian, Venice 1680–1767 Venice|Italian, Parma 1503–1540 Casalmaggiore|Italian, ca. 1690–ca. 1770|Italian, Venice 1679–1740 Dresden | Zanetti, Anton Maria, the Elder|Parmigianino (Girolamo Francesco Maria Mazzola)|Faldoni, Giovanni Antonio|Zucchi, Andrea 18152 | Italian|Italian|Italian|Italian 315 | 1680 |1503 |1690 |1679 | 1767 |1540 |1770 |1740 | ca. 1749 | 1744 | 1754 | Chiaroscuro woodcuts and engravings 29983 | 13 3/16 × 1 × 18 7/8 in. (33.5 × 2.5 × 48 cm) | Harris Brisbane Dick Fund, 1923 | Albums 441 | http://www.metmuseum.org/art/collection/search/335627 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
213808 | 213808 | 26.70.4(32) | 0 | 0 | 341227 | Drawings and Prints 11 | Print 731 | Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Necessity holding a spindle, seated on a cloud supported by the Fates, surrounded by the planets and Astraea, with sirens beneath | Publisher|Artist|Artist|Artist 1298 | After|After | Filippo Suchielli|Agostino Carracci|Andrea Boscoli|Bernardo Buontalenti (Bernardo delle Girandole) | Italian, active Siena, ca. 1589–92|Italian, Bologna 1557–1602 Parma|Italian, Florence ca. 1560–1608 Rome|Italian, Florence ca. 1531–1608 Florence | Suchielli, Filippo|Carracci, Agostino|Boscoli, Andrea|Buontalenti, Bernardo 19898 | Italian|Italian|Italian|Italian 315 | 1530 |1557 |1560 |1526 | 1630 |1602 |1608 |1608 | 1589–92 | 1589 | 1592 | Etching and engraving 6712 | Sheet: 9 1/2 × 13 3/4 in. (24.2 × 35 cm) | Harris Brisbane Dick Fund, 1926 | Prints 13 | http://www.metmuseum.org/art/collection/search/341227 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
213810 | 213810 | 53.600.2182 | 0 | 0 | 341229 | Drawings and Prints 11 | Print 731 | Stage set for the marriage of Ferdinand de' Medici and Christine of Lorraine in Florence in 1589; Necessity holding a spindle, seated on a cloud supported by the Fates, surrounded by the planets and Astraea, with sirens beneath | Artist|Publisher|Artist|Artist 927 | After|After | Andrea Boscoli|Filippo Suchielli|Bernardo Buontalenti (Bernardo delle Girandole)|Agostino Carracci | Italian, Florence ca. 1560–1608 Rome|Italian, active Siena, ca. 1589–92|Italian, Florence ca. 1531–1608 Florence|Italian, Bologna 1557–1602 Parma | Boscoli, Andrea|Suchielli, Filippo|Buontalenti, Bernardo|Carracci, Agostino 19899 | Italian|Italian|Italian|Italian 315 | 1560 |1530 |1526 |1557 | 1608 |1630 |1608 |1602 | 1589–92 | 1589 | 1592 | Etching and engraving 6712 | Sheet: 9 5/8 × 13 13/16 in. (24.5 × 35.1 cm) | Harris Brisbane Dick Fund, 1953 | Prints 13 | http://www.metmuseum.org/art/collection/search/341229 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
214535 | 214535 | 26.72.138 | 0 | 1 | 341957 | Drawings and Prints 11 | Print 731 | Three portraits possibly representing Camillo Graffico, Ercole Pedemonte and Antonio Carone | Artist|Sitter|Sitter|Sitter 997 | portrait of|portrait of|portrait of | Ottavio Leoni (Il Padovano)|Cesare Bartolotti|Ercole Pedemonte|Antonio Carone | Italian, Rome 1578–1630 Rome|Italian, active Rome, 1587–95|Italian, active ca. 1590 | Leoni, Ottavio|Bartolotti, Cesare|Pedemonte, Ercole|Carone, Antonio 20100 | Italian|Italian|Italian|Italian 315 | 1578 |1587 |1550 | 1630 |1595 |1650 | ca. 1620–30 | 1615 | 1635 | Etching 26137 | plate: 3 9/16 x 7 in. (9 x 17.8 cm) sheet: 6 15/16 x 9 3/8 in. (17.7 x 23.8 cm) | Harris Brisbane Dick Fund, 1926 | Prints 13 | http://www.metmuseum.org/art/collection/search/341957 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
215064 | 215064 | 26.50.1(151) | 0 | 1 | 342487 | Drawings and Prints 11 | Print 731 | Three cupids in front of a facade with pilasters, one holding a trident and another a large shell | Ancient Bas-Reliefs 216 | Artist|Publisher|Artist|Artist 927 | After|After | Raphael (Raffaello Sanzio or Santi)|Claudio Duchetti|Anonymous, Italian, 16th to early 17th century|Marco Dente | Italian, Urbino 1483–1520 Rome|Italian, active Venice and Rome, ca. 1565–died ca. 1585|Italian, Ravenna, active by 1515–died 1527 Rome | Raphael (Raffaello Sanzio or Santi)|Duchetti, Claudio|Anonymous, Italian, 16th–17th century early|Dente, Marco 20202 | Italian|Italian|Italian|Italian 315 | 1483 |1565 |1500 |1515 | 1520 |1585 |1640 |1527 | ca. 1515–1600 | 1510 | 1600 | Engraving 7208 | Sheet: 7 11/16 × 18 1/2 in. (19.5 × 47 cm) Plate: 7 9/16 × 14 1/8 in. (19.2 × 35.8 cm) | Harris Brisbane Dick Fund, 1926 | Prints 13 | http://www.metmuseum.org/art/collection/search/342487 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
215163 | 215163 | 17.50.16-10 | 0 | 1 | 342586 | Drawings and Prints 11 | Print 731 | Pallas Athena standing on a globe, holding a spear in her left hand and her shield in her right | Artist|Artist|Artist|Artist 189 | After|or after|After | Raphael (Raffaello Sanzio or Santi)|Giulio Romano|Anonymous, Italian, 16th to early 17th century|Marcantonio Raimondi | Italian, Urbino 1483–1520 Rome|Italian, Rome 1499?–1546 Mantua|Italian, Argini (?) ca. 1480–before 1534 Bologna (?) | Raphael (Raffaello Sanzio or Santi)|Giulio Romano|Anonymous, Italian, 16th–17th century early|Raimondi, Marcantonio 20228 | Italian|Italian|Italian|Italian 315 | 1483 |1499 |1500 |1475 | 1520 |1546 |1640 |1534 | ca. 1520–27 | 1515 | 1525 | Engraving 7208 | 10 5/8 x 5 15/16 in. (27.0 x 15.1 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | Prints 13 | http://www.metmuseum.org/art/collection/search/342586 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
215259 | 215259 | 49.97.165 | 0 | 1 | 342683 | Drawings and Prints 11 | Print 731 | Naked man walking to the right carrying a column base | Artist|Artist|Artist|Artist 189 | After|or after|or after | Marcantonio Raimondi|Raphael (Raffaello Sanzio or Santi)|Giulio Romano|Perino del Vaga (Pietro Buonaccorsi) | Italian, Argini (?) ca. 1480–before 1534 Bologna (?)|Italian, Urbino 1483–1520 Rome|Italian, Rome 1499?–1546 Mantua|Italian, Florence 1501–1547 Rome | Raimondi, Marcantonio|Raphael (Raffaello Sanzio or Santi)|Giulio Romano|Perino del Vaga (Pietro Buonaccorsi) 20250 | Italian|Italian|Italian|Italian 315 | 1475 |1483 |1499 |1501 | 1534 |1520 |1546 |1547 | ca. 1517–20 | 1512 | 1522 | Engraving 7208 | Sheet: 8 7/16 × 5 11/16 in. (21.5 × 14.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | Prints 13 | http://www.metmuseum.org/art/collection/search/342683 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
216978 | 216978 | 1970.699.1 | 0 | 0 | 344464 | Drawings and Prints 11 | Book 97 | Odi Panegiriche a Cesare. . .In Firenze, Erede Paperini all'Insegna di Pallade | Author|Illustrator|Illustrator|Publisher 1156 | Anton Filippo Adami|Giuseppe Zocchi|Francesco Allegrini|C. A. Ercole | Italian|Italian, Florence 1711–1767 Florence|Italian, Cantiano (?) 1615/20–after 1679 Gubbio (?) | , Florence | Adami, Anton Filippo|Zocchi, Guiseppe|Allegrini, Francesco|Ercole, C. A. 20860 | Italian|Italian|Italian|Italian 315 | 1770 |1711 |1615 | 1770 |1767 |1679 | 1755 | 1755 | 1755 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | Books 442 | http://www.metmuseum.org/art/collection/search/344464 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
218700 | 218700 | 33.77.5 | 0 | 1 | 346208 | Drawings and Prints 11 | Book 97 | Symbolicarum Quaestionum. . .Libri Quinque | Author|Printer|Artist|Engraver 1880 | Written by|Printed by|Engraved by | Achille Bocchi|Soc. Typ. Bononiensis|Giulio Bonasone|Agostino Carracci | Italian, 1488–1562|Italian, active Rome and Bologna, 1531–after 1576|Italian, Bologna 1557–1602 Parma | Bocchi, Achille|Bononiensis, Soc. Typ.|Bonasone, Giulio|Carracci, Agostino 22058 | Italian|Italian|Italian|Italian 315 | 1488 |1510 |1557 | 1562 |1576 |1602 | 1574 | 1574 | 1574 | Engraving 7208 | Overall: 7 7/8 x 5 1/2 in. (20 x 14 cm) | Gift of Philip Hofer, 1933 | Books 442 | http://www.metmuseum.org/art/collection/search/346208 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
218753 | 218753 | 55.515.6 | 0 | 0 | 346261 | Drawings and Prints 11 | Book 97 | Relazione del Torneo à Piedi Fatto in Mantova l'Anno 1674 per Feseggiare gli Augustissimi Sponsali Delle Sacre Cesaree Maest di Leopoldo Cesare e di Clavdia Felice Arcidvchessa d'Austria Ordinato, e Disposato Dal Sig. Co" Pinamonte Bonacossi Ferrarese | Relazione del Torneo à Piedi Fatto in Mantova l'Anno 1674 per Feseggiare gli Augustissimi Sponsali Delle Sacre Cesaree Maest di Leopoldo Cesare e di Clavdia Felice Arcidvchessa d'Austria Ordinato, e Disposato Dal Sig. Co" Pinamonte Bonacossi Ferrarese 281 | Author|Publisher|Artist|Artist 1268 | Organized by|After | Pinamonte Bonacossi|Osanna|Giuseppe Maria Mitelli|Fabrizio Carino | Italian, Bologna (?) 1634–1718 Bologna|Italian, active 17th century | , Mantua | Bonacossi, Pinamonte|Osanna|Mitelli, Giuseppe Maria|Carino, Fabrizio 22091 | Italian|Italian|Italian|Italian 315 | 1634 |1600 | 1718 |1700 | 1674 | 1674 | 1674 | Etching with woodcut initial letters 34318 | 10 13/16 × 7 7/8 × 1/4 in. (27.4 × 20 × 0.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1955 | Books 442 | http://www.metmuseum.org/art/collection/search/346261 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||
218952 | 218952 | 52.519.152 | 0 | 0 | 346462 | Drawings and Prints 11 | Book 97 | Opera Ornamentale. . . Academia di belle arti di Venezia con cenni storici dell'ornato decorative Italiano de Giuseppe Vallardi Milanese | Author|Artist|Editor|Printer 1906 | Text by|Designs by|Edited by|Printed by | Giuseppe Vallardi|Giuseppe Borsato|I. R. Accademia Di Belli Arti Di Venezia|Pietro e Giuseppe Vallardi | Italian, Milan 1784–1863|Italian, 1771–1849 | , Milan | Vallardi, Giuseppe|Borsato, Giuseppe|Accademia, I. R., Di Belli Arti Di Venezia|Vallardi, Pietro e Giuseppe 22179 | Italian|Italian|Italian|Italian 315 | 1784 |1771 | 1863 |1849 | 1831 | 1831 | 1831 | Outline etchings 34399 | Rogers Fund, 1952 | Books 442 | http://www.metmuseum.org/art/collection/search/346462 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
218957 | 218957 | 49.64.4 | 0 | 0 | 346467 | Drawings and Prints 11 | Book 97 | Funeral Fato de la Pittura Venetiana per il passazo del Serenissimo de Modena Alfonso el Quarto | Author|Printer|Sitter|Artist 1908 | Written by|Printed by|Portrait of|Illustration by | Marco Boschini|Francesco Valvasense|Alfonso IV, Duke of Modena|Marco Boschini | Venice 1605–1681 Venice|Italian|ruled 1658–62|Venice 1605–1681 Venice | , Venice|, frontispiece | Boschini, Marco|Valvasense, Francesco|Alfonso IV, Duke of Modena|Boschini, Marco 22183 | Italian|Italian|Italian|Italian 315 | 1605 |1600 |1658 |1605 | 1681 |1700 |1662 |1681 | 1663 | 1663 | 1663 | Etching 26137 | Overall: 11 5/8 x 7 15/16 x 3/8 in. (29.5 x 20.2 x 1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | Books 442 | http://www.metmuseum.org/art/collection/search/346467 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
225467 | 225467 | 1970.613.19 | 0 | 0 | 353062 | Drawings and Prints 11 | Book 97 | Descriptio Apparatus quem in Funere Caroli VI Inperatoris... | Author|Etcher|Artist|Publisher 2932 | Written by|After|Published by | Joanne Lecchio|Marc Antonio dal Ré|Jacopo Antonio Manzoni|F. Agnelli | Italian, Bologna 1697–1766 Milan | , Milan | Lecchio, Joanne|Ré, Marc Antonio dal|Manzoni, Jacopo Antonio|Agnelli, F. 26966 | Italian|Italian|Italian|Italian 315 | 1697 | 1766 | 1741 | 1741 | 1741 | Etching 26137 | Overall: 11 x 7 13/16 x 5/8 in. (28 x 19.8 x 1.6 cm) | Purchase, Florance Waterbury Bequest, 1970 | Books 442 | http://www.metmuseum.org/art/collection/search/353062 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
225550 | 225550 | 35.94.1 | 0 | 0 | 353150 | Drawings and Prints 11 | Book 97 | Le Delizie della villa di Castellazzo | Author|Publisher|Dedicatee|Designer 2950 | Written by|Published by|Dedicated to|Designed by | Abbate Domenico Felice Leonardi|Guiseppe Richino Malatesta|Don Giuseppe Antonio Arcontati|Marc Antonio dal Ré | Italian, active 18th century|Italian, active 18th century|Italian, Bologna 1697–1766 Milan | , Milan | Leonardi, Domenico Felice|Malatesta, Guiseppe Richino|Arcontati, Giuseppe Antonio Don|Ré, Marc Antonio dal 27032 | Italian|Italian|Italian|Italian 315 | 0018 |1700 |1697 | 0018 |1800 |1766 | 1743 | 1743 | 1743 | Engraving 7208 | Overall: 14 15/16 x 10 1/4 x 1 in. (38 x 26 x 2.5 cm) | Harris Brisbane Dick Fund, 1935 | Books 442 | http://www.metmuseum.org/art/collection/search/353150 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
225901 | 225901 | 42.29.1 | 0 | 0 | 353503 | Drawings and Prints 11 | Book 97 | Le Nove Muse | Author|Printer|Publisher|Engraver 2528 | Written by|Printed by|Published by|Plates engraved by | Marcello Macedonio|Tarquinio Longo|Giovanni Ruardo|Felice Paduano | , Naples | Macedonio, Marcello|Tarquinio Longo|Ruardo, Giovanni|Paduano, Felice 27300 | Italian|Italian|Italian|Italian 315 | 1614 | 1614 | 1614 | Harris Brisbane Dick Fund, 1942 | Books 442 | http://www.metmuseum.org/art/collection/search/353503 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||||
226046 | 226046 | 67.836.1 | 0 | 0 | 353651 | Drawings and Prints 11 | Book 97 | Poema per la Nascita del Serenissimo Leopoldo Archiduca d'Austria..dedicato alla Augustissima Elisabetta..Regina delle Spagne da Annibale Marchese | Author|Publisher|Engraver|Engraver 1495 | Written by|Published by|Engraved by|Engraved by | Annibale Marchese|Stamperia di Felice Mosca|Andrea Magliar|Giuseppe Magliar | 1686–1753|Italian, born Naples, ca. 1690|Italian, 18th century | , Naples | Marchese, Annibale|Stamperia di Felice Mosca|Magliar, Andrea|Magliar, Giuseppe 27387 | Italian|Italian|Italian|Italian 315 | 1686 |1690 |1700 | 1753 |1800 | 1716 | 1716 | 1716 | Engraving 7208 | Overall: 7 11/16 x 5 x 1 in. (19.5 x 12.7 x 2.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | Books 442 | http://www.metmuseum.org/art/collection/search/353651 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
226047 | 226047 | 67.836.4 | 0 | 0 | 353652 | Drawings and Prints 11 | Book 97 | Il Viticondo Poema..in occasione delle Nozze dell'invittissimo Carlo Borbone, re di Napoli...Cola Serenissima Maria Amalia Valburga pricipessa regal di Polonia | Author|Publisher|Designer|Engraver 1665 | Written by|Published by|Designed by|Engraved by | Annibale Marchese|Gennaro & Vicenzo Muzio|Francesco Solimena|Bernardino Baldi | 1686–1753|Italian|Italian, Canale di Serino 1657–1747 Barra|Italian, 1553–1617 | , Naples | Marchese, Annibale|Muzio, Gennaro & Vicenzo|Solimena, Francesco|Baldi, Bernardino 27388 | Italian|Italian|Italian|Italian 315 | 1686 |1700 |1657 |1553 | 1753 |1800 |1747 |1617 | 1738 | 1738 | 1738 | Overall: 10 1/2 x 8 1/4 in. (26.7 x 21 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | Books 442 | http://www.metmuseum.org/art/collection/search/353652 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
226261 | 226261 | 38.65.2 | 0 | 0 | 353868 | Drawings and Prints 11 | Book 97 | Il Teatro la Fenice in Venezia edificato dallÁrchitetto Antonio Selva nel 1792 e ricostruito in parte in 1836, dai Fratelli Tommaso e Giambattista Meduna | Author|Author|Publisher|Architect 3051 | Written by|Written by|Published by|Designed by | Giovanni Battista Meduna|Tommaso Meduna|Stabilimento Antonelli|Giovanni Antonio Selva | Italian, born 1810|Italian, 1798–1880|Italian, Venice 1753–1819 Venice | , Venice | Meduna, Giovanni Battista|Meduna, Tommaso|Antonelli, Stabilimento|Selva, Giovanni Antonio 27550 | Italian|Italian|Italian|Italian 315 | 1810 |1798 |1753 | 1910 |1880 |1819 | 1849 | 1849 | 1849 | Harris Brisbane Dick Fund, 1938 | Books 442 | http://www.metmuseum.org/art/collection/search/353868 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
226571 | 226571 | 49.64.3 | 0 | 0 | 354184 | Drawings and Prints 11 | Book 97 | Applausi a Principi...Presentati ...al Suomo Supremo Regnante Pontefice Benedetto XIV | Author|Designer|Engraver|Etcher 3102 | Written by|Designed by|Engraved by|Etched by | G. B. Monti|D. Fratta|G. Foschi|Pietro Locatelli | Italian, active 18th century|Italian, active 18th century|Italian, active 18th century | Monti, G. B.|Fratta, D.|Foschi, G.|Locatelli, Pietro 27782 | Italian|Italian|Italian|Italian 315 | 1700 |1700 |1700 | 1799 |1800 |1800 | 1752 | 1752 | 1752 | Engraving, etching 33122 | Overall: 9 13/16 x 7 1/2 x 5/8 in. (25 x 19 x 1.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | Books 442 | http://www.metmuseum.org/art/collection/search/354184 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
226646 | 226646 | 49.62.11 | 0 | 1 | 354259 | Drawings and Prints 11 | Book 97 | Descrizione del Sacro Monte della Vernia (Description of the Sacred Mount Alverno) | Descrizione del Sacro Monte della Vernia (Description of the Sacred Mount Alverno) 356 | Artist|Author|Artist|Artist 3117 | After | Raffaello Schiaminossi|Fra Lino Moroni|Domenico Falcini|Jacopo Ligozzi | Italian, Borgo San Sepolcro (Sansepolcro) 1572–1622 Borgo San Sepolcro (Sansepolcro)|Italian, active early 17th century|Italian, 1575?–1628, (active Siena)|Italian, Verona 1547–1627 Florence | Schiaminossi, Raffaello|Moroni, Lino Fra|Falcini, Domenico|Ligozzi, Jacopo 27851 | Italian|Italian|Italian|Italian 315 | 1572 |1600 |1575 |1547 | 1622 |1650 |1628 |1627 | 1612 | 1612 | 1612 | Engraving 7208 | 18 1/2 × 12 13/16 × 13/16 in. (47 × 32.5 × 2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | Prints 13 | http://www.metmuseum.org/art/collection/search/354259 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
226831 | 226831 | 56.561 | 0 | 0 | 354446 | Drawings and Prints 11 | Book 97 | Solenni Esequie celebrate nel Duomo di Firenze per la Morte dell' Augustissimo Imperatore Francesco Primo Duca di Lorena e di Bar Gran-Duca di Toscana &c. | Author|Designer|Designer|Publisher 2088 | Written by|Designed by|Designed by|Published by | Antonio Maria Negri|Guiseppe Ruggieri|Fabio Berardi|Stamperia di S.A.R. | Italian, active 18th century|Italian, Siena 1728–1788 Venice | , Florence | Negri, Antonio Maria|Ruggieri, Guiseppe|Berardi, Fabio|Stamperia di S.A.R. 27988 | Italian|Italian|Italian|Italian 315 | 1700 |1728 | 1800 |1788 | 1765 | 1765 | 1765 | Etching 26137 | Overall: 11 13/16 x 8 11/16 x 11/16 in. (30 x 22 x 1.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 | Books 442 | http://www.metmuseum.org/art/collection/search/354446 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
227749 | 227749 | 1970.613.14 | 0 | 0 | 355370 | Drawings and Prints 11 | Book 97 | Bona espunganta, poema..al serenissimo Cosimo Terzo, Granduca di Toscana..Coll'Allegoria estratta dal Conte Marcantonio Ginanni ...e col Argomenti del Conte Fabbrizio Monsignani | Author|Author|Author|Publisher 1539 | Written by|Written by|Written by|Published by | Count Vicenzio Piazza|Marcantonio Ginanni|Count Fabbrizio Monsignani|Stampa di Corte di S.A.S. | , Parma | Piazza, Count Vicenzio|Ginanni, Marcantonio|Monsignani, Fabbrizio Count|Stampa di Corte di S.A.S. 28601 | Italian|Italian|Italian|Italian 315 | 1694 | 1694 | 1694 | Purchase, Florance Waterbury Bequest, 1970 | Books 442 | http://www.metmuseum.org/art/collection/search/355370 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||||
228177 | 228177 | 42.70.2 | 0 | 0 | 355807 | Drawings and Prints 11 | Book 97 | Fabbriche e Disegni | Author|Printer|Publisher|Draftsman 3306 | Written by|Printed by|Published by|Drawn by | Giacomo Quarenghi|Giovanni Pirotta|Paolo Antonio Tosi|Giulio Quarenghi | Italian, Rota d'Imagna near Bergamo 1744–1817 Saint Petersburg|Italian|Italian|Italian | Quarenghi, Giacomo|Pirotta, Giovanni|Tosi, Paolo Antonio|Quarenghi, Giulio 28884 | Italian|Italian|Italian|Italian 315 | 1744 | 1817 | 1821 | 1821 | 1821 | Harris Brisbane Dick Fund, 1942 | Books 442 | http://www.metmuseum.org/art/collection/search/355807 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
228415 | 228415 | 47.118.2 | 0 | 0 | 356049 | Drawings and Prints 11 | Book 97 | Relacion De Las Exequias que a la Magestad Del Rey Cat. D. Fernando VI...En La Real Yglesia De Santiago de Los Espanoles de Rome | Publisher|Artist|Engraver|Artist 3327 | Published by|After|Engraved by | Los Hermanos Joachim|Giovanni Paolo Panini|Carlos Baroni|Giuseppe Vasi | Italian, Piacenza 1691–1765 Rome|Italian, active 18th century|Italian, 1710–1782 | , Rome | Los Hermanos Joachim|Panini, Giovanni Paolo|Baroni, Carlos|Vasi, Giuseppe 29010 | Italian|Italian|Italian|Italian 315 | 1691 |1700 |1710 | 1765 |1800 |1782 | 1760 | 1760 | 1760 | Engraving 7208 | Overall: 15 3/8 x 10 7/16 x 1 9/16 in. (39 x 26.5 x 4 cm) | Harris Brisbane Dick Fund, 1947 | Books 442 | http://www.metmuseum.org/art/collection/search/356049 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
228420 | 228420 | 59.554 | 0 | 0 | 356054 | Drawings and Prints 11 | Book 97 | Relazione de' Funerali a Benedetto XIV Pontefice Ottimo Massimo Celebrati in Bologna il Dì 10 Giugno 1758 | Publisher|Designer|Etcher|Designer 3328 | Published by|Designed by|Etched by|Designed by | Stamperia del Longhi|Antonio Pio|Giovanni Fabbri|Luigi Balugani | Italian, active 18th century|Italian, active 18th century|Italian, active 18th century | , Bologna|(architect) | Stamperia del Longhi|Pio, Antonio|Fabbri, Giovanni|Balugani, Luigi 29014 | Italian|Italian|Italian|Italian 315 | 1700 |1700 |1700 | 1800 |1800 |1800 | August 2, 1758 | 1758 | 1758 | Etching 26137 | Overall: 11 7/16 x 8 3/8 x 1/2 in. (29 x 21.2 x 1.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Books 442 | http://www.metmuseum.org/art/collection/search/356054 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
228569 | 228569 | 21.36.9 | 0 | 0 | 356204 | Drawings and Prints 11 | Book 97 | In Funere Caroli III | Author|Publisher|Engraver|Designer 2098 | Written by|Published by|Engraved by|Designed by | A. Bernardino Ridolfi|Ex Regio Typographeo|Raphael Morghen|Stephano Tofanelli | Italian, Naples 1758–1833 Florence|Italian, 1752–1812 | , Parmae | Ridolfi, A. Bernardino|Regio, Typographeo|Morghen, Raphael|Tofanelli, Stephano 29108 | Italian|Italian|Italian|Italian 315 | 1758 |1752 | 1833 |1812 | 1789 | 1789 | 1789 | Engraving 7208 | Overall: 14 3/16 x 10 3/8 x 3/8 in. (36 x 26.4 x 1 cm) | Museum Accession, transferred from the Library, 1921 | Books 442 | http://www.metmuseum.org/art/collection/search/356204 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
228760 | 228760 | 67.534.2 | 0 | 0 | 356398 | Drawings and Prints 11 | Book 97 | Esequie della Maestà Cesarea dell'Imperadore Ferdinando II celebrate ... nell'insigne Collegiata di San Lorenzo il di 2 d'Aprile 1637 | Author|Publisher|Etcher|Designer 2277 | Written by|Published by|Etched by|Catafalque and decorations designed by | Francesco Rondinelli|De Massi e Landi|Stefano della Bella|Alfonso Parigi | Italian, Florence 1610–1664 Florence|Italian, ca. 1625–1656 | , Florence | Rondinelli, Francesco|De Massi e Landi|Bella, Stefano della|Parigi, Alfonso 29237 | Italian|Italian|Italian|Italian 315 | 1610 |1625 | 1664 |1656 | April 2, 1637 | 1637 | 1637 | Etching 26137 | Overall: 8 3/8 x 6 11/16 x 3/8 in. (21.3 x 17 x 0.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | Books 442 | http://www.metmuseum.org/art/collection/search/356398 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
228802 | 228802 | 45.82.1 | 0 | 0 | 356440 | Drawings and Prints 11 | Book 97 | Lettera nella quale si descrive l'Ingresso...Morosina Morisini Grimani, Principessa di Venetia | Author|Publisher|Engraver|Architect 3378 | Written by|Published by|Frontispiece engraved by|Float designed by | Giovanni Rota|Giovanni Antonio Rampazetto|Giacomo Franco|Vincenzo Scamozzi | Italian, Venice 1550–1620 Venice|Italian, 1548–1616 | , Venice | Rota, Giovanni|Rampazetto, Giovanni Antonio|Franco, Giacomo|Scamozzi, Vincenzo 29270 | Italian|Italian|Italian|Italian 315 | 1550 |1548 | 1620 |1616 | 1597 | 1597 | 1597 | Printed book with one woodcut and one engraving. 36035 | Overall: 8 1/4 x 6 1/8 x 9/16 in. (21 x 15.5 x 1.5 cm) | Harris Brisbane Dick Fund, 1945 | Books 442 | http://www.metmuseum.org/art/collection/search/356440 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
228861 | 228861 | 37.35.1 | 0 | 0 | 356500 | Drawings and Prints 11 | Book 97 | Il Natale di Cristo | Author|Publisher|Etcher|Etcher 3385 | Written by|Published by|Etched by|Etched by | Antonino Ruffo|Maffei|Paul Filocamo|Antonio Filocamo | Italian, active 18th century|Italian, active 18th century | , Messina | Ruffo, Antonino|Maffei|Filocamo, Paul|Filocamo, Antonio 29315 | Italian|Italian|Italian|Italian 315 | 1700 |1700 | 1800 |1800 | 1717 | 1717 | 1717 | Etching 26137 | Overall: 9 1/16 x 7 1/16 x 1 1/16 in. (23 x 18 x 2.7 cm) | Harris Brisbane Dick Fund, 1937 | Books 442 | http://www.metmuseum.org/art/collection/search/356500 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
229990 | 229990 | 48.59.2 | 0 | 0 | 357660 | Drawings and Prints 11 | Book 97 | Erotilla per le nozze de gli ... Principi D. Marcantonio Borghese et D. Camilla Orsina | Author|Publisher|Engraver|Designer 2098 | Written by|Published by|Illustrations engraved by|Illustrations designed by | Giulio Strozzi|G. Nicolati|Giovanni Luigi Valesio|Andrea Commodi | Italian, 1583–1633|Italian, Florence 1560–1638 Florence | , Venice | Strozzi, Giulio|Nicolati, G.|Valesio, Giovanni Luigi|Commodi, Andrea 30098 | Italian|Italian|Italian|Italian 315 | 1583 |1560 | 1633 |1638 | 1615 | 1615 | 1615 | Engraving 7208 | Overall: 9 1/16 x 6 1/2 x 7/8 in. (23 x 16.5 x 2.2 cm) | Harris Brisbane Dick Fund, 1948 | Books 442 | http://www.metmuseum.org/art/collection/search/357660 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
230071 | 230071 | 46.132.5 | 0 | 0 | 357742 | Drawings and Prints 11 | Book 97 | Lo Tasso Napoletano zoe Gierosalemma Libberata | Author|Translator|Designer|Designer|Publisher 1622 | Written by|Translated by|Plates based on designs by|Frontispiece designed by|Published by | Torquato Tasso|Grabiele Fasano|Bernardo Castello|Jacopo del Po|Jacques Raillard | Italian, 1544–1595|Italian, Genoa (?) 1557–1629 Genoa|active Naples, late 17th century|active Naples, late 17th century | Tasso, Torquato|Fasano, Grabiele|Castello, Bernardo|del, Po Jacopo|Raillard, Jacques 30171 | Italian|Italian|Italian|Italian 315 | 1544 |1557 |0017 |0017 | 1595 |1629 |0017 |0017 | 1689 | 1689 | 1689 | Printed book with etched frontispiece and 20 etched plates 36262 | 13 × 9 1/16 × 2 3/16 in. (33 × 23 × 5.5 cm) | Harris Brisbane Dick Fund, 1946 | Books 442 | http://www.metmuseum.org/art/collection/search/357742 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
230073 | 230073 | 53.501.6 | 0 | 0 | 357744 | Drawings and Prints 11 | Book 97 | El Goffredo ... canta alla Barcariola | Author|Engraver|Translator|Publisher 3534 | Written by|Frontispiece engraved by|Translated by|Published by | Torquato Tasso|Suor Isabella Piccini|Dottor Tomaso Mondini|il Louisa a Rialto | Italian, 1544–1595|Italian, 1644–1734|active Naples, late 17th century | Tasso, Torquato|Piccini, Isabella Suor|Mondini, Tomaso Dottor|il Louisa a Rialto 30173 | Italian|Italian|Italian|Italian 315 | 1544 |1644 |0017 | 1595 |1734 |0017 | 1693 | 1693 | 1693 | Printed book with engraved frontispiece and 22 engraved plates. 36263 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 | Books 442 | http://www.metmuseum.org/art/collection/search/357744 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
230597 | 230597 | 56.639 | 0 | 0 | 358286 | Drawings and Prints 11 | Book 97 | Orazione Pel Solenne Ingresso Di ..Alvise Contarini 2.do Alla Dignita Di Cavaliere Della Stola D'Oro... | Author|Engraver|Publisher|Subject of book 3596 | Written by|Engraved by|Published by|About | Alessandro Vaninetti|Guiseppe Daniotto|Carlo Palese|Alvise Contarini | Italian, active 18th century|Italian, active Venice|Italian, active Venice, 1784 | Vaninetti, Alessandro|Daniotto, Guiseppe|Palese, Carlo|Contarini, Alvise 30512 | Italian|Italian|Italian|Italian 315 | 1700 |1784 | 1800 |1784 | 1784 | 1784 | 1784 | Engraving 7208 | Overall: 12 3/16 x 8 7/8 x 3/8 in. (31 x 22.5 x 1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 | Books 442 | http://www.metmuseum.org/art/collection/search/358286 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
230658 | 230658 | 47.105.6 | 0 | 0 | 358350 | Drawings and Prints 11 | Book 97 | Veridico racconto dell'origine, progressi, et miracoli della Madonna di Reggio don le descrittione d'alcune solemnità, e del tempio... | Printer|Publisher|Engraver|Designer 3604 | Printed by|Published by|Engraved by|Designed by | Bartolomeo Soliani|Pietro Antonio Cassuoli|Francesco Valesio|Lelio Orsi (called Lelio da Novellara) | Italian, active Venice, 1598–1624|Italian, Novellara 1508/11–1587 Novellara | , Modena | Soliani, Bartolomeo|Cassuoli, Pietro Antonio|Valesio, Francesco|Orsi, Lelio (Lelio da Novellara) 30563 | Italian|Italian|Italian|Italian 315 | 1598 |1508 | 1624 |1587 | 1666 | 1666 | 1666 | Overall: 9 7/16 x 7 1/16 x 7/8 in. (24 x 18 x 2.3 cm) | Harris Brisbane Dick Fund, 1947 | Books 442 | http://www.metmuseum.org/art/collection/search/358350 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
230723 | 230723 | 41.100.159 | 0 | 1 | 358416 | Drawings and Prints 11 | Book 97 | Le due regole della prospettiva practica di M. Iacomo Barozzi da Vignola | Author|Editor|Publisher|Engraver 3615 | Written by|Edited by|Published by|Title page engraved by | Jacopo [Giacomo] Barozzi da Vignola|Ignazio Danti|Stamperia Camerale|Cherubino Alberti (Zaccaria Mattia) | Italian, Vignola 1507–1573 Rome|Italian, Perugia 1536–1586 Alstri|Italian, Borgo Sansepolcro 1553–1615 Rome | , Roma | Vignola, Jacopo [Giacomo] Barozzi da|Danti, Ignazio|Stamperia Camerale|Alberti, Cherubino (Zaccaria Mattia) 30611 | Italian|Italian|Italian|Italian 315 | 1507 |1536 |1553 | 1573 |1586 |1615 | 1611 | 1611 | 1611 | Printed book with woodcut, etched, and engraved illustrations 36367 | 14 3/8 × 10 1/8 × 3/4 in. (36.5 × 25.7 × 1.9 cm) | Bequest of W. Gedney Beatty, 1941 | Books 442 | http://www.metmuseum.org/art/collection/search/358416 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
230876 | 230876 | 58.571 | 0 | 0 | 358569 | Drawings and Prints 11 | Book 97 | L'Original Desegno d'un Principe Perfetto. Orazione Funebre ... | Author|Publisher|Designer|Engraver 1665 | Written by|Published by|Designed by|Engraved by | Pietro Vitale|Vicenzo Toscano|Andrea Palma|J. B. Cascione | Italian|Italian | , Palermo | Vitale, Pietro|Toscano, Vincenzo|Palma, Andrea|Cascione, J. B. 30631 | Italian|Italian|Italian|Italian 315 | 1715 | 1715 | 1715 | Overall: 8 3/4 x 6 7/16 x 9/16 in. (22.3 x 16.4 x 1.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1958 | Books 442 | http://www.metmuseum.org/art/collection/search/358569 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
231148 | 231148 | 1979.652 | 0 | 0 | 358863 | Drawings and Prints 11 | Book 97 | Nuova raccolta delle principale vedute antiche e moderne dell'alma citta' di Roma e sue vicinanze incise a bulino | Engraver|Engraver|Publisher|Engraver 3636 | Published by | Achille Parboni|Pietro Ruga|Giacomo Antonelli|Pietro Parboni | Italian, 19th century | Parboni, Achille|Ruga, Pietro|Antonelli, Giacomo|Parboni, Pietro 30739 | Italian|Italian|Italian|Italian 315 | 1800 | 1900 | 1829 | 1829 | 1829 | Gift of Donald J. Simons, M.D., 1979 | Books 442 | http://www.metmuseum.org/art/collection/search/358863 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
231880 | 231880 | 1977.643.11 | 0 | 0 | 359623 | Drawings and Prints 11 | Book 97 | Bonon symbolicarum quaestionum, de universo genere, quas serio ludebat, libri quinqe | Author|Engraver|Publisher|Engraver 2433 | Written by|Engraved by|Published by|Engraved by | Achille Bocchi|Giulio Bonasone|Societatem Typographiae Bononiensis|Agostino Carracci | Italian, 1488–1562|Italian, active Rome and Bologna, 1531–after 1576|Italian, Bologna 1557–1602 Parma | Bocchi, Achille|Bonasone, Giulio|Societatem Typographiae Bononiensis|Carracci, Agostino 31063 | Italian|Italian|Italian|Italian 315 | 1488 |1510 |1557 | 1562 |1576 |1602 | 1574 | 1574 | 1574 | Plates: engraving 34438 | Overall: 8 7/16 x 5 11/16 in. (21.4 x 14.5 cm) | Transferred from the Library, 1977 | Books 442 | http://www.metmuseum.org/art/collection/search/359623 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
232144 | 232144 | 17.50.5 | 0 | 0 | 359890 | Drawings and Prints 11 | Print 731 | Saturn leaning on his left hand, holding a balance in his right, a youth before him | Former Attribution|Artist|Artist|Publisher 3721 | After | Ugo da Carpi|Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis)|Niccolò Vicentino|Andrea Andreani | Italian, Carpi ca. 1480–1532 Bologna|Italian, Pordenone 1483?–1539 Ferrara|Italian, active ca. 1510–ca. 1550|Mantua, 1558/1559–1629 | Carpi, Ugo da|Pordenone, Giovanni Antonio da|Vicentino, Niccolò|Andreani, Andrea 31186 | Italian|Italian|Italian|Italian 315 | 1480 |1483 |1510 |1558 | 1532 |1539 |1550 |1629 | 1604 | 1604 | 1604 | Chiaroscuro woodcut printed from three blocks in grey 36732 | Sheet: 12 11/16 × 16 15/16 in. (32.3 × 43.1 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | Prints 13 | http://www.metmuseum.org/art/collection/search/359890 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
236674 | 236674 | 30.58.5(105-109) | 0 | 0 | 364636 | Drawings and Prints 11 | Book 97 | La Sincerità trionfante overo l'Erculeo ardire Favola boscareccio | Designer|Publisher|Author|Author 1907 | Designed by|Published by|Libretto written by|Music composed by | Giovanni Francesco Grimaldi|Jacopo Rossi|Ottavialo Castelli|Angelo Cecchini | Italian, Bologna 1606–1680 Rome|Italian|Italian, active 17th century|Italian, active 17th century | , Rome | Grimaldi, Giovanni Francesco|Rossi, Jacopo|Castelli, Ottavialo|Cecchini, Angelo 32369 | Italian|Italian|Italian|Italian 315 | 1606 |1600 |1600 | 1680 |1700 |1700 | ca. 1640 | 1635 | 1645 | Engraving 7208 | Overall: 11 5/8 x 16 3/4 x 3/8 in. (29.5 x 42.5 x 1 cm) | Harris Brisbane Dick Fund, 1930 | Books 442 | http://www.metmuseum.org/art/collection/search/364636 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
237347 | 237347 | 2004.107.1(2) | 0 | 0 | 365329 | Drawings and Prints 11 | Print 731 | Pilaster: Porcupine at base of tree | Artist|Artist|Draftsman|Artist 3854 | After|Drawn by|Circle of | Giovanni Ottaviani|Gaetano Savorelli|Pietro Camporesi|Raphael (Raffaello Sanzio or Santi) | Italian, Rome 1735–ca. 1808|Italian, died Rome, 1791|Italian, Rome 1726–1781|Italian, Urbino 1483–1520 Rome | Ottaviani, Giovanni|Savorelli, Gaetano|Camporesi, Pietro|Raphael (Raffaello Sanzio or Santi) 32472 | Italian|Italian|Italian|Italian 315 | 1735 |1791 |1726 |1483 | 1808 |1791 |1781 |1520 | ca. 1777 | 1772 | 1782 | Engraving with hand coloring 37772 | sheet: 42 x 17 in. (106.7 x 43.2 cm) | Rogers Fund, transferred from the Library | Prints 13 | http://www.metmuseum.org/art/collection/search/365329 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
237349 | 237349 | 2004.107.1(15) | 0 | 0 | 365331 | Drawings and Prints 11 | Print 731 | Pilaster: Farm boy crouching at base of oak tree | Artist|Artist|Draftsman|Artist 3854 | After|Drawn by|Circle of | Giovanni Ottaviani|Gaetano Savorelli|Pietro Camporesi|Raphael (Raffaello Sanzio or Santi) | Italian, Rome 1735–ca. 1808|Italian, died Rome, 1791|Italian, Rome 1726–1781|Italian, Urbino 1483–1520 Rome | Ottaviani, Giovanni|Savorelli, Gaetano|Camporesi, Pietro|Raphael (Raffaello Sanzio or Santi) 32472 | Italian|Italian|Italian|Italian 315 | 1735 |1791 |1726 |1483 | 1808 |1791 |1781 |1520 | ca. 1777 | 1772 | 1782 | Hand colored engraving 34207 | sheet: 42 x 17 in. (106.7 x 43.2 cm) | Rogers Fund, transferred from the Library | Prints 13 | http://www.metmuseum.org/art/collection/search/365331 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
237350 | 237350 | 2004.107.2(3) | 0 | 0 | 365332 | Drawings and Prints 11 | Print 731 | Lunette: Construction of the Ark, from 'Loggie di Rafaele nel Vaticano' | Artist|Artist|Artist|Artist 189 | After|Intermediary draughtsman|After | Giovanni Ottaviani|Gaetano Savorelli|Pietro Camporesi|Raphael (Raffaello Sanzio or Santi) | Italian, Rome 1735–ca. 1808|Italian, died Rome, 1791|Italian, Rome 1726–1781|Italian, Urbino 1483–1520 Rome | Ottaviani, Giovanni|Savorelli, Gaetano|Camporesi, Pietro|Raphael (Raffaello Sanzio or Santi) 32472 | Italian|Italian|Italian|Italian 315 | 1735 |1791 |1726 |1483 | 1808 |1791 |1781 |1520 | ca. 1777 | 1772 | 1782 | Engraving with hand coloring 37772 | Sheet: 25 13/16 × 23 13/16 in. (65.5 × 60.5 cm) | Rogers Fund, transferred from the Library | Prints 13 | http://www.metmuseum.org/art/collection/search/365332 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
237351 | 237351 | 2004.107.2(4) | 0 | 0 | 365333 | Drawings and Prints 11 | Print 731 | Lunette: Dream of Jacob, from 'Loggie di Rafaele nel Vaticano' | Artist|Artist|Artist|Artist 189 | After|Intermediary draughtsman|After | Giovanni Ottaviani|Gaetano Savorelli|Pietro Camporesi|Raphael (Raffaello Sanzio or Santi) | Italian, Rome 1735–ca. 1808|Italian, died Rome, 1791|Italian, Rome 1726–1781|Italian, Urbino 1483–1520 Rome | Ottaviani, Giovanni|Savorelli, Gaetano|Camporesi, Pietro|Raphael (Raffaello Sanzio or Santi) 32472 | Italian|Italian|Italian|Italian 315 | 1735 |1791 |1726 |1483 | 1808 |1791 |1781 |1520 | ca. 1777 | 1772 | 1782 | Engraving with hand coloring 37772 | Sheet: 25 13/16 × 23 7/8 in. (65.5 × 60.7 cm) | Rogers Fund, transferred from the Library | Prints 13 | http://www.metmuseum.org/art/collection/search/365333 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
237352 | 237352 | 2004.107.2(6) | 0 | 0 | 365334 | Drawings and Prints 11 | Print 731 | Lunette: Abraham and Three Angels, from 'Loggie di Rafaele nel Vaticano' | Artist|Artist|Artist|Artist 189 | After|Intermediary draughtsman|After | Giovanni Ottaviani|Gaetano Savorelli|Pietro Camporesi|Raphael (Raffaello Sanzio or Santi) | Italian, Rome 1735–ca. 1808|Italian, died Rome, 1791|Italian, Rome 1726–1781|Italian, Urbino 1483–1520 Rome | Ottaviani, Giovanni|Savorelli, Gaetano|Camporesi, Pietro|Raphael (Raffaello Sanzio or Santi) 32472 | Italian|Italian|Italian|Italian 315 | 1735 |1791 |1726 |1483 | 1808 |1791 |1781 |1520 | ca. 1777 | 1772 | 1782 | Engraving with hand coloring 37772 | Sheet: 25 9/16 × 23 7/8 in. (65 × 60.6 cm) | Rogers Fund, transferred from the Library | Prints 13 | http://www.metmuseum.org/art/collection/search/365334 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
239283 | 239283 | 34.81.4 | 0 | 1 | 367350 | Drawings and Prints 11 | Book 97 | Hypnerotomachia Poliphili | Artist|Author|Publisher|Designer 3923 | Written by|Published by|Design of woodcuts attributed to | Anonymous, Italian, Venetian 15th century|Francesco Colonna|Aldus Manutius, the Elder|Benedetto Bordone | Italian, ca. 1453–1517|Italian, Bassiano, Papal States 1449–1515 Venice|Italian, Padua ca. 1455/60–1530 Padua, active mainly Venice from 1488 | Anonymous, Italian, Venetian 15th century|Colonna, Francesco|Manutius, Aldus the Elder|Bordone, Benedetto 33057 | Italian|Italian|Italian|Italian 315 | 1400 |1453 |1449 |1455 | 1500 |1517 |1515 |1488 | 1545 | 1545 | 1545 | Woodcut illustrations 34072 | Overall: 12 1/16 x 8 7/16 x 1 1/2 in. (30.7 x 21.4 x 3.8 cm) | Gift of Philip Hofer, 1934 | Books 442 | http://www.metmuseum.org/art/collection/search/367350 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
239344 | 239344 | 59.508.102 | 0 | 0 | 367414 | Drawings and Prints 11 | Print 731 | The Raising of the Vatican Obelisk | Artist|Draftsman|Architect|Patron 3929 | Designed by|Commissioned raising of obelisk | Natale Bonifacio|Giovanni Guerra|Domenico Fontana|Pope Sixtus V (Felice Peretti) | Italian, 1537–1592|Italian, Modena 1544–1618 Rome|Swiss, Melide 1543–1607 Rome|Italian, Grottamare near Pescara 1520–1590 Rome | Bonifacio, Natale|Guerra, Giovanni|Fontana, Domenico|Sixtus V Pope 33089 | Italian|Italian|Italian|Italian 315 | 1537 |1544 |1543 |1520 | 1592 |1618 |1607 |1590 | 1586 | 1586 | 1586 | Etching, printed from three plates 36985 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/367414 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
239401 | 239401 | 49.40.323 | 0 | 1 | 367471 | Drawings and Prints 11 | Print 731 | The Mocking of the Prisoners | Artist|Artist|Publisher|Publisher 939 | After | Giorgio Ghisi|Giulio Romano|Nicolaus van Aelst|Giovanni Giacomo De Rossi | Italian, Mantua ca. 1520–1582 Mantua|Italian, Rome 1499?–1546 Mantua|Flemish, Brussels 1526–1613 Rome|Italian, Rome 1627–1691 Rome | Ghisi, Giorgio|Giulio Romano|Aelst, Nicolaus van|Rossi, Giovanni Giacomo De 33114 | Italian|Italian|Italian|Italian 315 | 1515 |1499 |1526 |1627 | 1582 |1546 |1613 |1691 | ca. 1540 (republished 1605) | 1535 | 1605 | Engraving; third state of three (BLL) 38200 | Plate: 17 3/16 × 22 7/16 in. (43.7 × 57 cm) Sheet: 19 1/8 × 24 9/16 in. (48.6 × 62.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | Prints 13 | http://www.metmuseum.org/art/collection/search/367471 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
239930 | 239930 | 51.501.4322 | 0 | 0 | 368016 | Drawings and Prints 11 | Print 731 | Title page to 'Galleria Dipinta nel Palazzo del Prencipe Panfilio' after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome | Artist|Artist|Dedicatee|Publisher 3952 | after | Carlo Cesi|Pietro da Cortona (Pietro Berrettini)|Cardinal Camillo Pamphili|Giovanni Giacomo De Rossi | Italian, Antrodoco ca. 1622–1682 Rieti|Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome | Cesi, Carlo|Cortona, Pietro da (Pietro Berrettini)|Pamphili, Camillo|Rossi, Giovanni Giacomo De 33222 | Italian|Italian|Italian|Italian 315 | 1622 |1596 |1627 | 1682 |1669 |1691 | ca. 1661 | 1658 | 1664 | Etching 26137 | Sheet: 11 in. × 20 15/16 in. (28 × 53.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | Prints|Ornament & Architecture 673 | http://www.metmuseum.org/art/collection/search/368016 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
239931 | 239931 | 51.501.4323 | 0 | 0 | 368017 | Drawings and Prints 11 | Print 731 | Plate 2: Composition with stucco ornaments surrounding an oval scene depicting Aeneas with a lance and doves; from the 'Galleria Dipinta nel Palazzo del Prencipe Panfilio' after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome | Artist|Dedicatee|Publisher|Artist 3813 | after | Pietro da Cortona (Pietro Berrettini)|Cardinal Camillo Pamphili|Giovanni Giacomo De Rossi|Carlo Cesi | Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome|Italian, Antrodoco ca. 1622–1682 Rieti | Cortona, Pietro da (Pietro Berrettini)|Pamphili, Camillo|Rossi, Giovanni Giacomo De|Cesi, Carlo 33223 | Italian|Italian|Italian|Italian 315 | 1596 |1627 |1622 | 1669 |1691 |1682 | ca. 1661 | 1658 | 1664 | Etching 26137 | Sheet (Trimmed): 11 5/16 × 28 11/16 in. (28.7 × 72.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | Prints|Ornament & Architecture 673 | http://www.metmuseum.org/art/collection/search/368017 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
239932 | 239932 | 51.501.4324 | 0 | 0 | 368018 | Drawings and Prints 11 | Print 731 | Plate 3: The arrival of Aeneas and his fleet in Italy; from the 'Galleria Dipinta nel Palazzo del Prencipe Panfilio' after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome | Artist|Dedicatee|Publisher|Artist 3813 | after | Pietro da Cortona (Pietro Berrettini)|Cardinal Camillo Pamphili|Giovanni Giacomo De Rossi|Carlo Cesi | Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome|Italian, Antrodoco ca. 1622–1682 Rieti | Cortona, Pietro da (Pietro Berrettini)|Pamphili, Camillo|Rossi, Giovanni Giacomo De|Cesi, Carlo 33223 | Italian|Italian|Italian|Italian 315 | 1596 |1627 |1622 | 1669 |1691 |1682 | ca. 1661 | 1658 | 1664 | Etching 26137 | Sheet (Trimmed): 14 5/8 × 24 3/16 in. (37.2 × 61.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | Prints|Ornament & Architecture 673 | http://www.metmuseum.org/art/collection/search/368018 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
239933 | 239933 | 51.501.4325 | 0 | 0 | 368019 | Drawings and Prints 11 | Print 731 | Plate 4: Composition with stucco ornaments of a woman, man, and child; from the 'Galleria Dipinta nel Palazzo del Prencipe Panfilio' after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome | Artist|Dedicatee|Publisher|Artist 3813 | after | Pietro da Cortona (Pietro Berrettini)|Cardinal Camillo Pamphili|Giovanni Giacomo De Rossi|Carlo Cesi | Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome|Italian, Antrodoco ca. 1622–1682 Rieti | Cortona, Pietro da (Pietro Berrettini)|Pamphili, Camillo|Rossi, Giovanni Giacomo De|Cesi, Carlo 33223 | Italian|Italian|Italian|Italian 315 | 1596 |1627 |1622 | 1669 |1691 |1682 | ca. 1661 | 1658 | 1664 | Etching 26137 | Sheet (Trimmed): 14 9/16 × 21 7/8 in. (37 × 55.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | Prints|Ornament & Architecture 673 | http://www.metmuseum.org/art/collection/search/368019 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
239934 | 239934 | 51.501.4326 | 0 | 0 | 368020 | Drawings and Prints 11 | Print 731 | Plate 5: Neptune subduing the storm created by Aeolus to destroy the fleet of Aeneas; from the 'Galleria Dipinta nel Palazzo del Prencipe Panfilio' after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome | Artist|Dedicatee|Publisher|Artist 3813 | after | Pietro da Cortona (Pietro Berrettini)|Cardinal Camillo Pamphili|Giovanni Giacomo De Rossi|Carlo Cesi | Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome|Italian, Antrodoco ca. 1622–1682 Rieti | Cortona, Pietro da (Pietro Berrettini)|Pamphili, Camillo|Rossi, Giovanni Giacomo De|Cesi, Carlo 33223 | Italian|Italian|Italian|Italian 315 | 1596 |1627 |1622 | 1669 |1691 |1682 | ca. 1661 | 1658 | 1664 | Etching 26137 | Sheet (Trimmed): 14 1/2 in. × 24 in. (36.9 × 61 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | Prints|Ornament & Architecture 673 | http://www.metmuseum.org/art/collection/search/368020 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
239935 | 239935 | 51.501.4327 | 0 | 0 | 368021 | Drawings and Prints 11 | Print 731 | Plate 6: Juno requesting the aid of Aeolus to destroy the fleet of Aeneas; from the 'Galleria Dipinta nel Palazzo del Prencipe Panfilio' after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome | Artist|Dedicatee|Publisher|Artist 3813 | after | Pietro da Cortona (Pietro Berrettini)|Cardinal Camillo Pamphili|Giovanni Giacomo De Rossi|Carlo Cesi | Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome|Italian, Antrodoco ca. 1622–1682 Rieti | Cortona, Pietro da (Pietro Berrettini)|Pamphili, Camillo|Rossi, Giovanni Giacomo De|Cesi, Carlo 33223 | Italian|Italian|Italian|Italian 315 | 1596 |1627 |1622 | 1669 |1691 |1682 | ca. 1661 | 1658 | 1664 | Etching 26137 | Sheet (Trimmed): 10 11/16 × 8 7/16 in. (27.2 × 21.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | Prints|Ornament & Architecture 673 | http://www.metmuseum.org/art/collection/search/368021 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
239936 | 239936 | 51.501.4328 | 0 | 0 | 368022 | Drawings and Prints 11 | Print 731 | Plate 7: Composition with stucco ornaments of a man and a woman, viewed from the rear; from the 'Galleria Dipinta nel Palazzo del Prencipe Panfilio' after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome | Artist|Dedicatee|Publisher|Artist 3813 | after | Pietro da Cortona (Pietro Berrettini)|Cardinal Camillo Pamphili|Giovanni Giacomo De Rossi|Carlo Cesi | Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome|Italian, Antrodoco ca. 1622–1682 Rieti | Cortona, Pietro da (Pietro Berrettini)|Pamphili, Camillo|Rossi, Giovanni Giacomo De|Cesi, Carlo 33223 | Italian|Italian|Italian|Italian 315 | 1596 |1627 |1622 | 1669 |1691 |1682 | ca. 1661 | 1658 | 1664 | Etching 26137 | Sheet (Trimmed): 14 1/2 × 21 3/4 in. (36.9 × 55.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | Prints|Ornament & Architecture 673 | http://www.metmuseum.org/art/collection/search/368022 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
239937 | 239937 | 51.501.4329 | 0 | 0 | 368023 | Drawings and Prints 11 | Print 731 | Composition with stucco ornaments, Castor and Pollux, and Cybele and Ceres; from the 'Galleria Dipinta nel Palazzo del Prencipe Panfilio' after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome | Artist|Dedicatee|Publisher|Artist 3813 | after | Pietro da Cortona (Pietro Berrettini)|Cardinal Camillo Pamphili|Giovanni Giacomo De Rossi|Carlo Cesi | Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome|Italian, Antrodoco ca. 1622–1682 Rieti | Cortona, Pietro da (Pietro Berrettini)|Pamphili, Camillo|Rossi, Giovanni Giacomo De|Cesi, Carlo 33223 | Italian|Italian|Italian|Italian 315 | 1596 |1627 |1622 | 1669 |1691 |1682 | ca. 1661 | 1658 | 1664 | Etching 26137 | Sheet (Trimmed): 14 5/8 × 22 1/8 in. (37.1 × 56.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | Prints|Ornament & Architecture 673 | http://www.metmuseum.org/art/collection/search/368023 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
239938 | 239938 | 51.501.4330 | 0 | 0 | 368024 | Drawings and Prints 11 | Print 731 | Plate 9: Assembly of the Gods at Olympus; Jupiter at center with Venus to his left, introducing Aeneas at far left; from the 'Galleria Dipinta nel Palazzo del Prencipe Panfilio' after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome | Artist|Dedicatee|Publisher|Artist 3813 | after | Pietro da Cortona (Pietro Berrettini)|Cardinal Camillo Pamphili|Giovanni Giacomo De Rossi|Carlo Cesi | Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome|Italian, Antrodoco ca. 1622–1682 Rieti | Cortona, Pietro da (Pietro Berrettini)|Pamphili, Camillo|Rossi, Giovanni Giacomo De|Cesi, Carlo 33223 | Italian|Italian|Italian|Italian 315 | 1596 |1627 |1622 | 1669 |1691 |1682 | ca. 1661 | 1658 | 1664 | Etching 26137 | Sheet (Trimmed): 14 15/16 × 22 1/16 in. (38 × 56.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | Prints|Ornament & Architecture 673 | http://www.metmuseum.org/art/collection/search/368024 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
239939 | 239939 | 51.501.4331 | 0 | 0 | 368025 | Drawings and Prints 11 | Print 731 | Plate 10: Composition with stucco ornaments of a man and a woman; from the 'Galleria Dipinta nel Palazzo del Prencipe Panfilio' after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome | Artist|Dedicatee|Publisher|Artist 3813 | after | Pietro da Cortona (Pietro Berrettini)|Cardinal Camillo Pamphili|Giovanni Giacomo De Rossi|Carlo Cesi | Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome|Italian, Antrodoco ca. 1622–1682 Rieti | Cortona, Pietro da (Pietro Berrettini)|Pamphili, Camillo|Rossi, Giovanni Giacomo De|Cesi, Carlo 33223 | Italian|Italian|Italian|Italian 315 | 1596 |1627 |1622 | 1669 |1691 |1682 | ca. 1661 | 1658 | 1664 | Etching 26137 | Sheet (Trimmed): 14 11/16 × 19 11/16 in. (37.3 × 50 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | Prints|Ornament & Architecture 673 | http://www.metmuseum.org/art/collection/search/368025 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
239940 | 239940 | 51.501.4332 | 0 | 0 | 368026 | Drawings and Prints 11 | Print 731 | Plate 11: Venus requesting armor from Vulcan for her son, Aeneas; from the 'Galleria Dipinta nel Palazzo del Prencipe Panfilio' after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome | Artist|Dedicatee|Publisher|Artist 3813 | after | Pietro da Cortona (Pietro Berrettini)|Cardinal Camillo Pamphili|Giovanni Giacomo De Rossi|Carlo Cesi | Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome|Italian, Antrodoco ca. 1622–1682 Rieti | Cortona, Pietro da (Pietro Berrettini)|Pamphili, Camillo|Rossi, Giovanni Giacomo De|Cesi, Carlo 33223 | Italian|Italian|Italian|Italian 315 | 1596 |1627 |1622 | 1669 |1691 |1682 | ca. 1661 | 1658 | 1664 | Etching 26137 | Sheet (Trimmed): 10 5/8 × 9 1/2 in. (27 × 24.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | Prints|Ornament & Architecture 673 | http://www.metmuseum.org/art/collection/search/368026 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
239941 | 239941 | 51.501.4333 | 0 | 0 | 368027 | Drawings and Prints 11 | Print 731 | Plate 12: Composition with stucco ornaments of a woman on the left and a man holding a club on the right; from the 'Galleria Dipinta nel Palazzo del Prencipe Panfilio' after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome | Artist|Dedicatee|Publisher|Artist 3813 | after | Pietro da Cortona (Pietro Berrettini)|Cardinal Camillo Pamphili|Giovanni Giacomo De Rossi|Carlo Cesi | Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome|Italian, Antrodoco ca. 1622–1682 Rieti | Cortona, Pietro da (Pietro Berrettini)|Pamphili, Camillo|Rossi, Giovanni Giacomo De|Cesi, Carlo 33223 | Italian|Italian|Italian|Italian 315 | 1596 |1627 |1622 | 1669 |1691 |1682 | ca. 1661 | 1658 | 1664 | Etching 26137 | Sheet (Trimmed): 14 3/4 × 19 3/4 in. (37.4 × 50.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | Prints|Ornament & Architecture 673 | http://www.metmuseum.org/art/collection/search/368027 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
239942 | 239942 | 51.501.4334 | 0 | 0 | 368028 | Drawings and Prints 11 | Print 731 | Plate 13: Aeneas and his son Ascanius before King Latinus, Aeneas extending an olive branch to the King; from the 'Galleria Dipinta nel Palazzo del Prencipe Panfilio' after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome | Artist|Dedicatee|Publisher|Artist 3813 | after | Pietro da Cortona (Pietro Berrettini)|Cardinal Camillo Pamphili|Giovanni Giacomo De Rossi|Carlo Cesi | Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome|Italian, Antrodoco ca. 1622–1682 Rieti | Cortona, Pietro da (Pietro Berrettini)|Pamphili, Camillo|Rossi, Giovanni Giacomo De|Cesi, Carlo 33223 | Italian|Italian|Italian|Italian 315 | 1596 |1627 |1622 | 1669 |1691 |1682 | ca. 1661 | 1658 | 1664 | Etching 26137 | Sheet (Trimmed): 14 13/16 × 19 15/16 in. (37.6 × 50.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | Prints|Ornament & Architecture 673 | http://www.metmuseum.org/art/collection/search/368028 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
239943 | 239943 | 51.501.4335 | 0 | 0 | 368029 | Drawings and Prints 11 | Print 731 | Plate 14: The Battle of Aeneas and Turnus; from the 'Galleria Dipinta nel Palazzo del Prencipe Panfilio' after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome | Artist|Dedicatee|Publisher|Artist 3813 | after | Pietro da Cortona (Pietro Berrettini)|Cardinal Camillo Pamphili|Giovanni Giacomo De Rossi|Carlo Cesi | Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome|Italian, Antrodoco ca. 1622–1682 Rieti | Cortona, Pietro da (Pietro Berrettini)|Pamphili, Camillo|Rossi, Giovanni Giacomo De|Cesi, Carlo 33223 | Italian|Italian|Italian|Italian 315 | 1596 |1627 |1622 | 1669 |1691 |1682 | ca. 1661 | 1658 | 1664 | Etching 26137 | Sheet (Trimmed): 14 3/4 × 19 5/8 in. (37.5 × 49.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | Prints|Ornament & Architecture 673 | http://www.metmuseum.org/art/collection/search/368029 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
239944 | 239944 | 51.501.4336 | 0 | 0 | 368030 | Drawings and Prints 11 | Print 731 | Plate 15: Composition with stucco ornaments and a medallion with youths shooting a bird; from the 'Galleria Dipinta nel Palazzo del Prencipe Panfilio' after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome | Artist|Dedicatee|Publisher|Artist 3813 | after | Pietro da Cortona (Pietro Berrettini)|Cardinal Camillo Pamphili|Giovanni Giacomo De Rossi|Carlo Cesi | Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome|Italian, Antrodoco ca. 1622–1682 Rieti | Cortona, Pietro da (Pietro Berrettini)|Pamphili, Camillo|Rossi, Giovanni Giacomo De|Cesi, Carlo 33223 | Italian|Italian|Italian|Italian 315 | 1596 |1627 |1622 | 1669 |1691 |1682 | ca. 1661 | 1658 | 1664 | Etching 26137 | Sheet (Trimmed): 11 1/4 × 28 3/4 in. (28.5 × 73 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | Prints|Ornament & Architecture 673 | http://www.metmuseum.org/art/collection/search/368030 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
239945 | 239945 | 51.501.4337 | 0 | 0 | 368031 | Drawings and Prints 11 | Print 731 | Plate 16: Cesi's dedication of the series to Prince Camillo Pamphili; from the 'Galleria Dipinta nel Palazzo del Prencipe Panfilio' after the ceiling frescoes by Pietro da Cortona depicting the history of Aeneas in the Palazzo Pamphili, Rome | Artist|Dedicatee|Publisher|Artist 3813 | after | Pietro da Cortona (Pietro Berrettini)|Cardinal Camillo Pamphili|Giovanni Giacomo De Rossi|Carlo Cesi | Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome|Italian, Antrodoco ca. 1622–1682 Rieti | Cortona, Pietro da (Pietro Berrettini)|Pamphili, Camillo|Rossi, Giovanni Giacomo De|Cesi, Carlo 33223 | Italian|Italian|Italian|Italian 315 | 1596 |1627 |1622 | 1669 |1691 |1682 | ca. 1661 | 1658 | 1664 | Etching 26137 | Sheet (Trimmed): 11 1/8 in. × 20 in. (28.3 × 50.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | Prints|Ornament & Architecture 673 | http://www.metmuseum.org/art/collection/search/368031 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
240384 | 240384 | 53.600.842 | 0 | 1 | 368500 | Drawings and Prints 11 | Print 731 | Flora | Artist|Artist|Former Attribution|Publisher 3969 | Designed by ?|Engraved by|Formerly attributed to|Published by | Battista Franco|Anonymous, Italian, second half of the 16th century|Enea Vico|Ferrando Bertelli | Italian, Venice ca. 1510–1561 Venice|Italian, Parma 1523–1567 Ferrara|active Venice, 1561–71 | Franco, Battista|Anonymous, Italian, 16th century second half|Vico, Enea|Bertelli, Ferrando 33344 | Italian|Italian|Italian|Italian 315 | 1510 |1550 |1523 |1561 | 1561 |1600 |1567 |1571 | ca. 1560–70 | 1555 | 1575 | Engraving 7208 | sheet: 16 1/4 x 11 5/16 in. (41.2 x 28.7 cm) trimmed to platemark | Harris Brisbane Dick Fund, 1953 | Prints 13 | http://www.metmuseum.org/art/collection/search/368500 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
242607 | 242607 | 41.72(2.57) | 0 | 1 | 370771 | Drawings and Prints 11 | Print 731 | Speculum Romanae Magnificentiae: Flora | Speculum Romanae Magnificentia 267 | Former Attribution|Artist|Artist|Printer 4041 | Formerly attributed to|After (?) | Enea Vico|Battista Franco|Anonymous, Italian, 16th century|Ferrando Bertelli | Italian, Parma 1523–1567 Ferrara|Italian, Venice ca. 1510–1561 Venice|active Venice, 1561–71 | Vico, Enea|Franco, Battista|Anonymous, Italian, 16th century|Bertelli, Ferrando 33904 | Italian|Italian|Italian|Italian 315 | 1523 |1510 |1500 |1561 | 1567 |1561 |1600 |1571 | mid-16th century | 1525 | 1575 | Engraving 7208 | sheet: 19 5/16 x 11 7/16 in. (49 x 29 cm) plate: 16 3/8 x 13 9/16 in. (41.6 x 34.5 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/370771 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
242608 | 242608 | 41.72(2.58) | 0 | 1 | 370772 | Drawings and Prints 11 | Print 731 | Speculum Romanae Magnificentiae: Flora | Speculum Romanae Magnificentiae 159 | Former Attribution|Artist|Artist|Publisher 3721 | Formerly attributed to|After (?) | Enea Vico|Battista Franco|Anonymous, Italian, 16th century|Claudio Duchetti | Italian, Parma 1523–1567 Ferrara|Italian, Venice ca. 1510–1561 Venice|Italian, active Venice and Rome, ca. 1565–died ca. 1585 | Vico, Enea|Franco, Battista|Anonymous, Italian, 16th century|Duchetti, Claudio 33905 | Italian|Italian|Italian|Italian 315 | 1523 |1510 |1500 |1565 | 1567 |1561 |1600 |1585 | mid-16th century | 1540 | 1570 | Engraving 7208 | sheet: 16 9/16 x 11 7/16 in. (42 x 29 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/370772 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
242794 | 242794 | 47.192 | 0 | 0 | 370962 | Drawings and Prints 11 | Book 97 | La figura della neve | Author|Publisher|Publisher|Illustrator 2170 | Written by|Published for the widow|Published by|Illustrated by | Donato Rossetti|Mrs. Carlo Gianelli|Domenico Paulino|Donato Rossetti | Italian, 1633–1686|Italian, 1633–1686 | , Turin|, Turin | Rossetti, Donato|Gianelli, Carlo Mrs.|Paulino, Domenico|Rossetti, Donato 33979 | Italian|Italian|Italian|Italian 315 | 1633 |1633 | 1686 |1686 | 1681 | 1681 | 1681 | Printed book with etchings 34302 | Overall: 7 x 4 7/8 in. (17.8 x 12.4 cm) | Harris Brisbane Dick Fund, 1947 | Books 442 | http://www.metmuseum.org/art/collection/search/370962 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
243846 | 243846 | 17.50.32 | 0 | 1 | 372053 | Drawings and Prints 11 | Print 731 | Christ standing at left addressing the Woman of Samaria at right who is standing by a well, lagoon in the background | Artist|Artist|Artist|Artist 189 | Design attributed to|Design attributed to|Design attributed to | Giulio Campagnola|Giorgione|Titian (Tiziano Vecellio)|Sebastiano del Piombo (Sebastiano Luciani) | Italian, Padua ca. 1482–ca. 1515/18 Venice|Italian, Castelfranco Veneto 1477/78–1510 Venice|Italian, Pieve di Cadore ca. 1485/90?–1576 Venice|Italian, Venice (?) 1485/86–1547 Rome | Campagnola, Giulio|Giorgione|Titian (Tiziano Vecellio)|Sebastiano del Piombo (Sebastiano Luciani) 34317 | Italian|Italian|Italian|Italian 315 | 1482 |1477 |1485 |1485 | 1515 |1510 |1576 |1547 | ca. 1510–12 | 1510 | 1512 | Engraving 7208 | Sheet: 4 3/4 × 6 11/16 in. (12 × 17 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | Prints 13 | http://www.metmuseum.org/art/collection/search/372053 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
243847 | 243847 | 19.39 | 0 | 1 | 372054 | Drawings and Prints 11 | Print 731 | Saint John the Baptist standing in landscape, figures and buildings in the backgroud | Artist|Publisher|Artist|Artist 927 | Published by|Design of landscape attributed to|Figure after drawing by school of | Giulio Campagnola|Nicolò Nelli|Giorgione|Andrea Mantegna | Italian, Padua ca. 1482–ca. 1515/18 Venice|Italian, active Venice, ca. 1552–79|Italian, Castelfranco Veneto 1477/78–1510 Venice|Italian, Isola di Carturo 1430/31–1506 Mantua | Campagnola, Giulio|Nelli, Nicolò|Giorgione|Mantegna, Andrea 34318 | Italian|Italian|Italian|Italian 315 | 1482 |1552 |1477 |1430 | 1515 |1579 |1510 |1506 | ca. 1505–10 | 1500 | 1515 | Engraving 7208 | Sheet (Trimmed to plate): 13 9/16 × 9 7/16 in. (34.5 × 24 cm) | Rogers Fund, 1919 | Prints 13 | http://www.metmuseum.org/art/collection/search/372054 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
247546 | 247546 | 27.78.1(26) | 0 | 1 | 375835 | Drawings and Prints 11 | Print 731 | Wilton Album, folio 10a: Priapus and Lotis | Artist|Artist|Artist|Artist 189 | Based on a drawing attributed to|Based on a drawing attributed to|Etching tentatively attributed to | Parmigianino (Girolamo Francesco Maria Mazzola)|Girolamo Mazzola Bedoli|Anonymous, Italian, 16th century|Bertoia (Jacopo Zanguidi) | Italian, Parma 1503–1540 Casalmaggiore|Italian, Viadana ca. 1505–ca. 1570 Parma|Italian, Parma 1544–?1573 Caprarola (?) | by Diane De Grazia (1991) | Parmigianino (Girolamo Francesco Maria Mazzola)|Bedoli, Girolamo Mazzola|Anonymous, Italian, 16th century|Bertoia (Jacopo Zanguidi) 34956 | Italian|Italian|Italian|Italian 315 | 1503 |1505 |1500 |1544 | 1540 |1570 |1600 |1573 | ca. 1530–50 | 1525 | 1555 | Etching 26137 | Sheet: 7 7/8 x 10 3/4 in. (20 x 27.3 cm) | Harris Brisbane Dick Fund, 1927 | Prints 13 | http://www.metmuseum.org/art/collection/search/375835 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
248241 | 248241 | 17.3.756–1287 | 0 | 0 | 376543 | Drawings and Prints 11 | Print 731 | Corilla Olympica (Maria Maddalena Morelli) Crowned by a Cherub | Artist|Artist|Publisher|Sitter 1353 | After|Published by|Portrait of | Francesco Bartolozzi|Anna Piatolli|Antonio Zatta|Maria Maddalena Morelli | Italian, Florence 1728–1815 Lisbon|Italian, 1720–1788|Italian|Italian, Pistoia 1727–1800 Florence | , Venice | Bartolozzi, Francesco|Piatolli, Anna|Zatta, Antonio|Morelli, Maria Maddalena 35168 | Italian|Italian|Italian|Italian 315 | 1728 |1720 |1727 | 1815 |1788 |1800 | 1765 | 1765 | 1765 | Etching and engraving; second state of two 35451 | image: 5 3/4 x 4 5/8 in. (14.6 x 11.7 cm) sheet: 6 3/4 x 4 5/8 in. (17.1 x 11.7 cm) | Harris Brisbane Dick Fund, 1917 | Prints 13 | http://www.metmuseum.org/art/collection/search/376543 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
249322 | 249322 | 36.89.4 | 0 | 1 | 377754 | Drawings and Prints 11 | Print 731 | Sixth scene, the heavens, from 'The marriage of the gods' (Le nozze degli Dei) | 'The marriage of the gods' (Le nozze degli Dei) 1016 | Artist|Artist|Dedicatee|Publisher 3952 | After set by | Stefano della Bella|Alfonso Parigi|Ferdinando II de' Medici, Grand Duke of Tuscany|Massi & Landi | Italian, Florence 1610–1664 Florence|Italian, ca. 1625–1656|Italian, Florence 1610–1670 Florence|Florence, first half 17th century | Bella, Stefano della|Parigi, Alfonso|Medici, Ferdinando II de', Grand Duke of Tuscany|Massi & Landi 35449 | Italian|Italian|Italian|Italian 315 | 1610 |1625 |1610 |0017 | 1664 |1656 |1670 |0017 | 1637 | 1637 | 1637 | Etching 26137 | Sheet: 8 9/16 × 11 7/8 in. (21.7 × 30.2 cm) | Gift of Mrs. William Greenough, 1936 | Prints 13 | http://www.metmuseum.org/art/collection/search/377754 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
264420 | 264420 | 46.50.2(40) | 0 | 1 | 393379 | Drawings and Prints 11 | Print ; ornament and architecture 14027 | Bacchanal with Five Putti, Rondel in a Rectangular Frame (in "Designs for Various Ornaments," pl. 40) | Artist|Artist|Publisher|Artist 1172 | After|Published by | Francesco Bartolozzi|Giovanni Battista Cipriani|Michelangelo Pergolesi|Michelangelo Pergolesi | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|Italian, active from 1760–died 1801|Italian, active from 1760–died 1801 | Bartolozzi, Francesco|Cipriani, Giovanni Battista|Pergolesi, Michelangelo|Pergolesi, Michelangelo 38620 | Italian|Italian|Italian|Italian 315 | 1728 |1727 |1760 |1760 | 1815 |1785 |1801 |1801 | February 29, 1782 | 1782 | 1782 | Etching 26137 | plate: 17 7/8 x 11 in. (45.4 x 27.9 cm) | Harris Brisbane Dick Fund, 1946 | Prints|Ornament & Architecture 673 | http://www.metmuseum.org/art/collection/search/393379 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
264421 | 264421 | 46.50.2(30) | 0 | 0 | 393380 | Drawings and Prints 11 | Print ; ornament and architecture 14027 | Four Putti Playing with Flowers, Rondel in a Rectangular Frame (in "Designs for Various Ornaments," pl. 30) | Engraver|Artist|Publisher|Artist 4533 | After|Overall design by | Francesco Bartolozzi|Giovanni Battista Cipriani|Michelangelo Pergolesi|Michelangelo Pergolesi | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|Italian, active from 1760–died 1801|Italian, active from 1760–died 1801 | Bartolozzi, Francesco|Cipriani, Giovanni Battista|Pergolesi, Michelangelo|Pergolesi, Michelangelo 38620 | Italian|Italian|Italian|Italian 315 | 1728 |1727 |1760 |1760 | 1815 |1785 |1801 |1801 | August 31, 1780 | 1780 | 1780 | Etching 26137 | rondel diameter: 5 1/4 in. (13.4 cm) plate: 17 11/16 x 10 7/8 in. (45 x 27.6 cm) | Harris Brisbane Dick Fund, 1946 | Prints|Ornament & Architecture 673 | http://www.metmuseum.org/art/collection/search/393380 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
264422 | 264422 | 46.50.2(20) | 0 | 0 | 393381 | Drawings and Prints 11 | Print ; ornament and architecture 14027 | Four Cupids Sacrificing a Goat, Oval in a Rectangular Frame (in "Designs for Various Ornaments," pl. 20) | Engraver|Artist|Publisher|Artist 4533 | After|Overall design by | Francesco Bartolozzi|Giovanni Battista Cipriani|Michelangelo Pergolesi|Michelangelo Pergolesi | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|Italian, active from 1760–died 1801|Italian, active from 1760–died 1801 | Bartolozzi, Francesco|Cipriani, Giovanni Battista|Pergolesi, Michelangelo|Pergolesi, Michelangelo 38620 | Italian|Italian|Italian|Italian 315 | 1728 |1727 |1760 |1760 | 1815 |1785 |1801 |1801 | March 1, 1779 | 1779 | 1779 | Etching 26137 | oval: 3 9/16 x 5 7/16 in. (9 x 13.8 cm) plate: 18 3/4 x 9 1/16 in. (47.7 x 23 cm) | Harris Brisbane Dick Fund, 1946 | Prints|Ornament & Architecture 673 | http://www.metmuseum.org/art/collection/search/393381 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
264423 | 264423 | 46.50.2(10) | 0 | 0 | 393382 | Drawings and Prints 11 | Print ; ornament and architecture 14027 | Putti Enacting the Marriage of Cupid and Psyche, Oval in a Rectangular Frame (in "Designs for Various Ornaments," pl. 10) | Engraver|Artist|Publisher|Artist 4533 | After|Overall design by | Francesco Bartolozzi|Giovanni Battista Cipriani|Michelangelo Pergolesi|Michelangelo Pergolesi | Italian, Florence 1728–1815 Lisbon|Italian, Florence 1727–1785 Hammersmith (active London)|Italian, active from 1760–died 1801|Italian, active from 1760–died 1801 | Bartolozzi, Francesco|Cipriani, Giovanni Battista|Pergolesi, Michelangelo|Pergolesi, Michelangelo 38620 | Italian|Italian|Italian|Italian 315 | 1728 |1727 |1760 |1760 | 1815 |1785 |1801 |1801 | September 1, 1777 | 1777 | 1777 | Etching 26137 | plate: 18 3/4 x 7 15/16 in. (47.6 x 20.1 cm) | Harris Brisbane Dick Fund, 1946 | Prints|Ornament & Architecture 673 | http://www.metmuseum.org/art/collection/search/393382 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
266710 | 266710 | 2012.136.953(1) | 0 | 0 | 395735 | Drawings and Prints 11 | Print 731 | Frontispiece to a series of fifteen plates with a dedication to Leopoldo de'Medici: two lions beneath a scroll facing the Medici coat of arms | Artist|Publisher|Artist|Dedicatee 4578 | After | Pietro Santi Bartoli|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Leopoldo de' Medici | Italian, Perugia 1615–1700 Rome|Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian | Bartoli, Pietro Santi|Rossi, Giovanni Giacomo De|Raphael (Raffaello Sanzio or Santi)|Medici, Leopoldo de' 39326 | Italian|Italian|Italian|Italian 315 | 1615 |1627 |1483 | 1700 |1691 |1520 | ca. 1655–76 | 1650 | 1660 | Etching 26137 | Sheet: 11 7/16 × 16 15/16 in. (29 × 43 cm) Plate: 4 15/16 × 9 7/16 in. (12.5 × 24 cm) | Bequest of Phyllis Massar, 2011 | Prints|(not assigned) 735 | http://www.metmuseum.org/art/collection/search/395735 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
267909 | 267909 | 51.501.4888 | 0 | 1 | 396953 | Drawings and Prints 11 | Print 731 | Saint Roch at left distributing alms to a group of people gathered around him, after Annibale Caracci | Artist|Artist|Publisher|Artist 1172 | Formerly attributed to|After | Francesco Brizio|Guido Reni|Pietro Stefanoni|Annibale Carracci | Italian, Bologna ca. 1574–1623 Bologna|Italian, Bologna 1575–1642 Bologna|Italian, Valstagna ca. 1557– ca. 1642 Rome|Italian, Bologna 1560–1609 Rome | Brizio, Francesco|Reni, Guido|Stefanoni, Pietro|Carracci, Annibale 39584 | Italian|Italian|Italian|Italian 315 | 1569 |1575 |1557 |1560 | 1623 |1642 |1642 |1609 | ca. 1590–1600 | 1585 | 1600 | Etching 26137 | Sheet (Trimmed): 11 3/4 × 18 1/2 in. (29.9 × 47 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 | Prints 13 | http://www.metmuseum.org/art/collection/search/396953 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
268006 | 268006 | 26.70.4(130) | 0 | 1 | 397050 | Drawings and Prints 11 | Print 731 | Saint Roch at left distributing alms to a group of people gathered around him, after Annibale Caracci | Publisher|Artist|Artist|Artist 1298 | Formerly attributed to|After | Pietro Stefanoni|Francesco Brizio|Guido Reni|Annibale Carracci | Italian, Valstagna ca. 1557– ca. 1642 Rome|Italian, Bologna ca. 1574–1623 Bologna|Italian, Bologna 1575–1642 Bologna|Italian, Bologna 1560–1609 Rome | Stefanoni, Pietro|Brizio, Francesco|Reni, Guido|Carracci, Annibale 39597 | Italian|Italian|Italian|Italian 315 | 1557 |1569 |1575 |1560 | 1642 |1623 |1642 |1609 | 1590–1600 | 1590 | 1600 | Etching 26137 | Sheet (Trimmed): 17 15/16 × 11 9/16 in. (45.6 × 29.4 cm) | Harris Brisbane Dick Fund, 1926 | Prints 13 | http://www.metmuseum.org/art/collection/search/397050 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
268008 | 268008 | 66.747.123 | 0 | 1 | 397052 | Drawings and Prints 11 | Print 731 | Saint Roch at left distributing alms to a group of people gathered around him, after Annibale Caracci | Artist|Artist|Publisher|Artist 1172 | Formerly attributed to|After | Guido Reni|Francesco Brizio|Pietro Stefanoni|Annibale Carracci | Italian, Bologna 1575–1642 Bologna|Italian, Bologna ca. 1574–1623 Bologna|Italian, Valstagna ca. 1557– ca. 1642 Rome|Italian, Bologna 1560–1609 Rome | Reni, Guido|Brizio, Francesco|Stefanoni, Pietro|Carracci, Annibale 39599 | Italian|Italian|Italian|Italian 315 | 1575 |1569 |1557 |1560 | 1642 |1623 |1642 |1609 | ca. 1607 | 1602 | 1612 | Etching 26137 | Sheet (Trimmed): 11 7/16 × 17 15/16 in. (29 × 45.5 cm) | Gift of Mrs. John H. Sichel, 1966 | Prints 13 | http://www.metmuseum.org/art/collection/search/397052 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
274765 | 274765 | 41.72(2.2) | 0 | 1 | 403938 | Drawings and Prints 11 | Print 731 | Speculum Romanae Magnificentiae: Birdseye View of the Port of Rome | Speculum Romanae Magnificentiae 159 | Artist|Artist|Publisher|Publisher 939 | After|First published by | Giulio de Musi|Pirro Ligorio|Michele Tramezzino|Giovanni Battista de Rossi | Italian, active 1550–1555|Italian, Naples ca. 1512/13–1583 Ferrara|Italian, active Venice and Rome, 1526–died 1561|Italian, 17th century | Musi, Giulio de|Ligorio, Pirro|Tramezzino, Michele|de Rossi, Giovanni Battista 40575 | Italian|Italian|Italian|Italian 315 | 1550 |1512 |1526 |1600 | 1555 |1583 |1561 |1699 | 1554 | 1554 | 1554 | Engraving 7208 | sheet: 15 9/16 x 26 15/16 in. (39.5 x 68.5 cm) mount: 22 1/8 x 33 5/8 in. (56.2 x 85.4 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/403938 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
277753 | 277753 | 41.71.1.18(37) | 0 | 0 | 406935 | Drawings and Prints 11 | Print 731 | Portrait Statue for the tomb of Giambattista Piranesi, from Classical Statues in Rome | Classical Statues in Rome 733 | Artist|Artist|Sitter|Artist 4652 | After|Sculpted by | Francesco Piranesi|Tommaso Piroli|Giovanni Battista Piranesi|Giuseppe Angelini | Italian, Rome 1758–1810 Paris|Italian, Rome 1752–1824 Rome|Italian, Mogliano Veneto 1720–1778 Rome|Italian, 1735–1811 | Piranesi, Francesco|Piroli, Tommaso|Piranesi, Giovanni Battista|Angelini, Giuseppe 40748 | Italian|Italian|Italian|Italian 315 | 1758 |1752 |1720 |1735 | 1810 |1824 |1778 |1811 | 1790 | 1790 | 1790 | Etching 26137 | Sheet: 21 7/16 x 15 15/16 in. (54.5 x 40.5 cm) Plate: 20 1/16 x 12 7/8 in. (51 x 32.7 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/406935 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
278593 | 278593 | 41.71.1.23(1) | 0 | 0 | 407783 | Drawings and Prints 11 | Print 731 | The Chariot of the Sun, or of Apollo (Char du Soleil, ou d'Apollon), from Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli (Paintings from tha Sala Borgia in the Vatican by Raphael), plate 1 | Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli 1774 | Artist|Artist|Publisher|Publisher 939 | After | Tommaso Piroli|Raphael (Raffaello Sanzio or Santi)|Pietro Piranesi|Francesco Piranesi | Italian, Rome 1752–1824 Rome|Italian, Urbino 1483–1520 Rome|Italian, born 1758/9|Italian, Rome 1758–1810 Paris | Piroli, Tommaso|Raphael (Raffaello Sanzio or Santi)|Piranesi, Pietro|Piranesi, Francesco 40861 | Italian|Italian|Italian|Italian 315 | 1752 |1483 |1758 |1758 | 1824 |1520 |1810 | 1803 | 1803 | 1803 | Engraving 7208 | Sheet: 21 7/16 x 15 3/8 in. (54.5 x 39 cm) Plate: 7 15/16 x 10 9/16 in. (20.2 x 26.8 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/407783 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
278595 | 278595 | 41.71.1.23(2) | 0 | 0 | 407785 | Drawings and Prints 11 | Print 731 | Chariot of the Moon, or of Diana (Char de la Lune, ou de Diane), from Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli (Paintings from tha Sala Borgia in the Vatican by Raphael), plate 2 | Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli 1774 | Artist|Artist|Publisher|Publisher 939 | After | Tommaso Piroli|Raphael (Raffaello Sanzio or Santi)|Pietro Piranesi|Francesco Piranesi | Italian, Rome 1752–1824 Rome|Italian, Urbino 1483–1520 Rome|Italian, born 1758/9|Italian, Rome 1758–1810 Paris | Piroli, Tommaso|Raphael (Raffaello Sanzio or Santi)|Piranesi, Pietro|Piranesi, Francesco 40861 | Italian|Italian|Italian|Italian 315 | 1752 |1483 |1758 |1758 | 1824 |1520 |1810 | 1803 | 1803 | 1803 | Engraving 7208 | Sheet: 21 7/16 x 15 3/8 in. (54.5 x 39 cm) Plate: 7 15/16 x 10 9/16 in. (20.2 x 26.8 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/407785 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
278605 | 278605 | 41.71.1.23(3) | 0 | 0 | 407795 | Drawings and Prints 11 | Print 731 | Chariot of Jupiter (Char de Jupiter), from Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli (Paintings from tha Sala Borgia in the Vatican by Raphael), plate 3 | Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli 1774 | Artist|Artist|Publisher|Publisher 939 | After | Tommaso Piroli|Raphael (Raffaello Sanzio or Santi)|Pietro Piranesi|Francesco Piranesi | Italian, Rome 1752–1824 Rome|Italian, Urbino 1483–1520 Rome|Italian, born 1758/9|Italian, Rome 1758–1810 Paris | Piroli, Tommaso|Raphael (Raffaello Sanzio or Santi)|Piranesi, Pietro|Piranesi, Francesco 40861 | Italian|Italian|Italian|Italian 315 | 1752 |1483 |1758 |1758 | 1824 |1520 |1810 | 1803 | 1803 | 1803 | Engraving 7208 | Sheet: 21 7/16 x 15 3/8 in. (54.5 x 39 cm) Plate: 7 15/16 x 10 9/16 in. (20.2 x 26.8 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/407795 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
278606 | 278606 | 41.71.1.23(4) | 0 | 0 | 407796 | Drawings and Prints 11 | Print 731 | Chariot of Venus (Char de Venus), from Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli (Paintings from tha Sala Borgia in the Vatican by Raphael), plate 4 | Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli 1774 | Artist|Artist|Publisher|Publisher 939 | After | Tommaso Piroli|Raphael (Raffaello Sanzio or Santi)|Pietro Piranesi|Francesco Piranesi | Italian, Rome 1752–1824 Rome|Italian, Urbino 1483–1520 Rome|Italian, born 1758/9|Italian, Rome 1758–1810 Paris | Piroli, Tommaso|Raphael (Raffaello Sanzio or Santi)|Piranesi, Pietro|Piranesi, Francesco 40861 | Italian|Italian|Italian|Italian 315 | 1752 |1483 |1758 |1758 | 1824 |1520 |1810 | 1803 | 1803 | 1803 | Engraving 7208 | Sheet: 21 7/16 x 15 3/8 in. (54.5 x 39 cm) Plate: 7 15/16 x 10 9/16 in. (20.2 x 26.8 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/407796 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
278607 | 278607 | 41.71.1.23(5) | 0 | 0 | 407797 | Drawings and Prints 11 | Print 731 | Chariot of Mars (Char de Mars), from Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli (Paintings from tha Sala Borgia in the Vatican by Raphael), plate 5 | Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli 1774 | Artist|Artist|Publisher|Publisher 939 | After | Tommaso Piroli|Raphael (Raffaello Sanzio or Santi)|Pietro Piranesi|Francesco Piranesi | Italian, Rome 1752–1824 Rome|Italian, Urbino 1483–1520 Rome|Italian, born 1758/9|Italian, Rome 1758–1810 Paris | Piroli, Tommaso|Raphael (Raffaello Sanzio or Santi)|Piranesi, Pietro|Piranesi, Francesco 40861 | Italian|Italian|Italian|Italian 315 | 1752 |1483 |1758 |1758 | 1824 |1520 |1810 | 1803 | 1803 | 1803 | Engraving 7208 | Sheet: 21 7/16 x 15 3/8 in. (54.5 x 39 cm) Plate: 7 15/16 x 10 9/16 in. (20.2 x 26.8 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/407797 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
278608 | 278608 | 41.71.1.23(6) | 0 | 0 | 407798 | Drawings and Prints 11 | Print 731 | Chariot of Mercury (Char de Mercure), from Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli (Paintings from tha Sala Borgia in the Vatican by Raphael), plate 6 | Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli 1774 | Artist|Artist|Publisher|Publisher 939 | After | Tommaso Piroli|Raphael (Raffaello Sanzio or Santi)|Pietro Piranesi|Francesco Piranesi | Italian, Rome 1752–1824 Rome|Italian, Urbino 1483–1520 Rome|Italian, born 1758/9|Italian, Rome 1758–1810 Paris | Piroli, Tommaso|Raphael (Raffaello Sanzio or Santi)|Piranesi, Pietro|Piranesi, Francesco 40861 | Italian|Italian|Italian|Italian 315 | 1752 |1483 |1758 |1758 | 1824 |1520 |1810 | 1803 | 1803 | 1803 | Engraving 7208 | Sheet: 21 7/16 x 15 3/8 in. (54.5 x 39 cm) Plate: 7 15/16 x 10 9/16 in. (20.2 x 26.8 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/407798 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
278609 | 278609 | 41.71.1.23(7) | 0 | 0 | 407799 | Drawings and Prints 11 | Print 731 | Chariot of Saturn (Char de Saturne), from Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli (Paintings from tha Sala Borgia in the Vatican by Raphael), plate 7 | Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli 1774 | Artist|Artist|Publisher|Publisher 939 | After | Tommaso Piroli|Raphael (Raffaello Sanzio or Santi)|Pietro Piranesi|Francesco Piranesi | Italian, Rome 1752–1824 Rome|Italian, Urbino 1483–1520 Rome|Italian, born 1758/9|Italian, Rome 1758–1810 Paris | Piroli, Tommaso|Raphael (Raffaello Sanzio or Santi)|Piranesi, Pietro|Piranesi, Francesco 40861 | Italian|Italian|Italian|Italian 315 | 1752 |1483 |1758 |1758 | 1824 |1520 |1810 | 1803 | 1803 | 1803 | Engraving 7208 | Sheet: 21 7/16 x 15 3/8 in. (54.5 x 39 cm) Plate: 7 15/16 x 10 9/16 in. (20.2 x 26.8 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/407799 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
278610 | 278610 | 41.71.1.23(8) | 0 | 0 | 407800 | Drawings and Prints 11 | Print 731 | Five different friezes, which bring together whims, taste, and the beautiful imitation of the antique, from Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli (Paintings from tha Sala Borgia in the Vatican by Raphael), plate 8 | Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli 1774 | Artist|Artist|Publisher|Publisher 939 | After | Tommaso Piroli|Raphael (Raffaello Sanzio or Santi)|Pietro Piranesi|Francesco Piranesi | Italian, Rome 1752–1824 Rome|Italian, Urbino 1483–1520 Rome|Italian, born 1758/9|Italian, Rome 1758–1810 Paris | Piroli, Tommaso|Raphael (Raffaello Sanzio or Santi)|Piranesi, Pietro|Piranesi, Francesco 40861 | Italian|Italian|Italian|Italian 315 | 1752 |1483 |1758 |1758 | 1824 |1520 |1810 | 1803 | 1803 | 1803 | Engraving 7208 | Sheet: 21 7/16 x 15 3/8 in. (54.5 x 39 cm) Plate: 10 5/8 x 8 1/4 in. (27 x 21 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/407800 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
278631 | 278631 | 41.71.1.23(9) | 0 | 0 | 407821 | Drawings and Prints 11 | Print 731 | Friezes with the figures of Jupiter and Minerva raised up in the middle of the scroll pattern, with alternating Nymphs and Geniuses, from Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli (Paintings from tha Sala Borgia in the Vatican by Raphael), plate 9 | Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli 1774 | Artist|Artist|Publisher|Publisher 939 | After | Tommaso Piroli|Raphael (Raffaello Sanzio or Santi)|Pietro Piranesi|Francesco Piranesi | Italian, Rome 1752–1824 Rome|Italian, Urbino 1483–1520 Rome|Italian, born 1758/9|Italian, Rome 1758–1810 Paris | Piroli, Tommaso|Raphael (Raffaello Sanzio or Santi)|Piranesi, Pietro|Piranesi, Francesco 40861 | Italian|Italian|Italian|Italian 315 | 1752 |1483 |1758 |1758 | 1824 |1520 |1810 | 1803 | 1803 | 1803 | Engraving 7208 | Sheet: 21 7/16 x 15 3/8 in. (54.5 x 39 cm) Plate: 8 7/16 x 10 11/16 in. (21.5 x 27.2 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/407821 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
278632 | 278632 | 41.71.1.23(10) | 0 | 0 | 407822 | Drawings and Prints 11 | Print 731 | The Zodiac signs of Aquarius and Libra, from Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli (Paintings from tha Sala Borgia in the Vatican by Raphael), plate 10 | Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli 1774 | Artist|Artist|Publisher|Publisher 939 | After | Tommaso Piroli|Raphael (Raffaello Sanzio or Santi)|Pietro Piranesi|Francesco Piranesi | Italian, Rome 1752–1824 Rome|Italian, Urbino 1483–1520 Rome|Italian, born 1758/9|Italian, Rome 1758–1810 Paris | Piroli, Tommaso|Raphael (Raffaello Sanzio or Santi)|Piranesi, Pietro|Piranesi, Francesco 40861 | Italian|Italian|Italian|Italian 315 | 1752 |1483 |1758 |1758 | 1824 |1520 |1810 | 1803 | 1803 | 1803 | Engraving 7208 | Sheet: 21 7/16 x 15 3/8 in. (54.5 x 39 cm) Plate: 6 7/8 x 9 3/16 in. (17.5 x 23.4 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/407822 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||
278633 | 278633 | 41.71.1.23(11) | 0 | 0 | 407823 | Drawings and Prints 11 | Print 731 | Gemini as Zephyr and Flora, and Virgo as weeping Erigone, from Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli (Paintings from tha Sala Borgia in the Vatican by Raphael), plate 11 | Peintures de la Sala Borgia au Vatican de l'invention de Raphael recueilles par les Piranesi et Dessinées par Thomas Piroli 1774 | Artist|Artist|Publisher|Publisher 939 | After | Tommaso Piroli|Raphael (Raffaello Sanzio or Santi)|Pietro Piranesi|Francesco Piranesi | Italian, Rome 1752–1824 Rome|Italian, Urbino 1483–1520 Rome|Italian, born 1758/9|Italian, Rome 1758–1810 Paris | Piroli, Tommaso|Raphael (Raffaello Sanzio or Santi)|Piranesi, Pietro|Piranesi, Francesco 40861 | Italian|Italian|Italian|Italian 315 | 1752 |1483 |1758 |1758 | 1824 |1520 |1810 | 1803 | 1803 | 1803 | Engraving 7208 | Sheet: 21 7/16 x 15 3/8 in. (54.5 x 39 cm) Plate: 6 7/8 x 9 1/4 in. (17.5 x 23.5 cm) | Rogers Fund, Transferred from the Library, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/407823 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 |
JSON shape: default, array, newline-delimited
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