This data as json
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 36572 | JP2773 | 0 | 1 | 42564 | 7 | 731 | 鈴木春信画 将棋・三十六歌仙 「中納言兼輔」|A Young Woman and Man Playing Shōgi (Japanese Chess); Chūnagon Kanesuke, from a series alluding to the Thirty-Six Poetic Immortals (Sanjūrokkasen) | 46 | Edo period (1615–1868) | 2 | Suzuki Harunobu | Japanese, 1725–1770 | 3459 | 74 | 1725 | 1770 | ca. 1767–69 | 1767 | 1769 | 7352 | 11 1/8 x 8 1/8 in. (28.3 x 20.6 cm) | Henry L. Phillips Collection, Bequest of Henry L. Phillips, 1939 | 13 | http://www.metmuseum.org/art/collection/search/42564 | 4/23/2018 8:00:01 AM | 1 |