This data as json
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 263780 | 59.533.932 | 0 | 1 | 392726 | 11 | 731 | The Departure from the Coast, or the End of the Farce of Invasion | 710 | Thomas Rowlandson|Rudolph Ackermann, London | British, London 1757–1827 London|active 1794–1829 | 32059 | 9 | 1757 |1764 | 1827 |1834 | October 1, 1805 | 1805 | 1805 | 34862 | Sheet: 11 15/16 × 14 11/16 in. (30.3 × 37.3 cm) Plate: 11 1/4 × 13 9/16 in. (28.5 × 34.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/392726 | 4/23/2018 8:00:01 AM | 1 |