This data as json
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 218168 | 1995.511.1 | 0 | 1 | 345670 | 11 | 731 | In the Evening, Lying on Her Bed, She Reread the Letter from Her Artilleryman at the Front (Le Soir, couchée dans son lit, elle relisait la lettre de son artilleur au front), published in Les Mots en liberté futuristes | 2 | Filippo Tommaso Marinetti | Italian, born Egypt, Alexandria 1876–1944 Bellagio, Italy | 21673 | 6 | 1876 | 1944 | Created 1917, published 1919 | 1917 | 1917 | 26071 | 13 3/4 x 9 1/8 in. (34.9 x 23.2 cm) | Gift of W. Michael Sheehe, 1995 | 13 | http://www.metmuseum.org/art/collection/search/345670 | 4/23/2018 8:00:01 AM | 1 |