This data as json
rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
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206657 | 35.29.2 | 0 | 0 | 334001 | 11 | 97 | Liber Veritatis; or a Collection of Prints, After the Original Designs of Claude le Lorrain; in the Collection of His Grace the Duke of Devonshire...Executed by Richard Earlom, in the Manner and Taste of the Originals. | 1008 | Portrait engraved by|Portrait after | Richard Earlom|Claude Lorrain (Claude Gellée)|Thomas Goff Lupton|Richard Earlom|Hurst, Robinson & Co.|Thomas Davison|George Steuart II | British, London 1743–1822 London|French, Chamagne 1604/5?–1682 Rome|British, London 1791–1873 London|British, London 1743–1822 London|London|London|British, active ca. 1783–90 | 17374 | 760 | 1743 |1604 |1791 |1743 |1775 |1765 |1690 | 1822 |1682 |1873 |1822 |1850 |1830 |1883 | 1819 | 1819 | 1819 | 29032 | 17 1/4 x 11 9/16 x 1 5/8 in. (43.8 x 29.3 x 4.1cm) | Harris Brisbane Dick Fund, 1935 | 442 | http://www.metmuseum.org/art/collection/search/334001 | 4/23/2018 8:00:01 AM | 1 |