This data as json
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 206640 | 32.80.4(2) | 0 | 0 | 333984 | 11 | 97 | Liber Veritatis. Or, A Collection of Two Hundred Prints, After the Original Designs of Claude le Lorrain, in the Collection of His Grace the Duke of Devonshire, Executed by Richard Earlom, in the Manner and Taste of the Drawings. | 1005 | After | Richard Earlom|Claude Lorrain (Claude Gellée)|John Boydell | British, London 1743–1822 London|French, Chamagne 1604/5?–1682 Rome|British, Shropshire 1720–1804 London | 17367 | 712 | 1743 |1604 |1720 | 1822 |1682 |1804 | 1777 | 1777 | 1777 | 29032 | 16 11/16 × 11 3/4 in. (42.4 × 29.8 cm) | Harris Brisbane Dick Fund, 1932 | 442 | http://www.metmuseum.org/art/collection/search/333984 | 4/23/2018 8:00:01 AM | 1 |