This data as json
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 14718 | 1997.336 | 0 | 0 | 15975 | 2 | 23 | Mistress Mary Quite Contrary | 2 | Lydia Field Emmet | American, New Rochelle, New York 1866–1952 | 2332 | 1 | 1866 | 1952 | 1891 | 1891 | 1891 | 2510 | 7 1/2 x 10 1/4 in. (19.1 x 26 cm) | Purchase, Barrie A. and Deedee Wigmore Foundation Gift, 1997 | 9 | http://www.metmuseum.org/art/collection/search/15975 | 4/23/2018 8:00:01 AM | 1 |